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#its just... the most boring werewolf movie u could make i think
randomshenaniganery · 2 years
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Monster High Live Action Trailer
Clawdeen as this quirky nerdy girl - uh nope Clawdeen was my favorite character as a kid, i liked her confidence, her attitude and just how fucking cool she was man. Also Frankie was always meant to be the ‘main’ character since she’s the one who used to be the new girl and is the quirky odd ball who is used to be a way to introduce the world to the viewers since she’s also catching up with everything
Draculaura’s first scene in the trailer - I miss her pigtails but also I don’t think that’s how draculaura would say hi I think she’d bust out of the coffin and excitedly introduce herself and like go on some tangent she’s a bubbly character 
cleo is the mean girl - yeah she’s the mean girl but she’s also a good friend of clawdeen she’s also self absorbed but please do not make her the antagonist her sister and toralie suit it much better 
Lagoona where are u - I love lagoona I like her aesthetic and i love swimming and most creatures of the water also she has a great storyline with this other monster dude who’s name i cant remember and its a great plot that they’re from different waters and his family doesn’t like him being with someone like her. Like yo you missed out
i see a werewolf man but if he’s clawde why is clawdeen acting so out of place
the group is clawdeen, cleo, frankie, lagoona and draculaura mainly but sometimes someone is switched for abbie, ghoulia and some random character. but for this one its just clawdeen, frankie and draculaura because they’re making cleo as a mean girl who gets cursed with a pimple or something??? i dont know this is just tiring to watch and its just a trailer
I never knew that clawdeen had a love interest because I never really bother 
so far not a lot of hope for the live action movie
at the most i hope they have some good songs?
The movie can be enjoyable but I really dislike how it looks like they’ve changed the characters to suit whatever the fuck they’re gonna do. You could have frankie be the one rushing in (which she has done) and struggling to fit in while having problems with cleo (which AGAIN she has gone through) but instead they pick Clawdeen and wrecked her character and I cannot forgive them for this
Also Cleo looks kinda boring pffftt costume went OOf
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cometcrystal · 4 years
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favorite & least favorite scooby monsters by series
stipulations: the racist ones (zen tuo, the witch doctors, etc) would all get “least fav” by default so i’m gonna exclude them from this list so i’m not being redundant. we all know the racist ones are the worst. so these are my least favs that aren’t like. problematic.
ALSO it has to be a person in disguise OR an actual monster. it can’t be a villain that’s grounded in reality. so while i love professor huh, he doesn’t count here cause he’s a human and just Like That. likewise, i hate pericles, but he doesn’t count here cause he’s a bird and thus neither a guy in a mask nor a monster
sdway
fav - honestly a tie between the space kook and charlie. literally the GOATs. legends. 
least fav - THE ZOMBIE. FUCK THAT THING I HATE IT SO MUCH IT DOES NOTHING AND YET IT GETS MERCH
new sd movies
fav - moat monster. its just a big ol frog!
least fav - the ghost of redbeard. come the fuck on guys
the rest under the cut
tsds
fav - 10000 volt ghost and the technicolor ghosts. ik theyre just recolors of the giggling green ghosts but THEYRE ICE CREAM THEMED!! the creepy heap from the deep is also scary to me like if i saw him i’d run. honorary mentions are the skeleton men bc theyre cyclops but scooby doo doesnt care about calling stuff what it is and i think its funny and also i like the pterodactyl ghost. this show had a lot of good monsters
least fav - the rambling ghost. i dont dislike him but i dont rly DISLIKE any of the monsters from this series so i just picked the sports-themed one
scooby & scrappy
fav - the star creature. this thing is SO damn cool and unique. i also like the neon phantom because... what a weird concept
least fav - the blue scarab. BORING
new scooby & scrappy
fav - i guess the great white shark wins be default because i dont really care abt any of the others from this series. this show’s strength was daphne being back, not the monsters
least fav - phantom of the soaps. what a fucking loser
new sd mysteries 
im gonna keep it real with you chief! i was looking over the list of monsters and i literally dont remember a damn thing about any of them so i must have been disassociating for this entire series
13 ghosts
fav - DEMONDO. a comic book monster??? GOD thats so cool
least fav - nekara. dont take van ghoul away from his kids they need their dad
pup
fav - stinkweed cause i think its one of the only plant monsters scooby has had so far. also the design is very good
least fav - headless skateboarder. simon seville voice marijuana an unlawful substance used to experience artificial highs
wnsd
fav - the leeland brothers but i think its just because i love the chase song from that episode. also the mystery machine because i like when the mystery machine becomes evil and twisted. AND the toxic terror because fight capitalism + good design
least fav - headless snowman. it’s not even headless for god’s sake
sdmi
fav - the entity is honestly a shoo-in. name another scooby villain more evil and with as much impact. honorary mentions are the ghost truck, junk, the horrible herd, and the cicada monolith for some truly unique and scary monster concepts, and to the manticore for being marcie. sdmi had a TON of good ones
least fav - daphne’s writing wakka wakka. for real though fuck the dandy highwayman
bcsd
fav - the ghost of mother wins by FAR. probably the only tv scooby monster that actually legit creeped me out. also the rebooted space kook bc he’s had a glo up. bcsd also has a ton of good monsters!
