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#its rare a few other examples of this
shhhhimwatchingthis · 2 years
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You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?
It's because he's one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge....and he gets it! and then he isn't empty or despairing! he doesn't regret it! he's totally satisfied!
because so many stories about revenge or rage are about characters "seeing the futility of their actions" or learning "their desire for revenge has only made them the monsters they hated" FUCK THAT.
Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it's fantastic. it's iconic.
let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they've done
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everythingsinred · 6 months
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Family and the Institution of Alice Academy
Was thinking about this ever since someone (I forgot specifically who, sorry) posed a question like this in the GA discord, asking about (I think) Natsume's extended family or something like that. It was a really interesting concept that I've been thinking a lot about since it was brought up, so here are the thoughts I've accumulated. I'll try to be concise but I have a LOT of thoughts and my brain is messy.
My general opinion at the end of all this thinking I did is that I don't think Academy students typically have very close familial ties after graduating.
I think the most apparent reason for that would be that students are expected to graduate when they are twenty years old. Our main four are exceptions to the rule, coming to the Academy pretty late in life. Most children are taken early, as toddlers or even babies. Natsume, Ruka, and Hotaru's families did all they could to avoid Academy scouting. Mikan was entirely accidental--if she had never met Hotaru, she might have never even found out she was an Alice to begin with. That being said, most kids were separated from their families at a very young age, only to be allowed to reunite with them once they're already adults. For many students, they've been away from their parents for close to two decades.
On top of that, the Academy doesn't allow visitations or phone calls and severely restricts letter communications. Only one child from each class is allowed to return home for one week each year, and that one week does not do much to make up for all the time spent at school.
My point is that by the time students are allowed to see their families again, that familial bond has already been severed, for all intents and purposes. That feeling of closeness and protection no longer exists. Students will feel more closeness and connection to their classmates and even to their teachers than to their parents or siblings, and as a result, I can imagine many graduates not even bothering to visit their families.
While I was pondering this, I made the connection between Academy students and the real life example of a similar situation with Janissaries from the Ottoman Empire. Basically, Janissaries were children stolen from the subjugated people under Ottoman rule. They were taken for the purpose of a "child levy", also known as a "blood tax." Some children were even willingly given by their families due to the possibility of socially advancing, and because the children were promised first class status (sound familiar?). Essentially the children were taken, forced to comply with Ottoman standards and traditions (including forced conversions and circumcisions), and then trained for military service. These soldiers would actually end up being incredibly loyal and efficient, despite likely never seeing their families again.
(Edit: forced circumcisions are particularly heinous when you consider that the children were typically at least 10 years old at the time they were taken.... so.... uh.... not pleasant.... But also interesting that the Janissaries were typically much older than the Alice children at the time of being taken.)
That level of separation doesn't endear ties; it severs them. These Janissaries--very often forcefully taken from their families--ended up growing up with very little connection to their parents or siblings. The feeling of belonging to their previous communities was gone. Absence does not always make the heart grow fonder. This was done as a means of creating a strong military force but also to disillusion subjugated communities and tear away their hope. Their children could always be taken; their communities could always be crushed, even without the use of physical force. It's a very effective tool to oppress a group of people.
(There's actually a lot of similarities between Academy children and Janissaries beside the separation of children from their families. They were also paid for their service and were high ranking; the Academy students are given an allowance and many of them, despite being stolen from their families, have a sense of superiority over non-Alices. They feel like they are treasures, and are of higher value and rank. Additionally, Academy students, especially in the DA class, are highly trained and efficient child soldiers, much like the Janissaries. Janissaries are actually a super interesting historical topic and are worth looking into!)
We can even see the effect of this distance when Yuka escapes the Academy and runs away to her family. Yuka was essentially sold to the Academy, with her parents trading her in exchange for money and status. She was very young, far too young to really understand that her parents had abandoned her. As a result, she romanticized her bond with them, and the longer she was separated from them, the more that bond became fantastical. She made many attempts to escape the school to reunite with her parents and she fantasized about seeing them again. When she finally is able to, it's nothing like she imagined. They're cold, and unfamiliar. They don't recognize her. She doesn't know her brothers. They're related, but there's no real connection.
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"I shouldn't have come here."
Yuka's is an extreme example, but I'm sure she's not an exception. For most Academy students, the almost 20 years of separation from their parents would be too much to ignore. They would not recognize each other, or be close. I'm sure many parents did not sell their children like Yuka's family did, but the bond between child and family had not been nurtured the way it should have been, resulting in coldness and distance.
Because of that, I doubt most students even bother seeking their families out, or even if they do, it's to visit a few times before starting a new life with a career. That familial bond, now broken, is difficult to repair. The connections people often feel with their families or hometowns is something Academy students instead feel with each other. They are all Alices, all in the same boat together. That feeling of superiority that many kids feel means they view each other as on the same level, and I'm sure that could interfere with family connection as well.
Thus, I don't think there's many multigenerational Alice families out there with close bonds. I don't think families like Natsume's have strong ties with grandparents and aunts and uncles and cousins. Even the sibling bonds at the Academy are stunted, with the Imai and Shouda siblings being the prime examples of that.
The Imai siblings have a significant age difference, yes, but additionally the Imai parents had a very different approach to Hotaru after seeing what happened with Subaru. They refused to hand her over as easily, wanting to show her important things in life and build happy memories for as long as they could. Even when Hotaru does enter the school, it's more than six months before she even comes across her brother, since the high school and elementary school are not integrated with each other and they do not belong to the same ability class. Similarly, the Shouda siblings are in different ability classes but they have a much smaller age gap. Despite this, Sumire refers to her brother very respectfully, indicating that there isn't a particular closeness.
