#it probably won't go in the tag but for personal organization's sake anyways!

[clownsalot]

ok so anyway double first impressions and observations!! idk if ill be repeating any points other people have already brought up since im typing this without having looked through the milgram tag. and this probably won't be all that organized despite my attempt of neatening it up but ah well. i tried grouping my observations by point at least, but they're not in an order that follows the sequence of the mv.

also id like to preface this that firstly a) i don't have any personal experience with DID whether it be in myself or with people i know so please be patient with me if i say something wrong and b) for now please assume im going with the 2koto theory? not because i dont believe in the trikoto theory but because i haven't really dug that deep into it and so id be bad at spotting evidence of it myself

also im mostly going off of what i see visually in the mv since i haven't gotten to analyzing the lyrics yet

for now im referring to host mikoto and alter mikoto as bokuto and orekoto respectively.

the rest of the post under the cut!!

1. magazine/print(?) texture

the first thing i took note of was the magazine/print(?)(there's definitely a better term for this because just saying 'paper' doesn't fit. someone please help) texture that shows up when the mv kind of fragments. there's a lot of text that shows up like printed letters on a newspaper/print(?) that floats around.

how i find this interesting is actually in contra:st to the magazine texture on cat and the magazine/scrapbook format of this is how to be in love with you:

whereas kazui and mahiru center more on the clean perfect 'advertising' feel of magazines, mikoto's texturing in double feels more like the kind of crinkled old magazines you rip and mess up for collages in primary school.

it's kind of interesting, actually: with kazui and mahiru, it's their portrayals of the idealized romanticized forms of love and romance they're being sold. so with mikoto, is it the shreds of the idealized 9-5 grind he's been sold? since it seems to be implied in double and also one of the shots in undercover that mikoto is pushing himself too far for the sake of his work, and it's well known that the work grind in japan is crushingly brutal and overtime is not only expected but actively encouraged (i may be reaching with this one though? i dunno man).

2. the eye imagery

the next thing i noticed was that double has a lot of eye imagery. it's really interesting because it's like it's carrying over the feeling of surveillance from MeMe by replacing the camera povs that feel like spying on mikoto with more straightforward eyes on him.

what else is interesting to me though is the way the eyes watching mikoto in double contrast with the eyes watching fuuta in backdraft. as far as i can tell mikoto and fuuta are the only ones in milgram with eye imagery? but there's a difference in that while fuuta's eyes are disturbing partly because of the fact that they're semirealistic, mikoto's in contrast are a lot more abstracted in comparison. i wonder what exactly the eyes in double are supposed ro represent, since fuuta's are meant to represent judgement. given the stylistic differences between them im really curious as to what the similarities and differences would be between how they both view being watched? i can't come up with anything concrete at the moment though.

3. across the train carriage

i think throughout double there's a kind of shot composition/framing that shows up a few times, and it's that orekoto and bokuto seem to be across the train carriage from each other.

in the first image, it looks like bokuto is being reflected in the window behind orekoto, meaning he'd have to be sitting across from him in the train carriage. in the second, an identical pair of hands are overlapping orekoto's image, and since i doubt there'd be a mirror cutting right through the middle of the carriage in front of the doors, it'd have to mean that they're mirroring each other's actions from across the train carriage.

(you'll have to forgive me for it being in still images, i wish i could get it in motion but i am. not a gif maker. it's at roughly 2:16 though for anyone who needs it)

it also shows up in this scene which i like a lot!!! where the camera starts from a mikoto leaning haggardly against the train door looking at something behind the camera, who im assuming to be bokuto, before it pans up towards the ceiling and down again to the mikoto holding onto the bloody bat, who im assuming to be orekoto.

the Across the Train Carriage framing is really really really cool in and of itself and i love it!! but that panning shot has me rolling it's so good and i love it so much. the way it pans back down to orekoto so he's upside down makes it so disorienting and difficult to process especially with the scribbly effects over it. this could be reflective of how bokuto feels about this whole thing himself, but i donthave much of an analysis for this point, i just wanted to point it out because i think the directing of it is really really really damn cool

