#idk im just. emotional

[ethanhuntfemmefatale]

sometimes i think about an AA universe where Edgeworth didn't have to be shuffled off every 5 seconds so he could maintain credibility as a rival....where Phoenix didn't have to win every case...yes AA is a game yes i understand why it did that for the narrative. but when I look at those lonely scared 24 year olds from AA1 i can't help but think that their version of a happy ending would be to be able to get used to each other. to face each other over stupid cases and small things. Sometimes one winning, sometimes the other, until it hardly matters anymore, all that matters is finding the truth together. I want them to take each other for granted!!! i want them to look at the other across the courtroom and say "time to face this bitch for the hundredth time i guess!!" these poor bastards have never had anything approaching emotional stability before let them have each other damn it

[crows-home]

part of my nimona viewing experience. idk why but i got super emotional in the first five minutes.

ID by @peachygos

[ID: A comic juxtaposing screenshots from Nimona 2023 and drawings of a person watching the movie. The first screenshot is Ambrosius's introduction; he grins at the camera as the news anchors introduce him, his name in big print on the screen. The person watching thinks with a bored expression, "Ah. Ok. This guy is gonna be the jackass. Typical golden-boy stuck-up prince that thinks he's better than the underdog. I see where this is going.

The next screenshot is of Ambrosius and Ballister on the platform above the arena, Ambrosius doing his news anchor bit and saying, "Aaand will Ballister be broody on the biggest day of his life?" Ballister laughs at his antics. The person watching now has a small smile, as they think, "Huh! Aw, they're actually nice to each other and are friends! I wasn't expecting that, that's nice-"

The third and final screenshot is a shot from behind of Ballister leaning his head on Ambrosius's shoulder. The caption reads "the knighting ceremony is just moments away." The person watching now has a touched, soft expression, like they're holding back tears. They think "OH." as a partially transparent doodle behind them bends over crying and blubbering, with another doodle showing their heart shot through with an arrow. /end ID]

[bulbabutt]

87 donnie might have some issues since the last time he showed his van to inter-dimensional brothers they didnt exactly appreciate it

someone once pointed out that most donnies issues are that they need to be told they did a good job, who better to hear it from than yourself?

previous part | all comics in this series (chrono)

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[officialspec]

ill be honest as much as i love to criticise the use of fatphobia for comedy ill never be able to hold the fatphobic jokes in kung fu panda against it

like yea those movies are guilty of dipping into The Usual Tropes for a cheap laugh but not only is the character writing for the fat characters the strongest and most sympathetic ive Ever seen literally just the character designs of the pandas in the 3rd movie get me choked up sometimes. theyre all so appealing and clearly treated with the same care and attention as everyone else without copping out and making them Barely Fat. po is already a size that doesnt exist in film protags and hes still the thinnest person in that whole village and that meant a lot to me

[nekomim1]

Nona the ninth is like,

Imagine you are a girl, and you woke up sixth months ago and thats your earliest memory. You dont know who you are. Your name was chosen for you seemingly at random, because nobody else knows who you are either. All you know about yourself is this: you cannot let anyone see you injured, or they will kill you. You are inhabiting a body that the others recognize, but you dont. You are probably one of two people, but nobody knows which one. You dont know these people. You dont know yourself. And deep down maybe you know you're not either one of them.

You are happy anyway.

You live with three people, who love you and who you love back fiercely. One of them is inhabiting a body that doesnt belong to her. She understands you, but she also doesnt. The other two are sharing a body, so intertwined that you can never be sure which one is standing right in front of you, unless you study them closely and know them well enough to guess. They understand you, but they also dont. They expect you to be one of two people, but you arent and you dont know why. You dont know who (what) you are.

You are happy anyway.

The world is crumbling around you. Your life is on a time limit and your soul is trying to claw its way out of your (her) body. The people you love are in danger but you dont know why or how to stop it. You are in danger, and the people you love know how to save you. You dont belong in this body, everyone knows that now. You are too big, too much, and the rest of your essence is trying to claw its way into your mind, becoming whole again, but you cant let it. You cant let it because if you are whole then you will be different, you wont be Nona anymore and you will not be that girl who loves and who is loved. But there is no choice, you must go back or risk killing yourself and the girl whose body you inhabit. You may remember your time as Nona, or you may not, but either way you will never be the same again. You might not be loved anymore. You might not love.