The Imais fight against this divide, and put in genuine effort into rebuilding their relationship, but it's a difficult process, and one they struggle to admit to for a long time and for various reasons. Familial closeness is not encouraged, not even within the Academy.
(Though Natsume's bond with Aoi is exploited and the school does rely on him caring for her to take advantage of him, but ultimately he is kept from seeing her. Thus, that bond is also severed despite being exploited.)
Additionally, it would make sense to me if many Alice graduates decided to, upon having children, avoid scouting, like Natsume's parents did, and thus ended up moving around a lot to escape Academy notice. Moving around like that and laying low means that you're not going to be hosting huge family reunions or inviting relatives over often, even if all the other points were moot.
Finally, I think all this creates further obstacles for Yuka's wish to "have a family." At some point she says that, for normal people, the desire to settle down with someone and start a family is a pretty modest goal, but for Alices it's almost impossible. Escaping from the school, or even graduating, is a struggle. And you can have a kid, but it's likely that child will be taken from you, just as you were taken, and by the time the child graduates, they will have no connection with you. Wanting to be a potential grandparent, for example, might seem like a definite impossibility, since being a real parent is impossible.
It's even more proof that the Academy exists as an institution to subjugate and undermine Alices, as children and then as parents. Ultimately, an Alice never has control, not as a child and not even as an adult. The pain doesn't end once you've graduated; in fact, it never does.
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vancilart · 1 year
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shot out of dark comes a fiery serenade / through your heart as your innocence fade away
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yiangchen · 1 year
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i don’t understand when people say that an album has no skips...like girl i am sorry but you are lying dkfjaslkdjfksd 
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emmyrosee · 20 days
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@itachisrealm 27 with sukuna... kisses 🥺❤️
Sukuna’s broad arm around your shoulder gently uses its hand to cup your jaw and pull you into a kiss, warm lips meeting yours in a manner that has you mewling happily. You strew your own arm across his body and curl into his side for another kiss, one he deepens eagerly.
“I love you,” you hum against him. Sukuna merely responds with a nibble of your lip, making you giggle softly.
The movie drones on in the back, but you’re curled more against him now, with your head on his shoulder and your legs over his lap, burrowed into his side while his hands cradle you close. Sukuna’s always been one to show his affection, rather than say it; he’s the textbook example of physical touch and quality time, not that you’ve ever complained.
“Hey,” he says again, a few minutes later. When you meet his eyes, he leans over to press another kiss to your lips, this time sweeter and more gentle than the prior. You hum happily before he pulls away with a kiss to your nose.
“You’re awfully affectionate right now,” you tease, relishing in the way he grumbles. “What did you do?”
“Can’t a man just be affectionate with his insignificant other?”
“You’re my non-statistically significant other,” you prod. “Besides- I don’t mind. I’m just not used to it.”
“Yeah, well… you know.”
“…no, I don’t.”
He groans and drops his head to rest in the curve of your neck, “I just… want… to be close to you right now. Savor it, it doesn’t happen often.” He presses small kisses to the base of your neck, warm hands splaying out over your hips to cradle you.
“Aww, honey,” you tease softly. He stiffens, and you’re quick to lace your fingers in his hair to soothe him. You could tease him further, make him blush more and be even more of a mess.
But you do love when he gets like this. It is rare that it happens, and you’d hate to ruin it with some silly teasing and nonsense that you don’t mean.
You turn your head to press a kiss to his temple, “I love you.”
“I love you.”
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cy-cyborg · 8 months
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Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them
When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.
Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.
You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.
Let me show you two examples:
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Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?
intended answers below:
Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.
So here are some similarities between the chairs:
Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.
Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.
So lets look at some specifics for the green wheelchair:
Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.
While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).
The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?
There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?
The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).
There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.
Ok, now let's look at the orange chair
This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.
The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.
The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.
This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.
The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.
This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.
And here are the characters who own these wheelchairs
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The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.
The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.
Conclusion
Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.
I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.
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nothorses · 1 month
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I think one of the ways that tranandrophobia seems to distinguish itself from the other forms of oppression it is connected to is in the way it attempts to convince you it is indistinguishable and that transmascs are always just collateral damage to everyone else's "real" problems.
One example is the very blatent tirf claim that transphobia on its own isn't real, that it is all misdirected transmisogyny, and that transmascs only experience oppression due to our association with transfemmes.
But there is also the insistence that anti abortion laws and similar things are targeted at cis women and therefore are "women's issues" - transmascs shouldn't complain about being excluded because it "isn't about us". Same with homophobia and butchphobia. Even the terf talking point that they are just protecting "little cis girls" from making irreversible mistakes pretends that actual the transmascs being harmed is just an accident and not the goal.
Trying to talk about transandrophobia is a constant stream of "It's just transphobia. It's just misogyny. No, you can't call your experiences misogyny because that isn't about you. You can't call yourself a lesbian or a butch or compare your oppression to lesbophobia. It isn't about you. Yes, terfs hurt you, but you aren't their main target. This isn't about you. Yes, you need abortions and experience medical misogyny, but you can't talk about it because this isn't about you. You were sexually assaulted because of misdirecred misogyny. Don't make it about you. You've never contributed to the history of gay men, or lesbians, or the trans community. It isn't about you. Those cross dressers weren't trans. Stop trying to make women's history about you. You can't reclaim cunt or faggot or dyke because those words aren't about you. I don't care how many times you've been called a tranny. That word isn't about you. Why must you make everything about you?"