least fav - the yeti bc the joke about it making no sense was funny but also the yeti itself doesn’t really do that much
guess who 
fav - i love the just so fucked up and twisted sia. its just sia but now shes evil. ALSO the screaming skulls of london & the dinosaurs in weird al ep are very good
least fav - the man-bat because it’s not even the actual dc man-bat it’s just the fucking joker again
scrappy era movies
fav - mirror shaggy. WAY better than werewolf shaggy imo
least fav - i wish i could bash in the skulls of reluctant werewolf’s version of count dracula and his two minions
zombie island era
fav - giant turkey :) & phantom virus! extremely cool monster he’ll zap ya!
least fav - as much as i LOVE the visceral horror and discomfort when fred rips off the zombie’s head cause he thought it was a mask, i just dont care about any of the monsters in zombie island
wnsd movies
fav - the loch ness monster. GENUINELY impressive. also the ghost of cleopatra bc god queen shit. bonus points go to everything in the goblin king
least fav - the chupacabra because THE CUPACABRA IS A DEMON DOG, NOT A BIGFOOT!!! and the yowie yahoo because THE YOWIE IS A BIGFOOT, NOT A VAMPIRE!!! literally how hard is it to do a google search before you design a monster
2002 & monsters unleashed
fav - its gotta be the 10000 volt ghost again. he’s my man
least fav - THE ZOMBIE!!!!!! FUCK THIS THING AAAAAAAAAAAAAAAAAAAAAA
cartoon network live actions
fav - the ghosts in the first movie SO good guys theyre SO good
least fav - shelma
2010s dtv movies
fav - THE PHANTOSAUR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! HELL YES & the red ghost from the bobby flay movie is also extremely good imo i LOVE its design. & the multiple phantoms in stage fright. literally name something more iconic than the multiple phantoms
least fav - the big top werewolf.......scooby doo one of the things i love most dearly about you is when you make out-of-place monsters WORK (ex. a gryphon in a stage magic movie) but i really want something more exciting for a circus movie
dtv 20min shorts
fav - cornfield clem is my boy because i never cared about scarecrows before i saw this and he made me care. he and the scarecrow in scary stories to tell in the dark both showed me scarecrows can be interesting. thank u clem i love you.
least fav - i like all these monsters but ill list the sea monster here because just drink him up lol
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lilibetts · 5 years
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The Wicked Forest Awaits You...
For Tricks and Treats of Riverdale, Theme 3: Seasonal Celebrations (Haunted House)
Rated E(xplicit) for some wicked fun!
Darkness falls across the land The midnight hour is close at hand Creatures crawl in search of blood To terrorize y'all's neighborhood And whosoever shall be found Without the soul for getting down Must stand and face the hounds of hell And rot inside a corpse's shell
I'm gonna thrill ya tonight I'm gonna thrill ya tonight Ooh, babe I'm gonna thrill ya tonight
The Wicked Forest was reportedly “the most un-hinged haunted attraction in Riverdale”. 
