#if you didn't like something you are free to say it isn't your thing

[atonalginger]

@a-cosmic-elf, I saw that post you tagged me in and blocked the person you reblogged, forgetting it would disappear the post so I'll say what I was going to ramble in the tags here:

I stared at that post in 'has completed a 81k+ slow burn romance novel and has several more stories going, two starring a minor npc, and drawn numerous pieces of art that took me ~4 hours on average to finish inspired by this game, its characters, and world'. My blog has seen more activity and traction since I started playing Starfield than the past 5 flipping years and I broke through both my writers and art block because of this game. I actually put myself out there and have met wonderful people I would not have met otherwise because of my love for this game. But my blog/I don't exist xD

It's fine if people don't like Starfield. Just like its fine that people didn't like Saint's Row (2022), another game that knocked me out of an art and writing slump, funnily enough. Not every piece of media is going to click with with everyone. That's fine. But we don't need to crap on the media that doesn't click with us. It's not needed.

Like I don't enjoy horror movies. So I don't watch them. I also don't go tagging the fandoms telling them how bad they are and how they are this or that because...it's not productive. I could use that energy on something fulfilling and fun that I /do/ enjoy.

*shrugs*

Anyway I'm going to go back to writing the scene I was working on in my Ranger!Delgado au since my mind won't let me sleep.

[tommyssupercoolblog]

hey how much is sapnap and matpat in the new tommyinnit video, i want to watch but i don't really want to see them

Matpat isn't in it. Sapnap is but it's just Tommy seeing him coming out of a store, asking if he's fucked up mentally, sapnap says no and Tommy is like "nice seeing you" very dryly and sarcasticly, and leaves. A lot of people say Tommy was being a bitch to him on purpose but he has autism and I ALSO have autism so....idfk

[rivilu]

disjointed fandom posting sorry but it just hit me that pwotr is like. the only rpg where a companion never once left my team

[emdotcom]

I changed my mind. Hater behavior is undeserved, when it comes to works, & idgaf about holding creators accountable when their games are mid, anymore.

[twilightarcade]

i still can't believe she said that shit to me

[b-rainlet]

see even the. im like…., :) worse:) (feel free to delete/ ignore if you would like!! just my hcs don’t want to overload your asks) helaegon but he makes her call him someone else’s name and won’t respond when she calls him aegon, helaegon but he only calls her mother to the point where helaena accidentally says “yes?” at family breakfast, helaegon but she brings a dinner knife and cuts him their second even time because she thinks it doesn’t count if nobody bleeds

See, I was halfway through answering your previous ask before I stopped myself and went: 'Brain. Your definition of Dead Dove Do Not Eat differs vastly from other people's definition of Dead Dove Do Not Eat'

But since we're on the same page:

I've been thinking about Helaena's comment about being ignored unless Aegon's drunk and immediately jumped to a scenario where Aegon stumbles into Helaena's bedroom and forces himself on her and makes her tell him how good he's doing and how proud she is of him and how very loved he is and both of them know that he isn't actually talking to her but rather imagining their mother.

And Helaena indulges him, calls him 'sweetling' and tries to hide the winces when he thrusts too fast, too hard.

(Later, Aegon pukes all over the floor, gets rid of all the wine and the disgust and Helaena has to rub his back and force-feed him some water until he falls asleep curled around her, sweating and holding her too tightly).

[emberwhite]

I spent the last 11 months working with my illustrator, Marta, to make the children's book of my dreams. We were able to get every detail just the way I wanted, and I'm very happy with the final result. She is the best person I have ever worked with, and I mean, just look at those colors!

I wanted to tell that story of anyone's who ever felt that they didn't belong anywhere. Whether you are a nerd, autistic, queer, trans, a furry, or some combination of the above, it makes for a sad and difficult life. This isn't just my story. This is our story.

I also want to say the month following the book's launch has been very stressful. I have never done this kind of book before, and I didn't know how to get the word out about it. I do have a small publishing business and a full-time job, so I figured let's put my some money into advertising this time. Indie writers will tell you great success stories they've had using Facebook ads, so I started a page and boosting my posts.

Within a first few days, I got a lot of likes and shares and even a few people who requested the book and left great reviews for me. There were also people memeing on how the boy turns into a delicious venison steak at the end of the book. It was all in good fun, though. It honestly made made laugh. Things were great, so I made more posts and increased spending.

But somehow, someway these new posts ended up on the wrong side of the platform. Soon, we saw claims of how the book was perpetuating mental illness, of how this book goes against all of basic biology and logic, and how the lgbtq agenda was corrupting our kids.

This brought out even more people to support the book, so I just let them at it and enjoyed my time reading comments after work. A few days later, then conversation moved from politics to encouraging bullying, accusing others of abusing children, and a competition to who could post the most cruel image. They were just comments, however, and after all, people were still supporting the book.

But then the trolls started organizing. Over night, I got hit with 3 one-star reviews on Amazon. My heart stopped. If your book ever falls below a certain rating, it can be removed, and blocked, and you can receive a strike on your publishing account. All that hard work was about to be deleted, and it was all my fault for posting it in the wrong place.

I panicked, pulled all my posts, and went into hiding, hoping things would die down. I reported the reviews and so did many others, but here's the thing you might have noticed across platforms like Google and Amazon. There are community guidelines that I referenced in my email, but unless people are doing something highly illegal, things are rarely ever taken down on these massive platforms. So those reviews are still there to this day. Once again, it's my fault, and I should have seen it coming.

Luckily, the harassment stopped, and the book is doing better now, at least in the US. The overall rating is still rickety in Europe, Canada, and Australia, so any reviews there help me out quite a lot. I'm currently looking for a new home to post about the book and talk about everything that went into it. I also love to talk about all things books if you ever want to chat. Maybe I'll post a selfie one day, too. Otherwise, the book is still on Amazon, and the full story and illustrations are on YouTube as well if you want to read it for free.

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[logansdoll]

I have so many ideas but I'm not a talented writer so here's one

-your logans wife pre striker you get taken by striker after logan gets shot as a way to kinda get back at him. Logan always had visions of a woman that he doesn't remember glimpses of domestic bliss. When striker attacks (in x2) striker name drops or says smth like "your wife has been waiting" as a way to antagonize logan.

Also, a cute detail to add if a fic takes place before he loses his memory would be the reader to call him james

I really love how your reader in has a plant mutation. Everything you write is just so good

I hope I wasn't to detailed feel free to take bits and pieces.

contingency

running through the base at Alkali Lake, Logan stumbles across a top secret room... only to find his whole entire world inside.

CW: suggestive, profanity, takes place during X2, has some elements from X-Men Origins: Wolverine, reader has been through some shit, Logan is so relieved, you don't really need to squint to see the angst, i'm iffy on how this turned out, etc.

'Think, dammit! What the hell was he talking about?'

With a roar of frustration, Logan unsheathed his claws, sprinting around the bend and slicing right through the stomach of a nearby soldier, waiting until the man fell with a disgusting plop before continuing on his way.