Because sure, transmascs exist, and we might be impacted by everyone else's oppression, but it is always thought of as a theoretical consequence of what is really going on, if it is thought of at all. Transmascs are not considered to be oppressed in our own right.
This idea gives the lawmakers plausible deniability, allies an excuse to ignore us, and feeds into transmasc erasure. If we are never the actual target to begin with, then clearly, we can't be uniquely targeted. The law makers don't need to be held accountable for their transandrophobia because it isn't like they are trying to hurt transmascs, right? We need to let the real victims speak, the ones being targeted on purpose.
Nobody ever sees the way it all piles up, and even if they do, they think "well it's just an accident, right? If we fix the main problem, then this fringe issue will go away on its own" without ever considering that transandrophobia isn't as rare, fringe, or accidental as society wants it to appear and that actual effort needs to be put into dismantling it.
It isn't that they actually believe that transandrophobia isn't real. It's that they just don't believe it is about transmascs. Because even if we are the common denominator, we are still just collateral damage and could not possibly have anything of value to say. Because as collateral damage, our issues are never our own and thus never need to be discussed on our own terms.
100%. And I think this is exactly what this sort of cycle of erasure depends on.
We are erased, our problems are erased, and our oppression is erased, which means it's easy for people to ignore us, our problems, and our oppression. There's so little evidence, so few people talking about it, and they never really see or hear anyone name us in this violence, so surely, it isn't about us at all! It must be about the people they know about already, the problems they know about, and the ones who are always readily named in these conversations.
If we're speaking up, there's no reason to believe us; if anything, we come under scrutiny for trying to talk about these issues nobody else can see. We must be crazy, hysterical, whiny and overdramatic, or perhaps malicious. We're stealing attention, stealing space, and stealing help. We might be victims, but we are incidental and unworthy victims.
And ignoring us, our problems, and our oppression means we continue to be erased. Which makes it easier to ignore us, and erase us, and easier to perpetuate violence against us. And so on.
It's understandable, in a way, for people to ignore us; most people don't know about any of this in the first place, and when they do, they're not inclined to take any of it seriously. Even if they do see convincing evidence that our problems are real and worth talking about, it's easy for that to be a one-off that they eventually forget about. Everyone else is talking about everything else, so we sort of fade away.
It's not their fault; they're not trying to ignore us. They just haven't learned to recognize violence against us, and they just don't seek us out, and can they really be blamed for that? Can they really be blamed for the violence that continues because they and others don't see or try to stop it? We're so hard to find in the first place. You know, because we've been so thoroughly erased.
There are a lot of people who've been fighting this for a long time, and even more we don't-- and probably won't-- ever know about, who've been fighting for even longer. I think it's getting better; the organized backlash against us is, imo, a sign that our reach is getting stronger and wider. But it's a hard cycle to break.
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creeperthescamp · 3 months
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i think one of the least used concepts in elder scrolls lore is its nebulous relationship to truth.
like something i do actually appreciate about that cunt kirkbride's writing in morrowind is that the mythology of the tribunal is allowed to be relatively ambiguous and there's room for poetry and fable and unreliable narrators. there's a strong general tendency in both fandom and dev to interpret lore quite literally and treat every text as reliable sources of fact about tamriel even when the text is like. fiction or written with a clear bias towards certain factions or prejudices.
the main example I'm thinking of is the 'notes on racial phylogeny' lore book. it's literally just racist pseudoscience and in a real life context would be considered unreliable and deeply offensive. but in tes, i rarely see anyone stop to actually consider that perhaps this lore isn't really a factual study of how bodies work but about how the imperial empire categorises the people it colonises and justifies it's supremacy. there's so much focus on determining the rules and metaphysical aspects of the world that there's no consideration that the way factions like the empire see the world is inherently flawed.
it's fun to think of a world where stars are literal holes punched in the fabric of the sky, or that water is made of memory, but i also think it would be a much more fun and flexible world if these theories are considered to be just a few of many lenses that people in tamriel use to try to understand their world. some of my favourite pieces of lore and world building are things like 'cherims heart of anequina' that imply a rich world of culture and art; i love the idea that tamriel has art and art critics and people who discuss ideas for other purposes than trying to figure out what's The Only True Lore.
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celaenaeiln · 8 months
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thinking about some quotes i’ve read and i wanna hear your thoughts on them because i have a lot and i don’t know what to do with them.
“the day Dick Grayson turns evil is the day the universe ends, not because that day will never come but because the boy will make it come”
“Dick Grayson isn’t the universal constant of good. Dick Grayson is the universal constant of competence”
“So, having said all that, it is a few but definitely significant words that fill the contingency plan on Nightwing in case the hero of Bludhaven ever turns to the dark side. Let's hope that never happens.”
YESSSSS
“the day Dick Grayson turns evil is the day the universe ends, not because that day will never come but because the boy will make it come”
This is the truest fact I've ever heard because this is really canon.
Word for word this happened.
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In one of the canon timelines Clark laser blasted Bruce under mind control.
And oh how Dick took over. You know what Luthor says?
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"After all, as I've heard your father [Dick] so often quoted, 'we make the hardest decisions for those we care about the most.' Well, in his case...that has meant remaking the world."
This man has the power to single-handedly control the fate of the world.
Whatever he wants, he will make it happen.
The entirety of the justice league, all the metas, heroes, and villains too stood no chance against him.
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DC vs Vampires
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“Dick Grayson isn’t the universal constant of good. Dick Grayson is the universal constant of competence”
I think it's true.
