#its about the cycles of abuse and working to break them

[threefeline]

Another snerson

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[audarcy]

The original percy jackson series is about cycles of abuse and neglect, right. Were introduced to percy as a kid who has clearly been left behind by a school system that has given up on him, restless and unengaged and self-defetist because hes been given nothing that works for him and no one even tries to meet him where he is. Then hes told no, listen, your neurodivergence is amazing and you just need to be given something that actually utilizes your unique palatte. And thats obviously the uplifting idea rick wanted for his kids, right. But once we get to know chb the same cycles are happening there too. There are kids "left behind" there too for one reason or another, because their parents dont want to claim them, because their parents werent important enough to get a cabin. Do you get it, all the kids who dont fit the most common neurotypes get shoved into the same closet. Kids are being left in a cruel world to fend for themselves without the tools they need. Theyre dying because no one bothered to accommodate them. Its such an obvious parallel that the first chapter introduces a teacher whos written to be especially hard on percys disability and she turns out to literally be one of these monsters trying to kill him. Meanwhile sally jackson tells him she named him after Perseus because she wanted a redemption for a hero whos story ended in tragedy. Meanwhile every book in the series replicates a greek myth step for step until the moment they break the cycle. Annabeth, playing Odysseus, is talked down from her hubris and grounded by her friends. Percy, playing Heracles, meets someone wronged by the original Heracles and rights his wrongs by refusing to go down the same selfish path as him. Monsters are reborn because they are--as the books explicitly call them--achetypes. These kids are stuck inside the cyclical nature of mythology because thats what happens to mythology, it gets retold over and over again. But these are the kids who have to live it. The series ends with percy being offered immortality and he rejects it because he wants to use his godly favor to force them to break their cycle of neglecting their kids. The series ends with a declaration that we cant keep letting this happen. The very first book offees the same choice. It ends with percy refusing to keep the head of medusa as a spoil of war, refusing his heroic reward. He lets his mother have the head and use it to kill gabe. Isnt that fucking crazy for a kids book? Gabe wasnt a Monster. He wasnt going to Turn to Dust and Disappear in a narratively convenient way. He was a living breathing mortal dude and percy and his mom killed him without remorse. Break the cycle of abuse!!!! Dont let this happen again!!! Anyway thats why the original percy jackson series is Hey where are you going with our breadsticks

[horce-divorce]

It's wild watching someone who used to be self aware (or at least, who didn't want to be like their parents) become entitled to things like avoidance. And children. Often simultaneously

[catmask]

tbh when i hear some people talk about 'breaking cycles of abuse', it becomes clear pretty quickly who has come to understand that phrase to mean 'since i was a victim of abuse/neglect by my parents/caretaker/s i will do everything to be nothing like them' and that is all. its not a completely flawed way of thinking either - something that hurt you would very likely hurt someone else; through empathy we learn to understand not to hurt others the way we were hurt too.

but what 'breaking cycles' looks like is more complicated than just not being your parents/caretakers - it's about recognizing how the things that happened to you changed you and how you can heal so you don't hurt someone else in turn. the survival skills you learned in an unhealthy enviroment often translate to poor if not unhealthy interpersonal skills in an enviroment where things ARE safe.

its a difficult pill to swallow for a lot of survivors of abuse (trust me, i know) because we have a tendency to simply want our pain to be recognized. by painting yourself as "absolutely nothing like my abuser" you can abstain from recognizing your own harmful tendencies and live comfortably in the role of victim hood for the rest of your life. it can be tempting to do this especially when so many people will do their best to deny what you experienced - almost like leaning into a stuck door that just won't budge.

the problem with this is if you never recognize that being mistreated made it so you LACK a lot of what other people learned from a loving enviroment, you can hurt people pretty badly even when doing your best just not to replicate what your parents/caretakers got wrong.

this also hurts for victims because, when it comes down to it - it's not FAIR. you were hurt for no reason, and most of us will never hear an apology or even admittance from the person who did it - so why do YOU have to change? why do YOU, the person hurt unjustly, have to put in the work?

and i mean. that's what breaking a cycle is. it means pushing against what's fair and comfortable deliberately so that you can stop something that's been repeating. it's work. its not just recognition of pain, it's the purposeful healing and treatment of it. but thats scary, and it's not fun, so a lot of people fall right back into it. its a lot easier said than done.

[c-rowlesdraws]

Also. Another important theme/message of this version of Ratatouille would be how folks can break cycles of abuse, instead of perpetuating them just because “this is how things are done/how things are”:

Colette is a young fine dining chef in Paris. She learned how to cook professionally in one of the most toxic work cultures on planet earth, and she steeled herself and pushed through in order to excel. After Remy convinces Colette to teach him how to cook, she tries to at first to replicate the ways she was taught in the kitchens of her past, the ways she’d always taken for granted as the only ways to train a rookie into a chef worth anything: brutally reprimanding him for mistakes, raising her voice, letting those ghosts of previous head chefs rise up inside her. And then, in a moment of lucidity, she looks into his big, wet, little rat eyes on a particularly difficult practice day, and sees the hurt there, the confusion, the shame… and she feels her heart quietly break for her younger self and for him, that they both took this kind of abuse, and feels her heart break for her current self, too, about how she’s let herself turn into the kind of chef her younger self had nightmares about, a monster who could make a green cook with big dreams cry.

Trying to replicate this teaching method had been emotionally trying for her, too, and this is the final straw: she shouts this particular epithet or turn of phrase at him, sees how he looks at her… and she flashes back to when that same thing had once been shouted at her through a haze of steam from across a narrow, crowded line when she was in the weeds, her hair falling out of its kerchief and sticking to her neck, the old fan on the wall doing nothing for the hot, humid air but circulate it weakly around the kitchen, and she’d let the sauce split again, how could she be so stupid—

And she decides that she never wants to see that look in Remy’s eyes, or any young cook’s eyes, ever again.

