#im sorry im not really but dear god

[shujiinkou]

I am totally and completely sane about his new outfit

[reel-fear]

So... Mike's response to concerns about the lack of diversity in Bendy was basically 'Well clearly in this photo we did not create or make [from my understanding it's taken from a documentary and edited] Norman is white so really you're the morons here. Of course, he's white fuck you for thinking otherwise.'

It's a bad time to be a Bendy fan this is genuinely so low and such a mean-spirited way to treat your fans.

I genuinely need a moment to recover from this. Mike said the books aren't canon as a way to dismiss concerns about their designs but now here he is clearly implying Norman is white in canon too so why did any of this matter?

I need to like... Lay down. This is so tiring and genuinely, just hurtful. I feel bad for the poc in this fandom right now, I hope everyone who reads this is okay, and genuinely if u need to, take a moment to step away from this and just breathe.

[r7inyz]

hnnghughugguh hi throws rocks

template from pinterest i thinkkkkk

might rb this with the speedpaint if it loads

[wolfythewitch]

Have you drawn calypso yet? Or do you have a idea in mind

I'm probably gonna be basing her design off the singer like I do with most EPIC songs haha, since I most likely won't be drawing her outside of fanart for the musical

I haven't drawn her yet no, the thought of her fills me with rage

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[pink-lemonadefairy]

super long big huge tired sigh

[bbbrianjones]

so like. hi.

[waddles-ex-machina]

hi please bear with me while i go insane about the colours in Hilda (aka I'm looking at the trio's season 3 designs and losing my mind)

SO in most visual media, quite a bit of thought goes into the colours they use and how those colours interact with one another - not in a "the curtains are blue bc [character] is sad" kind of way but in terms of which colours stand out and which are harmonious, and even if the viewer doesn't know any colour theory (like me, lol) and isn't paying attention to it, I think it still helps reinforce what we know about the characters, and influence what we take away from the show. visual design is a language and colour is one of the key aspects of it and if you want to hear about how Hilda uses colour in so many clever ways, to guide the viewer's eye or distinguish important characters, there's a really excellent video on that made by someone who actually does know what they're talking about, but one thing I wanna talk about based on my own limited knowledge is how it tells us about the characters -

FOR EXAMPLE Johanna - so you have Hilda, who is dressed in bright primary colours, especially her signature blue hair which makes her stand out as different even more - and then there's her mother, who has, by contrast, a much more toned down colour palette. she broadly shares the colour red with her daughter, but a less-saturated shade and her standard outfit consists of that, brown trousers and sometimes her yellow coat. Hilda's signature blue is completely absent from her design (and even if the creators didn't want to give Johanna the same hair colour as her daughter, they could have added some small blue accent of clothing if they'd wanted to, but chose not to), leaving her with purely warm, harmonious colours. she has an almost completely different palette to her daughter, but still just enough similarity (particularly with her yellow coat) to reinforce that the two are related in some way. (I'm not saying that Hilda is related to everyone who wears yellow in the show, just that the fact they share a colour helps tie them together on screen)

(yep, this is the screencap i'm choosing to illustrate this point it's fantastic)

most importantly (to me, anyway), Johanna's colours are warm. they're safe. to me, the dominance of warm colours and absence of Hilda's blue signify that Johanna is a safe person to Hilda, someone who is supposed to be a respite from her adventures rather than someone who dives into them with her (which, y'know, ties in quite nicely to Hilda's line in Stone Forest about preferring to adventure on her own and then come home to her mum, and how in the show she generally likes to keep her adventures and home life separate... (I could probably write an essay on how Hilda and Johanna's issues in season 2 were kind of a commentary on how Johanna has been coded as the safe stable bg character and how she is actively trying to go beyond that role but I shouldn't tbh)). the point is, they are connected, but Johanna doesn't have the same adventurous streak that Hilda does, so they have some of their warmer colours in common, but not Hilda's unusual, stand-out blue.

