If the Groom Is for Us
Yesterday I was blessed to perform the wedding ceremony for my son and his new bride. I talked about how if they nourish and cultivate their relationship with one another, they will always have at least one person on their side, no matter how harsh life and the world can get at times. I’m thankful that I have that in my wife like she has in me, and I pray we modelled it well enough for our son…
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Dc x Dp Prompt #3
Immortal Ghost King Au:
Daniel Fenton was crowned as High King Phantom of the Infinite Realms on his 16th birthday. He knew many were opposed to him being crowned at such a young age (he was too), but the Realms had gone too long without a ruler and it was getting restless.
The Realms were sentient to some extent. It can not run itself as it has no form but it chooses a host, a King if you will, to fulfill its wishes. It may have lived on an entire millennia without a ruler, but it was only out of sheer luck and the contributions of countless gods that it had survived. The Infinite Realms needed a King and Danny Phantom was the only contender.
So the people were ignored and their boy king was crowned. However Phantom was young and naive, a child as both a human and a ghost. Even worse, he knew nothing about being a king. But the little godling would learn and learn he did.
Most kings were taught before they were coronated, but Danny had no such privilege. His coronation came and left with the wind. His private lessons overshadowed any thoughts he had left of mortal schooling. And Danny gave up on living a normal human life.
That last part was perhaps the easiest for Danny. Amity Park was already considered too liminal for them to have any “sentience”. The GIW had all but declared war on the Realms with their continuous violent actions upon his people and the land itself.
It wasn’t difficult for Amity to give up their “rights” and “humanity” either. They said good riddance to the world that never helped them, to the heroes that ignored their cries for help. And they bowed to Phantom, declaring him their King, just as he declared them citizens of the Infinite Realms.
He welcomed his liminals with open arms, vowing to protect them from any harm that would come their way, just as he would with any of his other citizens. He gave them a home in the Realms, an island- no a haunt of their own should they wish to truly reject the land of the living, and they accepted. Not many wanted to try their luck against the human government.
But with a God, no, their King on their side, they knew their safety and happiness was all but assured. After all, it was Phantom who protected them even as they turned their own backs at him. It was Phantom who fought against foes that could have erased him from existence.
And of course it was Phantom who would now receive any and all support he could ever want and need should he declare war against the humans of Earth. No, there was no need for people of the Infinite Realms to worry. High King Phantom was a God after all. It was only ever his right to exact divine punishment onto those who opposed and threatened his will. It was not their fault if the humans actively went against his will. No, the humans had no one but themselves to blame for whatever came for them.
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Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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Just want to say: a, I admire very much that you've figured out a healthy way to work on your fics that allows you to have fun with it. And also b, am very excited to hear that you are getting there with pez! It has fully given me brain rot ever since I read it last year, there is just such a lack of content for the highly specific trope of using time travel as a device to explore extremely unhealthy levels of self loathing.
I just adore everything you're doing in it. Neither midoriya is anywhere approaching okay for any portion of the fic and I love rereading and mining into all the subtle characterization pointing to that. It's a bit like nhtycth in that some really goofy funny stuff is often hiding some really fucking worrying things, but the fact that characters DO do that stuff—that todoroki uses his teaspoon's worth of extremely stunted social skills to bludgeon his friend's door open and help him, that a rpf shipping war is an actual source of drama despite how goofy the sentiment seems on the surface, that about half of what jon says is deeply worrying and the other half is extremely funny and there's a lot of overlap between the two—really lifts the tension and brightens the universe. It's sort of similar to what you did with gerry, in that endless misery isn't nearly as painful as the ups and downs of a life that, when you step back and zoom out, has something deeply and horribly wrong with it.
(jon sort of reminds me of spider-man in that he uses human to deal with trauma and stress, except I don't think he at any point realizes how fucking funny he is. He's just there, in a home depot, gnashing his teeth because he's got so many bodies to dispose of and this cashier sure is taking her time.)
I really, really, really have had trouble finding fics that take everything midoriya has dealt with to task. It's a hell of a thing to live 14 years as a disabled minority, have it heavily shape your existence, and then one day you wake up and you realize you're...not that, or at least, nobody will ever acknowledge you as that again. You've lost all claim to it. Those experiences that shaped who you are? Dust in the wind. 14 years of pain and life might as well be buried in the ground for all the good they do you. Nobody's going to cut you any slack or quarter, you've gotta simply work harder, be better. And now when you do that you get the results you wanted, so that's fine, then. That's good. There was something wrong with the you before, and there's something right with the you now, and if the transition is a little rough, well that doesn't matter, you're the same as everyone else now, so it's your own job to fill in whatever gaps you need to.
