Okay but “X fell first but X2 fell harder” trope Lestappen edition WHO???
okay anon I've been pondering this I've rewritten this ask about five times arguing one side or another and I have to put a disclaimer that they are both obsessed with each other and have been for a very long time.
That being said I think I've arrived at the conclusion that Max fell first and Charles fell harder. Evidence for this includes Charles being one of the only drivers Max ever followed on instagram (which imo indicates HIGH levels of respect), Max seemingly being the first to initiate contact via Lando in quarantine, the way Charles has always been the n1 maxsplaining victim. I think Max fell sometime around when Charles joined F1–they hadn't competed for a few years so that childhood rivalry fizzled out somewhat and Max is like "oh I'm actually proud of him for living our shared dream and I'm just as obsessed as I always was." (you'll be surprised how close of a paraphrase of DTS s5 ep1 this is). Austria 2019 happens and Max then cries himself to sleep.
Then Charles falls, in my opinion sometime around early/mid 2022. Just as Max's fall was caused by their rivalry cooling down, Charles's fall is caused by their rivalry heating up again. Finally in (earlier) 2022 Charles is in a decent car and he's fighting Max for the championship. The media, smelling drama, jumps on their past and tries their hardest to push this epic rivalry. However, they're not at all what the media (and Charles in his own head) has painted them out to be. Instead, Max is concerned when Charles crashes out, he celebrates Charles's podium wins with such glee (Austria looking at you), and they remain each other's favourite to talk to after the race. I think this is when Charles falls, when they're supposed to be fighting each other for a championship but all they can think about is how excited they are to be fighting each other for a championship.
So yeah, Max fell first and Charles fell harder, but they've been obsessed with each other since before they learned basic math (Exhibit A: Max knowing all of Charles's old karting helmets).
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71?
71. When it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.?
A big old messy scratchdoc!! I try to use headings to keep the information somewhat organized, but they work best if I let them stay pretty sprawling. It's usually something like:
Top section: What are The Themes? Why am I writing this story? Are there important symbols or visual motifs I want to keep track of? Are there reminders to myself that I want to see frequently to bring myself back into focus (re: tone, characterization, types of description or details to focus on)?
Character Section: I don't always do this, but for big fics or things with a large ensemble cast I usually lay out each important character, the basis of their arc/conflict, and how they contribute thematically to the story. If it's AU or set post-canon or there are other reasons that information about the character would be different from their canon counterpart, I note it here.
Reference section: Any specific research I've done for the fic. Lists of things like minor characters' names, descriptions of settings or OCs, etc.
Revelation List: I stole this from DMing advice blogs, but any time there are mystery elements to a fic I always lay out the Revelations (what the characters need to learn) and the specific clues or circumstances they encounter that allow them to reach those conclusions. Do they find and interpret evidence? Do they get information from another character? Do they do research? Even if I don't plan out all the details of the plot, I need to understand how the characters are going to reach each of the Revelations or I'm going to get stuck.
Timelines: I don't always do these either; it really depends on the fic, but if there's a specific chronology I need to keep track of (or a secret structure that would get lost in the full outline) I try to write it down
The Plot: Finally!! The actual outlining part! I start by writing bullet point versions of the events I know will happen (I usually have a pretty strong sense of the beginning and climax of a fic by this point, even if I still have a bunch of fine-tuning to do) and then work backwards or forwards to fill in the gaps. If it's a mystery fic (and most of my longer fic has at least some mystery elements) I refer back to the Revelations list to make sure I have scenes that cover all the necessary Leads and Revelations to get the characters to the endpoint.
Snippets: For certain scenes, the outline version doesn't accurately capture the Vibe I'm going for, so I have a section at the end where I write quick, tiny, scaffolding-style first drafts. These usually have almost no relation to what the final scene actually looks like, but it's about pinning down the idea and the atmosphere.
These documents are really big and messy and I usually need to go back and edit them as I go, because my original ideas inevitably undergo some shifts as I figure things out, but that's the fun of it!
It has to be the right type of fic to make this worth it, but sometimes I'll also do a scene-level outline in an Excel spreadsheet, with columns for Scene, POV Character, Location, Characters Present, Events, Reactions, and Plot-Important Info. This is good for super plotty/mystery-heavy fics and fics with big ensembles that I can't keep track of other ways. I have an enormous and beautiful outline in this style for the Owl House Tam Lin AU which I do still want to write someday, bc while I didn't end up loving TOH as a whole I do love a lot of the characters, and also we came up with possibly the best plot twist of my life involving 400 years of moon phase records so. It's on the back burner but it's still on the stove, as it were. And the good thing is that because I have such an exhaustive outline it will be easy for me to pick back up at any time if I want to!