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[thebowieconstricker]

Hello! I saw you wanted requests for Lucifer, and I would love any sort of angst where Lucifer ends up comforting the reader, like maybe something happened to the reader, or the reader is just really stressed and just breaks down

Ease My Mind

(Lucifer Morningstar x reader)

masterlist link

AN: To this request: yes yes yes yes YES I just KNOW that he gives the best hugs and is so ready to comfort the people he loves. For this fic, I decided the angst is a little of everything, job struggles, moral dilemmas, and some self-doubt, so I hope I delivered. This isn’t proofread so please alert me to any errors! Thank you for your request! <333

Summary: You have a bad day at work and it triggers a breakdown. Luckily, your big bad boyfriend is here to help.

Tags: Gender neutral reader, could be read as platonic if you reeeeally squint but it’s implied romantic, heavy on the angst, a dash of fluff, Lucifer is trying his best, you guys are precious.

Warnings: Reader is afraid they’re being used by the people around them and they have lots of thoughts about being useless and others not liking them.

Also, the title is inspired by the song “Ease My Mind” by Ben Platt, go listen to it! Enjoy ya heathens!

~~~~~~~~~~~~~~~~~~~

You’ve been used by others for your entire life.

And now you were stuck in that same cycle in death.

As a young, naive, alive-person, you were desperate for some one to love you. Growing up in an environment where compassion was scare, you decided that the only way to get people to notice you was by offering to help them in some way. A favor, a ride, somewhere to crash, and, for one specific person, a place to hide the bodies. In life, you had gotten so deep into your desire to please others that you had latched onto the first person to give you the time of day. Unfortunately for you, that individual happened to have a thing for serial killing.

Looking back on it now as you miserably walked back to the hotel, tears threatening to fall down your face, you couldn’t think about anything other than how stupid and useless you were. It was your fault that they were found out, your fault that the innocents were dead in the first place, your fault you were stuck in hell and that fucker was still out there.

How much time had passed on Earth? How many more had they killed?

On most days, you could compartmentalize, putting the bad thoughts in a little box and shoving it in the back of your brain, but work had broken you today. You worked for the Vees, specifically Velvette, and it was no secret how they overworked and abused their staff. You were stuck picking up Velvette’s leftover energy drinks for as long as she had control of your soul.

And yet. You thought maybe someday, someday you might make a connection. You might impress her, or surprise her, or something, and maybe she would give you a break.

But no. Today you had been an hour late for the first time and Velvette had screeched at you, calling out all of your flaws and insecurities and bringing all of the horrible memories that you had oh-so-carefully stowed away to light. But you held back tears and did your fucking job, the emotions boiling all day and the hectic office space doing nothing to calm it.

You had needed this cry for a long time, and now there was no stopping it.

Walking along the brimstone pathways, you finally made your way to the rickety Hazbin Hotel. Its incomprehensible height only worsened your now growing headache as you walked up to the doors, grabbing the handles and swinging the heavy iron frame and red-stained glass open.

You immediately started towards your room, but you were blocked by the obnoxiously cheery Princess of Hell herself, Charlie.

Charlie’s not obnoxious, you’re so vile for thinking that.

Shit, the thoughts were getting worse and you could not do this right now.

Charlie, oblivious to your mood, smiled brightly. “There you are! How was work? I’ve got someone here who’s been waiting-“

You shoved past her, bumping her harshly.

“Not in the mood.”

Charlie frowned in confusion behind you.

“But, wait, hey-“ You ignored her pleas and- ah shit, now Angel’s in front of you.

“Hey, babe, you might wanna hang around for a sec-“

You shut your eyes tightly and moved your hands towards his chest, your fight or flight kicking in as you pushed him.

“ANGEL, leave me alone.”

Why would you yell at Angel like that? He’s just being nice.

Shut up shut up SHUT UP

Everything was only getting worse. You bolted to the grand staircase and raced up the steps. As you sped down the seemingly infinite hallways, the tears you had been fighting back for the last millennia finally fell. With a choked sob, you finally spotted your bedroom and lurched for the doorknob, swinging the door open and slamming it behind you as you bursted into your room. You ran to your bed and grabbed a pillow, hugging it tightly as you loudly cried.

Charlie only keeps you here because she needs the guests, you know. She hates you. They all hate you. They wish you weren’t here. You’re just lying there, crying, why would they want you?

The hateful thoughts were all you could hear in your mind. As you pulled your knees to your arms holding your pillow, you wanted nothing more than to disappear. To just pop out of existence and finally be free of the burden of yourself.

Then, suddenly, three knocks at the door.

“GO AWAY.” You screamed, throat on fire from your sobbing.

A voice came from outside. A smooth, relaxed, kind male voice.

“It’s me, hon.”

You froze, terrified. Quickly you climbed to the floor on the left side of your bed, blocking your body from the view of the door. You took several deep breaths, trying to steady your nerves.

“Come in.” You said shakily.

You heard the door creek open, then footsteps.

“Where ya hiding these days?” He awkwardly chuckled, clearly trying to lighten up the mood you were in.

“Just- stay over there.” You were still holding your pillow, and you gave it an extra squeeze.

“I’m a mess right now.” You sniffled.

He paused, like he was thinking. “Well, if that’s what you want, but I hope you know by now that I’m always happy to see you. Even when you’re a mess.”

You felt the bed shift. He was sitting on the opposite side.

Like a child looking for a secret, you turned around to look at the back of his head. His hat was gone, probably left downstairs, and all you saw was his sweep of blond hair.

He made a ‘hm’ sound. “Bad day?”

You nodded. Then, realizing he couldn’t see you. “Y-yeah.”

You watched him nod. “I’m sorry about that.” He fiddled with his cane, his hands tightening and loosening around it. “Would you… like to talk about it?”

You paused.

Lucifer had been a confidant of yours since you first arrived in Hell. He was the one to tell you what was going on right after you died, calming you down and offering you a place to stay. Sure, you didn’t know that he was literally the Devil, but everything about him made you feel at peace. Like you could deal with the hand you were dealt.