But you are happy anyway.

Because at least you know this. You cannot take loved away.

[lunar-serpentinite]

"harry wasnt that powerful, he literally only knew 3 spells and had a horcrux in him and he wouldnt have survived without-"

listen to me, LISTEN TO ME

the boy was in survival mode for literally all of his life. almost all of his defense teachers tried to kill him. he was more worried about surviving the next voldy jumpscare. his "mentor" was raising him to die.

do u think he had the time to learn and master an arsenal of spells when everyone who was meant to help him are either dead or keeping him in the dark ? do u think he had the time to train when hes getting into life or death scenarios practically every year ?

he was a growing teen who had to deal with a murderer going after him, a world who thinks hes just off his rockers, adults who rarely take him seriously, the natural hormonal teen years, and the typical fights between friends who have vastly different life experiences but arent emotionally mature enough to address those yet . i dont think he even had that much positive reinforcement from everyone around him

stop calling harry james potter a weakass fuckass just because he doesnt have a shiny arsenal of weapons and the mind of a master strategist . thats literally a child and then a teen who keeps on getting retraumatised over and over and over, and you keep on taking the piss on him because he doesnt react like a levelheaded YA protagonist who has everything under control ?

hes just a dude who had to practically raise himself, who tries his goddamn best but fucks up constantly and is always haunted by his fuckups, and who still manages to get the job done at the end

AND EVEN AFTER THAT the people still put more responsibilities on his shoulders like "he couldve redid society with his influence" "he couldve done this he couldve done that" "he couldve done more"

how much more of himself does he have to give before society is satisfied ? why cant the adults take charge for once and rebuild the system that THEY broke ? why's it all on harry's shoulders ALONE ?

"he couldve used his influence-" did u conveniently forget how the wizarding world showed him over and over how easily their views and treatment of him cld change at the flip of a coin ? do u think he'd trust them to listen to him after all this time ? NO

like i get it, "chosen ones" have the influence and the responsibility . "chosen ones" should be powerful and their skills and abilities varied by the end of the series . they could do more and many chosen ones have done more . but harry's just part of the subset of chosen ones that is just tired and beat down at the end of the it all .

idk give him a break, hop off his back, let him retire to the countryside

[hyunpic]

HAPPY BIRTHDAY HYUNJIN 🖤

[transvampireboyfriend]

Had this “Steve only hates impersonal nicknames” idea in my notes for a while and then after seeing @cholvoq​ ‘s wonderful art I had to turn it into a real thing for Valentine’s Day. This is 2.4k, i’m SO sorry edit: you can now read this on ao3 :)

Eddie’s a nickname guy. It’s always Dusty this and Gare-Bear that and JeffJeff here and Bobbie there and it’s Mikey and Maxxii and Nance-pants and Johnny and… big boy?

Him being a nickname guy makes it near impossible to hide his crushes. Thankfully, Steve had been really cool about it. Sure, he seemed a little stunned, but Eddie still had all his teeth in place by the end of that interaction, so he had called that a win.

He hadn’t known then that Steve was… different. Or he was starting to see it but what he thought was shocking then had really been just the tip of the iceberg. He hadn’t expected Steve to be nice. Or funny, or caring, or protective, or understanding.

He had learned all of that after everything. During chats on Hellfire nights while the kids cleaned up after themselves, during hangouts at the diner with Robin and Nancy, during Saturday afternoons when he went to pick out a movie only to end up talking with Steve, their conversation flowing until it was cut short by Steve’s shift ending.

After some time, Eddie had gotten to know Steve even more during long weekday nights when one came over to bring the other something they left behind, or to share a record, or to demand the beers the other owes or to show the other a stupid article in a stupid magazine only to end up making dinner together and watching a movie afterwards.

They stopped making excuses about two weeks ago.

Eddie had asked “do youuu… wanna come over?” on Saturday night, while nervously twirling his keys as Steve locked the front doors of the Family Video.

The evening chill had cut right through Eddie’s leather jacket as his keys clanged against his rings. But Steve had nodded with a smile and asked “pizza?” on their way to their cars, and Eddie had forgotten all about the cold.