Betty had shown up as soon as the sun went down, and she still spent an hour waiting in line. Alone, of course. Every one of her friends would rather spend Halloween getting drunk at an off-campus party than indulging in the spooky atmosphere. Granted, she hadn’t actually told anyone where she would be going tonight, because the Wicked Forest was firmly in the Southside and as much as some people in the Northside liked to brag or bluster, very few had the guts to actually cross the boundary lines.
That she had gave Betty an illicit thrill.
This year, she’d dressed up as a zombie schoolgirl: hair spray painted gray in a side ponytail to match her torn, bloody white blouse and desaturated gray plaid miniskirt. The face makeup was the most fun to apply, all those Youtube tutorials coming in handy. Gray foundation to give herself a deathly pallor on all expanses of exposed skin, black raccoon eyes, fleshy red ‘gouges’ on the side of her face, and dark red lipstick. 
She wondered what her friends would think if they knew she was actually dressing sexy for once. They probably wouldn’t believe it. 
A haunted house on Halloween was hardly the place to pick up a date, but for Betty, who had been gradually building up her confidence to sign up for Tinder, wearing knee-high white socks and no underwear made her feel like a bold, sexy woman.
“Betty?” a familiar baritone called out from behind her. She turned around and a guy she didn’t immediately recognize waved at her. “Hey.”
Squinting, she took in the mop of black hair and the slim body in a black-and-white skeleton shirt, leather jacket, black jeans and boots, and the skeleton face paint. “Jughead? Is that you? You look amazing!”
“Thanks. So do you.”
Jughead Jones had shared a few classes with her over the past two years. At first, Betty had found him and his voice annoying. She couldn’t be sure at what point over the past two years her feelings had evolved into a massive, uncontrollable crush. Naturally, in true Betty Cooper fashion, she didn’t have the guts to try and make a move and would rather throw herself into the vicissitudes of online hookups. 
Jughead ran a hand covered in fingerless gloves through his hair. “Do you want to go through together?”
“Sure!” She could’ve kicked herself for her bobblehead impersonation then. “So have you gone through this one before?”
“Twice as a guest, but I’ve worked it several times as well.”
“Really? What kind of characters did you play?”
“I did mostly forest work—a Jason Vorhees/Leatherface composite type with a hockey mask and chainsaw. One year I got to be a werewolf.” Jughead sounded more bashful than proud when he admitted that.
“I bet it was fun...I prefer to be on the receiving end of scares, though.”
“Unless it’s one of Chipping’s essay prompts,” he quipped.
Betty groaned and smacked his arm. “Don’t remind me. The last one was so stupid, wasn’t it? ‘Write your own ending to prove there’s no single way to tell a story...but’—”
“—’but I’m still going to pick a winner in the end!’” they both chorused, laughing at their shared derision.
After that they were quickly engrossed in a debate about the best Halloween movies to watch during the buildup to the holiday. Jughead’s preferences ran more towards the older classics and Hitchcock, Betty’s more towards relatively recent films like Hocus Pocus, The Addams Family, and Practical Magic.
Oddly enough, she discovered they both loved the cult hit Ginger Snaps. 
By the time they were at the head of the line, Betty was sure her blush was showing through the heavy makeup.
The general order of the Wicked Forest went like this: haunted house, a maze that led to the shed, a bridge over the creek, then the forest proper.
The baseboards creaked as they crossed into the dilapidated house; maniacal laughter and screams could be heard faintly in the distance. A ghostly apparition dressed like a long-dead bride lit up in the corner of the living room, moaning as its arm raised, pointing a finger at them. Betty gasped and hugged the wall as she moved into the kitchen, Jughead following close by. 
Smoky fog covered the floor, pouring from cauldrons. Made from dry ice, probably, and lit up by green lights. A witch cackled as she stirred her brew. In the corners, cages descended from the ceiling, people in them reaching out and begging for help.
She shared a wide smile with Jughead.
In the bathroom, they found a bloated dead body with red hair, dressed in all white, floating in the tub. “Disturbingly realistic,” Betty muttered to herself. In the dining room, a young woman was suspended up on the wall with long knives sticking out of her body. ‘All those who escaped me before will die’ was scrawled in blood around her body.
“I think she was in our English class last year,” Jughead whispered to Betty, her stomach queasy from the excitement.