Secretly, though, you were waiting.

Waiting for the moment when he would reveal that he only kept you around because he needed you to do something for him.

No one was that kind, or caring, or wonderful.

He wants something from you. Why else would he keep coming back?

You had yet to answer his question. Lucifer sighed.

“You don’t have to tell me anything. I just want you to know that I’m here for you, okay?”

The voices were still wringing in your head, you were still crying, and you felt pathetic.

“I- I don’t- fuck, would you please stop acting like you care?” You knew your words were harsh but they were begging to be said.

His posture straightened in surprise.

“I do care! What makes you think I don’t care?” He sounded hurt.

Nice going, you hurt his feelings.

You bent forward, hands covering your face in frustration. A fresh wave of tears rises through your body and you loudly cried out, too scared and angry and sad to hide it anymore.

“Woah, woah, hey, it’s okay, hon.” Lucifer’s voice was nearing your form on the ground, and he was quickly at your side. You could feel his presence beside you.

He sighed in exhaustion. “Listen, I’m not- I’m not the greatest at this, but I’m gonna ask so I don’t upset you. Do you want a hug? Or a hand on your shoulder-“

Your arms were wrapped around him before he could finish his question, clinging to his waist and biting your face in his neck.

“WOAH there- well hey, sweetheart, there you are.” You could hear him smiling as he gently brought his hand to rub your back.

“I’m sorry. I- I’ve just had a shitty day at work and I’m worried about a lot of things and- I don’t want to take it out on you.” You were shaking, but he held you steadily.

“What kinda things are worrying you?” He asked.

And so you told him. In the comfort of his embrace you were able to somewhat coherently explain all the things that had been freaking you out. Velvette’s torture at work, your own moral dilemmas about your life on Earth, and you were just getting into your feelings about others using you when you felt Lucifer’s breath hitch.

He leaned away from you to look you in the eyes and gently put a finger to your chin.

“Honey, I want you to know that I know for a fact that the people here really care about you. Not because you’re an extra pair of hands, but because you’re you. You’re wonderful to be around. People like you.”

He looked at you with a warm smile and leaned towards you, giving you a small kiss on the forehead.

“I like you. I care about you because you’re worth caring about.”

You stared at him in awe, your mind finally at ease after such a chaotic day. Smiling, you leaned back into him to rest your head on his chest.

“Thank you, Luci.” You reached out and took one of his hands, holding it tightly in an effort to show him how grateful you truly were for his words of assurance.

He tightened his fingers around yours and grinned down at you.

“Always, love. Now, let’s get you on the bed, okay?”

You nodded and he gracefully picked you up, gently placing you on the bed. With a snap, you were in comfortable clothing with a warm blanket around you and plenty of soft pillows.

“You want me to hang out for a bit?” He looked at you through half-lidded eyes, clearly sleepy.

“If you don’t have anything else going on…” You offered, already half dozing off.

“Even if I did, I would love nothing more.” With an affectionate grin he curled up beside you, and you immediately went to lay your head back on his chest. As you drifted away, listening to the King of Hell’s heartbeat, you took a deep breath.

He was right. Things were gonna be okay.

You had friends.

You were loved.

[natureboy96]

Rhysand is Tamlin's abuser

I've been enjoying crackshipping and fun posts for the past few months, it's far more pleasant to interact within fandom this way I've found, but this thought came to me last night and it won't leave my head, so I simply have to go for another rant/long post about it.

The discussion about what happens Under the mountain is largely focused on what happens to Feyre, which is understandable as she's the POV character; the problem is, what happens there isn't about Feyre at all. Everything UtM is designed to break Tamlin, especially torturing Feyre. And Rhysand is a large part of that.

While Rhysand is sexually assaulting Feyre, he's also psychologically torturing Tamlin. Can you imagine how horrible it would be, being forced watch and witness this fragile human you've come to love, being turned into a sexual prop and toy, forced to dance and drink and vomit and dance again, every night for months on end, knowing that the slightest twitch could end up killing someone you care about, or hurting Feyre even worse? I wouldn't put it past Amarantha to leave Feyre with a few less limbs if Tamlin grimaced.

And the thing is, Rhysand not only knows that he's hurting Tamlin, but that he's doing it intentionally. He explains fully that he wants to protect Feyre, yes, but also that he wanted to make Tamlin suffer, to make him feel hate and pain. All those horrors that Rhysand drugs Feyre, so she doesn't have to witness it and be scarred by it? Tamlin has no choice but to look, and not react, and Rhysand knows it. Tamlin doesn't know anything about Rhysand's "evil mask" during and after UtM and only sees him for how he presented himself; a sexual predator who worked as hard as Amarantha did to break him, and continued to trigger his trauma after they were free.

But Rhysand has a grudge for what Tamlin did to his family, yeah? A grudge he's been holding on to for at most over four centuries (due to the lack of dates and timelines, the only clues we get for when things went down between their families was that it was after the war 500 years ago, and a few years after Tamlin "matures" as Rhys says it, which could be as early as Tam being 18 or 19) And that he doesn't know all the details about! a grudge he's had centuries to try and find out the truth about, but that he's chosen to assume the worst about Tamlin instead, and that ended with Tamlin's family dead in retaliation.

Rhysand being angry for what happened to his family (after getting revenge in retaliation) does not justify months of psychological torture.

And then in ACOMAF, instead of taking any accountability for the pain he caused either of them, he at most justifies how he treated Feyre, and entirely ignores the pain he caused Tamlin. Worse yet, he goes on to villainize Tamlin for dealing poorly with his PTSD, trauma that he had a direct hand in causing, and actively antagonizes him further to make it worse!

Tamlin should be held accountable for the pain he caused Feyre, and I would argue he pays for it well more than his actions warrant. Rhysand never takes or is held accountable for any of the pain he causes, not to Tamlin or Feyre (and later not to Nesta either). Beyond feeling bad in a monologue or again justifying his actions when confronted by the High Lords, he never has to answer for the harm he's caused and its handwaved away almost immediately on being addressed.

