#in terms of: it is a significant amount of the plot; not just brought up a couple times;

[aroaessidhe]

2023 reads // twitter thread

The Meister of Decimen City

a chaotic superhero satire

a genius who’s labelled a villain by the government after her super intelligent dinosaur children get loose is put under supervision 

and has to confront her past / deal with the trauma of her complicated family/sibling relationships

and also the realisation that she might be asexual

[dreaminginthedeepsouth]

[The Daily Don]

LETTERS FROM AN AMERICAN

More good news today for Bidenomics, as the gross domestic product report for the second quarter showed annualized growth of 2.4%, higher than projected, and inflation rose at a slower pace of 2.6%, down from last quarter and well below projections. Economic analyst Steven Rattner noted that as of the second quarter, “the US economy is over 6% larger than it was before COVID (after adjusting for inflation). At this point in the recovery from the Great Recession, 2011, the economy was just 0.7% larger than it had been in 2007.”

Both consumer spending and business investment, which is up 7.7% in real annualized terms, drove this growth. Business spending makes up a much smaller share of gross domestic product, but it drives future jobs and growth, and much of this growth is in manufacturing facilities. In keeping with that trend, the nation’s largest solar panel manufacturer, First Solar, announced today that it will build a fifth factory in the U.S. as alternative energy technology takes off. This commitment brings to more than $2.8 billion the amount First Solar has invested in the U.S. to ramp up production. 

While so-called Bidenomics is designed to rebuild the middle class, the administration is also trying to reestablish fair ground rules for corporate behavior. Yesterday, the Departments of Justice, Commerce, and Treasury invited American businesses to come forward voluntarily if they think they might have violated U.S. sanctions, export controls, or other national security laws by sharing sensitive technology or helping sanctioned individuals launder money. Coming forward “can provide significant mitigation of civil or criminal liability,” the note says. 

It highlighted the anti–money laundering and sanctions whistleblower program in the Treasury Department’s Financial Crimes Enforcement Network, or FinCEN. 

While many of us were watching the federal courthouse in Washington, D.C., to see if an indictment was forthcoming against former president Trump for his attempt to overturn the results of the 2020 election, a different set of charges appeared tonight. Special counsel Jack Smith brought additional charges against Trump in connection with his retention of classified documents.

The new indictment alleges that Trump plotted to delete video from security cameras near the storage room where he had stored boxes containing classified documents, and did so after the Department of Justice subpoenaed that footage. That effort to delete the video involved a third co-conspirator, Carlos De Oliveira, who has been added to the case. 

De Oliveira is a former valet at the Trump Organization’s Mar-a-Lago property who became property manager there in January 2022. Allegedly, he told another Trump employee that “the boss” wanted the server deleted and that the conversation should stay between the two of them. 

In the Washington Post, legal columnist Ruth Marcus wrote, “The alleged conduct—yes, even after all these years of watching Trump flagrantly flout norms—is nothing short of jaw-dropping: Trump allegedly conspired with others to destroy evidence.” If the allegations hold up, “the former president is a common criminal—and an uncommonly stupid one.”

This superseding indictment reiterates the material from the original indictment, and as I reread it, it still blows my mind that Trump allegedly compromised national security documents from the Central Intelligence Agency, the Department of Defense, the National Security Agency, the National Geospatial Intelligence Agency (surveillance imagery), the National Reconnaissance Office (surveillance and maps), the Department of Energy (nuclear weapons), and the Department of State and Bureau of Intelligence and Research (diplomatic intelligence). 

It sounds like he was a one-man wrecking ball, aimed at our national security. 

The Justice Department has asked again for a protective order to protect the classified information at the heart of this case. In their request, they explained that, among other things, Trump wanted to be able to discuss that classified information with his lawyers outside a Sensitive Compartmented Information Facility, or SCIF, a room protected against electronic surveillance and data leakage. 

Former deputy assistant director of the FBI’s counterintelligence division Peter Strzok noted that there is “[n]o better demonstration of Trump’s abject lack of understanding of—and disregard for—classified info and national security. He is *asking the Court* to waive the requirements for classified info that EVERY OTHER SINGLE CLEARANCE HOLDER IN THE UNITED STATES must follow.”  

The Senate today passed the $886 billion annual defense bill by a strong bipartisan margin of 86 to 11 after refusing to load it up with all the partisan measures Republican extremists added to the House bill. Now negotiators from the House and the Senate will try to hash out a compromise measure, but the bills are so far apart it is not clear they will be able to create a bipartisan compromise. The National Defense Authorization Act (NDAA) has passed on a bipartisan basis for more than 60 years.

The extremists in the House Republican conference continue to revolt against House speaker Kevin McCarthy’s (R-CA) deal with the administration to raise the debt ceiling. They insist the future cuts to which McCarthy agreed are not steep enough, and demand more. This has sparked fighting among House Republicans; Emine Yücel of Talking Points Memo suggests that McCarthy’s new willingness to consider impeaching President Biden might be an attempt to cut a deal with the extremists.  

As the Senate is controlled by Democrats, the fight among the House Republicans threatens a much larger fight between the chambers because Democratic senators will not accept the demands of the extremist Republican representatives.

The House left for its August recess today without passing 11 of the 12 appropriations bills necessary to fund the government after September, setting up the conditions for a government shutdown this fall if they cannot pass the bills and negotiate with the Senate in the short time frame they’ve left. Far-right Republicans don’t much care, apparently. Representative Bob Good (R-VA) told reporters this week, “We should not fear a government shutdown… Most of what we do up here is bad anyway.”   

Representative Katherine Clark (D-MA), the second ranking Democrat in the House, disagreed. “The Republican conference is saying they are sending us home for six weeks without funding the government? That we have one bill…out of 12 completed because extremists are holding your conference hostage, and that’s not the full story: the extremists are holding the American people hostage. We will have twelve days…when we return to fund the government, to live up to the job the American people sent us here to do. This is a reckless march to a MAGA shutdown, and for what? In pursuit of a national abortion ban? Is that what we are doing here? 

“The American people see through this. They know who is fighting for them, fighting for solutions…. Your time is coming. The American people are watching. They are going to demand accountability. We should be staying here, completing these appropriations bills, stripping out the toxic, divisive, bigoted riders that have been put on these bills and get[ting] back to work for freedom and for our economy and the American family.”

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[nunisumimaeumi]

Thrill Ride - Chapter Two

genre: idol! juyeon x hairstylist!fem reader, alternating povs, smut, angst, smut with little plot, love triangle.

synopsis: juyeon develops an unlikely relationship with a committed hairstylist.

******************************************

warnings: explicit mature content, cheating.

tags: public (female) masturbation, dry-fucking

you can also read this chapter on ao3.

******************************************

2| CJ E&M Center

Y/N

You wake up in the morning to the sound of your phone buzzing on the nightstand. It’s a message from Juyeon.

“Thought of you all night…”

You instantly delete it, glancing over your shoulder to check if Hongjoong is still asleep. The two of you are naked in his bed. Last night the sex was the best you had in months. Maybe the fact that you thought of your little session with Juyeon the whole time has something to do with it. Maybe. Right now, what is on your mind is: this has to stop. Pull yourself together, woman. You’re not ending your long term relationship with your boyfriend over some younger guy who has to publicly make a vote of chastity to his fans. That would be ridiculous. You’re smarter than that.

Your inner dialogue is interrupted by Hongjoong's yawn as he slowly wakes up. You ogle his bulky and ripped body and gets a little turned on. Mess.

“Morning, honey,” he greets you, sitting up. “You were amazing last night, you know that?” He plants a kiss on your lips. You could go for another round but he shoots you with “hey, I’m running late for work... would you mind making my protein shake? Don’t forget it’s 3 scoops of powder and—”

“400 ml of soy milk and 1 spoon of probiotics. I know, I know.”

“Thanks babe, I’m going to shower. Don’t forget to wash the blender afterwards.”

As Hongjoong heads into the bathroom, you feel the urge to reply to Juyeon. But you shouldn’t, right?

******************************************

It turns out that Sarah has scheduled you to work at all The Boyz’s activities.

“Sarah… can I not? Please? Those are super tiring,” you whine to her.

“Sorry, friend. There are 12 of them and we’re short-staffed” You let out a grunt. “What’s up with the attitude, girl? Thought you were besties with what’s-his-face and everything. I even assigned you for this solo video he’s doing.”

“You what?! Nooo, Sarah! Bad, bad, Sarah.”

“Oopsie!” She replies with a cheeky smile. “That’s the day after tomorrow by the way, hwaiting!”

You had been doing a good job avoiding Juyeon at those music shows gigs, where their schedule was usually packed and interactions were limited. However, this solo video project means you'll have to spend a significant amount of time with him.

“Just wondering… did you see Hongjoong in the last day of the Paradise City job?” Sarah asks you frowning her face with concern.

“Yup, I did. Why do you ask?”

“Oh, nothing. It’s just that…” she purses her lips, “uh… some acquaintances saw him at Itaewon with friends… and some girls.”

You side-eye her. “Well, he got out of his way to pick me up that day. No matter what is being implied here, he came home with me, and TMI alert: we had an amazing night.”

Her face contorts with disgust. “Eew, spare me the details next time. Anyways… I don’t know. I really think you should keep your eyes open…”

“Sarah, every now and then, some model or the garden variety tries to shoot her shot with him and it leads to nothing. Come on you’ve seen it yourself how he shuts down those girls. I got this.”

“If you say so…”

“Yeah, I’m saying so.”  you assert, putting on a confident front. But deep inside, your heart drops, and your mind is racing. Last night… was he thinking of somebody else… the way I was?

******************************************

You arrive at CJ E&M Center and the place is crowded with masked up girls armed with their chunky DSLR cameras, a few even brought stairs to get the perfect shot. Fansites. You read their ID plaques – the ones they usually carry to flash at their idols so they can pose to the right lenses – half of them are there for Juyeon. Damn, another reason to stay away from him.

After getting lost in the maze-like corridors of Mnet’s floor, you finally reach Studio Choom’s dressing room. Upon entering, you spot him. 

Juyeon is sitting on a chair, his eyes lighting up at the sight of you, smiles with his eyes upon seeing you. However shoot him a stern look, silently telling not now. The room is bustling with staff members, including production assistants, makeup artists, coordinators, managers, and you know well that people in this industry like to run their mouths.

******************************************

You think you’ve aced disguising any traces of you and Juyeon having something more than strictly professional and amicable? relationship.

Little did you know everyone was talking behind your back about your rather odd dynamics.

As you’re filling your cup of tea in the coffee break room, Minhee – a MUA from your studio – approaches you. “Hey… not to be nosy but what’s up with you and the talent?”

You almost spill your drink. “What do you mean??” You ask, exasperated.

An embarrassed Minhee tries to explain herself. “I mean… what’s the nature of your relationship… you’re kind of…” she searches for words “a little… skinship-y? And chatty? Like you had some inside jokes?” Holy crap, you’re in deep shit.

“HAHAHAAH,”  you attempt to play it off, overcompensating by laughing like a maniac. “That’s hilarious.” ou then lean on Minhee, wrapping your arms around her and placing your hands on your belly, pretending to be in pain from laughing. “Me? No, no, no, never. Hahah what a silly mistake, that’s just my personality… you know me, Minhee, I’m touchy like that.” You pat her shoulder. “Most importantly, I have a boyfriend. Thought you knew him? Hongjoong?”

“Oh… sorry,” she says, trying to pull away from your octopus arms.

“We are just friendly y'know… He’s like the clueless little brother who needs assistance sometimes… it’s all very very superficial though.”

“A-ah… I see…” Minhee just nods, smiling awkwardly to get out of your face as fast as she can.

When Juyeon comes back to change his hairstyle for the next segment, you’re in panic. Seems like everyone in the room has been sussing you. Unfair. You don’t even have anything going on. You kissed once… ok maybe more than kissed… but just this one time! And in a moment of weakness! Sigh.

“Juyeon, I heard that you’re single…” Yeonjin, the coordi, starts.

“Yes, I’m an Idol after all,” Juyeon replies with the most convincing innocent smile on his face.

"But I heard from that other guy from your group… what’s his name? The one with a long neck…” she continues.

“Changmin.”

“Well, he said you guys don’t have a dating ban anymore, so…”

“Yeah, Juyeon-ah! You should enjoy your youth,” you barge in the convo in a attempt to clear the air about you. “I have this idol client-friend who would be a great match,” you whisper her name in his ear. “She is a 98 liner too. Do you want me to set you up with her?”

But Juyeon just shakes his head. “No,” he says softly. “She’s nice but she’s not what I like.”

“So what is your type?” Yeonjin inquires. As you work on his hair, you steal glances at him, and when you look up, he's staring right at you, causing your heart to skip a beat.

“I like my women a little bit older,” he states boldly, his gaze daringly directed at you. The entire room seems to be paying attention to this conversation now.

“Oh... older okay…” You try to disguise how flustered his answer got you. “I have another client who is a 95-liner and she is sooo your type.”

“Nah, I said older. 3 years – that’s basically the same age”.

“Are you even Korean?” You retort in a mocking tone.

“I believe I have told you I like women who are more experienced and mature than me.” Your mouth falls agape. He knows how to fuck with your head. A whispery “daebak” slips out of Yeonjin's mouth. A wide-eyed Minhee looks at him and back at you, much like the audience of a tennis match.

Once ahold of yourself, you try to brush it off. “This is just code for SNSD fanboy isn’t it?”

Obliviously, Yeonjin laughs. “Right, right. Guys his age were all their fans when they were in school.” You feel relieved people are buying into it and gossiping about all A/B tier male idols who are SNSD fans. “Yah! Bangtan Sonyeondan V had this major crush on Yoona, I heard of” someone adds from the back.

“I don’t know Yoona, but I could maaaybe set you up with Yuri if you give me some time. Big maybe and very unlikely though. Your best bet still is the 98-liner I told you about.” And with that last line everyone just moves on to another hot topic. You smile to yourself in triumph. Juyeon, on the other hand, is glaring at you.

******************************************

As the recording session comes to an end and people start gathering their tools to leave, only the staff from Cre.Ker and Studio Choom remain behind to review the footage and finalize the editing details. Before packing up your belongings, you decide to sneak a peek at the wardrobe and costume room. Dozens of luxurious clothes hang on the racks, creating a wonderland for fashion aficionados. You take the see the garments up-close, feeling the fabrics and admiring the intricate embroideries.

Suddenly, your eyes are covered. “Guess who?” Sigh. It’s Juyeon.

“What are you doing here? Aren’t you supposed to be with the people from your company?” You ask in a hushed tone.

“I had to sneak out before you pulled a French exit on me again,” he replies with soothing ASMR-like voice.

“Touching stuff and everything, but you’re seriously risking your job and mine with this, so I’m just gonna leave, see ya!” You reach for the door knob, but he holds you from behind.

“We’re not doing anything... you know, bad… stay, please,” he begs.

You try to pull away, but you don’t stand a chance against his longer-than-the-average-male-height wingspan. “Let me go--” Juyeon covers your mouth, and shooshes you, “footsteps,” he warns.

“Juyeon?” Someone outside calls. “Juyeon? Where are you?”

“I think he went into the wardrobe room,” another male voice suggests. Shit.  Without releasing his grip on you, Juyeon guides you to the back of the room. "Duck!" he whispers urgently as you find refuge between two racks. Startled, you hesitate for a moment, prompting him to push you down to the floor, his arms still wrapped around you, holding you in place.

The doork creaks open as someone enters “Juyeon?” the man calls out, sweeping the room. Meanthwile, you peak Juyeon texting behind you.

The man call his several times until a voice from the corridor yells, “just got a text from him! He needed to use the bathroom and take a break.”

“Ah. Okay!” The man walks out. “I guess we can wait.”

“Pheew. That was close.” Juyeon makes a mental note to buy his manager a piece of marbled beef thanking for this cover-up.

“I’m going to fucking kill you, not even kidding now,” you threaten him in a low voice. When you elbow his stomach in an attempt to break free, both of you end up tumbling to the floor. “Fair enough,” he grunts as his backs hits the ground.

“Shit. Are you okay?” You ask, genuinely concerned.

“Better now that you’re on top of me,” he smirks, holding you tighter.

“Idiot.” You struggle to pull away from him, causing both of you roll onto your sides, your back against his chest. You squirm some more; the friction between your bodies inadvertently triggers a jolt from your waist down. Time to stop. Both of you halt your efforts for a second, taking in the feeling of your bodies pressing against each other. Just when you can feel Juyeon hard against your hips...

“Ok, I’m sorry, you win” he declares his defeat short of breath, perhaps suddenly aware of the situation and afraid of crossing any boundaries. “You’re free to go.” He releases you from his tight embrace.

You know you should get up and go, but you found yourself wavering. The lingering feeling of his warm body against yours making a strong case for you to stay... No. You should get up. You are moving. Any second now. 

If only the pulse in your heart and between your legs could subside for a moment to help clear the fog in your head... But then, you feel his fingertips on you. Did he hear your racing heartbeat? Or was it your clear hesitancy? Who knows. What matters is that his touch grazes your exposed hip, as if he wants to hold you back. The soft pads of his digits sinking into your flesh work like throwing a lit match into a puddle of gasoline. And it did start the fire.

Ignited, your hand reaches for the back of his neck, holding onto it; your head turns to his, and, finally, your lips crash against his. The burning need of his mouth on yours doesn’t cool down, instead it consumes you and spreads under your skin like wildfire. Juyeon rushes into your flames: he props himself up on an elbow and holds your jaw to deepen the kiss, pouring his combusting desire into you, and you recklessly take it; truth is, you wanted to feel his breath, tongue, lips on you one more time. His hand slides under your shirt, sizzling as it nudges every inch of your torso. Your eyelids flutter closed at his touch, pulling him in close to press his hardness against you. “I can’t stop thinking about you,” he whispers in your ear.

His words wash over you, bringing you back to your senses... to a certain extent. You’re being so fucking selfish. Not only to your boyfriend but also to him. There is no possible good outcome from this.

“We really shouldn’t be doing this. It’s wrong on so many levels.” You muster the will to tell him. “The first time, we had a few drinks, inhibitions got lowered… not the best excuse but… It has to end today, seriously.”

That doesn’t stop him. He leans in and snatches your bottom lip between his teeth, dragging out gently. “Is that why you were setting me up with random women?” His hands caress your breasts; you squeeze your legs shut to ease the ache between them.

“Yes? You’d be better off with someone single and your age.” He lifts your shirt and pulls down your bra. You watch him without doing nothing. This won’t make a difference, right? As long as it doesn’t go any further than kissing.

“Ever thought I know what’s better for me?” he asks softly while flickering your nipple with his tongue. You gulp.

“You don’t know any better… you’re in your early twenties…” he plants open mouth kisses, lips grazing your sensitive skin. Your free hand moves on its own and fondle his hair while he treats you.

“Young and dumb?” he suckles your nipple, a hiss escapes your mouth. Your core feels already so warm and damp, and you can tell he’s just as needy by the way his hips sway to meet yours.

“I didn’t say that… but yes,” his hand creeps down your stomach. “Listen. We can’t be discovered. My colleague said everyone was onto us today.” He slides inside your underwear. You were already giving in. In fact, your body had already said yes and was behaving accordingly, letting his fingers run through your wet folds. “Juyeon… I’m serious,” his name coming out of your mouth a tad more moany than intended, prompting his bulge to twitch against you.

“If you want to keep this a secret shouldn’t you be more worried about buying my silence?” His question laced with a boyish smugness as his thumb stops on your nub and he feels it pounding for him.

You suck in a breath. “Oh, fuck you. Don’t even joke about that,” you scold him. He dips one digit inside you.

“Come on, buy my silence…” he hummed as he slid a second finger, plunging them in-and-out on slow pace. You unzip and pull down your pants and underwear.

“You should buy my silence. I can inflict much more damage on you,” you taunt, thrusting against his bulge to get a grunt out of him.

“Should we seal an agreement then?” He pumps his fingers a few times in long, full strokes, before bringing them up coated to swirl your clit.

“Yes…” your hips buckle to meet his movements. “I mean, no… Depends on your conditions.” You tell him amid raggedy breaths. The sound of your fingers unzipping his trousers surprise you. You want this more than you thought and it's clear as day by the way you brush your ass against his cock in a circular motions until you get a kick from feeling him shudder because of you.

“Stop passing me around like I’m disposable.” He digs his fingers soaked with your wetness to spread you wide open for him. You hook your upper leg around his thighs, giving him space to cover your whole pussy with his hand. “I know what I want.”

“Fine.” Your voice barely a faint, but the reluctance still perceptible. When he pumps back inside you, his long fingers crook against your front walls and the heel of his palm presses your clit. You can feel your face flushing and how you’re dripping wet. It’s so hard to think in this state, you just want to grind his hand until you come. “And you should be discreet in public. Curb your little crush.” You manage to spill breathless.

Finally unable to retort, he buries his head on your neck, nibbling and breathing hard against it. You can feel already so close to coming, thighs tensing, stomach recoiling. To push yourself over the edge, you cover his hand on your pussy with your own, pressing it into yourself. You grind against him harder and harder, his whimpers falling on your ears. Clenching and unclenching around Juyeon’s digits, he dives them deeper to rub your soft spot. And then it hits you. Quick short whiny breaths leave your mouth, you squeeze your eyes shut as the heat in your clit starts bursting, the release sending you shivers and little convulsions to your hips.

This is so, so bad, is the first thought you have when you come down from your high. How did things escalate so quickly? You were about to cut him off. You derailed like a trainwreck. 

As you get out of your head, you notice Juyeon’s chest is also heaving. “Did you?…” you ask him.

“Yes.” He answers shyly.

“Oh.”

“Yeah… I'm heading straight to the bathroom.” He plants a kiss on your shoulder and caresses it.

“Juyeon…”

“Yes!” He answers enthusiastically, clueless about what you’re going to say.

You gather your thought for a brief moment. “Look… We have to leave it at that. Trust me when I say. I'm not the right person for you.” 

He closed his eyes for a moment and then whipped them open, looking dumbfounded. “Haven’t you heard anything I’ve been trying to tell you? And what about our agreement?” He words carry a hint of wound injustice.

“You know that we said those things in the heat of the moment, come on...” His face closed. “Don’t give me that look. Don’t make things more difficult than they need to be, please.”

“Y/N.” His tone softened, and you could see the struggle within him. “It’s not—I know this is wrong. You think I don’t know?” He runs a hand through his hair. “But you have to know this isn’t just a fling to me” he says firmly.

Your heart dropped. “I’m really sorry. I’m older and should’ve been wiser. But you knew what you were dealing with from the get go...You and I have known each other for a month or so. Hongjoong and I, we have history, years...”

“I don’t want to hear about that right now.” He interrupts, jaw clenched.

“Well, you have to. I’m going to walk out that door, and we’re going to move on with our lives, and very soon, you’ll realize this was nothing but lust we shouldn’t have indulged from day one. So yeah. This is it. No more after this.” You declare, already standing up to leave.

He sticks out his tongue, pressing it against his cheek. “Okay... fair enough” he deeply exhales, his eyes roams the room. “I’ll still keep on wanting you though. Feel free to do whatever you want with that information.” He murmured in your ear, cold chills going up your spine and down. His words wouldn’t leave the back of your mind for weeks to come.

