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#it's also misogyny all over again
xhanisai · 1 year
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ML fandom when Marinette/Ladybug calls Chat Noir by cute nicknames and gets angry and upset when he's hurt and when she laughs at his jokes: *silence* ML fandom when Marinette/Ladybug doesn't reciprocate Chat Noir's romantic feelings in the beginning: SHE IS A HORRIBLE PERSON!!!! SHE DOESN'T CARE ABOUT HIM!!! SCREEEEEEEE!!!!!
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m-ilkiee · 7 days
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I think jjk fans should stop doing analysis. Like please stop, you all have terrible opinions and you're mixing it with your internalized misogyny. Stop talking. Please.
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bmpmp3 · 5 months
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dysgraphic artiƨts risɘ UP!!!!!
#raise your pencils!!!! and erasers. to fix the backwards letters 😔#sorry still thinking about my weirdness with my art professors. yknow a lot of em have been really pushing us as#students to make our personal identities a major part of like our 'brand' as artists#which. well from an art history major perspective thats a very contentious and nuanced topic. i love a lot of artists who live this way#and i think its great seeing my peers who focus on identity thrive. but also as an fine arts major (double major fool LOL)#i keep getting pushed by teachers into like. specific '____ artist' identities???#specificaly woman artist. which is a little bizarre because im a bit fat and a bit gnc so im generally like. ungendered? in day-to-day life#(which doesnt actually matter to me directly that much honestly LOL people tend to view me as like. buddy? buddy or pal.)#(not man. not woman. not anything human. sometimes i remind people of a beloved dog. which. hkdsahjk thats its own can of worms)#(a can of worms that also doesnt matter much to me directly because im a wannabe furry who chose to be the dog when playing house as a kid)#(LOL so um. well. theres that) but yeah i dunno i dont really consider myself a woman artist. its been. shockingly (and sometimes luckily?)#irrelevant to most of my life and experiences and art (although dont get me wrong misogyny is very real and very present) so i dont#have a whole lot to say about it from an art perspective. you could also call me all kinds of things. a queer artist. a mixed race artist#again technically correct. some aspects more visible in my work than others. but also very technical. i focus on race a lot in in my#art historical work but i dunno how much my drawings have to say. except that i keep making too many mixed ocs LOL#i dunno i just think my professors gotta focus that energy away from tokenizing me and over to supporting like actual#capital W Woman artists capital Q Queer artists capital A Artists of Colour who are doing far more interesting things than I#far more thought out and engaged in these topics directly. i just kind of stumble into my art blindly and confused <3#sorry that was a long tangent WHAT IM SAYING Is despite all that: i do consider myself a capital D Dysgraphic artist#i think its an unmovable constant of my art and the way i draw and the way my hands move. the untrained eye doesnt seem to be as aware#of it directly. but those who are familiar can probably see it. the dysgraphia LOL if not just from whenever i write a letter or number#half of them are busted and frantically fixed HDKJSDJDS but its in all my art. if u can see it <3 ive been trying to embrace it#dygraphic artists raise your pencils indeed!! and throw away the eraser!!! make the legibility of your words everyone elses problem!!!#what does that say? what is that sketch? none of my business! none of your business!! its the business of my hand and the pencil alone#motor skill and spatial issues take the wheeeeeeeeeeeeeeeeel
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marchlione · 6 months
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another bone i have to pick with atla fic writers, writing katara in a way that makes her out to be a totally unreasonable bitch who goes out of her way to hurt zuko or refusing to treat him is completely ooc. katara, no matter how much she hates someone, always tries to help, it is the core of her character, no matter how angry she is, no matter how much she can hate, she always, always, chooses compassion and forgiveness. This is a choice she makes even when confronting her mother's murderer. She could have killed him or done any number of things to him, but she didn't. In her own words, Katara will never, ever turn her back on someone in need. That is Katara's greatest strength and what makes her my favourite character.
In the beginning she, like Sokka, is helpless to the dangers her tribe faces. When she, Aang and Sokka travel to the North Pole, she is yet untrained, and if caught or attacked, she doesn't have much in the ways of defending herself, but despite this, she goes out of her way to try and help other victims of the war in any way she can. After being trained, she has the power to defend herself and others. She even gains the ability to blood bend. With all this power that she didn't have before, she could have gone the way of Jet and exacted her revenge in anyway she could, without considering how it hurt innocents. She could have done a lot with her bloodbending. But she didn't. She draws a line in the sand, she chooses "good", she chooses to be compassionate, even when it would be so much easier to hate, and hurt, even when it would make far more sense to turn someone away. Katara is the first person to give Zuko a chance, despite the fact that he has been chasing them from the moment Aang came out of that iceberg. Zuko had been pursuing the gaang the way Azula hunted them for far longer, even if he didn't deprive them of sleep. He at one point caught her and tied her to a tree. Katara had so many legitimate reasons to hate him and turn him away and not trust him. And we know she is capable of hate, we know she is capable of hurting. But she doesn't. That's the point. That is who she is.
So making her a petty bitch going out of her way to cause bodily harm to poor baby zuzu, is extremely disingenuous. We, as the audience, know Zuko's arc, we've seen his journey, we've watched him realize the harm the fire nation causes, the atrocities they've committed and resolve to no longer be a part of that and eventually accept that he has to actively make the world a better place. We know that his betrayal under Ba Sing Se was him backsliding, and was ultimately what sealed the deal in terms of him coming to realize the full extent of the fire nation's corruption. But their world didn't sit around "waiting for him to switch sides, and had to plan for a future where he didn’t" (quote from 'There Within' by Avataraccount on ao3). And a direct consequence of Zuko's betrayal was Aang's near death and destruction of the Avatar cycle. Katara was the one who worked tirelessly to keep Aang alive, to keep the world's last hope alive. She was the one who had to directly face the devastating consequence of her choice to trust Zuko in the caves. So when Zuko comes back and reiterates the spiel he gave her (albeit with stronger and firmer conviction but that makes no difference to someone who has heard a version of it before and watched him go back on it), Katara is well within her rights to not trust him. Making her distrust seem like it is childish or selfish is ridiculous. As is trying to justify it as her "character flaw". Katara is learning from what she deems as her mistake from before. In fact, she's making the smart decision!
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hecksupremechips · 6 months
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Minor thing that really irks me is when people treat the femc route in p3 portable as like the lesser story or like it’s a fanfic where nothing that happens in it is the “true” canon like. Bitch. The femc and everything that happens in her version of the story is just as canon as the male protagonist and everything that happens in his story. And there’s literally been so many fucking versions of p3 at this point like the base game, fes, portable, the movies, stage plays, reload, as well as spinoffs and manga and they all do things differently. I don’t see anyone acting like the base game is more canon than, say, reload so why do they do this with portable? Why can’t the (infinitely superior) version with the female protagonist just be respected for five fucking minutes goddamn
#persona#persona 3#kotone shiomi#its the misogyny yay#but god i am so tired of her game being treated as not actually canon like it literally is#theres multiple canons dipshit there is no true version of this game#and also people saying she doesnt fit the theme or some shit like. she literally does??? and honestly she does it better#like you can really feel the love she brings to the group and how she gives everything life and helps everyone#but also just how it all comes with pain she smiles and befriends everyone but shes always been so deeply alone and she doesnt want anyone#to feel the pain shes felt and so she carries all those burdens on her own and when everyone goes to reach out for her#its too late far too late shed sacrifice herself over and over for these people and theyll never once see her cry#she also you know. actually has good social links and gets to know everyone not just people she wants fuck#so you get to see just infinitely better versions of every character with her she really does bring out the best in them#and another thing in particular with the disrespect of her story is the way shinji living is treated again just like#some kinda fanfic au by someone who didnt wanna cope with their blorbo dying like ughh#shinji surviving is just as canon as him dying there is an entire canon where he gets a happy ending and it is once again#much better than versions where he dies like ive. exhausted myself with explaining it but its just better#so yeah basically out of spite i like acting like kotones story is actually the one true canon#and when people mention stuff that isnt in her story im like ‘huh? what? that didnt happen’#cuz whos gonna stop me
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lesbiansanemi · 8 months
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Gay trans men be normal about women challenge. Especially trans women and lesbians
#why are they so misogynistic. like why. lol. lmao even. it's infuriatingly hysterical#and not just misogyny in general#the TRANSMISOGYNY??????#lord. god. dear fucking jesus it's goddamn horrendous#also genuinely one of THE MOST lesbophobic groups of ppl i have ever had the displeasure of interacting with#the disdain for women hidden behind 'well i'm not a woman nor attracted to them uwu it's okay to talk about how awful and gross and terribl#they all are. also i will accuse all of them for being either transphobic or a misandrist or both if they confront me about this'#'because i am trans and a minority group so therefore i can never be wrong uwu'#insane behavior#the way so many of them view afab nonbinary ppl as Women Lite because if you're not a binary trans man who wants to pass as cis perfectly#you are irrelevant and can have no opinions on trans topics or experience transphobia or identify it#crazyyyyyyyyyyyy#don't even get me started on the 'transandrophobia truthers' just admit you can't handle trans women being the main topic of conversation f#for once. not even in discussions over their fucking oppression#and don't even get me started on the internalized shit. like not just the misogyny but honestly this weird brand of transphobia#and homophobia too. it's fucking wild#once again. lol. lmao even.#sorry i saw some stupid shit this morning (and it's been building for a while) and I want to bitch. i'm tired. i'm so fucking tired#it's such a trend i have seen in this group of ppl#OBVIOUSLY i know they are not all like this but GODDAMN a lot of them are#and any time someone tries to point out any issues with the community they're just accused of being a bigot. whatever x-phobia is convenien#to cry at the time#okay i'll shut up now#kaz rambles
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volfoss · 1 month
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my #analysis or whatever but its really interesting with how much they cut out of the Jon at the banquet 1x01 scene compared to (at least the leaked version online) the original pilot and book. like not to be like yeah grrm put this much detail in there for a reason but a lot of the detail that they removed really hurts jon as a character and its so jarring to see how much they cut to take the chapter down to about 3 minutes of the episode.