They were herded into the basement, where they discovered that in order to get to the other side, they would have to go through a gauntlet of secret society members in dark hooded robes. A red carpet highlighted their path. After they’d taken a few steps past the first hooded figures, they all stepped forward, giving Betty and Jughead less space to escape. As if reading each other’s minds they moved faster, only for the hooded figures to step closer and closer.
One jumped into their path, exposing a Scream mask. Betty was not at all mortified by her little yelp of fright. Not at all.
From there, they were in a cool cellar with a dimly lit tunnel rising up to ground level outside. Cobwebs covered the top and sides and as soon as she spotted the giant spider on top, she had a feeling she knew what was coming. Sure enough, as soon as they passed underneath, the spider dropped onto their heads. Betty shrieked and ran the rest of the way through. 
“Oh my god, oh my god!”
Jughead was clearly laughing at her expense as they emerged outside. “What, are you scared of spiders, Cooper?” he teased her.
“Shut it, Jones.” She snapped back without heat. “Why are you even going through the attraction if it bores you?”
“Oh, it’s never boring. Maybe I’m just enjoying it more with you.”
She felt like she was back in sixth grade again. Should she pass him a note asking ‘do you like-like me? Circle y/n’?
Betty was grateful for the absurdly long lead time in between guests. It meant she wasn’t running into the group ahead or the group behind, like in most other haunted attractions she’d attended over the years.
As they entered the shed, the walls and floor tilted, disorienting her. Then Jughead was there, hand slipping into hers as he helped guide her to more even ground. Even after the floorboards started vibrating underneath them, neither let go of the other. Betty laughed with delight as they pushed through the heavy plastic curtains into an open space occupied by a scene out of a medical horror: a conscious, moaning woman was strapped down on a gurney while a man in a bloody doctor’s mask and lab coat performed what looked like a lobotomy on her, bits of brain matter leaking outside her head. Her chest was held open by a spreader, the bloody mass of her internal organs on display.
“Ew, ew, ew!” Betty stomped her feet and pushed Jughead onwards faster. “Too real!”
The trees pressed in on them more as the manmade pathway guided them to the small bridge that would take them across the creek and into the thick of the forest. Part of the way across, a small golden light came on in the distance, drawing her attention to the side. A hulking body unfolded itself before howling at the night sky above.
Betty didn’t realize Jughead was right behind her until her back was pressed into his front and his hands gripped her hips. She turned her head without taking her eyes off the werewolf. “Your old job?”
“Yeah, me and Fangs used to partner during this bit.”
“Partner?”
A dark shape darted in between the bridge railings, grabbing at her ankles. Jughead’s giggles were almost as loud next to her ear as her startled shrieks before she took off to the other side. She had to remind herself to breathe deeply and calm herself down while they moved on.
Maybe it was the near pitch black of the forest that made her brave, but Betty reached out and slid her hand back in Jughead’s. They shared shy smiles that made hope bloom inside her. 
There was a decrepit school bus sitting right there in the middle of the trees. Not sinister at all. Jughead made a gallant ‘after you’ motion, sweeping low with his bow. Betty fanned herself and simpered, “such a gentleman!”
“Nonsense! I’m merely ensuing you die first, my dear.” His upper crust British accent was atrocious.
“You sounded like Niles Crane from Frasier.”
She forced herself to stop snickering as she stepped up into the bus. At first glance, all the people in the seats were dead or otherwise inanimate. Carefully, she made her way down the narrow aisle, hugging her arms to herself in anticipation of the movement she knew must be com—
“AH! FUCK!” 
Betty twisted around and saw Jughead pressed up against seats opposite a softly hooting ghoul still reaching out for him with gnarled fingers. 
At the front, a burly man wearing a black balaclava stood up suddenly, facing them with an enormous, shiny knife. The momentary relief on Jughead’s face morphed to fear and Betty didn’t have to be told twice as they booked it out of the bus, one more monstrous figure trying to impede their progress.
“So much for the unflappable Jughead Jones,” she started after they caught their breath and made sure the man in the black hood wasn’t following them any longer.
“Har har, I am humbled.”
After that point, the path became increasingly bumpy and overgrown and Betty couldn’t see well enough to stop herself from lurching to and fro. Jughead was right there by her side, using his arm around her waist to keep her from face-planting in the dirt. Given that she was wearing low block heels, she had no idea how some of the other guests were doing this in three inch stilettos.