Rhysand and Tamlin hurt each others' families, Rhysand abuses Tamlin, who later abuses Feyre, who later abuses Tamlin back, and then the Night Court abuses Nesta, after she abused Feyre when they were poor and starving. It's just a cycle of abuse, but only some characters ever pay any actual, tangible price for it.

All of this is to say, I have found myself having far more sympathy for Tamlin reacting poorly to his PTSD than the person who gave it to him with psychological torture and then villainized him for it.

[nortsauce]

HERE COMES NORT, YAPPING ABOUT FANDOMS THAT I’M NOT EVEN IN!

(And i’ll be typing the rest here because there are too many slides so read bellow)

⚠️ WARNING ⚠️

My LONG ASS rant on how MHA (among other things) fails to present its ab*se victims in a good way,

Starring the todoroki family

So, i know literally no one cares but i feel like it needed to be said: but MHA has a BIG issue with victims of abuse being treated kinda shittily, to making whole arcs about their abusers.

This isn’t a HUGE thing, as the lack of sympathy for Hawk’s abusers was definitely there, but they still were portrayed in a semi-sympathetic light. This is not the main focus however.

I’m sure many could go on and on about Bakugou and Midoriya’s relationship, but thats not what i’m focusing on.

I’m focusing on the most OVERLOOKED and ABHORRENTLY handled dynamic of the Todoroki family

I will be going over each of the characters and why they suck in some way, but as a whole i have to talk about this: Each one of the characters of the family are all victims of abuse in some way, and represent the different ways that trauma affects the victim, i understand that.

All in all, they do a good job of portraying the different ways in which the people handle abuse,

Endeavor being one who never dealt with his past egotistical superiority complex and threw his baggage onto his family/children to live vicariously

Rei being the one who is emotionally/physically damaged to the point of a mental break

Touya being the ex-golden child, and the one who continued the cycle of violence (and misogyny but thats another topic for another paper)

Fuyumi being the one who holds onto an idealized version of a family that possibly only existed in her dreams, being codependent and longing/working to get those “happy times” back with her family, clinging onto smth that was possibly never there

Natsuo being the one who is (justifiably) angry at his abusers, cuts his family off and goes to pursue his own life/dreams

and finally shoto

the one who realizes his role as the golden child is only for his parents to live vicariously, breaks his cycle and is trying to figure out who he is.

These are all great representations of how people cope/handle trauma, and i believe that was on purpose, considering that it also speaks on abuse of children on baselines of being in a famous family.

However, certain aspects are clearly not handled properly; allow me to explain.

Shoto, the youngest of the family, is often seen as the architect of the abuse, as the family was actually quite “fine-living” (i’ll come back to this) before shoto was born.

There were obviously cracks in their family from the beginning, Touya being the golden child despite not being able to physically handle his own power without hurting himself (an allegory i’ll discuss), the fact that Enji (endeavor) basically bought his way into marrying Rei, and of course enji’s complex of being less than All-might.

However, many characters seem to blame the birth of Shoto for breaking the camel’s back, and starting the domestic violence that had already threatened to spill through.

It’s shown through the anime that shoto has a kind heart and never liked enji, due to the fact that he would harm him, his siblings, and his mother,

but for being the tritagonist of this show, we never get to see how he really feels. In all of this, perhaps we could see him feeling guilt for being the reason his family is broken, the possible resentment yet dependency he has for his father, the thoughts on how he feels conflicted yet guilty about his mother and continues to blame himself.

Its interesting how he never stops blaming his father, but regardless we only get his apathetic views on his father and no one else. Its saddening to see the sideline of the victim of abuse while his abuser gets a whole arc. But i’m not there yet.

Moving on we have Natsuo and Fuyumi. I grouped them together because they both have opposite ways of dealing with their trauma, as Aforementioned: Natsuo tries to cut all ties while Fuyumi tries to be a “normal” family with her remaining members.

Both of them have valid ways to why they act this way, and its tragic, however, the way they deal with their youngest sibling, shoto, is disheartening to say the least.

Both of them understand how Shoto was physically abused since he was 5, and neglect to form any sort of connection with him despite his better efforts in natsuo’s case, using him as leverage against his father and nothing more, while in fuyumi’s case, basically presents him in her fantastical version of him in their fantastical “perfect” family life, causing him to have multiple meetings with his abuser and forcing him to relive the trauma so she can have peace of mind.

In hindsight, this is all interesting heavy topics to explore in a character, and i was honestly curious to see how it would be handled

however it all faltered as soon as I saw the hospital scene.

SPOILERS:

After Dabi’s Dance, the todoroki family comes to visit Shoto and Endeavor in the hospital, both of whom are heavily bandaged and bed-ridden.

Despite this all, Rei, Fuyumi, and Natsuo force todoroki, who is burnt and recovering his voice, to get up and walk over to his father’s ward to speak to him.

Shoto, despite being unable to form full sentences, makes it FULLY CLEAR he does not want to be there, by closing the door to his ward, and attempting to leave. Despite his clear efforts, his family makes him go in to talk to him.

this 16 year old boy being forced out of RECOVERING, fully bandaged and barely able to talk, forced to visit his abuser to hear him cry about not being able to fight his own son, depsite also being his son and physically harmed by him since childhood.

In my opinion that wasn’t a good move on any of the family’s part.

Rei is a difficult subject to discuss. She is clearly a victim and has been for. while. She is mentally distant after being harmed for so long and spent time in a psyche-ward to handle herself.

Saying that she was a bad mother would be too far in my opinion, as she did her best to provide a nice life for her kids as well as defend them from her husband.

Not much is said about her, but from what we can tell she loved her kids very much, until the abuse started.

I feel the blame for shoto began with her, not being able to face her own son after the “death” of her first and the fact that his face reminded her of the abuse she’s faced from endeavor.