[thepringlesofblood]

i have to post this thing that’s been bothering me for fuckin ages about ofmd

i understand that there is no logic. it’s part of the genre. me and my rowboat can go anywhere on the sea in 2 hours or less. historical accuracy is only for when it’s funny. i understand this. I am in favor of this.

th.the thing. is. it’s established early on in the season (1x04) that stede keeps a lot of marmalade in storage aboard the Revenge. he mentions that he had to get rid of some gunpowder just to fit all the marmalade in.

and then they run out of oranges as a plot point (1x07). and no one mentions the marmalade (which is made from oranges). the implications have been boggling my mind for days now.

the possibilities

1. stede already plowed through all the marmalade he brought aboard - unlikely, even if he’s having marmalade toast every single morning it’d still take more than the few months we’re led to believe have passed to go through enough marmalade that it displaces a significant amount of gunpowder. However, if others have been indulging, it would make more sense for it to be gone by now. Still, how much time passes b/w 1x04 and 1x07? Enough to finish off the marmalade? Maybe after tasting it that first time ed realizes he loves the stuff and starts plowing through it?

2. the marmalade is secret. unlikely, stede is a pretty generous guy, but would that be hilarious or what?

3. since they don’t understand the concept of vitamin C (I’m assuming) as preventing scurvy, maybe they don’t make the connection of fresh oranges = no scurvy to preserved oranges = no scurvy.

4. stede straight up forgets he has it. Funnier if he straight up forgot to tell the crew about having it in the first place - imagine later on him being like aw we’re out of marmalade :/ and roach being like WHERE TF DID YOU GET MARMALADE bc like. i’d imagine shelf-stable, long-term orange preserves would be pretty valuable to a pirate. the fuckin. the drama. the orange drama. it would be so good guys

5. none of the pirates have been on a ship that would ever have marmalade but not oranges so it doesn’t occur to them to think about it, while stede just knows that being out of fresh oranges is the problem and doesn’t think of it for that reason. blackbeard doesn’t have an excuse in this scenario though. he ate the marmalade he tasted the orange he knows about the scurvy and he says nothing. ed. come on. your fave is problematic: tactical genius but doesn’t think critically about the importance of marmalade in medicine

[swinging-stars-from-satellites]

hey you should Say Some Things about Never Again and Small Potatoes (and also that one that you keep yelling about to me but I suddenly am deeply unsure of the name of dhdkd) hehe

send me an X-Files episode and I'll tell you a Thought

Never Again: mostly costuming on the brain rn, Scully is drenched in the color red for most of the episode: deep red lipstick, red suit, red lighting throughout the episode. it's significant considering how the previous episode ended, how the color of blood is about to become so familiar, and she wraps herself in it while trying to control her own life. her hair seems darker, too, maybe just in contrast, and her makeup is thicker and far more intentional than what we see anytime before or after — even throughout the cancer arc, where her makeup is fairly distinctive. she is trying very hard to hold herself together and give herself some modicum of control over her life, because she knows it may not be hers for long. she cannot, when it comes down to it, hold onto control. it's her life, but it also isn't only hers (and the cross around her neck is a reminder). she is surrounded by red.

Small Potatoes: I know I've already talked about how, somewhat counterintuitively, this episode breaks a lot of the tension of the cancer arc. and, rapeyness aside, the fact that Scully wants so much for Mulder to just... pursue her in some way? like yeah that gets brought up again in an episode I'm not very much a fan of (Milagro) but it's actually REALLY IMPORTANT!! she wants him to want to be with her in a romantic sense (and he does, he just doesn't show it, at least not in any usual ways) and she wants that so much at this point that it kinda blinds her to the red flags? she doesn't want to be the one to "make a move" at this point, probably bc she thinks it cruel to do that, ask that of him when she's dying and about to leave him alone forever, but she would have let him kiss her.

also, back to costuming for a second, I always love Scully's casual at-home outfits, but that little grey sweater? she is SO TINY. there's a lot of really subtle costuming choices in s4 that make her look smaller and like she's lost some weight — the closer-fitting suits, t shirts that are short enough to rest just at her hips and don't hug her curves (unlike the ribbed ones she wore in the earlier seasons), etc — and that sweater really does accentuate how small she is

4-D: there is absolutely no platonic explanation for all that

I can't think of anything coherent to say rn because I'm just very askdjsksnsska over the entire episode basically. like... Doggett just turning up to help Monica set up her new apartment? bringing her lunch??? their banter?? THE WAY SHE JUST WALKS UP AND WIPES THE CORNER OF HIS MOUTH AND HE GOES UTTERLY STILL AND JUST STARES AT HER????????? I am,,,, unhinged

the sheer amount of emotions Monica runs through in the space of that 45 minute episode is absolutely insane tbh. the entire plot is like... a slightly less weighty and depressing version of The Last (the audiodrama), and it actually does SO MUCH for the characters and their relationship. and the ENDING?????? Monica snapping back to herself in tears after the "reset" (for lack of a better term)?? Doggett getting REALLY concerned when he sees her upset???? THAT HUG??? I'm--

TL;DR I cannot with this I'm sorry, it's the year of our Lord two thousand and twenty two and I'm actually about to become John Doggett/Monica Reyes shipping trash

[courtlyharlequin]

Breathing Room

Warnings: fluff, no plot just brainrot,  lowkey horn knee, feral and angry Taku coming from nine o’clock because I squeezed too much of her favorite tropes into this

Summary: Humans are strange. Their hobbies and customs are bewildering, but nothing Jade couldn’t handle as he was quick to adapt. Sometimes, he might even partake in said activities. Case in point with hiking. And you, knowing Jade for a decent amount of time as his significant other, came to terms with the fact that he would decline a request to participate in something that didn’t pique his interest. So when you proposed that he play the pocky game with you, you were certain that he would decline. But he didn’t.

A/N: Happy birthday to the Jade simp, @takuyakistall​~! I’m so sorry that this was posted late but you’re already wary of that and thank you for supporting me through such a tough time. Ahhh life just doesn’t want me to simp for my hair wife! I tell you this a lot but I’ll say it again: I’m quite attached to you since you were my first tumblr friend. I didn’t have any in real life or online friends who like twst before meeting you so you mean a lot to me as my first. You always make me laugh whether it be bullying you or rotting over our mains together. Even when we get serious, I still love talking to you. You’re that amazing.  I hope you have an amazing day, one just as amazing as you are. Eat lots of cake and pocky. I love you ♡

“Jade,” you said, tugging at his sleeves.

He sighed through his strained smile as he set down a glass he was polishing. He tucked his hair behind his ear and dusted off his slacks as if he was brushing away invisible crumbs off the garment. It was an ungodly hour. He was working overtime for Mostro Lounge. Today was unusually busy. As vice prefect, Jade took it upon himself to bite off more than he could chew. And he could chew a lot actually. He was a moray eel with two sets of jaws and an immense appetite. In his human form, he only had one set of jaws yet the appetite remained.

The lounge was deserted. Students shuffled to the mirror chambers and headed to their respective dorms to retire for the night. Jade, on the other hand, was sitting on a barstool with an array of glasses and creased brows. You sat by his side, doing your assignments and engaging him in idle chatter here and there. He had promised to help you with your alchemy homework, but alas his duties called for him. In a way. You didn’t mind per se since he helped you understand the material within minutes during his short-lived breaks.

They were about three minutes long and Jade only took two breaks ever since his shift started. You weren’t an expert at reading people like he was, but even you could tell he could use some rest or a pick-me-up at least. Perhaps the latter. Jade was stubborn. He wasn’t going to head to his bedroom until he was done.

“Yes, (y/n)?”

You reached into your book bag and pulled out a small box of biscuits– pocky to be exact. You held it in front of his gaze. He cocked his head.

“Let’s play the pocky game.”

“Maybe later. We can play after I finish. Or tomorrow. It’s late so you should return to your living quarters and get some rest,” Jade said as he turned his attention to his task.

“Please? Think of it as a break. Your last one was about three hours ago.”

“Well, if you put it like that then I shall indulge you, my dear.”

Heat rose to your cheeks as he spun the barstool to make direct eye contact with you. You avoided his gaze as you opened the box, selecting a random stick of pocky and holding it in front of him. He took it and examined it with a perplexed expression.

“What is this?”

“Pocky.”

“Which is?”

“It’s like a cookie biscuit thing with a chocolate covering,” you said, getting yourself your own stick.

“I see. So this ‘pocky’ edible.”

“Yes,” you nodded, biting the pocky.

He mirrored your actions. You watched him chew it thoroughly. His eyes wandered around the ceiling of the lounge. You held your breath as he closed his eyes and exhaled.

“It’s delectable.”

Your shoulders relaxed and he chuckled under his breath. It would have been disappointing if Jade didn’t like pocky. That would mean you couldn’t persuade him to play the pocky game. You looked into his eyes lovingly while he nibbled on the remainder of the stick.

“And what is ‘the pocky game’?” Jade mused.

You took out another biscuit. His brows arched as you waited for him to swallow the last bit of his current pocky stick.

“The objective of the game is to be the last to hold onto the stick as we each take a bite and move closer to the center. Whoever is the last to pull away wins. You take one end and I’ll take the other. I’ll let you have the chocolate end because it’s your first time playing.”

“My, my how kind of you. I almost thought you were the headmaster. All you needed was to comment on your kindness.”

“Ha ha,” you deadpanned.

He brought his hand to chin. He feigned curiosity.

“Though… if you wanted to kiss me you could have just said, (y/n),” Jade gave you a toothy grin, ones he shot at the poor unfortunate freshmen souls that tried to escape the conditions of Octavinelle’s yearly exam contracts before chasing them down the hallways with his brother.

“I-I.. It would be more fun?”

“I jest, my pearl. There’s no shame in wanting to engage in intimacy. I shall indulge you. Though, I have a feeling that I will win every round– seeing as you get flustered even when I embrace you without warning fufu~”

There was not a shred of innocence in his voice. Jade knew where this was going. He was going to do everything in his power to win. He was good at that sort of thing, small ministrations that drove you wild.

When he found out that you were sensitive to neck kisses, chaste or not, he greeted you every morning outside of your first period threshold with a peck on the side of your neck. The first time he did that, you were reduced to a puddle of empty thoughts, a spasm of spiraling emotions and heated cheeks. The following incidents featured your hand instinctively shooting to the spot he kissed, cheeks still hot and bothered. When you had adapted to his rhythm, he kissed your neck in the halls, during lunch, and when he walked you back to your dorm. They were spontaneous and sporadic. They ceased when winter began and you wore a scarf around your neck all day, every day. Of course, that was months ago. The routine faded as your relationship developed. Jade had his share of teasing and came to understand that setting your nerves on fire on a daily basis despite your protests wasn’t exactly healthy. He also came to understand how people might get the wrong idea from neck kisses. He teased you for hours on end for being so lewd, but digressed when you were on the verge of tears due to embarrassment. That didn’t stop his other methods of teasing, but at least you were free from public surprise neck kisses.

Jade loved to tease. He was good at it too. He knew you and your ticks like the back of his hand. You were certainly going to lose this game, but it was better not to let your true feelings show and give him the upper hand.

You inserted the biscuit between Jade’s lips and took a deep breath before taking your end. It was more so a hybrid of a deep breath and a yawn. It was late after all.

Jade’s eyes widened and the stick broke in half. Your eyes widened as well.

“You’re supposed to hold onto the stick for a long as you can, silly.”

He closed his eyes: “Yes, my bad. Shall we try again?”

“One to zero,” you said as you slipped a biscuit into his lips.

“Did that count?”

“Of course it does.”

He pouted as you inhaled and exhaled deeply before taking your end of the pocky. It snapped immediately.

“Jade,” you whined, drawing out the last syllable of his name.

“Apologies, my dear. It seems to be instinctive for me to bite the stick.”

“You can bite. It’s just that the pocky keeps breaking in half whenever you bite it. Maybe try to be more gentle?”

“Two to zero.”

“You’re so cruel, (y/n).”

You giggled as you handed him the stick. He pursed his lips and held the stick out for you to take a bite from your end. You closed our eyes and opened your mouth to take a deep breath once more and the stick snapped before you knew it.

You looked up at Jade to see the pocky awkwardly sticking out of his hand which was covering his face. Mostro Lounge’s dim lights made it difficult to make out many details, but you were positive that Jade Leech was profusely blushing.

“Jade?”

“C-Could you not do that*?”

“Do what?”

What could have possibly reduced him to such an adorable state? He’s usually so composed. He was never this flustered. Out of all the times you tried to get him to break, he was resilient. And here you were, not having any idea as to what you did to make him blush.

“O-Open your mouth.”

“Pardon?”

A yawn escaped from your lips. Jade spun the bar stool around and stared at the glasses with sudden interest.

“Could you not do that?”

“Yawn?”

He nodded.

“Why?”

He mumbled something under his breath.  

“Jade?”

“(y/n), you should have just asked for a kiss.”

The eel stood up curtly from his seat. He towered over you and his eyes glowed in the dark lighting. He pulled out a pocky stick from the box in your petite hands and slipped it in between your lips. There was a small pause before he came crashing down. If he hadn’t been holding your shoulders so firmly, you might’ve fell over from the force that he exerted. He came barreling towards your lips. You weren’t sure if he had even bit the pocky. You felt it snap, but when you parted your mouth to allow his tongue to entangle with yours, you could not find a single trace of the biscuit. The flavor lingered in his mouth, but the pocky itself was nonexistent. Did he swallow it whole?

He did not leave your mind to wander too far from him. He kissed you hungrily and nipped at your lips. His sharp teeth grazed your flesh and you mewled into the kiss. You could hear him growl faintly as he held onto your waist. You wrapped your arms around his neck to deepen the kiss. He tiled your head for a better angle. You pushed him away. You needed to catch your breath.  A string of saliva fell from your lips.

“Jade,” you gasped as he nuzzled his head in the crook of your neck.

“It would be in your best interest if you don’t do that again, especially during mating season. I don’t think I’ll be able to control myself next time. I might break you in half, dearest.”

Your cheeks flushed as you nodded absentmindedly. Mating season?

He bit your neck.You yelped and wriggled out of his embrace.

“Jade!” you hissed, clutching your neck.

“Consider that a small price to pay,” he chuckled.

You huffed.

“I win this time,” he said.

“Yeah, yeah…”

He packed the glasses onto a shelf.

“You’re free to go now. I’ve finished here so you don’t have to keep me company anymore. Would you like me to escort you?”

“No, it’s fine,” you said, trying to stifle a yawn.

“Goodnight, (y/n).”

“Goodnight, Jade. See you tomorrow.”

Though you had agreed not to yawn, it escaped your lips. Luckily, your back was facing Jade as you exited the lounge so he didn’t see you yawn, but rather heard you yawn. You heard a distant bang on the counter as well as a faint “dammit” from a voice you knew all too well.

It took every fiber in your body to restrain yourself from turning around. You knew all too well that if you turned around, he would’ve rushed towards you and snapped you in half just like a pocky stick. It was best to give him a little breathing room even if you were hot and bothered yourself.

*Note: To initiate the mating process, moray eels open their mouths very wide at each other to signal the start of it. This trait carries over to when (y/n) yawns as Jade took it as a sign for his eel-y instincts.

[erithel]

I’m not sure if you did a hot take on this yet but something that makes me angry about the show is the space whale

I know this isn’t uncommon but one of the reasons in particular that I hate it is it was barely brought up again after the fact, which makes me think it was created specifically so they wouldn’t be tied to pedophilic ships (you know the one) and wasn’t created for any other reason, you’d think after 2 years keith would feel some sort of relief or even SOMETHING after finding out all the paladins were okay, they make it seem like 2 years was 2 hours for Keith, I understand they had important matters to deal with but you’d think there would be a reunion afterwards, they gloss over it like it was nothing

Not to mention we barely saw Krolia and Keith’s relationship develop while on the space whale, he was so desperate to have his brother back after a week or so but when he gets back from a 2 year trip with the possibility of the other paladins being dead he barely even cares? (I don’t remember much from the later seasons so I could be wrong about what happened but I feel like there wasn’t any relief that should’ve been in there)

So to sum it up I think they just added in that dialogue last minute to save themselves without putting much thought into how Keith would be feeling after 2 years away from the others and after 2 years of bonding with his mother

I think I typed this more aggressively than I meant, Im not sure if this is true obviously I could be COMPLETELY wrong but this is just how I see it

I'm going to start this off by saying however aggressively you felt like you typed this, it was the correct amount of aggression.

Because I am also typing this aggressively. lol

I have mentioned this several times, but never fully dedicated a post to it, so here we go.

The main thing that pissed me off about the space whale was that it was so clearly "one thing lead to another" storytelling. They needed Keith to get from Point A to Point B, and instead of showing the journey, they decided to just kindof…teleport his character to where he needed to be in terms of maturity and leadership without having to explain how he got there.

This is what was most annoying about the final few seasons – it felt like they were rushing through things just so they could finish it. And, as I've mentioned in other posts, this means there was no solid plot or character arcs planned from the beginning.

I can see where you're coming from in terms of "correcting" a certain ship, but honestly even that would have been a better reason because that would have at least had some purpose.

The next reason has everything to do with what you said: It felt like 2 hours. Think back to the person you were and your situation in life two years ago. I guarantee there is a startling and significant change. And especially for someone Keith's age, at the very start of adulthood – these would have been formative years for him, and he spent them cut off from everything. Also, as most of us have just spent a significant period of time in lockdowns and isolated from our friends and the rest of the world – remember that, and imagine if you had to spend another year of that with only one other person.

But it's more than that. Because Keith spent two years with the single person who was the source of all his issues and insecurities – and we didn't get to see one single conversation of them working these things out? We didn't see him vent or blow up at Krolia? We didn't see their relationship grow and develop? We didn't see the first time he called her mom, and how she reacted to it?

The next reason is that we were shown flashes of the past – but we were also shown one image from the future. I know the past flashbacks were only there so they could avoid showing any actual mother-son bonding. But it's the future image that really annoyed me. Because talk about wasted potential. There was an opportunity for Keith to help them avoid an attack after he returned to Voltron because he remembered seeing it happen.

There was an opportunity for Keith to know what Allura was going to do at the end.

There was an opportunity for the team to be trapped in some horrible situation, begging him to try to remember anything that might help them out of it.

There was an opportunity – and bear with me here because I've actually considered writing a fic about this – for Keith to see Lance die, and spend the rest of his time on the whale believing Lance was dead.

But even if you set all of that aside, the real underlying issue, here, is that Keith and Krolia were isolated for two years. They were isolated, and shown images of the past and the future.

They would not have come out of this maintaining all their sanity.

Especially with a character like Keith who is innately impulsive, and prefers action and being useful. They seriously put him on a foresty whale for two years with nothing to do in the middle of a war – and they expected him to come out on the other side having gained maturity and a head for leadership???

They expect us to just accept that he didn't spend the first few months stressed out of his mind because he literally could not do anything and his team and the Blade might be dying while he just sat there helpless?

The space whale had no purpose except to teleport Keith's character development from where it was to where they needed it to be. And in doing so, we missed out on his journey – and that's a shame.

[emmys-grimoire]

Lesson 52 analysis + 53 predictions

Turning this into a routine thing now! They’re fun to write and they’re popular (moreso than my actual commentary posts lmao).

Y’all like my ramblings.

Things guessed correctly from prior lesson

The House of Lamentation was an illusion produced by the fairies

The arc culminated in the completion of the Trial of Patience (star received via Simeon)

The illusion did a number on Simeon's feelings as well due to his fondness for Lucifer and the brothers

They shoved Mammon and Luke off to the side and plopped them back in only after the Satan/Simeon arc was complete. There was no arc for Luke. To be fair, though, they did get more content than I expected even so.

Things guessed wrong

The banshee didn't show up at all. It was a red herring.

There was no significance to the geranium found in the mysterious book

Our adventure also completed the Trial of Generosity. (I incorrectly attributed this to Diavolo, who actually gave us the Star of Gratitude)

Still ???

Whether or not there is some kind of transfer of memories/experiences going on between the brothers' past selves and present selves due to our meddling in time. We've confirmed that past angel Beelzebub has turned into a glutton in between the time we last saw him and now, but we haven't confirmed if it *is* our meddling that has induced that. Currently, no change has manifested in the present brothers, nor has the timeline of events seemed to have significantly changed.

Whether or not present Lucifer becoming more "angelic" in season 2, in lieu of past angel Lucifer's growing doubt, will be a significant plot point. The parallels are getting stronger, though. (This is elaborated on further down)

It feels like 50/50? I’ll probably keep a list like this going for future analysis/prediction posts just so I can keep track of how right/mistaken I am throughout the playthrough. Might help me make less mistakes in my analysis!

As a general rule I try not to meander too far off into symbolism or out-of-game lore because what I write begins to sound like this:

And this is an otome game that is light on writing and plot. Nine times out of ten, it’s not going to be that deep. So I work with the details given and the plot points shown and try to draw connections within the framework of the story, in an attempt to try to deduce where the devs are taking the plot. Unfortunately for me, the devs like red herrings, and red herrings are designed to mislead you. With me, they are quite successful! I’d like to get better at spotting them.

The book was consequential -- it’s used to imprison Satan later -- but that’s the end of it’s meaning. Maybe the Bible verse had something to do with it, too -- those were some weird ass numbers to just throw in the title -- but maybe not. Either way, it doesn’t really matter. 

But enough of that, onwards! We have a lot of points to go over that may be interesting to note, right or not.

Satan the Memory Thief

Back in 50-B we learn that it was Michael who taught the brothers the stories behind the human world constellations. 

When we’re tossed back in time-dreamland (?) again, it is Satan who takes the opportunity to teach the brothers the human world constellations. The room had just been remodeled: Michael hasn’t had the opportunity to give them tours yet. Lucifer mosied into the room so he and the brothers can get the first glimpse.

Sooo if in a future lesson we ask them about where they learned the constellations in the present timeline and they say “oh a guy named Sully, who suspiciously looked just like Satan, taught us!” then we know our meddling is having significant consequences.

It IS worth noting that unlike the prior dream sequence, Satan and Simeon remember what they just went through. This particular time-dream could very well just be an illusion meant to give Satan/Simeon some kind of emotional resolution and nothing else. This is kind of why I hate that they’re bring time travel back into the story: it makes stuff like this confusing and borderline inconsistent. Some sequences may have effects and others may not. 

The chat between Lucifer and Simeon could also be consequential.

“Do you *really* mean that?”

There is a parallel at play here!

After you wake up after dozing off, you go off to find Lucifer and Simeon conversing in a forest clearing, evidently unaware that you’re eavesdropping on them. Simeon says although he knows it is just an illusion, that he was glad to see angel Lucy once more. Angel Lucy is predictably confused, and reassures Simeon that they’ll remain like this forever.

Simeon, of course, knows better. He tells Lucifer that he knows he’s been meeting with Diavolo and he’s having doubts about his place in the Celestial Realm -- and if things really will remain the same. Lucy is caught off guard, and starts to explain with some clear hesitation... and of course we pass out before we could hear his answer.

There’s creepy loud heartbeats when it fades out. Normally I associate them with tense, pivotal decisions -- but it could also just be related to us waking up and returning to reality.

If Simeon ends up being wrong -- and there will be real world consequences to this conversation -- they could be very significant consequences. We’re not sure if the conversation continues for a bit longer after we pass out, but Simeon already woke up before we come to.

Obviously the brothers still fell (they’re still demons in the present), but I wouldn’t underestimate the potential of a butterfly effect changing the circumstances of the Great Celestial War. I kind of hope they don’t do that, though, because they haven’t even begun to explain the present details of that event. We know only the broad strokes. Suddenly changing them to make the resolution between the demons and angels more smooth will feel really forced.

