#joanna hayashi

[auroragoth]

Haven't seen the sun in weeks My skin is getting pale Haven't got a mind left to speak And I'm skinny as a rail

[vm4vm0]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

WINNER - Ciclope Asia GOLD 2022 - Best Director WINNER - Ciclope Berlin SILVER 2022 - Choreography 1.4 Awards - Flying High, Shortlist, Longlist - Branded

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[montysworld]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

WINNER - Cannes Lions 2023 - FILM | Silver Nominated - the One Show 2023 - Best Director WINNER - Spikes GOLD 2023 - Best Director WINNER - Spikes SILVER 2022 - Best Casting WINNER - Ciclope Asia GOLD 2022 - Best Director WINNER - Ciclope Berlin SILVER 2022 - Choreography 1.4 Awards - Flying High, Shortlist, Longlist - Branded

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[tonimining]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[dliilb]

NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.

Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!

WIEDEN+KENNEDY TOKYO @wktokyo Creative Director Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv Senior Copywriter Nedal Ahmed (ネダル・アハメド) @nedallll Yumiko Ota (太田祐美子) @yuninota Senior Art Director Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa Lead Producer Kosuke Sasaki (佐々木洸介) @kosukelawrence Account Director Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap Account Supervisor Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa Kaede Ose (大瀬楓) @kadesyrup Account Executive Ryu Kaida (海田隆) @ryukaida727 Producers Ty Demura (出村太) @tydemura Yoko Onodera (小野寺陽子) @choco2910 Comms Planning Director Justin Lam (ジャスティン・ラム) @justinclam Comms Planner Joanna Fukae (深江ジョアナ) @joyofu Strategic Planning Director Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw Strategic Planner Rina Deguchi (出口莉奈) @rinadagucci Studio Designer Akane Yasuda (安田茜) @akaa.ne Shotaro Tomiyama（富山庄太郎） Studio Manager Aiwei Ichikawa (市川愛維) Agency Editor Vinod Vijayasankaran (ヴィジャヤサンカラン　ヴィノド) @videovinod PR Midori Sugama (菅間碧) @midorisugama Translator Mako Tomita (富田万木子) Executive Creative Director Scott Dungate (スコット・ダンゲート) @scotty_fingers Managing Director Yosuke Suzuki (鈴木洋介) @mrnobody8695

WELCOME FILM PRODUCTION

PRODUCTION COMPANY AOI Pro. Director Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp Creative Assistant w/ Mack - Kai Sandy Producer Daisuke Misu（三須大輔）@misu_da Director of Photography Mikul Eriksson（マイケル・エリクソン) ＠_mikul Line Producer Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ） Production Manager Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子) Assistant Director Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ) Production Designer Masami Tanaka（田中 真紗美）@masamit0125 Casting Director (for Atarashii Gakko!) Shohei Ueno (上野昇平) @shohey02 Casting Director Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉） Lighting Director Arata Ijichi（伊地知新） Stylist YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Choreographer Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski

STUDY BREAK PRODUCTION

PRODUCTION COMPANY AOI Pro. Director ZUMI（中角壮一）@zoomin.graph Producer Daisuke Misu（三須大輔）@misu_da Production Manager Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳) Director of Photography Shun Murakami（村上 俊）@shun_murakami_ Casting Director Mai Ikeda（池田 舞） Lighting Director Yamato Watanabe（渡邉 大和）@yamato0326_ Wardrobe | Costume | Styling YOPPY（よっぴー）@yoppy0123456789 Hair & Make up PHOEBE（フィービー）@feebz_ Production Design Masami Tanaka（田中 真紗美）@masamit0125

POST PRODUCTION

Editor Sachi Sasaki @ssachi0528 Assistant editor Tomonori Watanabe @_tomostudio Sound Designer Mike Regan (マイク・リーガン) @mikeregannoise Sound Mixer yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴） Colorist Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香） Film Transfer Metropolis Post (メトロポリスポスト) Compositor Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清） FX Artist Naomi Hayashi（林 直美） Animation Takashi Ohashi (大橋史) @ohashitakashi

STILL PRODUCTION Photographer Masumi Ishida (石田真澄）@8msmsm8 Assistant Photographer Ryuji Tamaki (玉城竜次) Retoucher Takuya Tsugane (津金 卓也)

STUDY BREAK - LA TEAM Production Company Couscous @couscous Executive Producer Bear Damen @beardamen Producer Salim El Arja 1st AD Kat Nguyen @katnguyenfilm Line Producer Po-Wei Su @poweisub Production Accountant Neil Engelman Locations Manager Tom Macdonnald DoP Logan Triplett @logan_triplett 1st AC Mike Lemnitzer @hellyeamike 2nd AC/Loader Vinnie Bredemus @vinniebredemus Key Grip Shun Goldin Grip Oscar Matute Audio Mixer Jeremy Emery @jeremyemery Medic / CCO Chris Serafin Driver PA Alessandro Sassi Processing/Scan Fotokem @fotokem_la Dailies Producer David Boito

TIKTOK FILTERS

Illustrator Audra Furuichi（古市オードラ ）@kyubikitsy

[wobster109]

Chopin Comp Prelims - Jul 14

Click to go to master post for explanation and link to all parts

Morning

Joanna Goranko - don't hear this nocturne much. It's not super interesting. My favorite mazurka combination! They sound nice and not overdone. Sunshine etude is light and even. Second etude is also very nice to listen to. Makes me happy :) Strong performance all the way through! Rec: Etude 10-10 (18:50)

