#it all gets retconned anyway

[copypastus]

So that hofas bonus Ember chapter huh.

I wish Tamlin and Nesta built a casual friendship.

It's such a missed opportunity! They were both assigned penance eternal by the IC over their relationships with Feyre with no road to redemption. In acosf they were both on a shame spiral. You'd think this would be a like calls to like moment! Opportunity to recognise that just coz Rhys's friends hate you doesn't make you a bad person!

[lesbiandardevil]

where he goes death follows

[witchloversupreme]

If you take a step back and really look at them, Gaius (in ARR, at least) and Edmont are actually pretty interesting foils for each other, because one is a deeply, deeply awful person who is an incredible father, while the other is one of the most moral and kind people on the planet who's given all of his kids massive, incredibly self-destructive complexes.

Like, Gaius genuinely adores all his children, even Livia, despite her incredibly disturbing fixation on him, and is very obviously gutted by the idea that they'd go to war without him to protect them, while Edmont very clearly only cared about Haurchefant, foisting all the First Born Son responsibilities on Artoirel but giving him absolutely none of the respect, and hardly remembering that Emmanellain even exists save to scold him.

Hell, even Haurchefant, even though he was the favorite, didn't get particularly better treatment because of Countess Fortemps (incredibly understandable) hatred of him, which led to Haurche becoming self-destructively self-sacrificing to try and get at least a little of the respect he deserves from his peers, and eventually lead to his death at The Vault.

[soft-fella]

derek n stiles right before bed bc they’re on. the mind……………………..

[singingcicadas]

The way it's depicted, Cybertron's pre-war societal issues had a lot less to do with Functionism and more to do with unchecked government corruption, massive wealth disparity, high layoff/unemployment rates, and disenfranchisement.

People were starving, they needed work, they weren’t getting any. Those that were fortunate enough to have work didn’t get paid living wages, much less have anything to spare for health contingencies. Even then stability’s still the luxury of the top few tiers; they live one cut away from layoff. The government cared only enough to exacerbate these issues by coming up with new ways for exploitation. Any attempts to protest or lobby were shut down through political persecution. As a result the masses turned increasingly to crime, drug abuse, thuggery, and violence. Extreme acts of terrorism gets lauded as long as the collateral damage's suffered by someone else. Morality and caution are eroded in the face of desperation.

Meanwhile the many alleged restrictions of Functionism are just lip service complaints made by the characters which doesn’t match up to most of the stuff we’re shown. Like if Rung could become a psychologist, a specialized job that requires higher education, despite having zero background on top of such a weird alt that he had to be classified as an ornament, then wow the functionists must be open-minded. If Dominus Ambus could be a scientist/doctor/explorer/author/successful social rights advocator during the height of functionist control with a minesweeper military-use alt (assuming that his secondary alt's the same as Minimus'), then wow the functionists must be accommodating. If Tyrest could become chief engineer under Nova and later go into law, a complete change of profession, while being a jet, then wow functionism's flexible. If Ratbat and Momus could become senators in a society that discriminates heavily against beastformers and labor frames, then wow that’s progressive. If every Prime from Nova to Zeta (with the exception of Sentinel, his alt’s a tank, he only has wings in Megatron Origin as part of his Apex armour upgrade), every single named pre-war senator other than Proteus and Momus, and four out of five of Nova Prime’s buddy club (only Galvatron's a grounder) were wingframes in a society that supposedly discriminates against wingframes, then wow that’s… inconsistent worldbuilding.

Megatron didn’t get into bloodsports or start a war because he didn’t get to pursue his dream job. He got driven into the pits and down the slippery slope of moral degeneration because his only source of income was cut off by the mine closure incident. People wanted livelihoods above anything else, it's the failure to provide that that made the miners go off the deep end and resulted in the death of a guard. If Functionism actually ensured that everyone could be guaranteed a job or at least minimized the unemployment rates, then stratified castes or not, there would have been no war. People, or societies, are generally capable of tolerating an incredible amount of injustice as long as the majority still have a chance at scraping by at the end of the day. But the government, and later Megatron, kept yanking the rug out from under everyone over and over until they no longer even had a chance at that; there's no other choice left but fight or die.