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Nightwing is one of the most formidable figures in DC, without fail consistently coming out on top, so if Superman is iterating that Dick's personality and essence of being is the same, then there's really no room for disagreement.
But more truly, I think he is a Nexus.
By Marvel's definition, "Nexus Beings are rare individual entities with the ability to affect probability and thus the future, thereby altering the flow of the Universal Time Stream. These beings, each referred to as a nexus, act as the keystones of the Multiverse and are crucial to its ultimate coherence and stability."
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That means that the universe hinges on the actions of Dick Grayson.
Not only does he control the fate of the world but his mere existence determines what will become of it by other people:
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I'd like to reiterate that Neux Beings are "the keystones of the Multiverse and are crucial to its ultimate coherence and stability."
You can still be a nexus if you turn dark. For example Lore was a dark version of Wanda Maximoff but she is still considered a nexus. So you're right in saying that Dick Grayson is a multiuniversal constant of competence.
“So, having said all that, it is a few but definitely significant words that fill the contingency plan on Nightwing in case the hero of Bludhaven ever turns to the dark side. Let's hope that never happens.”
In the easiest terms as someone put it, "hope he fucks up" is Bruce's only contingency plan against Nightwing. The man doesn't have a clear plan how to neutralize Nightwing.
His exact words are: "As a result of overanalyzing any situation, this allows Dick Grayson to overconfident and misdirected. This will make himself open to a second attack."
So the plan is basically 'Dick is too smart for his own good so we'll have to go with a lucky surprise attack.' He's literally saying 'yupppp. Let's just hope he messed up because there's nothing we can do on ouR end.' Note that Bruce doesn't even have a back up like 'the second attack didn't work? we're fucked.'
For everyone else he actually has a coherent plan in mind- do this and they will fall. But for Dick? 'I hope he messes up enough for a second attack to actually stick. Otherwise we're shit out of luck. And lives. Fingers crossed he doesn't jump to the bad side.'
Tim also confirmed he would never make a contingency plan for Dick. The only person in the world he wouldn't do one for.
He's just that formidable of a man. Even now he can easily take down the Justice League if he wanted to.
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And we know that Dick has one of the strongest wills on the planet.
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"I have my enhancements. I have powers. Dick Grayson...what do you have?"
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A world where Dick loses his emotions is a world that would not survive.
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mrfoox · 2 years
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Kinda hate that I end up playing the devils advocate 90% of the time even though I disagree with that side
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fatehbaz · 9 months
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Travel back [...] a few hundred years to before the industrial revolution, and the wildlife of Britain and Ireland looks very different indeed. 
Take orcas: while there are now less than ten left in Britain’s only permanent (and non-breeding) resident population, around 250 years ago the English [...] naturalist John Wallis gave this extraordinary account of a mass stranding of orcas on the north Northumberland coast [...]. If this record is reliable, then more orcas were stranded on this beach south of the Farne Islands on one day in 1734 than are probably ever present in British and Irish waters today. [...]
Other careful naturalists from this period observed orcas around the coasts of Cornwall, Norfolk and Suffolk. I have spent the last five years tracking down more than 10,000 records of wildlife recorded between 1529 and 1772 by naturalists, travellers, historians and antiquarians throughout Britain and Ireland, in order to reevaluate the prevalence and habits of more than 150 species [...].
In the early modern period, wolves, beavers and probably some lynxes still survived in regions of Scotland and Ireland. By this point, wolves in particular seem to have become re-imagined as monsters [...].
Elsewhere in Scotland, the now globally extinct great auk could still be found on islands in the Outer Hebrides. Looking a bit like a penguin but most closely related to the razorbill, the great auk’s vulnerability is highlighted by writer Martin Martin while mapping St Kilda in 1697 [...].
[A]nd pine martens and “Scottish” wildcats were also found in England and Wales. Fishers caught burbot and sturgeon in both rivers and at sea, [...] as well as now-scarce fishes such as the angelshark, halibut and common skate. Threatened molluscs like the freshwater pearl mussel and oyster were also far more widespread. [...]
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Predators such as wolves that interfered with human happiness were ruthlessly hunted. Authors such as Robert Sibbald, in his natural history of Scotland (1684), are aware and indeed pleased that several species of wolf have gone extinct:
There must be a divine kindness directed towards our homeland, because most of our animals have a use for human life. We also lack those wild and savage ones of other regions. Wolves were common once upon a time, and even bears are spoken of among the Scottish, but time extinguished the genera and they are extirpated from the island.
The wolf was of no use for food and medicine and did no service for humans, so its extinction could be celebrated as an achievement towards the creation of a more civilised world. Around 30 natural history sources written between the 16th and 18th centuries remark on the absence of the wolf from England, Wales and much of Scotland. [...]
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In Pococke’s 1760 Tour of Scotland, he describes being told about a wild species of cat – which seems, incredibly, to be a lynx – still living in the old county of Kirkcudbrightshire in the south-west of Scotland. Much of Pococke’s description of this cat is tied up with its persecution, apparently including an extra cost that the fox-hunter charges for killing lynxes:
They have also a wild cat three times as big as the common cat. [...] It is said they will attack a man who would attempt to take their young one [...]. The country pays about £20 a year to a person who is obliged to come and destroy the foxes when they send to him. [...]
The capercaillie is another example of a species whose decline was correctly recognised by early modern writers. Today, this large turkey-like bird [...] is found only rarely in the north of Scotland, but 250–500 years ago it was recorded in the west of Ireland as well as a swathe of Scotland north of the central belt. [...] Charles Smith, the prolific Dublin-based author who had theorised about the decline of herring on the coast of County Down, also recorded the capercaillie in County Cork in the south of Ireland, but noted: This bird is not found in England and now rarely in Ireland, since our woods have been destroyed. [...] Despite being protected by law in Scotland from 1621 and in Ireland 90 years later, the capercaillie went extinct in both countries in the 18th century [...].
