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#isnt it wonderful that we have to power to invent terms for things so that we can all understand the world a little better
triptychofvoids · 6 months
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another question, but would the doc know his own sexuality? you headcanon him as aroace (i could be mistaken but eh i'm pretty sure he's aromantic as well as ace) but does he know? if not then i think it's funny giving him pins of flags and he's like "thanks!! uh..what does this mean, exactly?"
ah!! very good question!!
the first definition of asexual we have comes from 1897, the term aromantic did not really arise until 2002, and the aroace flag as we know it was not created until 2018! so if you were to hand him an aroace flag he would not know what it meant until you explained it to him, nor would he actually refer to himself as aroace. regardless of the time period however, he would know his own preferences and experiences even if he didnt have a term for it.
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kamil-a · 2 years
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ok ace route end thoughts. incredibly messy post i put together a lot of it last night, half-asleep, and im trying to just. do my best with that lol
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they invented queerbaiting for m/f couples
she was just so recently scared of him, but goes on a camping trip anyway and does seem to have a decent time! caught in by his magnetic pull, huh...
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we arent going to OUTER space but we are going to MEDIUM space. which is great!
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THE JOKER??!?!?!? THERE WAS A CLOWN MAN??!?!?!? 
it was a gourcus...
really id seen the cg before but still!!! i was so shocked to see him!!!
-oh okay. id dropped the pics and copypasted twitter comments over last night when i was too tired, so this is gonna be out of order a little bit- i do nt rly want to reorder them.
-she MAKES HER CHOICE is the thing, and then joker shows up AFTER to mess around!
=i suspect that the nightmare and peter (putting a note here that peter talks to her a: in the circus and b: she says she feels like he’s trying to poke hole in her decision) that we saw were joker in disguise/projecting illusions or something. because itts ace’s route i assume he did his part himself but itd still be interesting even if it werent i guess?
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BITING HER EAR LIKE CHOMP?? RIGHT ON THE LAWN OF HER FAKE MEMORY DREAM HOUSE??? WHERE THERES PROBABLY A FREAKY OTHERWORLD CORALINE LOOKING LORINA GHOST?!?
im horrifascinated with him literally invading her nostalgic memories (and the state she’s tied herself to embodying here in WL!) to like... rub himself all over it. defile the past. AND, showing up in the sunday afternoon peaceful garden times zone is like a fuckyou to peter too... like a cat pissing on a tree in another cat’s territory. theres two separate sex scenes in this ending (lmaooo) but i dont even really think of this one as like. particularly sexual (or i guess i should say erotic? sex is about power blah blah) so much as ace wanting to assert power over alice and peter and like. the ghost of lorina liddell i guess. 
can you see this from heaven? if you could, would this even be the shape your heaven takes? well, in the end youre actually not here to say otherwise . so i will say it as if you’ve seen: haha lorina i am banging your sister
and i think on some level alice knows that lorina... isnt there to catch them in the act. that her objection to this isn’t “whats wrong with you, my sister could walk in on us any second!!!” but “i don’t want you to defile my perfect memories of this place, and of my perfect sister”.
-this is also like. i think one of the most explicit routes ive seen in terms of textual descriptions of things. 
-OH YEAH the other one was really really fun hes like doing an edgy oohhh ur my ruin you will bring my doom roleplay and shes like. excuse me? i dont want to bring your doom. what are you talking about. and hes like aww yeah my girlfriend is going to kill me one day and shes like HUH????? shes literally just trying to have a nice time and he keeps ruining it with his bizarre dirty (?) fantasizing about her destroying him it’s really funny
-and it all even started bc she was talking to peter and ace got jealous. even tho if he LISTENED a bit he’s realize she was talking abt how she chose ace.
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-they probably had to up the stakes from friendship kissing by making ace a bites you bites you bites you bites you guy but it works for him 
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she says he can name most of the stars she points out, but thankfully never gives names so MY CITY NOW - i think they have a lot of constellations named after things from the hunting of the snark + jabberwocky.
(which in my even deeper MY CITY NOW headcanonings is where they adopted their game-and-roleholder system from. so it’s sort of a remnant of it and a remembrance out of respect).