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﹄ ◇ ; @dnangelic left a prayer
i take it you think i'm frightening? // ALSO ONE FROM DARK
⌜◈⌟ ▌ ── "𝐈 𝐜𝐚𝐧'𝐭 𝐭𝐡𝐢𝐧𝐤 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮 𝐰𝐡𝐞𝐧 𝐈 𝐜𝐚𝐧 𝐡𝐚𝐫𝐝𝐥𝐲 𝐬𝐞𝐞 𝐲𝐨𝐮," she retorts, face still burning with embarrassment at the high pitched yelp she'd let out as soon as she'd realized she wasn't alone.
𝐓𝐡𝐞 𝐧𝐞𝐫𝐯𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞 𝐩𝐞𝐨𝐩𝐥𝐞! Sneaking up on young ladies all on their lonesome in the dark and then saying such eerie things; who in their right mind would do that? Never mind that she had been trying to sneak up on him. It was still a flagrant display of appallingly bad manners. And she at least had plenty of good reasons for skulking about. Whoever (or perhaps more aptly, whatever) he is, she hadn't been able to get a clear reading of him during her initial qi scanning. She also hasn't been able to contact anyone through the communication array for the past hour, and without any means of requesting more information or backup, she had to be cautious. What could he say for himself? She had every intention of asking, but she was going to do so fully face to face.
𝐈𝐠𝐧𝐢𝐭𝐢𝐧𝐠 𝐚 𝐩𝐚𝐥𝐦 𝐟𝐥𝐚𝐦𝐞, 𝐒𝐡𝐢 𝐐𝐢𝐧𝐠𝐱𝐮𝐚𝐧 𝐡𝐨𝐥𝐝𝐬 𝐡𝐞𝐫 𝐡𝐚𝐧𝐝 𝐮𝐩 𝐭𝐨 𝐢𝐥𝐥𝐮𝐦𝐢𝐧𝐚𝐭𝐞 𝐭𝐡𝐞𝐦 𝐛𝐨𝐭𝐡. Her breath catches. Wings darker than night itself, each feather a slash of poet's ink. Jinwu. The thought drags her gaze from wings to chest, where she almost expects to find a golden arrow protruding from his ribcage. When she finally meets his gaze, a chill skitters down her spine. Those aren't the eyes of a crow. Neither are they the eyes of a human, god, or ghost. Outside, the wind begins to howl.
"𝐀 𝐥𝐢𝐭𝐭𝐥𝐞 𝐮𝐧𝐜𝐚𝐧𝐧𝐲," she admits, giving a polite nod as if trying to help him save face, "but nothing I haven't seen before. You give yourself too much credit, shuai ge."
𝐓𝐚𝐤𝐢𝐧𝐠 𝐚 𝐬𝐥𝐢𝐠𝐡𝐭 𝐬𝐭𝐞𝐩 𝐭𝐨 𝐭𝐡𝐞 𝐬𝐢𝐝𝐞, 𝐬𝐡𝐞 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐭𝐡𝐞 𝐲𝐚𝐰𝐧𝐢𝐧𝐠 𝐡𝐚𝐥𝐥𝐰𝐚𝐲 𝐬𝐭𝐫𝐞𝐭𝐜𝐡𝐢𝐧𝐠 𝐛𝐞𝐲𝐨𝐧𝐝 𝐡𝐢𝐦 𝐰𝐢𝐭𝐡 𝐚 𝐧𝐨𝐝. Shadows of tree branches dance across latticed windows. The wan, milky light seeping in past them spotlights various displays and artworks hung upon the opposite wall. The details of each subject have been blurred into a mess of nothingness. "That's far more frightening to me. Someone did something they shouldn't have or touched something they shouldn't have, and now look at this sorry state of affairs. Ugh. And right when I-- wait. Why are you in here, anyway?" She can only think of two reasons a fellow nonhuman would be inside this supposedly cursed estate of an eccentric collector. Her eyes widen. "Forget uncanny-- you're in trouble is what you are!"
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"I'd like to stay, but I might have to go to start over again"
a pretty picture but also me talking below the cut lol
On the way home tonight (what? I left the house? Ikr) , we had to make a short stop somewhere, and so I rolled my window down and enjoyed the night air a bit, something I actually haven't been able to do without fast food places and commercial lights ruining the experience for me in YEARS . And while it was so nice to see the mist over the fields again, and to be able to smell the grass and nature on the wind blowing deafeningly in my ears, it also reminded me of just how much I miss living in the country country, where my neighbors had horses or cows or pigs or literally anything. I miss not having to hear traffic 24/7, being able to properly see the stars, having a sense of peace in my surroundings. I have been living in this Nashville wannabe city since 2015 and I am so, so tired of it. I didn't like it then and I hate it now lol. Like this stop was so pretty and reminded me so much of the places I grew up but even it was barely contained in itself away from the rest of the area.
I wanna move back to Arkansas so bad :( Even just somewhere like Holladay again, if I can't leave this god forsaken state lol
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