4. phone call home

yea i don't have an analysis for this part either, i also just find this sequence of events really really cool. just—the calmness of the phone call over the flashes of orekoto violently 'taking care of' the things troubling them!!!! it's the juxtaposition of the mikoto who calmly tells his mom that everything is alright and he's fine vs the mikoto that takes care of things for him that allows that kind of calmness to exist in the first place. it tickles my brain

although there is the thing of: if people are right that the mv visually distinguishes between bokuto and orekoto through the presence of eyebags, it is a little odd that the mikoto on the phone also has eyebags, implying that the him on the phone is also not bokuto. and i don't know what that's supposed to signify, but it's a little interesting to think about.

5. glitching Next Station screens

it's interesting to note that as the mv progresses the screens that show the train route and what the next station is get glitchier and glitchier. do any of the train station names correspond with actual train stations on the japanese train system? do they mean something else? im really curious, but my japanese isn't great and consists of only the 2 duolingo units i did like years ago, so could anyone please give me a hand with translating or point me to someone who has already translated it?

the constant appearances of trains in both MeMe and double is really interesting to me and i wonder what exactly it could be representing or what the significance of it is, especially since mikoto apparently bikes to work and doesn't commute on public transport

anyways, that's about it for all the things i took note of upon watching double the first two times, and i haven't done any especially deep analysis or anything. i haven't touched on all the mannequins either, mostly because im not reslly sure what they're supposed to represent and so don't really have much to say about them.

also hanae natsuki delivers a banger vocal performance once again!! ive never heard him miss in any of the roles ive seen him in, but he once again knocks it out of the park with mikoto. i haven't listened to mikoto's t2 voice drama neoplasma yet, but im sure hanae natsuki did amazing work on that once again, so im really excited to give it a listen!!

as for now though, i think ill have to look at everyone else's analyses of double to understand mikoto better, since even though i love him as a character and i like doing analysis im not as great at theorizing

[starbuck]

I don’t know who Armitage is and at this point I’m too afraid to ask

(Hi there! I tried to type out a normal answer to this ask but it accidentally turned into a giant essay so honestly, anon, you should be afraid and I apologize in advance. If this is really Too Much, here’s an Armitage outfit-rating post I made a bit ago that covers a lot of the same content and also has additional screenshots of him for identification purposes.)

I didn’t know who he was either until about seven months ago... Well, that’s not entirely true, but it was around that time that I realized all his different appearances throughout the show were the same person and that person was the infamous Mr. Armitage. You may recognize his name by the fact that he’s being shittalked pretty much every time he’s brought up but he did some shitty things so about 75% of the time, he deserves it. 

But who is Armitage? Despite often being seen with a gun and hanging out with the marines, he’s not a marine himself, which is a common fandom misconception. Instead, he’s Terror’s gunroom steward which, despite its name, has nothing to do with guns (although he’s implied on several occasions to have the keys to the armory but whether this is a regular part of his job or a duty he just happened to be assigned, I do not know).

this was the shot that first made me notice him way back in October of last year and I had no clue who he was or why we were looking at him during the lashing

But what is his actual canonical significance? Although he is not a marine, he’s almost always seen by Tozer’s side. I like to think of myself (and the wonderful @rhavewellyarnbag) as the head archaeologists of what has been lovingly dubbed “the secret Armitage/Tozer subplot,” found only by closely studying the hidden depths beneath the surface of the show. I’ve actually been meaning to gather up all of my old meta and rewrite it to suit my current thoughts on the matter but, I’ll give it a somewhat abbreviated try here, under the cut.

The first time we properly see Armitage, he’s standing in armed defense of Tozer, immediately after Heather has been attacked by the Tuunbaq. Right off the bat, it’s a bit strange for a steward, who by any ordinary measure should be a nobody on the ship, to be protecting a Sergeant of the Royal Marines so that alone makes him stand out and I would argue that protecting Tozer becomes the cornerstone of his character.

