Hello there! Just wanted to mention that I absolutely adore your blog, your insights are true gems.
I recently found that one of my favorite characters in a story I was reading was someone I would actively avoid and wish to never meet in real life, so I wanted to ask: Are there any bl boys you loved in their series (maybe also were your favorites) but whom you would not want to meet or would actively avoid in real life?
Thank you!
BL boys I loved in their show but would actively avoid IRL
Most of the high school students in BL. Teen drama is EXHAUSTING.
Honorable mention:
Mostly any of the leads in any Chinese BL, censored or not. They just too unhinged and obsessed.
Most of the ukes in campy Japanese BL.
Any and all cop, law enforcement, mafia, criminal, and assassin characters.
Any character played by Zee, Mew, or Krist.
The entire cast of Only Friends.
(see tags for names of shows)
(source)
No intention of keeping this updated so current as of September 2023. Only BLs that completed before that date are included.
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2024 Watch List pt3
Takura-kun & Amagi-kun - This has lots of the Japanese traits that I don’t always love but I did find myself warmed by it. It’s basically two boys being teenage and idiotic whilst learning how to love and be loved. I really liked the two besties in this. 3/5 (13/3/24)
Although I love you, and you? - Apparently this is wildly different from the manga so people were hating on it but, with zero knowledge of the manga, I have to say I enjoyed it. Very silly but had a nice emotional depth to it and Sakae & Soga made for interesting leads. Also loved the little found family of friends and bar regulars. 3 ½/5 (15/3/24)
One Room Angel - This could really only be Japanese. Beautiful, bittersweet and healing this does come with a lot of trigger warnings but if you can stomach it’s darker elements it’s really worth the journey. 4/5 (26/3/24)
Love is science (BL cut) - Just about an hour on YouTube this was delightful. Undoubtedly would not have enjoyed all the different het storylines but these two should have been a show on their own. Just lush. (No rate because it’s a cut. 28/3/24)
Senpai this can’t be love - Errm. Elements I really liked, and I don’t think it’s anywhere near as bad as some make it out to be, but it did have a very naff ending and they deserved a better kiss. These two were cute but probably not one I’ll reach to rewatch. 3/5 (30/3/24)
WaterBoyy - I really only watched this because I’m a dumbass with completionist tendencies. It’s a show? The story and script are absolutely insane. There is so much het nonsense, which I entirely skipped, weird dated language and extremely 2017 dubcon. I can give a lot of old shows a pass for being of their time but this is bad even by 2017 standards. I’ll give it a half point for being moderately well acted. But that’s it. 1/2 (1/4/24)
Our Dating Sim - Very cute. Packed a surprising amount of story into a short time frame. Also delivered some nice kisses. 3/5 (2/4/24)
Jun & Jun - Enjoyed most of this. Episodes 5 & 6 felt a little redundant. Great kisses, much higher heat than standard for a K BL. Would have loved more from the manager & idol pairing, they had an interesting history and I’d like to have seen them a little more developed. I could understand why no man could resist Lee Jun’s face, a 100% cutie. 3/5 (3/4/24)
Love is better the second time around - Much to love about this one. The acting all round was stunning, Aloha as Senpai’s bitchy assistant was hilarious and I need him in a main BL role again soon, the leads were able to tell whole stories in subtle facial expressions. I think the end was satisfying but I did feel like it could have used 8 episodes instead of 6. 4/5 (10/4/24)
Unknown - Quite the surprise. I’m a little hesitant with the pseudo incest, brother lover whatever the hell you want to call it trope. But this was done beautifully well. A mild melodrama with slice of life and found family at its core this is wholly worth your time and I loved it a lot. 5/5 (20/4/24)
We Best Love (1) - I definitely did enjoy this but it also didn’t overly wow me. Shu Yi is my perfect brand of arrogant stupidity wrapped up in a pissed off little cat package so he was an easy and delightful sell for me. Also obsessed with the cousin doctor. Sam Lin and Yu have extremely good chemistry and I’m excited to watch the second series. 3 ½/5 (29/4/24)
Two Worlds - This was silly and pulpy from the get go and stayed that way. The holes have holes in this and the ending was very expected but, having said all this, I still very much enjoyed myself. Wandee knows that mindless pulp & MaxNat are a great combo and truly it is. Would make an easy, delicious spam. 3/5 (16/5/24)
Boys be brave - This felt more Japanese than Korean in some parts? Lots of character examination and broken boys being stubborn. (100% more so in the secondary pairing which really never got explored enough for my tastes.) Overall I found this very enjoyable and it didn’t entirely fluff its ending up. 3 ½/5 (16/5/24)
23.5 - I don’t think this is without its issues but the things it did well I feel it did really well. The teens in this were authentically stupid and all their problems were also accurately teen. Ignore reviews telling you the writing is bad, it isn’t, it’s just extremely specifically teen. None of the problems the girls have are relatable for adults honestly but if you’re someone who never outgrew your teen angst or is just able to remember that period well you’ll enjoy this. Milk & Love were superb as was the entire cast. I’d love more light GL stories like this one and less melodrama and sadness. 3 ½/5 (24/5/24)
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I finished AC: Odyssey and the amount of RAGE I felt when watching the after-credits was UNREAL.
