#joseph c phillips

[itsmyfriendisaac]

Strictly Business: an uptight real estate executive becomes tongue tied when he lays eyes on Natalie, a beautiful party promoter in Manhattan. Waymon recruits Bobby from the firm's mailroom to help introduce him to the woman of his dreams!

[narcobarbies]

on this day in 1996, family and friends gathered to say goodbye to mary mae ward

general hospital

[africanamericanreports]

Clark Atlanta University (CAU) has announced that actor, author, columnist, commentator, and sought-after speaker Joseph C. Phillips has joined the University as a professor in Theatre and Communication Studies.

[cyarsk5230]

HALLE BERRY & JOSEPH C. PHILLIPS Strictly Business (1991), dir. Rolando Hudson & Kevin Hooks

[superghfan]

One of my favorite performances. Mary Mae Ward (Rosalins Cash) and the “Pips” (Joseph C. Phillips, Jonathan Jackson and Tony Geary) singing “Midnight Train To Georgia” at the 1995 Nurses Ball!

[ghclassic]

[free-for-all-fics]

Obscure Characters List - Male Edition

Obscure Characters I love for some reason. (By obscure I mean characters that have little to no fanfic written about them. Not necessarily characters nobody’s ever heard of.) Don’t ask me to explain why.

A

Abraham Alastor/Anthony Clarke (Dark Pictures Little Hope)

Adam (Abraham Lincoln: Vampire Hunter)

Adam (Hallmark Frankenstein 2004)

Al Capone (Night at the Museum)

Alan McMichael (Crimson Peak)

Alec Fell (Nancy Drew, The Silent Spy)

AM (I Have No Mouth and I Must Scream)

Amphibian Man/The Asset (Shape of Water)

Anthony Walsh (Blood Fest)

Anton Herzen (Professor Layton and the Diabolical Box)

Ardeth Bay (Mummy series)

Armand (Queen of the Damned 2002)

Armando Salazar (Pirates of the Caribbean 5)

B

Barnaby (Sabrina Down Under)

Baron Humbert von Gikkingen (The Cat Returns)

Baron Meinster (Brides of Dracula)

Beast/Hank McCoy (X-Men, Kelsey Grammer version)

Beast/Prince (Beauty and the Beast 2014)

Ben Willis (I Know What You Did Last Summer)

Bernard the elf (Santa Clause series)

Black Phillip (The VVitch)

Blade (Puppetmaster series)

Bughuul (Sinister 1 and 2)

C

Caliban/John Clare (Penny Dreadful)

Captain Frederick Wentworth (Persuasion)

Captain James Hook (Peter Pan 2003)

Cedric Brown (Nanny McPhee)

Christian Thompson (Devil Wears Prada)

Colonel William Tavington (The Patriot)

Cornelis Sandvoort (Tulip Fever)

Crown Prince Ryand'r/Darkfire (DC comics/Teen Titans)

D

Daniel Le Domas (Ready Or Not)

Death (Final Destination series)

Dimitri Allen (Professor Layton and the Unwound Future)

Dimitri Denatos (Mom’s Got a Date With a Vampire)

Dustfinger (Inkheart)

Dr. Alexander Sweet/Dracula (Penny Dreadful)

Dr. Gregory Butler (Happy Death Day 1 & 2)

Dr. Manhattan (Watchmen)

Driller Killer (Slumber Party Massacre 2)

E

Edward Gracey (Haunted Mansion 2003) 

Edward Mordrake (Urban Legend/American Horror Story Asylum)

Edward/Eddie “Tex” Sawyer (Texas Chainsaw Massacre 3)

Elemer of the Briar (Elden Ring)

Erik Carriere (Phantom of the Opera 1990)

Ethan (Pilgrim 2019)

F

Father Gascoigne (Bloodborne)

Faustus Blackwood (Chilling Adventures of Sabrina)

Fegan Floop (Spy Kids trilogy)

Fox Mask/Tom (You’re next)

G

George Knightley (Emma)

Ghost/Mitch (Haunt 2019)

Godskin Apostle (Elden Ring)

Godwyn the Golden (Elden Ring)

Gold Watchers (Dark Deception)

Greg (Bodies, Bodies, Bodies)

Grim Matchstick (Cuphead)

Gurranq Beast Clergyman (Elden Ring)

H

Henry Jekyll/Edward Hyde (Broadway, Rob Evan version)

Henry Sturges (Abraham Lincoln: Vampire Hunter)

Hugh Crain (Haunting of Hill House, the book and 1963 film. Not the Flanagan show or 1999 movie remake)

Hugo Butterly (Nancy Drew, Danger by Design)

I

Ingemar (Midsommar)

J

Jack Ferriman (Ghost Ship)

Jack Worthing/Uncle Jack (We Happy Few)

Jafar (Once Upon a Time, not the Wonderland spin-off)

Jan Valek (John Carpenter’s Vampires)

Jefferson "Seaplane" McDonough/Alex (Jumanji 2 and 3)

Jervis Tetch/Mad Hatter (Arkhamverse! Video Games)

Jester (Puppetmaster series)

John (He’s Out There)

Joseph “Joey” Mallone (Blackwell series)

Juan (The Forever Purge)

Juno Hoslow, Knight of Blood (Elden Ring)

K

Kalabar (Halloweentown)

Kenneth Haight (Elden Ring)

Killer Moth/Drury Walker (Teen Titans)

King Paimon (Hereditary)

L

Lamb Mask/Craig (You’re next)

Lamplighter (The Boys)

Launder Man (Crypt TV)

Lawrence “Larry” Gordon (Saw series)

Loki (Apsulov: End of Gods)

Lucifer (Devil’s Carnival 1 & 2)

M

Magic Mirror (Snow White 1937/Shrek)

Man in the Mask (The Strangers)

Manon (The Craft)

Man-Thing (Marvel’s Werewolf By Night)

Marco Polo/Merman (Crypt TV)

Marcus Corvinus (Underworld series)

Markus Boehm (Nancy Drew, the Captive Curse)

Mephistopheles (Faust’s Albtraum)

Micolash, Host of the Nightmare (Bloodborne)

Miquella (Elden Ring)

Mirror Man (Snow White and the Huntsman)

Mr. Crow/Aldous Vanderboom (Rusty Lake series)

Mr. Le Bail (Ready Or Not)

Mr. Slausen (Tourist Trap)

N

Nigel Billingsley (Jumanji 2 and 3)

Night’s Cavalry (Elden Ring)

Nothing (The Night House)

P

Pazuzu (The Exorcist)

Pierre Despereaux (Psych)

Prince Anton Voytek (Vampire 1974)

Prince Escalus (Romeo and Juliet, no particular adaptation)

Prince Quartus (Stardust)

Prince Septimus (Stardust)

Professor Petrie/Phantom of the Opera (Phantom of the Opera 1962)

Peter Quint (Turn of the Screw, the book and maybe some other adaptations. Not the Bly Manor Flanagan show.)

R

Reese Kelly (Scarlet Hollow)

Rene Belloq (Indiana Jones, Raiders of the Lost Ark)

Roland Voight (Hellraiser 2022)

Ronin (Star Trek)

Rorschach (Watchmen)

Rupert Giles (Buffy the Vampire Slayer)

Rusty Nail (Joyride trilogy)

S

Salem Saberhagen (Sabrina the Teenage Witch)

Sam Wayne (Scarlet Hollow)

Silver Surfer/Norrin Radd (Fantastic Four: Rise of the Silver Surfer)

Simon Jarrett (SOMA)

Sir Lancelot (Night at the Museum 3)

Sportacus (LazyTown)

Starscourge Radahn (Elden Ring)

STEM (Upgrade)

Sutter Cane (In the Mouth of Madness)

T

Thantos DuBaer (Twitches 1 and 2)

The Auditor (Hellraiser: Judgment)

The Babadook (The Babadook)

The Black Knight Ghost (Scooby Doo 2 Monsters Unleashed)

The Curator (Dark Pictures Anthology)

The Designer (Devil’s Carnival 2)

The Djinn/Nathaniel Demerest/Professor Joel Barash/Steven Verdel (Wishmaster series)

The Faun (Pan’s Labyrinth)

The Fox (The Little Prince 1974)

The Jester (The Jester, A Short Horror Film series)

The Kinderfänger (Crypt TV)

The Knight/Tarhos Kovács (Dead by Daylight)

The Look-See (Crypt TV)

The Man (Carnival of Souls)

The Merman (Cabin In The Woods)

The Metal Killer (Stage Fright 2014)

The Mirror (Oculus)

The Narrator (Stanley Parable)

The Other (Hellfest)

The Phantom (Phantom Manor)

The Projectionist (Pearl)

The T-1000/Cop (Terminator 2, Terminator Genisys)

The Tall Man/The Entity (It Follows)

The Thing (The Thing 1982)

The Torn Prince/Royce Clayton (Thirteen Ghosts remake)

The Torso/James “Jimmy” Gambino (Thirteen Ghosts remake)

Thomas Alexander “Alex” Upton (TAU)

Tiger Mask/Dave (You’re Next)

Tommy Ross (Carrie, 1976)

V

Valak (The Conjuring)

Valdack and his real world counterpart (Black Mirror)

Van Pelt (Jumanji 2)

Venable (Wrong Turn 2021)

Viktor (Underworld series)

Viktor Frankenstein/Dr. Whale (Once Upon a Time)

Vladislaus Dracula (Van Helsing 2004)

W

Wade Thornton (Nancy Drew, Ghost of Thornton Hall)

Wesley Wyndam-Pryce (Buffy the Vampire Slayer)

Westley/Dread Pirate Roberts (The Princess Bride)

Wildwind/Dark Skull, Stormy Weathers, and Lightning Strikes (Scooby Doo and the Legend of the Vampire)

“William”/The Headless Figure (Crypt TV)

William "Billy" Butcherson (Hocus Pocus 1 and 2)

X

Xenan the Centaur (Xena Warrior Princess)

[lesbrarycollection]

1983: Edge City on Two Different Plans: A Collection of Lesbian and Gay Writing from Australia by Dave Sargent, Gary Dunne, Louise Wakeling, Margaret Bradstock (eds.)

- Title: "Edge City on Two Different Plans: A Collection of Lesbian and Gay Writing from Australia"

- Author(s) / Editor(s): Dave Sargent, Gary Dunne, Louise Wakeling, Margaret Bradstock (eds.)