#twist rambles#thrones posting#im picking it apart bc im enjoying rewatching and knowing whats coming but it actually drives me insane bc imo jon gets fucked over SO bad#in the show w/o having his internal thoughts. like him and da/ny get fucked over the most w that to ME. and the cutting of the sa/nsa tower#scene in 1x10 also really was a big loss to MEEE personally. like when u have characters that are introspective and dont figure out any way#to incorporate all their thoughts- it hurts them a lot and kind of fucks over their characterization a lot#not saying got has sucked since 1x01 or anything but its been interesting to rewatch it and pour over the text as i do so because the small#changes do end up hurting it a bit the further u get in. like changing cer.sei to have birthed rob.erts child vs abortion i think definitel#does some damage to her character/that reveal. where like a lot of things that they added even in 1x01 are REALLY good changes. like the#addition that they did to the “the things i do for love” line were really good because it does kind of reassure the viewer haha he is askin#questions and let go of his shirt he SURELY wont and then he does. like that is a rly good change and again i think its kind of a mixed bag#w the additions and things they took away (namely i wish the amt of really over the top sex scenes were a bit closer to the book bc it kind#of takes away from a lot of it when its like SO much of an episode. its way more jarring how cruel th.eon is during sex when its very#different to what is surrounding it (which it is in the books) instead of like. it being INSTANTLY followed up w another similar scene they#added in. like i can definitely see the misogyny arguments esp when comparing book 2 show because the books are nowhere near as bad w that.#also forever mad that they didnt make da.ny bald at the start of s2. can we get silly NOW. anyways god. its been interesting to pick it#apart upon rewatch and more familiarity w the source material.
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non-un-topo · 1 year
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Doing an experiment. Since I don't have tik tok, I'll scroll instagram until I see something sexist, ableist, or racist and report back.
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mg549 · 2 years
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god i wish season 2 of h2o wasnt unwatchably misogynist 
#my posts#h2o#put it on for bg noise. got to my least favorite episode ever of all time [irresistible]#the whole season is rly bad tho. charlottes entire character is jst. jealous bitch stereotype nothing else#like yeah yeah shes meant to be dislikable. do you maybe want to meditate on why they wrote her the way they did any deeper than 'on purpose#'? bc it was on purpose. im aware of that. pls think deeper.#this isnt a take ive seen on tumblr mostly jst in the youtube comments btw#like. the character setup of granddaughter of the original trio is so interesting. but they hate women love loses#also i HAAAAAAAAATE ash. everytime hes on screen i have to pause to go watch sth else for a minute he makes me so mad#girl you look like live action william dunbar Go In The Dark. his mra talking points are so. i haaaaaaate it emmas such a butch lesbian 😭😭#my less popular take is that i dont like zikki either sorry. i think theyre both gay. i think they are wlw mlm bffs who shop at hot topic#god. the straight coupling literally ruins any sense of like. individuality they had in the first season [which still suffers from misogyny]#why write character development when you can jst do the same relationship drama over and over again#also i hate how the color grading got darker and less saturated in an attempt presumably to market towards older kids. looks bad#this is why s2 never got a rewrite in my hallucination doc. i have Ideas but theyre basically literally removed from canon entirely#i had an iced coffee so now im Going#<-he cant handle caffiene well but loves the taste
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canichangemyblogname · 8 months
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going absolutely fucking feral. fuck?
I’ve been getting a lot of TERF posts rec’ed to me through the #feminism tag lately. And they’re most often only tagged something like #feminism or #woman, so filters aren’t catching them. And it’s all just… anti-woman and anti-feminist take after take. Like. How have they hijacked the narrative and monopolized the meaning of feminism to be something so reactionary and reductive? They genuinely believe takes like, “women should be forced to abort children” are feminist. BFFR. They just hate other women having bodily autonomy.
I saw one just now where someone was like, “I was daydreaming about men just disappearing”— like being raptured— “and then realized that all women don’t know how to do male jobs and got angry” (and they did say ALL). They then went on to talk about how no women knows how to operate machinery because women have been prevented from EVOLVING to do the same things men do because men forced women to EVOLVE to serve them. Evolved. They were like, “all men could just… build a wood bridge but we women are kept from that knowledge. We have no teachers.”
Further fucking proof that these misogynistic asshats do not build community with black, brown, indigenous, poor, rural, or working class women. They live in a theoretical fantasy world daydreaming about men disappearing and “female separatism” rather than offering real fucking solutions. They live in a world where every last woman has the same lived experience as them. They assume all women are oppressed in the same way. They ignore intersectionality to purposefully minimize ableist, racist, classist, heterosexist, and cissexist structures so that everything is organizable into a simple and universal M > F dynamic. This way, in their chronically white movement, they, the white woman, is always oppressed and never responsible for the marginalization of others.
Oh. And the OP had the label “fascist” in her username. They’re self aware now, but at what cost?
Trans Exclusionary Radical Fascism, everyone:
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The patriarchy is inevitable. Change is impossible. We are never escaping this hell hole.
Some other “gems” I saw, TW for racism, misogyny, ableism, and abuse:
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The amount of Arabophobia, Islamophobia, racism, misogyny, and ableism I see in the #feminism tag every day is truly sickening. Like 1/4 of the posts anymore seem to be from white radfems sexualizing Arab, Asian, and Black women (while denigrating and singling out typically Arab, Asian, and Black personal-care and beauty practices) while another good 1/4 of the posts seem to be anti-queer. And then some 50% are porn bots with #sissy kinks. The tag has been trashed by bigots and bots, and I’m surprised that Staff hasn’t marked it mature content yet for the sheer level of porn bots using the tag. Oh, wait. I do know why. It’s because Staff employs JKR stans who would rather label #transfemme as mature content than combat the porn bots.
#misogyny#In their weird rapture fantasy#I would not get raptured despite being a man/man-adjacent (or maybe I would given they want us ‘troons’ to keel over too)#but. as a former farm girl. this rhetoric is personally insulting#do they think farm girls are all like the wealthy trad wives in TikTok?#‘I spent today baking bread and organizing flowers with my baby on my hip’#and the oven behind her is— like— $80000#I spent my childhood building platforms and decks and bridges#as well as operating combines and tractors and wielding a machete (the machete was fun)#‘No woman knows how to do these things’ 😔#Most woman in my family did. But I also recognize that not every woman is a farmer#Like. Yeah. I’m sure that the OP of that post has no clue how to drive a combine#but she doesn’t need to know because there are already women out there harvesting this nation’s feed and food#and I’m not gonna clown her for not knowing. because— again— she’s never needed to know#but here she is complaining about women being helpless because of men and how we’re all just screwed and there’s no digging ourselves out#I saw a post talking about how defeatism is oft a feature of white mentalities and worldviews and I’ve been chewing on that#like. the idea fate is predestined and nothing can change. we are just beholden to our base ‘natures’ is VERY Catholic Natural Law of them#which tracks given the foundation of radfem ideology is Catholicism#also makes sense why they’re so keen to embrace the idea of women being ‘inherently’ one way (oft good and beautiful . etc…)#and men inherently the opposite way#see: screenshot about natural predators#or their support for rape as a biological strategy natural to men’s psyche rather than a way to reinforce & take power under the patriarchy#they’re constantly arguing that the patriarchy is natural and inescapable#cool. fantastic. so… you have no real solutions or answers?