Maybe it was their surroundings, maybe it was Jughead’s touch that was responsible for her heart continuing to pound wildly. Branches closed in on them before they exited into a small clearing. A fire roared in a pit, the sudden brightness making her eyes hurt and eclipsing what was happening along the treeline. 
“Whoa,” Jughead murmured, alarmed, causing her to squint harder.
People had stepped into the firelight, wearing dark hooded sweatshirts and gray gargoyle masks. Growling could be heard behind them and when Betty and Jughead turned, an inhumanely tall figure stepped around the bushes, with a long robe, some kind of blooded animal skull mask with horns, branches for wings, and a necklace of bones.
The minions stepped closer, closing ranks menacingly. This time, it was Jughead who grabbed her hand and tugged her past the leader and the wooden placard that proclaimed that the creature was the Gargoyle King, and back into the dark forest.
They stumbled along for another minute before Jughead muttered something to himself that sounded vaguely like “ah, fuck it”. 
He led her over to the rope boundary that made up the path and stepped over it.
“What are you doing?”
“Shh! I know this place like the back of my hand. It’s just the lame clown shit ahead. Do you trust me?”
Betty didn’t know about trust, but she was totally down for whatever they might get up to out there. Alone. “Hmm-mm,” she nodded and stepped carefully over the rope too. Together they made their way down a slope and around a cluster of bushes.
She found herself pressed back against a thick tree trunk, warm lips on hers, and the sounds of excited screams nearby reminding her that they weren’t alone. Betty raised up onto her tiptoes and pulled Jughead closer as she kissed him all the more eagerly. 
The heat of his hands could be felt through her shirt while he cupped her breasts, making her tilt her head back to moan.
“Shhh,” he whispered softly this time before dotting soft kisses along her neck.
Their face makeup must be horribly messed up by now but Betty didn’t care. She wanted to take him back to her dorm room, or go to his, and do all the wicked things she’d been fantasizing about.
A little exhibitionism was fun, though.
By the time Jughead slipped his hands underneath her skirt and discovered her little secret, she was incredibly wet. Wet enough for him to let out a quiet expletive and a shuddering sigh as his fingers glided along her inner lips. He quickly removed his glove and slid two up into her, stroking slowly before rubbing steady circles over her clit. Back and forth he went, until she was groaning and bucking her hips against his hand as she came embarrassingly fast.
Apparently haunted houses make for excellent foreplay.
Reaching for the button of his jeans,Betty ignored his protests of “you don’t have to”. It was her turn to shush him as she lowered herself onto her knees and took him into her mouth, swirling her tongue around the head of his shaft to get him nice and wet. Jughead did his best to not thrust into her mouth and his panting breaths were harsh in the relative silence of the night. He lost control towards the end, she could feel him shaking as his hips canted forward and salty wetness burst onto her tongue. 
Veronica was definitely not going to believe her when she told her what she’d done tonight.
They held hands and grinned broadly as they rejoined the path behind another group. When a tall, demented clown caught sight of them in the intense blue light, he groaned and ripped off his mask. “You’ve got to be kidding me, Jones? Were you two fucking off-path? Fucking seriously?”
Jughead only offered his friend a careless shrug. “Hey Sweets, how’s tricks?”
Betty, however, pressed closer against his side and smiled serenely up at the taller man. “Because I’ve already gotten the treat.”
‘Sweets’ groaned at the pun and waved them on. “Just get out of my forest, you freaks.”
They snickered as they made it to the end where a flatbed full of bales of hay was hooked up to a tractor, waiting to take them back around to the entrance. Jughead glanced over at her then, and Betty had to bite back another laugh. His makeup pretty much announced to everyone what they’d been up to, but she couldn’t bring herself to care.
Orgasms and finally hooking up with your crush would do that.
“So, would it be too weird for me to ask if you wanted to go out to lunch with me this weekend?”
(His answer was an immediate and resounding yes.)