Why couldn't he just remember?

He knew that, for whatever reason, his memories had been tampered with, and that he couldn't recall anything about his life before the claws.

But ever since his run-in with Stryker back at the mansion, he couldn't help but feel like he was forgetting something especially important.

Something crucial.

"Wolverine..." Stryker grinned, eyes widening stepping forward out of the shadows. "I must admit, you are the last person I'd expect to find here."

Logan's claws revealed themselves with their signature shink, his brows furrowing as he warily stalked closer.

"How long has it been? Fifteen years?"

Stryker let out a small chuckle, but Logan was having a hard time finding what was so funny.

In fact, he was having a hard time with everything about this man—confused as to why he seemed so familiar.

"(y/n) says hello," Stryker goaded, adjusting his glasses. "Or, at least... I believe she would... If I'm being honest, she's feeling a little under the weather at the moment."

A sadistic smirk settled on his lips, his eyes glinting with sick satisfaction.

"But then again... there's seldom a time where she isn't feeling under the weather these days..."

"DAMMIT!" Logan barked, slamming his fist into a wall.

Not knowing was tearing him apart.

Who was (y/n)?

What were you to him?

And how the hell did he end up on the complete opposite side of the compound?

All questions that he furiously wanted to be answered.

Though, somehow—through his fit of blind frustration—he managed to stumble across a door, which had printed in big, bold, yellow letters:

CAUTION: KEEP OUT. HYDROSTASIS IN PROCESS.

"Hydrostasis?" Logan cocked a brow.

He didn't know why, but whatever was housed inside seemed to be pulling him in, silently urging him to open the door and investigate.

'Fuck it.'

Using one claw, he stabbed the retina scanner, the thick lock clicking with a satisfying beep.

He pushed past the door with ease, entering a seemingly large, dark, and oddly cold room, a lamp on one of the workbenches the only thing illuminating the space.

Cautiously, he approached it, sniffing and snapping his head around to make sure he was alone.

Yet he knew he wasn't.

He'd caught whiff of a faint scent emanating from somewhere further into the room, but it was so familiar, it seemed almost instinct to pay it no mind.

For some reason, he knew it wasn't hostile—and if anything, it calmed him, soothing his spiked nerves.

Reaching the table, he found that right next to the lamp laid a file labeled EXPERIMENT 25-8: CLASSIFIED.

He snatched it up with lightening speed, quickly skimming over the latest entry.

EXPERIMENT 25-8 a.k.a Weapon X Contingency

Name: (y/n) (l/n) Age: Unknown Sex: Female Height: X" X Weight: X Rank: Class 5 Report: 25-8 reviles authority. But her connection to Weapon X and general strength makes her a perfect candidate for Project Contingency. Her mutation and overall will to live have rejected all known forms of mind control. Will be kept in hydrostasis until new methods found. Conclusion: Further research required. Could possibly be the only creature known to man that can stop the Wolverine besides the Wolverine himself.

"(y/n)..." Logan tested out the name, confused as to why it sounded so natural.

So home-like.

Looking away from the pages, he glanced down at the table, catching sight of a large switch not too far away.

Without hesitation, he flicked it, the lights in the room suddenly cutting on, along with the lights to your chamber.

And there you were right before him—unconscious and floating in vibrant blue water.

Looking upon you, it felt like he was suddenly hit by a freight train, years of love, care, and warmth flooding his mind.

"James!" you squealed, unable to dim your smile as he hoisted you over his shoulder. "Put me down!"

"Not a chance," he smirked, carrying you toward your shared bedroom. "You know what you did..."

"No..."

"C'mere. I need a taste tester," you smiled, cupping your hand under your fork as you held up a chunk of steak.

He grinned, placing down his newspaper and taking a bite, groaning at the good taste as he wrapped his arms around your waist.

"Well?" you asked, nervous.

"Baby..." he paused for dramatic effect, wanting to see you squirm. "This is the best damn steak I've ever eaten."

"You ass!" you scoffed, playfully slapping him in the shoulder as he laughed, rocking you back and forth.

"I can't..."

"I love you, y'know that?" he asked, holding you close as you both relaxed in the bathtub. "I feel like I don't tell ya enough."

"You tell me every day, baby," you smiled, looking up at him as you rested your back against his chest.

"Well, then," he smirked, his hand rising from the water, holding a beautiful diamond engagement ring. "You alright with me tellin' ya a little bit more?"

Your eyes went as wide as saucers, and you gasped so loud the neighbors (which were three miles away) would certainly hear.

"YES!" you squealed, scrambling to turn around and give him a kiss, the water sloshing around violently.

"Careful, hon! You're gonna knock me out the tub!" he chuckled, steadying you as your lips began peppering kisses all over his face.

"She can't..."

"James," you started, timidly, tracing mindless shapes in his chest as you both laid in bed. "That man you told me about... Stryker... he came by the house today."

Logan tensed at the name, his grip around you tightening.

"He didn't do anything, did he?" he asked, tone rising.

"No," you shook your head. "But he asked for you. Said it was important that you come and talk to him."

He sighed, taking your hand in his, smoothing his thumb over your knuckles.

"I'll go over tomorrow. Straighten everything out," he assured.

"I don't think you should," you quickly denied, nervous. "This man... I don't trust him... He gives me a bad feeling, y'know?"

He cracked a small smile, placing a tender kiss on your forehead.

"I promise you, he can't do nothin' to me that hasn't already been done."

"RAAAAH!" Logan roared, blindly slashing at the table and all nearby equipment.

How could he have ever forgotten you?

Fury consumed his being in every sense of the word, the anger swelling inside him in a way he had never felt before.

Sparks flew as Logan destroyed any and everything in his path, teetering on the edge between rage and regret.

He could remember so clearly now.

You were his world—his reason for drawing breath, his reason for existing.

No matter how bad things got—angry, frustrating, or lonely—you were there.

You were his escape, his safety, his peace.

Comparing his life from before to the current, he couldn't fathom how he'd survived so long without being in your presence.

Through his slicing, he managed to cut something important, a loud warning siren blaring before all the water began draining from your pod, rapidly pouring onto the floor.

With a loud hiss, the door opened, sending you falling out the chamber.

Logan rushed over faster than he'd ever done anything, catching you in his arms and cradling you bridal style.

He looked upon you as if you were a ghost, a figment of his imagination.

After years and years of separation, he was finally allowed a chance to see your face, now able to recall all its fine details with perfect accuracy.

The softness of your cheeks.

The kindness of your eyes.

The plumpness of your lips.

Suddenly, you let out a loud cough, spitting up some water as your eyes snapped open, frantically looking around.

Logan couldn't find the words.

The love of his life was sitting in his arms and after fifteen years... and he had no idea what to say to her.

"James?" you asked, weakly, disbelieving of the sight before you.

That's right!

James!

His name was James!

"Yeah, baby..." he nodded, bitter-sweetly, getting a bit choked up. "It's me—"

You threw your arms around his neck without a second thought, pulling him into a bone crushing hug as tears began pouring down your cheeks, your shoulders shaking with cries of relief.