Chelsea Guo - I'm loving this outfit - black jacket over green ball gown, looks very fancy and proper. etude 10-11 first time hearing it in the comp! etude 10-12 lol she grimaced. Don't freak out! This etude has too much pedal and isn't totally clear in LH. Nocturne a bit turbulent but chopin nocturnes are just like that! First mazurka has an interesting tone. Something about it sounds very earnest. Rec: Mazurka 33-3 (16:20)

Miyu Shindo - bold program order to end on etudes! This famous nocturne. Nice, very quiet, rumbling bass intro. Nice nocturne. Charming first mazurka. Sighhh the depressing mazurka. It's way slow. It doesn't sound like a mazurka, it sounds like depression. Can't decide if that's a good thing, it kinda fits this mazurka. I think it's too slow/free in timing. Her posture is interesting. Toccata etude basically fine, not sure about the ending. Torrent etude some unevenness in tempo, slower in the measures with large RH reach, and a few wrong notes Rec: Nocturne 48-1 (2:25)

Xu Guo - nocturne melody needs some more depth in tone! Mazurkas fine and unremarkable. Sunshine etude good dynamic contrast but massively muddy in middle section. Thirds etude also not very clear. Too much pedal and blurring. Barcarolle is pretty. Rec: Mazurka 24-2 (12:22)

Katharina Hack - gloomy mazurka time. I see the depressing etude 25-7 coming up later too, sigh. Wrong notes etude WAYYYYYY too much pedal and too slow besides. And it's kinda heavy. This is a really weird performance of it. Revolutionary etude. . . I'm nervous af. Way too much pedal again. Buncha wrong notes. This performance is falling apart and it's stressful. Eliminated. It's the less common ballade 3! I feel like I've heard it few times though. My favorite ballade 2 is prob the least common. Rec: Etude 25-7 (15:25)

Saaya Hara - first mazurka short and fun, good contrast with second. Second mazurka is charming but mega long. Really nice nocturne! Winter wind nice, clear start. Small unevenness. Uh oh slowing down. It's not bad but it's totally being controlled by how fast the rh can go. Wrong note etude fine, a little sedate. Really nice, grand ballade! Rec: Nocturne 27-2 (9:58)

Yukino Hayashi - this nocturne is cool. Octaves etude some notes mashing. Sunshine etude is turning out to be a struggle. A lot of smudging neighboring notes all throughout. Mazurkas are fine, I guess. This ballade is a bit uneventful, a bit inaccurate near the end Rec: Nocturne 62-2 (2:15)

Afternoon Wataru Hisasue - mazurka in g minor sounds bold. this nocturne is pretty. etude 10-10 it's nice i guess? honestly this etude doesn't strike me as super remarkable (the etude not the performance). nice staccato section. etude 10-4 yay I love this one! it's a moderate tempo. actually one of the slower ones i've seen here. it's really clean though. i actually really liked this performance. barcarolle nice but unremarkable Rec: Etude 10-4 (19:53) - A straightforward and clean performance.

Yifan Hou - nocturne is unremarkable. sunshine etude is good. Next etude nice, nice touch. mazurka 59-1 my favorite! thought the rubato was a bit much. next mazurka was fine, I think. Ballade love the gradual buildup to the first fast part. looks like he's having fun with the coda, the ballades do have fun codas :) Rec: Etude 10-8 (8:08)

Wei-Ting Hsieh - i'm really liking this fantasy! interesting to start with it. it's the one with the dancy coda :) nocturne 27-1 this one is kinda uninteresting. my fav mazurka again! Nice performance of it! etude 25-4 bouncy and fun! etude 10-8 right hand sometimes notes not very distinct Rec: etude 25-4 (29:30)

Yun Chih Hsu - this barcarolle again XD only having 6 long pieces is getting meh. mazurka 33-1 don't hear this one much. WHOA this crazy etude 10-1! it's mostly fine and sounds very grand. some missed on some passages throughout. octaves etude is also dramatic but not totally clear. Generally unremarkable performance. Rec: Mazurka 33-1 (18:53)

Kaoruko Igarashi - sigh this nocturne again. etude 10-4 it's not the crispest thing, sometimes sounds like a note is just a smidgen behind. thirds etude was fine i think. I feel like i'm hearing this mazurka for the first time but it's more likely that i can't distinguish them. mazurka in D major is energetic and mega famous. this one was nice. ballade dragging the slow notes out a bit too long and not always clean Rec: Mazurka 33-3 (14:47)

Hana Igawa - nocturne was unremarkable. Etude 10-1 whoo! It's crisp! This is a really nice 10-1! Then right into wrong note etude. this is a pretty popular mazurka. i like this fantasy! has a scherzo-y mood. the fantasy is really nice! Rec: Etude 10-1 (10:30) - A super-clean performance!

