(for anyone who is curious what the hell is this strange crossover and why):
Kenichi Matsuyama played both L and Johannes Krauser II
Well, it's funny idea for me that "When I was [Light's] age, I did strange things, too" means that L ran off Watari's wardship in age of 17 and went to Japan for creating Swedish pop lol. And then life hited him so hard that he had to go back
Sorry~ ╮(๑•́ ₃ •̀๑)╭
(this stupid idea haunted me since middle school, and i did a few more sketches when i was small, but you all don't deserve to be cringed THIS hard, because i care about you ;3)
Oh, and this (tries not to get caught lol):
(I took it from this video, thanks to sarnin8535 for uploading it!)
(Also, I used the texture of brick wall from internet 👉👈)
Sometimes a family is a red demon with a soft spot for cats, his depressed girlfriend who can set herself on fire, a magic fish man, a ghostly smoke man living in an old school cyberpunky mariners suit thing, their boss who lives in a constant state of being done with this shit, and the unborn human/demon hybrid twins of the first two.
In the summer of 1784 Eugene Anifas married his longtime sweetheart - Henrietta Otalbo.
As the only daughter of a local shepherd Joseph thought Eugene Anifas could marry someone of higher statue, but Eugene Anifas put his foot down very gently and persisted in getting engaged to her.
The wedding was held in early summer, with the Park home decorated with every sort of flower the family had managed to get their hands on.
And even if Joseph didn't agree with Henrietta being a "mere shepherdess", no one could deny that the bride was simply stunning on her wedding day.
It truly was a very happy day. The first wedding for one of the Park children, the addition of a sweet wife to the family.
And yet.
And yet.
And yet as Théo watched the celebrations, she could feel a spiraling lump that had lived in her chest since the day of the engagement moving up into her throat.
Her eyes stung and she kept having to force herself to take calm, slow breaths.
In the end she couldn't contain it any longer, and she wandered away from the main party to seek relief in the mild summer darkness.
She wasn't entirely sure how she ended up there, but she found herself at the old bench that she had played around so much as a child and teen, and once there she finally sank down and began to cry.
Hans Hermann von Katte: Main accomplice. Beheaded on the 6th November 1730 in Küstrin.
Peter Christoph Karl von Keith: Main accomplice. Deserted on the 6th August 1730 from Wesel to England. "In effigie" hung. Came back to Prussia when Fritz became king in 1740.
Johann Ludwig von Ingersleben: Knew about Frederick's relationship with Doris Ritter. Was arrested on the 1st September 1730. He was condemned for confinement in a fortress for six months.
Alexander Sweder von Spaen: Knew about Frederick's escape plans. Was arrested on the 1st September 1730. He was condemned for confinement in a fortress for three years.
OTD in Music History: Composer and conductor Johann Strauss II (1825 – 1899) is born in Vienna.
Over the span of a long lifetime spent largely before the public, Strauss II – who led his own private dance orchestras and was also one of the most famous conductors of his day – composed over 500 original waltzes, polkas, and quadrilles, as well as several operettas (most notably “Die Fledermaus” in 1874) and a ballet.
Strauss II was known as "The Waltz King", and he was largely responsible for establishing the primacy of the waltz as the predominant popular dance form across Europe in the 19th Century.
Some of Strauss II’s most famous works in that vein include "The Blue Danube" (1866), "Tales from the Vienna Woods" (1868), and "Frühlingsstimmen" (“Spring’s Voice”) (1882), and the "Kaiser-Walzer" (“Emperor Waltz”) (1889).
Even though he almost exclusively wrote “light” music, Strauss II was widely admired by other prominent composers. Richard Wagner (1813 – 1883) once admitted that he liked the waltz "Wein, Weib und Gesang" (“Wine, Women and Song”), and, in the course of composing his famous waltz series from his opera “Rosenkavalier” (1911), Richard Strauss (1864 - 1949) – unrelated – remarked: "How could I forget the laughing genius of Vienna?"
The most touching anecdote in this regard comes down to us thanks to Johannes Brahms (1833 – 1897), however, who was a close personal friend of Strauss II. Strauss II’s, wife, Adele, once allegedly approached Brahms with a customary request that he autograph her fan. The usual practice at that time was for a composer to inscribe a few measures of his best-known music, and then sign his name. Brahms, however, inscribed a few measures from the "Blue Danube," and then wrote beneath it, "Unfortunately NOT by Johannes Brahms."
PICTURED: A c. 1900 real photo postcard, showing the middle-aged Strauss II at the height of his powers c. the 1870s.