And that parallel I mentioned: Diavolo expresses similar worries and doubt in Lucifer’s conviction in season 2.

I have no doubt Lucifer actually means what he says to Diavolo, unlike his dialogue with Simeon, but Diavolo is aware of just how far Lucifer will go for the sake of his family -- and he’s probably #2 on the priority list, when push comes to shove. Lucifer forsaking the Celestial Realm for Lilith was the thing that brought him to Diavolo in the first place.

Of course, this lesson has Simeon suggesting that Diavolo’s influence on Lucifer was significant prior to all that unfolding, and it may have eventually happened regardless. It was only a matter of when, not how.

Still, Lucifer be writing checks he may not be able to cash. We also get this foreboding warning from Barbatos in Season 2:

As I’ve said before, the inevitable conflict the story was hinting to at this point doesn’t happen in Season 2. Lucifer isn’t forced to make a choice like this. The Night Dagger didn’t demand it.

I’ve also expressed my belief that Season 2 and Season 3 were likely written back-to-back due to the small window of time between their releases, so I believe details overlooked in Season 2 may suddenly become more relevant in Season 3.

It’s worth remembering Diavolo’s growing feelings for MC -- and Lucifer’s inner conflict about it -- were hinted at early in Season 2, as well. It doesn’t really get going until the conclusion of Season 2, leading into Season 3.

Do I have any clue of what this is actually leading up to? Not at all! If it mirrors Season 2′s format, though, it’ll suddenly come to a head in the last 3-5 lessons. I remember feeling equally clueless then, and Season 2 had a lot more foreshadowing...

... a lot of which actually didn’t pan out! But it might now. 

Guardian Angels

Another smaller, but interesting detail. Guardian Angels are indeed a thing.

I think they’re gonna become a thing soon. The devs very sneakily changed a small detail in Season 2, suggesting they might have realized that it may interfere with their plans for later seasons. 

Old version.

New version.

I’m thinking they may have decided giving Michael guardianship of an entire swath of the population was cheating, and they may be individualizing the role of Guardian Angels.

Which leads me to who I think Michael’s chosen human squeeze is:

My man has been scoping him out long before we came around.

It makes sense, too. We know Michael gave his Ring of Wisdom to Solomon, which seems to have kickstarted his career as a demon-pacting sorcerer (though he clearly was a sorcerer before this).

This is a very powerful item, described as the Ring of Light’s counterpart, that would be very useful for a high-ranking angel to possess. I don’t think Michael would fork it over to just anyone, particularly when we remember how he felt compelled to interrogate us via dream hi-jack before the Ring of Light fully came into our possession.

Solomon also makes Michael angst in a way a well-meaning but misbehaving child would make their parent angst:

Solomon also really doesn’t seem to regard Michael like some distant, all-powerful alien being who could smite him out of existence.

Contrast this with how he responds when he’s forced to hang out with Diavolo for a day (he gets more comfortable, but he initially wants to punt the responsibility back to Lucifer ASAP).

And he knows a surprising amount of small details about the guy:

I think Solomon is a significant part of Michael’s long-term plans, but he may not even be fully aware of how. Or he is, and they’re in some kind of mutually beneficial agreement -- possibly related to cross-realm peace -- that we simply haven’t been made aware of yet.

Personally, I think Simeon should be made MC’s ‘official’ Guardian Angel if they’re gonna be a thing with official mechanics behind them. I know Michael is supposed to be the Big Cheese and ridiculously hot, so it may make sense to have him linked to the MC of an otome game because they’re super special too, but Michael may already have Solomon. He shouldn’t get to hog everything. It’s not like assigning Simeon to do job would really inconvenience him, either: MC is Solomon’s apprentice. He can easily work with the arrangement.

Luke may feel left out but he’s a kid so...

Seven Brothers Constellation

We learn there’s a constellation representing the brothers in the Celestial Realm. Everyone there knows the legend, but Luke doesn’t know what the three stars ‘watching over them’ represent. 

He, Mammon, and Satan begin to theorize and Satan suggests they may represent the three realms. The other two like the idea, and Mammon insists the ‘human’ star represents MC. 

He’s probably right, but I’m willing to take it a step further: it represents MC, Diavolo, and Michael. The three “guardians” of their respective realms, and the brothers. Season 3 has been repeatedly beating us over the head with how much Michael still cares for the brothers and his relevance to their upbringing, and likely their future.

It bears repeating: Diavolo and Michael are aiming towards the same goal, though their visions of what peace and harmony looks like may be very different.

Solomon could also qualify as a self-appointed guardian, but I think he lacks the connection to the brothers MC obviously has.

Still, he has the same resolve, and he’s not leaving the story any time soon.

Predictions

I sniff out even the smallest Michael details because he’s clearly the key to whatever is gonna blow up.

This might give us some insight on how the initial dealings with him may unfold:

It’s hard to deduce just what this actually means. Either Michael tends to overthink things that just aren’t that deep (can empathize) and that in itself leads to needless complications, or he’s apt to misread situations and as a result gives poor advice. Or a combination of both.

My initial read on him makes me think that he thinks the best of humans/angels but the worst of demons. He is very, very complimentary towards MC as soon as they start answering his questions.

Am I now? Really?

It could just be the game making characters butter up the MC to make the game more enjoyable for the player of a self-insert character, but dude we just met.

When you tell him you did what you did out of love for Lucifer:

That’s a very telling pause/ellipsis. It’s like his brain momentarily short-circuits and he needs to regain his composure before he continues, and he still doesn’t sound entirely sure of what you just said lol

He also just outright admits he initially thought you must be wicked just because the brothers liked you, and this is a guy who is still fond of them himself. I think he’s having a very hard time with it.

So the inevitable bumps in the roads ahead with him will likely be a result of this, and/or his dad being an asshole. Neither he or Diavolo are actually in charge of the realms they’re overseeing -- they’re both de facto leaders -- so maybe the parents will suddenly barge in and try to knock over their sand castles for whatever reason. It is kind of weird that the exchange program has been agreed to in the first place, particularly on the Celestial Realm’s part.

Regardless, I have no clue what the next arc will be. I know we still have three trials left, but they could combine two again to leave more room for the actual storyline to progress. The climax is going to be the last trial of our sorcerer’s exam, or something happening afterwards. Not sure which one I’m willing to bet on yet: I remember Simeon’s play and the silly Blood Moon contest in Season 2 were what kept use preoccupied for Season 2 until SUDDENLY LUCIFER GETS AMNESIA AND THE WORLD IS IN DANGER AND WE HAVE TO STAB HIM TO SAVE EVERYONE. But they did heavily foreshadow that in the very beginning lol. They just didn’t fill in the blanks until much later.

I wonder what the trial of chastity is gonna be like and how hard we’ll actually fail and the game will need to overcompensate for that

[mymelancholiesblues]

No, Mia isn’t  "low-tier" compared to Ada (morally speaking, or w/e) – a measured answer?/essay

So, a couple of Ada haters tried to put up a false symmetry between both of these characters there on twitter, and it inspired me to put my own thoughts down in a more articulate essay as to why that's (Ada's somehow being morally worse than Mia) not sustained by canon in Resident Evil.

standing there, killing time

can't commit to anything but a crime

all the good girls go to hell

'cause even God herself has enemies

and once the water starts to rise

and heaven's out of sight

she'll want the Devil on her team. ⁕

First things first: let us debunk the false symmetry that they tried to establish between these two characters with extremely distinct archetypes – and worse, the following replies to this false symmetry and its poor arguments trying to validate it, pointing out that, in fact, no, character B (that would be Ada, btw) – which is so evidently and ridiculously different from character A (and that would be Mia) – is, in fact, WAY WORSE than character A, and then proceeding to assert some unsupported propositions about misogyny in Resident Evil (which, tbh, definitely IS a recurring problem in the franchise, but that in this case particularly, little or does not apply AT ALL) and how Ada contributes to "the perpetration of a biological cold war".

Starting with what differentiates Mia from Ada grotesquely: we know NOTHING of Ada's true alliances in RE's world. Mia, however, canonically worked for a group that participated in the importation and exportation as well as the manufacturing, testing and marketing of biological weapons: "The Connections", a CRIMINAL SYNDICATE which, amongst other things, was also involved in money laundering, assassinations as well as weapons and drug trafficking. I don't care at all about Mia, so I don't intend to waste much of my time going on about her role in the plot, but people should've already realized by just that much how infinitely dishonest is to try to put these two characters as "similar" ones, or argue that Ada is somehow worse.

Another detail that shouldn't escape anyone's attention too, are the origins and nationalities of both – and yes, I intend to briefly bring up racism against eastern-Asian looking characters (a silent plague that takes form by each passing day in all fiction fandoms) and anti-China xenophobia, but for now, hold this tea there just before I drop it: Mia is canonically American, and previously a Texas-state resident; meanwhile, we have no confirmation of Ada's nationality except for her pretty evident Chinese ancestry. But, as I said, hold it there for a while.

i) espionage — the job

red so silent

wait a minute

or just a little while.

what are you looking for? ⁕

At all times that Ada's "job" was brought up in this franchise, in ALL of her cameos, she has NEVER been called a mercenary in the original Japanese. She's always referred to as a SPY. Even in RE2R, the most recent title in which she's featured in, the original text of the game makes a point of labelling her as a SPY (and not a mercenary) in the dialogue that transpires between Annette and Leon.

It's the North-American translation and correspondent localization that now and then falls for the equivocal use of this other term. This distinction is important since espionage NECESSARILY implies operating in an organized service for, perhaps a country, or a political cause, or a class/group, or a corporation, or whatever. While a mercenary is someone who's acting per their self financial interests, indiscriminately selling their specialized "labour" and skills to anyone who'll offer more.

Ada's not a mercenary, she's a spy. But Mia, in addition to being hired to a canonically criminal company, was also the handler personally assigned to Eveline. I don't care how exactly Mia got in that predicament but the fact is: Mia was canonically employed by a company that profited over illicit activities and directly watched as a family was destroyed and toyed with by this new killing machine (Eve). Yet, we can't state for sure that we know to whom or to what Ada is truly affiliated with.

ii) sources — check them

who's a heretic now?

am I making sense?

how can you make it stick?

and I'm on a trial

waiting 'til the beat comes out. ⁕

This fandom should put a little more thought into which translation and localization of the game texts, dialogues and files they are using to support their arguments. I know that in some cases the United States people have a bit of an inclination to think of themselves as the owners of the planet and deem English as the only language that matters in this world, but let's not forget that RE is a Japanese franchise (wow, insane, right?!). Therefore, the most valid script, with the greatest amount of details, and highest credibility, is the Japanese original. Throughout these years, there have been several errors in translation and localization of the Japanese original to North-American English. And, believe me, curiously enough, plenty of those concern Ada, since she's often mentioned or referred to in a very vague way – without the use of pronouns or adjectives or adverbs that could help in indicating gender. This ended up causing those details and mentions to her to get overlooked, even though in the Japanese text it was a clear reference to her character (per observation of context).

iii) the good guys — one of

head in the dust

feet in the fire

labour on that midnight wire

listening for that angel choir

you got nowhere to run

careful son, you got dreamers plans

but it gets hard to stand. ⁕

Yes, as much as haters try to minimize it, it is SIGNIFICANT that Ada saved so many important characters and stood for unquestionably heroic actions in so many moments - like stopping everything she was doing so she could help completely random Chinese civilians with the helicopter she managed to pilot in that chaos in China (yeah, I know you haters love to forget about this, but it happened, it's there in canon, and no, it wasn't her direct OR indirect responsibility what was going on in China: REPLAY RE6 and for the love of GOD, never again argue that what she did was somehow "the equivalent of evacuating a city after selling a WMD to destroy that same city". It's a case of pure intellectual dishonesty to say such a thing. It's canon that Carla was the one who caused what happens in China, PLEASE, PLAY RE6).

Furthermore, Ada shows compassion on some occasions even for characters who are directly putting her in harms ways, like Annette (in RE2 OG, right after - in order to defend herself - she slaps Annette leading her to lose balance and collapse over the sewers fences, Ada makes an effort in trying to pull Annette back and prevent her from falling) and Carla.

Replay RE4 and pay attention to it, pay attention to her solo campaign: getting involved with Leon's journey in Spain hasn't brought any real benefit to her mission or herself: Ada deviates from her main path several times due to worrying about him and trying to help him and almost ends up dead in several of these occasions over her insistence in doing so: by saving him from Bitores Mendez, by helping him and Ashley against Sadler, by confronting Krauser and stopping him.

It's so lazy to only read/listen to a file in which she says in English that "Leon might be useful to her plans" (this is way more nuanced in the Japanese original of Ada's Report), and ignore everything that was SHOWN in the game: every effort she made to ensure that Leon could rescue Ashley, remove the parasite from his and her bodies, and escape from that hell-island.

The jet-ski she left for their escape was ALREADY there before she was captured by Sadler (or you think she arranged it while she was caught?). Leon having to intervene and save her from Sadler WASN'T her plan. It WASN'T her plan to take the sample from Leon's hands. She wanted to help him get out of there with Ashley and she guaranteed he could do so, she wanted to get the sample by herself and escape too while sending that hell to kingdom's come. But, because she chose to help Leon rescue Ashley right in front of Sadler, she ends up captured.

On her end, Mia never did anything minimally compared to that, and all of her "selflessness" or self-sacrificing actions involved a much, MUCH smaller scope than Ada's: wanting to help her husband and HERSELF is not at all comparable to saving a few dozens of unknown Chinese civilians. So no, they aren't "cut from the same cloth". They don't come from the same place, nor do they share the same intentions or goals, and their contributions to the RE storyline are quite different.

iv) unknown true purpose (shades of grey)

lining up in the background

waiting for the crowd shot to be seen

in the shadow of the big screen

everybody begs to be redeemed. ⁕

In databooks, Ada is recurrently described as "a Chinese spy with extraordinary physical abilities, vigorous health and composed mind and spirit, capable of coping with grim situations and handling even the most difficult requests without losing composure". If we are paying attention to the storytelling ingame, however, we know that this isn't always the case: Ada did let her mask of unswerving emotional and physical strength fall and showed a very fragile side under strenuous circumstances a couple of times already.

Also, in these databooks, they often point out that "she has her own 'true purpose' and has FREQUENTLY betrayed organizations and clients to achieve it". Huh, we can AGAIN, by this only, see how completely different she's from Mia, who personally watched an entire family being driven to insanity by Eveline's hand.

Furthermore, in these databooks, it's often said that "this true purpose is still obscure and whether she truly cared for anyone or simply used her charms to manipulate people that crossed paths with her isn't ever clear". If people are willing to be open-minded and exercise their text comprehension skills, though, they'll see that in multiple occasions of emotional confrontation it has been established time and time again that yes, Ada DOES care. She wasn't capable of shooting Leon and there has been a couple of other times that failing to choose a cool, sociopathic calculation and pragmatical demeanour over empathy and humanity towards others has put her in harms ways: nonetheless she still chose it.

v) positive impact

I'm gonna break the cycle

I'm gonna shake up the system

I'm gonna destroy my ego. ⁕

To this point, RE's plot systematically leads us to believe that Ada has been covertly acting behind the scenes of multiple biological incidents COLLECTING INFORMATION (the job of a spy, who would've thought! lmao), that is valuable to numerous organizations, companies, groups and different contexts, but at the same time of allegedly offering to handle this knowledge for the right price to the big players involved with bioterrorism and clandestine trading of bioweapons, she's also working to sabotage said players.

This is evident throughout the franchise: she intended to hurt Umbrella's business. She outwitted and deceived Wesker multiple times. She even undermined Simmons, someone who was in a position of power in the US government and actively using that position to lead bioterrorist ventures on the parallel side.

There's no concrete evidence or hint as to what she does with the information she collects, and for all purposes and effects, I can presume that she's gathering this knowledge to assist in the discovery of countermeasures and vaccination studies. I might as well argue that she is a Chinese spy who is working against European and North-American capitalism and the imperialism that creates such monsters like the biochemical and bioweapons industry and that her real objective is to dismantle the market for bioweapons and bioterror supported mainly by the USA (see: Simmons and The Family).

That is, as long as it is unclear what her true purpose is, I have the freedom to surmise whatever the heck I want and that all of what she's been doing was for the sake of the greater "good" - and I'll even have canon moments to support this reasoning as it's clear that she regularly sabotages her customers (customers that are unquestionably established as playing for the "evil" side, with perverse intentions) - throughout the franchise. She did this on RE2, RE4, RE6 and Damnation. It's there, transparent in canon, people just choose to ignore it.

She laughs in the face of whoever she's talking to by the end of Damnation, saying she doesn't intend to deliver the Plaga; she scoffs at Simmons; she betrays Wesker and kills Krauser. She had been sabotaging Wesker for so long, that he sent Krauser to be the main agent in the mission in Spain, and Ada was just a "side effect" that he didn't have in control and had to keep an eye on, so he ordered Krauser to keep tabs on her. It's not a mutually beneficial dynamic. Ada doesn't want Wesker to succeed, she despises him; this is clear in the games in which they interact. There are even files that indicate that she was trying to double-cross and get in the way of his plans for at least 2 years before Spain, and he was constantly catching up with her. See here and here.

On her end, Mia was employed by and consciously working for a criminal syndicate.

vi) a (secretly) helping hand

oh, I'm a master pretender

just felt more alone

the further I'd go

but I'll stick around

I'll be your master defender

yeah, I'll stick around. ⁕

Ada approached characters such as John Clemens and Luis Sera, and both had a canonical intention to, in addition to putting an end to their connections with the criminal companies and organizations they've been working for, also expose and denounce them for their crimes. It's in this context that Ada comes into contact with them. And why is that?

Check John's background: he had made up his mind about disclosing Umbrella's crimes to the public. Check Luis' background: Ada went to Spain to assist in his extradition since he feared for his own life if he resolved to turn his back on the cult of Los Illuminados, and also dreaded the consequences of the liberation of Las Plagas on an international scale.

Keep in mind that Ada handed over to Wesker a USELESS Plaga sample. Wesker only got the sample currently circulating in the underground market because he went after Krauser's body. We don't know what Ada did with the master Plaga sample she obtained. We only know from Ada's Report and the Plaga Recovery file that she didn't deliver it to Wesker, and he needed to go out for a plan B to get it.

Even the G-Virus sample that fell into the hands of the clandestine business, it's possible to argue that Ada's involvement in it was flimsy, since Simmons CANONICALLY made over a thousand laboratory tests in Sherry, and, as we know, he was a leading figure in bioterrorism and bioweapons trading with the aid of his position in the US government.

But, guess what, Ada clearly is a non-white character with obvious Chinese heritage and Mia is white, so of course, OF COURSE, someone can so nonchalantly affirm that Ada, this "vile bitch", is somehow WORSE than Mia. The same Mia who watched the Bakers being destroyed. Right.

Also: trying to validate one's point by claiming anything related to the misogyny present in RE franchise, while IN THE SAME BREATH AND TWEET reducing Ada's entire character arc to that of "a sociopathic bitch cured by the magic dick of her love interest" is supposed to be a joke, right? No, really. Joke.

conclusion and a word against misogyny

we are waiting on a telegram to

give us news of the fall

I am sorry to report

dear Paris is burning after all

we have taken to the streets

in open rejoice, revolting

we are dancing a black waltz

fair Paris is burning after all. ⁕

To any Ada fan that has been reading this so far: PLEASE, I ask to consider refraining to use the "oh yes, Ada did some bad shit, bUT" take to defend the character because that isn't sustained by canon in RE, lmao. She didn't do anything evil that had an indisputable bad impact on the plot and other characters arcs. For one, I myself do love some villains, but that isn't the case with Ada.

She did do some unconventional shit yes, since she's a morally GRAY character and an anti-heroine, but by the end of the day, each and every action of hers had a positive impact on the journey of other characters and main plot. Just pay attention to it.

Like idk man, Black Widow, Elektra Natchios, Scarlet Witch and Black Cat from Marvel, Catwoman from DC, Yennefer from The Witcher (some pop culture examples that come to mind).

Saying that this is an "extremely selfish prototypal bad bitch except when it comes to the magical redeeming dick of her love interest" it's a grotesque reduction of a complex female character, and, in its attempt to critique the misogyny present in RE's franchise an expression of misogyny in itself.

Remember: Ada has actions and impact on the franchise ASIDE and IN ADDITION to her romantic involvement with Leon.

[felassan]

Highlights and insights from the MELE launch cast & crew reunion panel

[rewatch link] [highlights & insights from the N7 Day 2020 reunion]

In case a text format is better for anyone (in terms of accessibility for example). Cut for length.

Some paraphrasing.

If anyone’s interested in just the line-reading session, it starts at timestamp ~1:04:45.

In addition to the cast and crew from the N7 Day reunion, at this reunion also in attendance were: 

Mac Walters (Project Director for MELE, Lead Writer of the og MET)

Melanie Faulknor (Lead Producer for MELE)

Crystal McCord (Producer for MELE)

Fred Tatasciore (Saren)

Seth Green (Joker)

Kimberly Brooks (Ash)

Ash Sroka (Tali)

This was the biggest reunion / meetup of the cast so far, and some of the cast and crew were meeting for the first time here.

It’s been so long since the og MET that PW & KW are getting to watch their kids experience playing it for the first time

JHale doesn’t play but since MELE she’s been sneaking around Twitch jumping into peoples’ MELE livestreams to lurk, watch and comment a bit

What drew Seth to the character of Joker? The whole concept of the game. He likes games and MET’s mechanics (different trees of adventure, stacking reputation, choices carrying between games) at the time were the most sophisticated that he’d ever heard pitched. He thought this was new and exciting and wanted to be a part of it. For the character they cast him based on his personality traits (i.e. he sounds quite similar to Joker personality-wise)

Would Seth ever want to play Joker again if the opportunity presented itself? Sure, he loves the character, and if the writers ever had more things to explore/expand with Joker he’d be down for it. 