Grigoris Ioannou - octaves and winter wind, a showy pair of etudes. this is a nice performance of octaves with good stamina. this is a nice winter wind too! The technique is nice. Middle section loses the phrasing though and is just loud. this next piece, nocturne, this is nice too. this guy has a Sound to him! couple of short and unremarkable mazurkas. the fantasy was nice too! Guess he's not into mazurkas either Rec: Nocturne 48-1 (10:00)

[mudaship39]

Alpha Centurion War: The Battle of the Milky Way Galaxy and the Battle of the Andromeda Galaxy:

Several years later Crimson Chimera or Cardinel Changeling (Alexander Mack Smith/Alexandria Macy Smith) had set up multiple holographic 4d gaming consoles for the Elites (imagine the Teen Titans, Young Justice League, & Legion of Superheroes) and Paragons (imagine the Justice League, the Justice Society of Superheroes, & Doom Patrol combined) members to play. Alexander/Alexandria is also known as the Blue Basilisk, Cardinal Changeling, Crimson Chimera, Emerald Eagle, Firebrick Fire Fox, Golden Griffin, Harlequin Hippogriff, Jade Jaguar, Kobi Kitsune, Scarlet Shapeshifter, Silver Sword Shark, & White War Werewolf. Even with the groups generally quiet other than the alternating yells and shouts the rooms were filled with noises that flowed from the video games that are played on the many holographic game systems. Consequently the opening of the entry ways went totally ignored apart from for the minor jerk of Cardinal Changeling’s sensitive ears. It was more difficult to disregard the beauties that spun over the sofa to accommodate themselves pretty comfortably in Crimson Chimera’s lap their eyes interrupting his/her/their alert stare. Sapphire eyes went wide as they pressed close to him/her/them tracing their fingers along his/her/their jaw while their hands knotted themselves in his/her/their ebony or charcoal hair. The controller began to rumble as Emerald Eagle’s character was shot dead by plasma hard light fire in the first person shooting game but his/her/their concentration was utterly keen to the women who affixed him/her/them with demanding stares. There were minor sulks to their plump lips as sapphire eyes engrossed on them excitedly as they started to shape words. They wooed, “Alexander Smith/Alexandria Smith why do you squander your time with this juvenile entertainment, certainly we can recommend you a much more enjoyable amusement to participate?” He/she/they licked his/her/their lips as his/her/their shadowy stare turned voracious asked, “Oh yeah?” They all grinned idly up at him/her/them as they circled their arms around his/her/their collar and let themselves slide against his/her/their body the rubbing between them sending his/her/their psyche wobbling as their chins came to relax upon his/her/their upper body. They said, “Oh yeah with so many buttons to press and also its online multiplayer with eight or more players,” said his/her/their wives Empress Kulax Kojir, Queen Tahliah Macar (of a country in Europe), Joanna Jacobson, Queen Adriana Acosta (a Catholic Hispanic woman of color who is queen of a country in South America), Empress Iesloria, Empress Breapru, Empress Hleor the Devil Killer, Empress Ohoi Nessars, Queen Diona Artemis Megalos of Greek Mount Olympus (daughter of Ares and Athena), Queen Loran the Godslayer, Queen Carina Akili Ragorio of Roman Mount Olympus (daughter of Mars and Venus), Sultan Nijah Nadra Nadar (a Muslim Middle Eastern woman of color of a country in Southwest Asia), Chieftain and Warchief Ylva Helga Olofsdottir of the Aesir Valkyries (High Queen of the clans of Norway, Denmark, & Scandinavia), Queen Hokulani Kaimana Keali’i (a Chinese and American mixed woman of color Polynesian Hawaiian and Samoan Indigenous Pasifika mixed Atlantean hybrid who rules one of the 9 kingdoms of the empire of Atlantis), Hibiki Hayashi (a Buddhist East Asian Japanese woman of color and Okinawan Indigenous woman who is a fire, lava, & magma elemental), Veronica Veracruz (a Catholic Latinx woman of color who is a water, ice, snow, & frost elemental), & Rashida Bello a Black African woman of color who is queen of a nation in Africa). “That sounds rather enjoyable to be honest,” he/she/they breathed heavily. The controller for the holographic game laid on the sofa disregarded together with a lot of his/her/their environment as his/her/their hands perched on Diona Megalos’s and Kulax’s hips as several people perceived the enlargement of his/her/their razor sharp claws into talons and witnessed some of his/her/their teeth became fangs and canines. It only appeared to stimulate his/her/their lovers  Scir'uil, Kir'els, Litux, Melmih, Falder, & Ollas more as their smirks became wider. Their hands glided down from his/her/their neckline to their collar bone & then down to his/her/their torso. Nevertheless maintaining some consciousness of their environment they looked at the gaping teens and enthusiastic young adults & the confused adults before they whispered to their latest suitor, “It is but we are afraid there is an age restriction of twenty one and over.” “We’re afraid we’ll have to go someplace else to fool around.” He/she/they exploded to his/her/their clawed feet with opposable thumbs and enclosed an arm around the slim midsections of Tahliah Macar and Joanna Jacobson as they both gave a thrilled snort and enveloped their legs around his/her/their waist, securing themselves. Apparently unaffected by the extra burden arched using his/her/their prehensile tail and supernatural flexibility and flipped themselves over the sofa using a quadruple flip like an acrobat worthy of the Flying Graysons and raced out the exit as Hleor, Loran, Scir'uil, Kir'els, Litux, Melmih, Falder, & Ollas flew or ran after them giving each a hooting giggle. Reaching Crimson Changeling’s room first Firebrick Falcon (Jacob Fujioka an Asian person of color) and his partners who were fellow superheroes Chonirs or Charles Lucas Owen Jones (an alien/demigod/magical human hybrid created by Eclipse in a lab from alternate earth version who is the adopted child of Laurissa Owen Maximiliana Jones from another earth), Rebecca Worth, Carolina Steel a demigod, Samantha Cook, & Tabatha Grant a Black Woman of color all stopped to eavesdrop in to verify that they were there they told themselves and they caught the noises of many satisfied feminine moans and an androgynous snigger. Velvety murmurs passed between them and the bed sheets crunched and the bed whined before there were several feminine moans. The three of them flushed crimson and all three of them gave diminutive awkward hops backwards and gave fairly pathetic thumps on the entrance. It was sufficient for them and the noises made by the Cal King size bed stopped though there was a petite whisper followed by a genderless groan from Golden Griffon. “I get that you all are trying with the entire antihero thing but please put the electro steel whip, plasma hard light swords, & the spiked power fists away okay I got this.” There was a grumble followed by severe footsteps across the rug and the entrance was ripped open just sufficient enough to permit a now hard crimson eye, “Firebrick Falcon and Co you are my favorite polyamorous sort of unicorn quad poly couple but weirdly not the only ones I know, but if you do not go away now you will be pulling needles from a giant alien porcupine out of your sorry asses for the next three months, you got that.” “Oh yeah we completely get it, but we were contemplating if we would maybe grab some money for… you know,” they said nervously giving a feeble grin, whispering into his/her/their ear. The stare become softer and a smirk began to pull at the bend of Firebrick Fox’s mouth. “Oh, oh, that is completely okay, give me a moment though.” He/she/they gave them a credit card with so much credit, coin, or dollars on it since he/her/their team was backed by an intergalactic corporation meant to rival Wayne Enterprises, Mercer Corp, Queen Consolidated, Logan Enterprises, Stark Industries, Luthor Corp, & Dayton Industries combined. “Got it, is there something else, or are we good to go?” His/her/their mouth opened to propose a answer when he/she/they were abruptly pulled back into the gloomy room and Joanna Jacobson’s, Adriana Acosta’s, Iesloria’s, Breapru’s, Hleor’s, Nessar’s, Diona Artemis Megalos’s, Loran’s, Hibiki Hayashi’s, Veronica Veracruz’s, Nijah Nadra Nadar’s, Carina Akili Ragorio’s, & Rashida Bello’s visages materialized for a moment as they hissed, snarled, & growled, “You’re good, now go away.” The barrier quaked as they slammed the access shut. “I slept with Hleor, Loran, Scir'uil, Kir'els, Litux, Melmih, Falder, & Ollas  for a few days with my supernatural stamina and endurance.” 

