Oscar Wilde quotes but it's actually the Marauders and Severus
'Experience is merely the name men gave to their mistakes,' Sirius, to much agreement from James.
'I have the simplest tastes. I am always satisfied with the best,' James about his brooms, his friends, his girlfriend.
'To define is to limit,' Sirius or James - nobody can really remember.
'Some cause happiness wherever they go; others whenever they go,' Sirius, about Severus
'There is no sin except stupidity,' Severus about the Marauders.
'Always forgive your enemies; nothing annoys them so much,' Remus, to much disagreement from Sirius and James.
'I have nothing to declare except my genius,' Sirius and James - on too many occasions for Peter and Remus to count.
'An idea that is not dangerous is unworthy of being called an idea at all,' Sirius in response to some polite questioning from Remus about the safety of an idea of James'.
'One should always be in love. That's the reason one should never marry,' Sirius offering advice to a lovestruck James.
'I like persons better than principles, and I like persons with no principles better than anything else in the world,' James, grinning at Sirius.
'The only way to get rid of a temptation is to yield to it,' Sirius Black, with a look of mock solemnity.
'I can resist everything except temptation,' James Potter, equally dignified, in agreement.
'Quotation is a serviceable substitute for wit,' Severus, reading this list.
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'In this world there are only two tragedies. One is not getting what one wants, and the other is getting it,' Peter on wanting to once get the better of his friends.
'They've promised that dreams can come true - but forgot to mention that nightmares are dreams, too,' Remus Lupin, on three occasions: when he was about five, twenty one and thirty six.
'I don't want to go to heaven. None of my friends are there,' Remus Lupin.
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Calling Fic Writers! Story Idea? -Angst-
If this is already something someone has made, ya'll need to link me ASAP cause its been rotting in my brain all week (if not longer) and I very highly doubt I'd ever be able to write it properly LOL. Art? Maybe...
Please excuse my scatterbrained explanation. I'll probably be adding to this as my little angst-loving brain thinks of more details.
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So, after x amount of time, Aziraphale returns/escapes to the bookshop from Heaven and being Supreme Archangel....just completely defeated, dazed, exhausted and just about broken/verge of breakdown. I've pictured the scene with or without his wings. Crowley and Muriel are there (or at least Crowley) and are understandably surprised/confused.
He just collapses in a sobbing heap muttering and crying "I'm sorry" "Please" "You/we can't do this" "Why" "I don't want to fall" among other unintelligible words, but doesn't seem to quite be with it enough to attempt to explain whats going on. Maybe he'd gain very slight, brief clarity upon seeing Crowley (who has also been a mess), keeps apologizing, begging for forgiveness (from him? Her? Both? Maybe) until finally passing out.
Of course Crowley steps up and tries to take care of him, and figure out whats going on. Because no matter how mad he might get at Aziraphale, how hurt he was by the end of S2, he'll always return and help his angel, because he loves him. Also I'm positive Crowley already knows Aziraphale didn't make that choice easily, that he hurt the angel as well. Bountiful soft, care-taking Crowley here because I live for it.
Eventually when Azi is a bit more stable, (as he would often rotate between quiet desolate/defeated shell shock, and near hysterical crying in fear and grief) Crowley gets bits and pieces of what happened out of him.
The "Supreme Archangel" position was merely a sort of placeholder/fake title, not an actual promotion. Because why would they want to actually give Aziraphale that kind of power to potentially use against them and their plans? He was dangerous enough
The Metatron (and other angels) lied/manipulated Aziraphale the whole time to get him to do what he/heaven wanted. And to of course separate him and Crowley. Possible eventual threats towards Crowley and others to keep Azi "in line". Book of life?
Plans of course include the second coming as it was mentioned, but I'm sure there are others mixed in. More apocalypse starting schemes etc. Never really give the full details and kept the real plans secret. Jesus only mentioned, never seen (very suspicious). Azi tries to investigate but keeps getting interrupted or thwarted. Kept a very close eye on.
Much gaslighting/mental and emotional abuse and manipulation, slowly wearing Aziraphale down in order to break and better control him. No erasing/changing of memories cause its over done to me.
God is still MIA and no one knows whats going on with Her. The Metatron says he speaks with Her, but lets face it he can't be trusted. Definitely scheming on his own with others, maybe Hell as well?
Aziraphale never falls of course, I couldn't do that to our precious angel. He'd be traumatized enough anyway.
Aziraphale tries to be a good angel so bad it hurts, wants to believe in Heaven and "The Great Plan" but is only ever hurt and betrayed for all his efforts up there.