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Images, captions, and text by: Lee Raye. “Wildlife wonders of Britain and Ireland before the industrial revolution – my research reveals all the biodiversity we’ve lost.” The Conversation. 17 July 2023. [Map by Lee Raye. Bold emphasis and some paragraph breaks/contractions added by me.]
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astercontrol · 2 months
Text
If KOSA passes
Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:
We have to make plans.
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Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).
And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.
So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.
(As with all my posts, I encourage reblogging and containment-breaching.)
(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)
Anyway.
Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).
These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.
But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.
If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.
Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.
Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.
And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.
If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.
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There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.
But that's for making your own creative work public.
As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.
But what we do still have-- and likely will for a long time-- is email.
Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.
But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.
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Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.
Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.
But it's safer than posting on a public social media page.
For now.
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Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.
Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.
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This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.
I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).
If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.
So here are some thoughts about how I personally imagine it could work.
(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)
As I see it, here are the basics of what you and your friends would each need to start out:
An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.
The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.
The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.
The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.
The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)
Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.
This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!
In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.
If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.
If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.
Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.
As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…
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to plan events and meetups…
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and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.
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They're trying to censor us. We want a Free System. So we're gonna fight back.
For the Users. Not the corporations.
Peace out, programs. <3
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sha-n-dowbannedlol · 18 days
Text
Wriothesley — the art of body language
cw: feat neuvillette, references to neuvi's story quest (sorry, i just finished it, loved it very much) other than that nothing rlly, just fluff
an: i cant believe i havent written anything for wrio yet??? thats unacceptable, considering i main him (and jing yuan too, all because ono daisuke voices them... jotaro brainrot goes crazy)
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It had come to Iudex Neuvillette's attention that there is still much he needs to learn about the enigma that are humans. Following his recent revelations as to his role in Fontaine and relationship with its citizens, he thought it'd be nice if he gets to know them better.
It hadn't escaped his knowledge that sometimes, things would fly over his head. Things said in jest, he ends up taking seriously before realizing at a later time that it was in good humor.
Sometimes, he doesn't realize that his silence had ended up causing the other party feel awkward, and even then, he doesn't know what to do or talk about when they do.
And so, he started by studying the little things. Their expressions, their body language—It had first came up in a conversation with the head nurse of the Fortress of Meropide, Sigewinne.
During one of her rare vacations where she visits the overworld and checks on the Chief Justice in worry that he may be overworking himself again.
Sigewinne talks about the things she has learned from observing the expressions from the workers in the Fortress, and with her observant gaze, she notices just how interested the Chief Justice seems even if from an outsider's point of view, he just looks like he's sporting the same, neutral expression.
At that, Sigewinne brought it upon herself to share the things that she has learned, but he can see the slight furrow on Neuvillette's brow, his fingers on his chin, deep in thought as he tries to picture out the expressions that she's describing.
Thinking to herself, the head nurse thinks of someone that she can describe well enough but also someone that Neuvillette knows fairly well to help him picture out what she's saying—and one person easily comes to mind.
"Take His Grace, for example." Sigewinne mentions, and the Iudex looks up with his eyes widening the slightest bit.
"Wriothesley?" He echoes.
"Yeah!" The melusine chirps happily, smiling widely at Neuvillette.
"If you show him that one human you always send from the Gardes, you can notice a few things from his body language that you wouldn't notice if you're not looking closely."
Which leads to the mentioned Duke now sitting in Neuvillette's office in Palais Mermonia, a tea cup in hand. After all, if Neuvillette were to learn, it'd be better if he sees it for himself, no?
Wriothesley was in the middle of his sentence when a knock reverberates in the room, coming from the door to the entrance to the office. Still holding onto his teacup, the Duke glances at the door, before looking back at the man before him, not surprised by the knock at the very least, as if he had been expecting it.
"Monsieur," Wriothesley spoke in his usual polite tone towards the Chief Justice, "Are we expecting someone else?"
His icy gaze are calculating as they meet Neuvillette's gaze, the Iudex shaking his head, sighing as he looks back to meet the man's calculating gaze.
"Pardon me, it's just some business. It'll be quick." Neuvillette apologizes politely, to which Wriothesley nods and shrugs, taking a sip from his tea cup. Taking that as his 'go ahead' signal, the judge turns his head to his office door and spoke.
"Please, come in."
Neuvillette was quick to glance at Wriothesley from the corner of his eyes as the door opens. And as you came into view, he notices the way the Duke's eyes widened slightly in surprise, quietly choking on his tea but managing to gather himself again in a split second.
"Chief Justice." You spoke in a formal, polite tone, eyes glued to the man who nods in return, before you eventually noticed the other person in the room.
Again, Neuvillette observes Wriothesley.
"Your Grace," You also greet the Chief Justice's guest politely.
True to Sigewinne's words, The Lord Incognito sat with his back a little straighter, his chest puffing out as he oh so gently puts his tea cup down on its saucer, his voice laced with a tad bit of warmth as he spoke your name in greeting.
"Is it a bad time?" You asked, eyes glancing over the tea cups laid on the table between the two men, "I'm sorry for interrupting your meeting."
But before Neuvillette could reassure you that you weren't at fault, and that it was all his for having called for you, Wriothesley was quick to respond.
"Nonsense," Wriothesley didn't even hesitate to reassure you that he doesn't mind, a small genuine smile gracing his lips. "We're just sharing some words over tea, would you like a cup?"
