#is this physics? or is it meta?

[turojo]

@futurefocused asked:

"...?" Okay he might have an AI of himself once but this felt more like he was looking at another version of himself. So after casually poking him, it was clear his finger poked flesh and blood (and fat).

"...oh. Are you the me that managed to time travel? Wait. Shouldn't this cause a paradox that too many science fiction stories dread?"

" I wouldn't touch. " Said as he imply guided the other's fingers away from him with the tip of his pen. " General Relativity rules. Until we're sure this crossed stream is secure and what mode of time travel is used it's best we refrain from interacting too much. It could collapse the space we're in. "

" I'd say that would be you perhaps. My theory of time travel uses speed on a straight parallel to utilize time dilation, meaning it's quite impossible for me to meet another parallel of myself. I'd be heading in a straight line forward from my point. "

" Science fiction utilizes the impossible 3-D model however, meaning it's quite possible to meet yourself .. should the universe not try to fix the paradox itself. Which in hindsight, it will by force. " Which is why he'll take a nice step back away.

" So really what's happening right now is just that. Fiction. "

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[crimeronan]

it kind of gets overshadowed by the horror of the rest of the episode, but. how funny is it that hunter Takes Off His Mask to yell at luz in the beginning of hollow mind. he's the perfect boy i just-

sorry i know it's my usual agenda rearing its head but i do think this is adorable. the Second the rebels are gone, hunter is like well fine. you just tackled me and fucked up my whole arrest and you're an anarchist shithead who constantly ruins my plans. but i KNOW you aren't going to attack me. for some reason i trust you implicitly. i don't need full armor here. what i NEED is for you to see JUST HOW LOUDLY I'M FROWNING-

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[wizardsimper]

There's something about how in Act 3 after Gale has visited the Stormshore Tabernacle, he tells the player (if romanced);

“I would much rather gaze into your eyes than hers. Yours are capable of tenderness, and feeling. No god could ever compare.”

It's worth noting that throughout the game one of Gale's most prominent characteristics is his very expressive eyes, we see it in almost all of his scenes when he looks at the player, in particular his Act 2 and Act 3 romance scene, as well other instances throughout.

But compare that to Gale after he becomes a god, his eyes are no longer the same soulful, emotional eyes as before, but glowing with ambition even if he's trying to express his emotions. He'll never truly look at the player like he once did, even if he still loves them.

[winterprince601]

catelyn seeing arya in the warrior and then proving where arya gets that from in the same chapter.

[psalmsofpsychosis]

so i've been thinking about this

panel for awhile and, it's not even the first time Batman has threatened to beat Joker up with the precise intention of putting him in a full body cast but not kill him.

You know, that threat actually takes a rather maticulous amount of mental planning and physical control. Gettint someone within 3 inches of death but not kill them takes conscious read on the opponent's body language cues, their physical capacity and their thresholds, their highest pain point before their body gives in, and technically a rather comprehensive intimate knowledge on their internal organs and their medical history. Knowing how to bring someone close to collapse but not straight up flatline is actually a rather intricate controlled process that is subject to each individual's physical state at the moment, especially for the fact that we see Batman getting really really really close to the killing line and very much flirting with it, but never crossing it.

And honestly the presence of that threat —which he keeps telling Joker— is so bizarre and fascinating to me. Pray tell Bruce, how much time have you exactly spent mapping out Joker's body and cataloguing each and every point of it inside and out, enough that would enable you to read his minute physical responses in order to know when to pull a punch and how much?

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[butchthirteen]

okay the other thing is like. can we think about why, in-universe and out, one might choose to have the doctor return to a fan favorite regeneration and a regeneration where both the character and actor were reluctant to move on? and (especially in the context of new who being about the doctor's trauma) can we think about why one might then bring in the new exciting regeneration and have that regeneration extend comfort to the prior one?

like people keep treating it like tennant and gatwa are like. competing. but it's not a competition, it's a collaboration. it's a meeting of old and new, it's a passing of the torch. and it's honestly really really beautiful to me.

[m-aximumjoy]

Some interesting similarities between the forms of Falling Devil and Darkness Devil.

There’s the use of multiple bodies to create a singular form, the angular shapes, the mantis-leg-like appendages, the sheer height.

These two also share very strong hand motifs, which makes sense for both of them: when it’s dark, you have to feel your way around, usually with your hands; when you’re falling, you try to grab onto something with your hands.