[reel-fear]

Wow, so umm... This looks bad, not only is it inaccurate due to using the wrong ink demon design [unless this is confirmation BATIM Ink Demon has been outright retconned... Which would make me pissed enough to make a new post just about THAT] but from an art standpoint this is just... Confusing and poorly done.

I wouldn't care if this was fanart, of course you should support young, indie artists... But for a Graphic Novel making sure your cover doesn't look like something Butch Hartman shat out in an afternoon is kind of important. Remember they're going to be asking us to give money to them to read this. The artist likely won't see any of that money and neither do the authors most of the time, not to mention this art screams of the artist being underpaid and overworked.

Like they Had to get something on someone's desk and their boss said 'good enough'. A concept Joey Drew Studios is very familiar with considering the allegations of poor working environments that Kindly Beast. Not to mention Mike Mood admitting in a Reddit AMA that they did in fact rush projects like Showdown Bandit. [Which they sold at full price]

He also says they can in fact say no or yes to designs involving their IP. Either Mike or Meatly had to say yes to this cover, according to his own damn words.

And do you really think this company in particular would care enough about its fanbase to not sell them garbage? They have done exactly that on several occasions. It's not like they care particularly about art either, considering their previous use of AI Art. There was no apology or even posts addressing it... Instead, they just rushed out an archives update to their game to get people to stop talking about it... Even forgetting an entire character in it. Again

This company is [or at least SHOULD BE] on thin ice when it comes to being suspected of misleading their fans or rushing out crappy products to them.

So with all that context in mind, I'm gonna talk about why this cover sucks ass.

The light sources are all over the place? Why does it look like someone put maces or knight armor on his shoulders but it's just flesh?? It looks both gross and weird [not in a good way either]

To explain more I'm going on a rant below but sadly this seems to have been confirmed to not just be a rough pass but the final cover and man... I am not excited about this graphic novel just at all. This felt like it really drained any possibility of it turning out good for me and I already had expectations low.

Okay first point, the light sources?? And there is no consistency here with the shadows or lighting, it looks like there's a hundred light sources all at once but none of them are even consistent!

the arrows here represent all the different light sources I can make out and yet the the shadow clearly implies there's only one. I understand wanting to use highlights to give the character a more clear shape but then just give him one or two lights behind him or in front of him? No matter how u follow the light sources, the highlights make no sense and the shadows make even less sense.

Why are the shoulders like that? Like on the legs it's a little understandable, at least those are clearly very heavily affected by perspective, for me I think they are so exaggerated it makes it look like one of the legs is either huge or one is small but that's maybe subjective.

However, the shoulders are unjustifiable, what happened there, what did they do??

I could pick on so much more honestly, how the color choices of piss yellow with no other colors being used, and the harsh pitch black being used for every part of his body is weird. How it looks straight out of Butch Hartman's recent crappy art. But to put bluntly bad start! Also what the HELL is going on with this background??

Seems once again the Bendy team is fine with sending out stuff thinking it's "Good Enough" for Bendy fans and honestly the people trying to tell me to "Be Grateful" for this are just proving that no matter how many times you betray your audience some of em will defend you!

Which is sad tbh. If anything we should be putting MORE pressure on the Bendy team to do better. Cause we deserve better than this, honestly we do. There are amazing artists in the bendy community who could do so much better for a cover. They've employed their fan artists before... Wouldn't it be great to do that for such a lore important book? The book that gives us the identity of one of the main characters in BATIM? The character you spend the entirety of Chapter 4 fighting to save? Not to mention will give several major characters their human designs?

But I guess this is... Good enough...