"Thank you, Your Grace. But I couldn't possibly." You respond as you take steps closer, closing the door behind you as you fully enter the office.
"I insist." Wriothesley hums, already reaching out for a third tea cup that has been conveniently brought out by Neuvillette despite the fact that there were only two of them.
You raise your hand, about to protest but was cut off by the Chief Justice, your boss himself.
"You're no strangers to each other, please do share a cup," Neuvillette spoke as he looked at you with a nod before standing up from his seat. "Excuse me while I look for the file that our latest convict needs—I seem to have mixed it with other files."
An obvious lie. The Chief Justice is a neat person, everything has a place and everything is in their rightful place, but neither of them questioned it as Neuvillette offers his seat to you before moving over towards his desk where the paperworks to process the latest criminal lay.
He took this opportunity to study the scene before him, as he pretends to shuffle papers here and there.
Diluted pupils. Eye contact. Mirroring your actions. A smile never leaving his face. Leaning on the table. And.... uh huh. That's the third time Wriothesley tried to fix his hair in the past five minutes.
Neuvillette blinks as he observes the way the Duke handles himself around your presence, and he is sure that if Wriothesley had a tail, it'd be wagging happily right about now.
Eventually, the Iudex returned to rejoin your small party. A small smile was plastered on both your and the Duke's faces as you engaged in your own little world, both pairs of eyes landing on him as he penetrated your little bubble.
"I've found it," He spoke in his usual neutral tone, and you gave him a nod.
The ever gentleman that he is, Neuvillette thought nothing of it as his hands moved with sophisticated grace, pulling your chair out for you and offering you his hand to help you stand. He was just being polite. And being used to his actions, you didn't hesitate to take his hand as you stood. But...
Ah.
Neuvillete can't help but notice Wriothesley's gaze fixated on your hand in his grasp, the smile on his face gone, just his pale, icy gaze staring a hole into the Chief Justice's fingers around your hand.
Tense. On guard. Almost reminiscent of a guard dog meeting a stranger and gauging whether they are a threat or not.
Interesting.
The man let go of your hand to give you the paperwork you had come for, giving you another nod, your gazes now locked with each other's.
"Here you go,"
"Thank you, Monseiur."
You receive the files, opening your mouth to bid your farewell to both men in the room when the sound of the chair sliding against the floor sounded, and both your attention snapped towards Wriothesley who was letting out a loud sigh.
"Ah, would you look at the time?" Wriothesley suddenly announces loudly, as if making sure both of their attentions are on him. "It's getting late."
Neuvillette's head subtly tilts to the side in curiosity at Wriothesley's sudden actions. Trying to figure out what has the man so tense, quietly thinking to himself.
Is this what they call envy? No, envy isn't precisely the correct term...
Ah. Jealousy. That's the term.
"I should get going. Thank you for this afternoon, Monsieur Neuvillette." The Duke spoke, approaching the both of you, snapping the said man out of his thoughts, who turned to face him.
"The pleasure was all mine. I'm grateful for your time as well," The Chief Justice responds,
"I'll be on my way as well," You spoke your farewells to your boss, and Neuvillette watched as Wriothesley turned to face you this time, speaking your name in a soft tone.
"You'll be escorting an inmate to the Fortress, no?" Wriothesley spoke with a slight hint of amusement in his voice, his eyes on you as you nodded to confirm his questions.
"I am, but I'd have to pick them up first." You respond as you turn to walk towards the exit, Wriothesley hot on your heels like a puppy happily following its owner
"I'll go with you, then."
"That might not be a good idea, Your Grace. They might get intimidated."
"Well, they'll just have to deal with it, won't they? They'll be seeing more of me in Fortress of Meropide; they should get used to it."
Neuvillette watched your exchange, the Duke opening the door for you, closing it behind him, and your voices became muffled. The Hydro Sovereign stands in place, placing a hand on his chin as he thinks.
"And what kind of emotion does Wriothesley portray when around them?" Neuvillette had asked Sigewinne after she happily detailed every minuscule movement that Wriothesley does consciously and unconsciously in your presence.
"That is what humans refer to as romantic love." Sigewinne beams up happily at him, and he nods, making sure to make an internal note of that.
"So that was love." Neuvillette nods to himself, eyes still glued to the door where you and Wriothesley exited. Funnily enough, Wriothesley wasn't the only one he ended up observing.
From his observations, he can quickly tell that you had the same body language as the Duke throughout your entire conversation, a stark contrast to your more rigid and mechanical body language when speaking to him.
That day, oh so casually, the Chief Justice confirmed and gave his judgment on both of you based on the observed facts.
"They're in love with each other." Neuvillette concluded.
"And neither of them know."
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ellatoone7 · 7 months
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Long day (Leah Williamson x reader)
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It was getting darker earlier now, a sure sign that winter was nearing, that and the goosebumps littering over Leah’s tanned skin as it whipped through her hair, making the blood rush through her ears in the best way possible.
Winter trainings were always tough, the bitter cold stinging the defenders bright eyes making it nearly impossible to see the ball. It was all worth it though as she was enveloped by the warmth of her car and the thoughts of what was waiting for her at home.
Leah didn’t waste any time getting home, her playlist blaring as she hums gently to the lyrics that always reminded her of you. Leah loved football, it was a huge part of her life and she cherished every second of it, but, it didn’t come close to how much she loved you.