Seth said that it’s a different kind of fan that approach him about this project. The fans have spent many many hours in an intimate exchange with “him” that he hasn’t been a part of, but they experienced it nonetheless. “I’ve hugged a lot of strangers, you know what I’m saying? It’s great, you get an interaction with fans that you never get as a performer in any other experience”

Seth has been a space guy since he was little, it inspires him

With the state of the world the way it is now [covid, masks etc], does Ash think Tali’s story will be more impactful now than it was before? Ash hopes so, and that anything they do here will have a positive impact on a bigger level. Ultimately that’s why most of them do what they do, they want to reach people in deep ways. She hopes Tali is an inspiration in courage, bravery, standing up for what’s right and thinking about the greater good

The [MELE I think] dev team had a last team meeting with Greg Zeschuk, one of the founders of BioWare, who they had invited to it. He was regaling them with stories of the inception of Mass Effect. “You would imagine this sort of well-laid out, drawing boards everywhere... [but] it was basically just a napkin sketch in a Greek taverna with him and Casey going ‘We wanna do a space opera’, and then it took off”

The process of creating lore through development is very organic. A lot of it comes from character and story development. It builds up over the course of the game’s development. They did the codex entries at the end, the idea being that if they saved them for as late as they could, then they could pull from the story, characters and meaningful moments, and build them from there

PW wrote a bunch of the codex entries, elevator banter & lots of little bits of lore. They describe their time on the og MET as being a “baby writer”. They originally came in after Mac had back surgery and a junior writer was needed to fill in. “It was really fun, it was us sitting in a room together going ‘What do you think a hanar or a krogan thinks about this or that’?” For a first project for them this was an amazing experience - the world building itself creatively with all these awesome people

They tried to add multiplayer in every game but only got it to work in ME3

They had a lot of plots laid out in ME1 that they called “global plots”. These were outside the core critical path and would take players from planet to planet, and were sprawling stories. They pulled out a lot of really interesting concepts and ideas from these that did make it into the game, but all of the global plots ended up getting cut due to time. Mac still has old diagrams and spreadsheets which detailed how all of these would have come together

Q. If you all had to take a long-distance road-trip with two squadmates, who would you take and why? PW: “Jack and Mordin. Mordin because the drive would never lack for things to talk about at length quickly, Jack because you know you wouldn’t pay for the room. You wouldn’t know how you’d get the room, but you wouldn’t be paying for it.” Courtenay: “I’d take Mordin because there’d be singing, and FemShep just to have this thing - happen. In the room that I get for free.” JHale at this point fistpumped while saying “Yeess” [then I think what she said was “steaming hot”]

Seeing as asari are long-lived, how open is Ali to one day reprising her role as Liara? “She’s a character very close to my heart, it was such a great opportunity. In some games that we work on the character has already been created or voiced by someone else, but this was really a group effort. When I first went into the booth, the only thing I’d seen of her was a sort of like, rendering, and we slowly kind of came to her voice and presence. I would love to bring Liara back any time... hey, she can live a really long time guys. :D”

Caroline and people who do what she does (Creative Performance Director) are so critical to the quality of games. Caroline: “This group of people are extraordinary. We were lucky to have such an extraordinary cast. Every [recording] session was new and challenging. It was a labor of love. I’m tearing up right now thinking about it. I’m remembering my last session with Jen, she was the last session, just sobbing and sobbing”. When JHale was trying to say the lines of Shepard’s goodbye with Garrus, a line hit her like a tonne of bricks and she was in tears and was like “Shepard does not cry”. “It took me a second, I got it out and took another run at it, it was in there but stuffed down as it should have been, and I finished the line [and there was silence in the booth when usually Caroline would have been talking to give direction or instruction] Did we lose her? Did Skype crash?” and it transpired that what had happened was that Caroline was in floods of tears

ME was the first time Keythe had ever come across branching dialogue. “Normally when we work on a script and it’s from page 1 to 100. In this it was get to page 5, then go back to page 2 and play it a little differently. The skill and the fun and joy of it was to be able to go back and play a scene in a different way, with different writing, with different outcomes. This was not only a challenge but a real treat. So to all the writers who dreamed up how this build-your-own-adventure plays out, you have my undying respect. It was a real pleasure”

VEDA is a proprietary system that BW use to record the dialogue, which is the closest way of having it feel like having people in the booth together (it’s all digital and VAs get to hear the line someone else has done in that scene). Caroline really pushed for this because of the amount of time etc that was wasted due to lack of this sort of thing on ME1. William: “It was a god send for me, thank you, getting to hear a cue from Jen or Mark.” Ali: “Us being able to bounce off each other helps make it more real. This for me was the most real acting experience on a game I had ever had - the writing being so good, Caroline helping us through, being able to hear each other.” JHale was always early coming in to record relative to the others so only got to use VEDA a few times - a bit of Liara content and the scene with Anderson towards the end. “Those two times, oh my god it was amazing”. VEDA being a thing also helps from a scheduling standpoint

Seth and Tricia Helfer (EDI) only got to be in the booth actually together 1 time, to record/shoot a piece of promotional video. “We actually got to record a scene together and we were like ‘oh my god this is the best thing ever’. It was great, even though I had to stand on a stool. She’s the best”

Seth: “As an actor, the kind of opportunity to do this kind of material in games just didn’t exist.” Fred: “Oh, never! I had never had a villain part that was complicated like that. In a game? Never before, it was really interesting”

Raphael always goes back to the fact that ME brought more women into gaming than any other game before it. “The writing and the complexity of the relationships gave us so much ballast”. “This set this apart from running, shooting, gunning, looting”

JHale: “What I noticed in the times before when I got to be around fans, there was a huge hunger among women in the gaming world for something they could really jump into. They were starving for something which fed them what they deserved and needed”

Mac: “[praising Caroline] Caroline would often come to us as writers and challenge us and say, as an example, ‘Do we really need another male character to do this? Why are we writing another male character for this?’ She pushed that very early and to the betterment of everything we created”

PW: “Karin and Cookie and all of the editors across the trilogy, [were critical in] making sure that Shepard sounded consistent - [especially since] we had a large writing team, writers came and went, Mac is the only one with a significant writing contribution on each of the games”

PW: “[on game dev] It’s a process of getting hundreds of people pointed in the same direction, all believing that this is something worth doing”

Ash: “Having all the different possibilities and avenues, going back to play them all out in the different ways [really helped to round the character of Tali out and make her feel like a natural person]”.

VAs only get paid for the original recording sessions, not again (as in they don’t any royalties or anything from something like the remaster)

In MELE, they left all the original credits at the end of each game in

Fred: “It’s creating in five dimensions [because of all the outcomes and relationships etc]”. Seth: “The cool thing is that the audience feels that. They’re immediately struck by how dense, thought-out, prepared and planned the entire universe is”

How was it for the new MELE devs coming onto this? Crystal: “I knew it [the series and fans’ love for it] was big, but I didn’t know it was BIG! Working on MELE there was this infectious excitement. Being part of it was so exciting.” Melanie: “I came on at ME3, I had a 3 or 4 year honeymoon period with BioWare. Coming onto MELE, I’m getting really emotional. One of my first meetings originally was going into a cinematic review for an epic Tali scene in ME3”. Crystal: “On MELE, we had an hour or 2 every day where the team came together to play the game. In those reviews, a lot of the devs who worked on the original would tell all these stories. It was really fun to hear all the inside stories on ME’s creation and be a part of that”

DC: “Should this unit get vaccinated?” Ash: “Of course”

How do they think ME will be viewed in the next 10-20 years, what do they think its legacy will be? A piece of history, ground-breaking. It broke down some barriers and opened doors for people. It’s a powerful, powerful community. It’ll continue to age quite well and be enjoyed by a new generation, it’s original and evergreen and there’s a lot in it that people go back to. There’s a lot of universal things in it (personal experiences, like there will always be love, people fighting to belong, trying to make sense of their pasts etc)

JHale and Alix did the “I love you Shepard, now go save the world again” Shep-Sam exchange and both got teary. It was then Seth’s turn to line-read: “Jesus Christ, now that I’m good and choked up, fucking mess”. Ali was also actually crying from it

Seth: “It can’t be overstated, this community is so large and global, it is one of the most powerful fandoms that I’ve ever been greeted with. Thank you”. Ash: “It’s the most amazing group of fans ever. We’re all so grateful”

Some funny anecdotes/stories:

PW didn’t realize that Alix could do different accents. They remember a time when they were listening in the booth and an Alliance soldier was complaining about the gear had been given. They said “Wow that’s really good, who is that?” and the VO producer said “That’s Alix, Patrick”, “because she wasn’t doing her [normal British accent but was doing a Californian accent instead]. Alix roasted me later for not recognizing her voice and never let me heard the end of it”

Alix: “[on Sam’s toothbrush] Caroline’s like, ‘So then she pulls her toothbrush’ and I’m like ‘What? Sorry? A toothbrush?’ and obviously it’s funny now as everyone knows that Sam’s thing is her toothbrush. Caroline’s like ‘Yeah, you’ve gotta like, flirt, over the toothbrush’ and I’m like ‘Who wrote this - a frickin toothbrush, are you kidding me? Really guys?’ ANYWAY. I was wrong and it worked. :D”

Fred: “I remember a 12 year old kid coming up to me and being like [flat tone] ‘Oh yeah. I killed you’.”

Keythe: “The other assasin I play is Kellogg in Fallout 4. People come up to me like ‘Omg. I love you so much. And then I fucking KILLED you!’”

Courtenay once went out to dinner in NZ with a few prominent people from the Game of Thrones cast. “Everyone around was making a big deal out of it like ‘Omg, it’s so-and-so from GoT’. I was feeling a bit like ‘Hi, I’m here, just nobody’. And I looked around in the restaurant and there's one guy in the corner and he’s got an N7 shirt on and he’s just looking at me like [knowing look, does a peace sign]. And I’m like ‘I got one! I love you guys!’”

PW: “I have a question for the cast members, because I don’t know if JHale has done this to all of you or if she just does it to the devs. Show of hands if Jen has ever made you do push-ups.” JHale: “It’s just you guys”

Karin: “One of my favorite editing files that I ever had was a ME file. It was before Seth was coming in for a session. I opened it up and it was just 20, 25 lines with the word ‘Shit’, over and over again, and I was like, ‘This file is perfect, I don’t need to do anything to it, have fun!’”

Seth: “Didn’t we do a track that’s like 60 seconds of laughing? Escalating laughing? I don’t know about other actors but for me getting into a laughing fit is kind of like trying to get into a crying fit, it takes the same level of commitment, you start to follow a path until like you’re hysterically uncontrollably laughing. I remember looking through the glass, and I’m deep in it at this point, and I make eye contact, and I can see from the other side of the booth and they’re like [making ‘okay you can stop’ now gestures] - ‘Like that’s plenty, we got it’ and I was like ‘okay, okay [dying]’”

JHale: “The craziest thing Mark and I had to deal with was how many times we had to say ‘I should go’”. Mark: “We also, Caroline and I tended to use that as short hand when I needed to go to the bathroom”

The panel host: “The first time I interviewed Ali was a decade ago. She did the ‘I’ll flay you alive with my mind’ line halfway through, it was my first interview and I literally fell out of my seat [from being star-struck]”

Ash line-read Tali’s drunk omni-tattoo scene and in response DC said “I totally get why people wanna romanticize all these characters :D”. Karin: “We’ve had more than one person come up to us and show us actual tattoos that looked like that”

[source]

[boop-le-snoot]

PARTY FAVOURS I CHAPTER 35

💖first time reader click here💖

Reader and Eddie going on their mission. They're all morons, okay? Some canon-typical violence, bad guys being bad guys. You guys can see that I treat the fighting plot points as total crack, right?

Eddie Brock was pissed, at the Avengers mostly - for not telling him of my accident - but also at me, for the fact that I didn't call him sooner. Venom had taken over at some point, eager to participate in my plan - and it I was being honest, my uncle's space boo was the one I had relied on to participate in the mayhem that was to be caused to finally let my family breathe in peace.

The Avengers wore various expressions of guilt when an angry Eddie stormed the tower, berating them for not getting into contact with him when I was in danger. Venom growled at them, too, just the right amount of teeth and drool for Tony to quickly usher me out to 'take a walk, have some fun, build a snowman' with uncle Eddie and Venom. It was almost too easy, too predictable. The guilt that reared it's ugly head was stomped down by me and two glasses of whiskey in Eddie's rented Airbnb as I went into the fine details of my plan.

Both I and Eddie were equally surprised when Venom dropped their sarcastic, angsty teenager attitude and approached the topic with maturity, giving valuable input. The goth space goo was much, much smarter than their first impressions showed. I belatedly remembered their remark about being an apex predator species... Scary.

The plan was pretty simple.

Eddie was a professional investigative reporter and an unregistered mutant, his files being hidden so deeply due to the alien nature of the symbiote that it was unlikely that underground gangs would have any idea as to who he truly was. His involvement with SHIELD was buried under so much red tape, even Coulson himself had very little idea about Eddie's body-mate.

My uncle would sniff around the mutant underworld, just enough to catch a whiff of the mercenary's whereabouts. It should be enough if he was as famous as Natasha claimed him to be. And if it wasn't enough... I'd be bait. I doubt that the merc knew the box has been retrieved and secured; every now and then, I still caught chatter about the SHIELD agents trailing me catching a person sent to monitor me. They weren't even trying to hide that hard.

I had my suspicions SHIELD was indirectly using me as bait, too, and both Eddie and Venom were inclined to agree with the notion. Over beers and ridiculous amount of chocolate cake, a third side of the operation Baby Thief had been formed. SHIELD played their own game, the Avengers and SI threw a ridiculous amount of resources on their own and then there was me and Eddie, two halves of a whole idiot.

For once, the plan didn't go south immediately off the bat. Eddie and Venom got the information - there was a lot of uproar in the mutant community, rumours about an artifact that would let them assume their rightful place in the world, pushing the pesky humans off their pedestal. I definitely supported mutant rights - but the common notion that violence was necessary to achieve the recognition of said rights didn't sit well with me at all. Eddie agreed with me, his own curiousity pushing him to dig deeper into the situation.

My uncle could be a brilliant investigative reporter with the proper motivation and his significant other at the side. I could never tire of Venom's stories: each and every time they saved Eddie from making a clown out of himself was remembered, documented and brought up at the quickest available opportunity. I haven't laughed so hard in months.

The positives of our plan? We got a hot trail and enough information to know about the mercenary's whereabouts. We possessed the manpower needed to off him in record time, Venom eagerly offering his digestive system for our convenience.

The negatives? We'd need to bring me. Apparently there was a hefty bounty on my pretty little head and the merc himself had given up trying to chase me, hiring a bunch of muscle to do the legwork for him instead. The mercenary, a man who went by the nickname Cadre, was an ex-shield agent, who knew enough to successfully avoid the organisation following hot on his heels.

And neither SHIELD, nor Tony nor Eddie knew who had ordered the retrieval of the artifact. The mysterious person had deep pockets: all of the men were supplied with high grade weaponry and the mutants participating in the missions had equipment specifically tailored to their powers.

Perhaps, I wasn't as clever as I wanted myself to be. There was something big and ugly brewing and the bounty on my head was just the tip of the iceberg. But what was done, was done, and Venom was looking forward to a hefty meal and we set the date of Eddie "kidnapping" me in a few days time.

I hoped I'd make it home for Christmas.

The biggest surprise was that nobody suspected anything. Not even Natasha's watchful eye and inherent knowledge of shit about to be stirred - somehow, Nat always just knew those things - had revealed itself and that's how I knew it was absolutely necessary for me to be successful. There was no room for failure. In the day before my planned trip to Cadre's lair, I forced the team into a movie night and took extra time with everybody, seeing as even the most cheerful people - Thor and Wanda - walked around with sullen faces for most of the time. Perhaps, deep down, I knew that chances of my plan going awry were pretty damn high.

It felt like I was leaving for war. And perhaps, I was. The nervous, anxious energy increased as the hour X drew closer and I couldn't hide it anymore. My insomnia wore Tony's face: I could see his disappointment as clear as day, but I figured he'd forgive me for the betrayal eventually. Every single thing I hid from my newfound family made me feel a traitor. Unfortunately, there was simply no other option.

That afternoon, Eddie picked me up from the tower and drove me to one of the hideouts that belonged to Cabre. He'd tied my hands together and blindfolded me, all for show of course, whilst Venom briefly connected with my body to induce a drowsy state of mind. I didn't actually mind to be drugged and was way more wary of the symbiote's effects on my body but the space pudding extended his tentacles so quickly, I barely had the time to even swear at them.

To my (and their) surprise, it wasn't as bad as we thought it would be. In my hazy state, I briefly head Venom growl that I could be a decent short-term host if something would to happen with Eddie; I did not know how that information made me feel but did not disregard it completely. I was out of my depth on this one yet marched on towards the danger with grim determination.

"Here's the girl," Eddie's voice penetrated through the curtain of chemicals that Venom had dosed me with; I was tossed none too gently on what felt like a mattress, the landing haphazard but not painful. Venom must've dulled my pain receptors, too. "Where's our money?"

I was unceremoniously groped, my face examined by a man with ice-cold hands. Whatever he found, he deemed it satisfactory. "I'm impressed," He whistled. "We've been trying to get her for months. Care to share how you achieved this?" The strange man sounded suspicious.

"WE HAVE OUR OWN TRICKS," Venom's deep voice filled out the room like thick smoke and I just knew that the man who had been groping me was twitching in discomfort. "SO?"

"Alright, alright," The man mumbled, voice unsteady. My drowsiness slowly began to recede and I finally could focus my eyes somewhat; Eddie was partially obscured by the writhing, onyx mass of his symbiote and the man was dialing up the phone, speaking in a rapid-fire dialect I did not know. "Cabre will be here in an hour. Care for a beer?" Just like that, the man was obviously attempting to placate Eddie.

"HOT CHOCOLATE," Venom announced flatly and I had to struggle to hold back my laughter at the image of a seven feet tall tentacle monster sipping hot cocoa from a tiny porcelain cup. My nerves had me feeling ten types of way, as usual, and props to Ven making me unable to speak. I would have already killed myself by running my mouth ten times over.

The hour passed by with me floating in my mindsphere, Eddie loudly playing Candy Crush on his phone and Venom consuming ridiculous amounts of hot chocolate. It was absurd and the eerie calm was beginning to make me suspicious; I had expected... More. Threatening thugs with guns, experiments, blood tests and physical violence. Instead, the man who met with Eddie was sitting with a vacant, bored expression as he practiced card tricks in the corner furthest away from Venom.

Finally, a knock on the door forced all of us to pay attention to the newcomer. It was a tall, massively built man in his early forties. His face was covered in scars, narrow red lines that looked like small cuts; one of his eyes was completely black while the other was blue. He looked like the man at the coffee shop but at the same time, nothing like him at all.

"Good afternoon, gentlemen," His voice was low and quiet. If not for the heavyweight weapon hanging over his shoulder, I would have considered him to be one of those men who only look threatening but actually are gentle giants. With steps too quiet for a man his size, he approached me, crouching down to look me in the face. "Hello, child. I've been looking for you for a long time. It's a shame we had to meet this way," He removed the strands of hair sticking to my face. For all purposes, his touch could have been considered fatherly. "Richard, bring the money." With a wave of his hand, he dismissed the man who was babysitting me and Eddie and he promptly disappeared behind the steel door.

"Hello," Eddie briefly shook his hands with Cabre after the merc left me alone. I noted Venom had disappeared into the reporter's body completely. "We are Venom," Eddie introduced himself (they introduced themselves?).

"Cabre," The Merc watched my honorary uncle with a sharp eye, taking note of Eddie's lack of weapons, his worn clothes and the shaggy hair, the bags under his eyes. "Tell me, Venom, what do you know of this child?"

"Not much," Eddie shrugged, convincingly. "Just that the Avengers picked her up for some reason and locked her up in Stark's tower. We're guessing she didn't like it much 'cuz she kept sneaking out and trying to shake off the tail. Had to go through quite a few SHIELD agents to get to her," Just like we agreed, Eddie spoke with slight disdain towards Tony and SHIELD, making sure to let Cabre believe he was on the mutants' side. "We just need the money, man. Not many people will hire us," To top it up, Eddie spread his arms, showing his skin ripple and move on it's own prominently under his ratty t-shirt. Atta boy!

Cabre appeared to have bought the lie, chuffing sympathetically, before pulling out a tablet and typing on it. "Well, not for long. My superiors have found an artifact that, if unlocked properly, will render most of the technology suppressing mutant powers useless. They won't be able to get rid of us that easily anymore."

Eddie nodded eagerly, for all purposes appearing to be ecstatic about the news. "Yeah, heard some rumors here and there. Well, you and your superiors know where to find me. I could always go with some extra cash," He scratched his head, carefully watching Cabre's fingers dance on the keyboard. "What's the kid got to do with it anyway? Seems like an ordinary spoiled brat to me," Eddie threw me a look, blinking twice. The fatigue and wariness, courtesy of Venom, had begun to recede quite some time ago; with Eddie's signal, I knew the shitshow was about to start very soon.

Eddie was smart, however, finding out the bits of information SHIELD hadn't bothered to disclose to me. The residue that the cursed box had left in me was removed, so I could not understand why SHIELD was still guarding me. There had to have been another reason, a reason that neither of us knew for sure.

Cabre paused his typing. "We've been watching her for years. She's a genius. We were hoping she could help us solve a few problems..." The merc paused to rub the bridge of his nose. "We tried to get her to come willingly but her parents forbade her from it. My superiors suggested to use the artifact but something malfunctioned." For all purposes, Cabre was looking apologetic. "I am not overly fond of kidnapping children but some things just need to be done." With that, the man turned around, landing his eyes on me. "Glad to see you're up and about." Something about his smile was unnatural, forced, malicious.

"Charmed to meet you," I sat up, dazed and confused about the turn of events. The things he was saying, they didn't add up. I hadn't received any requests for my participation in ANY kind of project, illlegal or not. No scholarships, no internship offers. Something was very, very wrong.

As soon as Cabre's back was turned, Venom enveloped Eddie, turning themselves into the seven feet tall outer space monstrosity I had seen on the first day. Their combined form was terrifying - but Cabre's fingers merely twitched at the rapid change of the situation as he took slow steps towards me. "Hmm," His voice still quiet, he once again crouched in front of me. "You fought us off once but we are many. There is nowhere to run, child," Cabre's eyes began to darken, his speech turning flat.

I recognized the speech pattern, recalled the expressionless, vacant face that stared at me. Cabre was infected with the Legion from the cursed box; I hadn't prepared for that, hadn't even regarded that, thinking the little epic speech the demon had given me was a mere intimidation tactic. Fear bloomed within me, opening it's jaws like a hungry Venus flytrap but I refused to succumb to it, clenching my fists against the waves of paralyzing terror.

Venom made a confused growling noise behind me, extending a tentacle to push Cabre away; with a sickeningly wet splat, their whole form collided with the opposite wall, sliding down it like a puddle of misshapen goop. "MORSEL, GET OUT." The symbiote growled, reforming itself back.

"Silence, beast!" Cabre shrieked, unstrapping his weapon and aiming it at Venom. No bullets came out as he pressed the trigger but my ear started ringing, eyes watering as the whole form of the symbiote began to morph and ripple. Pained groans and whines came from them. A sonic gun?

"Screw you, man," I attempted to draw Cabre's attention to myself by kicking out a leg towards the gun, disrupting his arm briefly. Things were going to shit faster than a party full of teenagers and alcohol. "Fuck you, listen, FUCK YOU!" I knew antagonizing people was my best skill and that's what I did, figuring the time needed for Venom to reassemble themself could be acquired if Cabre was pissed off enough at me.

The backhand hurt, not going to lie. I saw stars from that one sloppy hit the possessed merc delivered to my face. The adrenaline rush allowed me to stay somewhat coherent and just like that time when I was trapped in my nightmares, I dove for Cabre, winding myself around him as both of us landed on the floor in a heap of limbs.

Despite my best hopes, Venom remained a puddle of black on the floor. I saw something shiny attach itself to Eddie's chest; apparently that something prevented them from combining into one again. My smaller size proved to be a great advantage; I remembered Venom's words about being a suitable short-term host and with a shriek, I placed my palm into the nearest piece of symbiote I could reach, my vision being obscured by blackness a second later.

THE TAG LIST IS NOW OPEN! @another-stark-sub ​ @mostly-marvel-musings  @vozit ​ @littlegasps @pilloclock ​ @shereadsinquiet @downeyreads ​ @hermione-grangers-wife ​ @individualistfem ​ @sleep-i-ness @capbrie @lillsxd @agustdowney @dee-vn @justanotherblonde23 @fanngirl19 @persephonehemingway @softie-socks @schemefrenzy @letsby @romeo-the-cactus @jelly-fishy-babie @mikariell95 @gladiosamicitias @warrior1-19 @toomanyrobins @i-cant-hangout-im-drumming

[itsclydebitches]

I just read your crosshair post and I agree with everything you said BUT…

Let me put on my own tin foil hat for a sec and talk about….

