#just another appreciation post

[misspoetree]

You know how this works: every time we get to see Tay, I have to make an appreciation post about him.

Especially if he's wearing a beautiful, comfy, soft boy outfit.

I didn't make the rules. 😌

[d-trashbandicoot]

[russenoire]

i don't think the background art in mob psycho 100's anime adaptation gets nearly enough love. it's full of mundane objects depicted in the most exquisite watercolors.

like this electrical pole here. with its giant soup can-like transformer and attendant power lines against a cloudy twilight sky, all shot through with vibrant pink and lilac and creamy butter yellow.

not only does this painting–and it is a painting–bring new meaning to the phrase 'golden hour', it's still one of the most glorious things i've ever laid eyes on. and you might pass one of these utility poles every day without a second glance. since seeing this image? i haven't been able to.

this is a single frame of animation. there are hundreds of thousands more in this series, maybe just as beautiful. i wanted to call your attention to this one. just because.

it reminds me to pay attention.

to notice, and keep noticing, the beauty in ordinary things (and beings!).

[foolishlovers]

MUTUAL PINING FIC RECS: Below you'll find a list of Good Omens fics in which Aziraphale and Crowley are pining for each other.

You can request more fic recs here.

you play with my feelings (right from the start) by PenroseSun (G, 3k)

There were three things of which Crowley was absolutely certain: 1. Aziraphale, being an angel, was required to be kind and loving towards all things, even when those things were flawed or sinful or fallen. 2. Notwithstanding that obligatory kindness, Aziraphale would never, and could never truly love a demon, in any meaningful sense. 3. Despite this, Crowley was desperately, hopelessly, in love with him.

For To Quench My Thirst by apliddell (G, 6k)

After moving to Sussex with Aziraphale, Crowley is trying so hard to be satisfied with friendship and the suddenly beautiful life he already has.

Slow by write_away (T, 9k)

It started like this: A boy with the ability to warp reality met an angel and a demon and he made assumptions. You might say it started like this: An angel and a demon found a marriage contract hung on the wall of the angel's bookshop. They didn't question it. It also could have started like this: Once upon a time, the angel told the demon he went too fast. The demon took it to heart.   Aziraphale and Crowley find themselves somehow married. Crowley fears going too fast. Aziraphale forges ahead. Neither know how to ask questions of each other.

got a pretty face, pretty boyfriend too by KissMyAsthma, leukozyna (T, 9k)

Aziraphale and Crowley are next-door neighbours. They’ve been attracted to each other since they met. The only thing keeping them apart is a thin wall between their bedrooms and Atticus and Freddie, Aziraphale’s and Crowley’s respective life partners… or are they? A human AU glued together by misunderstandings and wet food.

speed limits (and how to break them) by darcylindbergh (E, 13k)

There is a trick people do with a mint candy and a bottle of cola which results in a small eruption, and something very like it, for much higher stakes than a laugh in a car park, is about to take place in Aziraphale’s back room. Or: what happens when you finally unscrew the cap on a six thousand years of repression, and drop in Valentine’s Day.

Something We Were Withholding Made Us Weak by triedunture (M, 17k)

"Yes, exactly. Retire." Aziraphale reaches for the last remaining tartlet brimming with summer berries. "Somewhere along the south coast, perhaps." Or: Crowley and Aziraphale learn to move in tandem.

32 Questions That Lead To Love by ffonippop (E, 32k)

”First formulated in 1997, [32] questions to fall in love is a study by psychologist Dr. Arthur Aron which took place at Stony Brook University, New York. The aim? Speeding up the creation of intimacy between two strangers.” The Cosmopolitan Okay, fine. Crowley was 32-Questions-That-Lead-To-Love-ing Aziraphale. Sue him. He had no expectations, all right? Just, an innocent curiosity.

Flowers From The Grave Of Our Friendship by WaitingToBeBroken (E, 50k)

Crowley is very good at temptation, not so good with what comes afterwards. Aziraphale knows demons don't love so he is happy to take anything Crowley would give him. Both of them are too blind to realize the thing they want is right in front of them.

Fledging by FeralTuxedo (M, 53k)

Cool Dad was at the school gate again. Clambering out of his ridiculous sports car like a great big spider, all black denim and designer sunglasses. What a prat. He made his way towards the entrance, followed by his equally lanky son. All the mums' eyes were on him. Which was fine. At least they weren't staring at Aziraphale for a change. Cool Dad high-fived his son goodbye, because of course he did, then sauntered back to his car. Making it look so bloody easy. Aziraphale Fell is much too young to be looking after eleven-year old Pepper. He barely has his life together as it is, with his minimum-wage job and a half-baked dream of trading rare books for a living. And as if adopting a recently bereaved pre-teen isn’t enough, there are some rather more adult problems to navigate: playground politics, the shadows of his own childhood, and the growing question of how Crowley, the only other dad at the school gate, feels about him. A human AU/kid fic.