"I thought you weren't coming!" you sobbed.

Your throat felt swollen as you stuttered, scrambling to say all the things you've been wanting to for so long.

"Oh, God, I love you, Jimmy! I love you so much! Please don't leave me again!"

"I'm so sorry, baby! I'm so, so sorry!" he sputtered, his hand finding home in your hair as he rocked you back and forth, stray tears escaping his eyes. "I shoulda been here! I shoulda protected you!"

He buried his face in your hair, peppering the side of your head with kisses.

"I love you so much, honey... I'm right here. I'm not goin' anywhere."

Suddenly, you went limp in his arms, panic and fear spiking up his spine.

"(n/n)?!" he pulled back, frantically scanning over you to see what was wrong."(y/n)?!"

Quickly, he pressed his ear against your chest, thanking whatever god in heaven that your heart was beating.

'It might be a side effect of the chamber... or maybe she's tired...'

Without warning, the entire compound began to shake, a familiar blue devil popping up next to him out of nowhere.

"Zere you are!" Kurt exclaimed, quickly grabbing onto his friend. "Vee must go! Zee place is goink to flood!"

In an instant, the three were back with the others, the mysterious woman in Logan's arms posing a question to everyone.

"Logan?" Ororo raised a brow, confused, as they began running toward the exit.

"Who the hell is that?" Scott asked, much blunter than Storm intended.

Logan looked down at your peacefully sleeping face, brushing a stray strand of hair out your face.

"She's my wife..."

bonus !!

"SHE'S YOUR WHAT?"

[clanwarrior-tumbly]

Ooo you’re doing Pressure!!

May I request an artist reader who, throughout the journey found some paper, pencil and made a little makeshift sketchbook and when later bought Sebastian’s document decided to try and draw him? Like maybe both when human and current (and maybe the monsters)? 

Perhaps he saw them sketching, got curious and decided to look through it when reader left it somewhere or just straight up snatched it and held it out of their reach and sees those sketches of him. Could be hurt/comfort or angst/fluff.

Of course you’re free to change any of the details but please keep it platonic TwT

Aw love this idea! And it works considering all the paper and notebooks in the drawers of the blacksite.

............

"Great, [y/n]. One moment, you're doing some harmless graffiti on a brick wall nobody cares about. And the next, you're risking your life for a stupid crystal in hopes you'll get a federal pardon.."

Sighing, you held onto the overhead handles within the sleek black submarine, feeling it shake and rumble as it breached the water's surface. And after hearing the chime, the door hissed and opened up, the platform extending out onto the dock of a place already familiar to you: Hadal Blacksite.

'No place like home..' As you stepped out of the submarine, you could hear HQ over the PDA system informing you of your objective in reaching the crystal and collecting any "loose assets" you find along the way...

As if you needed any reminders of what you were doing here.

Immediately, you unlocked the first door with the keycard and began your journey to room 100. Along the way, you found a good handful of research data. Nothing too special aside from folders, USB drives, and a couple blue DNA vials.

Then after narrowly dodging the Angler in one area and avoiding Eyefestation's gaze in the next, you reached a room requiring yet another keycard to exit. You checked the nearby office cubicle, finding it in the first drawer you opened.

But that isn't what made your eyes light up. Rather, it's what was right next to the card that did:

A brand new pencil to go with the sketchbook you've been carrying with you.

Because you weren't given the luxury of doodling while sitting in jail for over 90 days, you felt your creativity flames being snuffed out, leaving you itching to draw something again.

Before all of this, you had a decent following on social media with your art skills, and you could imagine that they're worried sick over your sudden absence. But you hoped that, if you survive and succeed in this mission, you'll be able to come back and reassure them that you're very much alive.

And perhaps show them what Urbanshade has been hiding from the public...that is to say the sea monsters that have taken up residence in the Blacksite since its lockdown, freely roaming and haunting nearly every room you step into.

With the makeshift sketchbook you had (and somehow kept even after death), you've filled its pages with simple and detailed sketches of each creature you encountered.

But you doubt that they would let you leave with physical evidence of entities nobody else in the world should know about...unless you somehow convinced the guards that they were "original characters" that so-happened to look like them, but you had a feeling that excuse wouldn't fly.

Regardless, they've given you tons of artistic inspiration, despite your many close-calls with them in pursuit of studying their features from afar.

Thanks to the files Sebastian Solace has shown you, you've learned how to safely observe the Angler from a distance and better remember their details. They were merely a grotesque face surrounded by smoke, so you didn't have to worry about drawing any limbs or tails (assuming they had those).

You encountered their variants so many times that you could recall the little things that made each them unique--like how Pinkie had four pupils, how Blitz was missing pupils in one socket completely, how Froger was..well..a big frog with lots of needle-shaped teeth, and Chainsmoker was a sluggish blobfish through all that smoke.

Making eye contact with Pandemonium was a death sentence..as you've already learned after trying (and failing) to safely observe him through a glass window. So you draw him as you see him in his file.

The Squiddles' "intimidating" faces were scary in the dark when you least expected them, but they served as amazing inspiration. You even had a page full of what faces you'd think they make up to frighten others. It's too bad you couldn't show them, however, as that required you getting in their personal space.

Eyefestation, Good People, and the Wall Dwellers were quite..risky to observe, as they had ways of quickly and painfully sending you back to square one if you weren't careful. Even so, you made some pretty damn good sketches..and you wish you could show them off to them, too, especially to the shark who'd probably appreciate a human's drawing of herself.

Even the DiVine, who were always frozen in poses for some reason, joined your ever-growing list of muses. The oxygen gardens were a nice place for you to rest and appreciate the flora for a few moments--before an Angler came along, of course.

Then there was Sebastian.

While he was fully aware of your artistic passions, in the beginning he seemed a bit annoyed whenever you came into his shop just to sketch.....or if you took an unusually long time to reach him. He just assumes you've stopped to "doodle" and wonders if you really care about getting out of this place alive.

He'd remind you that HQ could get suspicious if you're off their radar for too long, but you've stayed in his shop for 10-20 minutes at a time and not once did your diving gear beep. So you reassured him not to fret.

It was kinda sweet that he worried over you, an expendable, although maybe that's because you actually treat him with decency..and don't take his snarky comments to heart whenever you died.

Aside from the occasional eyeroll whenever you brought out your sketchbook, he did inquire about some of the things you've drawn, and you'd show him, bearing a little pride in your work.

All you'd get in response was a "neato" or "wowie, that's how you see them?" and nothing more.

It wasn't insulting, so...you'll take that.

Obviously he was more concerned about how much research data you were willing to fork over in exchange for supplies, and how far that equipment will carry you before your next demise. So you'd eventually close the book and barter with him for whatever wares were on his tail.

Unbeknownst to him, you've actually started sketching him as of late. Now that you've met him dozens of times, it was easy for you to recall his features without needing to stare at him for reference every five seconds.

That would not only be rude, but very creepy.