The burn mark thats supposed to cover the chip removal scar. Doesn’t it seem to be in a slightly odd position? Every other clone has it straight above the angle of their jaw/before the ear. I get that the burn was “placed” on that side of his head by writers for suspense and so it wouldn’t be apparent that his chip is out(thus showing Hunter checking it). But is the message here “oh he has this burn that’s close enough”? Also the scene where he was getting blasted by that engine could have easily scarred his face or at least affect the area closer to his face. I expected it to be over the temple too. But no it’s only that spot. (Now I know people will say “it’s Disney cartoon” so the scarring is minimal due to that)

Then it just kinda surprised me to hear brad Rau go “oh yeah, chip is definitely out, have you seen the side of that guys’d head? Lol” Followed by Jen’s “the eagle-eyes fans would notice all along”. Because now I feel like a clown for thinking I WAS being eagle-eyed and NOTICED that it was in the wrong place to really hide the chip scar. And if I’m correct to assume she meant that it was after Bracca that makes crosshair’s line “a long time ago” even weirder since there is no way Bracca happened that long ago.

And what was the point in showing Hunter checking the burn mark? We don’t really see his reaction. We don’t ever see him commenting on it later. It seemed like a big deal to him given how shocked he looked and how insistent he was on knowing when exactly was it removed. (“Does it matter?” “YES!”). And then he suddenly doesn’t care and never brought it up again. Even when they got to a relatively safe location or back to their ship.

I don’t think it’s a good sign that we have to rely on an interview to be sure about such an important plot point. I would be disappointed if this matter won’t be addressed at least in some way next season.

We’re all just passing the tin hat back and forth at this point. This is fine and we're handling the hiatus beautifully lol

But YES to all of that. Every detail here has two (or more) possible readings attached to it, which makes it impossible to figure out what we’re meant to be prioritizing. So, to summarize:

Yeah, despite my own claim that the burn scar is “exactly” where the chip scar would be, there is a slight difference. Is that a significant difference then, or just down to the animators not mapping Crosshair's design down to the inch?

Is the burn mark (almost) precisely where the chip would be to show that there’s a chance it’s still there (you can’t see the surgery scar), or to show that enough damage happened there to make the chip’s removal inevitable?

Yet "enough damage happened there to make the chip's removal inevitable" is a pretty big assumption that the show never set up. So are we meant to view the untold number of clones who suffered other head injuries throughout TCW as evidence that the chip must still be there—after all, they weren’t de-chipped due to head trauma, burns, etc.—or are we supposed to ignore that because #Disney cartoon, not everything is gonna have such long-term consistency?

Is the placement of the burn deliberate and the lack of any other facial scaring suspicious, or (again) is that just because #Disney cartoon doesn’t want to disfigure his whole face?

Is the scene where Crosshair has his chip enhanced another clue—the chip appears to be a bit higher up than others’ in his scan—or just an animation inconsistency?

Was enhancing the chip important, or just used for the drama of that particular scene?

Does Hunter think that the burn is somehow evidence of the chip’s removal, or is he just taking Crosshair at his word?

Is Crosshair’s lack of clarification meant to read as him being evil—he doesn’t care what was the Empire and what was him—or another hint that something else is going on?

Finally, most fans agree that, if the chip is out, it had to have happened after Bracca so… yeah, how is that “a long time ago”? Is that line meant to imply that Crosshair has been misled (perhaps with the Empire lying to him, claiming his chip was removed before the season even began), or are we supposed to believe that a significant amount of time has truly passed (making TBB’s lack of a rescue even worse in my eyes…) Even other evidence we might point to is pretty useless. “Well, it could be a long time because there was enough time for him to heal from those burns.” But is that because time actually passed, or did the Empire us SW’s super science fiction magic to heal him up quick? Idk the canonical time it normally takes burns like that to heal with bacta and I doubt that's consistent across the lore either. But regardless, the SF aspect means that a healed face isn't good evidence for a lot of time passing, like it might be in another genre. For all we know, Crosshair was healed in a few days.

So yeah, what in the world are we meant to make of all this? It’s too ambiguous, too confusing, and each answer—chip or no chip—comes with apparent contradictions. None of that reflects the certainty seen in the interviews. In order to reward “eagle-eyed” viewers, you need to be on top of all those details, both in terms of the writing and the animation. Yet it doesn't appear like the writers were. With all of this combined with the confusion I mentioned in another post regarding side-character clones overcoming their chips with ease… I don’t think this is a good sign either. I love TBB and had a blast watching it, but this particular aspect feels like it could unravel into a tangled, contradictory mess very quickly. The sort of situation where many in the fandom will accept the plot and argue strongly that here, Crosshair's canonical chip situation is supported by X, Y, and Z. Whereas others will point out that yeah, that’s true, but it’s also not supported by A, B, and C. Even if we’re willing to ignore those moments of confusion and disjointedness, it’s a big letdown to feel like you’re following along with what the show’s hinting at… only for the show to turn around and go, “Lol nah. None of that was important.” Shows with twists and reveals—which TBB very much is at this point—are built on the fandom’s investment in the details. If you don’t treat those details carefully, the fandom will quickly begin to resent the expectation that you be invested in the mystery... but not so invested that you "read into things."

Intense flashbacks to the later seasons of Sherlock.

BUT right now for me the larger issue is that even if we don't care about these details, the rest of TBB absolutely should. The fact that Hunter doesn't question what's up with the burn, Tech isn't interested in trying a scan, Wrecker's experience under the chip has no impact on how he approaches this, Omega seems to accept that this is the "real" Crosshair, and Echo doesn't push to rescue him like they did for Gregor... all of that is at the emotional heart of the show and arguably more important than getting a perfect resolution to these chip questions. Obviously I'd prefer to get both, but if we can only have one, I'd prioritize tackling the group's reaction to these events, rather than trying to smooth over every potential inconsistency revolving around the chip. Ultimately, I'm more interested in the show explaining why four brothers and a sister didn't fight for Crosshair when, as far as they knew up until he said otherwise, he was a prisoner of the Empire just like everyone else they helped was.

[rivertalesien]

Discussion in twitter arguing Alicia Clark is the lead. You say?

Morgan Jones is the lead of Fear the Walking Dead. He's designed to be the hero and he's also the protagonist. He is the main point of view character. His decisions affect everyone and no one really questions this. The story (such as it is) is for and about him. It is all about his emotional journey, his needs, his desires. It is his show. He is the unchanging fixed point everything revolves around.

Alicia Clark is a heroic character within the terms of Morgan's story. She is not the protagonist, nor is she the main point of view character. She is not the lead. She has been following Morgan wherever he goes and, as her last episode this season underlined, she doesn't try to escape her circumstances. She is a character who outlines Morgan's story. She is brought in from time to time to fulfill the role of A Friend Morgan Must Save (AFMMS). She is given the bare minimum in relation to her backstory, because her backstory, the Clark family and where *they* were headed, was deemed unimportant and thrown away. Alicia is the token Clark survivor.

Alicia isn't a sidekick, either because they at least have some emotional connection to the lead/mentor figure. They haven't written this emotional connection to Morgan, much less given them any amount of significant screen time together. If Morgan had some connection to the Clarks prior to his appearance on Fear, they could develop Alicia and their relationship in a more organic way. But there was no connection and there remains none. If Alicia were not to appear again in the story, nothing for Morgan would change. His story would go on as it has done.

No, Alicia is not the lead and I seriously doubt they will give her anything truly significant to do next season. They want to keep doing this "anthology" format which means, save Morgan, everyone else can be kept indefinitely on the sidelines until they're needed. Alicia could be in that bunker for the first five episodes. Even if she emerged, what would the emotional fallout be? There's no revenge story, Teddy is dead. There's only getting on with more trauma that will be ignored, finding Morgan and following him into the next "adventure."

This is the heart of the show's failing: there is no conflict for Morgan with his group of followers. No challenge for him (which is probably why they're fucking with Strand again to give him one). Alicia and the others are so blandly placid when it comes to their lives with Morgan, its a wonder they don't just kill everyone off so they don't have to strain to find everyone something to do.

Did you ever watch Lost? Can you imagine how messed up it would be if all those characters just quietly stood behind Jack and carried no interpersonal conflicts? Its what drove the show as well as it went and made compelling viewing.

Fear was far more compelling when we watched Madison go from kindly student counselor to a stone-cold authoritarian killer who didn't bother with a moral compass. Her kids were in high conflict with her, and by the third season, they'd narrowed down what worked to that trio on the ranch. It was a masterclass in plot and character work. Belittling that time period as they did in season 4 by following up the cliffhanger with "they all lived in a cave" was the big red flag this show was about to implode with incompetence.

The fan idea that Alicia will emerge (from the bunker) as a Big Leader (of what/who?) is only compelling if you listen to the producers year after year saying the same thing. The story itself doesn’t hold up. They could pull shit like they did in season 4 where we spend eight episodes wondering what the heck happened to Madison and throw that mystery around Alicia. She doesn’t even need to be present and then they make the whole thing about Morgan’s Sense of Failure. 

If season 7 is the last go round for everybody, the focus will be on Morgan’s exit, not Alicia’s. It’s not her story. 

[space-anon-writes]

hi space anonymous! im yesitstyles/teasdays on ao3--i treat comments like a competition? u once said u think we're soulmates and i think we should get married. anyways i hope ur well and wanted to ask, one writer to another: have u got tips on building a comelling Plot ? i honestly admire u SO much and am constantly just. totally enthralled by everything abt ur fic .... what are yr secrets? 🙏 also thanks for all ur writing and i hope ur having a great day !!

the only way to get engaged to me is to beat me in a duel

anyway,

my secret to building a compelling plot? self-indulgence. No really, literally just write about what you want to write about. what feels fun and good and funky to your brain? do that. i promise you others will find it good and fun and funky as well, and not only that but you'll have more fun writing it as well

another good method could be thinking about what you want to convey. what is your story about in terms of character arc or even conflict? like it is a literal conflict where your character is physically battling, or is your character conflicted about finding and accepting family? if you get really invested in the journey it shows through in the writing. it depends on pacing, but as a general rule i usually aim to accomplish at least one significant thing a chapter that moves the plot forward or develops the character. even if the characters are just playing a board game for a chapter or something, so long as one is noticing something new about themselves or experiencing a growing trust for their friends or something that's progress, baby!

mmm another thing could be spice? add a bit of flavoring if you want. my fic? it's found family baby, but i added monsters because mmm, makes brain go brrr and adds an extra something to the sauce. take something well known and twist it, make your brain interested in it

oh! and for me specifically i love it when the tension is drawn out. when the secret is withheld. when the character takes time to trust other people. i've read fics where the Big Secret is revealed two chapters in, or the character who was Lonely and Untrusting bonds almost instantly and it's just? A bit too quick for me? although obviously it depends on context and length of fic. Like sometimes secrets or backstories are brought up pretty quickly, but so long as that wasn't what your story is based on you're good. but you can see in my monster fic that things don't necessarily get solved right away. it's taking a lot of time and patience for tommy to start trusting. drawing that reader in. drawing out that tension, while being mindful of the pacing you've chosen

finally? don't worry about a structured plot. like for sure use it as a guideline when you start writing, but you don't need to stick to it. there doesn't need to be a certain amount of conflict or a rising and then falling action, it entirely depends on the story you want to tell

anyway i'm not sure if any of this is coherent or even good advice, but it's just a few rambles off the top of my brain. but yeah self-indulgence. self-indulgence is the secret my dude. whatever makes your brain go brrr dude, just do it

Also feel free to ask more advice :) I have... mmm... thoughts.

[viroro-kun]

My Review of the Pokémon Sun & Moon Anime (2019)

[The following post is a repost of a thread originally published on Reddit in November 17th, 2019, titled “My final review of the Pokémon Sun & Moon Anime”, which I’m sharing here again for archival purposes. I may eventually do a new one and this post is meant to only reflect my thoughts at the time. It will also not be updated with later information to keep it consistent with the original] About two weeks ago, the Sun & Moon series of the Pokémon Anime concluded after a run of three years, ending up as what's probably one of the most controversial entries of the show, with fans either loving it as a fresh take on the series or disliking it for several issues that cropped up over time. Now, after reviewing the series for the length of the aforementioned three years and at the eve of the beginning of the newer series, I'd like to pass my personal, final judgement of the Alolan series. Now, first of all, I think a preamble is necessary: all of what I will explain is my opinion and nothing else, and this isn't meant to be senseless bashing of the Sun & Moon series, either. I treasure striving to be objective and analytical above all else, and while I of course can't claim mine will be an absolutely perfect and objectively correct review, I will do my best to share my thoughts on the matter, while explaining why I feel this specific way.Secondly, I'd like to address an argument I've occasionally seen brought up, that due to Sun & Moon's seeming focus on comedy and slice of life it's not possible to compare it to previous seasons. And while that may apply for some specific choices it made, I don't believe that's the case: it was still set in a new region of the Pokémon world, still had Ash undertake the local region-wide challenge, still had a structure involving unimportant self-contained episodes (which we could call 'filler' in an useful but technically inaccurate definition) surrounding the plot-based ones, and still ended up with a League at a climax for it all. Therefore, at least on a structural and plot standpoint, there are enough commonalities to make a comparison possible, and that's where I plan to dig in particular to explain my stance.

Before I move to the meat of it, however, I want to spend some words of praise for some things I feel this series did right or at least deserves some compliments for, overall. First of all, I think that Sun & Moon does great in mantaining a chill, comfy atmosphere which to a degree makes it stand out from previous seasons, and I understand why this was appealing for some previous fans of the series. Most of the cast is pretty likable on the whole with particular props to Ash's Alolan Pokémon team managing to mantain lots of expressivity in all situations, and the series has a decent willingness to explore some concepts previous seasons only lightly touched on. The show also foregoes a lot typical Team Rocket shenanigans for different kinds of plots, making it great for people who find their usage stale and played out by now, and the simplified art style allowed for some pretty good sequences both in battle and out. At its best, the series can produce some of the best moments of this Anime as a whole, and it was at least the first series to let go of some limitations that were just weighting the show down at this point. While I think several of these pros also have indirect cons attached to them (especially in terms of tone and character usage), these are all things I feel need to be pointed out in positive for the series.With that said, I'd like to begin my proper dissection of the Pokémon Sun & Moon Anime.

Pokémon Sun & Moon - A Pokémon Anime in an Identity Crisis

1. Plot Pacing and Development: The Problem of the Stationary Setting and the "Happy Bubble"

Everyone who has heard of the Sun & Moon Anime is probably aware of its biggest break from tradition: rather than being an adventure series, this entry in the long-running Pokémon series decided to take place in a single location with occasional detours by having Ash enroll in the Pokémon School, shifting the general tone of the series towards a more slice of life approach. This had a significant effect on how the story developed, but in my opinion, if there's a fundamental issue of the Sun & Moon series, it's probably this one. Because rather than committing to the change, the writers appeared to want to have their cake and eat it too.

Specifically, adventure series and slice of life have radically opposed mission statements: for the first, progression and rising action are an important, consistent story engine moving the plot forward; the second is instead far more laidback, focused more on enjoying the moment and offering low stakes and drama more often than not, especially Sun & Moon's chosen brand of it that's closer to a sit-com than a proper slice of life. Pretty much, adventure series have a degree of development in them, while slice of life is defined by the lack of said development.

Now, I'm not saying Pokémon characters were always amazing examples of character development, or that every series prior was well-written. But the structure itself was sound, as you had Ash embarked in a defined goal of winning the League as part of his vague dream to become a Pokémon Master, having filler adventures on the way, but always undertaking rising action from the first to last Gym and occasional rivals, until the climax of the journey at the League (and in Kalos' case, the Team Flare arc). We see Ash, and occasionally his friends, actively train, fight or improve on the path to their goals, while the narration itself always reminds us of what the current major objective is. Even when the episode doesn't actually contribute to the larger story, the viewer always has a reassurance that the next objective will be reached eventually.

The structure of Sun & Moon, by comparison, is inherently more passive more often than not, as you have Ash and the others waiting for the plot to happen to them. Instead of having Ash actively seek a new challenge, you see him sitting down and wait for something specific to make him go and progress, and so does everyone else, with only rare exceptions. The characters are effectively static until the plot decides to move them, and while this could superficially resemble the previous structure (as both have a progression that could be defined as arbitrary), the Sun & Moon series barely, if ever, reassured the viewer to still remember the goals it set up, or even what the next one to come is.

Now, inherently, the characters being passive recipients of plot isn't a bad thing, it's just how slice of life stories tend to work. The problem of Sun & Moon, however, was that beyond the vague and SoL-friendly concept of Ash at the Pokémon School they still had Ash pursue the Island Trials (and in fact, he's impressed by the concept of mastering Z-Moves before he even enrolls in the school), which gave the show a problem: it wanted to be a chill story focusing more on small time hijinks than big adventures, while still taking on a structure that demanded to follow the rules of an adventure series, creating an inherent contradiction.

What I mean is that, since the Island Trials were still part of Ash's stay in Alola, the show was still supposed to abide to the rising action leading to a climax, giving the show a direction that it had to fulfill by its end rather than have an open premise with occasional plotlines (example: GeGeGe no Kitaro, where the open premise is 'Kitaro deals with evil Yokai' with every other longer plotline spinning from there). It's something that pretty much prevents the viewer from fully enjoying the more quiet romps, because in the mind of a viewer expecting progression, these are just a diversion over the more important goal Ash has in the region. Now, in fairness to Sun & Moon, the show seemed aware of the tension and made sure to tie each Trial Ash did into either school trips or wanting to get specific Crystals, but beyond making it seem like Ash didn't care much for something he claimed he wasn't interested in (especially with wanderlust being a previously estabilished character trait of his), this ran into another big issue of Sun & Moon: rather than a sense of rising action, pretty much every Island Trial Ash did was narratively unrelated to each other, especially once it was revealed that Ash didn't need to complete any of them to access the Alola League, in contrast with how every badge was important and necessary in previous regions.

This specific issue wasn't however unique to Ash, but rather a persistent problem in pretty much every element and story arc of the series: be it Ash's quest, Guzma's struggles, Rowlet's rivalry with Hau's Dartrix/Decidueye, Lycanroc's rage issues, Lillie's goal to be able to touch every Pokémon again, the Necrozma and Aether arcs to even the Alola League and anything in between, almost all of them had only the bare minimum of buildup and either ended as soon as they got teased or happened to be sidelined for a large amount of episodes before they got their due focus, if not both at once. While some of these arcs ranged from alright to pretty great (Litten's pre-capture arc dealing with Stoutland's passing, or the Guzma-related segments of the Alola League), there are quire a few (chiefly Necrozma) that were ruined by a combination of lacking setup work and the feeling that, simply put, nothing mattered that much. Sure, the arcs could be mentioned here and there, and some can set up things for the future (like how Aether leads to the Ultra Guardians), but on the whole, the arcs are effectively done-in-one in terms of lasting impact. Unlike how in previous shows you could've had stuff like Ash's and Dawn's intertwined journeys, here you have Stoutland lose relevance in terms of influence to Litten as soon as he dies, where save for Stoutland brief cameo as a spirit on Poni Island his storyline got shifted in the unrelated rivalry with Kukui's Incineroar.

This last example, in particular, brings up another of the big issues of Sun & Moon, one that can be divided in three parts: plot pacing, plot segregation, and the "happy bubble".

In regards to plot pacing, one of the most notorious problems brought up for this series is the fact that, to put it simply, each plotpoint will only progress when the show decided they have to, which led to things like Lillie going almost an entire real time year between getting her Z-Crystal and then her Z-Ring, or Ash doing absolutely nothing about his Lycanroc's raging issues for getting dirty for close to thirty episodes before they happened again in the Ula'Ula arc, during which neither character gave any hints of even thinking about these lingering elements in any way even if it was clear setup to be followed on. This, coupled with the aforementioned lack of a constant reminder of the next destination, just made for a frustrating waiting game in terms of the next major point of progression.

A related issue is the plot segregation, or specifically, how each major arc is effectively removed from the others, from Kiawe and Sophocles' occasional focus episodes to more important stuff like Lillie's Pokémon phobia, her and Gladion's later interest in finding their father, Lana's desire to create a balloon to explore the ocean with, Ash's Island Trials, and so on. It made these characters feel like they exist in their own separate paths, never to intersect, something the evolution episode in the Poni Island arc somewhat exemplifies since Sophocles' and Lana's efforts happen on completely distinct plotlines and locations. As I explained above this also happens with major arcs, like how the Necrozma arc's only contribution to the wider narrative was sending Poipole home (and given its later offscreen evolution and power up, one could make a case the arc had a negative impact on the series). The segregation also had the effect of having the plot act like something flat out doesn’t exist unless it has been directly showcased, leading to such goofiness as Kukui's best friend Molayne not being invited at his wedding in spite of being Sophocles' cousin, or how absolutely no one was in Poni Island during the Manalo Festival buildup. A good example of the difference, I feel, is this: in previous series, we could've had Serena relate to Ash with her Master Class loss at a significant point of his character arc during the Winding Woods episode; in this one, Mallow only revealed her mother issues after Lillie's entire arc revolving around her mother was resolved, with the two never comparing notes. The closest we get is Ash relating to Lana for his problems with Lycanroc using Continental Crush in Ida's first episode and Lillie trying to help out Ash during his fallout with Rotom, both of which refer to things that happened to them either mostly offscreen or entirely there.

The plot segregation was, in particular, noticeable with the decision to associate three of Ash's Alolan Pokémon (Torracat, Dusk Lycanroc and Rowlet) to specific characters as rivals, with the Pokémon driving the rivalry rather than Ash himself (who had otherwise rather civil, mostly friendly interactions with Kukui, Gladion and Hau). On paper, this should've guaranteed that every Pokémon had their moment to shine, but effectively, it meant that each of them were restricted to mostly their specific rival in terms of focus post-Aether. Lycanroc got Olivia's Grand Trial, the Ula'Ula arc to itself and then the rivalry with Gladion's Midnight Lycanroc, but no other significant usages; Rowlet got roles in the first two Grand Trials, but then spent almost one hundred episodes before its second focus episode, and beyond his friendship with Meltan it only got Hau's battle and a part against Kukui to itself; Torracat was the one absolutely done dirty here, as beyond the Stoutland appearence in Poni Island and the Totem Lurantis battle pre-Aether, all his following focus moments rely on the rivalry with Kukui's Incineroar, with only occasional minor scuffles to its name and a bit of the Guzma battle to its name. That would already be bad enough, but the fact that until the League there's no battle that requires Ash to involve more than two Pokémon (with most of them requiring him only one), Ash's team never actually gets to act as a team until the very final battle of the series, furthering the lacking sense of cohesiveness. Year two of the series was particularly bad in this sense, as most major battles were fought with either Pikachu or Lycanroc while Torracat and Rowlet barely did much.

