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#it's hard when it's just for me though
pumpkinofthedale · 4 months
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Decided to actually make food today!
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paperglader · 2 months
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i just feel like someone should take one for the team and write the fanfic where miss homotron goes to dragonstone on foot, meets her situationship’s new lover, and immediately goes like blind with jealousy and fury (rhaenyra, as always when alicent’s near, looks and behaves like a very confused kicked puppy)
i just need homotron and saphotron to meet, so the real war can begin
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electrozeistyking · 10 months
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"She's Gone"
This bad boy was started on the third of November, and finished on the seventh. In total, there are thirty panels (all of which were drawn separately).
A good chunk of N's dialogue near the end came to me after I did some improv to figure out what he should say. I have since dubbed it "N's Failure Monologue."
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substitute
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onejellyfishplease · 4 months
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I wanted to do something for mermay, so here are my designs for some merturtles!
Leo is a Leafy seadragon,
Donnie is a Vampire squid
Mikey is a Epaulette shark
And Raph is a Scorpionfish!
Also heres a bonus drawing of a young April holding her little aquatic friends (dont worry they can breathe air just fine)
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egophiliac · 1 year
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I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
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that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
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deoidesign · 2 months
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For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)
It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!
I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!
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It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up
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d0d0-b0i · 2 years
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silly
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somnimagus · 1 year
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My page for @destinytriofanzine! I drew something about kids always dreaming of far off places
[id in alt!]
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sevenines · 12 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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nonranghaes · 9 months
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"it's just me."
you barely get a chance to roll onto your back before soonyoung's already climbing onto the bed and somewhat on top of you and your blankets, and it's only seconds later that he crashes. it's far from the first time this has happened (soonyoung is clingy and cuddly, especially when he's sleepy), but he manages to knock the wind out of you nonetheless. he rests his head on your chest, and you wiggle an arm out to curl around him as best as you can in your semi-trapped position.
"soonyoung--"
"just go back to sleep," he murmurs. "everything's fine."
you stroke his hair, thumb dipping down to graze his cheek at one point. "soonie--"
"i mean it," he says, eyes peering up in the low light to see yours. "i'm fine. just need to nap." his hand finds yours, and he wraps your arm around him as he snuggles in. he plants a kiss against your chest before resting his head against it again, eyes fluttering shut. "you can rest a little longer, too."
you settle back down after a moment, arms wrapped around soonyoung as you shut your eyes again. sometimes you swear this tiger is a teddy bear, but regardless of which he is, he's yours.
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adustoflove · 2 months
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No one understands guilt better than a girl with emotionally immature parents
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laurrelise · 30 days
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the umbrella academy and everything is the exact same exact number five accidentally jumps forward in time into the backrooms
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kacievvbbbb · 1 month
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You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.
While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.
While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.
You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.
Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.
It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.
Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.
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hysteriafossil · 6 months
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guess who finished tlok tonight and immediately had this come to him in a vision!!!!
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buwheal · 9 months
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Merry (Kris)mas
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