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-i always much prefer when it's made textually clear in the moment that she wants something she verbally denies! This one seems particularly clear, i wonder if its a matter of being written years later 
-i can become happy in my own world, too. CAN YOU??? PERSON WHO VOWED TO NEVER BECOME HAPPY???
-aaaaaaaaaaaaaaaaa
-lmao he THREW HIS SWORD AT HER to trip her
-i think a lot of this was in the musical
-you gotta wonder why he isnt feeding her the game juice back if he wants her in such a state of stasis, yknow? 
-Instead, having her firmly choose, but swearing he'll remind her of pain- my guess being it's to keep her from truly losing her outsideship? 
its for jnkna reasons i assume, but even hearts era ace is clumsy enough to go about it in the most inconvenient way lmao...
also. i love how the conclusion she comes to after her little "im scared!!!!" detour is like... "well im just weirdly drawn to him. dont know why hes so magnetic. cant help loving him" BC ME TOO HONESTLY????
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-THE MOST AUTHENTIC HES EVER BEEN....
-OH YEAH! AND SHE NEVER EVEN FOUND OUT ABOUT JULIUS!!!!!!
-SHE DOESNT KNOW HER BF’S SIDE JOB. OR THAT HE HAS A BEST FRIEND
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kaialone · 5 years
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Quick question. I saw on twitter that you mentioned that the Shadowside had things set up, but were changed after Hino stopped writing. You said something about Junior, but were there any other things you think were supposed to be different. Genuinely curious, because I haven't noticed anything, but I'm usually not very good at noticing these types of things. (Love your blog, and I hope you have a nice day!)
Thank you! (Sorry for the slightly late response ^^;)
Well, I’m not sure if I have much to say on this, I don’t have any actual background information of course, there’s just a bit one can read into it.
It’s gonna be a bit long, so I’m putting it under a read more.
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The first episode is written by Hino, and in it we see some set ups that don’t really get picked up much afterwards.
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One simple example is actually that Movie 4 and the PV for the first episode still used the OG tribes, Charming, etc, but by the time the first episode came out, the Charming symbol on Jibanyan’s arc was changed to Mononoke, from the new system. This means at that point, the new tribe system was just getting invented, and it also indicated Shadowside was kinda suffering from the fact that it was made before YKW4, so changes in mechanics like this were harder to implement.
I feel this is prolly why we don’t got tribe songs anymore, which is a real pity. Like Shadowside the anime couldnt have them, cause the tribe system was literally still being invented as the show was made, and YKW4 the game couldnt have them because well, gotta stick to what the anime did.
But thats more a mechanics thing and isnt tied directly to the narrative.
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For a narravtive example, the first episode is mostly told from Keisuke’s perspective, and while I don’t think that has to mean he was going to be the main character at some point, it did make it seem like there was at least  the idea of more character development for him.
It made sense to start the series with him, since he has this outsider perspective, but it also sets him up as this easily frightened kid who denies the supernatural. So in the first episode, a major point for him is accepting the existence of yokai, partially through the help of his deceased friend, who has become a yokai.
The episode ends with him saying to himself “Yokai definitely exist, I know this because my best friend is one”.
And yet, immediately afterwards in the next episode, we see Keisuke trying to calm himself by singing “yokai dont exist at all”. Now, one could do something interesting here, like Keisuke fluctuating between what he wants to believe, and have some conflict with that, but
From that point on, all Keisuke ever does is be frightened as a running gag, like the once per episode rule is that he gets scared by the yokai of the week, and thats it. He gets one or two episodes, but even those dont do anything with his character.
In episode 1, Keisuke was a multi-faceted character who happened to be easily frightened and insecure. Every episode after that reduced him to the single trait of “scared”, which maybe a little bit of sass sometimes, but everyone is sassy in the YKW animes.
And then in the final episodes he gets the confidence to help out, but there isnt really much that causes it, outside of a speech from Junior, but in either case, like 50-ish episodes of 0 character focus doesn’t get undone by a tiny bit of focus at the end.
Adding to that, another interesting thing is that like, even though Bourei Banchou is literally his best friend, he never has any interaction with Keisuke again, really.
He gets summoned once in episode 5, where he is taken out in 1 hit with no lip service, and then he is summoned again in the finale as a bit of a nod, but there is no real character there.