Then one day, you showed up to Sebastian's shop with enough data to be able to afford his document, which described him as Z-13, "The Saboteur" who the company wanted "dead on sight" if he was spotted or trying to escape.

When you had time to read the file on your own, you learned some..pretty shocking things about how he caused the lockdown, went through torturous experiments, and was falsely accused of nine murders and was proven innocent far too late.

The most upsetting part was that he was never informed of this.

He learned that after presumably stealing his own document.

It made you feel sick to your stomach, knowing he's the reason you're being terrorized by those beasts, but you couldn't find it in your heart to be angry at him.

If anything you were angry at Urbanshade for their "guilty until proven innocent" system--or in his case, being proven innocent didn't matter.

His human mugshot was also included in the file, and even with the black censor bar covering his eyes, he still looked like quite a handsome fellow. You could make out some details, and ended up drawing him on a separate page, too, although part of you wishes you never started.

You doubt he would kill you or rip apart your book for drawing him, but considering how volatile and rude he could be at a moment's notice..you did your best to conceal the sketches when you visited his shop.

You didn't want him to be offended or reminded of his past..and make him resent the one person who he almost considered a genuine friend.

Unfortunately, you'd soon come to realize that your actions were only heightening his suspicions.

And that it was going to come to a head next time you entered his shop.

...............

"Okay, I'm going to bite...what're you really hiding in that little book?"

"Pardon?" Pausing mid-sketch, you looked up at Sebastian, wondering why he appeared so disgruntled. "I'm..uh...just doodling like I always-"

"No, don't give me that "like always" crap." He huffed, flicking the end of his tail as he crossed his two arms over his chest, staring down at you. "Last time, you couldn't stop showing me a stupid face you'd think one of those S-Qs would make...and now you won't even let me have a sneak peak of your next "masterpiece"." He spat the last word, voice dripping with disdain. "Are you really drawing something...or are you secretly writing intel to give to Urbanshade?"

"...wha.." You blinked in disbelief, wondering where he'd get that assumption from. "Why would I ever do that?"

"Oh I dunno, maaaybe because you have access to my file and know my location? I bet you're gonna sell me out to those scumbags once you reach the crystal." He gnashed his teeth. "Did they say you'd get extra cash for leaving tips on my whereabouts, huh?"

"Sebastian, there's no reason for this hostility. I'm not giving any intel to anyone-"

"Then you wouldn't mind me taking a look at this, would you? Yyyyyyoink!" His third arm was quick to snatch your sketchbook away, holding it out of your reach as you jumped up in panic.

You were already dreading his reaction.

This could very well be the end for you.

"Please give that back! You'll tear it!"

"You look frightened. So maybe I should, considering you're writing secrets about.....about...." But as Sebastian finally looked at the page, all he saw were sketches of his current self, and you began to see a shift in his expression.

It went from pure anger, to surprise and confusion, and then to....something unreadable.

"These are...all of me?" His voice became quieter as he flipped the page, only for his breath to hitch upon finding the drawings of his human form.

And for once, he was completely speechless.

The details were immaculate, everything from his hair style to the scar he used to have across his face--given to him from an angry cellmate who thought he really did kill those people and tried giving him a "taste of his own medicine".

But the way you made him look was...incredible.

That's him.

That's really him.

The man--the human--he was before...

Before...

"Yes." Your face was burning with embarrassment, and your heart was pounding with fear of both death and ridicule, now knowing that your fate laid in his hands now. "I-I'm sorry. I should've asked for your permission and I know the details aren't perfect but you didn't let me........huh?"

Ceasing your ramblings, you noticed the tears welling in his eyes, and you were stunned. Then his shaking hands closed the sketchbook and returned it to you. "Um..are you okay? I'm really sorry if-"

"I...a-almost forgot what I looked like before all of this.." He raised a claw to wipe at his watery eyes, sniffling. "They're...good drawings, friend. I'm sorry..I...I-I didn't mean to..." His voice cracked, and he forced himself to stop, bringing his hands to his face. "Why am I crying over something like..t-this..?"

He hated looking so weak in front of you, yet he couldn't help the tears that kept slipping down his cheeks. A certain sadness was weighing heavily on his heart, yet at the same time he felt...honored that you wanted to draw him, putting your heart and soul into every sketch--with him getting the most effort.

You didn't overexaggerate him as the hideous beast he and everyone else was convinced he was, but just him as, well, himself. His smiles when he realizes it's you coming through the vent again, his cheeky grins when you buy up all his supplies, and even the one time he pouted when you died to Pandemonium because you risked it all trying to draw the moldy fish-creature.

The human ones, as you could tell from the way he broke down, especially hit home for him. Just from a mugshot alone, you were able to create a near-accurate depiction of him.

It made him wonder if you two have met before any of this happened.

Sebastian sniffled, struggling to stop the tears and expecting you to make fun of him as he finally uncovered his face. But instead he saw you standing there with your arms opened up. "I feel like you could use one of these. It's okay. I know you miss being human."

".........."

"C'mon, big guy. My arms are kinda hurting--oh!"

Without warning, he accepted your embrace and squeezed you tightly in his hold. Of course he was careful not to crush your diving tanks, and you smiled in appreciation and patted his back. "It's okay, it's alright..I got you. I didn't mean to make you cry."

He sniffled a few times, but otherwise said nothing and tried making sure you weren't supporting all of his upper body weight.

Curse his size. He wishes he could experience a normal hug again.

This one will do, though.

"I-It's...it's fine. Don't worry.." He finally spoke after a few moments, calming down. "As long as you don't tell anyone about this."

"I'll take it to my grave." You chuckled, letting go and stepping away so he could straighten his back out. While he did that, you gently tore a few pages from your book, to which he blinked in confusion.

"What are you doing with-?"

"Keep them." You insisted. "In case this sketchbook falls into a pit or gets waterlogged, I want you to hold onto these. Besides, I can tell you appreciate them a lot. So...consider it a gift."

"Why..thank you." A smile appeared on his face as he took the pages carefully. "Rest assured, they'll be safe and sound." He gazed at them both one more time, feeling a tug on his heart.

But it wasn't as heavy as before.

After neatly folding and stowing them away into his pockets, he saw you already sitting in one of the chairs, your sketchbook opened to a brand new blank page.

"Sooooooo what are you going to draw this time?" He tilted his head, ear fins twitching with curiosity.

"Hm...I did see a vision of a white glowing man a few rooms back. I think he was from...the Mindscape? There was a file talking about him and some floating gears and a white ball."

"Ohh yeah, he's an interesting guy. I'd love to see your interpretation of him." Now Sebastian was 100% invested, as he curled his tail around himself, resting his upper body on it so he could see your book better. "But y'know you won't be able to leave this place with sketches of-"

"I'm well aware of that...I could always change a few things and turn them into OCs."

"Hah. You should."

"Maybe I will." You snickered, grateful that you didn't have anything to fear.

At least somebody in the Blacksite appreciated your art.