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ei-mugi · 8 months
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im not a even a fan of the "hellaverse" but i have seen helluva boss and with all the twitter uproar over the hazbin ep4 leaks i went and found a reaction video of the full ep on yt so i could see how bad it really was and. jesus christ. theres certainly analysis of the visuals that could be had regarding the original criticisms but for me the episode was more like... 1. angel dust is the exact same character as fizzarolli 2. hellaverse is never going to break away from writing its characters like a whump fic is it and 3. this is an absolutely horrible portrayal of sex workers. vivienne pleaseeeee get your head out of the yaoi bin and remind yourself of like. women and misogyny. and stop writing all your sex worker/sexually abused (notice how that is grouped together) characters in the same way. sex workers arent all victims who need to be saved from their jobs
#sorry i just already had a ton of thoughts on how poorly i thought fizzarolli was written#half for the writers riding too much on whump standards and thus ignoring the glaring fundamental issues in his life#and then blaming all of his problems on being cutely insecure#but also in the like. misogyny. i get it we fandomers like yaoi but please. HOW could you look at those 2 women villains#in s2e7 and decide that was okay. that was egregious#ive just been thinking about this shit way too much and i kind of want to dump a proper analysis of it but also. sigh.#do i REALLY want to be blogging about hazbin and helluva#then again i also feel the need to say stuff because im willing to bet that anyone on YT whos making hellaverse analysis#isnt familiar with whump and like. as someone who enjoys whump i think it should be required reading for understanding how narratives like#fizzarollis are constructed#because there are very obvious tropes and character archetypes being taken directly from whump-style stuff and it is NOT good in this mediu#as much as i enjoy a bit of catharsis you cant just carry over the same stuff from it and expect your audience to suspend their disbelief i#the same way. because once you start thinking about the actual politics and personal implications of it...#well. you end up with a poorly written show with poorly written characters that inadvertently end up being misogynistic#sigh. if someone wants me to i can share my thoughts on this#i dont entirely hate the hellaverse im more ambivalent on it i guess. i did like some parts of it but as a whole its not my thing#i am someone who enjoys thinking about this stuff and doing some casual textual analysis though#so i cant help thinking about this stuff when watching or reading anything
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crossbackpoke-check · 2 years
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i C u moyle
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captured in 4k
#i REFUSE to admit defeat at the hands of the umich boys#except i did verbatim send a text to my roommate that said ‘bro stop he’s disgusting i’m so in love with him’#after fully watching a trail of spit come out of his mouth while he was bent over to take a face off. i am Down Bad#also nolan never keeps his tongue in his mouth my dude is just out there full 👅 all the time i can’t stand him close ur mouth or i’ll kiss u#nolan moyle#ethan edwards#philippe lapointe#relatedly duker skates EXACTLY the way he runs in the monday videos which is how i identify him at all times & i almost started wheezing#if i knew how to make gifs there would be gifs of nolan stickhandling however i don’t Know how to make live videos gifs ☺️#deep cuts from the draft dumpster dives#is this from two different games? the world may never know (yeah. do i remember exact dates for either of them? no of course not)#we’re just getting close to the end of the season & i am succumbing to my desire to post Him#also inCREDIBLE nemcklance content in the second picture (not of nolan) 🫠#nemcklance#things i am not proud of: my reaction 2 this. everyone shhh i’m allowed one breakdown about a dirtbag per quarter & i haven’t seen mo enough#like most days i do not want to be a puck bunny but sometimes u lock eyes with a man & go ohhh the hoggles are glued on for you ✊😔 buffooner#trying 2 undo my internalized misogyny! by allowing myself 2 say i can be a valid sports fan who likes players! sorry about it! idk why him!#it is 1000% because of la’s umich fic & all the lore though. most likely. also apparently i’m a crustasche lover 😪 the struggle is real#if u loved me u would have stopped at the tag about nolan drooling on the ice & we will never speak of this again (said by someone who will)
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toytulini · 5 months
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the correlation between my caffeine consumption and hitting tag limit repeatedly, uwu
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unproduciblesmackdown · 11 months
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fr incredibly epic subversion move in creep 2 is denying the audience the "understanding" that our perspective is that of Neutral Objective Arbiter. we aren't shown arguments of the protagonist's unfiltered, private thoughts & feelings through visuals or dialogue for us as obstensibly our way to believe she's vulnerable: she is, we understand she understands this, and then we aren't privy to any more "proof" of this by observing whatever attacks or simply emotional duress. we can assess and judge and guess about this person, but the movie doesn't let us believe we're Not, and that instead we're simply "understanding" the conveyed factual information. the killer man uses performance as a way to generate vulnerability, the protagonist young nonwhite woman uses performance to strategically interrupt such efforts from malicious to exploitative to violently so men on like any given tuesday, and the killer man's approach to performance is not truly equipped to react to her adaptation and flexibility; his loss of control turns vulnerability back around on him, whereupon he stumbles and flounders and is knocked off course, while existing in continuous vulnerability even when succeeding at her efforts is, again, any tuesday for the protagonist. putting him in a position of having something to prove just by expressing skepticism abt his threat of eventually killing her. when he tries to leverage Gender to discomfit her by saying she (or, they both) should undress, only to be the one clearly discomfited when instead she simply does so with her nudity a matter of fact (and not really shown, b/c the killer guy's camera pov doesn't just provide some full body shot, he's directing it down, around, at her set, unbothered expression, Showing his own vulnerability in the situation now, unable to deal with her body outside his effort to make its very existence a power play. but isn't being a woman sexual, which is to say, inherently available for consumption by men???). when we get the killer guy's pov as he is looking for the protagonist around the house, increasingly turning it into a threatening sort of hide and seek (kind of creeping around, creepily, even) and we wait for his, and our, expected vision of her being Afraid and Menaced and possibly Attacked, only for her to jumpscare him, and us, knock him on his ass and laugh at him. the killer's like melancholic musings as established in the first film being a situation in which the protagonist plays into the gender of "women provide comfort, emotional support, intimacy!" to extend the relative vulnerability of that and prolong the delay of any violence, how far-fetched....while this narrative of her navigating & kind of heist breaking out of this danger doesn't ask her to like "overcome" or "transcend" that vulnerability like oh hooray she's now Strong enough to win, Too Strong to be thusly vulnerable ever again; nor ever puts forth that she can, or should, ever just turn the situation around completely to win. jumpscaring the guy? still happening in the context of her performing as, at most, "playing along." he's trying to get the advantage over her, she's trying to more so establish / prolong a dynamic of closer to equals to protect herself and interrupt this: despite her inability to take control of the situation / name the game in any lasting way: killer guy is still driven by ego. in the end it's that ego that makes him vulnerable enough for her to again surprise him and us with the final physical fight maneuver to get away, in that last minute and culmination able to drop any performing as her survival strategy, but still able to take advantage of his own performance as means of control and driven by ego
this also compared to horror genre ostensible commentary by way of "subversion" that's just still also misogyny: just Showing women's pain? what else is new. we're asked to recognize it not by understanding it's there as a matter of fact, but by observing and assessing some unfiltered display of it. or the classic of "but if we put a man through the same violence or pain. makes you think huh." or ohh we posited this disabled person as a scary threat but now they're dead b/c they weren't the real threat, makes you think huh? or the classic of "but if we keep the disability as threatening & scary but we also kind of ask the audience to Pity it. makes you think huh." like no, the power dynamic of [the audience (with a clear assumed perspective) is neutral! they must be able to assess and judge The Other onscreen] is there. pity requiring the power difference to Deign to extend it. "well disability is scary but some things are scarier" wow. indulging in [women experiencing violence / harm] as privy observers b/c it doesn't exist if you're not looking right at it, judging it as legitimate for yourself rather than via having to accept the character understands it as legitimate for themself, whether their most unfiltered (in an expectedly externalized way) pain or even simply what was done to them was shown directly to you or not. that women trying to insulate/extricate themselves from harm must also "look" unusually elevated & intense & extreme to be "real," it can't be so matter of fact and even potentially made invisible as for us to be Surprised by the efforts of the protagonist here, and have to wonder what she'll do next, and not be convinced she'll make it out of this forever through taking control and transcending her vulnerability
point is like yeah any character but also any person Making billions should've watched creep 2. the power dynamics not only re: successful Gender relevance in the text but also in the genre of horror, of film itself. the potential violence of looking? that's made constantly relevant. the audience does not get to understand itself as impartial judge. the protagonist doesn't have to earn anything from our assessment: this is a strategic heist, not, again, some kind of commentary on [gender/ed violence, huh?] that presents a Narrative Arc of a woman's who "overcomes" this by becoming "better" (stronger, braver, smarter, etc....). again, with the premise of an egotistical murder man who uses performance and wants to himself be assessed for his own power trip and amusement, the protagonist already prepared to perform in response to such efforts has a survival skill that completely eclipses the ability of murder man, who can only be on the offensive, while not being a mere [just being on the offensive in turn] response which would only become a Power Levels competition. it's not about "winning" at someone else's game that shouldn't exist, it's just about getting through it until there's the opportunity to get away.
and, again, like that we and the protagonist doesn't Need to know if he really means to kill her for real. uneven power and misogyny and the threat of a man and what room there is for her to act in ways that throw off, interrupt, divert, but don't make overt that she's deliberately doing so or threaten in turn? we can understand that this woman is already at all prepared to navigate that; the killer man is not (who, in a true "that is a choice" element of the first movie which is more [whatever] and not required viewing for the vastly superior sequel imo, has implicitly killed mostly to all men before (Choicedly b/c there is given this angle of like, "performing" any affection towards these men. that and the "uh oh! he's Weird!" angle carrying so much more weight like, zzz to the first one. "uh oh! he's a man immediately trying to fuck with this woman!" in the second being much more actually interesting, as well as the performance of / desire/expectation for affection, intimacy from a woman amidst this context of violence like yeah and that's cishet ideals for you!)