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awed-frog · 8 years
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I watched it now and I don't it. Remember in your last review you said u dislike how spn always does the same with the ambiguity; but /this/ is the thing I dislike having s/t major happen like Crowley saving Cas and it not changing/having no longlasting impact on any or their dynamic as seen with Sam/Dean/Crowley. With Crowley but also with Cas who has had one of his biggest moments in his story, is just tossed aside doing his day job and giving off screen plot updates.
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Look, on good days I tell myself it just about works, right, because both Sam and Dean basically have the emotional range of a teaspoon and they don’t want to talk to each other for various reasons and also we’ve got this weird show, yeah, where sometimes weeks and weeks pass between two episodes, so while we’re still sitting here crying and giffing things, for them - they haven’t moved on, exactly, but they’ve been on three other hunts and they’ve killed stuff and they’ve been slammed into walls and stabbed and cursed, so, who even knows.
So, yes, if you squint, it sort of makes sense.
But also: it really doesn’t. Those are narrative choices, aren’t they? Because I’m still convinced Dean did say something about his mom to that social worker, Beth, and they didn’t show us that. And it’s possible Sam had some awkward exchange with a librarian or a waitress or, hell, someone at Asa’s funeral - they never showed us that either. And what about nurses and doctors? I don’t know how believable it is that they never need a professional to patch them up, and moments like those - you’re in shock, perhaps, and your adrenaline is still up and your heart is beating boom boom BOOM - I’m not saying they’d tell people about monsters, but we know they do confide in other people sometimes. Look at Dean and that priest, or Dean and werewolf widow Michelle - I’m sure there were a lot of other cases. They’re only human, after all. And, well, the same goes for everything else: those dead people they carry on their backs like heavy chains and never talk about, new monsters and new freakishness that’s never mentioned again, heavy trauma seemingly unremembered, and, yes, momentous events that apparently change nothing, like Cas being afraid to leave the Bunker and Crowley’s suddenly selflessness.
Ultimately, I think it all comes down to the usual doublespeak. They’ve got a show about monsters and gore, so that’s what they keep filming. When I first joined the fandom, I asked around about this, and someone told me it was a CW problem - that all their shows are aimed at women - think Jane the Virgin, The Vampire Diaries and Supergirl - and with this one muscle cars and blazing guns extravaganza, they wanted a piece of the male demographics, so by God, they’re fighting to keep it. I really don’t know enough about any of it to have an opinion, but it’s certainly true that Supernatural is only one step removed from those old Clint Eastwood movies: cowboy stuff with a few tears thrown in. And since they know - and we know - that Sam and Dean are not like that, they’re probably afraid that any conversation about anything will stray into chick-flick territory -
(which, ironic)
- and that will be it, goodbye male viewers and goodbye Republicans and goodbye anyone who likes to pretend men don’t have feelings and never talk about anything because being worried and guilty and anxious and overwhelmed - my God, so gay - pull yourself together and walk it off.
So I understand where you’re coming from - I feel the same way. But this show is mostly subtextual, and that’s it - love it or leave it. We spend a lot of time on those clues about Dean’s bisexuality and his love for Cas, but we could spend even more time in mapping out what goes down in all those moments we don’t see. Because we know they keep in contact with people, for instance, we know they worry (look at Dean casually mentioning to Jody he’d been wondering about how the girls were). We know they probably don’t eat fast food day in day out, if only because they look the way they do and they’re not getting any younger, so someone - probably Dean - buys groceries and cooks. We’ve seen Dean ironing clothes (and that was, like, the first time in 12 season?) but we know that must be a common occurence, as is buying those clothes, which are costumes, really, so there must be some debate between them into what pyschologists wear or whatever. We know they have many painful anniversaries, and how do they spend them? We know Sam must be going through something major right now - that God he prayed to his whole life? a fraud - the archangel who whispered to him every night for years? still around, and I’ll never believe Sam can’t feel his presence somehow - the people who burned him with a blowtorch? working with his mother - but it’s been weeks and weeks and Sam is just peachy. And we know a lot about Dean too - in fact, we know so much I won’t bore you with it.
[More on Crowley and Family Feud below the cut.]