- Contributors: Anthology featuring the writing of Javant Biarujia, Ian C. Birks, Leoni Blair, Jenny Boult, Margaret Bradstock, Elaine Bryant, Lee Cataldi, Joseph Chetcuti, Jane Crawley, Rae Desmond Jones, Gary Dunne, Jane Elliot, Mary Fallon, Jeremy Fisher, Francis Flannagan, Denis Gallagher, Carolyn Gerrish, Peter L. Goldsmith, Deb Hall, Gavin Harris, Rosemary Jones, Sue Lock, Alison Lyssa, Don Maynard, Kevin McGrath, Geraldine Mecredy, Frank Moorhouse, Tony Page, Geoff Pearce, Jan Prior, Susan Reid, Peter Robins, Dave Sargent, John Schwartzkoff, Graham Simmonds, Judy Small, Sasha Soldatow, Phillip Stevenson, Ivor C. Treby, Nicholas Thomas, Louise Wakeling, Will Young, and Toby Zoates.

-Year 1st Published: 1983

- Year of Reprint My Copy Is (if applicable): N

- Publisher: Cleis Press

- Page Numbers: 223

- # in series: N/A

- Genre(s): Fiction, Poetry, Short stories, Anthology

- Is It An Ex-library Copy (and from where?): N

- Author's signature (if applicable): N

- Have I Read It?: Y

- Is It On Loan (and to which friend?): N

- Is it on Internet Archive: N

- Average Goodreads Rating, out of 5 Stars (as of 18/10/2023): N/A

- Amount of Goodreads Ratings (as of 18/10/2023): 0 ratings

- Amount of Goodreads Reviews (as of 18/10/2023): 0 reviews

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A post shared by The Vintage Lesbian Library Book Collection (@lesbrarycollection)

[kwebtv]

From the Golden Age of Television

Project Immortality - CBS - June 11, 1959

A presentation of "Playhouse 90" Season 3 Episode 36

Drama

Running Time: 90 minutes

Directed By Fielder Cook

Written By Loring Mandel

Produced By Peter Kortner

Hosted By Dr. Frank C. Baxter 

Stars:

Lee J. Cobb as Lawrence Doner

Kenneth Haigh as Martin Schramm

Gusti Huber as Eva Doner

Michael Landon as Arthur Doner

Patty McCormack as Ketti Doner

Paul Fix as General Adams

Richard Carlyle as Schoonover

Frank Ferguson as DeKlasch

Barney Phillips as Colonel Bender

Don Keefer as Leech

Frederick Worlock as Dr. Samman

Joseph Sargent as Liggett

Sheridan Comerate as Driver

Azaria Port as Agassiz

Donald Foster as Laniel

William Boyett as Weiner

[phantom-le6]

Ramble of the month February 2024: 90’s MCU phase 5 – transitioning from Secret Wars to Infinity Wars

Having spent much of last month and a fair bit of this one working on submissions to literary agencies for my autism book, this month’s ramble and the one for next month took a bit of a back seat, and as such I’ve still not been able to vary myself away from delving further into my hypothetical Marvel and DC film universes.  Apologies to anyone who, like me, were hoping to vary things more.  However, hopefully what we cover in this ramble and the next will make up for it, and as April will be Autism Awareness time, I can guarantee something different for then.

By this point, I’m sure readers don’t need as much of a recap on what these posts to do with my 90’s-based MCU are about.  Long story short, I’ve done what the meme makers don’t; looked at the comic book and real-world history of Marvel from that era to create an actual 90’s based MCU instead of putting 90’s actors into a present-day MCU.  However, as we’re into a fifth phase and well past the 1990’s, we should at least quickly review phases 1-4 first.

Phase 1:

1992: Fantastic Four, Hulk, Iron Man

1993: Thor, Spider-Man, Ant-Man & The Wasp

1994: Captain America: Fantastic Four 2, Iron Man 2

1995: X-Men, Avengers, Daredevil

Phase 2:

1996: Spider-Man 2, Thor: Land of Enchantment, Silver Surfer

1997: Hulk vs Wolverine, Fantastic Four: Doomsday, Iron Man 3

1998: Captain America: Society of Serpents, Daredevil 2, X-Men 2

1999: Avenger 2, Spider-Man 3, Doctor Strange

Phase 3:

2000: Fantastic Four: World War III, Thor: Ragnarök, Daredevil 3

2001: Hulk: Rise of the Leader, X-Men: Fall of the Mutants, Avengers: Under Siege

2002: Doctor Strange 2, The Captain, Spider-Man 4

2003: Captain Britain, Fantastic Four: Enter the Negative Zone, Ghost Rider

Phase 4:

2004: Black Panther, Captain Marvel, Secret Wars: Part I

2005: Excalibur, Defenders, Ghost Rider 2

2006: X-Factor, Secret Wars: Part II, Heroes For Hire

2007: Namor the Submariner, Doctor Strange 3, Iron Man: Enter The Mandarin

As discussed in previous rambles, phase 1 was all about establishing the MCU and its characters, phase 2 was about the expansion and development of the continuity, while phase 3 was mostly about many characters and teams losing, being put on the back foot and so on.  Phase 4 then covered Secret Wars, which temporarily deprived Earth of some major MCU heroes to put them through a real alien war, and in the process also allowed some other heroes to come to the fore.  Phase 5 then becomes about following on from some of those plot threads while beginning the set-up for this MCU’s version of the Infinity War.  So, let’s quickly show you the phase 5 slate and then get right into the details of these would-be films.

Phase 5:

2008: Spider-Man 5, Fantastic Four: Unthinkable, Ms Marvel

2009: Elektra, Black Panther 2, Defenders 2

2010: X-Men: Proteus, Spider-Man 6, Ant-Man 2

2011: Silver Surfer 2, Avengers vs X-Men, Ghost Rider 3

Spider-Man 5 (2008) Directed by Matthew Vaughan

Peter Parker/Spider-Man = Wil Weaton

May Parker = Marg Helgenberger

Flash Thompson = Ben Affleck

J. Jonah Jameson = J.K. Simmons

Joseph "Robbie" Robertson = Denzel Washington

Betty Brant = Parker Posey

Ned Leeds = John Barrowman

Eddie Brock = Wentworth Miller

Randy Robertson = Taye Diggs

Harry Osborn = Ryan Phillipe

Mary-Jane Watson = Alison Hannigan

Herman Schultz/Shocker = Patrick Muldoon

Felicia Hardy/The Black Cat = Elisha Cuthbert

Roderick Kingsley/Hobgoblin = Michael Keaton

Quentin Beck/Mysterio = Nathan Fillion

Captain Jean DeWolff = Jessica Biel

Detective Stanley Carter/”Sin Eater” = James Marsden

In the first three Spider-Man films, we built up to Peter befriending the Osborns and dating Gwen, only for the Green Goblin/Death of Gwen story arcs to play out in Spider-Man 3.  The fourth film then gave Peter a clash with the Sinister Six as he struggles to come to terms with Gwen’s death.  Following Secret Wars, Peter now has the alien costume, and so film 5 is basically the alien costume story arc.  Sounding a little too much like the Raimi/Maguire Spider-Man 3?  Trust me, it’s not like that and for two key reasons.  Firstly, I’m not trying to shoe-horn Venom in for the third act, just set him up for another film.  Second, I’ve chosen Wentworth Miller of Prison Break and The Flash fame to play Eddie Brock, and that’s far from being our only change.

In this film, Peter’s occupied trying to stop a series of illusion thefts being committed on behalf of a new “kingpin”, who turns out to be the Hobgoblin, while also having to track down a notorious serial killer called the “Sin Eater”.  As the alien costume influences Peter ever more, the question becomes less will he stop all the criminals, but rather will he become one.  Matters are further complicated when costume thief Black Cat begins seducing Spider-Man and the alien costume pushes Peter to accept this despite his relationship with Mary-Jane.  The film culminates with a chance clash with the Shocker revealing the alien nature of Peter’s costume, forcing him to finally fight it off.  Eddie Brock gaining the symbiote is then handled in a credit’s scene.

Direction-wise, I picked Matthew Vaughan as he’s a proven superhero film director due to his work on X-Men: First Class.  He’s the fourth director to take a hand on Spider-Man solo film in this hypothetical MCU, with John Hughes having directed the first two, and 3 and 4 being handled by Frank Darabont and Martin Campbell, respectively.

Fantastic Four: Unthinkable (2008) Directed by Roland Emmerich

Reed Richards/Mr Fantastic = Tom Hanks

Susan Storm (Richards)/Invisible Woman = Meg Ryan

Johnny Storm/Human Torch = David Spade

Ben Grimm/Thing = Bryan Cranston

Alicia Masters = Heather Graham

Agatha Harkness = Angela Lansbury

Victor Von Doom/Doctor Doom = Goran Višnjić

Hauptmann = Ronald Guttman

Nick Fury = Tommy Lee Jones

Black Bolt = Pierce Brosnan

Medusa = Elizabeth Hurley

Crystal = Dina Meyer

Gorgon = J.G. Hertzler

Karnak = Alexander Siddig

Triton = Orlando Bloom

T'Challa/Black Panther = Chadwick Boseman

Namor McKenzie/The Submariner = Christian Bale

Barbara "Bobbi" Morse/Mockingbird = Rebecca Romijn-Stamos

Jericho Drumm/Brother Voodoo = Doug E. Doug

Having had the Fantastic Four directed by Leonard Nemoy (films 1-2), Steven Spielberg (films 3-4) and Ridley Scott (film 5), this MCU closes out their share of films under the stewardship of Roland Emmerich, notable for such films as Independence Day, White House Down and Midway.  This film adapts the events of the storylines ‘Unthinkable’ and ‘Authoritative Action’, but leaves the events of ‘Hereafter’ to the comics and begins introducing the Infinity Stones.  Since non-comics fans and fans who haven’t read those stories won’t get those references, let’s do a quick summary.

In the comics, Doctor Doom turned to magic for an attack on the Fantastic Four, which resulted in Reed and Sue’s son Franklin being taken to hell, and the team having to storm Latveria to get him back.  During the incident, Doom scarred Reed before being dragged into hell.  Afterwards, Reed seized control of Latveria to dismantle Doom’s arsenal and craft a permanent prison for Doom, one in which Reed would serve as warden.  However, when the rest of the team tried to stop Reed, Doom somehow began to possess each in turn, ultimately forcing Reed to kill Ben Grimm just to stop Doom.  The events of the Hereafter arc involved a trip into the afterlife to bring Ben back, in the process healing Reed’s scars.