I really can't get over how mentally fucked it must be for midoriya to run into quirkless people, run across quirkless issues, and be silently caught between, incapable of speaking his mind and too scared to do so anyway around those he can trust.
Also I should mention, I'm just very excited for bakugou to get back from the gym. He's been there like a year I hope he's getting a good workout in.
Me realizing that it’s been a year since pez dispenser debris:
I feel like there’s just this very specific type of grief that Izuku has to grapple with in the span of pez dispenser debris that I’m just obsessed with. He’s sort of silently mourning who he could have been, when 1) he has to present like there’s nothing lost to maintain his secret and 2) the entire world is constantly inundating him with the message that there was nothing lost.
Like. I don’t want to get too deep into it because it risks spoiling things and I do have major plans to continue it (I’ve loved this story for so many years before I ever even hit publish), but the emotion that Izuku’s feeling right now is so much more complex than “I hate who I used to be and want him to stop existing” or “I just want to keep my secrets.” And I think the way he interacts with Mirio is the biggest evidence of that.
Izuku’s placed himself at the very center of the Quirklessness debate with his support of Mirio. He fights for Quirkless heroes, very publicly, to the point where he’s not even graduated yet but considered to be one of the most prominent voices on the matter. If you took a poll of Quirkless people as to which hero would be most supportive of them pursing their own career in heroics, Izuku would be right at the top of the list. When it comes to Quirklessness itself, he’s nothing but supportive.
But he didn’t tell Mirio the truth of his own Quirklessness.
Out of everyone, Mirio’s the one everyone expects to know, despite him being a relatively newer relationship compared to someone like Iida or Uraraka or Todoroki. And I tried to imply that he’s sort of the one who knows the most about Izuku out of everyone save All Might.
Like, we’ll get into how much exactly Mirio knows soon, so I won’t divulge what, if anything, Izuku has told him. But we know that Mirio knows, weirdly enough, that Izuku is deeply fucking haunted. He knows that boy has many violent ghosts in his bones. He finds it hilarious and will tell their realtor about it. Izuku told him about the discontent spirits who died in a violent passion and live on inside of him before he told him about his Quirklessness.
And I just feel like one of those things is a little bit easier to discuss than the other.
Izuku has decided to keep his own Quirklessness quiet in a way that surpasses secrecy about One for All. If it was just about OfA, he could tell people he didn’t get his quirk until the entrance exam, and it wouldn’t even be a lie. He’s purposefully obscuring his own past as Quirkless even as he takes a forefront of the Quirkless hero debate with his open support of Mirio.
And the fact that he’s at the forefront of this debate in and of itself requires a difficult dichotomy. He is the world’s most vocal proponent for the first Quirkless hero. He is a known figure in the Quirkless community now.
He isn’t considered one of them anymore. He’s an outsider coming in.
It must be such a strange, odd sort of grief to come to the people you were home amongst for most of your life and be greeted as a stranger. To return home, and to be welcomed in for the first time, and to not even be able to tell people that you’ve lived here all your life and don’t need a tour.
It’s a sort of death of self, I think. And I think Izuku never expected to have to grapple with his own ghost.
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Being brought up on a farm and only ever going back indoors to head right back out again for my whole life, the decreasing amount of insects has been extremely noticeable and it's been going on for years. Of course it's been worrying with the climate catastrophe, and once I became a beekeeper and learned more about my village's local flora it became even more glaring.
So imagine my surprise this year when there are more insects than I can count. Sitting on my porch (practically my room during summers) I'm noticing species I haven't seen since I was at least a young teenager, and there are more butterflies of different varieties than I even remember from my childhood!
There are so many bees flying around too, probably from the hives down by the old homestead buildings by the church and school, owned by the woman I know from the local beekeeper's association.
What's more is that this year there has been no drought OR flooding, so there are a lot more flowers blooming for longer, and everyone in my village as well as the surrounding villages are reporting a burst of activity in their hives... as well as higher activity from the wild bees and pollinators. For the first time in years it's starting to resemble the way it was when I was younger.
All that is to say, the climate catastrophe is real, and in my area it's causing a lot more violent thunderstorms... but oh my god all this reminds me why I persist despite the despair that tries to dig its claws in.
I may not be able to do major change on a global scale, but you can bet me and everyone here will at least try and support this little place. We can keep going in the fight against the municipality that wants to urbanize at the cost of our precious biodiversity, and we can continue to fight to keep out the cities that tries to enroach on us and get closer.
It is rare for villages in Götaland to remain this free from urbanization despite being nestled right in the middle of multiple major cities, and there's no excuse to destroy what little there is left of it down here in the south.
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