Style and Substance by Cabernet_Woebegone (E, 89k)

“But y’know, if my boss finds out I’m helping you even a little, they’re gonna throw me out on my ass.” “Yes, I understand it is a bit of a conflict of interest for you… Is there something I can offer you in return? Something you would like?” Aziraphale questioned hopefully. You, Crowley thought loudly as he took a second sip. I want to know if you moan when you kiss the same way you do when you try something delicious. I want to know if your lips taste like Zinfandel. “Yes, actually.” Aziraphale is having difficulty running his restaurant, and it isn't helping that he believes the place across the street is trying to sabotage him. To his surprise, chef Crowley comes to him on friendly terms. Together they come up with an arrangement that could benefit them both.

On Espionage and Prophecy (or How to Accidentally, but Wholly, Fall in Love With a Soho Bookseller) by RockSaltAndRoll (E, 133k)

1941 is the London Blitz and the year that MI5 really comes into its own with the now infamous ‘double cross’ system. The service keep tabs on suspects, root out enemy agents and try to turn them into doubles. Anthony J Crowley is fucking great at this job. He can be sneaky, underhanded and damn ruthless but also charming and kind. It’s what makes him good at turning. Aziraphale is just a regular Soho bookseller who loves his shop and books and good food and wine when he’s approached by a woman claiming to be MI5, wanting to recruit him for espionage. The poor man is too trusting and gets the shock of his life when he’s approached by a charming but dangerous-looking man also claiming to be MI5. Crowley recruits Aziraphale to double cross a double crosser and Aziraphale takes to espionage like a duck to water. Danger, hijinks, and sex ensue.

Old Vines by sevdrag (E, 189k)

A.Z. Fell, one of the most respected names in wine and food blogging, has been sent on assignment with his assistant Warlock Dowling to spend six months in California Wine Country. Under direction (by his boss, Gabriel) to use this experience to double his blog followers and write a novel, Aziraphale is both excited and anxious about the opportunity. Anthony J. Crowley is the owner and viticulturalist of Ecdyses, a winery that unexpectedly fell into his lap eleven years ago when he hit rock bottom. He may be in debt, yeah, but he’s paying off his loans — and despite pressure from his lenders and their team of inspectors, Crowley has found a kind of contentment tending his little corner of terroir and producing extraordinary wine. Crowley’s old vines are the heart of his vineyard, and he’s never let anyone in. Crowley finds Aziraphale intriguing; Aziraphale finds Crowley enthralling. Turns out a famous wine expert and an experienced viticulturalist can still learn things from each other. The summer of 2019 unfolds.

[guardian-angle22]

911: Lone Star | TK Strand & Carlos Reyes in S4E12

[dorkynerd23]

Some MD Gifs Featuring Uzi Doorman And Serial Designation N. 💜💛✨

[aardvaark]

obsessed w the episode of Bones where they’re telling some wealthy lady with a mini pomeranian that her ex husband is dead and she starts crying and instead of offering any kind of comfort, brennan just takes the dog off her and happily exclaims (and this is verbatim) "he’s so compact!!"

[jestroer]

I havent really thought about how to caption this.... ah, Clethubs! Inspired by MVGFIC AU series by @zombiiehorse Go read it!

[spinjitsuburst]

ramble about ur favs i wanna hear abt ur thoughts -zaptrap

HAN’S INFODUMPING ABOUT JAY... START!!!!

so like sgdkdhdkdhd I say Jay and Lloyd are my “favorites” but honestly it’s so hard to pick favorites out of this skittles squad like I love EVERY character for a variety of different reasons. I was going to also infodump about Lloyd but then I started talking about Prime Empire and then this post got. Long. So. it's just Jay I may infodump about Lloyd another day especially since I'm very Conduit Brained Rn but yea yea!

this is long so i'm putting most of it under the cut so y'all don't kill me for making a huge long post

I considered putting Zane and Sora on here as well since I’d also consider them my “favs” but like this is already gonna be. A lot of. Infodumping (also i typed THIS part before I even started and decided not to yell about Lloyd because this already got long enough). Maybe I’ll make a separate post for those two hmm hmm much to consider but for now MY (technically) FAVORITE NINJAGO CHARACTER: JAY WALKER

THE SPARKPLUG WHO INVADED MY BRAIN LIKE A PARASITE

so hey his name is a pun this makes me laugh ridiculously hard every time I remember he is named. After a misdemeanor HSKSHDKFH

