#it's been so long that i forgot what tags to use ;__;

[just-a-sketchbook]

First Quilt!

It has been a lot of fun and a lot of trial and error but it's done!!!

It's roughly 1.20 x 1.20m (which is a number of feet I can't be bothered to look up but let's say it's about child sized and it'll be great to chill on the couch).

I want to thank @langdon813 who I've never talked to (sorry if you hate being tagged) but whose gorgeous Drunkard path quilts made me wanna do it too :)

I had never done any quilting before (but I did sew), so here's what I've learned, if any beginner is interested in jumping off the deep end the way I did and wants advice from someone who has freshly acquired experience but will also not use any confusing technical terms (with pictures!) :

Fabric picking : so most advice I read was to go for pre-selected bundles of fabric that already go together, but I'm contrary and like to do my own thing so I used wax fabric (the blue ones on top the pile) I had laying around, which I strongly recommend: it's very easy to cut due to it being waxed, and I added a few fat squares from the shop, plus I also had the orange and blue floral and I based the coulour scheme on it. One thing that's true is it would have been easier to work with fabric of the same thickness, and the floral was givne to me by my ma who got in on trip to Thailand and it was alot thinner than the rest which didn't help.

Cutting: I got a rotary cutter for the occasion and it's great! Do not maybe push too hard on it and give yourself nerve damage the way I did (temporary but still), it's actually ery sharp and easy to use, so long as your template doesn't slip you're fine

Piecing :Yes you can do curved piecing even if you have zero experience, you just gotta make a template and

pin it a lot.

1/4 inch margins is the standard so I rolled with it because I don't like converting, but when you're strictly metric it is kind of annoying but doable because my machine does have a 1/4 inch mark and if you stick a length of tape along it it's pretty easy to follow, even for curved piecing.

Layout: At some point you've got to decide the layout is done, because I've re-arranged the blocks at least 6 times and it's a very good way to go insane. (For rough reference, my plan was to have no repeat fabrics in any of the circle-in-a-square blocks, and I only made one mistake which I clocked too late to change)

Chain piecing!! Meaning you pile your blocks together in a specific order (that I personnaly wrote straight up on each piece with a very sophisticated letter/numbers down/across system) and then just sew them together in a line without having to cut the thread between each pair. Looks a little like a fanion banner and at some point it feels like you'll be forever tangled into it but then it's magic :) It's not that hard actually and will save you a lot of time + there's a lot of online tutorials you can use.

Basting! (which it took me while to understand is the part where you attach the backing, the fluff and the quilt top together) : you need more safety pins. Safety pins will save you from the wrinkles and the unfortunate oopsies of realising you've caught your backing double folded into your quilting stitch, which I did a good three times and was not fun to undo. Also, I forgot to tape the backing to the floor and it probably would have helped with the wrinkling...

Backing : I used an old linen table cloth I got for 10€ at a charity shop, and I've still got about 2/3 of it left, so I recommend that, it's sturdy but soft enough, doesn't thread easily and can be washed at very high temps, if that's a thing you do.

Quilting! Well, my machine came with a quilting foot for free motion quilting (which means you're the one moving the fabric along in whichever direction and you can sort of draw with your stitches) and it seemed fun so I did that, and here's what I learned : curves are hard but doable, also my machine doesn't like to go back (kept skipping sitiches for some reason) so it involves a lot of shifting the quilt around, which isn't easy considering the bulk. And also, drawing the quilting pattern you want so you can follow it while quilting actually does help, I used an iron/heat-erasable pen and it worked just fine. Check your stitch tension, mine was too loose and I realised too late so there's spots where I could pull on the thread and it looped, had to stitch back over that.

Quilitng pattern : I wasn't sure what to do, supposedly your batting (aka: the fluff) comes with instructions on how tight you should quilt to avoid it coming apart through use but I got mine cut at the fabric shop and forgot to ask so I just rolled with a rough 10cm maximum distance in between stitching lines but tried to do less in most places. According to many blogs : the tighter your lines the stiffer your quilt, so I kept it loose for comfort. (Picture is halfway done, I added a smaller square/circle inside each square/circle and if you look at it you'll see it's actually diagonal lines form one end of the fabric to the other.)

Binding is boring, and there's nothing to it. I got a length of pre-cut bias binding, machine-sewed it front to front to the quilt top side of the quilt and the folded it back and secured it by hand to the back with a ladder stitch. Took me roughly and entire rewatch of the Last Of Us. There's a trick to doing the corners that's fairly simple but I've lost the tutorial...