[icemankazansky]

A Simple Guide to Not Being Afraid to Write Comments to Fic You Read

I've seen a lot of posts about the current state of fanfiction comments. Writers, especially writers who have been in fandom for a decade or more, are frustrated by the lack of comments, and have noticed a definite decline in comments (and all other forms of reader interaction) in the past ten years or so. Many readers feel daunted by the expectation of leaving comments, afraid they'll do something wrong. As a fandom old maid, the latter confused me for a while, until I realized that most of the people who feel that way probably have not been taught this form of communication.

But your loving fandom elders are here for you. Come along as your auntie tumblr user icemankazansky makes this shit easy.

The easiest way to think of fanfiction comment etiquette is to compare it to something you likely already know: Gift Receiving Etiquette.

Fanfiction began as largely a gift economy. And a lot of it still is! You'll see authors participate in exchanges like Yuletide and Id Pro Quo; those are ficswaps in which authors write for a specific person to specific prompts. And even outside that, fanfiction is not written for money; authors write and post it simply for the joy of creation and community with fellow fans. Fic is posted free for anyone to enjoy. Is that not a gift?

So. When you as a reader finish the chapter or story you're reading and you are faced with the comment box, try to follow the same etiquette you would when receiving a gift. (And even if you didn't love this gift and it's not your favorite gift ever, we already know that it's more useful than the products from your cousin's MLM that they're passing off as gifts, because you read the story. At the very least, it entertained you for the time you took to read it.)

The big rule of gift receiving etiquette is not to insult the person who gave you the gift, either directly or indirectly. That's it. Full stop.

I've been seeing a lot of comments lately that are just along the lines of, "Thank you for writing this story and sharing it with us." A+, top of the class, full marks, you're doing amazing. If you don't feel comfortable commenting on the story itself, that is perfect feedback. And that's the most basic way you respond to a gift, yes? Thank you for the gift. Thank you for thinking of me. Thank you for sharing.

Does this rule mean that you cannot say anything at all that might be negative about anything? No, absolutely not. What you want to avoid is saying something that is, at its core, a negative evaluation of the author or their work. Let's do some examples.

Character A's obliviousness about Character B's MASSIVE crush on them made me so frustrated! I was tearing my hair out internally screaming, "JUST LET HIM LOVE YOU."

✔️ Excellent comment! You're allowed to have all sorts of feelings about things that happen in the story, and in fact authors LOVE to hear about any emotions they made you feel. Yes, frustration is not a positive emotion, but the thing you are expressing frustration about is not the author themselves or their shortcomings.

Contrast that to:

I was really frustrated that it took you so long to post this chapter. The cliffhanger at the end of the previous chapter had me tearing my hair out, and then you just left us hanging FOREVER!

❌ Nope! Here what you are expressing is frustration with the author and how fast they come out with new chapters. Imagine your sister buys you a gift for your birthday, but she isn't able to give it to you until the next week, and you respond with: "What took you so long?" I think Emily Post would frown on that.

Reframing

The way you say something and the point of view from which you give feedback can have a HUGE impact on the message you're sending. Let's take the last comment (the one about wanting an update) and see what happens when we reframe the same sentiment as a positive:

I was SO EXCITED to see that you updated this story! I have really been looking forward to seeing what happened after the cliffhanger in the last chapter.

✔️ Now it's not an insult. The author will be happy to know that you are happy to see new work from them.

This idea extends beyond the story itself: to the fandom, the characters, the pairing, the tropes, etc. Let's do some examples.

I looooove reading about these sexy boys SO IN LOVE even though the movie you're writing about is SOOOOO problematic.

❌ Nope! Assume that the author enjoys the canon, characters, pairing, etc. in the stories they write. This comment is insulting to the author because it basically says, "That thing you love is not great, and you should probably feel bad for liking it." Imagine your aunt gifts you a sweater from a popular retailer, and you respond with, "This is so cute, I love it! It's a shame that it was made in a sweatshop." Do you have a valid point about the canon or the retailer's business practices? You very well might. Is this the proper time and place to talk about it? Absolutely not.

Let's do a reframing exercise. You should be very careful about how you approach commenting negatively on anything in the story that appears in the tags list, but you can make it a compliment and good feedback if you have the right perspective. See the difference with these two approaches:

I kind of think frottage is disgusting, but I liked it in this story.

❌ Nope! You just told the author you think their kink is disgusting. That's like telling your poor aunt who is just trying to keep you warm this winter that she has awful taste in knitwear. Try again.

Frottage normally isn't my kink, but I love your other stories with this pairing, so I decided to give it a try, and I'm SOOOOO GLAD that I did! This story was 🔥🔥🔥

✔️ "This normally isn't my thing, but you made me expand my horizons!" Authors love to hear that. That's like telling your aunt, "I never thought this color looked good on me, but I look so cute in this sweater! I'm so glad you helped me step outside my comfort zone, because I'm the better for it."

thank u, next

The last thing I want to address is this new trend I've seen in commenting lately: placing an order. If your mom surprises you with new headphones, you don't respond with, "I wanted the white ones 🙁," or, "You should get me a new phone, too." It's easy to see why that isn't appropriate in a gifting situation, and it's also not appropriate when commenting on fanfiction.

Let's do some examples:

This fic was soooo cute, but it would have been a million times better if Character A had been with Character C instead of Character B.

❌ There are a few things going on here. Number one, you're telling your mom you wanted the white headphones, not the ones she actually bought you. You're also disparaging the A/B pairing that the author chose to write about, and as we discussed, we can assume that the author wrote the pairing because they liked it. Even if it's not their favorite and/or they also write A/C, they made a choice for this story to be A/B, and the comments section of a fic is not the place to question choices the author made in their own work.

You should write a story where Character Z who is not even in this story does [thing that is vaguely referenced in the B plot].

❌ "You should get me a new phone, too."

I want a sequel. 😞

❌ "Thank you, next!"

You can reframe this kind of sentiment if you are careful about it, and it's not all you say.

I really loved this story. I would be so interested to see these ideas explored further if you ever decide to write more in this universe.

✔️ Not "gimme." Not "more." This is, "If you build it, I will come." It is a HUGE difference.

You already know how to do this. You know how to graciously accept a gift; just use that same etiquette, and boom! Now you know how to fearlessly write a comment to fic you read. You're doing amazing. Go forth and comment.

[undreaming-fanfiction]

I love a good florist Steve, but what I love even more is a good but naturally bitchy florist Steve.

He'd have his own flower shop and years of dating experience behind his belt. He is not just a good boyfriend, he is THE good boyfriend. Going to his shop isn't just to buy a bouquet of flowers, oh no. It's a whole relationship coaching thing, he teaches husbands to do better, gives courage to teenagers asking their crushes out, gives advice regarding flower language to elderly ladies who just want to be slightly passive-aggressive...you know, the normal thing.

He has a catalogue with flower pictures to help people who have no idea what the flowers are called, they just know they were orange and didn't easily wilt.