(I could also talk about Kaisa here and her copyright claim on the colour purple, but truthfully all I would be doing is paraphrasing the excellent video I linked earlier, so I won't. however I do think its fun to compare her to Johanna, in the sense that here are two adults who Hilda often comes to for guidance, and one is all warm gentle colours that match the home decor and the other all monochrome with two little hints of a colour we rarely see elsewhere in the show, suggesting that this is a character of particular interest.. it kind of hammers in how one is meant to embody the safety and comfort of Hilda's home life and the other is literally there to point hilda at things that might kill her lmao)

that was supposed to be a quick example and it got away from me so uh ANYWAY what I'm getting at here is that in Hilda's friend group, I believe their colour palettes were constructed in a similar way - they work together to tell you about the group

I feel like Hilda as a show is known for making excellent use of a limited colour palette - a lot of the characters have at least one black or brown item of clothing and just one or two stand-out colours, particularly the main trio. you can easily look at Hilda, David and Frida come away with one particular colour associated with them - blue or red for Hilda, orange for David, and...blue again for Frida, which doesn't sound great on paper but works well in the show because Hilda's palette also has a lot of red, so when the two characters are put together it doesn't seem like blue is dominating the colours. I also find Frida's colour palette (basically just her hoodie, lol) super interesting because it used to be different.

now, I haven't spoken to anyone who worked on the show about this, this is purely conjecture, but if you've ever googled the characters you've probably seen an official-looking turnaround page of Frida in a purple hoodie.

this is real pre-prod show art, and considering the purple hoodie made it all the way through the design pipeline to be included in the turnaround (generally the last stage of character design, as this is what would be given to the riggers to make the character rig)....and was even posted on twitter months before the show aired -

then I think it's safe to say that her hoodie was changed after the fact (2 or 3 episodes into production, by my vague guess looking at the date of this tweet) - not too hard to do, if your show is 2D rig animation, luckily - but if you're me and like reading into things way too hard, this begs the question of why. having purple as Frida's signature colour is perfectly serviceable and sets her apart from Hilda and David nicely. but what her new hoodie colour does is the opposite - it ties them all together

(the other possible explanation is that maybe Kaisa's design was finalised later in production than this turnaround was made (speaking purely from my own experience, secondary characters who appear in later episodes are often finalised later than the main characters, just ahead of the episode they're needed for, and Kaisa wasn't needed until halfway through the first season) and someone noticed that her and Frida sharing the colour purple made them look a little too similar...(I'm sure ppl who like the idea of Frida and Kaisa being witch sisters are yelling through the screen rn that this would've been a good thing and maybe lightly foreshadowed Frida becoming a witch, like Kaisa, but this was all set at the start of season 1, probably a bit too early to start hinting at the witch stuff :') we will come back to this tho)

anyway I love the trio's designs bc if you put Hilda and David next to eachother, they don't visually have much in common, but if you put Frida there then suddenly they're a unit. they got rid of her signature colour and gave her her friends' ones. she quite literally ties the group together so that they look cohesive as a whole

and this is absolutely me digging too deep in things here but her being the one to bring the group's colour palette together also lends itself thematically to their falling out at the end of season 1, and how Frida leaving also caused Hilda and David's friendship to struggle. they are a set and it doesn't work the same if they're not all there. Frida sharing Hilda's signature blue could also lend itself to the idea that Frida shares her love of adventures to a greater extent than David does (though maybe that's closer to 'blue curtains' territory tbh). anyway I love the design of this show so much

SO (if you actually made it this far down I'm so impressed) the thing that sparked all of this was...if this is what the trio's designs are doing in seasons 1-2.....what are the season 3 designs doing

no but this is super interesting to me, Hilda essentially just traded her skirt for leggings and left her colour palette intact, but David and Frida changed theirs entirely and I'm fascinated. both their signature colours are GONE. is it to imply that they've grown and changed in the duration of the time skip? is it David's turn on the 'having a colour in common with Hilda'?? but particularly I want to draw attention to Frida bc now that her hoodie is gone her original purple is BACK and (if there is any weight to my theory that she was changed bc she looked too similar to Kaisa) what's even more interesting is that they doubled down on the witch vibes. she literally has Kaisa's exact colour palette minus the dark purple cape lining. Kaisa's design reflected her personality as this unknowable person with a hint of mystery to her - all monochrome with that pop of an unusual colour - are we to expect the same of Frida? is this a sign that she's leaning further into witchcraft than before? does her contrast to Hilda and David signify that she's come more into her own and has a stronger sense of her own identity (something something closure for her issues in season 1)? or do we take things way too literally and assume that season 3 has her breaking off on her own from the group? or maybe it means absolutely nothing and someone on the design team just thought grey/purple was a neat combo. I know I've talked in this post as if I know things but here I truly don't and I'm obsessed w the possibilities. what does it mean what does it all mean

anyway that's all for this delusional fever dream post, hope you enjoyed and if you made it this far down you deserve some kind of prize