Overall : I got myself a quilting book with techinques and such and it helped, but there's a ton of stuff online, and once you get over the very Christian American mum vibe of most of the blogs, it's all very helpful (and gorgeous!) (no offense meant to Christian American mums, it's just a bit of a culture shock from where I'm standing).

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[remxedmoon]

(you worked yourself to death.)

yeah i wasn’t kidding when i said these would be coming soon. <- haha funny joke marshall. so!! remember when i said that this post would be coming out last weekend? guess whose tablet broke a few days after saying that! so sorry for the delay!! this is long overdue. here’s a link to the drive, as always! everything in this part of the update should be in the miscellaneous folder (outside of the menu icons, which are in the menu folder. wauaua).

unedited versions below the cut, plus some notes. fair warning 90% of this is just ui stuff lol

so! all of this was already done by the time i posted the enemies. the delay isn’t *entirely* because of the tablet issues, i just managed to get distracted by making: even more redraws! i’d say new update soon but after what happened last time i shouldn’t jinx myself. but! almost All of the art for the initial mod release is done!!!! exciting!!!!!!

please be nice to me (silly) this is my first time doing frame by frame animation in… give or take 5 years? i followed the original animations pretty closely, so they don’t look Awful but i am Aware of the jank. i’m not an animator!!! they’re Good Enough for my purposes.

hey did you know that the original teleport map is slightly off center. did you know that. that’s not the case for the redraw for the record but it did make things a little harder. despite that, i think you can tell i was having fun with the dormont part of the map. i would’ve put more detail into the house, but we never really get a more detailed look at it??? and i didn’t want to make assumptions. so that part’s just traced from the original 👍. anyways shoutout to the clocktower being Curved for whatever reason

outside of those, all of the added art is actually just spritework. i didn’t know this at first, but there’s a TON of copies of sprites from the icon set. Basically Everywhere. so those are added now! and should work properly! also added a few sprites that were Missing from my original batch. not going to put them all here, but a few Important ones (which i actually had to make new art for) are the rock paper scissors cheatsheet, the Larger versions of the craft signs (used in the calamité fight and. probably somewhere else idk), and the craft signs for the tutorial kid fight!

aaaand i think that’s it! for stuff from this update. yeah no there’s more coming buddy. my tablet already broke one time this week there’s no way it’s happening twice. i’m not working on portraits Just Yet (though the temptation has been There), but i’ve got the title screens, a few backgrounds, and the ending cgs done! along with a few other assorted cgs sketched out. because im out of my fucking mind. so, uh, see you soon!! enjoy!!

[allychihyah]

Comfy fit that never fails! (i really need to remember to post here more)

[peridots-pixiwolf]

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

[aureliaen]

borrowed @aleksxo's beautiful durge velen and their moorbounder kitten for a date with my boy siri. they deserve a day off, you know? the end of the world can wait.

[somerandomcockroach]

@keferon OKAY BUT LISTEN YEAH I would loved if it was just fun ehehehe and sassy flirting with the demon no one sees pfffht, literally summoned a demon just to flirt with, and I guess it could have been going for a long time, just little strips with their funny adventures and then plot can go to the fact that he wants to give him a body and Shockwave would agree or that they just stay the way they are and just hang out like this together (Alo I remember that you wanted to put Ratchet (I keep writing Ratched instead of Ratchet buuuh) and Drift in it as another demon and their summoner thing whghweghgwe but I like how you made two separate stories for them that happen at the same time, okay I am actually PRETTY MUCH invested in this story, I like a lot how it goes and gets tangled and how mixes up with idw ideas and other stuff a lot)