[livingasaghost]

it's actually sooo annoying that there are now shows like our flag means death that are like so queer friendly and are literally built around queer identity and queer romance because the creators are mostly all queer or queer-adjacent and so those stories get told (mostly) the way they deserve, with real queer plots and payoff and it's a new phenomenon!!! like just by making a few heartstoppers or a couple good omens my brain has now started to believe that we can have queer media! and i seem to forget that for the early half of my life any and all queer shipping in media was delusional and unlikely and never going to happen. because there are shows like loki that are not made for queer people and it's actually the norm! it's always been like this! and yet the queer audience are the driving force behind the whole fucking show and it's like we've timetravelled back to 2011 when you could only HC a gay ship bc there's no way it would ever be real on screen. and it's like okay! i get it! you don't want two guys kissing on a disney show! but you're telling me you don't even kIND OF get some fruity vibes from those two guys??? like it's so insane to think that if another studio headed up the loki show or if they'd hired (more?) queer writers or they had the freedom and capacity to do it Less Disney it could have been something else? like god that's so sad and unfair and it's no wonder being queer was so hard and sad when i was growing up like even if you saw the Queerness in some piece of media, the creators would turn right around and gaslight you and tell you that you're insane to believe you see a glint in the eyes of two men and now in the year of our lorde 2023 i have to admit that i finally finally understand the johnlock shippers and oh my god guys you were so brave wtf

[thyandrawrites]

I'm enjoying the deeper dive into Reo's feelings that epinagi made possible, but I have to admit I'm curious to see how he can go from thinking this,

To saying this,

In the span of a couple minutes lol

[the-priestess-of-dawn]

Grima and Final Blows

The other day I mentioned that I had an essay about Grima to write that I'd been putting off, and between that and all the great essays my fellow Grimleal scholars have been putting out recently, I decided to sit down and finally get it done.

So here you go. An analysis of Grima's difficulties with directly killing people.

Okay, so I’ve been thinking about this for quite some time, because one of my favorite things to explore when it comes to Grima is the gap between their villain act, which they actively play up in front of others in both Awakening and FEH, and their true feelings, which are hinted at in Awakening (particularly through the Future Past DLC) and made even clearer in FEH— their own evil actions are repulsive to them, and they wish they could live normally among humans, but they don’t believe they have any choice but to be the monster that “the fell dragon, Grima” is supposed to be. They are committed to this “fell dragon” character, to putting on a show for everyone, and they are so good at it that it’s easy to overlook that they… uh… aren’t very good at killing anyone important. Not directly, anyway.

Sure, Grima is responsible for numerous deaths. But what is their actual kill count? Well, in Awakening’s main game… zero. (Unless you count Chrom, but, as we witness, that was not a voluntary act on their part; Validar took control of their body. You could also make the argument that Grima “claiming the sacrifice” at the Dragon’s Table counts, but the problem with that is, although it’s obvious that Grima accepts the life force of the Grimleal members as a sacrifice, it’s not at all clear whether or not Grima personally kills them. Although it’s possible that they did off screen, it’s also possible that Validar killed them, or that they were ordered to take their own lives; there’s no reason Grima would have had to lay a hand on them.) In the Future Past, it’s… one, maybe one and half (Naga’s spirit, and Tiki, but only in body. More on this later.)

And it’s not as though Fire Emblem shies away from showing villains directly murdering people, Even in Awakening itself, the intro to Chapter 9 shows Aversa killing a Plegian soldier for delivering an unsatisfactory report, so it wouldn’t have been out of place to let Grima stab a few NPCs as a show of brutality. Especially seeing as Grima is the evil dragon final boss. As early as Mystery of the Emblem, we can see Medeus killing his cleric hostages to restore his own health if you fail to rescue them before trying to defeat him, and as recently as Engage, we get a whole cutscene of Sombron eating Hyacinth. Fantasy violence my beloved <3

Anyway, the point is, Grima could have been written to be much more violent and I don’t think anyone would have complained. Instead, though, Grima repeatedly— and consistently across the series— tries to avoid engaging in direct combat.