What makes this interesting is that in merchandise, Bourei Banchou was actually shown to have a Lightside, Banchō, whom we even get to see some anime-style render of on some cards/stickers:
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Considering the development of YKW4 was probably really early at this point (see the part about tribes) it’s unlikely they wouldn’ve created this design unless it was meant to be in the anime.
And when you look at him, he has very typical Yokai Watch sidekick look, doesnt he? So based on that I feel it’s likely that at some point, Banchō was meant to be Keisuke’s yokai partner, and be shown hanging around him and be an actual character and stuff.
But who knows.
One might say “well I don’t care about Keisuke, so I’m glad this didn’t happen” or something, which is a valid opinion to have, I’m just saying it seems obvious there was something dropped here.
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Next we get the “Kaima” aspect. In episode 1, Fukurou’s dart hits a human which transforms him into a “Kaima”, which is what “Wicked Yokai” are called in Japanese, but the Japanese term has slightly different connotations, so…
Anyway, the question in hindsight is like: What the heck was that about?
This never happens again.
In episode 2 he hits the boy, but it doesn’t transform him, it shoots “evil” at Charlie the bike yokai, and Charlie turns bad.
After that he accidentally hits Jinta while trying to hit a human? And I think from that point on he either misses all the time or just hits the yokai directly.
And we never really get any explanation of what these darts even are, really.
Like, we know that supposedly it’s to look for the princess, but why?
Why does hitting humans and/or yokai with evil darts help?
One could assume make it’d awaken the Princess, but then why did he aim for what was clearly random punk jerks?
Did only Fukurou have those darts? If yes, how? And if yes, why was Shuten Douji not upset when Fukurou perished, at the very least over losing those darts?
Why did it only transform people in episode 1? In the very finale, we get people being transformed again, so I feel it maybe have at some point been tied to that, if they had a vague idea of what Soranaki was going to be yet.
But it’s clear there’s specific details that were meant to different.
Also, given what we learn later, why was Fukurou serving Shuten Douji, considering Shuten Douji’s main agenda is eventually revealed to be tied to restoring the power of the Oni Tribe, which Fukurou is not a member of.
It’s not like Shuten Douji has countless minions, he just as Douketstu and Fukurou, so I really gotta wonder why the latter is there.
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Lastly a bit about Junior.
Now, Junior does not appear in the first episode, so this has less to do with Hino’s writing in particular, but I still think there might’ve been different intentions for Junior originally.
In the show itself, Junior is eventually revealed to have been born from pieces of Jibanyan’s body, and that’s really it. Despite this reveal, Junior doesn’t even get any major interactions with Jibanyan.
That in itself kinda feels to me like the anime writers didn’t have much of an idea of what to do with Junior, like they do with most characters.
And in any case, I really do think that originally, at some point in the production, Junior was meant to be born from Jibanyan and Whisper.
I’m not saying he was meant to be their literal baby, but I think he was probably meant to have been created in a similar manner to the show, but with parts of Whisper involved as well.
I mean, Junior’s design invokes traits of Jibanyan and Whisper alike in such a way that I have a really hard time to believe this wasn’t the intention at first.
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There’s another reason I believe this, too.
Before Shadowside the anime was out, Hino showed of some early art during an “Inazuma Walker” stream, which mostly focused on Inazuma Eleven, but has some other stuff, too.
When Junior was shown, his co-host jokingly said “Well, everyone can tell this the child of Whisper and Jibanyan”, to which Hino replied “Um, it’s a bit different.”
While Hino does say that “it’s a bit different”, I also feel the co-host probably wouldn’t have made the “it’s Whisper’s and Jibanyan’s kid” joke unless there was a bit of truth to it?
But this is only speculation on my part again, I could be wrong.
Regardless of what Junior’s origin was going to be, we can also see early teasers of YKW4 showing him next to Natsume, almost like a counterpart to Whisper&Jibanyan for Nate, and Nekomata for Shin.
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This makes me think that earlier on, Junior was possibly intended as Natsume’s main yokai “sidekick” or at least one of them, possibly fulfilling a role to her that would be similar to Whisper and especially OG Jibanyan.
But in the final product in both Shadowside and YKW4, Junior is more of a tag along, who doesn’t have a particular bond with any of the human characters.
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Alright, those were just some of my thoughts, I hope this is what you were asking about?