BUT NOW that you changed it that way, you made a few more things that reader might be interested a lot in, like that promise he made and you mentioning that he will regret it, how their relationship progressively develops, plus the fact that Blurr was a frivolous slob gifted with dark magic AND how the tables turn upside dow and he get consequences for what he did in the most unpredictable way for him and how he surely changes in his behaviour, getting more and more concerned about his promise and maybe truly loving someone for the first time in his life and wanting to change something. And then figuring out that that same demon actually was a person before, someone he knew, someone respectable, kind, shiny, absolut sun of a person, who died (I am still on my knees waiting to know how exactly he died...) miserably to the point that he absolutely can't stand his life as a demon and NOT EVEN being able to kill himself!!! And Blurr was a pupil in his school, he saw him, he gifted him an ability to make his magic work for him, gave the freedom to live among everyone to all who was poisoned with this dark magic. OH WAITA HGSDHAG the thing that beastformers can't walk among transformers and the fact that dark spellers also could not, and how these events happen at a close times, OKAY so dark spellers got their kind of freedom thanks to Senator Shockwave (OH MY GOD what if Orion can see Shockwave and will recognise him right away COUGH) BUT I am wondering if beastformers will get some kind of an official declaration or some kind of school to be educated in and I wonder if Deadlock/Drift (I think after leaving he will change his name from the last episode...) will volunteer to be a teacher t be something more, or he will just end up with Ratchet wandering around the world, or maybe there will be a whole damn revolution where all monoformers and beastformers leaded by Drift go against the system, and maybe these events happen at the same time as a Senator Shockwave fighting for the rights of gifted... Okay I'm getting carried a little bit ahsghag excuse me... OH I GOT carried away A LOT I wanted to get back to the point that Blurr, now figuring out the past of Shocwave, dealing with all the events, dealing with what he has done and find a way to free them, at the same time STILL having adventures and fun since I'm sure he can be a good mood lifter to moody Shockwave and even see him in a really good mood since he is... well, not just a demon made of hatred but the wonderful kind of person in his previous life... (okay being carried away but what if Orion might declare the freedom to beastformers (AJHGAJHSDJAH OH MY GOD I IMAGINED JAZZ AS A PANDA HAVING A ROMAN WITH PROWL AND PROWL NOT KNOWING ABOUT IT OKAY SORRY) after seeing what it lead to after Senator Shockwave. And maybe Ratchet will be able to get his sign back freely after revolution will be successful or he will be forever blind just to be free and safe with his husband OKAY LISTEN I think it is obvious that I really like the thing you do....

[tevos]

////

[alwaysinstoryland]

A little bit of nighttime Marichat for your dash today ♡

[neocaridinas]

studies from my bedroom / dec. 2024

[bobbiesquares]

9 books i plan on reading in 2025, tagged by @pociondeodio! ty <3

i don't really plan on reading books in a specific time period (i have a massive to-read pile that i just pick from as the mood strikes me), so this is padded out with books from my book club that we plan to read this year (which is why there are several outside of my normal genres lol).

none of my book club people post on tumblr anymore but i will tag them just in case they see it @scissorly @sapphirablue

if you see this and want to do it, go for it! and please tag me 😊

plain text list:

The Dead Cat Tail Assassins by P. Djèlí Clark

House of Leaves by Mark Z. Danielewski

The Stone Sky by N. K. Jemisin

The Deep Sky by Yume Kitasei

A Memory Called Empire by Arkady Martine

His Majesty's Dragon by Naomi Novik

You Sexy Thing by Cat Rambo

Hyperion by Dan Simmons

Heavenly Tyrant by Xiran Jay Zhao

[always-a-slut-4-ghouls]

I don’t get why people feel like the Duolingo owl is threatening, if I ever feel like he is I just get mad at him. I could fight an owl. I don’t know if I’d win, but I don’t think I’d lose (two things that can apparently coexist). I think I’d survive at least and that’s not really winning but also not losing.

You wanna be so threatening? Da bør du drepe meg!

[blorboresidue]

february is the worst possible reward I can think of for having made it through january

[squishosaur]

I still think about when you said I was the malleus to your sebek. I love you 😢😢😢

you literally are & i love you too‼️‼️‼️🥺🥺🥺

[throes-of-warm-tornadoes]

the 2001 planet of the apes is so good to me. like, the 1968 version will always have a special place in my heart because the makeup magic was... dare i say... very magical, but i liked how the 2001 one leaned into a more biologically accurate angle. like, those are straight up apes. no wonder humans aren’t speaking as a survival tactic, those things could hurt you without even trying. again, the 1968 one was so good and impressive but the fact that taylor could overpower the actors that were playing gorillas was a little jarring lol. which makes sense, cos so much of his escape plan relied on him being strong enough to push people out of the way.

this isn't a complaint btw! they're just people in costumes---they are still very much giving ape, but there wasn't much they could do about that on a physical level. so, when the 2001 had these big hulking gorillas and more accurate looking chimpanzee faces on the screen, i appreciated that detail about the humans exploiting their fear of the water. it leveled the playing field without making the fight against the apes look like a losing battle

[lookimjustawallflower]

I feel that the world needs to bear witness to this.