anyways yeah lot of media analysis, the pov & not like "negotiating" with the audience to interact w/the understood theme of gendered power dynamics, the audience not getting to think it is granted an objective omniscience, the [this is An Other Person] turned on the protagonist made Relevant, our lack of complete access to her is Relevant, we do not get to expect we are entitled to that full access or forget that we're observing as An Other Person ourselves to instead believe we're a removed, impartial judge who has to be presented with and convinced of every element out here. much more to say but this is like effort #5 & we can't be here all day, gotta throw down a draft at some point, and can't readily rediscover some short essay about it from closer to its actual release. well, it pwns. like i was saying the handling of gender / power going on in there is >>>>>>>> like god knows horror material generally including that which tries to be About it too, but also really just anything in any genre. billions should've watched creep 2 & been different now. imagining s5 where after axe gets peak horribly possessive towards wendy, being outwardly petty towards her over her also shit & boring & Superior artist bf, stalking her about it, sabotaging the relationship about it, secretly taking the portrait of her that he resented her having before....and then we get the repulsive "romantic" scene about wendy going "aw gosh :) you only want me to be [single] so You get access to me!! :))" like and then axe doesn't show up on the helicopter in the end while wendy's like haha i knew :) b/c she rendezvoused with him and killed him. society if only. superhell for real
#other shit doing misogyny (on purpose; overtly) in horror like: but could we know a woman's vulnerable if she's not being physically#overpowered by a man or at least abjectly terrified right in front of us??? so now if she is to survive she must achieve invulnerability#through being Too Strong and Too Brave for it!!! creep 2 rightfully like ''pathetic''#billions musing on power for a while like hmm maybe don't be a jerk about it?#maybe; billions. maybe.#again the scope expanded by the [power] here within the Context of [physical violence/kill you] but openly Putting That Off#so that 99% of the time this is a known threatened possibility but it's basically (attempts at) being messed with; menaced....#survival plotline throughout but Not in a way all abt a physical struggle! more thriller / heist energy in the suspense & strategy....#media analysis times as well in; again; not letting the audience feel Removed as an ''objective'' presence....camera pov re: that....#anyways. i saw it all of once but it does fuck like can yrs later go yep that was ultimate#audience not even granted the ''objective'' Power over a protagonist woman by being privy to everything for judgment; assessment; approval#did i point out the disability [audience perspective of having the Power to assess & ''pity'' even] thing; yes i did lmao#smh at like sooo much horror shit don't like it don't respect it not interested....and yet the occasional outlier banger#and so much baked into Perspective lol. when the audience pov is thusly Elevated. granted an assumed superiority at all#also don't get me wrong. media in any genre....i tend to not be interested perhaps not like it much don't respect it lmao#don't really partake in all that much; relatively....again creep 2 is >>>> In General outside genre. horror's elevation just sure is eugh#anyways. it pwns so on thinking abt it the other day like ''lol yeah if only all of billions was differenter re: power'' like yeah it pwns
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tobiasdrake · 7 months
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
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So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
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Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
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This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
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"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
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And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
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Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
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The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
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Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
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They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
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Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
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Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
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"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
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Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
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June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
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And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
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She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
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Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
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This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
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This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
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But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
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"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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ᴜɴᴅᴇʀ ᴀ ғᴀʟsᴇ ᴀʟᴛᴇʀ
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⤷ Credits: Pinterest
Marcus Acacius x F!reader | WC : 8.5k | Proof read : YES | Navigation | Notifications | series masterlist
Summary : Your father is fed up with your shenanigans, so he arranges a marriage to Rome's famous general and gladiator, Marcus Acacius.
Warnings: DUB-CON (Forced/Arranged marriage) SMUT, LOSS OF VIRGINITY, unprotected pinv (wrap it before you tap it), Oral F and M, Implied age gap, Scars, Misogyny, Spitting, both give switch vibes,
A/n : I put a dub-con warning just because it is a forced/arranged marriage also ty and enjoy @multiversed-daydreamer for listening to me yap about this all day luv ya 💕
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The table was set, lit, and ready for a feast. Grapes, wine, cheese, and meats lined the table. Being the daughter of a powerful general had its perks, not that you liked the kind of life you had. You understood you were privileged, your place in society clear. You knew that if it weren't for your father's position, you would probably be a slave to the hierarchy. But it didn't mean you had to like your life.
You were 18 and shockingly unmarried—not that you cared. You had more fun sneaking away to the parties that would happen late at night. You were happy for the fact you weren't tied down yet. The thrill of escaping your father's watchful eye and diving into the forbidden world of Rome's underground festivities made your heart race.
You had a reputation, one that was far from ladylike. Wild child, they called you, and you wore it like a badge of honor. You knew what sex was, what things happened in the dark corners of those parties, but you were still a virgin. Your knowledge came from observation, whispers, and the daring escapades you had witnessed, but you hadn't crossed that final threshold. Not yet.
Your father, a stern and formidable general, was a man who worked with gladiators and other powerful figures in Rome. His influence was vast, and his expectations were high. He had grown increasingly frustrated with you lately, and you couldn't quite understand why. His annoyance with your antics was palpable, but there was something more, something beneath the surface that gnawed at him.
As you sat there, wine goblet in hand, you sipped slowly, savoring the taste. You knew he would tell you to only have a single glass, a rule you delighted in bending. The door to the grand hall burst open, and there he was, your father, his expression a storm of irritation and something deeper, something darker.
"What are you doing?" he demanded, his voice echoing through the hall. "Drinking again?"
You looked up at him, feigning innocence. "Just a single glass, Father, as you always insist."
His eyes narrowed, and he crossed the room with swift, purposeful strides. "You think I don't know what you get up to, do you? Sneaking out, causing trouble. Do you have any idea how this reflects on me? On our family?"
You sighed, placing the goblet down. "I know, Father. But you can't keep me locked away forever. I'm not a child anymore."
He stood before you, the tension between you crackling like a live wire. "You're my daughter, and you will behave with the dignity and decorum befitting your station."
You met his gaze, unflinching. "And what if I don't want that life? What if I want to be free, to make my own choices?"
His frustration seemed to boil over, and for a moment, you thought he might explode. But then, he took a deep breath, his shoulders sagging slightly. "You don't understand the dangers out there. The people I deal with—the gladiators, the politicians—they're not like the ones at your little parties. They're dangerous."
You softened slightly, sensing the genuine worry behind his anger. "Then tell me, Father. Explain why you're so frustrated lately. What aren't you telling me?"
He hesitated, the walls he had built around himself momentarily crumbling. "It's complicated," he finally said, his voice quieter. "There are threats... to our family, to our position. I'm trying to protect you, even if it doesn't seem like it."
You reached out, touching his arm. "I want to understand. Help me see what you see."
He looked down at your hand, then back at your face, a mixture of anger and sorrow in his eyes. "Maybe it's time you did," he said, his voice resigned. "But you must promise me, you'll be careful. This world is not as kind as you think."
You nodded, determination filling your chest. "I promise, Father. I'll be careful. But I won't be caged."
Your father's expression hardened once more, and the momentary softness disappeared. He sat down at the table, grabbing a handful of grapes and popping one into his mouth. "Enough. This isn't up for discussion," he snapped. "You are to be married."
Your heart plummeted. "Married? To whom?"
His eyes were cold as steel. "To a man who can protect you, who can secure our family's future."
You jumped to your feet, the chair scraping harshly against the floor. "No! I don't want to be married off like some piece of property. I won't do it!"
He towered over you, his presence suffocating. "You have no choice. This is for your own good."
"Who is it then?" you demanded, your voice rising in defiance. "Is it Lucius? That lecherous old man who can't keep his hands to himself?"
Your father shook his head, his jaw clenched. "No, not Lucius."
"Is it Gaius, then?" you asked, pacing around the table, barely noticing your father grabbing a slice of cheese and eating it with deliberate calmness. "The pompous fool who thinks he's the smartest man in Rome but can't even string a coherent sentence together without tripping over his own ego?"
"Not Gaius."
"Then it must be Quintus! The brute who only knows how to solve problems with his fists, who would treat me like a possession rather than a person."
"No, it isn't Quintus either," your father snapped, his patience wearing thin. He took a deep drink from his own goblet, trying to steady himself.
"Who then? Who could possibly be suitable in your eyes?" you spat, your desperation clear.
Your father took a deep breath, his eyes never leaving yours. "It's Marcus Acacius."
The name sent a jolt through you, and you took an involuntary step back. Marcus Acacius, a name whispered in both awe and fear throughout Rome. A man known for his prowess in the arena and his cunning outside it. A man with a reputation as cold and unyielding as stone.
"Marcus Acacius?" you echoed, disbelief coloring your tone. "You can't be serious. He's a gladiator, a killer."
