fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.
dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.
but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).
like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?
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"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…"
(The Road to PALISADE 20: City Planning Department)
so that's what i've been working on for the past 2 weeks!
i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18.
the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.
anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur
(i recommend listening along while scrolling!
+ transcript btw. if anything is hard to read)
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i wish ppl would stop assuming that everything is about this fucking show
ppl will see art of sun n moon and start mass tagging in the reblogs with sams tags even if the post didnt have sams in the original tags
also god forbid ur a sams artist and sun x moon shipper. u might as well just give up before the ppl start calling u proship and shipping an "incestuous relationship" (surprise surprise! not everything is about this show! and ppl can enjoy shipping sun x moon while not associating it with the show! pls stfu!)
basically. check the tags before u reblog something as sams content. if it doesnt have sams in the tags, then its not from the fucking show
and im saying this as someone who enjoys the show AND enjoys sun x moon. thankfully, nobody has harassed me yet. tho, knowing this fandom and how they cant mind their own business, i might be at some point (can u tell im fucking tired?)
.
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everytime i remember almost no-one in the fandom seems to think guillermo de la cruz is ace i get so mad. it's partially about my own expectations bc watching the show i just sorta assumed everyone would bc it's so very obvious to me. like you can't tell me he was tryna come out as gay at that table lmao. he would not feel the need to make it into such a thing, they never expected him to be straight. coming out as asexual however? to these sex-obsessed vampires? of course he'd feel the need to explain and justify himself with a long speech, if he didn't they wouldn't believe him, they would not understand it as a real possibility. there's plenty of other stuff too that i don't remember specifically enough 2 talk about. also it just seems like poor media literacy to me. i can't say that with certainty cuz i don't actually know the writers' intentions either but to me it's rly just canon that he's ace. i know queerbaiting is an issue and we need explicit representation and in my ideal world he is explicitly stated to be asexual in a future episode of the show but im also a strong believer in not needing characters to look at the camera and state their identities for them to have those identities as a written part of their character.
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yay! I drew these quite literally three years ago. dragonheart!milo and raihan! a knight on a doomed dragon hunt being lifted out of his station by a small village medicine man. together they become magic lawyers and overthrow the government
the main details in these do survive into the iterations I’ve drawn (instead of these actual designs I spent time to make el oh el): the “leaf” diamond quilt/gambeson and the plaited coattail for milo, the “atypical” weapons, long coat, and large number of scattered fake gold trims and accessories for raihan. I think I lost raihan the hat and added a cape for milo further down the line because like this their general silhouettes are too similar for my liking lol
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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