I’m curious to see if the other Primals look anything like these two.

[madarasfloofyhair]

I still can't get over stsg's introduction as a concept. gojo was built up to be isolatingly powerful, a league of his own: childish, annoying to all those close to him, hard to stand but respectable (aka nanami and utahime), a slippery guiding mentor, unruly and untamable, a whole force of his own and solely his own (the confidence, the disobedience to elders, the reputation, the fear and awe around him)---all introduced through yuuji's non-judgemental and curious lens. I think someone pointed ages ago out how- the closer someone is to gojo, the more tired they look inside. and that's why when they actually introduce the fact gojo had an actual, real friend- a best friend- you start to think, what? what kind of person would suit and match satoru gojo? who is this? who would make gojo feel equal? and it's somehow??? this obnoxiously moral guy?? filled with a kick of anger and buckets of tormented righteousness, and a witty (later turned bitter) benevolent streak. and you watch gojo watching him, always standing by him, watch him fit into place there like he couldn't see anything else. watch the in-sync laughter, the back-and-forth banter, watch them just be teenagers admist it - someway and somehow - same childish attitude, but younger, impressionable, and its like gojo's storing all his experiences with geto away in his mind. the discussions of who to protect-? gojo lives it out. the pain of geto's fall-? gojo carries it for the rest of his life, an aching open wound. it almost hurts that gojo's childish antics aren't complimented by geto's indulgent, light-hearted admonishing anymore. something you didn't realise was missing the whole time until now??? didn't realise "after all, I'm the strongest" used to be been "after all, we're the strongest". and in getting to know geto, you puzzle through how he was gojo's 'one and only': a guy who's personality comes off a bit controlling, a bit forceful, way too philosophical, clinically considerate- and somehow this really was gojo's best friend. they clashed over all their differences all their time together and yet even that was so important to them both, and you come to know it couldn't have been anyone else. this is who helped make gojo who he is. this is who was missing from him at the start.

[curejune]

is lyney the first character who actually is at a disadvantage in rainy weather. first character from the water nation is the first character in the game who doesn't like rain

[guqin-and-flute]

Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.

Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!

There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.

Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.

[marshmallord]

The show really hits you with the fact that Annabeth is the head counselor for the Athena cabin. Like, obviously she’s been there for a long time, but none of her older siblings are more fit for the job? How many others who are more experienced and older have already ventured off on deadly quests, never to return? Just how much death and tragedy has this girl witnessed at camp?

[physics-of-one-piece]

The One Piece World Timezones [Fixed]

Okay, so I did a big WHOOPS. I thought the Grand Line is the equator. Someone in the notes pointed out that no, the Grand Line is not the equator and honestly, yeah, my fault for not going a bit deeper into my research.

Here is how the globe is and how the Grand Line goes. The blue thingy is I suspect the actual equator.

The reasons I thought the Grand Line is on the equator is:

1) weather

2) natural occurences

3) map on the One Piece Wiki

Crazy shit happens in the equator in our world.

Here is how the Grand Line is positioned as told by Law.

(source)

Now, let's fix the mistake. (Sighs)

And... ROTATE THE MAP.

Here it is. I sighed many sighs while rotating this and maybe I cried a bit at getting everything 3 hours wrong and then cried some more that Dressrosa & Hawaii aren't in the same timezone bcs goddamn it, that fit, as did Mariejois.

But FINE. I'm doing this for all the Doffy x Reader writers, all the One Piece x Reader writers, all the One Piece fanfic writers, full stop. I REFUSE TO ALLOW MY MISTAKE TO BE A CURSE. I'll also edit the OG post and put this pic there so both posts have the correct one.

Okay, one more time, 100% correct this time:

Paradise:

Reverse Mountain [UTC -1]

Cape Valley [UTC 0]

Cactus Island [UTC 0]

Little Garden [UTC +1]

Drum Island [UTC +2]

Alabasta [UTC +3]

Island where Luffy Kicked Bellamy's Ass Vol 1 Jaya [UTC+4]

Skypiea [UTC +4]

The Arc I Skipped After Seeing It Became Filler Ring Long Island [UTC +5]

Water 7 [UTC +5]

I'm so sorry, Snail 😭

Ennies Lobby [UTC +6]

Florian Triangle [UTC +6]

Sabaody Archipelago [UTC +7]

Amazon Lily [UTC +7]