"He's more than that," your father insisted. "He's powerful, respected, and capable of protecting you from the dangers you don't even know exist."
You shook your head, your mind reeling. "No, Father. You can't do this to me. I won't marry him."
"You will," he said firmly. "And you will do it for our family, for our future."
You felt the walls closing in, the life you had known slipping away. You slumped back into your chair, staring at the untouched food before you. "What if... what if I've already been with someone else?" you blurted out, hoping to find some way out of this nightmare.
Your father's eyes narrowed. He leaned forward, his hands gripping the edge of the table. "Have you been taken by another lover?"
You hesitated, the lie heavy on your tongue, but the fear of his wrath kept you silent. "No," you finally admitted, defeated.
"Then it's settled," he said, the finality in his voice chilling. "You will marry Marcus Acacius, and you will do so with dignity."
Tears of frustration and anger welled in your eyes, but you refused to let them fall. "I won't be happy, Father. Not with him, not with this life."
He reached out, a rare gesture of tenderness, and touched your cheek. "Happiness is a luxury we can't afford," he said softly. "But safety, security—that is something I can give you."
You pulled away, the weight of his decision crushing your spirit. "I don't want to be safe. I want to be free."
His hand fell to his side, and his eyes hardened once more. "Freedom is an illusion, my daughter. And you will learn that soon enough."
With that, he turned and walked away, leaving you standing alone in the grand hall, the weight of your impending marriage pressing down on you like a vice.
Rage bubbled up inside you, a seething mass of frustration and helplessness. The weight of your father's words pressed down on you like a heavy shroud, suffocating your spirit. With a sudden, violent motion, you swept your arm across the dining table, sending grapes, cheese, and meats crashing to the floor. The wine goblet toppled, spilling dark red liquid like blood across the pristine tablecloth.
Breathing heavily, you glared at the mess you had created, but it did nothing to alleviate the fury burning within you. Without another word, you turned on your heel and stormed out of the grand hall, your footsteps echoing through the marble corridors.
You reached your room, slamming the door behind you. The silence was oppressive, the walls closing in as your mind raced. You had to get out. You couldn't marry Marcus Acacius. You couldn't be trapped in a life you didn't choose, a life that would suffocate the very essence of who you were.
You paced the room, the dim light from the oil lamps casting flickering shadows on the walls. Your eyes darted around, searching for a solution, a way out of this nightmare. Your thoughts turned to your mother, a fleeting glimmer of hope piercing through the darkness.
Your mother had been sent to the countryside years ago, a decision made by your father to keep her safe from the political intrigue and danger that plagued Rome. She lived a quiet, secluded life on the family estate, far from the city's chaos. You hadn't seen her in years, but you knew she would help you if you could reach her.
Rage bubbled up inside you, a seething mass of frustration and helplessness. The weight of your father's words pressed down on you like a heavy shroud, suffocating your spirit. With a sudden, violent motion, you swept your arm across the dining table, sending grapes, cheese, and meats crashing to the floor. The wine goblet toppled, spilling dark red liquid like blood across the pristine tablecloth.
Breathing heavily, you glared at the mess you had created, but it did nothing to alleviate the fury burning within you. Without another word, you turned on your heel and stormed out of the grand hall, your footsteps echoing through the marble corridors.
You reached your room, slamming the door behind you. The silence was oppressive, the walls closing in as your mind raced. You had to get out. You couldn't marry Marcus Acacius. You couldn't be trapped in a life you didn't choose, a life that would suffocate the very essence of who you were.
You paced the room, the dim light from the oil lamps casting flickering shadows on the walls. Your eyes darted around, searching for a solution, a way out of this nightmare. Your thoughts turned to your mother, a fleeting glimmer of hope piercing through the darkness.
Your mother had been sent to the countryside years ago, a decision made by your father to keep her safe from the political intrigue and danger that plagued Rome. She lived a quiet, secluded life on the family estate, far from the city's chaos. You hadn't seen her in years, but you knew she would help you if you could reach her.
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It had been a month of plotting and planning, each day dragging on as your impending fate loomed ever closer. Today was your wedding day, the day your life would be sealed into a destiny you hadn’t chosen. Final preparations had been completed yesterday, and now you were meant to step into the role of a dutiful daughter and bride. You had woken up earlier than your maids would have roused you, knowing your father would want you to rest more so you appeared extra fresh for Marcus. Instead, your nerves had kept you up all night, the shadows on the walls morphing into ominous shapes as you thought of your future.
The first light of dawn crept through the narrow window, and you knew you couldn’t waste any more time. Your small bag, packed with bread, a few pieces of jewelry to sell, and the spending money your father occasionally gave you, lay hidden under the covers of your bed. The plan was simple: catch the slightest bit of rest before your handmaid came in to wake you, then escape before anyone noticed.
The door creaked open, and Lucia, your handmaid, entered with her usual gentle and serene presence. She glided to the window, pulling back the heavy curtains. Sunlight flooded the room, casting a warm glow that felt almost mocking given your circumstances. You sat up in bed, the light highlighting the bags under your eyes from a sleepless night.
"Good morning, my lady," she said dreamily, her voice like a lullaby. "The sun is shining so beautifully today. It's a perfect day for a wedding." She moved to your side, her hands deftly beginning to arrange your hair with practiced ease. You watched her reflection in the mirror, feeling a pang of guilt for the deception you were about to execute.
"Your dress is so beautiful, my lady. It's like a dream come true. You'll look like a goddess, a vision of perfection," Lucia continued, her words meant to comfort but only adding to your anxiety. The dress she spoke of hung in the corner, a symbol of the life you were being forced into.
You let her continue, her words a soothing balm against your churning thoughts. As she began to apply a light makeup, using berries to tint your lips and cheeks, you couldn't help but feel a sense of finality creeping in. "You'll be the envy of every woman in Rome," she continued, her voice full of admiration. "Marcus Acacius is a powerful man. You'll be safe with him."
Safe. The word echoed in your mind, tinged with bitterness. Safety was a cage, and you longed for freedom. Suddenly, you sat up, startling Lucia. "I need your dress," you blurted out, your voice urgent.
She looked at you, shocked and confused. "My dress, my lady? Why would you want my dress?" she asked, her hands frozen in mid-motion.
You gave her a reassuring smile, reaching under your bed to pull out a dress you had kept for a long time. It was a simple yet elegant gown, one she had always admired. "I have something for you," you said, handing her the dress. "I've seen how much you like it. Today, I want you to wear it and have fun. I just... I want to feel normal before the wedding."
Her eyes widened, and a smile of pure joy spread across her face. "Thank you, my lady. Thank you so much!" She looked at the dress, then back at you. "But what about you? Where will you be?"
You hesitated for a moment, crafting a believable lie. "I'll be eating breakfast with the soldiers. I need a moment to myself before the chaos begins."
She nodded, believing your words, and quickly changed into the dress you had given her. You watched as her usual plain attire was replaced by the elegant gown, the transformation bringing a genuine smile to your face despite the turmoil in your heart. "You look beautiful," you said, forcing a smile. "Now go, enjoy yourself."
Lucia beamed, her happiness palpable. "Thank you, my lady. I'll remember this day forever." She gave a small curtsy and hurried out, eager to enjoy the brief taste of luxury you had gifted her.
As soon as the door closed behind her, you sprang into action. Your heart pounded as you grabbed your small bag from under the covers and moved swiftly towards the door. The corridors of the castle were quiet, the early hour ensuring most were still in their beds. You moved with purpose, your sandals barely making a sound on the stone floors.
Every step you took was filled with a mixture of fear and exhilaration. You had never been so bold, and the risk was immense. If you were caught, the consequences would be severe, but you couldn't live a life that wasn't yours. The thought of being trapped in a loveless marriage with Marcus Acacius spurred you on.
You reached the courtyard, the cool morning air filling your lungs as you dashed towards the farthest end where the horse stables were located. The sound of hooves and the scent of hay greeted you as you approached, your eyes scanning for a suitable mount. Freedom was within reach, and your heart soared with the possibility.
But then, a familiar, stern voice cut through the morning air. "Where do you think you're going?"
You sprinted, your sandals slapping against the cobblestones as the guards closed in. Heart pounding, you reached the barn, your fingers fumbling with the latch. The sound of pursuing footsteps fueled your frantic efforts, and finally, the door swung open. You dashed inside, the scent of hay and horses enveloping you. There was no time to lose.
Without wasting a moment, you chose the newest and fastest horse, a powerful chestnut stallion that had always intimidated you with its raw strength. It was your only chance. Your hands shook as you grabbed its mane, your heart hammering in your chest. The stallion snorted, sensing your urgency. You took a deep breath, steeling yourself.
"Hyah!" you urged, kicking your heels against its sides. The stallion reared, its powerful muscles tensing beneath you, then surged forward, galloping towards the gates. The wind whipped through your hair, the thundering of hooves drowning out the shouts behind you.