Hleor the Devilkiller (wearing panties, her plaid flannel, & his/her/their size Men’s large t-shirt that had the superhero crest of Crimson Changeling) tilted her body forward abruptly experiencing an anxious tremble in her torso. She was tranquil so what was this anxious emotion. Shoving the symbolic butterflies out of her mind she breathed in through her nose to keep herself firm. The scented cologne of her consort and lover filled her mind. It was a dampened forest or jungle fragrance. It was truly quite pleasant. Crimson Chimera or Cardinal Changeling’s heart was zooming in his/her/their chest and his/her/their palms were clammy. Not that you could discover that thanks to the fingerless black and red combat gloves he/she/they always wore but he/she/they were anxious. With a deep gasp for good fortune he/she/they leaned closer to the half alien titan/half greco roman goddess and breathed in her lavender aroma. Their noses caressed touching each other for a concise instant before one head tilted left and the other slanted right. Lips coupled soft, hesitant, supple, & motionless. Gradually Crimson Chimera or Cardinal Changeling positioned his/her/their right clawed hand on Hleor’s cheek. His/her/their opposable clawed thumb was stroking gently across her skin. His/her/their left clawed hand that was still on her knee rose up her thigh. It followed the trail of her leg up to her hip twisting around to the small of her back. With care he/she/they pulled against her against himself/her/themselves and started to move the kiss. With their lips partaking in what appeared like a dance Hleor was at ease. She felt contented all of a sudden and pushed into Cardinal Changeling. She opened her hand up as she felt the solidity of the shapeshifter’s, metamorph, & or changeling’s torso. He/she/they were really muscular from his/her/their work as an Elites and Paragons ember. He/she/they were not buff fit but lean and toned fit in a gorgeous way. Goosebumps popped up her limbs as she sensed his/her/their clawed hand on the back of her collar. Yearning to feel closer to him/her/them she slid both hands up Crimson Chimera’s trunk. One arm draped near the back of his/her/their collar and the other slid into his/her/their long supple black hair. She gaped at its touch as she enfolded it around her fingers. This came logically to them how they matched mutually and reacted to each other’s contact. There was nothing embarrassing or uncomfortable. There was nothing for them to feel worried about. So they just did what they sensed was correct. It definitely felt marvelous. Feeling a bit more daring Hleor carefully parted her lips and reacting almost as if second nature. Alexander Mack Smith/Alexandria Macy Smith slid his/her/their tongue beside hers. She let out a little pant eyes opening for a moment before closing once more. Their tongues enveloped around each other. They were sharing saliva as if they had done it a billion times before. Alex Smith/Lexi Smith tousled his/her/their fingers within the thick, long, black locks of his/her/their partner as he/she/they detached his/her/their lips from hers and positioned them on her cheek. Panting deeply he/she/they pecked small kisses along her cheek and down her jaw. He/she/they were trying to recuperate his/her/their breath back. In reply Hleor slanted her head to the side revealing her slim neck. Bursting with unadulterated impulse he/she/they kissed her collar to the curve of it. There he/she/they gave a diminutive pinch which she gave off a minute pant as a response. Placing his/her/their lips around the minute mark he/she/they started to suck at the skin earning a few additional gasps and even a feminine whimper from his/her/their very tall consort, lover, & partner who is 7’1”. Smirking touching her skin he/she/they opened his/her/their eyes to idolize his/her/their creation. Hleor the Devilkiller at 7’1 is very tall compared to Cardinal Changeling at his/her/their unlocked male form at 5’11, his/her/their unlocked female form at 6’3” (their locked female form is 6’1”), his/her/their unlocked nonbinary form at 6’5” (their locked nonbinary form is 6’3”), & his/her/their unlocked genderfluid form at 6’8” (their locked genderfluid form is 6’5”). Swiftly two hands were on his/her/their cheeks clutching both sides of his/her/their face. He/she/they were tugged to be parallel with Hleor’s crimson blazing eyes. For a momentary moment he/she/they very worried that he/she/they had pushed too much. But that idea was scattered once her lips were crashed back into his/her/theirs drawing out a feminine moan from him/her/them since were now in his/her/their 6’3 female form. This kiss was more intense and more passionate. The two of them fought for supremacy. Her tongue knotted with his/hers/theirs. Her fingers were sinking into his/her/their scalp. His/her/their clawed hands tangled into her hair. Both of their panting was intense though their noses. The passion and the yearning were in the atmosphere. Any creature would have been capable of smelling it. His/her/their canines DD (an alien wolf), White Fang (a hellhound), & Dogmeat (a dire wolf) certainly did. Running her hands down his/her/their collar Hleor tore at the neckline of Alexander’s/Alexandria’s red and white superhero outfit and red and black combat armor. He/she/they moaned as she exposed the terra cotta or beige skin of his/her/their collar and shoulder. The half Greco Roman goddess/half alien titaness ran her tongue, lips, & teeth down the changeling’s neckline. She tried to do to him/her/them what he/she/they had done to her prior. Alexander Mack Smith/Alexandria Macy Smith gave a bottomless, throaty whine as his/her/their skull was forced to the side. How had it gotten so harsh and carnal? Then he/she/they then recognized they were fueling each other’s primordial, lustful, & animalistic passions. He/she/they had no issue with