I WILL MAKE THESE TWO WILL HAVE A PROPER TALK I SWEAR
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I just really love hurt/comfort, angst and them taking loving tender care of each other. They would have a happy ending of course. This is how I cope until season 3, don't judge me xD
Also, what I was listening to during this ramble:
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cmon you cant just say how queercoded sean is and then not expand on itผ(•̀_•́ผ)
/lh
My need to constantly talk about Sean MacGuire is really being indulged lately jnhbvbjnbh Thank u dear anon <3
oKAY so like, anon, I will be the FIRST to admit that me calling Sean queercoded might've been a strong choice of words all things considered (especially compared to ACTUALLY explicitly gay Bill Williamson which could go for queercoding considering it's only really explicit if you look for it or catch it). I read Sean as queer in a lot of ways, and that is probably in no small part because I'm queer myself. BUT in my defense, what am I supposed to take away from the developers cuffing Sean's jeans like that?? His queer little swagger???? The outfit with that haircut?????? That is a BISEXUAL MAN if I've ever seen one!!!
^me rn fr (always, about Sean and Lenny in particular. My gay Lenny headcanon is a lot more solid though, I'll be frank, and I'm honestly waiting to go the fuck off about it properly here some day lmao)
On a more serious note though, I definitely think Sean's admiration for Arthur can be read as a little bit of a crush in certain instances. Not that I particularly ship that pairing, but certain ways Sean responds to Arthur has always had me 🤔🤔 For example (and I'm really gonna out myself and how often i rewatch his missions here) in pouring forth oil, when Arthur gets mad forreal for a sec and threatens Sean (after Sean has a tantrum abt not being invited along which.... come on), and Sean laughs, there is DEFINITELY a crush-related way of reading that interaction & Sean's response. Not to mention the lil lookover Sean gives him I mean COME ON he's not even that subtle!
Not to speak of the fact that the first thing he does after being rescued from bounty hunters is ask Arthur for a hug - how many of yall Arthur Morgan horny ppl wouldn't die to do the same? Sean was ahead of the game. He's one of you, I swear.
I think Sean being queer makes sense with his personality too, as the sort of laid-back and easy-going one. Though I also think, given the time and the fact that I think he's bi, it's probably not smth he's ever thought very hard about? You know, heteronormativity etc etc, him and Karen having their messy thing going on etc etc, but Sean WOULD kiss a homie and not really have a problem with it. He'd just -- not think about it much harder, you know?
It's that same attitude he has, which leads me to believing if given the chance he'd be very gnc. I know I've said it before but I do headcanon that modern au Sean would def fuck around with skirts and makeup and nailpolish, and have a very loose relationship with his gender as a man at best. It makes sense to me, for someone who is both that easygoing, and has that sense of interest in societal issues, to at some point have the realization of 'oh gender roles are made up' and act accordingly, you know?
And then I'm also taken with, and sort of speaking from, this sort of perspective of the gang at large as very queer. Speaking of it in that academic way, as a sort of rejection of normative society - heteronormative society in particular - there's absolutely an inherent queerness to this entire gang of outlaws doing as they will. When being queer has always meant being ostracized from society, it is easy to read characters ostracized from society as queer; in this way, and in my opinion, the queercoding is inherent to this game, and these characters. It's there at the very foundation of their situation and way of living, and it's why I personally am never going to argue against any type of queer headcanon (and why I'm a proponent of many of them myself lol). Me seeing queerness in Sean and Lenny, is no different from me seeing it in Arthur and Charles, or Sadie and Karen, or Hosea and Dutch, or literally ANY other gangmember.
I feel like I went on a tangent here, again, as I am prone to do, BUT my main point is: Sean MacGuire is so so queer bcz I said so, and becuase why the fuck else would he be like that?
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Finding solace in you
On A03
Listen. Steve is not an idiot. No matter how many times someone calls him stupid, he’s not an idiot. It’s not his fault his friends are all certified brainiacs and that the ones that aren’t on the honor roll have either supernatural (El) or supersarcasm powers (Max). Steve is just Steve. Not good enough to get into college, not good enough to hold his parent’s attention for more than a fleeting moment, not even good enough to make his first real love love him back. But Steve is Steve. He has some good qualities. He can swing a nail bat, for instance. And the person or monster who broke into his home at 2 A.M. and is making a ruckus in the kitchen is gonna see how well Steve can swing that bat.