In this film, Franklin is kidnapped and taken to a demon dimension, and Sue leads a rescue team comprised of her, Ben Grimm, Brother Voodoo and the Black Panther to save Franklin while Reed and Johnny attack Doom, aided by the Inhumans and Namor the Submariner.  The attack seemingly defeats Doom, after which Reed leads the F4 to Latveria, seizing control of the nation.  Fearing Doom is somehow influencing Reed, Nick Fury of SHIELD intervenes along with Mockingbird, Voodoo, Namor and T’Challa, only for the seemingly captured Doom to begin telepathically controlling the other F4 members.  Ultimately, Reed manages to force a feedback that wipes Doom’s mind, but in the process, Ben Grimm dies as he does in the comics.  With Ben’s death, the Fantastic Four decide to step back from hero work, becoming a think tank called the Future Foundation.

The bulk of the film’s cast is from past films, with the only new addition being mystical nanny Agatha Harkness, played by Angela Lansbury in better keeping with the comics version of the character.  As for the Infinity Stone I mentioned, that would be the mind stone, which Doom uses to control the various F4 members until Reed works out Doom is channelling the stone’s power and creates the feedback.

Ms Marvel (2008) Directed by Gates McFadden

Carol Danvers/Ms Marvel = Melissa Joan Hart

Michael Barnett = Brian Krause

J. Jonah Jameson = J.K. Simmons

Frank Gianelli = Rory Cochrane

Tracey Burke = Kate Mulgrew

Tabitha Townsend = Kyla Pratt

Lynn Andersen = Amanda Seyfried

Mystique/Raven Darkholme = Connie Nielsen

Rogue = Anna Paquin

Avalanche = Alessandro Gassmann

Fred J Dukes/Blob = Vince Vaughan

Pyro = Hugh Jackman

Irene Adler/Destiny = Sally Field

When it comes to trying to tackle Carol Danvers in films, one story that’s yet to hit the big screen is the story of her downfall against the X-Man Rogue back when Rogue was part of Mystique’s Brotherhood of Evil Mutants.  Indeed, the 90’s animated series of the X-Men is the only adaptation to handle this, and they did it by neatly sidestepping some disturbing backstory.  Long story short, there was a story arc in the Avengers comics around the late 70’s/early 80’s where Carol (then codenamed Ms Marvel) was mind-controlled and raped by an extra-dimensional being so he could be reborn in a body compatible with Earth, then after fast-growing to adulthood, his presence caused a bunch of time disruptions.  When Carol then agreed to go with this being, the Avengers made no effort to prevent this.

When Chris Claremont wrote Rogue into Avengers Annual 10 and showed Rogue rocking Carol’s powers, the question that came to be asked was why Carol hadn’t sought out the Avengers upon returning to Earth, and the answer was made clear.  The team hadn’t shown any real concern for Carol during her strange accelerated pregnancy, and then let her go off with a blatantly mind-controlling rapist from another dimension.  As such, telling the story of Carol clashing with Rogue and the Brotherhood should never be an exact re-telling.  Claremont’s story in Avengers Annual 10 was as much about correcting what the writer of the main comics at that time had written, and with film adaptations, you’re better off just taking a different path entirely.

In this case, we’re showing Carol working as an investigative journalist for a Daily Bugle-owned women’s magazine, who uses the Ms Marvel identity to tackle crime where needed.  This is based on her original run in the comics, so we have Jameson borrowed from the Spider-Man films while using the magazine staff from the comics for supporting roles.  As for the villains, roles from past films like Mystique and Pyro are combined with newly cast actors to give us our second MCU Brotherhood.  The film draws in a mix of acting talent, with Melissa Joan Hart reprising the role of Carol Danvers, and Trek alumni Gates McFadden directing the film.  McFadden has played the mutant Plague/Pestilence for three X-films before this and has some directing experience, making her a good choice for this project.

Elektra (2009) Directed by Roxann Dawson

Elektra Natchios = Leonor Varela

Stick = Scott Glenn

Stone = Sigourney Weaver

Kirigi = Daniel Henney

Frank Simpson/Nuke = John Cena

Matsu'o Tsurayaba = Hiroyuki Sanada

Kwannon = Kelly Hu

Turk Barrett = Gary Dourdan

The story of Elektra following her death in Daredevil is one Fox didn’t quite get right, in large part because they tried to incorporate plot elements and tropes that didn’t tonally fit with the character.  Having used two Daredevil films to set her up before giving the character a one-shot solo film, I think the best thing is taking those bits out.  Instead, we get the Hand going after the Chaste with Elektra in the middle, and when Elektra proves more than they can handle, they bring in the pill-popping assassin known as Nuke.  It’s a straight-up martial arts action film initially, but then becomes a more Punisher-like action film when Nuke comes on the scene.

Trek alumni Roxann Dawson takes the helm because she’s one of the few women I know of that would be directing anything back around this time.  Considering that films with female leads are often better handled by female directors, it makes sense to try and make this the case wherever possible.  The cast is either retained from past films of picked to be more comic-accurate.  Case-in-point, picking American actor Scott Glenn to play Stick rather than English actor Terrence Stamp.

Black Panther 2 (2009) Directed by Tim Burton

T'Challa/Black Panther = Chadwick Boseman

Shuri = Tatyana Ali

Ramonda = Alfre Woodard

T'Chaka = Courtney B. Vance

W'Kabi = Chiwetel Ejiofor

Okoye = Nia Long

Zuri = Joseph Marcell

M'Baku = Idris Elba

Nakia = Lupita Nyong'o

Monica Lynne = Kerry Washington

Baron Macabre = Sterling K Brown

Jerome Beechman/Mandrill = Joaquin Phoenix

Nekra Sinclair = Toks Olagundoye

Kevin Plundarr/Ka-Zar = Chris Hemsworth

Shanna O'Hara = Scarlett Johansson

Zaladane = Jolene Blalock

Everett Ross = Martin Freeman

In Black Panther 2, T’Challa becomes allied with Ka-Zar of the Savage Land when it turns out his hidden jungle in Antarctica houses a cache of Vibranium to rival Wakanda’s.  Most would-be Vibranium hunters baulk at trying to gain the Antarctic variety due to the dinosaurs, but soon both nations are threatened when the woman-controlling mutant Mandrill, his adoptive sister Nekra, the Savage Land priestess Zaladane and Wakandan criminal Baron Macabre team up.  Due to the inclusion of some of these villains, I opted to switch from Tim Story to Tim Burton from a directing stand-point.  This film also features a change of role for a couple of real-world MCU alumni.

Defenders 2 (2009) Directed by Stephen Sommers

Dr Stephen Strange = Johnny Depp

Namor McKenzie/The Submariner = Christian Bale

Bruce Banner/Hulk = John Cusack

Silver Surfer = David Wenham

Valkyrie = Diane Kruger

Kyle Richmond/Nighthawk = Josh Duhamel

Patsy Walker/Hellcat = Mena Suvari

Wong = Will Yun Lee

Clea = Keira Knightley

Jericho Drumm/Brother Voodoo = Doug E. Doug

Dr Anthony Druid = Mark Strong

Daimon Hellstrom = James Van Der Beek

Dr Tania Belinsky (Belinskaya)/Red Guardian = Beatrice Rosen

Dr Arthur Nagan = Julian McMahon

Dr Jerold "Jerry" Morgan = Stellan Skarsgård

Ruby Thursday = Alyssa Milano

Harvey Schlemerman/Chondu the Mystic = Stanley Tucci

Shuma-Gorath = Geoffrey Rush

The Defenders, Marvel’s superhero non-team, return for a second instalment at this point, and I’ve picked Stephen Sommers as director based on him directing a live-action GI Joe film around the same time.  In this film, the few routinely active Defenders learn via immigrant Russian doctor and superhero Red Guardian that a team of scientists called the Headmen have stolen the Reality Stone from AIM in an effort to seize world power for themselves.  Allying with Namor the Sub-Mariner, the Defenders seek to stop the Headmen while Clea joins with Brother Voodoo, Dr Druid and Daimon Hellstrom to try and bring back Doctor Strange from the extra-dimensional limbo he sacrificed himself to in Doctor Strange 3.  At the same time, the Silver Surfer seeks the Hulk.  The whole team then comes together when the Headmen open a portal for Shuma-Gorath, in the process transforming into their strange comic-style appearances.

Everyone from Dr Druid on down in the cast list is new.  As for why we’re skipping over the original male Red Guardian and focusing on the second female iteration for this MCU, there’s two reasons.  First, the second female iteration served as a Defender in the original comics, and second, these MCU rambles are focused on the main film continuity, which in this version of the MCU is strictly cinematic.  TV shows, while allowed as tie-ins, are optional content, and while I’d happily allow a TV show to dive in on Black Widow and some other characters, I think a film was and is a bit much for a character with so little solo comics content.

X-Men: Proteus (2010) Directed by LeVar Burton

Storm/Ororo Monroe = Halle Berry

Polaris/Lorna Dane = Jeri Ryan

Wolverine/Logan = Tom Cruise

Peter Rasputin/Colossus = Henry Cavill

Remi LeBeau/Gambit = Zachary Levi

Cyclops/Scott Summers = Patrick Swayze

Jean Grey = Milla Jovovich

Warren Worthington III/Archangel = Neil Patrick Harris

Beast/Hank McCoy = Alec Baldwin

Robert Drake/Iceman = Michael Weatherley

Banshee/Sean Cassidy = Liam Neeson

Dr Moira Mactaggert = Olivia Williams

Mystique/Raven Darkholme = Connie Nielsen

Rogue = Anna Paquin

Avalanche = Alessandro Gassmann

Fred J Dukes/Blob = Vince Vaughan

Pyro = Hugh Jackman

Irene Adler/Destiny = Sally Field

Professor Charles Xavier = Patrick Stewart

Kevin Mactaggert/Proteus = Iain De Caestecker

Joseph Mactaggert = John Hannah

Rahne Sinclair/Wolfsbane = Bonnie Wright

Danielle Moonstar = Selena Gomez

Jubilee = Chloe Bennett

Everett Thomas/Synch = Christopher Massey

Douglas Ramsey/Cypher = Devon Bostick

With the third X-Men film Fall of the Mutants having split the X-Men up, and a combination of the Secret Wars duology, Excalibur and X-Factor films following events for the divided team, this fourth X-Men film is intended to reunite some of the scattered team into a new whole.  It also gives Rogue her defection from the Brotherhood following the events of Ms Marvel.  In this film, Moira Mactaggert’s son Proteus emerges as a dangerous mutant and begins a rampage across to Scotland.  With Excalibur unavailable, X-Factor is summoned while the X-Men pursue Mystique’s Brotherhood to Scotland.  The two teams meet up and reunite when they find Professor X is also with Moira, having been recuperating on Muir Island since being released from a SHIELD hospital (this is set-up over end-credit scenes for Fall of the Mutants and X-Factor).