The gate loomed ahead, freedom tantalizingly close. You leaned forward, urging the horse faster. As you rode, you navigated the narrow alleys and sharp turns of the castle grounds, the stallion's speed making every twist and turn feel like a life-or-death gamble. The guards were not far behind, their yells growing louder, but you kept pushing, your eyes fixed on the gate.
You had run from the guards before, slipping through their grasp with quick wits and nimble feet, but this was different. The stakes were higher, the danger more palpable. The horse beneath you was your only hope, its powerful strides eating up the distance between you and the gate. But it was also a wild, untamed force, difficult to control.
As you neared the gate, you saw it beginning to close. Panic surged through you. With a desperate cry, you urged the stallion faster. The ground seemed to blur beneath you, the world a whirl of motion and sound. The horse’s breath came in powerful snorts, its muscles straining with effort.
Just as you thought you might make it, the stallion stumbled on a loose cobblestone. You were flung from its back, the world spinning around you as you hit the ground hard. Pain shot through your body, your vision swimming with stars.
When you opened your eyes, the sky above was a brilliant blue, and the scent of earth and grass filled your nostrils. You groaned, trying to sit up, but a gentle hand on your shoulder stopped you.
"Easy there," a deep, soothing voice said. You turned your head and found yourself staring into the concerned eyes of a stranger, his face handsome and strong, framed by dark curls. He knelt beside you, his touch gentle but firm.
"Are you all right?" he asked, his brow furrowed with worry.
You blinked, trying to focus through the haze of pain and confusion. "Who... who are you?"
A small, enigmatic smile played on his lips. "My name is Marcus Acacius. And you must be my bride."
The revelation hit you like a bolt of lightning. This was the man you were meant to marry, the man you were running from. But as you looked into his eyes, you saw not the tyrant you had imagined, but a man filled with genuine concern and curiosity.
"You shouldn't be out here alone," Marcus continued his voice a mix of authority and kindness. "It's dangerous. Let me help you."
The irony of the situation was almost too much to bear. You had been fleeing from your fate, only to run straight into its arms. As Marcus helped you to your feet, his hands strong and reassuring, you couldn't help but wonder if perhaps your destiny was more complex than you had believed.
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Marcus's strong arms guided you inside, each step a reluctant surrender to the fate you had been trying to escape. The castle's grand corridors, usually bustling with servants and courtiers, were eerily quiet in the early morning light. You were disoriented, the pain from your fall mingling with the turmoil of your thoughts.
As you entered your bedchamber, a familiar and unwelcome face greeted you. Aurelia, one of your father's maids and his well-known mistress, stood there with a smug expression. Her presence was a bitter reminder of your father's indiscretions and the fractured state of your family.
"Well, well," Aurelia purred, her voice dripping with condescension. "What a surprise to see you here, my lady. Running away on your wedding day? How very unbecoming of you."
You shot her a withering glare, your temper flaring. "Spare me your lectures, Aurelia. I'm not in the mood for your sanctimonious drivel."
Aurelia's smile widened, enjoying your discomfort. "You should be grateful for the match your father has arranged. Marcus Acacius is a powerful man. You could do far worse."
You clenched your fists, your anger barely contained. "Is that what you tell yourself to justify spreading your legs for my father? That you're doing it for power and security?"
Her eyes flashed with anger, but she maintained her composure. "Watch your tongue, girl. You may not like me, but I'm here to make sure you fulfill your duty. Now sit down and let me get you ready."
Reluctantly, you sat down, feeling trapped and helpless. As Aurelia worked on your hair and makeup, her touch was firm and unyielding. Her presence was suffocating, her every word a reminder of the life you were being forced into.
"You think you can escape your destiny?" Aurelia continued, her tone dripping with disdain. "You're just a foolish girl. This marriage is your only chance at a future."
You bit back a retort, knowing it would only fuel her smug superiority. Instead, you focused on the mirror in front of you, watching as she applied the final touches to your appearance. The reflection staring back at you was almost unrecognizable—a vision of beauty and elegance, but one that felt like a mask hiding your true self.
Once Aurelia finished, she stepped back, admiring her handiwork. "There," she said, a note of satisfaction in her voice. "You look perfect. Ready to be a proper bride."
You stood, your heart heavy with dread. The grand hall awaited, filled with guests and the weight of expectation. As you made your way towards it, you felt the walls closing in, your fate sealed with every step.
The hall was decorated with lavish flowers and banners, the scent of incense filling the air. Guests whispered and watched as you entered, their eyes following your every move. At the far end, Marcus Acacius stood, his gaze fixed on you with an intensity that made your pulse quicken.
The ceremony began with the priest’s voice, resonant and solemn, echoing through the hall. The guests fell into an expectant silence, the only sounds being the faint rustling of their silk garments and the distant clinking of goblets. The hall, lavishly adorned with ivy and flowers, seemed to shimmer with an almost otherworldly glow, casting shadows that danced like phantoms along the walls.
You stood at the altar, your heart pounding against your ribs like a trapped bird. The priest’s words, though intended to be a comfort, were like a dark incantation, each syllable wrapping around you tighter, dragging you deeper into the abyss of your fate. Your eyes flickered over to Marcus, standing with his back straight, his gaze unwavering. He looked every bit the powerful man he was rumored to be—tall, imposing, with a presence that commanded the room.
You recalled the whispers you had heard over the past months—the stories of Marcus Acacius. The tales were rife with speculation and fear, his name often mentioned in hushed tones. They spoke of a man whose ambition knew no bounds, whose cruelty was whispered about in every corner of Rome. Some said his eyes held a darkness that could see through to the soul, while others claimed he had a penchant for the macabre, often indulging in extravagant displays of power.
As the priest began the traditional vows, his voice a monotone murmur, you tried to focus, but the words blurred into a cacophony. "Do you, Marcus Acacius, take this woman to be your lawfully wedded wife, to have and to hold, in sickness and in health, for richer or poorer, until death do you part?"
Marcus’s voice was steady, unwavering. "I do," he said, his tone deep and commanding, sending shivers down your spine.
When it was your turn, the words caught in your throat, your voice barely a whisper. "I... I do," you managed, the words tasting bitter on your tongue, the weight of your submission crushing your spirit.
The priest nodded, a satisfied smile curling his lips. "Then by the power vested in me, I now pronounce you husband and wife."
As the priest declared you bound by law and faith, the room erupted into applause, the sound a thunderclap that seemed to echo off the very stones of the castle. Marcus took your hand, his grip firm and unyielding, leading you down the aisle. The guests showered you with petals, their faces a blur of congratulations and forced smiles. You felt like a puppet, each step you took dictated by an invisible string.
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The reception hall was a whirlwind of opulence, the air thick with the scent of spiced wine and roasting meats. Long tables groaned under the weight of sumptuous feasts, while musicians played melodies that mingled with the laughter and chatter of the guests. The hall’s high ceilings seemed to stretch into eternity, adorned with golden chandeliers that sparkled like stars.
You clung to the edge of the hall, the laughter and music a distant hum, your mind wandering back to the dark tales you had heard of Marcus. The rumors were impossible to ignore: they spoke of his ruthless ambition, his cold demeanor, and his unsettling fascination with power. Some said his parties were a mask for darker pursuits, where the line between pleasure and pain blurred into obscurity.
As Marcus moved through the crowd, his demeanor was that of a king—gracious yet commanding, his laughter rich and resonant. He was surrounded by his closest allies, men whose eyes gleamed with greed and ambition. They raised their goblets in his honor, their voices melding into a chorus of congratulatory toasts.
You stood near a heavy oak door, the cool stone beneath your fingers a reminder of the stark reality you now faced. The night was growing darker, the moonlight streaming through the tall windows casting an eerie glow on the festivities.
Suddenly, a hand gripped your arm, pulling you away from the door. It was one of the guards, his expression grave. "My lady, you mustn't go near that door. Your father has given strict orders. Any guard who aids your escape will be put to death."
You stared at him, a chill running down your spine. "What do you mean? You can’t be serious. There’s no way out of here. You’re all trapped too."
The guard’s eyes flickered with a mix of pity and resolve. "It’s true, my lady. Your father’s command is ironclad. He has spies everywhere. If you try to leave, he will know. And the consequences for anyone who helps you are severe."
A knot of fear and frustration tightened in your chest. "What do you expect me to do? Just stand here and pretend everything’s fine?"
He hesitated, his grip on your arm softening. "No, my lady. But perhaps you could find a way to make the best of this night. Try to speak to him, learn his intentions. There may be more to him than the rumors say."
Taking a deep breath, you nodded, your mind spinning with the guard’s words. With a determined stride, you made your way through the crowd towards Marcus, who was leaning casually against a pillar, a goblet of wine in his hand. His eyes were slightly glazed from the alcohol, but his gaze sharpened as he saw you approaching.
"Marcus," you began, your voice steady despite the turmoil inside you. "I wanted to thank you for your help earlier today. I... I appreciate it."
He raised an eyebrow, a slow smile spreading across his face. "You mean when you tried to flee?" His tone was teasing, but there was an edge to it. "You have spirit, I'll give you that."