Her character is honestly an interesting one, but she is not safe from my scrutiny of the hospital scene. She was very brave for facing her abuser like this, however, she did not have to drag her bedridden youngest into the fray.

She is the DIRECT reason shoto has a scar on her face, (indirectly endeavor’s fault)

But i will never blame her for the abuse she faced for her children, by her husband and to an extent, her own son touya, which leads me into my next point

SPOILERS

Touya, aka Dabi, is the “Late” eldest brother who was originally Endeavor’s ticket into living vicariously to defeat all-might and be the number 1 hero.

I could go into the psychology of his character but he is ultimately very interesting. In all honesty the way he is presented as being the consequences of endeavor’s actions is palpable and honestly quite raw. At a young age, he was handling the pressure of being his father’s perfect creation, and the fame and fortune that followed as he sought his father’s approval. Soon, his quirk began to burn him every time he used it, a fact that endeavor ignored to pursue his goal. Touya’s power became self-harm at some point, an allegory for his disregard for his own life and well-being for his father’s dream which ultimately (literally) exploded on itself.

Touya’s story is interesting, from his abuse causing him to act like his father craving his approval, which lead him to act put against his mother and shoto, while laying his baggage onto his younger siblings, to losing his mind and realizing that he wanted his father dead and continuing the cycle of abuse further.

This is all a deep and interesting way to look at abuse and how the abused may become an abuser, HOWEVER.

MY critique here, is how sidelined his whole arc is, as his story is more portrayed of Endeavor’s past coming to haunt him, all for the watcher to sympathize with endeavor rather than understand how the abuse endeavor put onto touya made dabi. This whole arc was framed to be sympathetic towards endeavor, and to fear Dabi. Don’t even get me started on how Shoto’s feelings meant nothing in this arc, as well as being immediately cut off by a surprise cameo of a character that possibly discredited Dabi’s expose video on his abuser.

Finally, we get to talk about the elephant in the room: Enji Todoroki, endeavor himself.

What is there not to say about this man.

I feel I should start eith the obvious:

The forgiveness/sympathy arc for endeavor was quite possibly the worst thing to ever happen in the anime, and this is not subjective.

The whole arc is based around how Endeavor is a victim of his own mind and is trying his hardest to make up for being a terrible person.

Personally, i love to see character arcs of villains becoming a better person, but thats the very thing: Endeavor is trying to ask for forgiveness from his family, who he abused for 15 YEARS. This is no exaggeration as Shoto is now 16, and his cracks started forming as soon as he was born.

Endeavor had illegally married a woman that he basically bought his way into,

was illegally “breeding” (eugh) for quirk benefits,

Treated one of his son’s like a vicarious version of himself

Physically abused his son (age 5+) his wife, and verbally abused the rest of his children

isolated his son

treated his son like a weapon

and finally felt too prideful for any sort of meaningful apology.

This all adds up to a character who only felt sorry for his actions after the consequences started hitting him in the face, as he only felt remorseful when Shoto refused to be associated with him.

Now, some of you may be thinking: “A lot of characters are forgiven for more, why would he be the exception? It’s fictional why do you care?”

There are several reasons to why I care but i’ll speak in terms of framing for now. This show is highly influential to not only kids (as it is a KIDS SHOW) but to adults as well. May i direct your attention to the man who saved a woman from a murderous ex-boyfriend by blocking his machete hits all because My Hero Academia inspired him to take action and be a hero?

Or how about a murder that took place because the accused was inspired by an invader zim episode (the dark harvest)

Whether you like it or not, fiction HAS an affect on reality. Yes, we can determine what is real and what is fake, but you cannot deny that a lot of what media we consume helps us be who we are.

If the show promotes more sympathy towards an abuser than their victims, then people may find themselves sympathizing real world abusers over the voices of victims.

I wont speak on delicate subjects but I can already see affects of this happening, as people rally to defend famous people accused of being abusers rather than listen and provide support to the alleged victims.

In conclusion, These topics are definitely not easy to write, and I, for one, am NO expert and my word should not be used as gospel truth or a guideline on how to write these characters.

This is all simply my opinion on how the bias towards abusers in the show leads for the message to be skewed and marred in action.

I understand that no one is perfect, but if we only reward and sympathize with those who only seek redemption after they face scrutiny, then we lose the meaning of what makes someone worthy of forgiveness.

These topics are deep and interesting, but the way they are handled in this show is simply bad writing.

Thank you for coming to my ted talk and again: no shade towards the writers. Just critiques!

[yannaryartside]

Carmy doesn’t wanna be with Claire despite his trauma, but because of it

So, I was working in a meta about the roles of Chef David, Claire and Sydney in Carmy’s character arc. But I think there is something that can be a point of its own, let’s see if I can explain myself correctly.

I have read opinions about how once Carmy work things out with Donna (that recent la times interview had Calo mentioning how they mirrored Claire shots after Donna’s shot) and many people came to that conclusion of how Carmy wanting to be with Claire is sabotaged by his trauma.

And that is a valid take and it could be what it is, but I don’t think it makes sense. No if you let abuse be a realistic player in the equation. Let me explain.

Abuse breaks your perception of yourself and the world, and sometimes you are gonna choose a partner based on that perception. Falling in love /having crushes is something that comes from our subconscious and can be deeply conditioned.

Carmy had a mother that ignored/neglected/abused him while constantly comparing him to his brother. Then he got a head chef that humiliated him, got him so scared that was physically sick and mentally damaged. All of this is self hatred fuel. He once thought he was abused because he wasn’t good enough. (This is what you wanted, to be the best) to the point he subconsciously thinks is okay to continue the cycle of abuse as long as he gets the star. (Btw he didn’t wanted it for Syd as a gift, he wanted it to prove her and his former chef that he could succeed on his own terms, the star was his revenge).