Jay is such an interesting case of a character for me because I started out the show not liking him. Which is. Stares at my entire account I think my feelings have changed somewhat

Jay starts out as an asshole I don’t think anyone can disagree with me there (although honestly they’re all assholes in early ninjago they bullied a ten year old and left him dangling several feet off the ground) but over the course of the show you can see him start developing into a much more interesting character. He goes from being so insecure he's faking everything about himself to someone who knows who he is and is so genuine about it

now yea we could argue about whether his character was too uwu-ified post-season 10 but this is the FUN HAN POST SO WE'RE NOT GONNA TALK ABOUT THAT the point is you can SEE the growth that Jay has gone through and I am going to show you that growth through what I call

✨ The Skybound to Prime Empire Effect ✨

I AM SO PASSIONATE ABOUT THE IDEA THAT PRIME EMPIRE WAS WRITTEN TO BE A DIRECT PARALLEL OF SKYBOUND AND WAS CENTERED ON SHOWING HOW THE NINJA ESPECIALLY JAY HAVE GROWN THROUGHOUT THE SEASON

when season 12 rolls around we are at the point in Jay's development where he is CONFIDENT in who he is. He's a fun-loving jokester with the power of lightning and the drive to help people whenever he can. He uses jokes and humor to help alleviate tension and get people through whatever's happening. And when on his own what does he do?

BECOME AN ENTERTAINER BABEY

i like to think jay's club in prime empire was a safe haven for anyone stuck in the game who figured out hey. we Can't Leave and felt freaked about it. Also Jay would generally try and spread the word that hey something ISN'T RIGHT HERE which would lead people to want to stay with him

(totally plugging my friend's fic but this kind of thing is explored in would you like to enter prime empire by @finn-m-corvex y'all should check it out cool cool)

also the prime empire shorts which i watched all of in the midst of typing this video cuz i love them go watch them please please please jay was publically fighting the red visors which I imagine may have raised some red flags for some players

THIS SOMEHOW TURNED INTO PRIME EMPIRE INFODUMPING LMAO ANYWAYS Jay's confident! He becomes an entertainer because it's who he knows he is! And it's something that will get people hyped and having fun, which is very in-character for Jay to do! He uses those kinds of things to mask the Bad Things going on and get people remembering what's good

I've talked about this sort of thing before but that's Jay's whole philosophy as early as season 9! Which is a DIRECT contrast to how he views it in season 6, as Nadakhan puts it scarily accurately

"You make jokes to mask the fact that you're afraid"

(i was gonna grab a screenshot for that like i did with the hunted scene but netflix has bloCKED THE ABILITY TO TAKE SCREENSHOTS THE WAY I USED TO and i don't have them already and i'm too lazy to grab them from elsewhere so alas trust me he says it)

making jokes to hide your fear and using humor to remind yourself of what's good and coping with the bad are two VERY different outlooks on it

so I think this outlook is what drives him to make this glamrock persona in the first place - this is a bad situation, one he's in with other civilians, and what better way to keep him and themself safe until the others get there than throwing a big performance at a safe place!

also it's just so gender okay I want to look like Superstar Rockin' Jay so badly

it's also interesting to see his outlook on his parents change over time! In season six he finds out Ed and Edna aren't his birth parents and feels upset about it, not understanding why his birth parents would've abandoned him. In season twelve, that outlook changing is EXACTLY why Jay's able to get through to Unagami

"I was abandoned by my parents, too!... I never understood why, and I never had the chance to even ask. But I always hoped there was a good reason. What if there's a reason?"

(again curse you netflix i wanted SCREENSHOTS whatever whatever)

It's this scene that gets Unagami to calm down long enough for Milton Dyer to get there, and presumably is what stops him from just. Flattening him and Jay like a pancake.

to piggyback off of this i absolutely adore how Unagami and Jay consider each other adopted brothers in that one book I still haven't read and I hope he's in Dragons Rising at some point Unagami is my favorite "villain" (no longer a villain) in the whole show he deserves more screentime

like this is where i found out about this and it's plagued my mind ever since. i need to read. this book just for them

SO YEA OKAY Prime Empire is "Who is Jay as a Person Post-Skybound" to me also it opens up so many fascinating things about Jay. I rest my case

so backpedaling a little bit. JAY CARES SO MUCH ABOUT HIS PARENTS GUYS IT'S SO SOFT AND I'M sobs

like yea the first episode with Ed and Edna in it has Jay avoiding them like the plague but this gets explained very easily when you remember he was bullied for his home life before he became a ninja. It makes a lot more sense why he wouldn't want them around his new friends, assuming they'd react the same way. Also how was he supposed to know literally all the rest of the groups parents were either dead, presumed dead, or had a toxic relationship with their kid lmao