(Please be warned, there is a very long, angry, slightly incomprehensible rant underneath. Proceed with caution.)
Like, not even touching the fact that Kassandra put Herodotus’s manuscripts in the LIBRARY OF ALEXANDRIA (which made me super mad about the burning of the Library which means that she put it there for NOTHING and his writing is GONE and it makes me EMOTIONAL)
Okay, so I touched on it a little.
But other than that, seeing the little bit at the end? The little “Kassandra’s journey continues in AC: Valhalla”??? Unreal. Absolutely not. I get that she’s immortal (a lie; I really, really don’t and did not appreciate that story line because of the fucking plot holes that gives the rest of the series but it’s fine I’m fine I’m ironing them out as all angry fanfic writers do) but dear lord why is she in another game??
Okay, I have taken a second and reviewed my words. Allow me to rephrase.
I actually really like Kassandra. I think she’s great. I can deal with her outliving everyone (which she DOESN’T DESERVE) and fucking about like the world’s greatest cryptid (srsly do they explain why she never got in contact with the assassins when she so CLEARLY adopted their weapon-of-choice and are aligned in the same damn cause?). Part of me is rubbing my hands together and cackling at all the sand this gives me to play with in the sandbox of canon. Another part of me is screaming and bashing pots and pans together in front of Ubisoft.
Kassandra showing up in another game? Incredible. Fantastic. Start filling in those plot holes immediately. But also? Valhalla is a separate game. (I have my own rant prepared on what I’ve heard about the game, but that is for another day and when I have actually completed the game and have a legitimate soapbox to stand on.)
Please, please inform me if Ezio or… someone? Some other game has an end credit scene with “their journey continues” after everything?
Maybe I’m not the target audience. Maybe I’m too happy with plot to be in the AC fandom. But, dammit, this is where you go to when you want to scream about your opinion and by golly who ever made it this far is going to hear it.
Like, okay, I felt so tired when I saw those words. I was taken right back to the MCU (which I love and adore) and just felt tired. The MCU, at the moment, is churning out, approximately, a fuckton of content at lightning speed. Usually, I can wrap my head around it and move on. But they are leaving no time to digest, very little time (imo) for me to settle into a character and form a connection before the next show/movie/short comes out! And they’re rushing (imo) after COVID with movies that can and should be, I don’t know, pushed back or reviewed or something.
However, I’m deviating a little bit. Sadly, not enough. Because I see those words in Assassin’s Creed, my little comfort murder video game who brought me into the bubble of video games that I didn’t leave and got me attached to these characters, and I am filled with… not even dread; I’m just tired of it.
Like, okay, you start a game with an assassin and Some Guy who happens to be his descendant. Okay, cool. Next game, you introduce another guy, sprinkle references to the first guy, and give the descendant some quirky friends. You then build on this group of people for the next two games (totaling four at this point) before introducing yet another family through the same guy. Then you kill the guy. It is a big, emotional scene, presumably with some implications and effects (affects?) and what-not. But the family stays. The next game, the family stays. But you waffle between protagonists for no less than four games. But at least everything is entwined!! At least you’re going after Juno, the quirky friends from earlier show up and help, everyone gets a sad fun reference through the games.
So then you start over.
You are over ten games into this franchise and you start over. To be fair, it’s with a new protagonist and it feels right. It’s a good decision! It pulls things more mythologically, but it works. Presumably, you’re setting things up. And then you bring up Atlantis. And you introduce an Isu. And there is very little progress in the modern world, even though (again, as far as I am fucking aware) there is a humanity-hating Isu in the internet probably fucking things up for people.
And after all of these games, which focus on death, dying, and the permanence of said death, you make one of the characters immortal. Like. Good sir, are you well? And then you tell me that this immortal character, which throws quite literally everything that was built up over ten-ish games into question, is showing up in the next game. No, no, not showing up, continuing her journey.
There are a few instances that will probably be brought up if anyone has really strong feelings against me disliking this.
Ezio had three games, why does it matter if Kassandra shows up again? Because!! This isn’t!!! Her game!!!! If this was Odyssey 2: Electric Boogaloo, so be it, go for it, very excited for you, honey, you’re doing great. But this is Eivor’s game. As in, about Eivor and their journey.