And lastly, one persistent result of both the plot pacing and the plot segregation was a phenomenon I like to refer to as the "happy bubble," or the tendency of the Sun & Moon series to confine major conflicts and bad moments for the characters only to their specific focus episodes. In previous shows, you could have moments of self-doubt or worry linger even outside dedicated episodes (Dawn's depression for her losing streak, Ash's rivalry with Paul affecting him, and his increasing worries in the latter part of XY being clear examples), but due to Sun & Moon's commitment to fun times before everything else, it means the characters aren't allowed to have any conflict or moments of darkness to later conquer unless they're the focus, and even then resolving them quickly. See how bubbly Lillie is even when she's scared of Pokémon unless the episode is specifically about her, how she never even thought about her father until Gladion reminded her, how Ash's confidence and his relationship with Lycanroc are only focused on in Ula'Ula and then never again, and most noticeably the fact Mallow's dead mother was treated as something that tore her for years but it was only ever directly dealt with in one episode, to the point she's the only family member on Bulbapedia listed under characters of the day. The problem of this bubble is that it pretty much makes it hard to invest in the emotional struggles of these characters because they end up feeling like throwaway moments which are then functionally forgotten, with no sense of constant growth. Characters get their moments, the audience gets invested, and then it's forgotten, with only few and far-in-between moments of exception, and that's another thing making each conflict feel segregated from each other.

If I could sum up everything in one sentence, I'd say this: Sun & Moon is composed by a myriad of pieces, some excellent, some average, some awful and everything in between, that all exist mostly in a vacuum. I'll return to this topic in a bit, as there's another important aspect to touch first.

2. Characters and Their Development: Too Many, Too Little, Too Late

Another aspect of Sun & Moon that's often brought up is the decision to have a main cast of six counting Ash, with the game Trial Captains Mallow, Lana, Kiawe and Sophocles alongside plot-important character Lillie turned into Ash's classmates. These characters have been as much a point of praise as they were of criticism, with some fans absolutely loving this group while others couldn't absolutely stand them. I feel the best way to tackle this is to first list how I feel each character was handled in terms of planning and development, before going into their relationships and the rest of the cast, starting with the humans and then going through Ash's Pokémon before closing on Ash himself. I will say to start with, however, that none of these characters is inherently unlikable the way they started as, and most of their later issues came solely from their handling down the line or flaws in how they were approached.

2.1) The companions

Among the companions, Sophocles was probably the one that made the poorer first impressions, as beyond sharing the same type specialty, his game background as an inventor and his Anime presentation as a programmer that sometimes built things gave him a number of unfair comparisons with Clemont, not helped at all by an introduction episode that ranks among the worst ones of this group. That said, I feel by the end he actually ended up being one of the best characters of the group in spite of heavily scattered focus, for one major reason: he's one of the few characters of this group to have a consistent character growth that plays in his dream and that's easily noticeable as the story unfolds. Early on, he starts as the timid, insecure kid that gets easily scared of the dark and needs people and Pokémon's support over everything, but between his first few episodes and the later clarification of his interest in space, it's clear that his development was actually aimed towards him growing into a more independent and confident person and trainer. He goes from being unable to tell his friends that he's not actually leaving Alola after a misunderstanding and only getting his second Pokémon as a gift from Ash to slowly take an interest in rising Charjabug, first with a race and then by evolving it, then deciding to gain a Z-Crystal and a Z-Ring, learning to use it, and ultimately take part in the League in spite of knowing to not be on the same level of his friends, yet still putting his all, with a nice interlude where he takes things into his own hands during the Celesteela mission, and with the race he does to gain his Z-Crystal leading him to confront and surpass his fear of the dark. While still pretty scattered and sidelined, I feel he's a character that's been developed well-enough and that in his post-series aim is actively working towards his dream in a new but productive way by visiting Mossdeep City's Space Center, and definitely my favorite of the Alolan kids as he clearly developed into a better person by the end through a straightforward, traceable progression.

Lana is probably up there with Sophocles in terms of being one of the best characters of this group, and I'd go as far as saying she's probably the best non-Coordinator/Performer Pokégirl out there. While Sophocles ranks high due to getting good personal development, Lana ranks high because, while on paper her dream of creating a big balloon to explore the ocean with is simple and a tad silly, it is something she puts clear effort into and that she never loses track of through the whole series, even with a fairly noticeable void of attention in the mid-series stretch. Between being the first of the non-Kiawe classmates to get a Z-Ring and a Z-Crystal, learning how to use Hydro Vortex, then evolving Popplio to Brionne and then Primarina (while dealing with a Kyogre along the way) while also getting Oceanic Operetta, she's consistently focused on her improvement, and always the best female battler of the bunch. The only thing that really penalizes her is that while her dream is technically achieved, she ultimately gets Oceanic Operetta with offscreen training and they never make a point to highlight that as a big moment, and while her skill development is solid, she remains exactly the same character throughout the series from the first and last episode. An entertaining character for sure, but one that just gets stronger and not much else. Still, she's easily one of the best female leads this series ever had, and a good example of how to make a non-Coordinator-esque female character work well after the pitfalls Misty and Iris fell into.

Kiawe is not far from them, with a pretty solid run slightly marred by a few issues. Specifically, he's probably the best battler of this group that isn't Ash, but he's distinctly characterized as having two "modes" as a character: either the serious, spiritual follower of Alolan traditions, or the one that started popping out more often later in the series where he's an overreacting ham to rival Cilan. I personally feel Kiawe's better moments tends to come from the first mode, not only because he stands out better in a funny sense by being the straight-laced guy in a cast of wacky people, but also because he's the best character to explore the more spiritual angle of Alola, the element that truly makes the region stand out compared to previous ones featured in the series. Unfortunately, beyond the fact the slice of life romps tended to favor his wacky angle more than the serious one, Kiawe is penalized by not quite having a true arc to develop through: he wants to become a stronger trainer and claims so, but all his episodes ultimately end up involving unrelated matters: he catches his Marowak, learns to use a Z-Move with him later on, and ends up getting his Charizard back into working shape after he undertakes Fini's trial to save Ash, but while each of these are overall good showings and he's probably got the best League run of the cast in terms of prowess and skill, they tend to remain isolated instances. It also doesn't help that while his hot-blooded rivalry with Ash can be fairly entertaining and it's teased from episode 2, it ultimately culminates into an underwhelming showdown in the penultimate episode that barely feels like an afterthought. I'd hardly call him a bad character and he still does pretty well even with his issues, but one that could've been handled better on the whole.

A far different story is Lillie, a character that, I feel, suffered from several different issues all at once. To address the elephant in the living room first, let it be said that while they share traits, Anime Lillie and Game Lillie end up being fairly different characters by the end, and while I think Game Lillie is probably one of the best creations of GameFreak, my opinion on her Anime self couldn't be more different, and it's not due to straight comparisons between each other. Now, Lillie doesn't actually start badly: the fact that she has a phobia of touching Pokémon from an unknown source at first actually gave her a nice direction as a character in a way similar yet different from Lana, but it didn't take long for Lillie's major issue to show itself: things happen to her rather than her working towards stuff proactively, and the majority of the time her struggles are resolved by feeling sad or believing really hard with extremely few exceptions. This started already before the Aether arc, where while her episodes were good, they all relied on the exact same formula of Lillie unable to touch Pokémon, being unable to do so and feeling sad about it until she can in a spur-of-the-moment situation, which started to make her episodes feel stale.

The Aether arc seemed to finally change things as it heavily revolved around Lillie, but to anticipate some things I'll delve into more detail later, the changed circumstances ended up weakening both the conflict and her character, making her come across as too unlikable. But beyond that issue, the problem of the Aether arc is that it ensured that Lillie was completely healed of her phobia due to the actions of others rather than herself, which killed off all her character potential and left her with nothing to do for the rest of the series (while the conflict with her mother was completely brushed under the rug after this arc introduced and hastily attempted to resolve it). Sure, she 'grew stronger', and got a Z-Ring and Z-Crystal, but the majority of important things of the Mohn arc were actually dealt with by Gladion, while her own help ended up amounting to still, once more, feeling really hard rather than active work. But the biggest problem of her character is that all of her major achievements derived from either someone else (Silvally healing her phobia by saving her, Gladion actually defeating Totem Kommo-o, her Z-Ring being borrowed from her father, Gladion finding Mohn's Zoroark) or facilitated by outside assistance (her one victory in the League's Battle Royale coming from effectively killstealing a Salamence Kiawe weakened, her battle with Tyranitar having the assistance of a Totem Sandshrew) which made it hard to think she earned her development or truly grow stronger when she ultimately always ended up relying on someone else, especially given her tendency to never act unless prodded (see how she seemed perfectly fine not touching Pokémon for years until Mallow and Ash actively tried to get her to do it, nor try to learn why she has the phobia in the first place, nor thinking about where her father may be). This, alongside the tendency of the series to play up game moments like the Lillie and Solgaleo moment or her change in dress and hairstyle to show her resolve while sapping all the meaning they had in the source material and the habit of the characters to praise Lillie for anything she does no matter how minor or trivial, ultimately made her a character that was borderline insufferable to follow, especially for the classmate pushed as the most important beyond Ash.

The worst of all main characters, however, is without a doubt Mallow. While I have several issues with Lillie's handling as a character, at least her faults come with how the show decided to approach her, while I feel by contrast Mallow was only allowed breadcrumbs of just about anything, something already shown by how she had to wait until episode 18 for her first true focus episode. Back in the earliest episodes I thought her interest in making Aina the most popular restaurant in Alola could've given her a drive as a character similar to the one Lana and at the time Lillie had, only for the story to be content with leaving her where she is. Between the fact her Bounsweet evolved twice in ways that were respectively too sudden and rather unrelated to her and the habit of her focus episodes past her first to focus away from her more than on her (having to share screentime with her brother 'Ulu and Oranguru, specifically), it felt like she was added to the cast because they had to, and while the last year of Sun & Moon tried to put a patch on the problem by giving her emotional moments with her mother and her League match with Lana, said patches had the effect of not feeling very genuine since her mother, as I mentioned above, only really figured in one episode, while Mallow suddenly being afraid of Tsareena getting hurt when she fought in Ultra Space and in other instances just fine just feels like an awkward attempt at giving her an emotional moment that doesn't gel with her characterization too well. If we add onto it that she only mastered her Z-Move during the League itself, her Z-Crystal was gained just by making a burger, and the Shaymin she cared for after meeting her mother effectively did nothing afterwards until its deal was resolved at the last possible second during the final credits of the series because 'Ulu found some Gracidea with no input from Mallow proper, Mallow ended up feeling like the most mishandled characters of this crew, whose character and development felt more like isolated moments than anything cohesive.

The Pokémon of the cast outside of the major ones don't really warrant much talk, the best of the bunch being Kiawe's Marowak for his vibrant personality and good feats, while everyone else ranges from pretty much not too focused on (Turtonator, Charizard, Tsareena, Togedemaru), useful for development but otherwise kinda dull more often than not (Primarina, Vikavolt, Snowy), cute but pointless in spite of heavy buildup (Sandy), and pretty much useless (Shaymin, Magearna outside of being a McGuffin), mostly getting occasional cute moments than anything substantial or productive for their trainers.

2.2) Ash's Pokémon

Beyond the classmates, there's the matter of Ash's Pokémon as well, and I'd like to spend a few words on the Rotomdex. On the whole, he was never the most important character, but I'd say the best way to describe him is that he's a likable character that happened to star in some rather poor episodes: while his overreactions could get annoying sometimes, for the most part he was likable enough, and his existence ensured that Ash would lose his oft-criticized trait to scan Pokémon he already saw that made him come across as dumb, and some of his moments and hobbies made him pretty endearing. His only real problem is that his focus episodes usually tended to focus on rather stupid plots aimed only to comedy, and while three of them are at least arguable, his last true focus episode happened to be one of the worst episodes of the series due to how out-of-character Ash acted under the possibility of Rotom leaving. None of the issues of these episodes were Rotom's fault, but as a minor character, it was somewhat unfortunate for him to receive such a short end of the stick focus-wise.

Going back to Ash's actual Pokémon, beyond the eternal Pikachu, I'd say the one most worth of consideration overall is Torracat (or Incineroar, but he never fought under the form), both in terms of praise and criticism. I say so because, before his capture, Litten seemed to be given unusually large focus, including being the first of Ash's Alolan Pokémon to debut and appearing for several episodes even between his major pre-capture arc, which being among the most tragic and involved capture circumstances seemed to point towards Torracat being the 'ace Pokémon' of the region, only for things to change once Lycanroc entered the picture. To put it simply, Torracat has some rather solid episodes and a personality that very much matches Ash's own, but he often feels like he's only given breadcrumbs of focus. Between only taking part in one minor trial and no Grand Trials, not getting his own associated Z-Crystal until right before the League and having it used only twice counting the test run of it, and his rivalry battle being the only one in the Alola League to happen in the middle of a match rather than at the end of it (which lead to a rather goofy division of him getting declared winner and then fainting after evolving just so it couldn't technically be considered a tie even if it functionally was to preserve his triumph), it feels like the poor Pokémon is never given enough of his due, and while I enjoy his drive to surpass Kukui's Incineroar and especially the way the plotline was figuratively used throughout the Ash VS Kukui battle, it just seems like Torracat is always last in priority in terms of Ash's Pokémon, which makes even his good moments feel like afterthought even with nice bits like his relationship with Lycanroc, especially with how, as touching and well-executed as it was, Stoutland's effect on Torracat is forgotten as soon as it happens, between Fire Fang being mastered exactly one episode later and Stoutland himself only being brought back twice, once as a thought by Ash and only in the second with Stoutland meeting Torracat again in Poni Island, mostly for the purpose of teaching him another move. So, in my opinion, Torracat is a case of a conceptually solid-enough character, that's however penalized both by how little the narrative gave him focus, and the fact that his arc with Stoutland and his later rivalry with Incineroar are pretty much unrelated (for why I consider this a flaw, consider that fellow Fire starter Infernape was able to have a memorably tragic backstory that did dovetail into his major rivalry perfectly, so just asking for a degree of connection isn't outside the realm of what this show can do).

And then there's Lycanroc, the Pokémon that the series wants us to consider the regional ace, which had several issues associated with him. To put this simply, I feel like he was a much better character as a Rockruff than he was after his evolution, mostly for being the perfect mix of adorable, focused, and having actually pronounced rage issues that occasionally popped up but were treated completely seriously, alongside having a pretty good showing in the Olivia battle as a rare final bout to completely not involve Z-Moves in a period where their usage was starting to become excessive. However, after the evolution (which is treated as a rare, one-of-a-kind event due to Rockruff evolving during a rare green flash yet is never actually remarked on beyond very occasional comments that he looks odd that are never treated as much), his handling changes for the worst, specifically for two of his rather ace-worthy moments: its rage form arc, and the way his rivalry with Gladion's Dusk Lycanroc was handled. The first is overall the biggest issue, because it's also symbolic of Sun & Moon's tonal issues since his major challenge to overcome as a Pokémon is the fact that, whenever his fur gets dirty, he goes on murderous rampages, always after acting goofily shocked in a way intended to be humorous, creating a whiplash effect that doesn't make clear how the viewer should find the scene given it first asks us to laugh at Lycanroc and then to be scared of him. This is also only introduced once in the middle of the Aether arc and then never revisited until the Ula'Ula arc, where it's ultimately solved by Ash bringing back memories of how Rockruff used to act about getting dirty that happened completely offscreen, only for the writers to then milk the drama some more two episodes later by now handling the rage mode completely seriously in terms of reactions and using actual rage as the trigger instead of just specifically the fur, in an episode that ultimately relied on Ash not trusting his Pokémon (when he was already somewhat out-of-character by being scared by Lycanroc's rampage after he was willing to hug his blazing Chimchar to calm him down back in Sinnoh). It's all handled in an extremely brief arc and then never again, feeling like an arc that takes elements from both the Infernape and Ash-Greninja arcs while missing the slow buildup and non-regressive development that made those two arcs work (and I'll elaborate more on it in a bit). Beyond this, his rivalry with Gladion's Lycanroc suffers of being extremely sidelined in spite of being the 'major' rivalry of the series: while the two Pokémon did fight three times, the first time was interrupted by Team Rocket (something they stopped doing for major rival battles for quite a while beforehand), the second relying on some very weird resilience by Midnight Lycanroc by not only tanking completely Dusk Lycanroc's Splintered Stormshards to seemingly no damage but also snapping out of confusion to deliver a finishing Z-Move of his own, and the third relying on a battle that was overall not too bad, but felt more like a mid-series squabble than Ash's victory at the Alola League (which is then completely outclassed in spectacle by Ash VS Kukui). Dusk Lycanroc's rivalry isn't actually too bad, but considering how Gladion's Lycanroc is the only major opponent Ash's ace got to fight post-evolution outside the Ula'Ula arc, Kukui's Pokémon (none of which he defeated) and occasional training bout, it did restrict a lot of his feats and ended up with him feeling more like an okay Pokémon than the powerhouse the writing wanted him to seem like. Coupled with a lackluster personal arc, this makes him closer to the Krookodile tier of 'possible aces' than one of the major ones like Charizard or Infernape.

And then we get to Rowlet, the last of the major Alolan four counting Pikachu, and probably the most problematic of the bunch. Much like Torracat and Lycanroc, Rowlet isn't inherently a bad Pokémon, with the first episodes neatly estabilishing two things: yes, he is dopey and loves to sleep a bit too much, but he's also a serious and competent fighter in battle that never fails to impress, making sure that neither side ultimately hurt or diminished the other. His problem is ultimately revolving around two things: he's spent a long time out of focus, and his later focus didn't exactly paint him in a good light. The first is probably the major issue at hand: while both Rowlet and Torracat were heavily sidelined midway into the series, Torracat did at least get a few token episodes to himself, while Rowlet's first real focus episode after his capture one only really comes almost one hundred episodes later. While in the early series this was mitigated by having Rowlet take part in two minor trials and two Grand Trials, this focus is all but forgotten by the second year of the series, with Rowlet reduced to solely a gag Pokémon whose greatest achievement ended up being learning Razor Leaf by sitting on a magical tree. This had the adverse effect of making his gag tries, which previously only showed either in minor matches or not during serious parts of battle, to slowly become more and more prominent. The other issue is that Rowlet had without a doubt the weakest rivalry set up and buildup of the three major Pokémon Ash obtained in Alola, as Hau and his Dartrix only appear in one episode before the League and two of the three battles Ash had with Hau involved major, non-strategy related writing contrivancies to reach the desired outcome (Ash slipping his Grassium-Z and getting distracted to fetch it for Rowlet to lose for the first one; Rowlet's Decidueye hoodie tanking a Z-Move, the overturned loss, and the sudden learning of a Feather Dance that doesn't act like the one Rowlet was trying to master for Rowlet to win in the final one). The way Rowlet acted in the Ash VS Hau battle is kinda emblematic of this, as the oft-debated overturned loss moment involved him falling asleep in the middle a match he was supposedly fired up for just for the sake of a joke and nothing else; regardless of how one wants to justify it, it doesn't change that such a thing never happened before in the series, and it ultimately involved Rowlet betraying the trust Ash put in him just for a scene the writers deemed funny, in what was supposed to be his finest hour (while Rowlet fell asleep in the Hala Grand Trial, it was only after his part of the match ended). Considering also that two of the moves Rowlet learned required the help of his adoptive flock without as much input from Ash and he ultimately ate an Everstone just for a variation of Seed Bomb that turned out to be more a liability than asset throughout the series, not even a cute relationship with Meltan and the fact that he won his last important matches of the series makes up for some of the worst excesses of tonal imbalance and inability to let jokes go in a context that absolutely have no space for his brand of incompetence-based humor.

With the major Alola captures gone, there's just the other two latecomer to discuss, and I'd like to start with Poipole/Naganadel, specifically because he's probably one of the worst handled Pokémon Ash ever owned. While the second year of Sun & Moon had several issues, none are as glaring as Poipole being the major Pokémon of the period, only to not actually do much of actually important. Starting with the fact that Ash only bonds with Poipole by proxy to begin with since Poipole interacts with and loves Pikachu before Ash even actually enters the picture, Poipole's biggest contributions to the series afterwards are acting silly for the majority of episodes and never actually getting involved in serious fights beyond one small bout with the Team Skull trio (which is estabilished as even more pathetic than the Team Rocket trio), making the fact that Ash captured him feel like a waste, especially when his focus episodes dealing more with his emotional side end up being just two, and ultimately not doing much of helpful during the Necrozma arc except leaving at the end in what at the time felt like a rather permanent farewell (as he was stuck in another dimension rather than somewhere Ash can readily access). Now, if Poipole's story ended there, he would've been odd but not too bad all things considered, but the problem comes from the fact that Poipole eventually returned right at the end of the series for no adequately explained in-universe reason during an unrelated Guzzlord attack, not only evolved but also presented as a competent and useful battler in spite of the fact none of it happened either onscreen or by Ash's efforts (unlike how Gliscor and Goodra, Pokémon in similar situations, did prove their worth onscreen before being put aside for a time), making this turn come across as an undeserved boost for Ash just so he could have six Pokémon, alongside removing the beauty of the permanent farewell Ash had with Poipole because the sheer coincidence of Naganadel's arrival and then his departure means that they may as well see each other again in the future. Among Ash's Pokémon in Alola, Naganadel is probably the crowning example of the series wanting its cake and eat it too in terms of wanting to be cute and fun and then rushing to make battles matter without the required buildup.

Meltan shares a lot of issues with Poipole, but overall to a lesser degree, mostly because his biggest problem is just coming way too late in the series and, much like Poipole, he only really bonds with Ash by proxy due to starting to like Rowlet first. Much like Lycanroc, his existence is supposedly important as a new discovery but this trait of his is barely called to attention, and coming too late in the series he only gets a few battles to his name with his contributions mostly amounting to gags rather than skill and serious fighting, alongside having the dubious honor of being the only Pokémon of Ash's Alola team to never use Z-Moves in spite of Ash fetching a Steelium-Z as a result of his final Grand Trial for no other reason than the out-of-universe one that Melmetal has never been in a game where you could use Z-Moves. Adding to the fact that Meltan only evolved right before the League finals for reasons outside Ash's guidance or influence conveniently before the last match for the victory, only to give indirect help at best and then winning a battle against a Pokémon with no feats, it's hard to consider Meltan's power boost earned and even harder to tell if he even had a significant power boost to begin with considering how little feats we have for both him in particular and Alola battles in general. All in all, a Pokémon that's been more shortserved by how late he came than actually any inherent issues.

2.3) Ash, Pikachu, and the Team Rocket trio

And with all those characters breached, we have to move on to the Sun & Moon take on Ash himself, which is, to put it simply, rather complicated to discuss. Another one of Sun & Moon's biggest talking points was the decision to amp up Ash's typical childishness to higher degrees than usual, with even his voice actress Rica Matsumoto confirming in an interview for the next series that she was explicitly instructed to play Ash as younger than usual for the Alolan series. Now, yet again, Ash having a goofier and more relaxed personality is neither unprecedented (as he was always silly to a degree, even in XY) nor inherently bad, and the problems mostly came from how the series decided to handle him later. One good thing at the start was that the take this series seemed to go for was Ash being a battle shonen-esque hero stuck in the wrong genre, with his typical behavior clashing with the more relaxed nature of the setting, which actually worked well in ensuring he didn't feel reset while fitting the new mission statement of the series. The problems really came up with how, ultimately, Ash became the series' biggest target of butt monkey-related humor (with the rest of the cast either being treated far more seriously or only occasionally being given the same treatment) and his initial competence in battling lead the way to an overabundance of 'silly regular kid'-related humor with even battles treated as mostly laughing matters, something later battles and important matches overturned to a degree that started to make Ash's handling feel arbitrary.