Steve is not an idiot. He quickly puts on jeans, a sweater and his tennis shoes, so he doesn’t have to face whoever it is in his boxers. He doesn’t make a noise when he tiptoes down the stairs. He doesn’t turn on the lights. He doesn’t call out a tentative “Who goes there?” and he most certainly doesn’t wait to raise his bat to a swinging position.
Steve is an idiot.
Because Steve is seeing Eddie in his kitchen. Eddie Munson, who died in Dustin’s arms in the Upside Down and whose body they couldn’t bring with them when they returned to the real world. Eddie ‘The Freak’ Munson, who fought off a swarm of Demobats with nothing but a spear and a shield. Eddie the Banished, who was hunted down by an angry mob because they thought he was a satanic, murderous cult leader. Eddie the Hero, who gave his life to save his friends. Eddie with the expressive face, who gave Steve his vest ‘for his modesty’ and hunts Steve’s dreams every night. Eddie with the doe eyes, who fills Steve with regret about things that never happened but possibly could have, if only if they had more time. More time together.
“Hey man, sorry to wake you,” Eddie says, like he has just seen Steve yesterday instead of four months ago. Like he had not died in Dustin’s arms, his lifeless body too heavy and limp to move with them through the portal. Like Steve hasn’t been living with an overwhelming sense of guilt that clamps down uncomfortably on his chest every time he has a moment to think. Guilt that has him making himself run haggard, keeping himself busy, tiring himself out to the point he can no longer think.
“Sorry about the glass,” Eddie winces. He holds up the bottom half apologetically, the shards that formed the top half scattered on the floor by his feet. He’s bare footed, only wearing ripped jeans and a torn up shirt. The fingers around the glass are long and pointy, the tips dark. They look like claws. “I was thirsty, wanted to have some water.” He looks at Steve sheepishly, his eyes gleaming in the low light of the moon that comes in through the kitchen window. “I can replace it.”
“Don’t bother. We have a cupboard full of the same damn glasses.”
Steve is an idiot. He shouldn’t be talking to whatever it is that is standing in his kitchen, he should swing his bat and kill the damn thing that wears Eddie’s face.
“Okay.” Eddie moves to put the remnants of the glass back on the counter. It lands on its side, rolling into the sink with a clang. Eddie doesn’t react to it, he looks around the dark kitchen and asks where Steve keeps a broom and a dustpan.
“Bottom cabinet in the corner,” Steve points.
Eddie nods eagerly and turns on the spot to go where Steve points him. One of the leathery wings on his back rakes over the kitchen island and mows down the decorative ceramic dish that Steve’s mom uses as a fruit basket. It’s been a while since she’s been home, so it’s only the dish that hits the floor, not any fruit. The ceramic shatters when it hits the tiles, small shards flying as far as Steve’s feet.
“Oh shit. I’m really not doing this on purpose, I swear.” It’s a strange thing to see Eddie so meekly, his clawed hands balled in front of his chest, his wings almost drooping.
Steve is an idiot.
“It’s okay,” he says. “I didn’t like that thing anyway.” It’s true, he always thought the dish with the frumpy vines painted across the surface was ugly. “Stay where you are, I’ll get it.”
Steve places his bat on the counter and flicks the light switch for the lights above the kitchen island so he can see better. Eddie doesn’t react to the yellow light that floods the kitchen. Steve moves towards the bottom cabinet that holds the broom and dustpan while Eddie makes himself as small as possible in the space between the sink and the kitchen island. He sweeps up the glass and ceramic, noticing that Eddie’s toes are as black as his fingertips when he crouches down by his feet to get the last bits of glass. The nails are longer and pointy. Claw-like.
Steve sets the dustpan on the counter and gingerly fishes the broken glass out of the sink. Eddie follows him around the kitchen with his eyes, only speaking up when Steve has everything tidied up and puts the dustpan and broom away again. “I’m thirsty.”
“Water?” At Eddie’s nod Steve grabs a glass from the cabinet - the exact same as the one Eddie broke - and moves over to the tap. It brings him close to Eddie again, who is still trying to take up the least amount of space as possible. He’s fidgeting with his rings, Steve notices, the blackness of his fingertips extending down to the large metal rings. Eddie’s wearing his Hellfire shirt, but it’s filthy and it has a large tear down the collar. Eddie’s collarbones and part of his chest are visible, covered in dirt and tattoos. He’s not wearing the guitar pick necklace, because Dustin took that with him when they left Eddie’s body in the Upside Down. Steve wonders if Eddie misses it. “Here you go,” he says, handing the other man a glass of water.
“Thanks.” Eddie shuffles a little closer and takes the glass gingerly, clearly trying to not break it again. He downs the entire glass in one go and makes a face. He thrusts the glass back at Steve. “More please.”