Direction-wise, the X-Men have been handled initially by Jonathan Demme and then Jonathan Frakes in films bearing their team’s name, while Excalibur was helmed by Christopher Nolan and X-Factor by LeVar Burton.  For this film, I’ve put Burton back in the director’s chair.  Casting-wise, I imagine same fans will be perplexed by my choice of Chloe Bennett for Jubilee.  This is because Bennett is of a mixed ancestry that includes having a Chinese mother, and while the ideal is always to try for exact representation from the comics, there aren’t many actresses active in Hollywood around the time of this film with even one parent of Chinese descent, let alone two.

As such, the question becomes which do you compromise; Jubilee’s racial background or her nationality?  My choice, compromise slightly on racial background and bring in some plot threads relating to prejudice against people of mixed race.  Quite honestly, characters of mixed race are among those groups under-represented in film and TV, so if I have to compromise, let me at least try and do so in a positive way.

Spider-Man 6 (2010) Directed by Matthew Vaughan

Peter Parker/Spider-Man = Wil Weaton

May Parker = Marg Helgenberger

J. Jonah Jameson = J.K. Simmons

Joseph "Robbie" Robertson = Denzel Washington

Betty Brant = Parker Posey

Ned Leeds = John Barrowman

Eddie Brock/Venom = Wentworth Miller

Randy Robertson = Taye Diggs

Mary-Jane Watson-Parker = Alison Hannigan

Flash Thompson = Ben Affleck

Felicia Hardy/The Black Cat = Elisha Cuthbert

Sha Shan Nguyen = Grace Park

Captain Jean DeWolff = Jessica Biel

Anne Weying = Michelle Williams

Principal Harrington = Viggo Mortensen

Lance Bannon = Hayden Christensen

Gloria "Glory" Grant = Candice Patton

In the sixth of our Spider-Man films, and the last to both start and end with Peter Parker wearing the webs, we showcase Peter and MJ preparing for their upcoming wedding, but the pair are stalked by Eddie Brock, who has now joined with the Venom symbiote and seeks to make Peter’s life hell.  He attempts to manipulate the Black Cat into being his co-conspirator as well, preying on her jealousy after the symbiote-free Spider-Man resists her seduction.  The story ultimately culminates in Venom trying to force Peter into a no-win situation where he has to choose who to save; Mary-Jane or Felicia.  Matthew Vaughan returns to direct, and we get a few extra supporting cast members in lieu of the various villains of Spider-Man 5.

Ant-Man 2 (2010) Directed by Peyton Reed

Hank Pym/Ant-Man = Michael Douglas

Scott Lang/Ant-Man II = Paul Rudd

Maggie Lang = Judy Greer

Cassie Lang = Joey King

William Cross/Crossfire = Ethan Hawke

Taskmaster = Jeffrey Dean Morgan

Alex Gentry/Porcupine = Nick Offerman

Janice Lincoln/Beetle = Naya Rivera

Having left Ant-Man alone in terms of solo films since phase 1, phase 2 marks a return for Hank Pym, who by this point has been out of action since a mental break-down forced him to retire.  Now of sound mind again, he tries to deal with tech thief Crossfire, who steals the prototype for a new, more aggressive variant of the Ant-Man suit, the Yellowjacket.  However, Hank’s old suit is not safe to use as it clashes with his neuro-chemistry, risking more mental break-down.  Even worse, it’s been stolen.  In tracking down the Ant-Man suit, Hank encounters desperate divorced father Scott Lang, who stole the suit to get money to cover his daughter’s medical treatment.

With this film, the aim is to pass the mantle of Ant-Man to Scott Lang in a more comics-accurate manner, while at the same time preserving certain casting that the MCU got right, hence why Pym, Scott and Maggie are all retained from the real MCU.  In terms of Cassie, I switched to Joey King as she’s had a remarkably steady record of employment for a non-Disney child actress, and I think she’s a great choice to take up this role for the remainder of this hypothetical MCU.  Direction-wise, I figured it best to stick with the choices of the real MCU and go for Peyton Reed, having had to go with Sam Raimi on the 90’s-made first Ant-Man of this MCU.

Silver Surfer 2 (2011) Directed by JJ Abrams

Silver Surfer = David Wenham

Thanos = Josh Brolin

Mentor = Michael McKean

Eros/Starfox = Joel McHale

Gamora = Zoe Saldana

Drax the Destroyer = Dean Cain

Adam Warlock = Chris Pine

Pip the Troll = Peter Dinklage

Nebula = Emma Stone

Mar-Vell/Captain Marvel = Jude Law

Following the events of Defenders 2, the Silver Surfer finds himself drawn into yet more Infinity Stone adventures when Kree hero Captain Marvel and the android Drax the Destroyer come to Earth with Adam Warlock, keeper of the Soul Gem.  Hot on their heels are Thanos and Nebula, each of whom has begun to seek the Infinity Stones.  Worse still, Mar-Vell is dying of cancer.  The film is meant to advance the Infinity Stones plot while also adapting the death of Mar-Vell from the comics, not to mention setting up for the Guardians of the Galaxy to appear in the next phase.

For direction, I’ve picked JJ Abrams based on his Star Trek and Star Wars work making him a decent choice for a space-based hero like the Silver Surfer.  In terms of casting, we have a few reprises from past films in this 90’s MCU and from the real MCU.  However, some shifts have also occurred, most notably with Drax due to wanting to use his original comics origins over the revised MCU/later comics version.  The would-be autistic representation of Bautista and Gunn’s Drax quickly become so much farce, so as an autistic person, I’d just as soon avoid that and go down the android route, thanks very much.

Avengers vs X-Men (2011) Directed by Jonathan Frakes

Cyclops/Scott Summers = Patrick Swayze

Jean Grey = Milla Jovovich

Storm/Ororo Monroe = Halle Berry

Wolverine/Logan = Tom Cruise

Peter Rasputin/Colossus = Henry Cavill

Remi LeBeau/Gambit = Zachary Levi

Warren Worthington III/Archangel = Neil Patrick Harris

Rogue = Anna Paquin

Steve Rogers/Captain America = Brad Pitt

Thor = Dolph Lundgren

Janet Van Dyne/Wasp = Catherine Zeta Jones

Iron Man/Tony Stark = Tom Selleck

Jennifer Walters/She-Hulk = Lucy Lawless

T'Challa/Black Panther = Chadwick Boseman

Sam Wilson/Falcon = Will Smith

Peter Parker/Spider-Man = Wil Weaton

Professor Charles Xavier = Patrick Stewart

Carol Danvers = Melissa Joan Hart

Mystique/Raven Darkholme = Connie Nielsen

Avalanche = Alessandro Gassmann

Fred J Dukes/Blob = Vince Vaughan

Pyro = Hugh Jackman

Irene Adler/Destiny = Sally Field

Frank Bohannan/Crimson Commando = Harrison Ford

Louis Hamilton/Stonewall = James Brolin

Martin Fletcher/Super-Sabre = Peter Fonda

Dr Valerie Cooper = Malin Åkerman

Sebastian Gilbreti/Bastion = Bruce Greenwood

Congressman Rev. William Stryker = Eric Roberts

Forge = Jimmy Smits

There have been two occasions in Marvel comics where the X-Men and Avengers have been drawn into direct conflict, at least using multiple issues of a comic and to my knowledge.  The first is the 1980’s mini-series X-Men versus Avengers, where the Avengers attempted to arrest Magneto to resume his trial before the world court, while the Soviet Super-Soldiers sought to arrest Magneto for his actions in X-Men #150.  As Magneto was part of the X-Men at the time, this naturally put all three teams at odds with each other.  The second occasion was the AvX storyline in which Cyclops, Emma Frost, Namor, Colossus and Magik became possessed by the Phoenix Force, something the Avengers tried to prevent and later combat.

While this film draws on the basic concept of both series, that something sets the Avengers and the X-Men at odds with each other, it’s not about arresting Magneto or issues with the Phoenix force.  Instead, the issue is Rogue; her status as a mutant terrorist is used to convince the Avengers to apprehend the X-Men.  This is bad timing, as the X-Men are working with Rogue to help restore the mind of Carol Danvers.  The masterminds of the plot are rabid anti-mutant politician William Stryker and government advisor Sebastian, who in reality is a new form of sentinel in disguise.  Luckily, government advisor and secret mutant Forge is suspicious of Bastion and convinces NSA director Dr Valerie Cooper to set up a contingency plan.

As a result, the film builds to a climax where, after the intervention of Spider-Man ends a major fight between the two teams, Bastion unleashes his prime sentinels.  Enter Mystique’s expanded Brotherhood in their guise as community service government heroes Freedom Force, and the stage is set for a truly epic battle.  Direction-wise, I opted for Jonathan Frakes to helm this entry, and while many actors are reprising roles from past films, everyone from Crimson Commando on down is new to the MCU as of this film.

Ghost Rider 3 (2011) Directed by Mark Steven Johnson

Johnny Blaze/Ghost Rider = Connor Trinneer

Roxanne Simpson = Jessica Alba

Eric Brooks/Blade = Jamie Foxx

Rachel Van Helsing = Cote De Pablo

Daimon Hellstrom = James Van Der Beek

Vlad Tepish/Dracula = Mads Mikkelsen

Lilith = Felicity Jones

Mephistopheles = Jeffery Combs

Phase 5 of our 90’s MCU closes out by bringing Johnny Blaze’s time as Ghost Rider to its conclusion, in a story where Johnny teams up with Blade, Rachel Van Helsing and Daimon Hellstrom against Dracula and his daughter Lilith, who are secretly in league with Mephistopheles.  The film is partly an original plot and partly an adaptation of the end of the original Ghost Rider run of comics, though it’s far from being the last Ghost Rider film of this MCU.  Just as the comics would have others take up the Ghost Rider curse after Blaze, so too will this MCU move onto those later riders in turn.  Having used Tim Burton on the first two Ghost Rider films in this MCU, I’ve picked Mark Steven Johnson who handled the 2007 Nicholas Cage Ghost Rider film to take on this third instalment of 90’s MCU Ghost Rider.

This wraps up our look into phase 5 of this 90’s-based MCU; next month, we’ll cover phase 5 of our alternate DC movie universe.  Until then, ta-ta for now.

[the-worst-bracket]

The Worst Round Two

The first round is over! Our first round losers have been released into the wild, where they will decimate the local songbird population!