You forced a smile, trying to gauge his true nature. "I only wished for a moment of freedom. But I suppose that is behind us now."
Marcus took a sip of his wine, his eyes never leaving yours. "Freedom is a fleeting thing, my dear. But power... power is eternal. And together, we shall wield it."
Your stomach churned at his words, the rumors about him echoing in your mind. "Is that all you care about? Power?" you asked, unable to keep the bitterness from your voice.
His smile faded, replaced by a more serious expression. "You misunderstand me. Power is not an end, but a means. It ensures safety, prosperity, and control over one's destiny. Is that so terrible?"
You struggled to see past the image you had built of him. "I’ve heard things about you, Marcus. Dark things."
He chuckled softly, a sound that sent chills down your spine. "People fear what they do not understand. Let them talk. What matters is that I have the means to protect those I care about."
His words, though seemingly sincere, did little to quell your doubts. You opened your mouth to respond, but before you could, your father’s voice boomed across the hall.
"Honored guests!" he called out, drawing everyone’s attention. "The hour grows late, and it is time for my daughter and her new husband to retire to their bedchamber."
A murmur of approval and knowing smiles rippled through the crowd. Your heart raced, a mixture of dread and resignation filling you. Marcus extended his hand to you, his grip firm and possessive as he led you through the throng of guests towards the grand staircase.
As you ascended the stairs, the weight of your future bore down on you. You glanced back once, seeing the guests' faces fade into the distance, their laughter and conversations becoming a dull roar. When you reached the door of the bedchamber, Marcus paused, turning to face you.
"This is just the beginning," he said, his voice low and intense. "We have much to learn about each other."
You swallowed hard, forcing a nod. "Yes, we do."
He opened the door, and you stepped inside, the room lit by the soft glow of candlelight. The bed, draped in rich fabrics, seemed to loom ominously in the center. Marcus closed the door behind you, the click of the latch sounding like a final seal on your fate.
As he moved closer, you felt a mix of fear and curiosity. This was the man you were now bound to, and despite the darkness that surrounded him, there was a part of you that longed to understand him, to find the truth beneath the rumors.
"Let's start anew," he said, his hand gently brushing your cheek. "Whatever you have heard, whatever you fear, put it aside. We are bound by more than words and vows. Let’s see where this path takes us."
You recoiled from his touch, your anger bubbling to the surface. "I'd rather fuck a pig than you," you spat, your voice dripping with venom. The shock on his face quickly morphed into a cold, calculating expression.
"You need to learn your place," Marcus hissed, his grip tightening on your arm. "You should consider yourself lucky to have me, especially with your reputation."
You glared at him, your temper flaring. "Lucky? Is that what you think this is? A blessing? I know what people say about you, Marcus. They call you ruthless, a monster. I'd rather die than be your plaything."
He leaned in closer, his breath hot against your ear. "You speak so boldly for someone in such a precarious position. But let me make something clear: you are mine now. And I will do whatever it takes to keep you in line."
Your heart pounded in your chest, a mixture of fear and defiance. "You can't control me. I'll never submit to you."
A slow, dangerous smile spread across his face. "Is that so? Tell me, my bride, are you truly a virgin, or have your wild antics already sullied you?"
The question caught you off guard, your cheeks burning with a mix of embarrassment and anger. "How dare you—"
"Answer me," he demanded, his eyes boring into yours. "Are you a virgin?"
You clenched your fists, refusing to be cowed. "Yes, I am," you snapped, your voice trembling with rage. "Not that it's any of your business."
He seemed taken aback for a moment, his eyes narrowing as he studied your face. "So, you are pure, despite everything. Interesting."
"You think you can just claim me like some prize?" you retorted, your voice rising. "I won't be your obedient little wife. I won't be another notch on your belt."
Marcus's expression hardened, his grip on your arm like iron. "You will be my wife, and you will learn to respect me. You don't know the first thing about power or survival. But you will."
"You don't scare me," you lied, your voice faltering slightly.
"Don't I?" he whispered, his lips dangerously close to yours. "You should be scared. But perhaps you're just too stubborn to realize it."
"Stubborn?" you scoffed. "Is that what you call it when someone refuses to bow to a tyrant?"
His eyes flashed with anger, and for a moment, you thought he might strike you. But instead, he did something even more unexpected. He leaned in and kissed you, his lips crashing against yours with a fierce, passionate intensity.
You froze, your mind racing as his kiss deepened. There was a raw, undeniable heat between you, a clash of wills and desires. Your initial shock gave way to a whirlwind of emotions—anger, fear, curiosity, and something else you couldn't quite name.
As his hands moved to your waist, pulling you closer, you found yourself responding, your body betraying your mind. The kiss was a battle, each of you struggling for dominance, neither willing to yield.
When he finally pulled away, you were breathless, your heart racing. His eyes were dark and intense, a storm of emotions swirling within them. You stared back at him, defiance and confusion mingling in your gaze, unsure of what to say or do next.
"I'm sorry," Marcus said, his voice unexpectedly soft. "I shouldn't have forced myself on you like that."
His words, so out of character, only fueled your anger further. "Sorry?" you scoffed, pushing him back slightly. "You think a simple apology will make up for everything? For the way you've treated me, for the way you think you can just claim me?"
His jaw clenched, but he didn't back down. "I know I can't make up for it. But perhaps... perhaps we can find a way to understand each other."
You were silent for a moment, then your eyes narrowed. "Understand each other?" you echoed, your voice dripping with sarcasm. "Is that what this is about? Understanding?"
A dark, reckless impulse surged within you. You grabbed him by the front of his tunic, pulling him closer. "You think you can control me?" you whispered, your breath hot against his ear. "You think you can just take what you want?"
Before he could respond, you pressed your lips to his again, this time with even more intensity. The kiss was fierce, a clash of wills and desires. You could feel the tension between you, the thin line between hate and something far more dangerous.
Marcus responded in kind, his hands gripping your waist with bruising force. The room seemed to spin as you lost yourself in the raw heat of the moment, your anger and frustration boiling over into something wild and unrestrained.
You broke the kiss, your breathing ragged. "You want me?" you demanded, your voice a low, challenging whisper. "Then take me."
His eyes blazed with desire and a hint of confusion. "Are you sure?" he asked, his voice rough.
"Shut up," you snapped, pulling him closer. "No more talking. Just... take me."
With a growl, Marcus responded, his hands tearing at your clothes with a desperate urgency. You mirrored his actions, your fingers fumbling with the fastenings of his tunic. The fabric fell away, and you pressed your bodies together, the heat of his skin igniting a fire within you.
"You're infuriating," he muttered, his lips trailing down your neck.
"And you," you retorted, your hands exploring the hard planes of his chest, "are a tyrant."
He paused for a moment, his breath hot against your skin. "Then why are you doing this?"
"Because," you said, your voice trembling with a mix of anger and desire, "I hate you. And I need to feel something other than this... this helplessness."
He captured your lips again, his kiss searing and demanding. "I hate you too," he whispered against your mouth, his hands roaming your body. "But I can't resist you."
The world outside ceased to exist as you gave in to the storm between you. Clothes fell away, and you were left exposed, vulnerable yet defiant. You pushed him onto the bed, straddling him, your eyes locked in a battle of wills.
"You think you can control me?" you challenged, your voice breathless.
"I don't need to control you," Marcus replied, his hands gripping your hips. "I just need you."
Marcus brought his thumb to circle your clit, his rough touch sending jolts of pleasure through your body. You moaned slightly, your head falling back in bliss. His voice teased you, dripping with arrogance. "What, haven’t you touched yourself before?"
You gasped, grinding down against the hard length of his cock straddled between your legs. His smirk faltered at your audacity. "Of course I have," you retorted, your voice edged with defiance, a spark of rebellion lighting your eyes.
Marcus gripped your hips, lifting you off him with ease before moving to sit back against the headboard, his arms casually behind his head in a display of smug dominance. "You want the virgin to do all the work?" you taunted, your eyes narrowing in displeasure as you crawled closer.
His smirk returned, darker this time. "The virgin, huh? That's what I get to call you now?" He paused, watching you with an intensity that made your pulse quicken. "You're the one who's on me like a dog in heat."
You looked at him with a dark expression, sitting back on your thighs, your chest heaving with frustration and desire. With one hand, you began to caress his upper thigh, mimicking the movements you'd seen from the sex workers in your father's employ. Though inexperienced, you weren't ignorant; you'd read secret novels and asked questions of your father's mistresses. But nothing had prepared you for the raw reality of this moment.
"You know what to do?" he questioned a challenge in his eyes, his voice a low growl.
You didn't answer with words. Instead, you leaned forward, your tongue darting out to lick from the base of his cock to the tip, tasting the salty pre-cum on your tongue. The taste was oddly addictive. You wrapped your hand around his thick length, marveling at how it almost didn't fit in your grip. Steadying him, you licked the tip, eliciting a deep groan from him.