that at all. He/she/they basked in the sensation of her teeth in his/her/their skin. He/she/they were feeling the nip and recognizing she had broken skin essentially made him/her/them whimper a masculine groan as he/she/they were now in his/her/their 5’11 male form. Hleor could experience the rusty, temperate fluid that leaked from the bite mark she made. She cautiously she ran her tongue over the broken skin. Gulping his/her/their blood, was that a bizarre thing to do. He/she/they didn’t react unenthusiastically so she assumed it was satisfactory. Thinking back she recalls a piece of her skin being pulled into his/her/their mouth. Whatever he/she/they had done she enjoyed it and wanted to return the favor. Carefully she positioned her open lips against his/her/their collar and sucked in as she recalled him/her/them doing. This reaped an additional whine one she reasoned implied she was doing marvelously. She continued to suck and pinch at the mark until it was scarlet and faintly engorged. Once he/she/they realized Hleor had effectively given him/her/them a hickey Alexander/Alexandria dragged her face back against his/hers/theirs their engorged lips pushed jointly as their teeth smashed. He/she/they by no means wanted this instant to finish but unfortunately it would have to. With a grave spirit he/she/they slowed his/her/their attack on the crimson eyed and charcoal haired half Greco Roman goddess/half titaness mouth. She repaid an action of a cool down. Quickly they were back to where they started with tender delicate movements of their mouths touching each other. Just because they were slowing down did not signify they had to end. The noise of a door opening dragged the half goddess/half titan and the shapeshifter out of their make out session. He/she/they were both gasping deeply they both turned back to where the distracting sound occurred from. In the passion of their lip-locking the two had neglected to hear the door opening. Standing in the doorway of his/her/their bedroom with open mouths and wide eyes were his/her/their consorts and lovers. Crimson Changeling blinked slowly at his/her/their other partners and spouses holding in a breath as he/she/they scrutinized them examining him/her/them. His/her/their tresses were a clutter, disheveled, & tangled. His/her/their lips were puffy and aching. His/her/their lips and neck were evenly enveloped in the lipstick. His/her/their costume and combat armor was in tatters and destroyed to reveal the side of his/her/their collar and shoulder of his/her/their torso. Across the perfect terra cotta and beige skin were nibble marks, blood, & an incredibly enormous discoloration like hickey. Hleor was not as tense as her lover and consort but she comprehended she looked like a mess. Her locks was worse than Crimson Chimera’s as it was all knotted and disheveled everywhere, her neck was cluttered with bite marks, blood, & a solitary hickey rested on the skin of the curve of her neck (from Alexandria’s/Alexander’s teeth, canines, & fangs that can tear apart materials stronger than diamonds). “Next time Lexi/Alex wait for us,” said his/her/their wives and partners. “Lucky,” said his/her/their lovers. For some reason Kir’els, Litux, & Scir’uil all radiated a livid and covetous scent. But that couldn’t be right. The three of them weren’t interested in him/her/them at all.  Scowling at the Hleor the three of them all made noises of contemplation and crossed their arms over their torsos. Litux, Scir’uil, Kir’els all fought the desire to stare at Alexander Mack Smith/Alexandria Macy Smith with his/her/their appealing physique, in his/her/their 6’3” unlocked female form with a lean and toned stomach with terracotta and beige skin that flared into wide hips and her remarkable bust. Ever since their initial conference they had to acknowledge to themselves that he/she/they was extraordinarily gorgeous but also completely frightening even to an Apex who were World Killers on blue sun or red k steroids like them or an alien female immortal like her which was really saying something. He/she/they were absolutely frightening with his/her/their ivory and scarlet costume, intimidating with his/her/their threatening crimson and ebony combat armor, & menacing with his/her/their ruby and charcoal power armor. He/she/they were also utterly petrifying with his/her/their aggressive and cruel personality that he/she/they used to wipe out entire armies of super soldiers similar to Green, Yellow, Blue, Red, Indigo, Orange, Pink, Black, & White Lanterns combined to save Breapru. “It’s incredible that transcendent ascended devil lord and demon general Zer’us and Daron the alien God of Tyranny are both afraid of that superhuman and metahuman.” “With Alexander Mack Smith/Alexandria Macy Smith they both have an inborn fear that is beyond their control.” “It has been a while Saturn since I gave you those claw marks on you face and it has been awhile Cronus since I gave you that sword slash on your chest with a titan slayer halberd spear.” “You already know the difference in power between us,” he/she/they said as he/she/they released part of his/her/their true power and both of them felt an immense pressure and they both shook in fear, “that is why I spared you.” “Cause Lori didn’t want me to murder her great grandfathers.” “However I warned you then that if you’d harm anyone again that I would kill you.” “Even if you would pay me a trillion dollars even then I would not fight Alex/Lexi.” “It takes a monster to destroy a monster,” said Alexander/Alexandria, “but if the monster always dies at the end of the story then why am I still alive.” They were rather sure that his/her/their alien lovers all had some sort of desire to die with the manner they incessantly taunted and teased him/her/them, taking calming breaths and intentionally turning their heads away from the rather exquisite genderfluid person.