Well, what about Altair in Revelations? It’s basically the same thing and you liked that game? Yes, I did like that game. I liked it very much. But Altair had something going for him that Kassandra does not. Altair was dead. So very dead. Extremely, extremely dead in a way that does not effect Ezio in any way, shape, or form except as someone to be studied and put to rest. Kassandra? Alive. Very alive. Able to make active changes to her environment (and then they fucking killed her as soon as we figured it out, I swear, Ubisoft, I swear—).
Alright, well, Conner Kenway showed up in Liberation and he was living and breathing? Yeah, as a celebrity guest star. He lead Aveline around, helped her kill some people, stood around awkwardly in the snow, and called it a day. Like, if that is all it is, then my problems are zilch. You can ignore this whole rant and sit smugly with the knowledge that you have a good told-you-so ready as soon as I finish Valhalla. But dammit you don’t phrase things like Marvel if they only make a guest appearance (and if that is a thing, then shame on you. Keep the surprise).
I would like, as a fun change of pace, for game plots (if applicable) to be thought out. Just a little. Maybe even, and this is where I get ‘em, connected. I would like to see wtf Juno is up to at the moment. I would like to see Shaun and Rebecca again. I would like a tangible plot that connects all of the games and characters together in a way better than aesthetic.
But, again, that is more my personal grievances with the modern missions that needs it’s own angry rant.
Kassandra, sweet murder darling Kassandra, is really trying my patience here. Ideally, I play Valhalla, find out that the Abstergo and the Juno storylines were picked up, Kassandra shows up for a hot minute before fucking off to who-knows-where, and this whole rant is for nothing. Heck, I’d take one of the three at this point. Because, and I think I’ve tagged it now, I’m interested in their independent journeys.
Now, admittedly this gets a bit sketchy when talking about the Assassins. They’re like Batman. Everyone thinks they work alone until you look behind them and there is an army of adopted/blood family backing them up and doing their own thing.
AC1 is about Altair’s redemption. It’s also about Malik’s long hard road to forgiveness. If you really want to dip deep, it’s also Maria’s break-out role and Al Mualim’s descent into madness. Ezio’s trilogy is the rise of the Italian brotherhood and Ezio’s quest for vengeance, justice, and knowledge respectively. You can also find his mother and her dealings with grief, Claudia and her own coming-of-age story, as well as Leonardo’s grappling with the outcomes of his inventions. AC3 was about Connor’s work-life balance as he pursued vengeance and protecting the colonies through helping the revolution and his own little homestead. It was also intertwined with Achilles coming to terms with all of the death that preceded his life with Connor.
I could continue, but I think you get the point. My point is, these stories were all about the individuals, their own personal journeys through grief and heartache and morality, as well as their affects (effects?) on the ones surrounding them, the ones closest to them. By introducing Kassandra into Eivor’s tale, it takes away some of that individuality.
Kassandra already told her tale. (Hell, you fucking picked her tale out for her. But that is a can of worms I’ll explain later.) This is where the torch gets metaphorically passed and Eivor learns their own lessons. While these games are very much stab/slash/kill games, they are also about the meaning of choice and responsibility (especially when dealing with death). They push that these moral lessons are something that should be experienced and carefully examined by each individual.
And quite honestly, as long as Kassandra doesn’t get in the way of Eivor’s lessons? If Eivor gets their own tale, their own emotional journey, without clashing with Kassandra’s? Then, yeah. Yeah, I’ll be happy seeing my favorite misthios running around a different time.
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hey! your kpop asks had me wondering which groups do you listen to and who are your biases??
Oh and also any favorite choreographies?
girl do you know what you’ve STARTED 😭 ok let’s get into it:
bts (ot7 but bias yoongi) - fave choreos: run bts, dna, not today, idol, mic drop, dionysus, best of me, boy with luv, on, black swan, dynamite, airplane pt 2, save me/im fine, fake love, fire
seventeen (bias vernon, seungcheol, mingyu, and dk) - fave choreos: aju nice, hot, rock with you, cheers, _world, left and right, don quixote, super, fire, idubily
stray kids (bias han) - fave choreos: thunderous, domino, lalalala, maniac, back door, gods menu, easy
ateez (bias wooyoung and mingi) fave choreos - say my name, halazia, bouncy, crazy form, cyberpunk, deja vu, illusion
other groups i listen to more casually + am less familiar with are the rose (no bias and no choreo so can’t put them in the above list), txt (maybe bias yeonjun?), enhypen (bias sunghoon), nct (bias xiaojun, mark, jaehyun, and taeyong), g-idle (bias yuqi), twice (bias jihyo and dahyun)
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