Point being, Steve had been just fine with ‘big boy’ when it happened. Eddie’s a nickname guy. Him and Steve are hanging out more now, and so, Eddie’s been calling him more nicknames. Some of them are very intentional, others come completely without thinking, and it turns out, Steve takes issue with a few of them.

The first time it happens, Eddie’s underneath his van trying to get the damn thing to cooperate, the recent winter was tough on it, and it keeps dying out on him.

Steve sits nearby perched on a little stool, wearing his Family Video vest since he came by right after finishing his morning shift to see if they could make plans for lunch. Eddie suggested they grab something at the diner if and when he finally gets the van to start back up and Steve had agreed to wait.

He’s been telling Eddie about tonight’s basketball- game? match? super bowl? Is there such a thing as the major leagues of basketball? Eddie’s not sure, but he adores the sound of Steve’s voice and he’s kind of invested in the drama of players switching teams and retiring and whatever else Steve wants to tell him about. So, he’s been listening, not really bothering with asking for clarification for what he doesn’t understand yet. He’ll figure it out as they go.

He's blindly patting the floor around his legs for his rag, when he feels Steve put it right in his hand.

Eddie’s relieved. "Thanks, bud!" he says, the nickname just rolling off his tongue effortlessly, no meaning attached.

It gets kind of quiet all of a sudden. After about five seconds of Steve not talking, Eddie comes out to check on him, and finds him frowning at his legs.

"Don't call me ‘bud’" Steve requests, looking up at his face, his tone just a tad harsh. Eddie would think he ran into King Steve if he didn't know any better.

As it is, Eddie gets Steve probably thinks the nickname is childish or patronizing, so he doesn’t think twice of it, just gets a little sheepish and says "sorry, Stevie".

Steve smiles at that, a little cocky. He does his little mean girl shaking his head thing like he just got exactly what he wanted. Eddie feels his face twist a bit in confusion, but he likes it when Steve gets a little mean so he doesn't say anything about it and just dives back under his van as Steve resumes their conversation.

 The second time it happens, they’re outside the supermarket. The kids shot out of the van as soon as it rolled to a stop, Steve calling out a warning after them while still listening to Eddie explain why Star Wars and Star Trek are actually very different but really good in their own way. Their conversation carries on as they hop out of the van, lock up and walk to meet at the front.

“I’m telling you, Star Trek is great. You would love it,” Eddie says, “you just have to give it a chance”.

Steve rolls his eyes at him, but Eddie can see his smile.

“Ok, alright,” Steve answers, “you can show me tonight then”, it’s almost too nonchalant. Eddie has to hide his grin.

Steve’s been suggesting they hang out more and more lately, and he can’t help but feel a bit hopeful. They clearly enjoy each other’s company, their time together is never dull, Steve seems to be really comfortable around him and maybe, just maybe…

“Should we get beers then?” Eddie asks, excited at the prospect of some more time alone with him.  They haven’t had a weeknight hangout since Eddie fixed his van last week. He kinda misses the very specific color of Steve’s eyes in the Harringtons’ yellow living room lamplight.

“Yeah,” Steve says, his eyes get soft in a way Eddie only started noticing a couple of weeks back, “we can watch it at my place” he adds. Eddie thinks he definitely hasn’t seen him look at anyone else like that.

To shake himself out of the spell of the prettiest boy he’s ever met making the prettiest eyes he’s ever seen at him and ONLY him, Eddie grabs Steve by the wrist and starts marching them towards the supermarket’s front doors.

Without thinking, Eddie says "c'mon man," as they go.

Steve, who started easily following him (like he always does these days), suddenly stops in his tracks. Eddie gets pulled back and almost stumbles on top of Steve. He'd get flustered if Steve wasn't frowning at him like he’d just said the most insulting thing he’d heard this month.

"Don't call me ‘man’" Steve says. Eddie feels his eyebrows raise a bit.

He debates asking why but doesn't question Steve in the end. He’d rather offer understanding than judgement to him any day.

So, Eddie takes advantage of Steve's wrist in his hand, and squeezes there a bit, says "I'm sorry sweetheart" sincerely, looks into Steve's eyes so he can see Eddie means it.

Steve blushes a bit then, not really used to the nickname yet, Eddie just got the balls to start using it last week. Eddie himself is not really used to seeing Steve blush, and at something he says? It’s too much power for one metalhead.