And arbitrary is the best way to describe Ash in this series: he can either be as good a trainer and master planner as he always was (Ash VS Olivia, Ash VS Misty, Ash VS Kukui), a heroic young man willing to go to good lengths for people he cares for (Tapu Koko rematch, most of the Guzzlord arc) while being scared and intimidated by his own Pokémon (Ula'Ula arc), a regular kid screwing up on daily tasks and willing to cheat his homework (Sophocles' early focus eps, the open school episode), a whiny little kid (the Stoutland treasure hunt episode, the Rotom farewell episode), a surprisingly thoughtful and serious boy (Stoutland's death episode, Minior episode) and everything in between, with the changes being so jarring that it feels less like this show is attempting a nuanced take on Ash and more like the show is simply not caring to stick to any portrayal depending on what the episode requires, especially when as I said above the entire premise of the show hinges on Ash not falling for his typical wanderlust (which is the inability to sit still for long and explore the world, so 'school and daily life adventures' doesn't cut it) without ever adequately explaining how, and seeming strangely uninterested in looking for new chances to grow stronger unless they happen to come his way. Arbitrary is also a great way to describe his impact on both his friends and the region, where in spite of appearing in every single episode, it often feels like Ash is irrelevant to his own show: he has nothing to do with either of Lillie's family deals, nor Sophocles' growing independency beyond occasional sidelines support and kickstarting it indirectly with the Charjabug gift, he barely did anything to support Lana's achievements beyond being there when they happened, his rivalry with Kiawe was nice but ultimately wasn't given his due, and Mallow and him barely got to have significant interactions throughout the story. Most of his rivalries in the region were carried more by his Pokémon than himself as he only shared amicable relationships with all of his supposed rivals with no real competitivity at their core (aside from Kiawe, which as mentioned was done dirty), and even when he got to be a hero it was either as part of an effort by everyone (Necrozma arc, both Guzzlord instances, technically most Ultra Guardians episodes), relying on questionably justified plot devices (Aether arc, and once again the Necrozma arc), or ultimately moving the focus away from him and his influence when you'd think the story would do the opposite (Guzma's parts in the Alola League). Adding onto that that the amount of times his Pokémon gained moves in the heat of the moment without training (a series staple that previous series tried to downplay with more onscreen training) and how his Pokémon ended up learning moves more for the actions of someone other than him than because he helped them, and Ash's handling in this region really adds up to strangely inconsequential, which is particularly bad considering how the League tried to go the other way, making his eventual achievement at the end feel hollow in the face of lacking buildup in the region and the several boosts and narrative aids he got to get there.

There's also the elephant in the living room that is Ash's development. Early in Sun & Moon I've seen people claim this series was more about Ash developing as a human being than as a trainer, which would be true... if not for the fact stuff like Ash doing chores was also alluded to and shown in previous series like AG and DP, and that during the Alola League (which should be the culmination of the series) none of it is actually remotely involved except for Ash talking of his love for the region during the final attack, while it never actually showed in previous matches (even against Guzma, which should be where this should come up given Ash's declaration at the start of it, the narrative wants us to stay in Guzma's head instead). The 'love for the region' thing also seems weird to bring up to me considering he actually spent less time exploring the region and more being holed up in one city with very occasional detours, with most of the plots ensuing around him being the sort of thing you'd see in "filler" episodes (like taking part in some competitions, taking part in a play, etc). It feels more like the series wants us to pretend the typical filler hijinks now are part of character growth rather than being just small adventures for fun. If we consider that learning to love the region, then Ash didn't really do much of different from previous series beyond sitting still this time around. And ultimately, the fact that Ash is back to adventuring now in a similar way to previous series means that if Ash ends up winning a League again in the future (which is not unlikely now that the ceiling was broken through), none of the reasons given to make his stay in Alola significant would really age well. The only arc that I feel actively tried to develop Ash as a trainer was Ula'Ula, and that still relied on some very significant moments of out-of-character behavior from Ash.

2.4) Relationships, and Everyone Else

I think at this point one recurring issue has cropped up: specifically, there are so many supposedly important characters that none of them truly got their due in terms of focus, either having to be satisfied with a number of focus episodes that barely amount to an arc or with their involvement into things reduced to just their specific deals and barely little else, especially with how this was the first series to not have all of Ash's friends necessarily involved in every episode. I feel this had a pretty adverse effect on the series' dynamics, as the already diluted interactions between the cast due to the large group ended up being even less focused on given that not all the characters were always there. As a result, we barely know stuff like Mallow's or Sophocles' relationship, or Lillie's and Kiawe's, and so on, with their own relationships to each other mostly falling into basic friendship (the ones with Ash in particular mostly falling into respect, friendliness and occasional snark at his expense), with only a few like Kiawe's competitiveness with Ash or Lana and Mallow being revealed halfway in as childhood friends having particular focus, otherwise being content with splitting the cast into 'the boys' group' and 'the girls' group' whenever they needed focused attention, and the rare occasions where the characters had some interactions. For the most part, perhaps emblematically of this series, characters mostly shared moments rather than actual relationships.

All that's left to discuss in this area is the rest of the cast, and let it be said... for a series supposedly about exploring the people of Alola, the majority of the non-main cast ranges from forgettable to rather dull, especially once we move to the lesser recurring characters. Lusamine's reduction to an overworked mother who only gets involved in matters explicitly tied to her children and occasionally the Ultra Guardians missions was a rather noticeable waste of an interesting game character, and while Kukui does have a nice presence and good usage throughout the series, the same can't quite be said of his wife Burnet, who beyond some good presence in the Aether arc and minor bits of exposition when dealing with Ultra Beasts (and in particular Necrozma) is effectively sidelined in housewife position for most of the series as Ash's 'second mother' (a position that, unlike Kukui who actively acts the part, mostly seems to come from cooking for him and being married post-Aether) with most of her funny moments coming from being a Royal Mask fangirl. Wicke has very little going for her, while Faba is probably one of Sun & Moon's worst misfires in that, after making his villainy far worse than his game self, the story acts like he should be forgiven while never actually learning his lesson, in spite of the show telling us he caused trauma to Lillie for years and how most of his contributions to anything end up boiling to minor help at best, and attempting to cheat his way to what he wants (the League) at worst. It's a horrible lessons for kids to have, and I'm not sure what the writers had in mind with this aside from keeping him around because the games' more snively and heinous Faba (even accounting for his more evil USUM iteration) also did.

Then we have the Kahuna, which are for the most part okay bit characters (even if Olivia's take was pretty weird, coming from her game self), with Nanu as the obvious standout even between the issues of the Ula'Ula arc as a jerk trainer with a point that doesn't really get 'taught his place', close enough to his game characterization, and Hapu having a decent track to development in the Poni arc (even if much like Olivia, it sacrificed her game characterization along the way). The other Trial Captains not part of the main cast run the gamut between nice to see but not particularly deep (Acerola, to a degree Ilima) and pretty much borderline pointless (Mina). Ash's rivals are a similar deal, with Hau being nice but having not too much to himself with how late he enters the series, while Gladion is an alright character whose rivalry with Ash mostly suffers of being a tad vanilla: they're on friendly terms, are strong, and like to battle each other, but beyond that Ash doesn't have much of a reason to be a rival (something even Alain had by being interested in facing Ash even if he was as separate otherwise), like the student-teacher relationship Sawyer had, or the foil status Paul shared with him, or simply being an old friend he wanted to surpass the way Gary was. Their lack of connection alongside the fact that Gladion would barely think about him unless the plot required him to only contributed to them feeling a tad distant from each other, and why their final bout at the League felt for many viewers just 'okay' rather than the earned culmination of their relationship.

And then there are the lower tier recurring characters, ostensibly Sun & Moon's selling point as, unlike previous series, only rarely did the series happen to introduce 'characters of the day' that never came back afterwards. The biggest problem is that, ultimately, all of these lower tier characters are still as flat as the characters of the day of yesteryear: in spite of appearing several times, all we know of Anela the old lady is that she used to be a dancer and likes Litten/Torracat a lot, Ulu is pretty much an even more flanderized Brock that seldom pops up, Anna the reporter mostly stuck to that role, most of the parents and relative of the classmates that weren't Lillie's remained minor characters with little of note to themselves, and so on. The only noticeable recurring guys among the bunch are probably the Skull trio (which mostly acted as a second rate Team Rocket while was even less recurring than they were in this region) and Viren as a recurring antagonist, mostly for being the kind of villain you usually saw punished at the end of the series in previous series (like Dolan the Pokémon merchant) except made recurring in spite of being arrested in his previous appearence, with no real explanation beyond 'kids' show logic'. Even supposedly important characters like Ida and Horatio mostly remain rather regular mentors and rivals with not much else to them, and are unlikely to stick to anyone but the most diehard fans. There are of course some good characters among this bunch, especially the borderline characters of the day like two-episode-wonders Dia and the Kanto weaboos in the Malie City arc, but overall, if Alola truly wanted to make this a lived in and more developed region than previous series, its inhabitants didn't give this aim any real favors, in my opinion.

3. A Dissection of the Series: What Went Wrong, How, and Why

With the biggest parts of important elements of the series analyzed, I'd like to use this final part of the review for some extra analysis of how the series went down and why, in my opinion, it ended up changing for the worse as it went along, since there's one important thing to point out: Sun & Moon, conceptually and fundamentally, wasn't a bad series. But what it does have is, beyond some big flaws, several small ones that continously added up.

Now, let's start to dissect everything, dividing everything by their year of airing.

3.1) Year One: Beginnings, Akala Island, Aether Foundation

When I say that, I have to start with saying that my opinion of Sun & Moon wasn't initially this negative, and in fact, the first twenty-to-forty episodes were actually pretty nice: while the setup is slightly different than usual and humor is definitely prevalent (in particular the oft-mentioned 'funny faces', which would go on to become one of the defining elements of this iteration, far more than any prior series), there's a steady influx of plot-important episodes, development and setup for the future to help making the series a breezy watch, with each slice of life romp feeling either productive or simply fun diversions. Among the good things estabilished here that stand out as good even at the end of the series there's definitely the spiritual angle of Alola, an angle that whenever explored truly does make the region feel different than previous ones and like Ash is effectively experiencing something he never did before, and with stuff like the first trial and Grand Trial alongside Litten's capture arc and Gladion's introduction help keeping ther pace going even in the absence of a more overarching goal in the League. Now, this stretch is hardly perfect, considering that it already shows several cracks that later expanded: Ash only decides to move to the Island Challenge when he happens to remember about it in episode 9; a lot of battles end way too quick and barely get focus except for Trial and Grand Trial (which still have a somewhat lethargic pace); Gladion's decent rival setup is ruined by an unnecessary Team Rocket attack; some Idiot Plots and empty episodes that are just dull to watch happen; certain setups and developments are rushed to the finish way too fast; and, most importantly, the removal of Trial Captains from the lore and Team Skull as a consistent presence beyond occasional moments ended up removing tentpole parts of Alola's nature in the games that the show barely fills adequately, and it opens the door to call anything the show wants a trial, no matter how unrelated to battling it is, giving a feeling that the Island Challenge is hapzardly put together. But, during these early episodes, the problems are negligible or made up for, and even nowadays, I'd heartily reccomend everything up to Stoutland's death as legitimately good.

The first crack, overall, comes from the Akala arc. At the time of its airing, it looked to be a breath of fresh air as it finally moved away from Melemele Island after a rather noticeable dip in plot important events for more filler-y hijinks, and due to prior experience with the series, it was easy to assume the cast would've remained there for a while. However, that didn't end up happening, the arc ending mere episodes after it began, after rushing through equivalents of the three in-game trials (with Ash only effectively taking part in the Grass Trial from the games while Kiawe and Lana ended up gaining his Marowak and her Z-Ring and Waterium-Z instead) until it culminated in Olivia's Grand Trial, with one extra episode dealing with evolution-related issues for Lycanroc culminating into Dusk Lycanroc. This arc already started on a bad note by only allowing Ash one of the in-game trials for a Z-Crystal, which while to a degree understandable on the reasoning of wanting him to only have Z-Crystals he'd effectively use and the seeming decision at the time to not have overlapping Z-Crystals among the main cast, ended up solidifying the 'whatever counts' feeling of the Anime Island Challenge, and a first proper episode that seemed to relish into making Ash into an even larger butt monkey than usual, including him crying like a baby upon losing in a way that would've been immature for his OS self. Kiawe's episode was the standout of this batch, as it focused on him confronting an opponent he couldn't beat and with Ash giving him support into improving, estabilishing a good challenge to overcome in a way that had become rare for the series and was good to see again. Lana's own Trial wasn't bad either, but suffered of having more challenge put into it during the fishing part than the battling part, and Ash's Grass Trial being a battle that suffered of both misplaced comedy (an example of tone imbalance I'll address more later) and an opponent that barely even moved in Totem Lurantis. Olivia's Grand Trial was also probably one of the best battles to come out of Sun & Moon, putting a focus on strategy even in an extremely slow battle and with a more-than-decent finish, with the only blemish being that Rockruff's signs of evolving only really come one episode before they develop further into him evolving, and the already-mentioned problem of Dusk Lycanroc being supposedly a new discovery that nobody paid much attention to, after which we moved back to Melemele to resume the rhythm of seeming slice of life (with at least three episodes of good importance and one nominally important).

After another brief stretch, we moved briefly to Kanto for an arc that was ultimately just nostalgic fluff for old fans bringing back Misty and Brock, which was nice even if transparently OS-pandering (to the point Misty's Azurill and even Tracey were not even as much as mentioned during the episodes), with the only really important contributions to the series beyond two cool fights in the second episode was the first mention of the Alola Pokémon League (with Kukui being reminded he'll need badges, something he seemed to not pay much attention to later) and Misty and Brock getting a promise of a visit to Alola that didn't really do much for the series beyond further fluff. After this, however, we finally moved to one of the first truly major arcs of the series: the Aether Foundation arc, or, in my opinion, where the series really started to fall apart.

At first, the arrival of the Aether arc seemed to be rather promising, seemingly keeping the slice of life nature of the series but starting to delve into the elements of the games for what people presumed to be a slow burn to a payoff loosely covering the game events. Except... that's not really what happened. Instead, this entire arc turned into about a dozen of episodes harshly abridging the entire villain arc of the games and cutting everything they couldn't fit, while seemingly following the conflicting mission statements of making the arc as loosely close to the games as possible while trying to be as different from them as possible, and this was clear from the very beginning, with the introduction of Lusamine as an overbearing mother with none of the deviousness of her game counterpart. This, however, isn't necessarily a problem as the Anime has often rewritten game characters before, but what the problem is is the fact they changed the conflict of Lillie dealing with the emotional abuse Lusamine inflicted upon her into Lillie simply being annoyed at being treated as a child and, most importantly, being annoyed at how her mother evolved her own Clefairy, something Clefairy itself didn't have a problem with, that makes her come across as a spoiled brat and losing most sympathy (especially when no one but maybe Burnet reprimand her for her callous behavior), especially when Lusamine is treated as legitimately loving her and just being too busy rather than having any malice. The problem is also that, throughout the arc, the only one blaming Lusamine for never wondering how did Lillie develop her phobia of Pokémon is Gladion, while true to form Lillie doesn't seem to hold her mother accountable for it, and in fact, only wants to uncover the truth after Nebby teleports her near Type: Null by sheer coincidence, reverting her development from her focus episodes. Nebby is another big issue, as its ownership moved from Lillie to Ash for no reason other than giving him a reason to be involved in what would've otherwise been 'the Aether family show', yet the episode wants to still play into the game by implying Lillie and Nebby have a special relationship when they share their moment.

What I feel was the biggest issue of this specific arc, however, was shuffling the actively villainous role of the plot towards Faba, where he actually manages to be menacing for a brief while before the show decides to fully portray him as a silly villain hard to take seriously (including a magical girl routine to activate an Ultra Wormhole-creating machine) even as he's responsible for Lillie's trauma in his attempt to make Lusamine happy and finding an Ultra Beast for her and tried to wipe out Lillie's memories when she seemed to be able to reveal what happened. In the midst of a sea of confusing plot holes by adaptation (why was Type: Null fitted with the mask when as Silvally he did exactly what he was asked to do and Lusamine seems unaware it even exists? Where did the RKS System ROMs come from? Why the heck did a random Solgaleo and Lunala entrust their child to Ash to begin with?), the biggest problem of this arc comes from how, in Faba's aborted attempt to wipe out Lillie's memories, Silvally's attempt to save her reminds her of what really happened when she developed her phobia (a mere two episodes after it was revealed what caused it), giving her back the ability to touch all Pokémon again, making her previous attempts to do so feel retroactively pointless and only there to milk viewer sympathy for when she lost the ability to again, alongside ensuring to keep her development path directionless after this episode barely one third of the way into the series.

The biggest problem after this, however, comes from Faba's subsequent plan that ends up with Lusamine defending her children from a Nihilego and ending up dragged into Ultra Space due to her act of selflessness, with Lillie, Gladion, and subsequently everyone else moving on to Poni Island to rescue her. Along the way, Lillie changes into what the games called her 'Z-Powered Form', which in the games symbolized her moving away from her mother's shadow, while here it means... pretty much nothing, voiding it of its significance and making it come across as either a game-pandering move or something just done because the source material did it. Another significant issue of this stretch is Ash's upgrade of his Z-Ring into a Z-Power Ring, under the absolutely important reasoning of his Solgalium-Z not fitting in his regular Z-Ring. Meaning that Ash needed a magical, seemingly important ritual to obtain something whose usefulness boils down to borderline cosmetic reasons, especially as we later see Z-Power Rings doled out regularly like they're nothing important (including one to Team Rocket and Gladion's regular Z-Ring turning into a Z-Power Ring with no one remarking about it), which is probably one of the most blatant cases of marketing dictating plot flow in the history of this series.

We then moved on to the final battle, which was admittedly decent enough beyond some strange issues of power creep (like Sophocles one-shotting Lusamine's Milotic) and some occasional bits of tonal imbalance (Teether Dance hula in the middle of a serious mission by Sophocles, Mallow and Lana), but was marred by two issues of significance: one was the decision of having Lillie's big moment with her mother possessed by Nihilego involve her giving a speech of how she hates her and how she allowed herself to be possessed by an Ultra Beast for how self-absorbed she is, which while definitely meant to come across as "the mother I respect would never fall for it" has the problem of Lillie and Lusamine never getting a softer reconciliation before this moment (with said softer reconciliation seemingly happening offscreen after everything was over, which we never heard of until almost episode one hundred), which just further makes Lillie unlikable. The other problem is the grand debut of 10,000,000 Volt Thunderbolt, a move that was only used three times that was either poorly explained or never actually received an explanation depending on how you interpret the part where it's employed in the very last major battle of the series, completely out of nowhere except for perhaps Ash's Electrium-Z shining briefly a lot of episodes ago, which was never fully explained, as is the fact Ash's Pikashunium-Z reverted after use.

And thus, after a wedding between the four-times-dated Kukui and Burnet and with Nebby deciding to leave for no adequately explained reason, with Lusamine estabilishing a task force for Ultra Beasts which involves the classmates and Lillie in the closest thing this series gave them to an onscreen reconciliation, after an arc where Lillie supposedly grew... things returned to be for the most part exactly like they were in previous episodes, almost like this arc never happened, including Lillie reverting to her regular clothes. Pretty much, this supposedly character-focused arc ended up coming across as ultimately not so important, especially when Lillie's personality remained roughly the same with the only real problems she developed from being the ones this arc itself introduced, except for now being able to touch every Pokémon.

Things seemed to just return to normal, even if this was just a prelude towards the structure of the series completely collapsing on itself.

3.2) Year Two: Ultra Guardians, Ula'Ula Island, Necrozma

Year two is the one to which I, personally, trace most of the problems of the Sun & Moon series, as the major focus of the series throughout this period ended up being the 'Ultra Guardians', a Sentai-esque team formed by the main cast under Aether Foundation supervision tasked with dealing with Ultra Beasts, and the biggest problem of this arc is that it really wasn't an arc so much as it was a loose connection of monster of the weeks plots that occasionally was brought up outside of them, but was otherwise completely separate from everything not just in terms of structure, but also in tone, as a parody Sentai with barely threatening monsters clashed heavily both with wanting to be a chill slice of life Anime and with wanting to be a battle-based Pokémon Anime. It's an arc that never fully gelled with everything else (the only I'd save being Celesteela, a good Sophocles episode and a rare character-driven Ultra Guardians romp) and ultimately ended on a pitiful note with a rather dull episode with no real oomph to it, but ended up taking the 'main arc' position and leaving the rest of the series pretty much directionless, with several major arcs stalled and, beyond Lillie obtaining her Icium-Z and an Ice Stone that then disappeared completely, Torracat and Steenee evolving, and the Ula'Ula arc for Lycanroc, and Poipole leading to Necrozma, pretty much little of major happened. Teams remained frozen, and development seemed to hit a dead end, beyond officially introducing the Masked Royal.

Between the Ilima episodes (which felt like a waste considering his main purpose at the League ended up being effectively jobbing to Guzma) and the beginning of the Ula'Ula arc proper, the viewers and the students were properly acquainted with the idea of Alola soon getting a Pokémon League, with both Ash and Kiawe expressing interest in it. This didn't send any weird looks yet, as Kiawe was estabilished as the other major battler and to have taken the trials, but this was in hindsight an important omen of things to come. In the meantime, however, Ash departed for Ula'Ula in what turned out to be a solo arc, and one that started up promising only to run into big issues along the way.

I already mentioned part of it when talking of Lycanroc, but the problem of the Ula'Ula arc is that it works on the assumption that Ash would be scared of Lycanroc's rage issues to the point of not acting, with Tapu Bulu's training giving them a moment to surpass those issues that, even with Rowlet suddenly learning Razor Leaf by sitting on a magical tree, could've even worked if it wasn't for the fact that to calm down Lycanroc and reaffirm his trust in him Ash ended up involving a flashback to Rockruff that we never saw before, making the whole affair come across as insincere. After an interlude where Ash undertook a 'Trial' that was technically the in-game Ghost one but was effectively a phony one involving Team Rocket (just furthering the 'whatever goes' sense of the Anime Island Challenge) that resulted in no Z-Crystal, the debut Electroweb, and a strange appearence of 10,000,000 Volt Thunderbolt again in spite of the whole thing being a relatively down to earth affair even with Team Rocket about to win with Mimikyu's Z-Move, this arc reached its conclusion with Ash VS Nanu, a battle that's been in equal part praised and mocked, and which I had a friend describe in the most accurate way as a well-written and interesting battle... for anyone but Ash Ketchum.

