i go a little feral every time i remember that john canonically sees mary in sam. the way he looks at sam sometimes….head in my hands
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is the supernatural fandom alive on here? cause ive got some yummy things in mind and i want you all to see it!
my october event is coming soon, will probably publish the master list sometime next week and I will update my current master list as well.
i know i said im stepping back from jjk, that is true, but ill probably still write about it during the october event. stay tuned! and for those that requested something in my inbox, ill get to you soon my hunnibuns!
until next time, ciao.
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@destielomegaversebigbang Art Post
Author @crematosis
Illustrator @spn-fanfic-reblog-writes
Rating: Explicit
Pairing: Castiel/Dean Winchester
Summary: As an omega, Dean has always had to work harder than anyone else to be taken seriously as dragon slayer. Castiel might be a bigger dragon than most, but Dean's still confident he can take him down and prove his worth. The whole plan falls apart when Dean discovers Castiel isn't actually interested in fighting him.
Link to fic (ao3)
NSFW Art below the cut
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spn season 1 is so funny. they made the main plot line finding sam and dean’s missing father. but like. the guys not missing. he’s just avoiding them.
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Parents that downsize/move when their kids go to college to discourage them from moving back in. John Winchester getting a two-seater pickup truck after Sam went to Stanford and giving the Impala to Dean. Much to consider.
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I love early seasons supernatural aesthetics so much. The isolated highways, funky motel rooms, neon signs, shiny guns and shiny cars, leather jackets, old books, through a film camera lens in seasons one and two, makes for such a specific atmosphere. It transfers the isolation Sam and Dean experience so well, cramped into the seats of a 67’ Chevy impala, claustrophobically un-alone while individually lonely. The nasty, sometimes created with horrible special effects, monsters really do look monstrous, unsettling more than outright terrifying. With yellow eyes, in dirty clothes, glitching and pale. The whole colour palette is grey-ish and cold, you almost feel the contrasted darkness, the distrust, the nagging belief that something wicked may be hiding behind every corner, behind every corner of your own self as well. Idk. The blood looks dark, the sulfur looks sickeningly yellow, the skin looks unnaturally pale. It’s all so horror-coded, and gives such an atmosphere of instability in your own existence in the world, which aligns with the themes of the seasons. This atmosphere, to me, makes it a better horror show than if it had had better special effects and scarier monsters. Because the horrifying is in the daily existence, in how you are, rather than what you face.
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