In fact Leah loved you so much that as long as she had you in her life, she would be content with never playing another match again. She didn’t fail to remind you of that every day, from waking you up with soft, loving kisses and breathless confessions of love that was so sacred to the both of you, all the way to the lazy evenings full of cuddles on the couch and whispered affections.
Leah craved those dark mornings tangled in linen sheets and soft limbs, so connected that you couldn’t tell where one started and the other finished. This morning for example, a rare day, where Leah didn’t have to get up at an ungodly hour, now that it was winter her trainings had been pushed further up in the evening, leaving the still mornings at her beck and call.
Strong biceps curled around your midsection, holding on as if you were some divine being that would disappear at the slightest loosen of her grip. The gentle breathing, that the defender claims eagerly is not snoring, though you would beg to differ, fans the back of your neck as the serene surrounding of pure adoration consumes the room fully.
That exact same fondness that paints the walls of your house welcomes the tired blonde back into its familiar structure. Leah’s home however isn’t slabs of concrete or treasured pictures littering every inch of the building, but it’s the comforting figure that she just knows is standing in kitchen, waiting for food to magically appear out of thin air.
Leah drops her kit bag next to the homemade shoe shelf Steph had made the both of you after Leah missed a match due to a single shoe and a rolled ankle. The blonde chuckled at the memory as she threw the keys into the designated bowel while heeling the front door shut.
“Babe?” Although knowing exactly where you were, she couldn’t help but be impatient as she hears the soft pattering of your fluffy socked feet. You smoothly slid into the corridor with the most prized worthy grin lighting up every inch of your perfect face.
Just like her previous actions, you did not waste a second, cupping her defined jaw and pulling her into a kiss that could mistaken the fact that Leah had only been gone for a few hours. The gentle tug of her hair pulled her back into the blissful reality that was you, her hands had found the place on your hips that they had been familiarised with for so long, pulling you in until the space between the both of you was nonexistent.
“Hi.” One simple word mumbled against her lips in a humour full manor, a breathless chuckle following from her own mouth as she peppers kisses against your flushed cheeks.
“God, people would think you’ve been gone for months with this greeting.” You chuckled as lips worshipped your neck, “We won’t tell people that it’s only been a few hours then.”
Her deep London accent was muffled as she placed one final kiss against the volume of your throat.
Foreheads met and eyes locked as you found comfort in each others space, “For what it’s worth, I missed you.” You couldn’t help but melt into her, nuzzling your cheek against hers while breathing her in, “I missed you too.” You pulled back slightly before continuing, “You know what else I missed? When you didn’t smell, go take a shower, Lee.”
A laugh bubbled up as you watched the defender scoff in offence, “Rude!” You nodded while wiping her sweaty strand of hair out of her face with a playful grimace. Leah swatted your hands away as she grumbled childishly, “Okay! okay, I get it.” The blonde started towards the stairs before turning backs around with an eyebrow raised, “Wanna join me?”
“As much as I would love to, I have some baking to do, so I will regretfully leave you to it,” Leah chuckled while solemnly nodding, you watched her slightly disappointed expression and decided to meet her halfway, “…but, I can offer you a kiss?”
Her blue eyes lit up again like they always seem to do when she’s near around you, leaning up on your tiptoes you pressed a timid kiss to her eager lips before quickly stepping back much to the tall blondes dismay. Her lips followed yours and you gave into her meeting her in the middle in a melting kiss.
Her sweaty stature was the last thing on your mind as you wrapped your arms around her neck, she slightly lifted you off the ground pressing you against her fully.
After what felt like a too small eternity, you gently stepped back, “That’ll give you something to think about.” She lightly groaned before quickly stealing one more kiss, “Don’t be a tease.” You giggled before pushing at her chest gently, “Go, get cleaned up and then get down here to help me with these stupid cookies.”
Leah smiled before putting her hands up innocently, she made her way upstairs with a satisfied sigh and you watched her go before heading back to the kitchen.
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WIBTA if i wrote a psa about people who broke my tos
✏️⚖️ (< for identification)
i make character adopts on toyhou.se and deviantart. i like designing characters but i rarely ever use them so i put them up for adoption so they can go to good homes. i have a tos for adopting my characters, which everyone is required to read before i go through with the adopt. the tos has rules about giving the character to someone else, which is that the current owner of the oc has to ask me first. there s a few reasons for this:
1 i dont want anyone reselling my character for more money than they bought them for unless they add value to the character by commissioning art or writing because its unfair to me who created the character if someone upsells them without adding value. having people ask first let's me make sure theyre not upcharging my work unfairly
2 i dont want certain people owning my characters. i have trauma surrounding certain people adopting my characters and using them problematically. for example someone ill call A once made my black characters skin lighter even though my tos says you cant change my characters race or body types. someone else, B, put my character into a proship relationship which is TOTALLY BANNED in my tos. i have a public list of people who are NOT allowed to own my characters and the idea of them owning them makes me super uncomfortable because i know theyll use my characters for bad things
3 it lets me make sure that the new owner has read my tos
a couple months ago someone (ill call them C) adopted a character of mine named lupin. a couple of days ago i was looking at my designs and i saw that lupin was now owned by D. i checked the ownership log which said that C traded lupin with D but i dont know what character C got in return. i sent C a message asking why they traded lupin without my permission and they said they didnt think they had to because it was a trade and not a sale. i told them that i have trauma around people giving my characters to others without permission and C said that i should talk to D instead because they (C) no longer owned the character.
i went to Ds profile and on their user page i saw a blocked comment so i unhid the comment and saw that it was B thanking D for following B. this set off alarm bells because i know that B is proship which is why i blocked them in the first place! so i decide to look into D, i find their tumblr and i find out that theyre also proship, they ship incest and they reblog irredeemable media like the coffin of andy and leyley
D wasnt on my blacklist specifically but its against my tos for proshippers to own my characters under any circumstances and its grounds for revocation. i message D to tell them that im revoking the character because theyre breaking my tos but D refused to transfer lupin back to me and blocked me.
i reuploaded lupins profile to my account and reported the original profile to th for being a violation of my tos, and i added C and D to my blacklist.