"Don't be shy," he patted your head condescendingly, his fingers tangling in your hair. Despite your nerves, you collected spit in your mouth and let it fall onto the tip of his cock, watching as he rubbed it around with a satisfied smirk.
You took the tip into your mouth, savoring the taste of his pre-cum, and groaned at the flavor. He moaned deeply as you sucked gently, guiding your head with his hand. You gagged slightly as you tried to take more of him in, your hand still gripping the base, your eyes watering with the effort.
"Spit on it," he commanded. You did as he asked, letting more saliva dribble onto his length. He patted your head again, a gesture both condescending and encouraging, and you resumed sucking, taking him deeper into your mouth. You gagged again, but he didn't let go, enjoying the sight of you struggling to accommodate his size.
"Come on," he urged, pulling you up to straddle his hips once more. You thought he was finally ready to take your virginity, the moment you'd both been building towards, but he surprised you. Gripping your hips with firm hands, he moved you so his face was between your thighs.
"What are you—" you began, but he cut you off, his lips attacking your clit with a fervor that stole your breath. He completed the arc with his tongue, taking your bud between his lips and sucking hard. You almost screamed, the pleasure overwhelming you. "Oh God," you moaned, your hands flying to his hair to steady yourself.
He paused for a moment, his dark eyes meeting yours with a predatory glint. "Marcus, baby… Marcus," you whimpered, your voice trembling with need and desperation.
He resumed his assault, his tongue and lips working in tandem to drive you wild. You began to grind against his mouth, the sensation too much to bear, yet not nearly enough. The tension built rapidly, your orgasm approaching with a force that took you by surprise.
"Marcus!" you cried out, your fingers gripping his hair tightly as your body tensed and then shattered into a million pieces. He held your hips firmly to his face, lapping up every drop of your release as you rode out your orgasm on his tongue.
You fell back onto the bed, spent and trembling, and he crawled over you, his face slick with your essence. "Well, well," he said, a wicked grin spreading across his features as he rubbed his cock against your still-sensitive pussy. "Are you all fucked out already?"
You managed a weak glare, but it melted into a moan as he pushed into you. The stretch was intense, making you claw at his shoulders for support. He kissed your neck, his lips and teeth leaving a trail of fire as he pulled out slowly before thrusting back in deeply. You moaned at the sensation, your body arching to meet his every movement.
"You hear that?" His gruff voice asked, pulling you back to the present as his cock dragged from your cunt, pushing back in slowly. The squelch of him pushing deep inside you was loud, the sound of your arousal undeniable. You threw your head back, moaning his name.
"Yeah, you do," he muttered, his breath hot against your neck. His teeth grazed your delicate skin, sending shivers down your spine. "Hear how wet you are?"
You opened your eyes slowly, your vision filled with the sight of him. His beautiful, sweat-covered face was close to yours, every scar and wrinkle telling a story, the grey in his beard adding to his rugged appeal. His eyes burned with an intensity that made your heart race.
A moan escaped your lips as his thrusts grew more desperate, more hungry. He caught your wrists together in one of his big hands, pressing them down into the mattress with a grip that left no room for escape. Your thighs were splayed wide, almost uncomfortably so, pressed down by the width of his hips. His cock was splitting you open, and you were so impossibly wet that you could hear it every time he pushed back into you, a lewd squelching sound that only seemed to spur him on.
He grinned wildly, his teeth flashing in the dim light. "You like that, don’t you?" he taunted, his voice dripping with smug satisfaction. "Only I can make you this wet, make you submit so completely."
You could only moan in response, your body arching beneath him, every nerve ending on fire. "Marcus," you whimpered, the intense pleasure making you delirious. Your mind was a haze of sensation, every thrust sending you spiraling further into a world where only he existed.
His grin softened slightly, a hint of something almost tender in his eyes as he looked down at you. "That's right," he murmured, his voice a low growl. His thrusts were deep and relentless, each one driving home his dominance. "You're mine now."
You wanted to hate him, to deny the truth of his words, but with your body quivering beneath his, you knew he was right. You were his. Every thrust, every touch, every whispered word claimed you, bound you to him in ways you had never imagined.
His pace quickened, his hips snapping against yours with a ferocity that left you breathless. The room was filled with the sounds of your combined moans, the slap of skin against skin, and the wet, obscene noises of your coupling. His free hand roamed over your body, caressing and squeezing, leaving trails of fire in its wake.
"You're so fucking beautiful," he muttered, his lips brushing against your ear. "I can't get enough of you."
Your response was a garbled moan, your head thrown back in ecstasy. His words, his touch, everything about him overwhelmed you. You felt yourself teetering on the edge, the coil of pleasure tightening in your belly, ready to snap.
He seemed to sense your impending release, his movements becoming even more deliberate, his thrusts hitting that perfect spot inside you over and over again. "Come for me," he demanded, his voice rough with his own need. "Let go. I want to feel you."
The command sent you over the edge. Your orgasm crashed over you with the force of a tidal wave, your body convulsing beneath him. You cried out his name, the sound echoing in the room, a testament to your surrender.
His weight pressed you into the mattress, his skin hot and slick against yours. You felt every throb of his heartbeat, every shudder of his breath. It was an intimacy you had never experienced before, raw and all-consuming.
As the waves of your shared climax ebbed, you lay there, wrapped in the warmth of his body. For a moment, the world outside ceased to exist. It was just the two of you, tangled together in the aftermath of passion.
As he lifted his head, his eyes met yours, filled with a complex mix of emotions. The intensity of his gaze made your heart flutter, but the softness in his expression was unexpected, almost tender.
"Well," he murmured, his voice low and taunting, "I guess the rumors were wrong. You're not a virgin after all." He paused, a smirk playing at the corners of his lips. "Well, not anymore."
You felt a flush of anger rise within you. "And what if I wasn't? What difference would it make to you?"
He smirked, the familiar arrogance returning. "Just proves you're not as innocent as you pretend to be."
You pushed against his chest, forcing him to roll onto his side. "You're insufferable," you snapped, your breath still coming in short gasps. "You think you know everything, but you don't."
He chuckled, a sound that sent shivers down your spine. "Maybe not everything. But I know enough."
You glared at him, the heat between you not entirely dissipated. "You don't know anything about me."
His hand moved to your cheek, thumb brushing over your flushed skin. "I know you're stronger than you think. And I know you feel something for me, whether you want to admit it or not."
You scoffed, turning your head away. "You're delusional."
"Am I?" He leaned in, his lips ghosting over your ear. "Or are you just afraid to admit it?"
Your body reacted before your mind could catch up, a shiver running down your spine. "Get over yourself," you muttered, trying to sound indifferent.
He laughed, a low, rumbling sound that made your insides twist. "I could say the same to you."
You pushed at him again, trying to create distance, but he caught your wrists, holding them against the mattress. "Let go," you demanded, struggling against his grip.
"Not until you admit it," he said, his voice soft but firm.
"Admit what?" you hissed, your anger flaring again.
"That you feel something for me," he said, his eyes boring into yours.
You glared at him, refusing to give in. "You're impossible."
He sighed, releasing your wrists and rolling onto his back. "Maybe I am. But so are you."
You lay there in silence for a moment, the tension between you thick and palpable. Despite everything, you couldn't deny the magnetic pull you felt towards him, the strange mix of hatred and desire that left you breathless and confused.
Finally, exhaustion began to creep in, your body heavy with the aftermath of your intense encounter. "This doesn't change anything," you said, your voice softer now, almost resigned.
"Maybe not," he agreed, his tone equally soft. "But it's a start."
You turned your head to look at him, finding his eyes already on you. "What do you want from me, Marcus?" you asked, the question hanging heavily in the air.
He reached out, his fingers brushing a stray lock of hair from your face. "I don't know," he admitted, his voice a whisper. "But I want to find out."
You closed your eyes, a sigh escaping your lips. "I'm too tired to argue with you."
He chuckled softly, the sound surprisingly comforting. "Then don't. Just sleep."
You turned onto your side, your back to him, trying to create some semblance of space. The room was silent, the only sound the soft rustle of sheets and the faint crackle of the dying fire in the hearth. You closed your eyes, willing sleep to come, but your mind was a whirlwind of thoughts and emotions.
Despite your best efforts to maintain distance, you couldn't ignore the warmth radiating from Marcus's body, the solid presence of him beside you. There was a strange sense of comfort in his nearness, an unexpected feeling of safety that contrasted sharply with the chaos of your emotions.
As you lay there, the exhaustion from the night's events slowly began to overtake you. Your muscles relaxed, and your breathing grew steady and slow. You felt the mattress shift slightly as Marcus moved closer, his arm draping over your waist in a possessive yet gentle gesture.
For a moment, you considered shrugging him off, but the weariness was too much. Instead, you let yourself sink into the feeling of his arm around you, the rhythmic rise and fall of his chest against your back. It was oddly soothing, a stark reminder that despite the tumultuous start to your union, there was a potential for something more, something deeper.
"Goodnight," Marcus murmured softly, his breath warm against your ear.
You hesitated before responding, the word barely a whisper. "Goodnight."
PART 2
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