He shows a local teenager the cheaper but still fancy options and throws in a bunch of free flowers that aren't really up to his standards. "Okay, you say she likes pink flowers. Does she like things to be a bit more decorated or does she prefer simplicity? You don't know? Okay, can you describe what she normally wears? No, I'm not being creepy, but you can sometimes tell the person's preferences from their clothes. Now answer or leave dateless."

He chats with the elderly ladies of Hawkins when they ask for a flower to gift to their fellow church ladies when they host their meetings. He cackles when he hears some of their orders. "Oh wow, Ethel, a yellow hyacinth? Would you like a gift card with that, something like sorry you're such a jealous hag? No? Of course I know the meaning, it's my job."

"Are you expeting her to say yes to the date with that atrocity on your face? Yes, I know it's a moustache. But it's also an atrocity. Shave it and thank me later. Now, would you like a ribbon for that bouquet?"

And most of all, he grills the unlucky conservative men in Hawkins who come to him for flowers for their wives without any idea what they like. "I see, so you want something pretty. What does your wife like? Flowers? Well, that's not specific. What kind of dresses does she wear? Expensive? Can you tell me anything about your wife's personality? ...nagging. No, I can't just mix something together, unlike you, I take pride in gift giving. Okay. I don't think this is a shop for you. Yes, that's what I'm saying, I won't play a part in your wife's disappointment. Oh sure, go take your money elsewhere, but I can give you this advice for free - you married a unique human being, so treat her like one. And if you really want a happy marriage - maybe come back when you learn something about her as a person. No need for that language, have a good day, sir."

For those that are more receptive, he goes through their partners' personalities and hobbies, suggesting date options and absolutely roasting the bad ones. "A football match. When your girlfriend hates sports. I don't care if it's your boys playing, you can try telling her that this is important to you and you'll take her out another time, but if you try to pass this as a date, you'll be single before you say "sorry". A date is for you as a pair, not for you only."

But the best thing his shop brings him is Eddie Munson, who sneaks in, absolutely ready to be roasted, and asks for a bouquet of bright colorful flowers for his best friend Chrissy. "She just got divorced from her asshole husband and I want to show her that she can have nice things. Platonically. But she deserves so much more. Uh...she really loves warm colors, so maybe yellows and oranges? What are they called...gerberas! She likes gerberas! And she likes things to be a bit messy and imperfect, so maybe some leaves there as well? A green ribbon would be nice."

And Steve just beams at him as he gets to work and says "Oh wow. Whoever your partner is, they are so lucky if you remember all of these things even for your friends. Makes a guy jealous."

Eddie just wiggles his eyebrows at Steve and mutters, "that position's sadly open. Has been for a while. Interested?" and he almost faints against the counter when Steve turns around.

Eddie is ready to run.

But Steve just fluffs his hair, reapplies his lipgloss and asks: "Where do I apply?"

[tojirights]

Prompt “❛ i love that no one else has seen you like this, that no one else has felt you before, been inside you. they don't get to have you, but i do. ❜” with alastor :3

Likke reader has been with multiple people but alastor is the first person to make her cum 0.0

prompt: Hii I really like your work! Can you do face sitting with alastor like reader mentions that she wants to sit on alastor face to angel and alastor overhears or angels says outlook to husk while his wasted thank youu

a/n: combining these two prompts!! ^ thinking maybe alastor overhears you talking with angel about your woes and offers to uhhh assist 👀

"the guys down here suck, angel." you sigh, sitting next to angel in the hotel lounge. you crack open your beer and hand him one as well. "yer tellin' me, babe." he chuckles. "whats got ya worked up this tIme?" he hums, reaching an arm around your shoulders. "thats the thing! nothing!" you groan, leaning into his body. "you know how many times i've tried hooking up with someone just for them to bust in 30 seconds and rub my inner thigh?" angel almost chokes on his drink.

"they're the worst. no one down here has been able to make me cum but myself." you mutter, taking a sip of your drink. "who do you want, hm?" angel asks. "maybe i can hook ya up with someone good." he wiggles his eyebrows, earning a giggle from you. the alcohol is making you feel a little brave, so with a sigh, you let your words free. "y'know who i think about all the time?" angel's eyes widen with interest, anticipation building.

"alastor..." you admit for the first time out loud. angel does choke on his drink this time before he laughs. "bitch! the radio demon?!" he barely contains his cackle. "stop! i mean, have you seen him? god, angel. i'd get down on my knees and bark if he told me to. i wanna sit on his face, hold onto his antlers for support. ughh, he's so hot." you whine into angel's chest, embarrasmemt finally setting in. angel tries to contain himself, but you've never said something so out of pocket but also very relatable.

unbeknownst to you, alastor stands not far behind you, his ears twitching as he listens in. a part of him does feel a tinge of guilt for listening, but you'd be quieter if you didn't want anyone to hear you. "well now, isn't that interesting?" alastor's voice makes you jump, almost tossing your beer straight onto angel. "oh fuck..." angel all but pushes you over in an attempt to get away.

"oh my god. alastor i'm so sorry, i was just-" you scramble to defend yourself, but alastor puts his staff under your chin to raise your eyes to his. "what was that you said about wanting to... sit on my face? about these worthless little demons not knowing how to treat a woman?" the sultry tone in his voice has you clenching your thighs together, which you blame on the alcohol swirling in your gut. you laugh awkwardly, trying to brush this off as alastor teasing you but there's a look in his eyes that tells you he's dead serious. "it's nothing! just venting some frustrations, that's all."

your eyes are a dead giveaway, desire flooding them as you peer up at alastor. "why don't you accompany me to my room for the evening, darling? we wouldn't want these inexperienced fools to try and make a move now, would we?" he extends his hand, and you decide to throw caution to the wind. standing, you let him pull you close. "blow my mind, radio boy." you whisper, watching alastor's eyes darken and his smirk grow. alastor uses the shadows, leading you straight to his room in a mere moment.

your heart rate sky rockets, realization hitting your gut as you start to strip. "how long has it been?" he asks, picking you up with ease and carrying you to the bed. "w-what?" you hesistate, watching as alastor ushers you to climb on top of him. "since someone else made you cum?" you swallow, straddling his chest. "i don't even remember al..." alastor's hands come around to grip your ass and pull you forward. with a gasp, you brace yourself on the headboard and then the feeling of alastor's tongue immediately has your brain turning to mush.

it's dizzying, the slide of his tongue up and down your slit was already far better than anything you've experienced in such a long time. "o-oh fuck." your body shudders, barely being able to hold still. alastor's tongue dips passed your entrance, lapping up your juices like a man starving. you already feel that familiar coil in your stomach forming, threatening to snap all over alastor's face. "that's, oh god alastor, that's so good." you moan, gripping tighter on the headboard as your hips start to stutter on their own.

then, you feel alastor's hands on your ass start to push and pull you, forcing your cunt to slide over his tongue. "y-you, i'm gonna-" you can't even think straight, pleasure blinding you to anything else happening in the entire world. alastor hums against your clit, sucking the sensitive bud into his mouth and that's it, you're cumming hard enough that your vision goes dark and tears well in your eyes.