[borntoreignrpg-blog]

                             INFORME ADMINISTRATIVO.

Antes de continuar con lo que hacías, echa un vistazo a nuestro resumen semanal para mantenerte actualizado con respecto a todos los cambios ocurridos recientemente en el roleplay. ¡Sigue leyendo!

( RECUENTO )

→ Cantidad de personajes actuales: Noventa y ocho (98). → Reservas vigentes: Tres (3)

Alberto Rosende.

Joanna Marie.

Tarjei Sandvik Moe.

→ Reservas caducadas: Dos (2).

Tyler Young --- Australia, CUPO 3.

Emilia Clarke --- Islandia, CUPO 1.

→ Cuentas pendientes: Tres (3).

Svana Soffía Dragnýrdóttir.

Frey Úlfur Dagnýrson.

Vitaliya Ekaterina Ickova.

→ Audiciones por aceptar: Una (1).

Collin Osric Ellingham.

↓ LINKS DE IMPORTANCIA ↓

MASTERLIST — USUARIOS — FACECLAIMS OCUPADOS  — CUPOS TOMADOS  — LISTA DE HIATUS — AUDICIONES ACEPTADAS  — RESERVAS — MOST WANTED.

( ÚLTIMAS INCORPORACIONES )

→ Asegúrate de seguir a:

Vitaliya Ickova — Heo Seohyuk — Heo Joonhyuk — Callahan Fairburn — Hella Thygesen — Viktor Cvetkov — Florent Leblanc — Jákob Bacsalek

( SALIDAS )

→ Deja de seguir a:

Hayashi Haruka — Farhan Belgavi  — Jung Jae-Hyun — Kwoun Sun-Jung — Himura Kaito — Arrabella Kovalenko — Sadie Eberhardt — Friedrich Eberhardt — Lea Vershcek — Istvan Bacsalek — Leonore Ellingham — Pietro Denucci — Genevieve Levangie  — Hans Eberlein — Kwoun Jun  — Kaleena Gwozdek — Guinevere Ellingham — Jesper Thygesen — Astoria Asoáin 

→ Rostros liberados:

Nakamoto Yuta — Rajiv Dhall — Byun Baekhyun — Kim Jennie — Lee Taeyong — Taylor Hill — Kat Mcnamara — Charlie Hunnam — Rita Volk — Baptiste Radufe — Natalia Dyer — Thomas Hayes — Shelley Hennig —  Park Chanyeol — Amber Heard — Gemma Arterton — Garrett Hedlund — Crystal Reed

→ Cupos liberados:

Japón (CUPO 1) — India (CUPO 3) — Corea del Sur (CUPO 4) — Ucrania (CUPO 4) — Alemania (CUPO 3) — Alemania (CUPO 1)  — Eslovenia (CUPO 2) — Hungría (CUPO 3) — Inglaterra (CUPO 4) — Italia (CUPO 4) — Canadá (CUPO 2) — Suiza (CUPO 4) — Corea del Sur (CUPO 2) — Polonia (CUPO 1) — Inglaterra (CUPO 1) — Dinamarca (CUPO 2) — España (CUPO 3)

( EXTRA )

→ TAG DE STARTERS: #borntost

               La administración de BTR agradece su atención. ¡Buenas noches!

[fardell24b]

Rise of Weirdness - Part 52

July 10, 2081

Hephaestus announces that 'Star Gypsies' are welcome in their space.