New Bracket under the cut, all times are in CDT

Bracket A (5/3 - 5/10)

Mineta Minoru (My Hero Academia) vs Iago (Othello) 11:15 AM

Mimic (Dark Souls) vs Dan (Dan Vs) & Pink Diamond (Steven Universe) 11:30 AM

Jurgen Leitner (The Magnus Archives) vs Zeus (Greek Mythology) 11:45 AM

Steve Cobs (Inanimate Insanity) vs Alex Eggleston (Yiik) 12:00 PM

Jerry (Undertale) vs Old Man Who Snitched on Haru (A:TLA) 12:15 PM

Ashfur (Warrior Cats) vs Mr. Burns (The Simpsons) 12:30 PM

Octavian (Heroes of Olympus) vs Gendo Ikari (NGE) 12:45 PM

Walter White (Breaking Bad) vs Medusa Gorgon (Soul Eater) 1:00 PM

Bracket B (5/3 - 5/10)

Jin Guangshan (The Untamed) vs Michael (Wii) 1:15 PM

Mitsuhiro Higa (Danganronpa) vs Creek (Trolls) 1:30 PM

Manfred Von Karma (Ace Attorney) vs David (Animorphs) 1:45 PM

Mayuri Kurotsuchi (Bleach) vs Cronus Ampora (Homestuck) 2:00 PM

Micheal Tritter (House MD) & The Director (Red v Blue) vs Lila Rossi (Miraculous Ladybug) 2:15 PM

Lord Henry Wotton (The Picture of Dorian Gray) vs Jodie Foster (Dungeons & Daddies) 2:30 PM

Bill Hawks (Professor Layton) vs Izaya Orihara (Durarara!!) 2:45 PM

The Dark Lord (Miitopia) vs Cybelle (Carole and Tuesday) 3:00 PM

Bracket C (5/4 -5/11)

Admiral Zhao (A:TLA) vs Rachel Berry (Glee) 11:15 AM

Darth Maul (Star Wars) vs Jessica (The Bastard Son & the Devil Himself) 11:30 AM

Pong Krell (Star Wars: The Clone Wars) vs Gamzee Makara (Homestuck) 11:45 AM

Dorodoron (Futari wa Precure Splash Star) vs Tate Langdon (American Horror Story) 12:00 PM

Izzy Hands (Our Flag Means Death) vs Spike (My Little Pony: Friendship is Magic) 12:15 PM

Orin Scrivello DDS (Little Shop of Horrors) vs Minecraft Skeleton (Minecraft) 12:30 PM

Major Frank Burns (M*A*S*H*) vs Carter Pewterschmidt (Family Guy) 12:45 PM

Borsolino (One Piece) vs Pennywise (IT) 1:00 PM

Bracket D (5/4 -5/11)

Pierce Hawthorne (Community) vs Whirlpool (Wings of Fire) 1:15 PM

Thaddeus Campbell (Dishonored) vs Takumi Ichinose (Nana) & Heimskr (Skyrim) 1:30 PM

Gale Weathers (Scream) vs Ianthe Tridentarius (The Locked Tomb) 1:45 PM

Director Ton (Aggretsuko) vs Odalia Blight (The Owl House) 2:00 PM

Kyubey (Madoka Magica) vs Dr. Gregory House (House MD) 2:15 PM

Rachel (Tower of God) vs Miki Kawai (A Silent Voice) 2:30 PM

John Winchester (Supernatural) vs Hippeux (Animal Crossing) 2:45 PM

Saint Charlos (One Piece) vs Dr. Janet Lubelle (WTNV) 3:00 PM

Bracket E (5/5 -5/12)

Martin Blyndeff (Epithet Erased) vs Calico Jack (Our Flag Means Death) 11:15 AM

John Gaius (The Locked Tomb) vs Crawlings (The Mysterious Benedict Society) & Liza Lotts (Scott the Woz) 11:30 AM

Zolf J Kimblee (FMA) vs Nandor the Relentless (WWDITS) 11:45 AM

Logan Roy (Succession) vs Fermet (Baccano!) 12:00 PM

Emperor Belos (The Owl House) vs Jar Jar Binks (Star Wars) 12:15 PM

Stuart Little (Stuart Little) vs Bibble (Barbie: Fairytopia) 12:30 PM

Grima Wormtongue (Lord of the Rings) vs Balloon Boy (FNAF) 12:45 PM

Felix (Red v Blue) vs Bro Strider (Homestuck) 1:00 PM

Bracket F (5/5 - 5/12)

Count Olaf (ASOUI) vs Phillip Anderson (BBC Sherlock) 1:15 PM

Drosselmeyer (Princess Tutu) vs Hiram Burrows (Dishonoured) 1:30 PM

Vriska Serket (Homestuck) vs Marty (Steven Universe) 1:45 PM

Norman Osborn (Marvel) vs Stregabor (The Witcher) 2:00 PM

Barney Stinson (HIMYM) vs Griffith (Berserk) 2:15 PM

Lionel Luthor (Smallville) vs Shadow Weaver (SPOP) 2:30 PM

Rand Ridley (Inside Job) vs Fire Lord Ozai (A:TLA) 2:45 PM

Joseph Sugarman (BoJack Horseman) vs Kylo Ren (Star Wars) 3:00 PM

Bracket G (5/6 - 5/13)

Ross Geller (Friends) vs Junko Enoshima (Danganronpa) 11:15 AM

Evil Do-er/Dark Blue (Animation vs Minecraft) vs Clint (Stardew Valley) 11:30 AM

Colin Robinson (WWDITS) vs Ghetsis (Pokemon) 11:45 AM

Billy (The Grim Adventures of Billy and Mandy) vs Servantis (Ben 10) 12:00 PM

Elias Bouchard (The Magnus Archives) vs Tingle (The Legend of Zelda) 12:15 PM

Trishna (Papa Louie) vs Unparalleled Innocence (Rain World) 12:30 PM

Vanitas (Kingdom Hearts) vs Suzy Johnson (Phineas and Ferb) 12:45 PM

Dr. Hotti (Ace Attorney) vs Sarah (Ed, Edd, and Eddy) 1:00 PM

Bracket H (5/6 - 5/13)

Barney the Dinosaur (Barney and Friends) vs Andy Bernard (The Office) 1:15 PM

Caillou (Caillou) vs Gideon Gleeful (Gravity Falls) 1:30 PM

Joshu Higashikata (JJBA) vs Touga Kiryuu (Revolutionary Girl Utena) 1:45 PM

Ambassador Udina (Mass Effect) vs Father (FMA) 2:00 PM

Akio Ohtori (Revolutionary Girl Utena) vs Kray Foresight (Promare) 2:15 PM

The Worst (Ben 10) vs Hisoka Morrow (Hunter x Hunter) 2:30 PM

Tony Stark (MCU) vs Clay Puppington (Moral Orel) 2:45 PM

Bling Bling Boy (Johnny Test) vs Enji Todoroki (My Hero Academia) 3:00 PM

[klqrambles]

Phantom the Musical summary/thoughts!

I'm writing this partly because I fucking love this musical after having seen it one (1) time, partly because I have the memory of a goldfish and would like to remember what happens, partly to encourage other people to watch the (imo) superior musical about Erik Phantom :]

Speaking of encourage, I highly recommend people watch this the first time blind because I will be spoiling the twist and ending in this post and they both punched me in the gut when I watched it :D

Without further ado, summary (?) under the cut!

starts with a short description of the opera house and Erik (I'll just call him Erik throughout unless I'm quoting from the musical) appears on the side wearing the sickest mask I ever seen

Christine Daae is introduced and she's selling sheet music in front of the opera house. Everyone is enamored with her because she's nice, pretty, and sings well. (think Belle from Beauty and the Beast)

One of the people who finds her is Phillipe de Chandon, head sponsor for the opera house. He's immediately interested in her and recommends she get lessons in the opera house from the manager Gerard Carriere. He'd escort her if he could but he's got business (and other girls) to attend to. Christine's song is one of the cutest I ever seen

Joseph Buquet and Carlotta are going through the opera house. Buquet doesn't want to go to the basement but Carlotta forces him to cause, as it turns out, Carlotta is the wife of the new manager of the opera house. Buquet goes down to the basement and gets lost in the catacombs before happening upon Erik. However, he sees Erik while he's changing his mask and freaks out. Erik is forced to kill him after a moment of hesitation

In the opera house, things are in turmoil cause Gerard Carriere got sacked in favor of a new manager Alain Cholet (he bought his way into the job). Gerard tries to convince Alain to not sack him because there are parts to his job that he can't explain or talk about but are very important, but Alain won't have it. Erik drops down a note which says that Joseph Buquet has broken the rules. Carriere takes Alain to his office to try and scare him with the story of the ghost of the opera house, but Alain Definitely doesn't believe in Ghosts and he Isn't Scared and believes this is all a ruse by Carriere to get his job back.

Erik calls down Carriere. Erik reminds Carriere that it's his job to prevent people from coming into the catacombs, but Carriere says he couldn't do anything because he got fired. Carriere asks him if he really killed Buquet and he confirms. He had no choice, Buquet broke the rules AND saw his face. Just then Carlotta begins practicing upstairs and Erik freaks out. "Oh my god, Carriere this place really is haunted 😢" "No, that's just Carlotta" "Her voice is as hideous as my face... what does she do?" "She's the new diva of the opera house." "Carriere I'm going to die." "Can't help you I got sacked, remember? I gotta go." "Take me with you 😭" "You know you can't leave." "I know! Someone as hideous as me couldn't go to the world above!"

Christine makes her way to the opera house and tries to find Gerard Carriere as Phillipe recommended but because he got fired, she's sent to Carlotta to get "music lessons". Carlotta doesn't want to teach her but Alain tells her she's sponsored by a rich guy and so she decides to let Christine work in the costuming department to "learn by observation"

Christine sings a song about feeling at home in the opera house, even as a costumer, and Erik overhears and is instantly smitten. He offers to teach Christine as long as she promises to not see his face. She agrees!

Carlotta being the lead singer doesn't sit right with Erik so he keeps pranking her (putting bugs in her wig, gluing her props down, etc.) so her shows all flop. They ask the help of Inspector Leroux to catch the perpetrator but you can't catch a ghost. They also find the body of Joseph Buquet in the manager's closet, left there by Erik. Meanwhile Phantom is teaching Christine and falling steadily in love with her. They nearly kiss 3 times and Erik both initiated and turned away from it all three times 😔Erik says that Christine has learned all she can and should debut soon. She mentions that auditions are closed, but Erik has a plan. The Bistro across the road has open mic :]

There's a party being hosted by Phillipe that's a singing competition. He's invited everyone including Carriere and Christine. Carlotta sings first and only gets fanfare from her husband. Christine sings next and blows everyone away. Carriere mentions she's extremely good at singing like one of the previous opera house divas, Belladova. Carlotta (in a very sus move) praises Christine and says she absolutely has to play the lead role Titania in a new opera. Phillipe, who was already smitten with Christine, is now fully in love.