Note that I have no idea what the behind-the-scenes of YKW looks like, this is just speculation. And even if I was right, that doesn’t mean any of this was done “behind Hino’s back” or the like. Even when he’s not writing directly, he could still be approving of any change, as far as I know.
To me it just personally felt like the anime writers couldn’t, or didn’t want to, follow up with some of the set-ups Hino made, not just story-wise, but especially characterization-wise.
-
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wanna-one-imagine · 7 years
Text
NU’EST Kang Dongho Father! AU
Another father AU, for anon. Enjoy! (You + Kang Dongho)
well
we all obviously know that Dongho is not the most soFT looking guy
(mnet knew that real well)
and yes he may look like a frightening masculine manly man who invented the concept of strength but
when he heard he was going to be a father, he melted into a puddle of goop
like really sweet goop not bad goop just a clarification (sorry friends im feeling extra memey rn)
during your pregnancy he would be super duper overprotective and always seem to have whatever you needed whenever you needed it
whether that be a shoulder to cry on or a massage or exotic foods
wants the absolutely best for you and the baby and would be very involved in terms of knowing all the health issues and risks that newborn babies could have
helped you decorate a cute little room for the baby, you both went with purple and white themed because you didn’t know the gender and he was so excited he couldn’t resist waiting
researched into all kinds of things and had plans about what sports and activities your child should pursue in the future,,, keep in mind your baby isnt even born yet
anyway when the birthing is OVER dongho is like so excited and cautious with you and the kid (im sorry i dont want to put a name or gender) 
kids are boring at first but he seemed to never get tired of doting on them
would literally try baby food to see how it tastes and pretend like it was okay and then proceed to vigorously wash the weird taste out with waterwould apologize to the child “im sorry you have to eat this, just wait until you can have solids oh goodness won’t that be fun?? im already excited, we can eat potatoes and cereal together!”
when the child grew up a little more he started taking them to playgrounds and daycares and stuff like that
you and him took turns because your schedule allowed for that
at the daycare and playground, the other moms were sHOOK because of how adorable dongho was
this super powerful strong man at first sight but then he’s all eye-smiley and giggly and showers his kid with kisses and makes gugu noises its wonderful absolutely wonderful
sings songs to and with the kid, from random tunes to the abcs to like baa baa black sheep or some shit as the kid grew up
and wtf can you imagine that?? 
donghos honey vocals that super sweet voice just singing all the time to your child goodness that would be a blessing
but also eventually get annoying like yes the wheels on the bus do indeed go round and round aHEM ANYWAY
doesn’t necessarily take care of his skin condition thAt much as like u know celebrities normally do (as we also saw on broduce) but with his kid?? only the highest quality products would be selected
would read so many reviews of products just to make sure the child would only be exposed to the safest possible materials
yea basically a huge softie
one day when child grew up a bit he was playing w them in a sandbox
and dongho was literally too caught up in building his own sand castle when he realized child had started putting sand in their mouth
he simultaneously freaked out and died of laughter because the situation was so ridiculous, immediately made child spit out the sand and washed their mouth
considered trying some sand to see what the child tasted but decided that was a weird idea and just settled for googling what would happen
exposed child to a lot of different things, music, art, history, science, memes, you name it
found himself learning a lot as he taught the kid and gained experiences with them and you
asks for another child lmAO
does he want to raise a farm of kids or something??
probably
he wants to be able to answer all the questions child had
is totally whipped for the both of you
will always give you two random presents
if he travels somewhere for work or something he will always return with souvenirs for the both of you
yall spoiled ok
cooks comfort foods super well
knows all the characters of like the magic school bus and sesame street because he just wants to interact with his child (i almost typed offspring wtf)
always handing out free hugs and kisses 
gives piggyback rides on demand (for you and for child lmao)
he protec
is your and your child’s superhero
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A/N: oh gosh this ended up really memey lsdfjklj sorry bout that LOL
also thanks for 400 followers!!
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comicteaparty · 6 years
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December 20th, 2018 CTP Archive
The archive for the Comic Tea Party chat that occurred on December 20th, 2018, from 5PM - 7PM PST.  The chat focused on Goddess of Paradise by Dee S. / Beedee.