Let’s talk Claire. He had this crush in this girl that was nice to everyone, even him with how “defective” he felt. Then miraculously this girl said that even from then she had a crush on him. She is easy and doesn’t have a problem with any of his very serious mental health issues and immaturity. He feels good enough with Claire not because he is bettering himself from an honest place (like with Sydney at times) but because Claire doesn’t ask for even basic human accountability. This is enabling to someone with a healthy mindset. But for Carmy, it is heaven, and in s3 he thinks he lost that.

I think this is the reason we don’t know shit about Claire (her hobbies, the story of her family, dreams or aspirations) because the only thing that matters to the story (Carmy’s story) is the comfort and amusement she provides. Addicts choose different drugs based on what they want (feel happy, forget, adrenaline) and Claire is the perfect drug to each one of Carmy’s core wounds.

She represents the social approval he didn’t have growing up (Michael and his family wanted them together, she is from the cool group of kids he wanted to hang out with, and Claire even acted as vehicle to Carmy feeling part of that hight school experience in the frat party)

Carmy doesn’t have to guess her humor because she puts an effort (I think) on being amenable all the time. She has all easy similes while Donna has faces of disgust and anger)

She has this perpetual need to be around and take care of broken people (her drunk friends, her patients, the stupid Faks) while never criticizing them or asking them to change (it is cool that Michael set things on fire, she hooks the Faks with her friends, she tells carmy to never apologize)

There is an extra dark side to all of this, because this relationship is not only very superficial but very relying on both of them playing the role of the “broken boyfriend” and the “saint girlfriend” but that is a topic for its own meta.

Now, some examples based on personal experience to bring more context to this point. Trigger warnings:descriptions of physical and philosophical abuse.

My mother was engaged once with a man that was physically abusive, then she left him and married my dad, a man that respected her for her brain and never hurt her with his hands, but was manipulative and psychologically abusive. For years she accepted this “lesser” (in her words) type of abuse and described their relationship as “the best she ever had” because that is the broken perspection she has still. If you are hungry, you learn to eat garbage.

When you hate yourself, you may accept anything that tells you nothing is wrong with you, or tells you how “fix” you. That’s how cults get you, that’s how others abusers get you, surgeries, scams, you are a pigeon that will collaborate in being taken advantage of and you will be thankful for it. This is not victim blaming, abusers know the characteristics of a person that is not gonna fight back, the one that keeps believing they deserve the abuse. That’s why is so difficult to break of this cycles. The show decided to use the toxicity of the industry to show how an abusive person (Carmen) is gonna jump from abuse to abuse of he still believes he deserve it. All 3 berzatto siblings have self hate integrated to different extremes. Mickey hated himself till the point of drug addiction and suicide. Nat does it so she believes is her responsibility that everyone is all right even if it cost her greatly.

I want to bring this last point home:

Our traumas protect us sometimes, if ever questioning the believes that formed after them.

If Carmy ever confronts Donna, he will realize he was never defective, that bettering himself is something he is worth for, and then could choose a partner, based on a true understanding of himself and being able to find real compatibility, not just momentary relive for his pain and a distortion of acceptance. He doesn’t need to keep believing he is broken.

Anyhow, thank you for reading.

[unknownchoatic]

Handplates Dust is such a neat concept for many reasons, one being that he now has a reason to be wearing those gloves- bc srsly no hate but what kind of freak is just wearing gloves 24/7??

but then also i rlly like the parallels between Dust and Handplates!Gaster. like Gaster made 1-s and 2-p in an attempt to create artificial human SOULS to break the barrier and free monsterkind. and like along the way he developed this mentality that he was the only one who could save them. It was his responsibility, only he could do this.

and this can be seen in how he ignores Alphys and Asgore, instead working on his experiment. and this mentality also gives Gaster a way to justify the experiments (which in some cases were basically torture, not to mention the emotional and physical abuse 1-s and 2-p went through)

And that part of Gasters character is actually pretty similar to Dusts.

Dust killed everyone in his AU as a way to stop the human- he needed to get stronger. but as the resets go on Dust starts to view himself as a savior. in his mind he is saving the monsters of his AU by killing them. he is sparing them from the human (even if either way they’d be dead)

and like both Dust and Handplates Gaster have this weird savior complex going on. in Gasters case other people could have actually helped him with the issue. BUT STILL, they both use this mentality of “im saving them, i need to do this, only i can do this, it has to be me” to justify their actions.

and the really messed up part is that 1-s and 2-p dont really remember Gaster. like they have flashbacks, but its more that they feel like something is familiar than actual memories. and so later in Handplates when Gaster returns and Sans and Papyrus get those memories back, the way that Sans reacts would actually be ironic in this situation.

because if Dust were a Handplates Sans (if he was 1-s) then if he could remember Gasters actions he would be disgusted and appalled. but he didn’t remember Gaster and actually ended up taking a similar path to him.

idk i just think that this is kinda neat. and yk smth about repeating the actions of your abusers and the cycle of trauma

[enlitment]

The Voltaire-Rousseau Beef aka V v. JJ part III.

for @stars-in-the-night , @headsinsand and other great (and amazingly patient) readers

part 1 ; part 2 ; part 3 ; part 4

7. THE ORPHANAGE (to be read in Eliza Hamilton's voice)

The one thing from his personal life that Rousseau is probably best remembered for is the fact that he gave up all five children he had with his long-term partner, Thérèse, to a Parisian orphanage. One after the other, in what could be called a rapid succession, a simple case of salut and adieu.