In ep 6, while doing some of the aforementioned shittalking, Hickey says that Armitage had always wanted to be a marine, but was disqualified due to his disability, implying that he’s now somewhat of a wannabe or a fan but I think it goes deeper than that. In the very same episode, at Carnivale, we see Armitage assisting Tozer in feeding the comatose Heather, something he apparently knows how to do by this point and looks perfectly comfortable doing, which implies to me that he had been assisting in Heather’s care ever since his attack, in a similar fashion to how we see Tozer at his bedside in ep 5. And then, when all goes to shit at the end of ep 6, Armitage not only tries desperately to help Tozer save Heather from the fire but, failing that, drags Tozer out of the tent against his will, saving him from being crushed or burned to death for what was, by that point, a lost cause. Whatever Armitage’s original reasoning was for socializing with the marines, this is more than him playing out a fantasy of becoming one himself; his relationship with them, and with Tozer in particular, is personal. 

Enter: The Mutiny. Armitage was already connected to Hickey’s whole situation via participating in Silna’s kidnapping in ep 4 and then not owning up to it (remember how I said he deserves to be shittalked?) but Hickey didn’t even need blackmail to get him involved in the mutiny, all he needed was Tozer. With Tozer on board for his own reasons, Armitage’s eventual participation in the mutiny was a given. Also unhelpful to any hope of staying neutral was Armitage’s involvement in the murder of Koveyook and his family based on Hickey’s lies, as we hear about in ep 8, after which Hickey implies within his earshot that he’d like to see the armory opened. One can interpret this situation in multiple ways depending on whether Armitage had figured by that point that Hickey was the real murderer of Irving and Farr and was now in fear for his own life or whether he was still convinced of the family’s guilt and was acting purely out of racism but, regardless, it’s no surprise that, when Tozer asked him to open the armory without orders, he complied (although he was, tellingly, unable to defend this action to Little when pressed).

And so, ep 8 plays out, Tozer’s nearly hanged (much to Armitage’s dismay if you watch for him in the crowd around the gallows), the Tuunbaq interrupts, and the mutiny is on its way. But wait! Let’s not brush over Armitage saving Tozer’s life for the second time by thwacking Little, who had Tozer held at gunpoint, over the head. RIP Little’s skull but also this is the second time he was bamboozled by Tozer and Armitage within one day so… “Fool me once,” and all that…

(Also, try to tell me that appearing out of the fog in the nick of time to save the life of the person you love isn’t the most romantic thing ever? You can’t.)

But now the mutineers are their own offshoot group and things are getting serious(ly bad). At the end of ep 9 we have the scene where Armitage tries to convince Tozer to leave Hickey, which I think of as an attempt to, once again, save Tozer’s life. Although there was no way for Armitage to know the extent of Hickey’s agenda, he did know that he was being asked to assist in kidnapping Crozier, a reckless move wholly unrelated to their survival, not to mention that Hickey was clearly going nuts overall. So, to me, their conversation rings not only of Armitage grasping at their best chance of survival, but also of him trying to get Tozer out of a potentially dangerous and abusive situation. But, of course, Tozer says no and, despite his fear, Armitage stays as well, and things end how they end. 

in case it’s not clear, Armitage is the one who leans forward and reaches his hand out after Tozer is knocked out by Hickey :(

To summarize a bit more succinctly, Armitage’s narrative life is a tragedy marked by repeated failures and unrequited love with no solace or fulfillment and it sounds pretty damn depressing when I say it Like That but also, this is The Terror, so it’s really just par for the course. 

His being motivated by something as wonderful as love, and love for someone as worthy of it as Tozer is incredibly appealing to me. Not everything done in the service of love is good but I am naturally more sympathetic to it than I am to the actions of those who I believe were only in it for themselves. Harvey once said (paraphrasing here, apologies!) that Armitage might regret some of the things that happened, but he doesn’t regret why they happened, and I fully agree with that assessment. That is to say, I don’t think he set out to do bad things or was indifferent to the negative effects of the actions he ultimately took, but I also think that he loved Tozer and would have done anything to keep him safe and I really can’t hate him for that.

In fact (if this ridiculously long answer didn’t tell you already) for all his faults, I love him quite a lot! So thank you for asking and, if you made it this far, have a smiling and happy Armitage for your trouble!