“Sure.” Steve fills the glass with water again, glancing over his shoulder at Eddie who keeps crowding closer, inch by slow inch. “Are you okay?”
“Sure,” Eddie responds, “just thirsty.”
“You have wings.” It feels like a stupid thing to say, so perhaps everyone was right and Steve really is stupid.
Eddie looks at him quizzically as he puts the refilled glass to his lips. “Wings?”
“Nevermind.” Steve is not surprised when he has to fill up the glass again. Eddie is standing really close now, he looks over Steve’s right shoulder to see how he moves the glass underneath the tap and fills it up. He toys with a lock of curls, twisting it around his black finger again and again. When he bites his lip his teeth are sharp and pointy like his nails. The skin breaks and a drop of dark blood pearls on his lip. Eddie doesn’t show any sign that he even feels it and licks the blood away with a quick flick of his tongue, his eyes never leaving Steve’s face.
It’s disconcerting how much the thing still looks like Eddie, still sounds like Eddie. It’s Eddie’s doe eyes that stare at Steve, it’s Eddie’s lips that curl into a grateful smile when he hands him another glass of water. It’s Eddie’s voice that thanks him, that tells him that he’s “still so thirsty.” And: “Can I have another one, sweetheart?”
By the fourth glass Eddie has moved from twisting his own hair around his finger to scratching his nails through the hair at Steve’s nape. He can tell it’s meant to be done gently, but the nails are sharp and they burn where they make red marks on his skin. He leans against his hands braced on the edge of the sink, his head hanging down between his shoulders. Eddie is a firm line against his back. He’s not exactly warm, but he’s not cold either.
“I’m sorry,” he says.
“For what?” The scratching at his nape stops for a second and then it picks up again.
“For leaving you behind.” His voice catches in his throat. “For not being able to save you.”
The hand leaves his neck and two arms wind around his waist, mimicking a hug. It’s all done carefully, almost lovingly, yet the pointy nails still catch in his sweater and he can feel them lightly prick his skin when Eddie pulls himself closer against Steve’s back. His breath is hot on his neck when he speaks. “I’m here now, Stevie, aren’t I?”
Steve sighs, leaning into the treacherous embrace. “Yeah.”
Steve is an idiot.
Eddie hugs him even closer, making Steve stand more upright and pressing him against the sink. Steve has one hand on the sink to brace himself, the other is holding on to Eddie’s arm where it is pressed against his chest. The hand with the black finger is splayed across his heart, rubbing the fabric of his sweater against his skin. Eddie noses behind his ear, nuzzling against him in lazy movements. “You smell so good, sweetheart,” he whisper-sighs.
Steve is an idiot.
He closes his eyes, listens to Eddie telling him how nice he feels, how sweet he is, how he wants to climb inside him and live there. His nail bat lies forgotten on the kitchen counter. There’s a fleeting sense of regret when he thinks of Robin, of Dustin and the other kids, but it’s forgotten when Eddie’s hand caresses his throat, his lips traveling the line of Steve’s jaw.
“I’m so thirsty, sweetheart,” Eddie croons in a quiet voice, only for Steve to hear.
Steve doesn’t open his eyes. He feels drunk and lucid at the same time. “I know,” he whispers back.
The hand on his throat moves up, sharp nails scratching his cheek but only barely, coaxing him to look at Eddie. Dark, half lidded eyes catch his and cool lips press a kiss against the corner of his mouth. “I want you to be mine, Stevie, mine alone.”
Steve shudders, his breath catching in his throat. He doesn’t try to move away from Eddie’s hold, feels himself sinking into it instead.
“Do you want to be mine, sweetheart?”
“Y- you promise?” It’s more a breath than a whisper, but Eddie hears it anyway. More importantly, he understands. He breathes in deeply, humming softly, happily.
“I will be so good to you, Stevie,” Eddie promises. “You will be mine and I will be yours.”
Steve knows that what Eddie is promising him is not good. That there’ll be pain and grief and despair. But that’s familiar. Steve knows pain and grief and despair. And he knows loneliness. So when Eddie asks him again: “Do you want to be mine?”
“Y-yes.”
Eddie’s teeth are sharp and it’s more tearing than biting. His blood is warm when it runs down his throat. Steve feels his body growing colder, his vision swimming. But Eddie holds him close, keeps pressing bloody kisses to his skin, keeps telling Steve the same thing over and over again: “You are mine and I am yours.”
Right before everything goes black, Steve knows that it’s the truth.
“You are mine and I am yours.”
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