Let’s start with what Grima does in the main game of Awakening. We know that Risen pursue Lucina into the past, because we see them fall out of the portal with her in Chapter 1. We also know that those Risen, as well as the others that are appearing throughout the land, are not being directly controlled by Grima, because later in Chapter 13, as the Shepherds are leaving Plegia after meeting with Validar, Aversa, and the Hierophant, they are pursued by more skilled Risen, and Frederick notes that “Either they are learning our ways, or someone is commanding them…” So… It seems that sending the Risen—with or without specific orders—to attack while Grima is not themself present is a favored tactic.

But what about when Grima is present? Take a look at the Endgame: Grima chapter. Yes, you eventually get to engage Grima in direct combat. But not immediately. What Grima does first is…

Grima attacks the Shepherds with dark spikes from a distance, reducing everyone’s hp to 1. Now, here’s what happens next: Grima attempts to possess their past self, Robin hears the voices of their friends and breaks free, Naga heals everyone back to full health, and then the fight against Grima begins… Except actually, the Shepherds have to get to Grima first, because they’re at the top of the map and they’re not budging. Naga warns them that “Grima’s servants will beset [them] to no end.” and she’s not kidding. Grimleal reinforcements will spawn infinitely, and they can hit pretty hard. Even with everyone starting at full health, it’s possible to lose units to these Grimleal soldiers if Grima isn’t defeated quickly. Can you imagine what would happen if Naga hadn’t healed the Shepherds first?

Well, I’d guess that they’d probably all die to the Grimleal without Grima having to face them up close. Which was probably what Grima was going for.

This isn’t the only time Grima tries the dark spikes trick, either. Grima attempts this exact same move in the Future Past 3 when they face Lucina, Severa, Laurent, and Gerome.

Grima announces “With the next blow, I will kill you.” and then demands that they hand over the Fire Emblem as well as the gemstone they hold. The threat is very real. But…

Given that at 1hp, a gust of wind could take the kids out, would it not have been easier and faster to kill them and just loot their bodies immediately? And yet Grima lets the kids have an extended discussion about sacrifice, and even suggests that Lucina would indeed buy a little more time by running… Again, I cannot stress enough that Grima should be able to finish them off in one hit at this point.

So the plan was almost certainly to back off and let the Risen do the actual killing, even though that would be a lot less efficient under the circumstances. And when Chrom and the Shepherds arrive, Grima immediately turns their attention to them, saying “If it’s a reunion you seek, my soldiers shall welcome you on my behalf.” Then they once again pick a spot at the back of the map and refuse to move from it, forcing the Shepherds to fight through the Risen in order to engage Grima in combat at all.

And sure, Grima has some excuses. “I was hoping not to have to flex any muscle,” they say right before the dark spikes attack, as if to justify why they didn’t do it sooner. And of course they taunt Lucina over having to choose to whether to run as her friends sacrifice themselves for her or to stay and fight and die with them. “I must say I shall enjoy this either way!” Yes, Grima, we get it, you’ve made it very clear that you’re an arrogant asshole.

But is arrogance really all there is to it? If we look at what Tiki tells Grima in the good ending of the Future Past, it looks as though Grima’s arrogance has brought their own downfall. “If you had left Mount Prism alone, Grima, you might have stood a chance. Instead, you have brought the Awakening right to your feet.” However, when you think about it… Is Tiki’s continued existence not in itself a result of Grima’s repeated pattern of not really wanting to land a finishing blow? The game states that Grima did in fact kill Tiki… but only in body, not in spirit. This is, according to Tiki, because Robin intervened.

Now, the question I have is… Is it really possible that Robin could have intervened both against Grima’s will and without them having any idea? Honestly, it’s hard to tell exactly how aware Grima is of Robin’s resistance, because they lie about it a lot, e.g. stating that Robin’s spirit perished in sending Chrom back to his own world, even though just moments later, Robin is once again overpowering them. So, keeping in mind that Grima is a liar, was Grima really arrogant to leave Tiki’s body in Ylisstol, and to not make sure that her spirit was fully destroyed? Or was Robin simply able to capitalize on Grima’s propensity towards backing off?

