#idk this was a thing I was thinking about in the context of a specific 'scene' I was imagining in my head

[mixelation]

WAIT WAIT WAIT someone is like 'pfft marrying their jinchurriki. obviously its political' and minato is like. you accuse me. of NOT LOVING MY WIFE? RIGHT IN FRONT OF ME? ILL HAVE YOU KNOW-

minato rips off his shirt to reveal a full chest tattoo that says I LOVE KUSHINA 5EVER

[nemesis-is-my-middle-name]

i know i've posted abt this before also but i did not have screenshots to demonstrate just HOW gently passive aggressive ingo is to volo when they talk. i have no idea if they intended it this way but he sounds so "sadly my strict standard of conduct will not let me tell you to fuck off for asking weirdly personal questions just so you can share your theories but with the subtext toolkit available to me i am VERY much shooing you out of the way so i can get back to what i was actually trying to do."

[bacchuschucklefuck]

the boy-but-not-that-way-ism of riz gukgak send tweet

[commsroom]

to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.

like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.

it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.

i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.

[susielesbianism]

What if I started doing deltarune meme edits again…

[just-a-little-unionoid]

You know I think we can resolve a lot of our problems and moral dilemma by asking ourselves "does this really matters that much?"

[zootopiathingz]

Is it normal for your brother in law to tell you that you have a “huge rack”?

[iamthemaestro]

had a character development moment today where I realized maybe I simply do not have a healthy relationship to classical music anymore

[ilovedthestars]

honestly the biggest Competing Access Needs issue that I personally have run into in online spaces is this:

people need, deserve, and should have space to complain and critique. that includes critiquing things that I (and they!) care about and find valuable, in order to make them better. those conversations are often necessary and healthy, and they should be allowed to happen.

however, I find those kinds of conversations incredibly stressful, often outright upsetting. especially when it involves people I like/respect arguing with or criticizing other people I like/respect. my instinct is to try to mediate and smooth things over and acknowledge the points of both sides, but often that’s either not my place to do or would be actively unhelpful. so I just end up torn in the middle of what feels to me like a barrage of negativity, filled with the unhelpful desire to be like “can’t we just all get along????”

the only and best solution to this is for me to just remove myself from conversations like these, and I’ve gotten better at that, but. It’s still difficult for me to deal with, even though I know that despite my hangups, it’s sometimes better for those conversations to happen than not.

[mars-ipan]

this post is not going to be very well planned out so i’d like you all to be niceys to me if i bungle the wording but i feel like the moment people understand that certain forms of bigotry stem from hatred for certain groups but can affect people not belonging to those groups and hurt them just the same is the moment a lot of our conversations about diversity, oppression, and how to combat marginalization stop going so hard in circles and start being productive

[quasieli]

I'm on day 5 of migraine hell and I've just been in bed all day while it's been storming outside, and just when I start to feel (physically) okay, I get hit by Big Sad.

[shredsandpatches]

saw a post just now that had these two paragraphs in it (quite far apart; emphasis added)

purity culture is being told to forgive your abuser, rapist, or even just people who have slighted and hurt you or else you will never fully heal, or that it makes you in someway bad too, or even just as bad as them

...

purity culture is doing something bad, and when you try to seek atonement or correct the mistake, that it is unforgivable and will alway be a blight on you, even if others can "learn to look past it"

and the dissonance is kinda making me feel off and wrong, is that also purity culture or what

[gothamcityneedsme]

something that's getting me. people, looking at work others produce (regardless of if that work is provided for free or for some compensation, ie not you directly paying for it but the creator receiving ad revenue and such). is just being very... heartless about it? not thinking about the process, demanding constant improvement and see it as a failure when there isn't improvement, someone cannot call themselves and artist if they do not proceed, they are failed if they do not produce in a way that is more consumable or deemed more respectable.

[icewindandboringhorror]

finally settling once and for all... with the evidence laid out plainly.. which of these brother boys is more stinkys ,,,

[microsuedemouse]

Steve and Danny's readiness to say they love each other is both really refreshing for TV in general (it is SO rare to see this much openly-expressed love between two men, esp in any show/genre as testosterone-driven as H50 is), and part of what makes their relationship so great to watch. "See, this is why I love you, buddy." - Danny to Steve, without hesitation, when Steve offers again to drop everything and head down to Colombia guns blazing to rescue Danny's dumbass fugitive brother from the shady real estate mogul who's holding him hostage. And yeah, Danny goes on to joke something about Steve always being so ready to risk both of their lives... but he meant the 'love you' part. He really did, and he doesn't try to walk it back.

There's so, so much love between the two of them. To the point that it's often hard to be bitter about their relationship not being explicitly and canonically romantic, the way that you can about so many popular queer ships in television. Their chemistry is written and performed with SO much love and care that you're often left feeling like it is a real and genuine on-screen queer romance, even if they never get to share a kiss or settle down together.

[gothmods]

More and more i feel like taking a hardline stance that unless there is reasonable evidence a user is a danger to others i will simply block/unfollow/avoid and generally deal with things privately wherever possible is best for everyones safety my own included