Phillipe escorts Christine to his favorite place in Paris in a car (there's a CAR!) and shares a glass of champagne with her. he sings about how he loves her and she says she needs some time to make a decision. Erik saw them from the shadows and is sad that she didn't see him. He wonders if he's just going to have to let her go the way he's let everything else good in his life go.

It's the day of Christine's debut and she's nervous as hell. Carlotta brews up a drink and tells her that it's an "herbal tea" to "help soothe the nerves". So Christine drinks it all and goes out to perform. But as then she finds her throat is really dry and unable to sing properly. Erik reveals himself and drops the chandelier (it actually drops to the floor! controlled of course, but! it drops!) as a distraction while rappelling down and taking her down to the catacombs. Phillipe tries to stop him, but gets shoved out of the way by Erik. Erik also notices on the way down that the "drink" Christine was given was actually a poison. Carriere knows where Erik is going, so he goes down to confront him.

End of Act 1 :D

(warning for Act 2: some mentions of attempted suicide and death)

Before Act 2 really starts they fix the chandelier

Erik takes Christine (unconscious) on a boat ride to his room. He sings about how she's his world and the thought of her having to face the cruel outside world pains him and that he'd protect her no matter what. That he'd get revenge for her.

He settles her into bed and is about to leave when Carriere confronts him. Carriere begs Erik to let her go but he refuses. "I can't send an angel like her to a hell like that." When Carriere doesn't let up, he explains how she was betrayed and he loves her and would never let anything bad happen to her. He'd much rather pull a lever that destroys the whole opera house (which is a thing, apparently) before sending her back up. Erik kicks Carriere out and tells him to never come back before leaving himself.

Christine wakes up, confused. Carriere (who didn't leave) finds her awake and tries to convince her to leave, saying how Erik was a horrible guy and if you'd just see his face. Christine says that she's seen his eyes and believes he's a good man at heart. Carriere explains that even good men can do evil things (this doesn't do anything to her) and that he loves her because she sounds like his mother. Christine notices that Carriere knows a lot about Erik and Carriere reveals that HE'S ERIK'S DAD?????

They then move into a ballet/musical number hybrid that details how Carriere, when he was assistant manager, met Belladova who was a ballerina at the time. They soon fell in love and Belladova revealed to him that she was actually an extremely good singer. He convinces her to audition and she becomes really popular for her singing extremely quickly. The lovers get really close and eventually Belladova reveals she's pregnant with his child and wants to get married but, uh oh! Carriere hasn't told her a very important fact about himself! He's fucking married! Because Belladova became pregnant out of wedlock, she gets rejected by everyone she relied on and runs away from Carriere. She turns to poison in an attempt to either abort the child or kill herself, but it fails to do both and she gives birth to Erik. Carriere is horrified by Erik's disfigurement, but Belladova believes that he is the most beautiful child in the world. She tries to take care of him within the catacombs but ends up passing away when he's still a child, leaving Carriere to take care of him. Erik eventually sees his face for the first time in the water and freaks out, thinking it's a sea monster. This is when Carriere fashions him a mask and his cries begins the rumors of the Phantom of the Opera.

At the end of the story, Carriere tries one more time to convince Christine to leave, but Christine is dead set on staying. Carriere takes his leave.

Cut to Phillipe looking through the catacombs for Christine but failing to find her in the depths.

Cut again to Erik who's gone to face Carlotta. He tells her to leave his opera house or die and she tells him to get out of HER opera house. She runs up a metal staircase and Erik unattached a live cable and sends the electricity up the stairway, shocking her to death. (The bitch fucking dead yall can I get a hell yea)

Erik comes back down to his lair a bit in shock and accidentally wakes Christine up (she fell back asleep waiting for him). Erik awkwardly stands and asks what they should do, if she wants to have a picnic with him at the nearby forest. She agrees and they go to the "forest" (it's made of papermache and paintings) and excitedly shows off the "animals" that live there. He sets up a picnic and they share a poem which leads to Erik admitting he misses his mother. He asks her to sing and Christine agrees as long as he does a favor for her. He says he'd do anything for her and she requests to see his face. He says he can't do that, but she persistently requests it. When he finally capitulates, she's horrified and runs away. Erik laments his fate and how everything good to him seems to disappear. "I curse you! No, no, I love you. I love you! I curse you, my Christine!"

Phillipe who's been looking everywhere for Christine (he's very disheveled and not looking great himself) and has come back to her dressing room where she was last seen. Suddenly Christine appears behind the dressing room mirror and Carriere (who heard the commotion) comes up to open the false mirror. Christine admits that she saw his face and that she was so in shock she ran away. She realizes that she messed up and that she needs to go back and apologize. Tell him that she loves him and that she made a mistake. She runs away (not through the mirror) and Phillipe follows her. Carriere tells Inspector Leroux (who had also heard the commotion and come by) to evacuate the building as he wasn't sure what the Phantom would do. Everyone leaves to find Erik and Carlotta's body is found by her husband. Erik appears through the dressing room mirror, looking for Christine. Erik wanders through the opera house and is discovered by some of the patrolling policemen. He runs away, but is shot in the side in the process.

Carriere finds Erik bleeding out and hiding in a side room. Seeing Erik's state Carriere doesn't know what to do. Erik wants to go back to his home, but there's no direct access to the catacombs from where they are and they'll have to cut across the stage. Erik asks if Carriere has anything he wants to say to him. Carriere admits to being Erik's father and Erik acknowledges he already knew. They could only look so similar before it becomes suspicious. They have a really cute father-son bonding moment 😭. "Is there anything you wished of me?" "Well, I had wished you would've been more handsome." "Well, at least I have my mom's voice." "You certainly do. You would have been the best tenor in the world." Erik begs Carriere not to let him be captured by the police. To be shown off like a freak or monster. He wants to die in peace. Carriere agrees and attempts to escort him down to the catacombs.

Christine finds them as they attempt to make their way across stage and tries to apologize only to be horrified to see Erik's been shot. Phillipe (who's still following her) finds them and attempts to apprehend Erik. They brawl and Erik pulls a knife on Phillipe, but in his weakened state is unable to do anything and tries to run away instead. They find themselves brawling on the second floor walkways. Leroux tells his men to capture Erik alive. Erik tosses Phillipe over the balcony and he hangs on for dear life. Erik's about to push him off, but Christine begs Erik to save him. That she knows he isn't like this. Erik hesitates, but ultimately chooses to pull Phillipe back up, but also finds himself surrounded in the process. With no means of escape left, he grabs a nearby rope and attempts to swing over to where Christine is, but fails becoming trapped on the rope. He screams for Carriere to help him and Carriere steals a gun, threatening those who are around to back off. Erik begs Carriere to shoot him, he promised to allow Erik to die in peace, to not let him get captured. Carriere hesitates, but ultimately shoots Erik in the chest. Erik falls to the floor, not yet dead, but soon to be so. Carriere requests Leroux get everybody out of the opera house, that he'd explain everything later. Leroux says he can't do that, but Carriere whispers something in his ear and Leroux clears out the building. Christine runs over to Erik and stays with him. He asks her to sing and she does, taking off his mask and seeing him "for real" for the first and last time. He passes away as the song ends and Christine and Carriere cry for him.

AND THAT'S IT! THAT'S LIKE 90% OF THE MUSICAL! Some things I loved but wasn't really sure where to mention in the summary:

Carlotta and Alain are the funniest duo and extremely cheesy kind of lovey dovey. They will unironically call each other their "Cutie" and "Itty bitty little guy"

The actress that I saw who plays Carlotta is really good at singing bad and is perfect.

I'd say Erik in this is in his early to mid twenties with Christine being about the same

Phillipe co-owns a famous champagne company

Carlotta often laments that she has to do EVERYTHING as a diva and complains how she's "only" able to sleep 10 hours a day.

Erik has a lot of different masks which are all both a real mask and a symbolic mask. There's a winged one which he wears during the introduction that's kind of his "mysterious" one. A crown mask for when he feels particularly triumphant. A black one which he wears when he kills people. A half face white mask with a teardrop shape decal that he wears when he's feeling particularly sad. And his "normal" mask (the half face white one) which he wears when he's being more genuinely himself.

This is one of the few times I genuinely wholeheartedly ship Christine/Erik. They deserve each other and love each other and ueue

Phillipe is also a womanizer. There's that. He also felt more like a main side character than a main character which I think helped him in the end. You didn't need to know much about him except he's rich and he likes Christine and Christine ends up rejecting him by swearing her love for another.

Like I said in the beginning I love this musical. It's so fun, it's a really good mix of comedic moments with serious moments. Erik is really endearing and feels more human (?) than in PotO. Also Christine and Erik's relationship doesn't feel stockholms-y/pity-y at all. They genuinely learned to love each other. Erik is also much less stalkery about everything, holding their lessons in person and asking if she wants lessons in person and actually considering letting her go if she loves Phillipe. He's so nervous around Christine because he wants to make a good impression 😩 And Christine voluntarily chooses to stay which makes her running away hit so much harder. The music is also banger, costuming is amazing, the ballet sections were gorgeous, and all the other characters (not just erik) felt really human. 10/10 would highly recommend :D

Erik is definitely going on the "yea, he murdered people, but he didn't do anything wrong" list

[axeknee]

Well I stopped reading for a little bit to focus more on other things but I did really enjoy it, as well as making art of it. So here's the list of books I read, in order, as part of my incomplete bucket list (read 50, 100, 500 books) that I will try to make art of eventually, with completed art marked *

1. The Ballad of Songbirds and Snakes* by Suzanne Collins

2. The Cure for Dreaming by Cat Winters

3. The Chalk Man* by C. J. Tudor

4. The Incarnations* by Susan Barker

5. The Faceless Old Woman Who Secretly Lives In Your Home by Joseph Fink and Jeffrey Cranor

6. The Girl With All The Gifts* by M. R. Carey

7. Apt Pupil by Stephen King

8. A Marvellous Light* by Freya Marske

9. Shawshank Redemption* by Stephen King

10. Witchmark* by C. L. Polk

11. Hollow Kingdom by Kira Jane Buxton

12. The Bone Season by Samantha Shannon

13. The Need by Helen Phillips

14. The History of Mischief by Rebecca Higgie

15. Gallowglass by S. J. Morden

16. Prince of Fools by Mark Lawrence

17. Piranesi by Susanna Clarke

18. Iron Widow by Xiran Jay Zhao

19. Song of Achilles by Madeline Miller

20. The Liar's Key by Mark Lawrence

21. The Wheel of Osheim by Mark Lawrence

22. Silver In The Wood by Emily Tesh

23. Annihilation by Jeff Vandermeer

[grey-gardens]

https://www.veranda.com/decorating-ideas/house-tours/a42045998/grey-gardens-home-tour/

Inside Liz Lange's Glamorous Restoration of Grey Gardens

The fashion entrepreneur has restored the East Hampton landmark with bold confidence, singular style, and a little swagger.

