After reading Beyond the Story and learning more about the culture of Kpop, I think Jimin's promotions were exactly what he wanted. I'm talking specifically about the few weeks he spent making music show appearances. He walked the exact path debut-Bangtan walked in the beginning which were the music show performances, Music Bank, Inkagayo...achieving a first 1st place win on those music shows...and appearances on variety shows. Jimin actually won two 1st place wins.
To us OUTSIDE the Kpop world, it all seemed charming and yet expected that he'd want to perform on Korean music shows for K-Army. That was one of the primary reasons for going that route but at the same time he dutifully paid important homage to the expectations/standards embedded in Kpop culture in order to lay down that first stepping stone in his solo career.
At the time BTS debuted, companies were reluctant to keep spending money on producing a group if they did not show these progressive and specific steps.
Perhaps recalling the strong reactions from the kpop world to debut-BTS, Jimin was sensitive to those still waiting for a chance to criticize anything he did. Sometimes wounds leave lasting scars that still twinge now and then.
So Jimin paid his dues as a debut solo artist and gave a respectful and decisive nod to his Kpop idol roots. He earned a rightful place in the eyes of anyone in that industry.
The Billboard #1 was perhaps an unexpected win on top of all that. The #1's on all of the other charts: also extra on top. STILL dominating in his own country.
And now he's moving on. His next step will be bigger. He's coming for you AMAs, BBMAs, Grammys. I can feel it. Let's get it.
There are things that happened (or didn't happen as people wanted them to) surrounding Jimin's album. I am on board with that. But until Jimin says what went down himself, I won't be flying the "company mistreated him" flag. Mistakes? Yes. Incompetence? Perhaps. Shortsightedness? I definitely think so. Online streaming platform manipulation? Sure looks like it. Western music industry sabotage? Absolutely without a doubt. But his own label maliciously cutting him off? No.
Jimin is my bias and I want him to have everything he deserves and I am going to trust that he knows how to handle his own professional career and he does not need my intervention. If he's not happy with something, guess what? He can call Bang PD and tell him what's what. None of us can do that. Let Jimin handle it.
Like Crazy is probably the most queercoded in Jimins songs, right after Filter.
But the song also begins with the pronoun "She's saying Baby come and follow me"
Some fans on Twitter are saying this is a reference to a gf or something.
Whats your take on this?
Hi! Thanks for your ask. Sorry for the delay in replying! And to start, I think it's fairly clear that I don't think Jimin is straight, in my opinion, based off my views. But in that same vein, I think he also likes women. I mean, he has shared previous school crushes on a girl with us. So a "she" in the lyrics of a love song, wouldn't ever really throw me off personally. But that's just me. On top of that, Jimin did share his notes of his lyric writing process for his songs on FACE. And we can see for Like Crazy, his original planned lyrics said "baby" in place of "she." So that probably got changed for a better flow, either he did that himself, or it was suggested to him by RM, Pdogg or one of the other people who helped and gave input to the song. Either way, I don't think it's indicative of a girlfriend or an ex girlfriend in anything factual. But everyone can think what they will and have their own opinions of it for sure.
Now, for me, honestly there is a lot of queer coding through this whole MV and through subsequent performances/choreo/promotions for this song as well. Lyric breakdown can be found here before we go further:
Music Video:
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And my first post about Like Crazy, where I talk about the song as a whole, what I think it's about AND touch on the queerness of Jimins gender expression throughout the MV:
To expand upon that, the choreo is a huge part of that and this person did a pretty good job breaking that down and sharing their theory over the dance too.
On top of in the extra content for FACE, similar references get lowkey pointed out in the FACE Playlist video, both in the LC MV and the Playlist video. Which you can watch here
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During the Set Me Free portion, things line up very similarly to Freddie's "I want to break free" video, where he cross dresses. And for those who don't know, he fairly openly queer as an artist. He was involved with both men and women regardless of never openly stating or confirming his sexuality (that I know of). In the video, we also see Jimin looking through vinyls, including Queen and Nirvana. AND in the LC MV set, we see on the wall writing that says "Set Me Free" "Moon" "Wake" among others AND a Queen sticker too.
I want to break free video:
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He talks and makes references to accepting both sides of himself a lot. It's in his stylistic choices, his art, how he expresses himself. And it's been a repeated theme for AWHILE now and if you aren't seeing it... it's because you don't want to
To get deeper into it, some of the historic queer imagery and iconography Jimin used in this MV specifically and just in FACE promotions in general... would include Philip Johnson, the architect of the Glass House, openly gay and where the term "the glass closet" was coined from. A photo of his is once again in the FACE Playlist video.
Robert Mapplethorpe, his portrait on the jeans Jimin wore through the MV and several images in his photobook I believe too. A photographer specializing in male and female nude works, among other things. Including his most controversial work being his documentation of the gay male BDSM subculture scene.
In the photobook, he is pictured several times in an outfit where he is wearing Jean Paul Gaultier y/series Bodymorph jeans. Specifically he is wearing the "woman" set. The designer Specifically described this series as exploring and playing with the concepts of gender, he liked the idea of there being a mens set, and a womens set and them being able to overlap each other. The bodymorph clothing sets have naked human body prints on them. So!Yoon who recently worked with and is friends with RM (if not friendly with the other members too) also recently wore these in her album release as well. You can interpret him wearing these as you choose of course. I personally think it's speaks fairly clearly to the same things I was talking about above, with him referencing all things gender and how he is leaning into the more typical feminine iconography here with these pants for his softer side of the photoshoot for his album.
I think looking at the designs for both sets also makes it more clear which ahem, set, Jimin is wearing too. Lol and how some of the models are mixing the sets (including So!Yoon wearing the women's set as well in a diff color)
And lastly, while it might not have to do with the album directly, it does involve Jimin and is worth mentioning here as it was lowkey part of album promotions. During the first ever performance aired of Like Crazy on the Jimin Fallon show, Jimin worked with 8 backup dancers and one of them was nonbinary and shared their experience and how comfortable, welcoming, non judged and appreciated Jimin and staff made them feel the whole time. How they got to just be who they were the whole time. It speaks the type of environment Jimin cultivates around himself all the time.
Performance video:
youtube
And during the teaser that was shared of Jimin working on his album with Pdogg and others. They talked about how for 10 months, Jimin basically lived in Pdoggs house. They all just lived together and ate, slept, breathed this album. Lol and in the hallway of Pdogg's house, we see that he has a Stonewall rainbow art piece. Which if that is what that is, is very special to have the education over Stonewall and the support of for that in your home in Korea. I won't speak to it either way, if that is what it is, great. If it's not. I'm just going to enjoy a rainbow in the same shot as Jimin regardless. Lol
Teaser video:
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At this point, there is deep references to historic queer iconography in so much of Jimins art, it's fair to say we aren't guessing anymore. He is as out as he can be without explicitly saying anything. For me personally at least. And no one is owed an explicit coming out from anyone for any reason. If you listen to what he says, what he sings about, what he photographs, what he dances, what he shares with us? It's all right there too see. So plainly. Queer people have always had to talk and listen between the lines. It's there if you want to see it. And it's fair for queer armys and queer people to react and talk about the continuous use of queer icons and imagery Jimin has used over the years. It's not assuming anything. It's just listening to what he is telling us and sharing.
Thank you for the ask. And thanks to anyone who read the whole thing. 💜