you're shaking, barely being able to breathe as alastor's tongue runs lazy circles over your still sensitive clit to ride out your orgasm. before you're fully recovered, alastor quickly flips you onto your back and his fingers find your puffy pussy. "you have no idea the honor it is to be the only one to see you like this, my dear. the only one to feel you-" he pauses, pushing two fingers inside your needy cunt so he can hear your sweet moans. "cum. and i will be the only one to continue feeling that. you will cum on my face, my fingers, my cock... anything you please."

the desire burning in your core strengthens once more. not even your own fingers have ever made you cum twice, but alastor is about to pull a second orgasm from you almost completely back to back. "make me cum again." you whine, hips arching further off the bed as his fingers pump in and out slowly. "on your cock, fuck, please fuck me alastor."

alastor chuckles, his free hand unbottoning the front of his pants just enough to free his cock. "how could i deny such a good girl? cum on my cock, my princess." in an instant, alastor's fingers are replaced by the thickness of his cock. the first thrust alone has you teetering on the edge, while his thumb rubs tight circles on your clit.

your pussy clenches around his girth, pulsing with every sweep of his finger. each thrust of his hips pushes you closer to the edge, his cock filling you like no one else could ever. "y-you, gonna cum again." you cry out, spasms wrecking your body as your second orgasm hits even more intense with the feeling of his thick cock stretching your pussy.

alastlor groans, pumping his cock deeper, deeper until he's cumming as well. "such a good girl." he grunts, pushing each thick rope of cum further inside. "you won't ever have to worry about not being taken care of, my dear." he assures, pulling out slowly even as your cunt tries to squeeze him in. "there's plenty more where that came from, rest your pretty little eyes." he coos, pulling a blanket on your tired body.

you just know this is going to be the best sleep pf your fucking life...

[chaoticclownage]

"I didn't realize you think so low of me."

God like I usually HATE the miscommunication trope with a fiery passion because typically it's something painfully obvious that could've easily been avoided and is usually a pointless stressor to elongate the plot but the way it's done with Stolitz is so real like this isn't tiresome tropey miscommunication, it's real world miscommunication. It's a very real scenario that is as complicated as it plays itself to be and it's so well done actually. Like, the perspectives the characters have are completely different because they're individuals with problems and experiences that have formed different views on themselves and the world around them and it's caused this major rift in how they view things. Stolas is a bleeding heart who has always been an honest individual and he doesn't treat his royal status as something to lord over others and tries his hardest to be as free of it as he can despite his obligations, meanwhile Blitz is an imp who has had a rough life and views himself as lowly, as something not deserving of love, as someone that someone like Stolas with all his wealth and power wouldn't ever spare a glance at romantically. Blitz's view is so tainted by his own self-deprecating view of himself and his self-sabotaging nature that he drives Stolas away because he can't even entertain the idea that Stolas would ever genuinely love him.

All up until the moment Stolas has to throw his feelings in Blitz's face and be as vulnerable as he can and say it to him straight. Which is painful. Even for an honest person. What Stolas did is so incredibly difficult for anyone to do because of how raw of an action it is. That level of openness with someone you aren't sure is going to be accepting of it is like trusting someone with a gun pointed at your head not to shoot. This kind of miscommunication isn't just an easy fixup or something that could've been avoided, nor was it unessesary for the plot. It IS the plot. The divergence of their characters and how those two experiences and their flaws clash with one another is the driving narrative here. Stolas being brave enough to let go of the rope he'd given up everything to hold on to, because it was hurting him. Blitz realizing what he was losing and how he was wrong. And Blitz being seconds away from apologizing after he got hit with the reality check he needed only to end up seconds too late.

[milkykotek]

success story: celebrity crush turned boyfriend

First off, I'm aware people may not believe me. However, that's completely fine! I simply don't care, because it happened, and I wanted to share. I will not be sharing explicit details due to privacy reasons for both me and my boyfriend, especially since he is a popular actor.

It took me a few weeks because I didn't want to jump into dating immediately. However, you can immediately manifest anything and quantum jump! I chose to do it step by step.

"Dp" is a term used in the LOA (Law of Affirmation, Assumption and/or Attraction) community to describe your desired person. It can be anyone. 3D is the 3d dimension, the world you see in front of you. 4D is your thoughts and the reality where everything you want is accomplished.

It happened, but... what did?

I manifested my celebrity crush! I've been interested in him for some time now (due to personal reasons me and my now ex boyfriend – whom I manifested, too – have broken up). It was quite a wild ride, to be completely honest, and as always, I turned out successful!

There seems to be a blockage many face while manifesting celebrities, or otherwise famous/popular people. They're putting them on a pedestal, and so shifting the focus from actually manifesting to idolizing them. Of course, if you're manifesting a celebrity sp, you're most likely a fan of them already – that's not the point.

You're god, you're on top of the universe, you're the most important person there is. I don't care, and neither should you, about your circumstances. They're nothing but that – a circumstance in the 3D. As we all know, the 3D reflects our beliefs, assumptions, and the things we attract by engaging them. We engage them by giving them attention and reacting. An example can be someone giving you a dirty look – "Oh my god, they hate me!," you could think, and that is your assumption. You're not sure if they were even looking at you, because they could've been looking behind you, or simply have a resting b*tch face. And so, you thinking they frowned at you is an assumption. It's quite easy to create one.

And it's also easy to change that! The LOA (Law of Attraction, Assumption and/or Affirmation) community likes to overcomplicate manifesting by claiming it is hard to change your beliefs. It really is not. Every time you encounter a negative thought (thoughts create assumptions, assumptions show up in the 3D), simply change it. It's as easy as it seems. "I feel so sad", you can change that by saying, "I'm so happy and relaxed". Don't accept things you don't want to experience. Something happened that upset you? No, it didn't. Instead of dwelling on it, ignore it or affirm "It never happened", create a new story, "(something else) happened".

how did you manifest a celebrity dp?

You manifest a celebrity just like you manifest anyone else. They're human, and I don't believe in free will – anything I don't want, I change. It may sound weird, but is there even such thing as normal when it comes to manifesting and all the possibilities the universe offers?

The only thing you must do is take them off the pedestal and regain your power and control. It's not about them – it's about you. They're the obsessed one, they're the one manifesting you, you're on their mind.

If you're searching for a recipe, there is none. However, I can share a few ingredients – things that helped me:

— affirming. Affirming is nothing more than repeating what you want to happen, ex. "My dp loves me."

— persisting. You really don't want to give up until you see results. Of course, it doesn't mean you have to manifest 24/7, but then again, we think all the time, and so we manifest all the time, too.

— living in the end. Living in the end is living as if you already had your desire. How would you feel? How would you act, what would you do? Surely you wouldn't be stressing over results and whatever it is you're manifesting, because you'd already have it. Belief isn't necessary as long as you affirm and persist, but it sure does help.