STEELE THOMAS MARCOUX PUBLISHED: DEC 15

Liz Lange does not believe in ghosts. In fact, she’s dismissive when asked whether Grey Gardens, the 1901 East Hampton, New York, estate she and her husband recently restored, is haunted. “I didn’t expect to see ghosts because I simply don’t believe in them,” the creative director and chief executive officer of women’s luxury fashion and lifestyle brand Figue says of what it felt like to move in.

Which isn’t to say the past is not present at Grey Gardens. Shortly after purchasing the home in late 2017, the fashion entrepreneur embarked on an extensive restoration of the storied estate, working with architecture firms Ferguson & Shamamian and Bories & Shearron to modernize the operation of the house while preserving much of its original design.

This involved digging a full basement to conceal contemporary mechanical and other functional spaces, shoring up the home’s foundation and structure, protecting original elements like the Dutch front door and foyer banisters during construction for restoration and, when needed, reconstruction, and adding back period-appropriate details like diamond-paned windows and doors with restoration glass—all while leaving the house’s footprint and exterior design nearly unchanged. “Liz and her husband knew that the architectural background they wanted to live in was the one that was built in 1901,” says architect Mark Ferguson, whose firm oversaw the restoration.

Plans for the original house—an L-shaped, shingle-clad structure with dramatic gabled rooflines and brick chimneys, faint echoes of the English Arts and Crafts vernacular that seeded the American Shingle Style—were designed by architect Joseph Greenleaf Thorpe and commissioned by Fleming Stanhope Phillips. But Phillips died before his vision was realized. Instead his wife, Margaret Bagg Phillips, who famously inherited his estate after fending off challenges to the will from Phillips’s brother, built the house later that year.

To summon the spirit of the original house, Lange changed its flow as little as possible. While some minor floor plan reconfigurations were necessary for the house to live at today’s standards—opening the kitchen to a breakfast room, adding a back stairwell—other alterations, like punching out attic dormer windows on the street side, were avoided to retain the integrity of the original building. Says Lange: “One of the reasons it still feels like an old house is that we forced ourselves not to make it perfect perfect. The floors still creak a little bit, and they are not entirely level.”

The thoughtful revival of its gardens is but another invocation of the property’s past. Lange worked with landscape architect Deborah Nevins on a thorough overhaul of the grounds, planting new gardens in some places and restoring historic elements in others, and facilitating as much outdoor living as possible. Most notably Nevins restored the walled garden, pergola, and thatched garden hut, which had been added by prominent horticulturalist and author Anna Gilman Hill, the second owner of Grey Gardens (from 1913 to 1924) and the first to describe it as such. When reflecting on the garden spaces, Lange describes a distinctive magic. “There’s almost a quietness and you feel like you don’t even know where you are. It has this strangely magical, peaceful, beautiful atmosphere.”

Perhaps ironically Lange’s family history in East Hampton—childhood summers and weekends spent in a rigorously modern house by architect Charles Gwathmey—fueled her passion for Grey Gardens in the first place. “I loved it,” she says of her parents’ home, “but it was not lost on me that the other houses on the street were these older houses…often Shingle Style cottages built at the turn of the 20th century with mature properties and older trees. I grew to think that I wanted a house like that when I had my own.”

It was her love of the house, not its provenance, Lange insists, that prompted her to buy when it came up for sale. She and her husband had rented the house for a summer several years prior and had become smitten with its details, proportions, layout, and gardens. “The landscape struck me as familiar,” she says. “The flow of the rooms just made sense, and it has a really cozy feel, and it’s a very bright house. I worried about it feeling dark, maybe in that haunted way although I don’t believe it’s haunted, but it doesn’t. It’s a very sunshine-y, happy house.”

Lange, who hails from a family who experienced very public financial booms and busts (as she chronicles in The Just Enough Family, her podcast with friend and journalist Ariel Levy) and who became a household name at a relatively early stage in her career with the success of her eponymous maternity brand, is the sixth in a string of prominent, artistic, even visionary women to inhabit the house, each casting a reflection of herself within its design. She bought it from author Sally Quinn, who, along with husband and Washington Post executive editor Ben Bradlee, brought the house back from its near-condemned state, restored many period pieces that came with it, and summered there for more than 30 years, hosting legendary parties with star-studded guest lists until Bradlee passed away in 2014.

The Washington power couple had purchased the estate in 1979 from Edith Bouvier Beale. “Little Edie” lived with her mother, Edith “Big Edie” Ewing Bouvier Beale, at Grey Gardens from the early 1950s until the elder Edie’s death, both in increasing isolation and squalor as they ran out of money to maintain the estate. The juxtaposition of their flamboyant personalities with their decaying, animal-infested environment was exposed in the 1975 cult-classic documentary film Grey Gardens—and has been memorialized many times over in other films, books, and even a 2006 Broadway musical.

Today the interiors of Grey Gardens are a far cry from dereliction—or even the gently worn summer cottage aesthetic one might expect to find inside a century-old shingled seaside home. Instead different essences of femininity filter throughout: A dreamy, romantic spirit pervades the bedrooms; the kitchen, breakfast room, and pool and tennis cabana effuse a bohemian, almost exotic élan; and the wild foyer, sultry dining room, and groovy living room radiate an irresistible gusto not all that dissimilar from the 1960s, ’70s, and ’80s style celebrated to enthralling effect on Lange’s Instagram feed.

It’s a singular mirroring of Lange’s persona and the result of her collaboration with designer Mark D. Sikes, artists and artisans from around the world, and close friend and designer Jonathan Adler, who helped her add a layer of glamour to the living spaces on the first floor. “It’s a lot to live up to, such a famous house, so the decorating had to be bold and original,” says Adler. “Liz has always embodied a true idiosyncratic style with swagger. You can see it in the way she lives and in [her creative direction of] Figue,” which has launched a line of tableware under Lange’s lead.

Of course, idiosyncratic style has permeated the house from the beginning. “A lot of Shingle Style is a reinvention of something else. It’s a vehicle for dabbling in eccentricities,” notes architect James Shearron. “How wonderful that Grey Gardens fell into the hands of someone who has the same kind of spirit as its most famous owner.”

Even with a thoroughly reimagined point of view, the house is not entirely exorcised of the Edies’ presence. Lange tasked a handful of artists with interpreting their spirit: In the foyer, a painting of Little Edie in a headscarf by Helen Downing offers a charismatic greeting, while the second-story landing features papier-mâché busts of Big and Little Edie by artist Mark Gagnon; illustrations of the pair by Jason O’Malley float above a guest room headboard. The works represent “a wink or nod to the former owners,” says Lange—or ghosts, perhaps, of her own making.

Featured in our January/February 2023 issue. Interior Design by Jonathan Adler and Mark D. Sikes; Architecture by Bories & Shearron Architecture and Ferguson & Shamamian; Landscape Design by Deborah Nevins; Photography by Pascal Chevallier; Styling by Hilary Robertson; Produced by Cynthia Frank and Brad Comisar; Florals by The Bridgehampton Florist; Written by Steele Thomas Marcoux

[stlhandyman]

Supreme Court, U.S FILED In The OCT 2 2022 Supreme Court ofthe United States  RALAND J BRUNSON, Petitioner,