July 13, 2082

The Philippine Government announces that Humanity Best has been driven off Mindanao.

July 24, 2083

Treaty of Aldebaran. Elven States of Aries, Dwarven States of Erebor, The Imperium of the Hyades and the Canis Minor Alliance, agree to divide the Near Pleiades peacefully.

April 18, 2084:

Pope Benedict XIX launches an encyclical banning marijuana as "the devil's weed", sparking tensions in the Roman Catholic Church,...

August 29, 2084:

State of Aphrodite led by (insert name here) shocks the international community by declaring "War on Patriarchy" targeting leaders such as (insert names here), sparking civil unrest and violence,...

September 22, 2084:

Zombie uprising occurs in the Valley of Mieres, Catalonia, fueling a massive humanitarian crisis across Western Europe,

July 6, 2084:

Prisoners at the penal facility in Prato, Italy report a visitation by the Virgin Mary, sparking international attention and concern,...

July 29, 2085

Terrorists use Metz Effect weapons in Xanthe, Aphrodite, stoking tensions throughout the Southern Hemisphere.

April 10, 2087:

Islamic fundamentalists proclaim the independent state of Astrakhan in the Caucasus, fuelling the collapse of the Soviet state,...

April 21, 2087:

Honshu Disaster; zombies launch a massive uprising in Ishikawa, threatening to spread nationwide,...

April 23, 2088:

Medical officials in Lima, Peru report the first case of "Hayashi-Dominguez Hyper-Progeria" (HDHP) disease which triggers rapid aging; American corporations use the disease to promote life-extension technology,...

April 27, 2088:

Anti-keiretsu/zaibatsu sentiment erupts in riots in Ishikawa, Japan; corporate officials blame "Transformed sabotage",...

June 4, 2088

In South Africa, Elections are held for the first time in years.

June 6, 2088:

Russian expatriates and Ukrainian forces launch an armed uprising at Koliyivshchyna, launching into Offworlder space triggering civil unrest in the region,.

November 4, 2089:

Stock Market collapses in San Francisco amidst growing unease and lack of political control displayed by the United Nations or members of the Security Council to deal with Humanity First and other human supremacist organizations,....

March 2090

By this time improvements have been made to the FTL drive such that the average cruising speed is 2920c (eight light years in a day).

February 4, 2090:

Battle of Samarkand; Islamic fundamentalist forces move further into Central, further the collapsing hold of the Soviets to maintain the region,....

January 2, 2092:

Granada Uprising; City of Granada, Spain announces its secession via the "Greater Exodus", triggering civil unrest across Western Europe,...

June 8, 2092:

Offworlder colonies are placed in a financial crisis, after Earth government officials announce a crackdown on businesses and corporations affiliated with the illegal spells and potions trade across the solar system, sparking international attention,....

January 9, 2093:

Military forces in Cuba, Haiti, and the Dominican Republic report attacks by mermaids, fueling international tensions throughout the Gulf of Mexico and the Caribbean Sea, fueling Transformed-Human political tensions,....

May 1, 2093:

Andean Confederation President Felipe Huayana Capac calls for Transformed acceptance and rights in Lima, sparking international attention,...

May 4, 2093:

Treaty of Alameda; World leaders led by Erina Charleston, Veronica Frost and Thomas Ballard divide interstellar space for colonization at Alameda, California, sparking international attention and concern,....

June 8, 2093:

Tensions mount as archaeologists led by Jerome and Fiorella Collingwood in Nairobi, Kenya report the discovery of extraterrestrial artifacts that suggest that humanity may have been magically created, sparking international controversy,...

February 5, 2094:

Lithuanian forces announce massive territorial gains after secession from the remnants of the former Soviet State, sparking international attention....

August 11, 2094:

Collapse and retreat of Soviet-backed forces in Armenia and Azerbaijan at Otlukbeli, further signaling the Soviet collapse,...

September 14, 2094:

Alexander Pugachev leads the overthrow of the Soviet government in a democratic revolution in Moscow, sparking international attention and concern,....

November 23, 2094:

Offworlder colony (insert place here) led by (insert name here) emerges as a major capital gambling,...

December 1, 2094:

Patton's Law; Governor Edward Patton passes legislation stating that lunar states can't pass legislation without the prior consent and approval of the United Nations General Assembly or the President, sparking tensions within the region,....

August 29, 2095

Stock Market collapse in Armstrong City, beginning the Lunar Depression...

January 10, 2096:

Freedom in the Milky Way by Deepika Kaur serves as the chief treatise/manifesto proclaiming the need for liberty in the post-First Contact world,....

June 1, 2096:

Ukrainian independence is proclaimed by nations in the Crimea, signaling the collapse of Soviet access to the Black Sea, sparking international concern,....

June 3 2096:

Cetian Bloc of Colonies declares independence from the Earth government, led by Amanda Whitman, Thomas Wilde and Robert Neverton, sparking concerns of an escalating crisis in the region,...

November 18, 2096:

Offworlder colony (insert place here) establishes a lottery to finance its revolutionary aspirations,...

September 21, 2097

Soviet forces recapture Samarkand.

March 17, 2098:

Treaty of New Orania; Centauri officials led by Parminder Singh announce their alliance with Offworlder colonies and the Transformed populations, sparking international attention and concern,....