Impel Down [UTC +8]

Marineford [UTC +8]

Holy Land of Mariejois [UTC+8]

All the thematic representation of it being UTC +12, splash into the water 😭😭😭

Fishman Island [UTC +9]

New World:

New Marineford [UTC -8]

Punk Hazard [UTC -8]

Dressrosa [UTC -7]

Totto Land [UTC -5]

Wano [UTC -4]

Law vs Blackbeard Island [UTC -3]

Elbaf [UTC -3]

Weird that it's Elbaf that's Northeast, since shouldn't Law have gone there as his route? Maybe Kid lied and went there still after Law said Northeast is the quickest path, while Law took a detour onto Winner Island to fight Blackbeard.

Hachinosu (Pirate Island, Blackbeard's HQ) [UTC -3]

Egghead [UTC -3]

Even though Egghead's not shown on the map, Luffy went directly south from Wano, and by the line, the Sunny would have entered the UTC -3 zone.

Lodestar Island [UTC -2]

Calculating Guide:

From East to West

- if it's 17:00 (5 pm) in Marineford (UTC +8) and you want to know what time it is in Dressrosa, this is what you do:

1) (Current time in Marineford) - (UTC time number of Marineford) which is

17 (5pm) - 8 = 9 am (UTC 0)

2) now that you have UTC 0, you put another minus, this one from Dressrosa's UTC, which is UTC -7, so it goes

9 am - 7 = 2 am

So it's 2 am in Dressrosa, while it's 5 pm in Marineford!

From West to East

Say it's 22:00 (10 pm) on Saturday in Dressrosa, what time is it in Holy Land? Here are the steps.

1) (Dressrosa current time) + (Dressrosa's Timezone Number) = time at UTC 0

So that's:

10 pm + 7 = 5 am Sunday (UTC 0)

2) UTC 0 time + Holy Land Time Number

So: 5 am + 8 = 13:00 (1 pm) Sunday

So while it's 10 pm Saturday in Dressrosa and Doflamingo is conducting business with the Paradise part of the Grand Line, in the Holy Land, the ugly Celestials are eating lunch on Sunday or napping bcs they are freeloading cu- (censored) unlike Doflamingo who's actually working!

(looks at the maps of my previous timezone post) Okay. It's fine. I only missed Dressrosa by 3 hours. IT'S FINE.

(it's not fine, I'm crying, it's not FINE, my favourite island and I couldn't even get it right the first time, if Doffy turns me into a toy I deserve it)

I'll go climb the Red Line and jump off it. This is the greatest shame as a scientist. Wrong numbers.

A/N: Of course, if what the pic above said is true, it might as well could be that the original tinezone map I made is semi- correct and the entire territory up until Wano has a timezone from UTC -12 to UTC -9 if it's only the first third of the New World, as those are the "thirds" of the west timezones. I don't read the manga, but I'm caught up with the anime and if the manga does reveal a map, actual map like that curved one in the picture with Law or Oda finally makes one, I give the manga readers full permission to send it to me in an ask and I will update the posts again. For now, this is the most "official" map we have, and the most recent one. Also, the Grand Line being in the shape of a rollercoaster is fitting, haha.

Taglist: @fanaticsnail @moonbaby26

[dallasgallant]

The thing about it is, Pony doesn’t escape unscathed. There’s a lot of talk of his growing his hair back out and cutting the bleach and that is a big aspect but it’s not the only thing that lasts from the ordeal. I think people tend to forget because it wasn’t as life threatening that he got hurt too.

He still has the scar on his neck and chin from when he was jumped coming home from the movies. The fire did leave a bunch of more minor burns along his back, some bruising. It’d still be sensitive and need time… it’d leave a tuff scar at least.

Not to mention non visible injuries… now he was treated for smoke inhalation, but then comes his confusion. And ? I’m calling it a ‘mysterious illness’ but it’s probably combination confusion, shock, exhaustion. Which left him bedridden for weeks split between the hospital and longer at home.

It’s so much deeper than his hair, this boy had full on emotional/personality changes from a head injury and shock. And while his original personality shines though in the end there’s… so much more he’s left with than just hair. But you could also argue this makes him growing his hair back and cutting out the peroxide even more symbolic of himself sort of returning, even if a little.

Posting meta again but not the 37 different ones I have in my drafts but the new ideas that pop into my head. Help me.