Named persons in their capacities as United States House Representatives: ALMA S. ADAMS; PETE AGUILAR; COLIN Z. ALLRED; MARK E. AMODEI; KELLY ARMSTRONG; JAKE AUCHINCLOSS; CYNTHIA AXNE; DON BACON; TROY BALDERSON; ANDY BARR; NANETTE DIAZ BARRAGAN; KAREN BASS; JOYCE BEATTY; AMI BERA; DONALD S. BEYER JR.; GUS M. ILIRAKIS; SANFORD D. BISHOP JR.; EARL BLUMENAUER; LISA BLUNT ROCHESTER; SUZANNE BONAMICI; CAROLYN BOURDEAUX; JAMAAL BOWMAN; BRENDAN F. BOYLE; KEVIN BRADY; ANTHONY G. BROWN; JULIA BROWNLEY; VERN BUCHANAN; KEN BUCK; LARRY BUCSHON; CORI BUSH; CHERI BUSTOS; G. K. BUTTERFIELD; SALUD 0. CARBAJAL; TONY CARDENAS; ANDRE CARSON; MATT CARTWRIGHT; ED CASE; SEAN CASTEN; KATHY CASTOR; JOAQUIN CASTRO; LIZ CHENEY; JUDY CHU; DAVID N. CICILLINE; KATHERINE M. CLARK; YVETTE D. CLARKE; EMANUEL CLEAVER; JAMES E. CLYBURN; STEVE COHEN; JAMES COMER; GERALD E. CONNOLLY; JIM COOPER; J. LUIS CORREA; JIM COSTA; JOE COURTNEY; ANGIE CRAIG; DAN CRENSHAW; CHARLIE CRIST; JASON CROW; HENRY CUELLAR; JOHN R. CURTIS; SHARICE DAVIDS; DANNY K. DAVIS; RODNEY DAVIS; MADELEINE DEAN; PETER A. DEFAZIO; DIANA DEGETTE; ROSAL DELAURO; SUZAN K. DELBENE; Ill ANTONIO DELGADO; VAL BUTLER DEMINGS; MARK DESAULNIER; THEODORE E. DEUTCH; DEBBIE DINGELL; LLOYD DOGGETT; MICHAEL F. DOYLE; TOM EMMER; VERONICA ESCOBAR; ANNA G. ESHOO; ADRIANO ESPAILLAT; DWIGHT EVANS; RANDY FEENSTRA; A. DREW FERGUSON IV; BRIAN K. FITZPATRICK; LIZZIE LETCHER; JEFF FORTENBERRY; BILL FOSTER; LOIS FRANKEL; MARCIA L. FUDGE; MIKE GALLAGHER; RUBEN GALLEGO; JOHN GARAMENDI; ANDREW R. GARBARINO; SYLVIA R. GARCIA; JESUS G. GARCIA; JARED F. GOLDEN; JIMMY GOMEZ; TONY GONZALES; ANTHONY GONZALEZ; VICENTE GONZALEZ; JOSH GOTTHEIMER; KAY GRANGER; AL GREEN; RAUL M. GRIJALVA; GLENN GROTHMAN; BRETT GUTHRIE; DEBRA A. HAALAND; JOSH HARDER; ALCEE L. HASTINGS; JAHANA HAYES; JAIME HERRERA BEUTLER; BRIAN HIGGINS; J. FRENCH HILL; JAMES A. HIMES; ASHLEY HINSON; TREY HOLLINGSWORTH; STEVEN HORSFORD; CHRISSY HOULAHAN; STENY H. HOYER; JARED HUFFMAN; BILL HUIZENGA; SHEILA JACKSON LEE; SARA JACOBS; PRAMILA JAYAPAL; HAKEEM S. JEFFRIES; DUSTY JOHNSON; EDDIE BERNICE JOHNSON; HENRY C. JOHNSON JR.; MONDAIRE JONES; DAVID P. JOYCE; KAIALPI KAHELE; MARCY KAPTUR; JOHN KATKO; WILLIAM R. KEATING; RO KHANNA; DANIEL T. KILDEE; DEREK KILMER; ANDY KIM; YOUNG KIM; RON KIND; ADAM KINZINGER; ANN KIRKPATRICK; RAJA KRISHNAMOORTHI; ANN M. KUSTER; DARIN LAHOOD; CONOR LAMB; JAMES R. LANGEVIN; RICK LARSEN; JOHN B. LARSON; ROBERT E. LATTA; JAKE LATURNER; BRENDA L. LAWRENCE; AL LAWSON JR.; BARBARA LEE; SUSIE LEE; TERESA LEGER FERNANDEZ; ANDY LEVIN; MIKE LEVIN; TED LIEU; IV ZOE LOFGREN; ALAN S.LOWENTHAL; ELAINE G. LURIA; STEPHEN F. LYNCH; NANCY MACE; TOM MALINOWSKI; CAROLYN B. MALONEY; SEAN PATRICK MALONEY; KATHY E. MANNING; THOMAS MASSIE; DORIS 0. MATSUI; LUCY MCBATH; MICHAEL T. MCCAUL; TOM MCCLINTOCK; BETTY MCCOLLUM; A. ADONALD MCEACHIN; JAMES P. MCGOVERN; PATRICK T. MCHENRY; DAVID B. MCKINLEY; JERRY MCNERNEY; GREGORY W. MEEKS; PETER MEIJER; GRACE MENG; KWEISI MFUME; MARIANNETTE MILLER-MEEKS; JOHN R. MOOLENAAR; BLAKE D. MOORE; GWEN MOORE; JOSEPH D. MORELLE; SETH MOULTON; FRANK J. MRVAN; STEPHANIE N. MURPHY; JERROLD NADLER; GRACE F. NAPOLITANO; RICHARD E. NEAL; JOE NEGUSE; DAN NEWHOUSE; MARIE NEWMAN; DONALD NORCROSS; ALEXANDRIA OCASIO-CORTEZ; TOM O'HALLERAN; ILHAN OMAR; FRANK PALLONE JR.; JIMMY PANETTA; CHRIS PAPPAS; BILL PASCRELL JR.; DONALD M. PAYNE JR.; NANCY PELOSI; ED PERLMUTTER; SCOTT H. PETERS; DEAN PHILLIPS; CHELLIE PINGREE; MARK POCAN; KATIE PORTER; AYANNA PRESSLEY; DAVID E. PRICE; MIKE QUIGLEY; JAMIE RASKIN; TOM REED; KATHLEEN M. RICE; CATHY MCMORRIS RODGERS; DEBORAH K. ROSS; CHIP ROY; LUCILLE ROYBAL-ALLARD; RAUL RUIZ; C. A. DUTCH RUPPERSBERGER; BOBBY L. RUSH; TIM RYAN; LINDA T. SANCHEZ; JOHN P. SARBANES; MARY GAY SCANLON; JANICE D. SCHAKOWSKY; ADAM B. SCHIFF; BRADLEY SCOTT SCHNEIDER; KURT SCHRADER; KIM SCHRIER; AUSTIN SCOTT; DAVID SCOTT; ROBERT C. SCOTT; TERRI A. SEWELL; BRAD SHERMAN; MIKIE SHERRILL; MICHAEL K. SIMPSON; ALBIO SIRES; ELISSA SLOTKIN; ADAM SMITH; CHRISTOPHER H. V SMITH; DARREN SOTO; ABIGAIL DAVIS SPANBERGER; VICTORIA SPARTZ; JACKIE SPEIER; GREG STANTON; PETE STAUBER; MICHELLE STEEL; BRYAN STEIL; HALEY M. STEVENS; STEVE STIVERS; MARILYN STRICKLAND; THOMAS R. SUOZZI; ERIC SWALWELL; MARK TAKANO; VAN TAYLOR; BENNIE G. THOMPSON; MIKE THOMPSON; DINA TITUS; RASHIDA TLAIB; PAUL TONKO; NORMA J. TORRES; RITCHIE TORRES; LORI TRAHAN; DAVID J. TRONE; MICHAEL R. TURNER; LAUREN UNDERWOOD; FRED UPTON; JUAN VARGAS; MARC A. VEASEY; FILEMON VELA; NYDIA M. VELAZQUEZ; ANN WAGNER; MICHAEL WALTZ; DEBBIE WASSERMAN SCHULTZ; MAXINE WATERS; BONNIE WATSON COLEMAN; PETER WELCH; BRAD R. WENSTRUP; BRUCE WESTERMAN; JENNIFER WEXTON; SUSAN WILD; NIKEMA WILLIAMS; FREDERICA S. WILSON; STEVE WOMACK; JOHN A. YARMUTH; DON YOUNG; the following persons named are for their capacities as U.S. Senators; TAMMY BALDWIN; JOHN BARRASSO; MICHAEL F. BENNET; MARSHA BLACKBURN; RICHARD BLUMENTHAL; ROY BLUNT; CORY A. BOOKER; JOHN BOOZMAN; MIKE BRAUN; SHERROD BROWN; RICHARD BURR; MARIA CANTWELL; SHELLEY CAPITO; BENJAMIN L. CARDIN; THOMAS R. CARPER; ROBERT P. CASEY JR.; BILL CASSIDY; SUSAN M. COLLINS; CHRISTOPHER A. COONS; JOHN CORNYN; CATHERINE CORTEZ MASTO; TOM COTTON; KEVIN CRAMER; MIKE CRAPO; STEVE DAINES; TAMMY DUCKWORTH; RICHARD J. DURBIN; JONI ERNST; DIANNE FEINSTEIN; DEB FISCHER; KIRSTEN E. GILLIBRAND; LINDSEY GRAHAM; CHUCK GRASSLEY; BILL HAGERTY; MAGGIE HASSAN; MARTIN HEINRICH; JOHN HICKENLOOPER; MAZIE HIRONO; JOHN HOEVEN; JAMES INHOFE; RON VI JOHNSON; TIM KAINE; MARK KELLY; ANGUS S. KING, JR.; AMY KLOBUCHAR; JAMES LANKFORD; PATRICK LEAHY; MIKE LEE; BEN LUJAN; CYNTHIA M. LUMMIS; JOE MANCHIN III; EDWARD J. MARKEY; MITCH MCCONNELL; ROBERT MENENDEZ; JEFF MERKLEY; JERRY MORAN; LISA MURKOWSKI; CHRISTOPHER MURPHY; PATTY MURRAY; JON OSSOFF; ALEX PADILLA; RAND PAUL; GARY C. PETERS; ROB PORTMAN; JACK REED; JAMES E. RISCH; MITT ROMNEY; JACKY ROSEN; MIKE ROUNDS; MARCO RUBIO; BERNARD SANDERS; BEN SASSE; BRIAN SCHATZ; CHARLES E. SCHUMER; RICK SCOTT; TIM SCOTT; JEANNE SHAHEEN; RICHARD C. SHELBY; KYRSTEN SINEMA; TINA SMITH; DEBBIE STABENOW; DAN SULLIVAN; JON TESTER; JOHN THUNE; THOM TILLIS; PATRICK J. TOOMEY; HOLLEN VAN; MARK R. WARNER; RAPHAEL G. WARNOCK; ELIZABETH WARREN; SHELDON WHITEHOUSE; ROGER F. WICKER; RON WYDEN; TODD YOUNG; JOSEPH ROBINETTE BIDEN JR in his capacity of President of the United States; MICHAEL RICHARD PENCE in his capacity as former Vice President of the United States, and KAMALA HARRIS in her capacity as Vice President of the United States and JOHN and JANE DOES 1-100.  

https://www.supremecourt.gov/DocketPDF/22/22-380/243739/20221027152243533_20221027-152110-95757954-00007015.pdf

[burlveneer-music]

The Crossing - Carols After a Plague - Donald Nally’s vocal ensemble performs new works by Tyshawn Sorey, Shara Nova, Edith Canat de Chizy, Joseph C. Phillips Jr, L.J. White, Samantha Fernando, Leila Adu-Gilmore, Vanessa Lann, & Viet Cuong

Throughout its history, the Philadelphia based contemporary chamber choir The Crossing, led by conductor Donald Nally, has championed works that address social, political, and environmental issues. So it is consistent with the group’s history and mission that their latest release, Carols After a Plague, takes a broad view of our collective experience of the recent pandemic era, inviting twelve composers to look inward and engage with some of myriad ways in which the last few years have forced all of us to confront difficult realities and gain strength from solidarity with one another. The result is a moving tribute to the resilience of communities and a clarion call to renew our collective commitment to justice. Interwoven throughout the twelve newly commissioned choral works are a prelude and twelve interludes composed by conductor Donald Nally that create a ritualistic scaffolding for the larger works. Soulful trumpet lamentations, haunting marimba rolls, brilliant splashes of vibraphone color, evocative mandolin melodies, and tolling bells, among other textures, establishe an anchor for the contrasting sound scapes of the other repertoire, unifying the collection into one larger album length work. - Dan Lippel Donald Nally, conductor Kevin Vondrak, assistant conductor John Grecia, keyboards Mark Livshits, guest rehearsal accompanist Michael Jones, trumpet Daniel Schwartz and Ted Babcock, marimba Karen Blanchard, Micah Dingler, Joanna Gates, and Kyle Sackett, percussion and paper Kevin Vondrak, mandolin Donald Nally, interludes composer Carols after a Plague was recorded August 29 through September 2, 2021, and August 11, 2022, at St. Peter’s Church in the Great Valley, Malvern, Pennsylvania Artwork: “The New Normal” (cover), “Astronaut Terrier,” and “Big Fish” by Sasan Pix (2021) sasanpix.com Design: Marc Wolf, marcjwolf.com