But he gets distracted from Steve’s blush because it happens again, Steve basically preens like a peacock once Eddie switches nicknames. Looks smug, like he has Eddie wrapped around his finger and well, Eddie guesses he does, so, no arguments there either.

He just smiles back at Steve, really, has no other choice, it’s not like he can control how he reacts to the most gorgeous fucking face the universe could ever come up with. But he tugs him along again, Steve happily following this time.

The next time it happens, Steve’s leaning against his kitchen island, with Eddie leaning across from him against the counter.

The party is watching a movie in the Harringtons’ living room and at some point, Eddie got up to get himself another soda, Steve not so subtly followed after him, taking the empty popcorn bowls to the sink. He struck up a conversation and there they stayed.

Eddie’s been turning the small gesture around and around in his head. Clearly Steve’s not shy about seeking him out, and he’s obviously good with the party knowing, which means a hell of a lot because those are Steve’s people, that’s his family.

Eddie’s honestly running out of excuses to not ask him out. Seeing him reaching out to bump his sneaker against Eddie’s boot when he says something funny, laughing just a little too hard at Eddie’s dumb joke; seeing his eyes widen a bit when Eddie compliments him; seeing him notice when Eddie is holding back from talking too much, and not letting it go until he thinks Eddie’s shared all of his opinions on the subject; Eddie thinks maybe he can be brave, when it comes to Steve.

And this week might be the perfect time.

Here they are still, the movie long ended and several easy conversations floating from the living room to the kitchen, where they’re still engrossed on their own.

“I mean I taught the kid how to do his hair for god’s sake!” Steve is saying, Eddie’s laughing easily, and he has a slight suspicion Steve’s acting way more annoyed than he really is because he knows Eddie dies laughing every time Steve roasts the kids.

“Just, if he’s gonna give me hair advice, he should work on that goddamn tone. At the Very Least.” Steve finishes, Eddie giggling all the while at his Annoyed Mom tone.

"Yeah, dude!" Eddie agrees, wanting to egg him on, but Steve's face suddenly falls and whatever remark Eddie had locked and loaded just fades away.

Eddie blinks perplexed; he’s getting déjà vu.

Steve frowns at him, says "Don't call me ‘dude’".

It’s eerie, only he sounds a bit annoyed this time.

Eddie thinks, maybe someone called Steve ‘dude’ before in an unpleasant way, so he doesn't pry.  Instead, he takes the chance to call him a nickname he likes more, and says "Sorry, pretty boy", his heart fluttering in the milliseconds he has to wait for Steve’s reaction.

And it happens one last time: Steve absolutely beams at that one, his smile so bright it makes Eddie want to jump in place.

He leans further back on the counter returning the smile, not noticing the common thread in Steve’s reactions to him switching nicknames.

But then the glint in Steve’s eyes suddenly brightens a dim corner of Eddie’s brain. He gets this feeling that reminds him of a perfectly set up riddle or finding that one perfect note for his latest song. It’s like everything suddenly just makes sense.

Eddie feels realization dawn on his face as he pushes himself off the counter to walk right into Steve’s personal bubble, grabs both of Steve's hands.

"Steve" Eddie says, not even caring that he sounds like the name is dripping in honey when it comes out of his mouth. With how sweet Steve is, it might as well be.

Steve just looks at him a little stunned, but doesn't say anything. Eddie draws circles in the back of his palms to reassure him.

"Why don't you want me to call you ‘dude’?" Eddie asks, trying to find out if this whole thing is what he thinks it is.

Steve looks down at their joined hands,.

"You call Nancy that sometimes..." Steve mumbles.

His answer would sound inconsequential to the unsuspecting, certainly would have to Eddie as late as last week, but Eddie thinks he’s finally getting it, and he hums his understanding.

"How ‘bout ‘man’?" he asks

Steve replies "You call Robin that sometimes..." his eyes still on their hands.

Eddie nods his agreement.

"I call everyone those things" he points out.

Steve agrees. "Exactly" he says, finally looking at him again, sounding annoyed and confirming Eddie’s suspicions.

Eddie feels his face split into a smile. He wants to grab Steve’s beautiful freaking face and just plant one on him.

"Can I still call you sweetheart?" he ventures instead. The nickname brings the hint of a smile to Steve's face but then he seems to realize something not so pleasant.

"Do you call someone else ‘sweetheart’?" Steve asks in return.