Because surely the only way Grima could be unaware that Robin had acted against them is if Robin hadn’t actually acted against them. I don’t think I believe that Grima really wanted Tiki gone. Naga, sure—longtime nemesis and all. But if Grima had truly cared about seeing Tiki’s existence destroyed… Well, I doubt Robin could have interfered that much.

But maybe it could still be a matter of arrogance. Maybe Grima just didn’t think Tiki’s spirit could do anything with Naga’s spirit gone, and thus didn't care to pay attention to her anymore once she seemed dead enough.

If that’s true, it doesn’t explain why Shadows of Valentia Grima exhibits the exact same habits when fighting Alm and Celica, despite never having been outside of the Thabes Labyrinth at this point in their life. As opposed to the various Terrors throughout the rest of the Labyrinth, which chase Alm (or Celica) down in the overworld to force a fight, Grima is immobile in their room, and will wait patiently there indefinitely until the player chooses to engage. You can even evacuate from the dungeon.

But if you do choose to fight Grima, it proceeds much like the battles against them in Awakening go. The main difference is that they actually will move from their starting position this time, if you position someone in their range. That still requires a fight against (proto-)Risen who are spawning in from the sides to stop your party’s advance.

So… Now it’s starting to look like Grima actively prefers this one particular trick… And it’s a fundamentally defensive maneuver, which makes perfect sense from SoV Grima’s standpoint (they were attacked out of nowhere, after all), but is not really an obvious standout strategy for Awakening Grima, whose taunts and threats suggest an aggression that would be better supported with a more offensive strategy… Consider, too, that Awakening Grima is in fact being even more defensive than their SoV iteration, since they don’t move towards you at all.

With all that in mind, it really, really looks like Grima doesn’t want to fight, especially in Awakening. Not that they don’t intend for the Shepherds to die—on the contrary, they’ve set everything up so that the Shepherds will eventually be overwhelmed—but that they don’t want to land the killing blow.

(And gee, I wonder what might be fueling their reluctance? Being controlled and made to kill your best friend by your own hand wouldn't be totally traumatic or anything, right?)

And then... Funny thing here, I’ve been procrastinating writing this essay for a long time. I originally started thinking about it shortly before the Depths of Despair banner was released in FEH, so imagine my surprise when I saw this characterization hold up in the writing of Fell Exalt Chrom’s Forging Bonds as well… The Grima there says that Chrom was the one to kill the rest of the Shepherds. Now, it’s pretty clear that it was through Grima controlling him, but that’s not the point. The point is that once again, Grima didn't have to do any direct killing.

Look, if it had only ever happened once, I could buy that maybe Grima was just underestimating their opponents, that maybe they thought they could get away without having to put very much work in. But for Grima to operate this way so many times, so consistently, and to their own detriment? No...

Grima doesn’t like direct combat. Grima has trouble even when it’s a fight they asked for.

And when you think about it, that makes their reaction to Robin choosing to land the final blow themself in the sacrifice ending all the more understandable.

“…YOU WOULD… NOT DARE!”

Because Grima would not dare. Grima has always preferred to let someone else land the final blow.

[mindshelter]

“you go blank inside” babygirl. you are dissociating

the abuse that hal suffered at martin jordan’s hands (and words) are. pretty indispensable to understanding hal’s time as a GL leading up to becoming parallax... hal became part of the corps pre-conditioned and primed for easy indoctrination. despite recognizing martin’s behaviour as abusive, and hoping to never become like him, compliance at one’s own expense was all hal knew. it was what felt safe, what felt familiar, and made up that last tendril of sanity—the universe couldn’t be that cruel, and a parent wouldn’t be so hateful for no reason. there must be something hal can fix—can compromise—to be accepted. if only hal could have given martin what he wanted, whatever that may have been. if, if, if. 

fealty won’t earn you happiness—only survival. 

when that illusion finally crumbles—when the realization that decades of loyalty to the corps and to the long-deceased father has reaped zero reward—so does the remainder of hal’s belief system. 

captions below: 

1. dc comics presents: green lantern (2004)

Willpower. Absolute concentration. Split second timing. Where does that come from?