— having someone to talk to. Having someone you can talk to about your manifestation journey and being supported was really important to me. I want to thank my best friends Star and Aurora, for always supporting and believing in me ❤️. Others would've called me delusional but you guys stood by my side.

proof:

Just breathe. For this part, I wanted to share some affirmations I used.

"Everything I want is mine. Everything I want, I get. I want it, I've got it. I'm a master manifestor. I always manifest whatever I desire and want."

"My dp (insert their name) loves me. My dp wants me. My dp is obsessed with me. My dp constantly texts me. My dp is texting me right now. My dp misses me. I am constantly on my dp's mind. My dp is constantly thinking about me. My dp is my boyfriend (or girlfriend, partner, anything you desire). I am my dp's best friend and soulmate."

Good luck ❤️. 222

[peachesofteal]

Light On - single mom/neighbor fic - reader POV - cw: grief Simon Riley/female reader

"Breathe, honey. Try to take a deep breath for me."

Simon is frantic, cradling your face in his hands, pulling away your own to try to look in your eyes, his own wide with horror, worry.

This isn't fair. This isn't right. This is confusing.

"I- I'm sorry." You sob, because it's the only thing you can say, the only thing he can think of, and he shakes his head like he disagrees with you.

"No, no. Sorry for what?" You can't make it make sense, to him, in your own head, and when you try to talk, nothing comes out but a broken cry. "Shhh. You're alright. Just breathe." He tries to soothe you, and it only makes you cry harder, sob welling in your chest. "Are you hurt?"

"No!" you protest. "No, you didn't... I'm not... I-"

"Okay, okay. Hey, look at me sweetheart. I'm right here, I've got you." He coos, still holding you, wiping your tears, keeping you close. "You're okay." You bury your face in his chest, letting him wrap you up, cuddle you close, all while your mind spins and spirals, heart aching like it's been broken all over again. This wasn't supposed to happen. You're not supposed to feel this way. You're supposed to be happy. Aren't you happy?

"I'm sorry." You whisper when you find your voice, and he hums a raspy rebuttal. "No, I... you don't deserve this, to be saddled with this, a-" A widow, and a baby. An emotional basket case. A burden.

"Stop." He looks down at you with sincerity, severe certainty in his eyes, and you gulp at the intensity, shuddering when his lips graze your skin gently. "I don't deserve you, sweetheart. I know that for sure, but not in the way you're thinking right now. I'm not being saddled with anything."

"You don't understand." You shake your head.

"Then tell me." He encourages. "Tell me. I'll listen." He caresses your cheek, touch gentle and caring, devoted, and you close your eyes.

"Okay."

Simon makes you a cup of tea. When he returns to press it into your hands, you're sitting up in bed, donning one of the t shirts you found on the floor.

"Is that my shirt?" He asks, cocking his head, and you nod bashfully, lip tucked between your teeth. "Looks good on you." You reach for the mug with shaking hands, trying to take a deep breath and collect your thoughts. "Take your time." He murmurs. "I'm here. We've got all night." He's not going to want you anymore, once he realizes. Once you tell him how you feel, what you're thinking. You shake the thoughts free, trying to banish them. He said you could tell him. You trust him. You can do this. Just be honest.

"Emmaline's dad died the week we found out we were pregnant." You whisper, unable to look at him. "It was a housing fire, big building. Like this one." You take a sip, watching the way his fingers sit lax in the bed, close enough to touch you, but giving you space. "There was a power surge, or something. Half the city lost electricity and he got called in. It wasn't unusual, he was a Lieutenant, and they're responsible for a crew, a truck. I thought... I thought I'd just go to bed, wake up in the morning, and he'd be there next to me. Like always, on big calls."

"But he wasn't."

"He wasn't. Instead, his Engineer, and his Captain, were at my door with his helmet in their hands." You bite down on your tongue, fruitlessly stalling the tears and the breakdown that's fighting it's way up your throat. "I loved him so much." As soon as you say it, your voice breaks, vision going blurry, and Simon reaches for you, holding your free hand, stroking a thumb across your knuckles. "I haven't been... I haven't been with anyone, since then."

"Oh, sweetheart." You set the tea down on the table next to the bed, pulling air in through your nose as much as you can, trying to regulate your heart rate, your breathing.

"I thought I knew what love was." You whisper, peeking up at him, soft brown eyes watching you patiently. "But this... feels different. It feels like... more. And that... that makes me feel like I'm betraying him. Like I'm dishonoring the love we shared. I feel guilty, and awful, like I'm doing something wrong." You close your eyes, losing your control, your battle, lower lip trembling with a sob. It tumbles out of you, hoarse and raw, everything falling away as you cry. There's a knife, in your chest, in your heart, twisting and sawing and stabbing, and it hurts, it hurts so badly, the sharp ache only soothed when Simon pulls you into his arms, cradling you against his chest, hand smoothing up and down your spine.

"Sh-shhh." He's settled you into his lap completely now, legs and hips and entire body, wrapped up tight, safe and secure. A small amount of tension sags away from your frame, relieved that he's not running, white hot guilt and grief and still burning in the pit of your stomach. "You're not doing anything, anything, wrong, sweetheart." He thumbs at a tear on your cheek. "It's natural to feel grief like this, it's normal. But you're not betraying him, or your marriage. He'll always be a part of you, and Emmaline." He's rocking you, murmuring softly above your ear, and you relax more, letting him calm you, put you back together piece by piece, your tears starting to slow, your chest rising and falling at a more regular pace. "I want to tell you something." He says after a while, once it's been quiet for a few minutes. You nod, trying to encourage him. "My mum is gone." You push off from him, looking up into his eyes. They're sad, and you see grief in them, despair, but also a deep depth of love. "She taught me how to cook, when I was a young lad. Always told me it would come in handy, when I fell in love." He takes a deep breath, burying his face in your neck for a second before coming back up for air. "She never got to see that, me with someone else. In love. And for years, I thought I disappointed her, let her down, even in death."

"Simon." You whisper, heart breaking apart all over again for the pain that's embedded across his face, the torment that bleeds from his expression.

"But, ever since I met you- I've thought, maybe she's lookin' out for me. That she's somewhere, out there, still bein' my mum. Sending me angels." He blinks, lashes wet, the tear that drips down your face mirroring his own. "Sending you, and Emma. And maybe your husband, is doing the same." You close your eyes, remembering the first time you ever saw Simon, on the roof, handsome in the morning light, even though he seemed so exhausted. You remember the way he held Emmaline, the first time he gave her a bottle, your little baby so at home in his giant arms, safe and cuddled against his chest like she just fit there. When he came to your rescue in the park, scary enough to make every scatter but all you felt was safety. The first time he kissed you, on his patio in the snow. And tonight, when he promised to give you everything, when he held you, made love to you, promised to take care of you. Your heart races in your chest, fingers clutching onto him, holding as tight as you can.

"Am I your angel, Simon Riley?" You wondered aloud with wide eyes, leaning into him, nose to nose. He kisses you, face wet with tears, voice hoarse when he answers.

"You're mine, as I'm yours, sweetheart."