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Featured Comment:
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Chat:
RebelVampire
COMIC TEA PARTY- THURSDAY BOOK CLUB START!
Good evening, everyone~! This week’s Thursday Book Club is officially beginning! Today we are discussing Goddess of Paradise by Dee S. / Beedee~! (http://paradise.bluedubia.com/)
Remember that Thursday discussions are completely freeform! However, every 30 minutes I will drop in OPTIONAL discussion questions in case you’d like a bit of a prompt. If you miss out on one of these prompts, you can find them pinned for the chat’s duration. Additionally, remember that while constructive criticism is allowed, our focus is fun and respectfully appreciating the comic. All that said, let’s begin!
QUESTION 1. What is your favorite scene in the comic so far and why?
my favorite scene so far i think is when eridu runs into ekka. it was nice to see a character actually be happy to see her after a slew of eridu running into charas who dont really care all that much. and i just think its a good balance in general to all the hard truths eridu has woken up to.
although my second favorite scene admittedly is probably when she meets amun. just cause amun is gonna win all those awards for being lazy and laid back
but in general i liked how casually amun reveals that nah bro, its been 1200 years of slumber. as if its no big deal (which tbf for gods probably kind of isnt to a degree but still XD)
mathtans
My favourite scene was near the start of Chapter 4, with the human encounter. In large part because there was mention of a "dead human", making me think "wow that took a dark turn"... then it turned out she wasn' t dead and there was the whole "ick" factor, that wasn't dark at all.
Nice sort of twist, is I guess what I'm saying.
I also do like the Ekka scene though. In part because of my tendency to enjoy yuri ships.
RebelVampire
ah that was a hilarious moment. where eridu is basically treating the priestess like shes some dead insect or roadkill. but i also like within the comedy you see a really blunt and significant view into how she views humans
mathtans
Amun was cool, it was a good way to advance the plot, I'm not always keen on the laid back types though, heh.
Yeah, roadkill's kind of a good word the way that happened. ^.^
It's really interesting the way it's developed in first person overall too.
Reminds me a bit of a picture book, but the first person is a different take on that too.
RebelVampire
for the record you mean 2nd person. first person is "I do this thing" second person is "you do this thing"
but yeah this is probably the first 2nd person comic ive run into. im interested to see where it goes cause 2nd person is generally the more difficult pov to make work but theres also a lot of potential for creative stuff
mathtans
Oh yeah... that type of person.
Totally. I'm not sure how else you'd do it either, aside form having captions blocking the art. So this works.
RebelVampire
yeah it does work. although i also like that the comic has tons of silent moments that just let the visuals speak for themselves. because these are definitely some gorgeous visuals!
mathtans
That's true too. Also neat how some things stay the same while characters or other items appear.
RebelVampire
yeah it really helps draw your focus.
another scene i really like is when eridu shows up back on the island and all the green sprouts. cause its beautiful imagery. but im also haunted with questions about what happened to those two people who were watching
mathtans
Oh yeah, that was great. Goddess of amazing entrances or the like - though we saw the real one later on. ^.^ In retrospect, I feel like that made sense too, with humans being a footnote that she hadn't even expected to be there.
Though I do wonder about them too.
Maybe they were worshippers.
RebelVampire
maybe. although thatd be ironic if that sudden overgrowth killed them then
died for their beliefs
worshipped too hard
mathtans
True. Though I'm not sure death will really be a thing in the comic.
Feels like that was averted.
RebelVampire
maybe. id for sure say there probably wont be onscreen death.
probably
well violent death
mathtans
Unless it's one of the older gods maybe.
RebelVampire
QUESTION 2. After a 1200 year slumber, the Goddess Eridu finds the world quite different. Besides people being on her island, what else do you think will be a culture shock for Eridu? Do you think she’ll be able to adjust to all the changes, or will she refuse to accept them and continue to try to return the status quo? What do you think the other divine aspects have been up to over the years? Do you think more will be glad to see Eridu, like Ekka, or will more act like Amun and not care? Do you believe Eridu will manage to gain back her divine powers, or will something prevent her? Overall, how do you think this journey might change Eridu’s perspective on her divinity, on humans, or anything else? What will that change (or lack of change) mean for Eridu’s future actions?
mathtans
I wonder if technology exists on a world where Gods/Goddesses are just wandering around.