Now, the problem is - some of it may be marketing, and other things are down to narrative choices (for instance, we’ve seen what Sam becomes when Lucifer climbs inside his mind: do we really need to see that again?*), but it’s still bizarre to watch a show like this one, which is 90% subtext and silences. Because they talk and talk about ‘going where the story leads them’ or whatever - they don’t. They insist in going in circles, because that’s the format of the show: drive somewhere, talk to people, drink bad beer, gank vampire, drive off. But stories change, and characters grow. I remember people bitching because there was no Quidditch in HP7 - and, I mean, are you for real? The Dark Lord’s taken over - there’s what amount to a military dictatorship over half of Britain - Muggleborns are being rounded up, their wands snapped in half - and you think that, what, Harry can stay at Hogwarts and play Quidditch? So here, what you’ve got is a format which used to work well with two angry young men who saw no need to talk to each other, but now - now they’re grown-ups, for fuck’s sake. And their lives actually depend on adapting their strategy around new enemies, which brings me back to Crowley.
What Buckleming did to Crowley last week is a flashing billboard of why you can’t stick to your format no matter what. Because at this point I’m pretty sure they’re planning to have Crowley betray them in some major way, again, and the problem is that good writing leads you into complicated situations you should really adjust to? Like - I may be completely off the mark, but - in Stuck in the Middle (With Me) they needed Crowley, so they wrote him in. And then it made sense that he was the only one to know about the Lance (I still think Cas is bizarelly oblivious about a lot of things concerning Heaven, but whatever), and therefore he was the only one who knew to break it. Great, done, beautiful scene, huge bit of character development. And next those two idiots have to steer the story in the ‘right’ direction again - ie, the general arc that’s been decided for the season - which means Crowley must be given a reason to be bad again or something, so they go and write that - a confusing, OOC episode full of plot holes whose only point is to give Crowley a reason to hate the Winchesters. And I’m not saying you can’t write him that way, but the problem is - that episode made me hate the Winchesters as well, because, come on - all those times they’ve gone back and forward in time and come back to life and somehow that’s not a problem, but suddenly poor wee Gavin does it and you absolutely need to kill him? And what if that had been Sam, uh? Would Dean have sent Sam back to a doomed ship without so much as a shrug? Nope, because when it’s about them, they find another way. And the fact they didn’t allow Crowley so much as a goodbye - the fact they trust Rowena over Crowley - people who spend a solid twenty minutes every episode harping on and on about family - that’s -
(That’s exactly what happened with Charlie, by the way: they needed a reason to have Dean snap, and took a shortcut. An extremely unbelievable, OOC and badly written shortcut.)
Anyway. 
I don’t know what to tell you. I think my Dean, the Dean I write about, would never have been so cavalier about destroying an innocent person and someone Crowley cared about so much (the one line I liked about that episode: “In your own lizard way, I know you cared for him.”). In fact, the Dean I know would have acknowledged the huge debt he now has with Crowley - would have bought him a beer, at the very least. 
(Then again, the Sam I know was affected by Lucifer’s presence - my Sam would have had some kind of faith crisis over last year’s events, and he wouldn’t have been so whatever about being locked away not once, but twice already, and he would probably have debilitating nightmares and still, despite everything, he would be sympathetic to the BMoL’s proposals because that’s who he is, or who he thinks he is: a Means and Ends kind of guy. 
Shows what I know.)
I think we need to accept this show has a format, and that format doesn’t leave a lot of room for plot coherence and character development, which means a lot of the actualy story will stay in the subtext and sometimes we’ll be left to explain away illogical points and general weirdness. Luckily, most of the writers seem to know what they’re doing and they’re able to fit a lot even into a MoTW episode, but other things are just wrong, and that’s why we have fanfiction.
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*Just to be clear: I would love to hear more about Sam and Lucifer, and I’m convinced it could be written in a new way, and I know they’ve got the right people to work on that - my God, just look at what Berens and Dabb were able to do with a couple of werewolves - look at what Yockey’s doing with nothing at all.
[Sorry for the rant. I mostly like this show - a lot - but as I’ve said before, its inconsistency is occasionally very hard to bear. Every other show I watch, I know exactly what I can expect - in terms of quality, that is - and here - here I’m thinking they could have something that’s critically acclaimed, as well as fiercely loved, and instead they throw it away - and for what?]  
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guideaus · 4 months
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i also really agree with this review for wolf children. this is a review that seemed like they hated women or kids the least while still making sense lol
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