Seeing a battle taking on a more psychological bent with Nanu toying with Ash and trying to force him to give in to Lycanroc's rage mode is an admitedly interesting choice and Nanu is absolutely the best part of this battle for it, but the problem is that this requires the assumption that Ash would unconsciously not trust his Pokémon after they put the rage mode under control with trust to begin with, alongside the battle being rather visually boring and with a 1 VS 3 set up that makes it more seem like Nanu is weak than Ash being strong (especially with Tapu Bulu tossing in a Sitrus Berry mid-match). This is supposed to be Ash's big development moment as a trainer in Alola, but it requires Ash to have a regressive mindset that doesn't fit how far he's come (something Sun & Moon does in quite a few things big and small, like completely forgetting Jennies and Joys are families of clones after the Kanto episodes) and, much like the Aether arc before it, begins and ends in the few episodes it takes to happen, I already covered Poipole's issue in his character dissection, so I'd like to move on to the most important part of this year: the Necrozma arc, which among the major arcs of the Sun & Moon series it's probably the most irrelevant. Coming in after only minimal foreshadowing (including a fairly interesting hint of a connection between Nanu and Giovanni that the show never really dealt with adequately), this arc was effectively as standalone as it gets, involving events that were only briefly mentioned after it (Rotom depositing the data of Necrozma in the Stufful episode, Naganadel's return, the stadium where the League was held being called Manalo Stadium), and that tried to make a big dangerous deal without actually having much happening: beyond the biggest damage of the episode being adults feeling comedically down as a result of absorbed energy, the introduction of an Elite squad of Team Rocket led by Giovanni's secretary Matori (here revamped as a Team Rocket trio hater in spite of originally being the one reccomending them to Giovanni in DP's last episode) that ultimately did nothing significant except maybe causing injuries to Nebby that wasn't clear if they happened or not with how stiff the animation was, the baffling and unexplained return of Nebby alongside an out-of-nowhere Lunala, and a general sense of big deal where nothing much of dangerous for the cast happened (and that bafflingly replaced the Ultra Recon Squad and Ultra Megalopolis with a talking Naganadel and a generic quarry that achieved effectively the same purpose), this arc ended up feeling like a snoozefest that only resulted in Poipole staying behind in his now healed world in an overall beautifully permanent-feeling farewell, except that, in the light of future events, this choice felt like one that effectively harmed the show in the long run. Also, with Matsui being the headwriter, one might think resolving the arc with everyone sharing their energy borders on self-plagiarism considering she was also the headwriter of Dragon Ball GT, which had a similar climax (itself inherited from Dragon Ball Z).

Thankfully, even if this year was really not the greatest, the following one brought as much improvements as it did other problems to deal with.

3.3) Year Three: Poni Island, Hints of Mohn, Alola Pokémon League

The third year of Sun & Moon did not start on a good note, as after the Necrozma arc the show ended up on a shortage of things to look forward to, with several arcs still stalled and only the still no show Guzma and the League left to check out. During this period, perhaps to lead into Let's Go marketing, we started getting some shorts at the end of each episode dealing with an Eevee getting to Alola, which everyone assumed would eventually go to Ash, only to unexpectedly go to Lana in a move that made some fans sour. Sandy didn't end up doing much else but being cute and possibly allowing Lana's arc to resume by giving her another cute Pokémon to hold in Popplio's stead, but that was it for a while alongside Hau's debut as a character, in an episode infamous for being at the same time an okay rival introduction where Ash lost a fight by fetching his Z-Crystal and getting distracted to take it back, and where Rowlet ate an Everstone for a move that turned out to be more trouble than it was worth.

Beyond Misty and Brock visiting an Alola (which involved an episode where Brock's womanizing gag was blown even further than ever before) and an actually pretty decent arc starring Ash tossed into a post-apocalyptic alternate Alola to deal with Guzzlord in a rare instance of an Ultra Beast being presented as an actual force of destruction, the show finally started to move again with the Poni arc, or as some people called it 'the ultimate development arc', as the focus of this arc seemed to be the opposite of Ula'Ula being an Ash solo act by putting the focus back on the neglected companions, giving them either a new character direction, Z-Crystals evolutions, new Pokémon or in Ash's case his final Grand Trial, all tied together by Hapu opening up to the crew after starting standoffish and distant. Overall, Poni isn't on paper a bad arc, and there are quite a few episodes that are actually pretty good (Kiawe's trial among them for sure), but cramming all this development on the same island one after the other only had the effect of feeling jarring (unlike how Akala was not only still early enough, but only gave significant new things to Ash, Kiawe and Lana), most noticeably by cramming two completely separate evolution plots in the same episode in a move that slightly hurt both of them (Sophocles' feeling a tad impersonal, while Lana's lost the actual training part of it), Shaymin was effectively even more irrelevant than Sandy in the series, the Mohn arc estabilished here had some problems I'll get into soon, and the Hapu Grand Trial ending up as one of the worst 'Gym battles'-like matches Ash ever fought by utilizing the same strategy to victory as the extremely derided Brock battle by dousing Mudsdale and using an Electric attack on it, only adding the patch that 'it was just like Soak' even if no Pikachu can access that move. Ultimately, a well-intentioned arc that felt a bit too little, too late, and came at the expense of Ash's own focus before his final Grand Trial (to the point unlike the previous islands he didn't even do any unofficial trials before this one).

Following this, the next major episode (excluding a two-parter introducing Ash's Meltan that arguably ran one episode too long) was one that was both long awaited and caused some issues and improvements for the series going forward: Guzma's debut episode, alongside the formal announcement to the world of the Alola Pokémon League... and more specifically, the fact that it would be open to everyone with no requirements whatsoever, on the justification that it's not important who wins. Now, I've seen way too many debates on the topic, so I'll put it simply: regardless of if you think an open League is a good idea or not, it does mean that the various trials and Grand Trials Ash took on lost a lot of their meaning since they became self-sustained achievements that don't mean much outside their bubble if Ash didn't need to do any of them to enter the League, and this structure did cause several problems that lowered the general quality of the Alola League for a decent part of its length. When Guzma is being painted as the bad guy for considering the League just a schoolyard fight between weaklings, the viewers shouldn't be inclined to agree with him.

Another big issue of this decision is that, otherwise, it caused the structure of the series to come under scrutiny: before, and usually, since Ash is the only character taking part in the League, it's only his growth in skill that is under scrutiny, and everyone else is free to be as strong or as weak as necessary, but opening the door to everyone to join in also meant that everyone in the series came under scrutiny, and to put it simply characters like Mallow just weren't made to be involved in it even under the guise of a League for fun, something that showed in the actual execution of the Alola League and that I'll get to in a bit.

The episode after this one started the further estabilishment of the Mohn arc, and let me just say... this arc is, on the whole, probably the most disappointing of the various arcs of Sun & Moon, and that's saying something after everything I explained so far. Specifically, the biggest purpose of this arc was for the Aether family to find out about the whereabouts of the seemingly dead patriarch of the family, and supposedly show Lillie as being 'strong' after the events of the Aether arc, but in actual concept, it was just a convenient way for her to get a Z-Ring after conveniently ignoring the possibility for almost one real life year, getting it 'on loan' for almost getting a Z-Move to work in spite of everyone else requiring to pass a real trial to get theirs, and with her contributions effectively ending up still needing Gladion's help and amounting, once more, mostly to feeling sad to catch audience sympathy, while Gladion gets a Zoroark to be only used in one round of the League. But the worst part of all is that this arc, to put it simply, doesn't end. After Magearna finally wakes up and we get the not explained reveal that it knows where Mohn is, the Aether family embarks on a journey to find him... only for the series to end at that point. After spending six months teasing this storyline, just leaving it hanging like this is poor storytelling, and even with the justification that Pokémon 2019's world-hopping premise would mean the new show can end it for Sun & Moon, the series shouldn't have to rely on another one to resolve its own plots, especially one on which supposedly significant moments of the late series hinged on.

The rest of the series, however, does gain something from the open League premise, and that something is a consistent direction by having everyone get boosts in preparation for the League, which at the very least leads to some alright moments for Sophocles that play nicely in his arc and the technical resolution of Lana's arc, among a sea of strangely persistent legendary appearences that only got more and more contrived as the series went on considering they were entirely separate from each other, even the ones that led to ultimately good episodes (like the one where a Celebi led to Ash and Torracat meeting a young Professor Kukui), since it felt like a move to ensure attention that was wholly unnecessary to the story being told. But over time, everything came to a close with the start of the Alola Pokémon League, probably the most talked about arc of Sun & Moon, for good or ill.

The Alola League is unique in several aspects, both in terms of the Sun & Moon series and the Anime as a whole: for the former, it's a battle-focused arc in a region that didn't want battling to be the focus as the climax of it; for the latter, it's the longest League arc in the series' history. clocking at roughly sixteen episodes. Being a tournament arc, you'd think such a good length would benefit it, but the way the series decided to execute things left a lot to be desired, most specifically because Sun & Moon has a very mixed track record in terms of battles and for the decision to show every battle of the tournament even if just partially. There is a lot that could be said about this arc, but I'll try to aim for the big ones first: for starters, beginning the League by reducing the contestants to just sixteen using a Battle Royale was a rather poor choice, as not only that's a format that allows characters to reach high positions by just surviving rather than being strong (as seen by how James got to the Top 16 even if he explicitly didn't face anyone), but confining it to just one episode meant that pretty much every battle of it was reduced to just a series of one-hit KOs from every major characters, with all of them ultimately surviving. After that, another problem was how a lot of the early rounds of the arc ended up averaging between okay to poor battles, with the dubious honor of having Ash's first battle being completely for laughs against Faba, the only character beyond Jessie and James to get one in this League in spite of being the eventual winner. I already mentioned the specifics of Mallow's attempt to quit her match coming out of nowhere from a character standpoint and the issues of Ash VS Hau, so I'll just say that Lillie's battle against Gladion was okay but done dirty for what was supposed to be a huge moment for her in terms of development, and that Sophocles', Lana's (sans Mallow's) and Kiawe's battles ended up being okay to great on the whole. However, the fact that the first two rounds of the League only used one Pokémon each didn't help the sense of escalation at all, nor the sense of Guzma being correct in describing this League as 'a schoolyard fight between weaklings'.

From the Semifinals onward, the League improves in quality due to only good battlers remaining, though it does run into problems of a different sort: Guzma, which was built up as the major threat of the League with Ash vowing to stop him due to what Alola did to him, is not only dealt with in the penultimate round rather than in the finals, but in a battle that makes that statement ring a tad hollow since the perspective we follow during the fight isn't Ash's, but rather Guzma's, shedding some light into his confidence issues and his Golisopod's habit to use Emergency Exit whenever scared (which beyond being only halfway foreshadowed, also ends up with the bad side-effect of giving Ash a free win through Torracat, turning Ash VS Guzma into a 2 VS 1 in Ash's favor), but effectively making Ash interchangeable as a result. It's a good fight with some nice moments, but it just makes his build up as possibly ruining the League for everyone ring hollow when his presence didn't seem to ruin the League for anyone in any way, and the threat wasn't even considered worthy of the finals. Kiawe VS Gladion, by contrast, is mostly a good fight with not much else to it. However, one thing that starts to be noticeable in this part of the League is the sheer reluctance of the show to start any matches before the halfway mark or close to it, padding the airtime as much as possible with not always necessary scenes and stretching the battles along two episodes even when not necessary.

The finals having three Pokémon each meant that Ash VS Gladion ended up having a bit more meat to it in terms of battling, but Ash once again ended up getting another boost in the form of Meltan's evolution into a supposedly powerful mythical Pokémon, which would already be bad since he shouldn't be getting these kinds of boosts at the very final stage of this story (and yes, just to be clear, Kingler's deal was poor writing back in OS as well) but also comes after a gag battle rigged in his favor, a battle that required several contrivancies on his side to be won with Rowlet, and another battle with a facilitated victory in Guzma, making it feel like Ash ended up getting into each of these matches with the writing rigged on his side. The Gladion battle has some fairly good moments both from a character and battling perspective, but between the unearned evolution right before it and just the way they built up to things, Ash's victory here ended up not really feeling as impressive as you'd think this first League Conference victory should be, all things considered. A battle that just ends up as 'okay' rather than the amazing it should've been.

However, after a somewhat dull interlude involving a Guzzlord attack that's probably comprised of more stock footage than action just so Naganadel can come in to make number, we moved on to Ash VS Kukui, probably one of the best battles of this series. That said, while it is pretty good and better written than the majority of them, especially in terms of how Torracat is handling for its first three episodes, it is knocked down by being an exhibition match, meaning that beyond 'fun' and offering a good fight, Ash doesn't need to win this battle (unlike how every other major battle at this stage usually comes with adequate stakes), and most importantly how Tapu Koko forced his way in in place of Kukui's last Pokémon (after Kukui allowed Naganadel in on the pretense of being part of the family, ignoring that three-to-four of Kukui's Pokémon in this match were never seen before and his supposed Pelipper was completely excluded just because the local deity wanted some fighting), which given how Koko wasn't part of this particular equation comes across as scrunching two battles to save time. It also doesn't help that then Tapu Koko interrupts the match again just to allow Kukui and Ash to use Z-Moves again, with Ash ending up using 10,000,000 Volt Thunderbolt for the final time while praising the region, which while making for a cool finisher it ultimately makes Ash's supposed aim to master Z-Moves to defeat Tapu Koko resolved in a poor way when he only won using the Z-Crystal he never actually trained to use and that only conveniently showed up whenever it needed. Accounting for yet another boost in the form of Naganadel's return, this battle is ultimately marred once again like most of the League by the writing apparently wanting him to win at all costs and look good while doing so, strategy and skill be damned along the way.

After this followed two episodes of closure, that had some good moments (especially in regards to the Team Rocket trio) but ultimately involved a lot of contrived instances (like an Ultra Wormhole for Naganadel to return home coming just above Kukui's house) or poorly executed moments, most importantly the completely offscreen adventure of Ash and Nebby in Ultra Space, the way Mimikyu decided to let go of his killer instinct towards Pikachu, and most importantly the fact that Ash decided to leave his Alolan team behind for reasons the viewer wasn't made privy to, and which ended up having negative implications for either the Alolan team or the previous Pokémon depending on how you read it.

And that's ultimately how Sun & Moon ended up feeling for me, with several small issues that kept adding up, until the show just couldn't handle them anymore.

3.4) The Problem of Themes and Other Technical Issues

Before to move on the closing statement, I'd like to quickly address something I've often seen brought up in Sun & Moon's defense, generally its themes justifying a lot of what it does alongside exploring the region of Alola by having Ash live there. Usually, the biggest themes I see brought up about this is that Sun & Moon is about family and meeting a world and learning from it... but while the first might have some merit, the second is very much what the show has always been about, arguably moreso than Sun & Moon has been since Ash actively travelled to meet said world rather than wait until the world came knocking at his door, and there were a lot of family-oriented moments in previous series, be they siblings or relatives. I'm sure there are other, different themes that one could bring up here, perhaps some that are indeed unique to the Sun & Moon series, but there's something important to say about themes: no matter how good the message you want to spread or explore is, if the narrative has issues, you can't excuse them on the pretense of themes, especially if it starts to be applied to every single imperfection one finds in a story. Themes are embellishments that make stories better, not substitutes for good writing.

And in terms of narrative issues, Sun & Moon has, in my opinion, quite a few of them, not just the ones I explained in the first paragraph but also some important ones involving both the way episodes are written, and how battles were handled, including the way the generational gimmicks were used. In regards the way the episodes are written, there's the fact that several of them end up involving a strange structure where the plot doesn't actually begin until the halfway mark, and while this may perhaps help with a slow pace and relaxed atmosphere, it does have the side effect of making quite a few of them feel dull to watch, especially older fans used to the rhythms of the series before this iteration.

Bigger, and most pressing, are the problems of battle writing this season ran into, which go deeper than just the absolute downgrade in battle presentation, but go straight into how the battles were written. One noticeable thing that feeds into how slow the battles ended up being is the fact that commentary became just as commonplace as it used to be in the earliest series, constantly breaking the action on a regular basis rather than letting the scenes flow more often than not. Beyond that, the biggest problem is that, more often than not, the battles aren't decided by skill or strategy (though there are occasional skill-based bouts), but rather who feels a bigger drive to win or happens to fire their Z-Move last, which coupled with the removal of most of the minor battles that could go either way to mostly focus on the big ones that have to absolutely be resolved a certain way, leading to such gems as the already mentioned battle with Hau where an otherwise good Ash ended up slipping his Z-Crystal just so he could be distracted and lose due to it, or one where Gladion managed to completely tank a Z-Move only to reply by his own, out of nowhere new Dragon-type Z-Move. It made battles dull to follow more often than not, especially with battles often falling more on shows of strength or exchanges of moves with no real rhyme and reason rather than giving the impression that the trainers had any real plan behind their orders (Ash constantly falling back on relying on an incompletely learned move in Ash VS Hau being a particularly blatant case of it showing).

And relatedly, another major issue of the series overall is the way it choose to handle Z-Moves. Compared to Mega Evolution being a fairly consistent 'have the stones + have the bond = Mega Evolution' in the previous show, Z-Moves depend on several factors, from getting the pose right to having a correct amount of focus and bond with the Pokémon to if the Pokémon used them before, and as a result, the entire idea of mastering Z-Moves feels wholly inconsistent: sometimes you can have characters with perfect relationships with their Pokémon completely failing at using their Z-Moves, sometimes characters like Mallow that first chided others for not getting the Grassium-Z pose right and then ended up unable to master Bloom Doom well until the League match, sometimes you can have characters that get Z-Moves right with Pokémon they never even saw before, and everything in between. It feels extremely arbitrary, and makes 'mastering Z-Moves' feel less down to the characters' agency and more down to whether the writers feel like having them master them or not.

But, if I may say, the real biggest problem of the series is that, simply put, it often raises questions it never manages to answer satisfactorily, just creating a situations were things are left so vague everyone has to either remain confused at what happened or supplant it with their own headcanons. Counting just some of the important questions: Why did Ash choose to go to school instead of a typical journey? Why was Tapu Koko so interested in Ash? Why did Ash receive Nebby from that Solgaleo and Lunala? Why did Nebby leave at the end of his arc? Why do Giovanni and Nanu know each other so personally? Where did that Lunala come from? What's the deal with Dusk Lycanroc and Meltan? Why does the Pikashunium-Z manifest? Why did Naganadel return? Why does Magearna know Mohn's location?

I have no clue. And frankly, I'm not sure if Sun & Moon knows, either.

4. Conclusions

And with this, I reached the end of this long dissection. It probably got pretty ranty, and it may sound excessive considering this is all the result of overanalyzing what's ultimately a kids' show, but I think I covered most of everything I wanted to. So, in the end, with so much said, what are my final impressions of Sun & Moon? Well, I'd say the amount of fun you'll have with it will depend exactly from what you want of it.

In spite of all my critiques, I'm fairly aware of how people just looking for a good time to cheer themselves up with occasionally emotional moments will find definitely stuff to like. Less critical-minded viewers will also definitely find something for everyone in there, and perhaps enjoy what the series has to offer. My personal opinion is that, ultimately, at its best Sun & Moon can be one of the best entries of the Pokémon Anime, while at its worst, it can be even worse than entries like the Best Wishes series. And as someone who likes consistency in terms of what a series has to offer, I found Sun & Moon a quite irritating watch to do, and probably my second least favorite entry of the series even with its good moments.

Overall regardless of which opinion you will have ended this read in, I hope you found my thoughts interesting to read about, and whatever opinion you hold of the Sun & Moon series, I respect it, and, in case you enjoyed it more than I did, I'm glad you did.

As for me, I officially consider the Gen VII Anime a closed book. With the new series starting soon enough, I'm optimistic that things will only look up from there. Not just for me, but for every other watcher as well.

So, regardless of what the future may hold for this show, I'm looking forward to continue my journey reviewing it with all of you, hoping in better stories to be told.

[satashiiwrites]

Snippet Sunday

Snippet Sunday instead of Six Sentence Sunday. 

For @quietborderline​ and @radio-chatter​ who seem to keep my muse entertained and well fed with yet another WIP idea. This is going to be a quick one shot.  I swear. 

 From: The Marks We Leave on One Another

Fandom: Mass Effect Andromeda

Pairing: MReyder as always

Warnings: first draft, mentioned character death as plot which… yeah. We’ll find out…. 

The facts didn’t add up.  

It was as simple—and complicated—as that. 

Reyes had refused to believe what he was told without proof as there were too many open ended questions, too many inconsistencies. The notification he’d received from Cora Harper had been devastating but once he learned how few facts they made their conclusions on….

Well the faint glimmer of hope it left he refused to let go of. He’d cling to it until he had definitive proof he could believe in that his vida was dead. 

So what had happened?  He hadn’t been there so Reyes had ordered the reports hacked and he’d pulled every resource under his command to bear on answering this one question: where was the human Pathfinder Scott Ryder?

His team was well aware that if he had reasons to suspect the official story they were going to follow his lead—even if he still got some sympathetic looks from those closest to him.  Keema began to hover more insistently, her hands seeking his and the pulse of support she sent through it was tender and loving like a mother’s embrace. She did not yet mourn for Scott who she saw as her adopted son-in-law even though there’d never been an official announcement or ceremony to make it legal and binding. 

The political realities of the shadow king of Kadara and the human Pathfinder being in a long-term committed relationship was often hid from eyes that would try to set them against one another—namely most of the senior leadership of the Initiative and even other Pathfinders. Sarissa Theris would love to get something as juicy as a scandalous exile for a lover as leverage over Scott given how much dirt Scott had on her. 

Which brought up the first oddity. SAM had not transferred by protocol to the next-in-line, Cora. Instead SAM had transferred a significant amount of his computing power to Kadara via the quantum entanglement communicator that Scott had gifted to Reyes on the anniversary of their first meeting at Kralla’s Song. SAM now spoke directly with Reyes, relaying all sorts of interesting information that he’d never been cleared for in a million years but was now at his fingertips. 

SAM was just as suspicious as Reyes—he was just more careful about openly saying so to the Initiative. 

Facts that were indisputable were that Scott and his team had been on a mission to try and find the Quarian Ark—the Keelah Si’yah. They’d been on a planet in the Bosavay system when they came under attack from a small cluster of Kett ships.  It had been an ambush and the Pathfinder team had been scattered, comm systems down after there was detonation of an EMP device that even temporarily knocked out SAM’s communicator with Scott.  When the dust had settled, Scott’s badly burnt body had been retrieved with his face mostly destroyed. 

Cora had, out of respect for Scott, personally notified Reyes of Scott’s supposed death. 

He’d felt so very, very cold ever since he’d taken that call—which had crystallized in his memory so vividly that it played like a broken tape on loop when he laid down to sleep. 

Cora’s pale hair and skin looked almost green in the video link, dark circles under her eyes making her look older than she was as did the fine pinched lines around her eyes and mouth. “Vidal… I’m sorry to be contacting you like this,” she began.

Frowning, Reyes didn’t fidget under her gaze via the two way video system. He knew she’d only be contacting him this way if something very bad had happened. Cora always hung back when Scott came to Kadara, had never been interested in getting to know Reyes and he’d respected Scott’s team enough to not push for their attention unless it was freely given. “What can I do for the Pathfinder team Lieutenant Harper?”

She hesitated, a small tremor to her lower lip. “I don’t know how to say this…. But Scott… The Pathfinder…” she stammered, struggling to spit out whatever it was she’d called him about. 

Dread seized his guts. “What about Scott?” He tried to sound neutral but suspected he hadn’t succeeded given the sad look she’d given him. 

“Scott’s dead,” she spat out the words in a rush, closing her eyes as her face screwed up in grief before she repeated it, tone gentler. “Scott died today.”

His brain froze even as a terrible pain clawed it’s way into his chest to strangle his heart that was suddenly beating at double it’s normal rate, each rattling breath that forced it’s way in and out painful. “No,” he swiftly denied her words. 

A few tears escaped her eyes, smudging her makeup as she tried to clear her throat but a sniffle still escaped. “I’m sorry…. I know you and he were close and he would want me to… to tell you what happened—“

“You’re wrong,” Reyes insisted. 

“Vidal,” Cora tried to be firm. “I’ve seen his body myself. Scott’s dead.”

He shook his head, denying her again. “Where are you?” He asked, insistent. 

She gave their location in the Bosavay system but they were headed for the Nexus per protocol. He asked her to wait for him, that he’d be on his way there within the hour but Cora wouldn’t wait. 

“If you want to see him… come to the Nexus. I’ll… I’ll see what I can do to allow you to say your goodbyes,” she half-promised.