Instead it’s all feed in more trim and if you’re still nose-down, put your feet in the stirrups and blow the canopy before you red out. You do what you do. You go blank inside.

2. back issue #80, on Green Lantern

Fearless people tend to be cocksure of their actions and tend not to question anything, including authority. I recall a number of John Broome[-written] stories where Hal was totally (and happily) subservient to the Guardians of the Universe. 

3. zero hour: crisis in time (1994) #0

I used to be the errand boy for the Guardians of the Universe. It was a thankless job. I knew that. I had never asked for anything. 

The one time I did, I was denied. It dawned on my just how unfair the universe really was…

4. green lantern (1990) #63

Your rules. Your rules kept me from any happiness. I served the corps more faithfully than anyone, and my loyalty got me nothing. 

5. dc comics presents: green lantern (2004)

Like what you learn at the end of someone’s arm. You learn to go blank. 

Like maybe things with him would change if could just give him what he wants. If you would just take it like a man. But nothing ever did change. He just kept calling you a loser. And if he ever had a warmer opinion, you never heard about it. You took that like a man, too. 

6. back issue #80, on Green Lantern

I always believe it is very hard for people to actually change their personalities. So the best Hal could do was reach a happy medium, intellectually realizing he should be feeling differently about a situation, but emotionally having trouble doing so.

7. dc comics presents: green lantern (2004)

I don’t think I can do this anymore. “Fearless.” It’s all a crock.

8. green lantern (1990) #50

9. dc comics presents: green lantern (2004)

You go blank inside. 

Maybe sometimes that’s all that stands between this thing on my finger and the hot green end of everything. 

[quietwingsinthesky]

haunting the narrative for real. we don’t even know she exists until s11 (because it’s a poorly planned show) but everything has been about this injustice that all of creation is built on top of. it is about her!!!

[perenlop]

im bored rn, here's what i'd have liked ash's gen 8 team to look like

[aroaessidhe]

2023 reads // twitter thread

A Song of Salvation

YA space fantasy adventure

a reborn god in the body of a girl on an isolated planet, a grumpy space pirate, and a famous space-radio podcaster end up together on the run in the middle of an intergalactic war - and they might have the key to end it

m/m and pre f/m, demi MCs

[joelletwo]

[The Final sugi dying kitten betrayal -> utsuro-gin fight -> sakura boat imagination -> completely tonally consistent with these ginpachi-sensei closer]

now listen. u know i would rather die than post five nearly-uninterrupted minutes of a fight scene. so take that into consideration.

[stop-breaking-my-heart-dragonage]

Alistair: So I'm not going with you, I see. Any particular reason? Tabris: I'm not going to risk you getting hurt, Alistair. Alistair: And you think I want you going in there and sacrificing yourself? You think I want you to die!? But there's no use arguing with you, is there? We don't have time... and you are a stubborn, stubborn woman. Tabris: You would do something foolish. Alistair: Maybe… I guess we'll never know now, will we? I guess this is the last chance we'll get… before this is finished, one way or another. Be careful in there. Tabris: I love you, Alistair. Alistair:

Guess who made the ultimate sacrifice...?

Me. It was me.

I made the ultimate sacrifice.

The achievement wasn't worth it.

[seaseren]

Honestly Shadowbringers might be just what Chiaki needs. Stormblood has just made them feel more and more alienated- from Eorzeans as a legendary hero, but from their homeland as well. They're having to reckon with the fact that they never really knew Doma, and I think they're having trouble feeling at home anywhere. Shadowbringers puts you in an alien situation- but the people of the Crystarium reach out to close that distance themselves, and the chance to see the Scions as comrades, as people that can be relied on, will be really important to Chiaki.

Honestly, even their age kinda serves to isolate them? They're a few years older than the twins and a at least a few years younger than everyone else- there's not really anyone in their age group.