RebelVampire
depends on how we want to define technology. like for instance back when the world was young a loom would technically count as technology just cause it was a machine for advanced tasks.
im gonna laugh if eridu gets to a village and like theres electric lights everywhere. and she flips a light switch on and off wondering how humans came upon such magic and which god gave it to them
i feel regardless technology would advance
since if eridu can be considered a look into the average god/goddess than they probably mostly just ignore humans
unless theyre like "man i feel like being worshipped today"
mathtans
Well, that's a fair point. I guess I feel like if you can just ask a god to turn on the lights, there's not much need to do the inventing.
I also kind of wonder if one of the divine aspects is what put Paradise to sleep in the first place. Like, maybe was in league with that Enki new God type.
Unless Enki turns out to be a posturing human that the divine aspect was using as a puppet or something.
RebelVampire
dang now thatd be an interesting twist
mathtans
Also, this is a small island in the middle of nowhere. Maybe the mainland is rather different in terms of society.
All about the twists.
RebelVampire
this is also a large possibility. i considered that too. that whatever the island is it might not be representative of the world. honestly it could be argued the island has more old world values even cause theyre the only ones with a shrine left
Beedee
ahhh sorry I'm late! I'm reading up. hello people!
RebelVampire
hello~!
but yeah the twist, i just wouldnt think itd be possible cause the divine aspects are like parts of herself. so itd be hard to imagine one getting powerful enough to oust her. but that is what would make a twist like that so interesting cause it seems so unlikely
i think as far as the aspects though were gonna meet more amun's than ekka's XD not necessarily as laid back as amun, but more like they moved on in life/got bored
mathtans
Might not be old world values as much as it's just new gods have taken over everywhere and they haven't gotten around to dealing with the island yet.
I kinda thought about the parts of self thing... but isn't there a part of ourselves that we sometimes hate, and wish we could get rid of? And the Goddess doesn't seem like she'd be the nicest person to that part of herself, maybe. Though who knows, I may be way off.
I wonder if some of the others might also be asleep, or be serving other goddesses or something.
RebelVampire
the impression im getting is theyre all in their inner sanctums. so cant exactly serve anyone if theyre stuck there. and i also doubt they would cause i dont get the impression they think eridu is dead
thats like declaring loyalty to the assistant manager while the manager is on vacation
mathtans
Maybe they left voicemail at the inner sanctum and are wandering sans powers?
Fair enough though. There'd need to be incentives.
RebelVampire
but idk i mean could be possible
theres a lot of room for variety cause weve barely scratched the present day surface
Beedee
these are some good theories dang
mathtans
Also not sure how her perspectives will change... given how a few days can't wipe out decades of personality. Would need something monumental.
RebelVampire
i like to think shell at least come to view humans differently. or her role cause generally losing powers has the effect of humbling some one
QUESTION 3. The largest mystery presented in the story is why Eridu slept for so long. Who do you think forced Eridu (and her spirit aspects) away from the physical plane? What do you think the reasons were? Was it someone trying to do away with Eridu, or was it for some larger, greater good purpose? Does whoever Enki is have something to do with it? Or is Enki just some innocent bystander who was mistakenly identified as the one who created Eridu’s island? What do you think will happen when Eridu finally runs into Enki? Also, considering Eridu was already forced away from the realm, do you believe this could easily happen to her again? What is stopping the culprit from banishing Eridu back?
mathtans
(I think I'm belatedly realizing that's the creator. )
RebelVampire
lol thats okay math. yes @Beedee is the creator
mathtans
Losing powers can do that. I wonder if flying is a thing with other gods.
Beedee
haha yes I am~
mathtans
I feel like Enki is more an opportunist than the one who engineered everything or totally innocent. Though we've yet to meet him.
Kind of like the Wizard of Oz, in a way?
RebelVampire
i definitely think thats a distinct possibility. im on the page enki isnt this malicious entity and i dont think enki is responsible for what happened to eridu
mathtans
I do feel like Goddess will get all up in his face though.
RebelVampire
but maybe enki is no one. maybe hes just some human who found the island and said "hey my dudes lets live here this island is great." and then as history usually goes stories got exaggerated and eventually a human of great deeds became a god
mathtans
Oooh, maybe. Like, he doesn't actually exist anymore but put lots of things in place so people wouldn't realize that. (Makes me think of some societies from Star Trek.)