July 1, 2098

A majority of Humanity, whether Bland or Transformed lives more than 10 light years from Sol/Arbol.

February 24, 2099:

Scientist Joanna Bailey of Aphrodite, publishes her theories of "Quintessence" and 9-dimensional space in Heidelberg, Germany,...

April 2100

By this time improvements have been made to the FTL drive such that the average cruising speed is 3285c (nine light years in a day).

April 15, 2100:

Earth's government reports that the economy accounts for 25.09% of the overall Human-occupied space,...

June 29, 2100

Protests against Patton's Law are held in Armstrong City.

July 14, 2100:

Lithuanian forces crush Russian forces at Vedrosha, further increasing territorial gains, fueling concerns across the globe,...

September 29, 2100

Freedom in the Milky Way is banned on Nova Roma.

November 4, 2100:

Sendero Luminoso Revolution; Shining Path launches a socialist revolution in Cuzco, in an effort to "restore indigenous peoples' rights"....

[midnightfallshq-blog]

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OOC INFO

Name: Mo/Morgi

Age: 25+

Timezone: EST 

Pronouns: She/Her

CHARACTER INFO

Name: Holland “Holly” Brair Hayashi

Age (both real age & appearance): 24

Species: Werewolf

Faceclaim: Momo Hirai

Gender: Female

Sexuality: Straight

Biography (give us 1 - 2 paragraphs about your character, including anything in their backstory which could be triggering or any major plots in their backstory): 

Holly was born to two first generation Japanese American parents, though her life was anything but the normal life living in America especially as a child. Her mother was all around there, caring for her and a huge constant but her dad was in and out and life was hard for her mother in Holly’s first year. So much so she needed the aid of something and joing the military was just that. When Holly was two, her mom and her were moved to Osaka on their military base. Holly fit right in with all the kids on the base and it was a dream come true for some time till Holly’s fifth birthday. A week after the moon was at it’s fullest and her mother was brought to the realization that any normalcy her daughter would have would be hard. Her dad after was the alpha of a pack and her mother was human. Holly was a product of a little too much alcohol and not enough common sense on her mother’s part at least. Her father had an innate need to produce as many kids as possibly only due to the ever growing threat to his kind and certainly his pack.

For some time Holly was able to control herself to some degree with her new born werewolf tendencies, with the aid of some local wolves that her mom had been in contact with Holly seemed to grow into it with ease, though it was clear she was missing something, a pack of her own. After some time her mother agreed to send her to live with her father’s pack and it was all said and done. Though it wasn’t the dream Holly wanted. For some time she was favored in the pack by her father, she was the eldest girl only having one older brother and two younger sisters. It was clear Holly had a strength in her that wasn’t just physical and her father was very prideful of her, causing anger in her half brother. One day his brother challenged their father for Alpha status, killing him only after a few minutes, enraging Holly who refused to call him Alpha she waged her own challenge and though she stood her ground longer she proved no match to her brother and she was left for dead as he moved the pack on. What he didn’t expect was for Holly to live, nor another pack member to get her to safety and to another pack. After some time and a lot of care Holly was fully healed but she felt empty with out her family. Even the new pack she was a part of seemed lacking.

A face from the past seemed almost magical as the pack member of her father’s appeared and it was almost a dream to see the man who rescued her, but all was in vein, nolstalgia playing a huge part, it was clear they weren’t bonded nor did either really feel that way for one another but a couple of weeks left Holly pregnant and unprepared as she really had no place to go. Rhett got her to a safe place though once again alone because her brother seemed to sense she wasn’t dead, causing Rhett to leave in order to lead her brother far from her and Holly alone again. Midnight Falls became her home though after giving birth to Joanna it was clear her top priority was her daughter even as a single mother she was sure she would raise Joanna right and safe away from a lot of things as she is weary of both humans and werewolves a like though interested in a lot of other species. She works at the book store in town and favors that just as much because even as a werewolf she has a very calm demeanor. There isn’t anything she wouldn’t do for Joanna either she is one fiery mother wolf if tempted.

[auroragoth]

moved in with Jo’ to Strangerville

[1handedecon]

FEDS 2017-100: Faster Payments: Market Structure and Policy Considerations

Aaron Rosenbaum, Garth Baughman, Mark Manuszak, Kylie Stewart, Fumiko Hayashi, and Joanna Stavins | The U.S. payments industry is in the process of developing ubiquitous, safe, faster electronic solutions for making a broad variety of business and personal payments. How this market for faster payments will evolve will be shaped by a range of economic forces, such as economies of scale and scope, network effects, switching costs, and product differentiation. Emerging technologies could alter these forces and lead to new organizational arrangements or market structures that are different from those in legacy payment markets to date. In light of this uncertainty, this paper examines three hypothetical market structures that may emerge: a dominant-operator environment, a multi-operator environment, and a decentralized environment. Each of these market structures has different implications for the public policy objectives of efficiency, safety, and ubiquity. The paper also considers tools to promote positive outcomes in each market structure. from FRB: Working Papers http://ift.tt/2y3JyIn via IFTTT

[auroragoth]

winter night wedding 💐

and a paparazzo ruining everything!!

[auroragoth]

Bret took the opportunity of this outing to ask JoAnna for her hand

[auroragoth]

stopped by Bret’s on the way home and learned that his mom had died too

[auroragoth]

Once Tatiana was back, the family went to Strangerville to meet Bret’s newborn baby, Rocco.