The reasons he gave for his behaviour differ from ‘I have fallen with a bad crowd in Paris and this is just what people around me did’ and ‘I basically had no other option anyway’ (not true, he could have married Thérèse and try to make it work. Sure, money was tight, and someone could make a few snarky remarks about the first baby looking surprisingly big for a six-month old or whatever, but these things happened quite regularly. Also, Diderot married his working-class mistress despite his father’s stern disapproval. Just saying) to – now this comes up somewhat later in the Confessions and is significantly darker – ‘I really hated Thérèse’s family and thought it would be better to let my kids be raised by the state than be around them’.

If this was him trying to break a cycle of generational trauma though – perhaps one of the side of his own family as well –  I’d argue there were far better ways of going about it. There’s also potentially one even darker, quasi-psychoanalytical reason for this now infamous choice, but it’s probably best to steer clear of Freud. Nothing good usually comes out of it.

Of course, doing something like this would make anyone seem like a douchebag, but a guy famous for writing a treatise on how to best raise children?* Guy who repeatedly argued that the single purpose of a woman’s life is to be a mother? Now that’s a hypocrisy so deliciously juicy that one simply cannot resist sharing it with the world!

*interestingly enough, he insists in the Confessions that he wanted to reveal this information in his On Education (aka Emile), and that in one of the book's passages, he alluded to this episode in such a way that he ‘basically confessed to it already’. I haven’t found that part yet, and I remain somewhat sceptical about whether this is truly the case.

8. SECOND INTERMEZZO: VOLTAIRE THE AVID HATE-READER

V on Julie, or the New Heloise: „silly, middle-class, dirty-minded and boring“

V on Profession of Faith of a Savoyard Vicar: „I read his On Education. These are reasonings of a stupid nurse in four volumes, of which forty pages directed against Christianity. They are among the most daring that have ever been written, [but] by virtue of inconsistency worthy of this head without a brain and this Diogenes* with no heart, he uttered as much abuse against the philosophers, as against Jesus Christ.“ (letter to Damilaville, 1762)

*calling JJ ‘Diogenes’ was definitely a trend in the 1700s, and what seems like V’s go-to insult for him. Calling him a ‘lackey of Diogenes’ does potentially get a bit kink-shame-y though...

9. A MOUNTAIN AND AN AVALENCHE

The last post featured an earthquake in Portugal, now get ready for a distinctly Swiss natural disaster!

To be perfectly fair to Voltaire, although he was certainly not a person who was above spreading gossip, he did have a good reason to publish what he knew about Rousseau and let all hell break loose, since...

in Rousseau’s Letters Written from the Mountain published in 1763, JJ had exposed Voltaire as the author of the infamous Sermon of the Fifty, an anti-christian work that had the potential to get its author into serious trouble. Voltaire could not and would not let this slide – especially when he had the perfect weapon on his hands. Payback time!

Voltaire therefore went on to publish a short anonymous pamphlet titled Sentiments des Citoyens (aka How Citizens Feel – since JJ proudly called himself ‘citizen of Geneva’ in his works and he championed sentiments over reason – see, it’s all very clever!) in which he exposed details from Rousseau’s personal life. This of course included the most shocking, most hypocritical, and most memorable detail of all: Rousseau, Mr. Family First, Mr. Let’s-raise-precious-children-in-a-way-that-won’t-corrupt-their-natural-godness had dumped all of his offspring into a Parisian orphanage! Not so virtuous now, is it?

Interestingly, Rousseau never put two and two together and realised Voltaire was the real author of the fateful pamphlet. It would be interesting to see how he would react had he known.

That said, much like d’Alembert’s article on Geneva a couple of years earlier, the Sentiments des Citoyens led JJ to pick up a pen once again to do what he did best: to defend the poorest and most oppressed souls against the cruel and unjust world. Which usually just happened to be himself.

And thus, as Roger Pearson, an author of one of Voltaire's many biographies concludes:

“we have Voltaire to thank for (…) being the catalyst of Rousseau’s Confessions” which he calls “one of the world’s great autobiographies”

(no, not like that @chaotic-history. Though now I cannot unsee it every time I read the quote)

->

Tune in next time for the (mis)adventure in Britain which will feature:

another philosopher - David Hume - dragged into the mess

a fake letter from Frederick the Great (that was actually penned by the most messy gossip of a person in the 18th century)

a genuinely funny statue story with an appearance from d'Alembert

[still-a-morosexual-help]

Hey, here's a crazy thought;

The people of Devildom: The Realm-in-its-entirety must have an incredibly different image of Mammon than the people of Devildom: The Capital City.

Because they're gonna know Mammon as the Personification of Greed, the Second Most Powerful Sin, Lucifer's Right-Hand Man & one of the rulers of their entire Realm. They're going to watch or read interviews of Mammon or they're going to see his photoshoots and they're gonna see this:

He's serious. He's cool & calm. He's got a resting bitch face. He's eloquent. He's got good ideals. He's an almost completely different person than we get to see from MC's PoV.

Then skip to Devildom: The Captial City and they've seen him trip over his own feet while working customer service at Hell's Kitchen. But they've also seen him chase down & help apprehend the witches who set off the bombs during the Rose Queen's Ball. They've seen him easily detain bank robbers. But they've also seen him get excited about water fights. They've seen him dig around in garbage. They've seen him work an ice cream stand and they've seen him return a lost kid to their parents. They don't know him, but they know him. He's friendly and loud and goofy and he's dangerous. He's so expressive that you'd never realise he's got a resting bitch face. He's caused trouble along their streets but he's done as much, if not more, to protect them. They don't know him, but they know him enough to realise their absolute disaster of a Second has somehow managed to carve out a soft fond spot in their hearts (until the next time he causes trouble and then they're cursing his name to the skies again until things eventually settle down again and the cycle repeats)

Then skip to The House of Lamentation and now we know him. He gets emotional while reading Cinderella because her family is abusing her, he cries while watching nature documentaries and he tells his brother to talk to the flowers to help them grow better. He gets excited about snow even though he doesn't like the cold. He thinks panda bears are adorable and if any of his brothers' break out the words "big brother" he immediately folds to their whims. He's scared of horror and ghosts but he doesn't mind other types of gory movies. He's loud and annoying and he has trouble falling asleep. He's rarely ever serious or cool or calm. His resting bitch face is almost never seen. He stutters and blushes and swears and yells and he forgets words and goes on rants that start with one subject and end on another. He's kind but he'll also sell his brothers' shit for a quick buck.