"No one" Eddie says, shaking his head, his tone vehement.

"Then yes" Steve finally answers. Eddie's heart wants to beat right out of his chest.

He interlocks their fingers to ground himself, Steve looks down at their hands and smiles at the sight.

"So, you don't want me to call you something I call someone else?" Eddie states, more than asks, calling Steve’s eyes back to his again.

"Anyone else" Steve confirms, holding his gaze.

Eddie lets out a small shuddering exhale and feels his heart fluttering in his throat, he really cannot believe this boy.

"Steve" Eddie drawls, dripping in honey again, his hands coming up to cradle Steve's face because he really can't resist anymore "Sweetheart" he says.

Steve's eyes grow a little wide and he starts blushing so much that Eddie can feel it in his palms.

"Steevieeee" Eddie sinsongs, squeezing Steve's face a bit "Pretty boy" Eddie calls him. Steve just keeps looking at him and a small smile blooms in his pretty, pretty face.

"Would you let me take you out to dinner this Friday?" Eddie finally asks him, his fingers curling to the back of Steve's head to play with his hair there. Steve's eyes get even wider.

" 's Valentine's this Friday" he points out. Eddie knows.

"Mmhm. Want you to be my Valentine." Eddie tells him, tugs his hair gently, "How's that sound?" he asks, bold in a way he never has been before. Steve blushing does things to him.

"Sounds nice" Steve answers. He smiles and nods while his hands hook on Eddie's belt loops.

"Then it's a date?" Eddie asks, trying not to sound too eager. He thinks he fails spectacularly but Steve beams and pulls him in to kiss his cheek.

"It's a date" Steve tells him, his breath ghosting on Eddie's cheek and making him shiver.

Steve pulls back, lets go of Eddie’s belt loops and tugs on a strand of his hair gently, smiling like the cat that got the cream as he walks back out into the living room.

Eddie’s gonna make this the best Valentine’s Day date Steve has ever been on.

[crowsgrudge]

fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.

dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.

but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).

like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?

[asterlark]

me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

[momotonescreaming]

Modern au where steddie are dating long distance.

They meet online, chatting about the fanfiction that Eddie writes and Steve reads. They chat about shared interests in tv, and movies, and music. About shitty parents and coming out. And then it sort of evolves from there.

Messaging, turns into phone calls, turns in video calls, turns into racing hearts and sweaty palms when they see a notification from the other. Turns into counting down the seconds until they can open their laptops and call. Turns into hardcore longing, and pining, and whispering I like you through the screen.

They start dating.

Steve will send him messages ending in hearts and kisses. Will send him thirst trap photos he takes at the gym. Takes photos of the dinner he makes and sends it to Eddie with captions saying he's saving him a piece <3. Learns to make Eddie's favourite foods, so he can make them for him when they meet.

Eddie sends him previews of the fic he's writing. Photos of him performing with his band, sweaty and smiling. Serenades him over video call, acoustic guitar perched in his lap. Watches the basketball with Steve, each from their respective living rooms.

He wonders what it would be like if they were together. If Steve could cook him the dinner he learnt just for him, if Eddie could curl into his side as they watch the game together, Steve whispering the rules of basketball into his ear.

He wonders what it would be like to kiss Steve. To feel those plump lips on his. To taste him. His sweat, his flavoured chapstick. Would he put his hands on his waist? His jaw? Cradle his face? Would he make it slow and sweet? Or rushed and desperate? Would Steve whisper I love you into the warmth of Eddie's mouth?

But they live on opposite sides of the country.

He loves what they have. He loves having Steve. But Eddie wants what other people have. Would like to go on a date that isn't through a laptop. Would like to be able to kiss and hug and even just touch his boyfriend.

[baeshijima]

mmm thoughts of private executioner!blade, who is high priestess!kafka's bodyguard. well, more like her guard dog, as many fearfully seem to think.

he is aloof and gruff and rough around the edges, his name capturing it perfectly. when in the eyes of the public he either keeps to himself or stands ready by kafka's side, but when out he lurks in the shadows ready and waiting to carry out her death orders.

you, yourself, haven't had very many pleasant encounters with him... if you can even call them that. that being said, you haven't had many pleasant encounters with anyone. notorious for your... less than pleasant disposition, for a lack of better words, you have more people who'd rather see you run through than those you can call a friend.

in a dog-eat-dog world, you had no choice but to protect yourself. that, however, ultimately became your demise.

