Jacques-Laurent Agasse (CH 1767-1849)
La Fontaine Pesonnifiée (1837)
Painting
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Jacques-Laurent Agasse. Gray horse in pasture. 1806. Oil on canvas.
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Jacques-Laurent Agasse (Swiss, 1767-1849, active in Britain from 1800), A Grey Pony and a Black Charger in a Stable, 1804, oil on canvas, 25 × 30 inches; Yale Center for British Art.
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Jacques-Laurent Agasse, White Horse in Pasture
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Studies of Summer Flowers by Jacques Laurent Agasse
Oil on canvas, 1848
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Studies of Flowers by Jacques Laurent Agasse (1848, Öl auf Leinwand)
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Nine Greyhounds in a Landscape. Jacques Laurent Agasse (1767-1849)
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Francis Augustus Eliott, Second Baron Heathfield (1750-1813) by Jacques-Laurent Agasse (1767–1849). Oil on canvas.
(Picture source for Francis Augustus Eliott, Second Baron Heathfield (1750-1813))
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The Fountain Personified, by Jacques-Laurent Agasse (1837)
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Giraffes with impala in a landscape - Jacques-Laurent Agasse - before 1849 - via Christie's
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Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
Jacques Laurent Agasse (1767–1849)
Yale Center for British Art
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JACQUES-LAURENT AGASSE (1767-1849)
The Nubian Giraffe Oct 1827
Oil on canvas
Royal Collection Trust
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JACQUES LAURENT AGASSE
Nine Greyhounds in a Landscape
the #sighthound #bulletin
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Jacques–Laurent Agasse (Swiss, 1767 - 1849), Tiger in a Cave, ca. 1814, oil on panel; Yale Center for British Art, Paul Mellon Collection.
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Portrait of Friedrich Lieder the Younger by Friedrich Johan Gottlieb Lieder, 1834 (Museum of Fine Arts, Budapest)
The stock, lined and stiffened at the sides with whalebone or pig's bristles and arched from the cheeks, is dated as early as 1818. It is best known, however, as the neckpiece of fashionable men from c.1830–c.1840.
— Doriece Colle, Collars, Stocks, and Cravats
Stiffeners of buckram and steel springs were also used, as noted by C. Willett Cunnington and Phillis Cunnington in Handbook of English Costume in the 19th Century.
Portrait of zoo proprietor Edward Cross by Jacques-Laurent Agasse, 1838 (Wikimedia Commons). Don't let his waistcoat or the lion cub distract you from appreciating his black stock.
Self-portrait of Friedrich von Amerling, 1834 (Wikimedia Commons).
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«La Fontaine personnifiée» Jacques-Laurent Agasse
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