I'm going insane and the change from this -> before the interview, while with his friends and family:

to this -> during the interview, while he's in front of an audience

is going to be a big part of what finally pushes me off the edge.

*everything mentioned in this whole post is from some form of canon, be that the main story, events, devilgrams, anime or manga*

[kandyzee]

Something I hate when u try defend Debbie, Mandy, Karen, fiona and even Monica is how someone will always come back with the "Frank was abused and you hate him🤡" like yes I do!! Cause its different.

Debbie, mandy and Karen are all teenage girls who show that they have grown from their actions and are better after! Frank is a old man who has had his whole life to work through his trauma and get better. Frank didn't do something wrong and change for the better (in the space or a couple years) like the girls. He forced Monica to keep fiona and did it YEARS later with Carl too. Frank didn't just 1 or 2 horrible things, he did hundreds.

And can we talk about how Frank is a massive factor to why Debbie, fiona, Monica are the way they are?? Frank didn't break the cycle and he abused his kids and his partner. The other 3 actively try not to do that! Debbie is a fantastic mum she's not perfect, but she would never tell her kid to sleep with an adult or insult and belittle her. LIKE FRANK. Fiona spends her life till she is 28 doing everything for her siblings, sure she makes some mistakes, but she would never hurt them on purpose. LIKE FRANK. Monica is a terrible mother, but she tries to get help. She wants to get better, and who is it that almost always pulls her down?? FRANK.

A lot of what Frank does can be explained by his abuse and I really sympathise with him when we meet his mum. I hate that women. But a tragic childhood is not enough for me to forgive a man who has done the following things

-got his very young son kidnapped over a bar bet.

-used a dying woman for money and slept with her knowing she would likely die

-gave his son a bloody nose over a t shirt

-neglected all his children from fionas birth to his own death

-sexually assaulted his wife

-got a convicted pedophile into Congress

-told his underage daughter to sleep with grown adults so that he could sneak into that adults house to sleep

-broke his mental ill wife out of hospital, with the help or his young children

-tricked his son into thinking he had cancer

-tricked his son into being the bio father of 6(?) Kids

-used another mental ill woman for his own enjoyment

-told his own daughter to be "skins" in a game (meaning to take her shirt off 😃)

-forced his 9yr old daughter to become the main carer of all her siblings

-left his 3 very young children on the side of the road while one of them was extremely ill

-lied about being gay to hundreds of people for personal gain

-used ANOTHER mentally ill woman

-became the sponsor to an addict just so he could live with him and later outed him as gay even tho the man wasn't gay ??

-brought monica back into his children's life because he wanted money(he tricked her to coming back)

-has used prostitution services

-steals form pretty much everyone

-repeatedly ignored his youngest daughters attemps at closeness

-hes racist

-seduced his daughter in attempts of getting her liver

-ruined his daughters wedding

-given drugs to a baby with down syndrome

-called CPS on his own kids, particularly forcing his young adult daughter to now legally becoming guardian of her 5 siblings

-creating credit cards under his kids names

-used homeless people to create a second family

-handcuffed his wife to a bed so she couldn't get an abortion

-spiked his kids with drugs

-pretending his kids was homeless and begging with him

-showed clear sexual interest in Karen (a teenage girl)

-tried to strangle his daughter

-He advised Carl to use Chuckie to smuggle drugs, and then gave both of them away for police

-He refused to go Carl's parent night at school, but instead went to Karens

-encouraged his son to be a drug dealer

And that's just what I can remember of the top of my head. So yes FUCK FRANK and love my shameless girls

[illugremlins]

Every time someone says Dazai wasn't in the wrong when he slapped Atushi out of his state of derealisation/dissociation an Angel loses its wings, and I lose a bit more of my sanity.

Dazai isn't a good person. He isn't. Literally, the most fundamental core aspect of himself is that life is entirely meaningless, so he may as well align himself with the heroes because he doesn't see the point in living long anyway. He does, eventually, develop a more ethical moral compass, but it's til horribly skewed (as are most BSD characters' moral compasses).

To this day, he still uses Aktugawa's desperation for approval against him while pitting him and Atushi against each other to further his end goals. He wants to get things done his way and has no issues sacrificing or using people.

When he slaps Atsushi, it's making a point to remind people that, despite everything, Dazai isn't good. He didn't have to resort to violence, but it was the easiest and most efficient way. (He doesn't have to continually exploit Aktugawa, but he does because it's his most efficient way.)

I'm not saying he's the devil spawn, nor am I denying that his way of behaving is because of the cycle of abuse he went through at the hands of Mori and his overall environment. But, BSD makes a point to showcase that being abused is not a justification to perpetuate abuse, Atushi being the MC and prime example, especially when he breaks this cycle with Kyoka.

So no, it isn't a good thing that he slapped Atushi, it isn't justifiable, and it wasn't right. But life is meaningless in Dazai's own. Not just his life, but the very concept of being alive. This is why he doesn't care if he's good or bad. In the end, it's all meaningless. He slapped Atushi, and Atsuhi snapped out of it. It worked.

'Why should Atushi even bother pitying himself? Life is useless, anyway.'

I'm fully aware that Dazai isn't that cold-hearted, but he does, to an extent, believe so. I say to an extent, because he's still human, and still grieves others and cares for them. (Oda, Kunikida, Chuya, Atushi..etc).

Dazai isn't a good guy. He never was. He wouldn't be Dazai if he were, and we constantly see it in how he plans things and uses other people or his knowledge to his advantage, or how he comes up with solutions. We see it, I think, most obviously, in his treatment of Aktugawa.

But, IMO, no one, not even Atushi, really, in BSD is that morally righteous, and I can make an argument about why they all are lowkey not very good people when it comes down to it.