"oh? so you're the one sent to kill me. can't say i'm all that surprised."

standing before you is the feared executioner. his sword is tucked inside the sheath attached to his hip, that ever-present dark swirl of an aura stifling the air. he doesn't say anything, instead opting to silently stare down at your slumped and worn-out form. you find that his gaze doesn't bother you; rather, it's oddly comforting knowing someone will see you in your last moments.

"i've never asked you for a favour before, so this will be my first and last request for you." in all honesty, you're not sure where this chattiness stems from. considering you're currently in a holding cell under the crime of attempted murder towards kafka (a poisoned wine you were most definitely framed for, though you can't say you were surprised) and are awaiting for your turn to be under the guillotine for your public execution, you probably should be a little desperate towards the private executioner in front of you.

and yet, your mind is nothing if not peaceful.

with a huff, you relay your request, "can you make sure it's quick? painless, preferably, but i'd rather you just get it over and done with."

silence blankets the cold chambers. moisture accumulated along the cobble ceiling drip in a steady rhythm, like a clock ticking away the seconds. it's unnerving, almost, how there is not a single sound other than your impending countdown.

"why?" comes his low mutter, effectively causing a ripple within the stagnant air. you almost think you misheard him, but his following words cease the thought, "why won't you ask me for help?"

had it not been for the abrupt shuffle and clanging against the metal bars, you would have never looked up to see him in your last moments.

his scarred hands gripping the metal until his knuckles turn a ghastly white and blood dripping from his palms is what greets your sight. as your gaze slowly trails up, you almost let loose a laugh of disbelief; who would have thought blade, the infamous guard dog of the high priestess, could make such a desperate expression? one looking as though his whole world crumbled before him, in which he can do nothing but sit and watch.

(you will never know of the anger and desperation which coursed through his veins the moment he heard of your predicament. had it been anyone else, he wouldn't have cared. but you're not anyone else; you're you — unapologetically, wholeheartedly. it didn't take him long to hunt down those behind it, cutting them down without thought and putting an end to their miserable lives. he rushed as soon as he could when kafka gave him the order, no thoughts other than you, you, you, occupying his mind.

you will never know of the anguish which overcame him when he found you in such a state, your once healthy complexion and defiant gaze reduced to nothing but a tiredness which had always sat quietly behind your disposition. he's almost positive the muscle which unwillingly keeps him alive tore at the seems from your request, the acceptance in which you displayed causing his mind to go astray. even as he damn-near begs you to rely on him for help — to run away with him to some place no one knows of you and start anew there — you merely smile, resigned and peaceful.

you will never know of how much blade is willing to put on the line for you, for you never made it to see the complete and utter carnage he wrecked in your name.)

[troutreznor]

Bruce Springsteen on Clarence Clemons (Born To Run pg. 474) + some of my favorite pics of them together from the Born To Run album cover shoot by Eric Meola

[calyptrion]

Some sketches of the cutest girl of hell V2!

I LOVE to think (take everything below as my headcanon) that V2 was designed in the after the war times and because of it was given more unnecessary things like a module for showing emotions with a eye hologram in her lens which although make her more human friendly ( I guess machine production at that point needed to show humans that machines can be used not only for war but altho for more daly tasks and for that kinda change direction for a little bit more cute and “soft” of some sort designs.) V1 on it’s occasion was made with more of "fighting and surviving long times in the battlefield" thoughts so it don’t have any extra parts like that and its lens only sometimes glitches when it get hit with an energy orb.

[hergrandplan]

Something something about Simon always making sure Wille knew that it wasn't because of him that Simon ended things. That it wasn't their relationship, that it simply was everything else

When Wille said "I thought it would be us" and Simon replied "It has been us. And when it was us, it was good" at the lake

Or how he didn't respond when Wille asked how Simon could be over him, just like that

Or when Simon told him "I never gave up on us. I gave up on the royal family" during graduation/the closing ceremony

How there was an "I still love you" in every sentence, in every word

Even when he broke up with Wille. "maybe this just won't work" wasn't about them, it was about Simon and the crown and him realizing he could never be part of that.

It was never about Wille, and Simon never let him forget that.