RebelVampire
yeah or something. but i could go either way. or it could be a combo of both
either way i dont think enki is responsible
to me it seems more likely kur is responsible at this point
for kicking eridu out of the physical planes
cause he needed her for things later
tho its curious she doesnt remember getting kicked out at all
Beedee
I find it interesting that you both get a vibe that enki isn't responsible even though he hasn't shown up yet :0
mathtans
I guess I just feel like that's too obvious of a solution. Goddess blaming the person who's actually behind it. I expect a twist, like how there weren't originally humans on the island.
I hadn't considered Kur as having a part in it. That's interesting.
Beedee
heh, fair
mathtans
Crazy theory time, the Priestess human is actually a God in disguise!
RebelVampire
yeah im with math. enki is the obvious choice. thus more likely a red herring. which could be wrong. maybe enki is all bwahahaha i have taken over
the priestess was responsible!
mathtans
Who has lost her memory and forgets.
Enki could also be the one behind it, but he was told to do it by Kur, or someone else.
Incidentally, I like the map feature. That's clever. Tracking the path over the island.
Beedee
ahh thanks!
mathtans
(I mean, story guide, not really a feature, but still.)
I often go to those pages, I'm rubbish with names.
RebelVampire
even if i remember the names i love those sorts of pages for spellings. cause i read a lot of comics and its hard to remember how to spell everyone's name even if i know what it is XD
mathtans
That's fair. Also neat how it's being developed over time.
RebelVampire
i like to think the reason eridu was sent away was not to do away with her. like maybe eridu did something bad she doesnt remember (or didnt consider bad). like flood some other god's island that got too close to hers. only that island was heavy populated already.
mathtans
Oh, that's a thought. Or maybe someone else did something bad and she wanted to forget it. Said sleep until I don't remember, didn't realize that'd take a few centuries.
RebelVampire
QUESTION 4. Eridu’s arrival seems to coincide with several “coincidences” within the story. Why was the Dragon-God Kur also slumbering for at least 1000 years? Is it somehow related to Eridu, or was it for a separate reason? Why has Kur woken up early? Also, what is Ekka making for Kur that he even goes to the effort of sending Eridu to help get it? Further, we see a few other gods talking about Kur. Why is Shulsa seeking out Kur so desperately? What exactly could go “badly” that Zida leaves to prepare for it? Also, who is Daiard looking to settle a score with? Lastly, why do you think the priestess of Enki was conveniently near where Eridu crashed? Was that just a coincidence, or was she there for a related reason to Eridu?
Beedee
good question
mathtans
Kur forgot to hit the snooze alarm. Or whatever the equivalent is. (Oh, maybe that's what they were bringing to him...) I'm also not sure what to make of the interlude. Does make it clear that there are other Gods around, the Priestess wasn't making things up or delusional or something.
Maybe Enki told the Priestess to go there because of all the vegetation.
RebelVampire
i think the interlude does kind of prove other gods are around.
now that im thinking of it
mathtans
Yeah, helps to flesh out the island.
RebelVampire
kur just woke up from a 1000 year slumber and the first thing he does is to sit down and kind of take a nap before eridu shows up
which i identify with
maybe the 1000 years is just normal for kur
thats just how long he sleeps
his 8 hours so to speak
Beedee
I will quickly say: yeah that's just how long he sleeps
mathtans
I kinda got that impression from the fact that they knew when he'd be awake. More or less.
Though it could have been a prophecy or something.
RebelVampire
man i wanna sleep for 1000 years
so jealous
mathtans
Incidentally, I liked how Kur was built up to be this ancient amazing entity, worthy of awe, only to have Paradise say, yeah, nevermind that nonsense.
Beedee
haha
at the end of this session, if you are up for spoilers, I'd actually be willing to show the WIP last panels of this chapter for a short amount of time. it explains some of Kur and Ekka's deal haha
mathtans
Aw, it's not Ekka and the Goddess jumping on a mattress?
Beedee
maybe in a side comic lmao
mathtans
I was amused by the reaction to the failed stripping too.