WIBTA if i wrote a psa about C and D to warn other people about them? i just dont want anyone else to go through this
What are these acronyms?
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luveline · 5 months
Note
hi jadeee!!! :D i read the fic abt poly!marauders with depressed reader and i was wondering if you could do one with aaron? for example r having trouble getting out of bed or doing small tasks and her mental health getting bad again, i don’t know if its just me but i rarely find these kind of fics <3
hi gorgeous i hope this is ok! fem, 1k
“How are you feeling?” Aaron asks, patting his face dry with a towel. 
You rub sleep from your eyes, catching Aaron's eyes in the mirror over his broad shoulders. You offer him a tired sort of smile.
“Come here,” he says. 
You do as he says. Aaron's getting dressed for work, and it's miraculous to have you up and out of bed before him considering how depressed you've been lately. Your abdomen presses to his.
“What are you going to do today?” he asks, wetting a washcloth in the sink. He feels the temperature of the water for a few seconds. 
“Um…” You close your eyes in preparation. “I have to shower. And I want to… make you dinner. So I'll do that.” He brings the washcloth to your face and rubs at your skin gently, little rivers of warm water creeping down your face and neck. “Is my appointment today?” 
“No, sweetheart. It's not until Tuesday.” He cleans your nose, your sleep-crusted lashes. “Why not have a bath? That way you can sit. You could bring your laptop in here and watch a movie.” 
“That…” You run out of steam as he wipes the last stretch of your cheek gently. 
If you can't manage a shower today, Aaron will help when he comes home. He never makes it seem like an obstacle or an imposition to help you through these things, treating it like any other hour of time spent together. “Dinner would be nice. But make sure you set the timer if you use the oven. I'll worry.” 
“Yeah.” 
He passes you your toothbrush and toothpaste. You squeeze it out onto the bristles as he sets about neatening your hair for the day, fingertips gentle on the soft skin of your hairline. You force the toothbrush into your mouth and start out slowly. You feel a disconnect between you and your actions, his touch the only tether, and every brush takes effort you don't have. 
“I didn't say good morning,” he says apologetically, rubbing your shoulders with some loving roughness. “How did you sleep?” 
Sleep is a big blob you don't have words for. “Good morning,” you say through toothpaste, leaning your face into his arm. 
He kisses whatever bit of your face he can reach. “Good morning.” 
“Sorry if I'm dirty.” 
“You aren't honey, you're fine. We just need to keep on top of it.” 
He pulls away to let you finish your half job, offering you a floss pick that you take on automatic but can't force yourself to use. It stays in your hand all the way to the breakfast table, where you get served sliced fruits and toast with chocolate spread. It's the kind with lots of calories, to keep you going if you can't manage your own lunch. Aaron makes you lunch most of the time if you can't do it yourself and leaves it in a tupperware in the fridge, but actually getting up to reheat it is another thing. You usually do it if your stomach aches but not otherwise. Already, you're wanting to go back to bed. Another day of letting him down. 
He gives you your medication divider, sipping at his own mug of coffee. “Jack's coming back tonight. Are you excited?” 
“So excited,” you say honestly. “Did he have a good time at, uh, Mason's?” 
“I think so. They went to Pizza Hut buffet. He said we have to go for his birthday.” He smiles at you from over the lip of his mug, eyes all manner of tender. “He asked if you're still sleeping.” 
“Don't let him worry about me,” you say, half-pleading. 
“No, I won't. You know I won't. He's just noticed you're not feeling your best, but it's not a bad thing. He wants to tuck you in.” 
“He said that?” 
Aaron nods with a smile. “He misses you when he doesn't see you.” 
“I miss him… I'm sorry. About all of this. I really…” You look down at your hands. Toast crumbs cling to your fingers, little white ants that catch hold when you attempt to shake them off. You wipe them in your pants. “I promise I'm trying.” 
He rounds the table. Takes your face into his hand, but doesn't force your head up. “That's not in question,” he says in his dulcet tone. “We want you to feel as good as you can. It doesn't matter how long it takes.” 
“I just want to be better.” I just want this feeling to be over. 
He hums into himself, his big hand a warm, steady thing where it covers your cheek. He's so solid. 
“Listen,” he says, bending to meet your eye. “Today, I only want you to do three things. Do you think you can do that? If you can't, I won't be mad, but I want you to try.” 
“Okay.” 
“Firstly, what you said about dinner? That sounds nice. Being active is good for you.” He measures your reaction. You've schooled your features into a determined seriousness that makes him smile. “Alright. Secondly, you take that nice long bath.” 
Your seriousness falters. “Sorry.” 
“No, no, don't be. It's not like that, sweetheart, I just want you to stay healthy, and to feel good about yourself. That's why I need you to eat lunch too.” 
“Is that the third thing?” 
“No, the third thing is to give me a kiss because I'm about to be late for work.” 
You tip your head up and he kisses you sweetly as always. You let him fawn and fret for a few minutes before he really has to leave, and then it's your fault he's late, calling him back in for a last hug. To be fair to you, it's a hug you really, really need. 
“Call me if you need to,” he says, his cheek against your temple. “I'll come home. I promise.” 
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