[money-and-dandellions]

continuation to this post:

Meg who unintentionally and absolutely illogically gets worried when Lester gets sick after the ghoul incident and he doesn't really understand why would she do that

until he does

[creed-of-cats]

There's something about that first meeting with Bruce, Terry and Powers that really gets me. Its so, so early in our titular heroes' partnership. They're still testing each other, weary about how the hell they're going to do this without someone ending up dead. But in this moment, Terry goes at Powers and the only thing holding him back is a single moment of looking at Bruce, and he backs off. This kid, who grew angry at a single comment from a high school friend or his dad being disappointed in him just a short time before, keeps his cool in front of the guy who murdered his dad. Just because just Bruce walking away says not now, not yet.

Terry obviously wants revenge on Powers, but I feel like it's not discussed much that Bruce does too. Batman is not the only legacy the Wayne's left in Gotham. Their company funded a lot of the welfare and social programs in a corrupt system, and it's an incredible amount of power in the hands of someone who doesn't care or is actively malicious. But that was the Bruce Wayne side of the mission. And the problem with that is that Bruce never really just let himself be Bruce Wayne. He had to have both or nothing, put every single part of himself into the mission.

Terry reclaims Batman, and with someone else under the cowl, Bruce finally reclaims Bruce Wayne. Powers and his hold over Gotham couldn't have been broken without Terry and Bruce working together, both in ways that would've been practically impossible without the other. When Blight dies, there's not even a question if they'll stop. Their redemption is already too far along.

I think part of the reason why Bruce kind of has this begrudging respect, this love/hate relationship with Terry's penchant for forgiveness is how it extends to him. I'd like to think that at first, Terry may have had resentment for what Bruce did with his company. If Bruce hadn't given up, Powers wouldn't have had the power to do what he did, and get away without legal consequence. But I'm not sure he would've held on to that resentment for long, or have it more then a thought in anger. Terry understands what causes someone to fall. As Terry said in the first episode, Something happened to you, and it wasn't just that you got old.

Bruce trains Terry, sees the potential in him to become Batman. But Terry also sees that Bruce could be better and pushes him to do so. He offers Bruce forgiveness and a second chance from his past failings. To make it up to the city he poured so much into and then abandoned. The really interesting thing is that Bruce doesnt offer that back, Terry's drive to be a better person is solely from himself. Bruce hates himself enough to stay in his misery, but Terry is the city's answer. So what? Life is not over. It's never too late. The push to take a risk and care again, about Batman, about himself, and about Gotham.

It starts here. When Bruce finally stands up to Powers, the figure of guilt and anger both if them share, and says no, I'm not going to let you do this anymore.

[ratatatastic]

"i think and i hope... im just trying to lead by example im not very vocal like that.."

alternatively adonis inspires his compatriots by being beautiful and sexy beside them and we definitely couldnt have seen that coming

Training Camp 24 | 9.20.24 (x)

[fate-defiant]

List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you! get to know your mutuals and followers (ू•‧̫•ू⑅)♡

(if you’d like to, ofc!)

y'know it surprised me to see you in my askbox, esp of this sideblog adfhkjdfhks

k let's see:

that feeling of accomplishment, like when you finally get something done or you just feel like you did a really good job. like your time was well-spent

you know when you and another person are both really passionate about a thing and you just keep babbling and talking over eachother and you dont even care because you feel so connected and happy and its so fun and and

waking up early and well rested

sunlight sometimes feel like the most incredible thing ever we simply do not talk about sunlight enough

Trees too dear god you ever look at trees and feel so happy? hills and mountains too dear god the world is beautiful i-

[vilelittlecritter]

You ever sit in a fandom space for so long that now looking at it kind of makes you want to rip your nails off.

Yeah.

[hjemne]

Just finished trigun 98 and what the FUCK how could you possibly do this to me

[lovecatsys]

my life doesn't even feel real anymore.... i feel so dissociated from everything that it is so genuinely upsetting. i keep getting lost in fantasies and then in moments of clarity realize how much my life fucking sucks and also how little I care about it at all. why live in your own life when you can just dissociate from everything so hard that none of it feels real. jk it fucking sucks i just wish i could experience any genuine emotions besides the occasional sadness about the state of my life right now.

[pinklemonslices]

“I’m joking.”

“Oh- oh! Well, uh, I’m Evan.”

yeah it’s the Stagedorks joke. sorry. it made me think of these two