RebelVampire
i enjoyed eridu's disappointment that they werent gonna have sex. just cause it was so blunt. XD
mathtans
Like, ow, my chest. And yeah, that upped the rating, I think
RebelVampire
maybe daiard also hates enki. cause to me the obvious choice is eridu. so im gonna go with enki. everyone is gonna join forces and go after enki
and enki is gonna be like "hey friends would yoou like some tea"
Beedee
haha
to be honest
mathtans
Enki, actually God of Tea.
Beedee
daiard was a dumb callback to the beginning of chapter 2, that became worldbuilding(edited)
mathtans
New crazy theory: Goddess actually ends up putting herself to sleep in the past because the divine can mess with space-time.
RebelVampire
thats brain hurting
Beedee
oh gosh
mathtans
It was all a plan to help her become more grateful, or something.
RebelVampire
hmm, this actually makes me remember that eridu thought shed been sleeping to recharge. maybe there is no villain. maybe eridu just overexerted herself to the point she forced her own self back
shes gonna go on a long quest only to find out she was the villain all along
Beedee
future Eridu goes back in time to punch herself in the face
(thisisajoke)
mathtans
Hah! I could see that though, like "shape up, self".
Also, recharging could be a thing. Maybe she just needs a good nap to be able to fly again too.
RebelVampire
nope this is canon now. future eridu very wise. /shot
i hope she finds the flying having divine aspect soon and gets her powers back. cause man those inner sanctums seem really inconvenient to navigate
cause i dont think ekka's was any better than amun's
ekka's was just more convenient cause a plant taxi picked eridu up
Beedee
true
the sanctums are all awful to navigate on foot
but I like drawing environments lmao
RebelVampire
they are beautiful environments too. i really enjoy the contrast between ekka and amun's sanctums
mathtans
Anyway, this comic does hit a lot of the things I enjoy, from an interesting narrative style to great environments... and some romance too. (edited)
Beedee
thank you ovo
mathtans
Maybe Ekka and Priestess are the real ship.
RebelVampire
COMIC TEA PARTY- THURSDAY BOOK CLUB END!
Sadly, this wraps up this week’s Thursday Book Club chat for now. Thank you so much to everyone for reading and joining us! We want to give a special thank you to Dee S. / Beedee, as well, for making Goddess of Paradise. If you liked the comic, make sure to support Dee S. / Beedee’s efforts however you’re able to~!
Read and Comment: http://paradise.bluedubia.com/
Dee S. / Beedee’s Patreon: https://www.patreon.com/bluedubia
Dee S. / Beedee’s Ko-Fi: https://ko-fi.com/bluedubia
Dee S. / Beedee’s itch.io store: https://bdubia.itch.io/
Dee S. / Beedee’s Twitter: https://twitter.com/Beedeebia
Comic Tea Party- Thursday Book Club
Next week’s Thursday Book Club will be about Inhibit by Eve Greenwood / evegwood. For participants, you have the next week to read as much of the comic as you would like~! We hope to see you on Thursday, December 27th, from 5PM to 7PM PST for the chat in #thursday_bookclub!
Comic’s Main Site: http://www.inhibitcomic.com/
Comic’s Webtoons Mirror: https://www.webtoons.com/en/challenge/inhibit/list?title_no=40462
Comic’s SmackJeeves Mirror: http://www.smackjeeves.com/comicprofile.php?id=147115
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apsbicepstraining · 7 years
Text
Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski
It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating
The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.
What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.
On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.
Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo
Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.
Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.
I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney
Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images
I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.
In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.
Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi
With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.
Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller
So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.
Zinedine Zidane knew exactly what was going to happen.
I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane
There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.
The post Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski appeared first on apsbicepstraining.com.
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apsbicepstraining · 7 years
Text
Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski
It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating
The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.
What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.
On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.
Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo
Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.
Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.
I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney
Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images
I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.
In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.
Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi
With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.
Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller
So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.
Zinedine Zidane knew exactly what was going to happen.
I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane
There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.
The post Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski appeared first on apsbicepstraining.com.
from WordPress http://ift.tt/2z3Syg0 via IFTTT
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apsbicepstraining · 7 years
Text
Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski
It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating
The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.
What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.
On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.
Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo
Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.
Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.
I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney
Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images
I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.
In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.
Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi
With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.
Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller
So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.
Zinedine Zidane knew exactly what was going to happen.
I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane
There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.
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