(Cole calling his mom kills me. Cole's mom is dead. I know they probably just didn't think that far ahead when writing the dialogue but it's so funny mans pretended to call his dead mom to get on Jay for not appreciating his parents iconic behavior)

anyways literally every episode Ed and Edna are central to (except like the one in skybound) Jay stops at nothing to protect his parents and it means the absolute world to me he's so much like them!! They raised an inventive little nerd and he will stop at nothing to make sure they're safe and it's. It's SO IMPORTANT TO ME OKAY

ALSO this is an excuse to clip my favorite piece of dialogue possibly in the entire show. Except Netflix won't let me now. So you just get the text dialogue

Jay's just fallen from the sky with a messed up eye and is incredibly distraught that all his friends are captured. And his dad just. The woRLD IS FALLING APART AND HE'S EATIN' SOUP-

Ed i love you

anyways

anways anyways this just turned into me rambling about prime empire and then Ed and Edna and a lot of disjointed other stuff but thank you for this opportunity i was going to also ramble about lloyd but i put this post in a word count and

yea i think that's enough for a tumblr post anyways! If anyone wants any like. More logically thought out and direct thoughts about characters feel free to send me asks this was fun thank u @zaptrap for this opportunity to scream about jay

[the-sage-libriomancer]

Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

[misspoetree]

I'm so glad we got blessed with the return of Tay in this episode. 😌

[plulp]

yknow kylar isnt my favorite character but the owl plushie really raised the bar by like maybe 30%

[mexicangela]

okay. so. about tedbecca.

this is long and i apologize i just have thoughts. first, the fakeout in the beginning was cruel. BUT i was willing to forgive because tbh it was kinda funny and i’m not convinced that the “morning after” tension between ted and rebecca didn’t make everyone, everyone, think for just a second that they had slept together. y’know, like, if there was never any chemistry there, why the fakeout to get tedbeccas excited/cut them down and antis worried? did the reason for ted, beard, and jane being there really make a ton of sense? no. therefore, it really does feel like it was just something they wrote in to be mean and, like. come on, guys. why be mean? second, their talk in the stands??? you gotta be fucking kidding me. rebecca welton poured her fucking soul out to ted and he didn’t have a thing to say about it other than that “i’ve already made my decision” bullshit? didn’t even offer her a hand or hug of comfort? how out of character was that? he seemed so stoic through the whole episode, like he was stunted. which, maybe has to do with his being sad about leaving but still it threw me off. jesus, talk about “subverting expectations” or whatever. also, the things rebecca was saying? “you go, i go”? the ultimatum of “either we both stay or we both leave” and then her saying they’d both go only to take it back in the end? be so fucking for real right now. the offer to pay him insane amounts of money then telling him there was really no kind of monetary compensation that could represent how much he meant to the club (and her), the proposed solution to bring his child and his child’s mother over to london for him to stay (it is one thing to offer to get henry over, but to extend the offer to michelle is something else)? those aren’t things regular old friends say/do for each other, i’m sorry. listen, i love my friends but that’s a lot to offer anyone. you really have to love someone to be willing to do all that and cry real tears while begging them to stay, to choose you, to choose the home you’ve made for yourself. third, the airport scene gutted me but AGAIN i was kind of at peace with it. it would have at least left it super open ended and allowed the fanbase to imagine what could have happened afterward, y’know. like the whole “rom-com leave-cute” thing was another mean thing to do because where was the rom or the com about that?? why do that? but like i said, i would have been at peace with it because, dear god, the way rebecca was looking at him (again, ted gave us almost nothing but whatever. not even a tear? ugh.). i mean, she was looking at him like she wanted to say “stay. choose me. choose your own happiness.” also i know she’s loaded but WHO BUYS A FIRST CLASS TICKET JUST TO GET PAST SECURITY ONLY TO SAY GOODBYE TO A GOOD PAL? doesn’t make sense to my little pea brain!!! sudeikis, make it make sense (unfortunately for me and everyone around me i still love him)! there really should have been an “i love you” and not even necessarily in a romantic way. these two are supposed to be soulmates, cosmically connected, there’s not supposed to be one without the other and all we got was…”thank you” and a head nod? like, yes, thank you. thank you for showing me warmth and kindness and grace. thank you for reminding me what my strength looks like. thank you for being there for me. yes, yes, yes, thank you! but an “i love you” really would have been wonderful and i’m actually sad they didn’t get to hear it from each other. fourth, the way nameless boat dude came back in like a fucking generic ass early disney prince was just lame. i thought it was lazy. here we have a rebecca who is devastated that this weird, funny, kindhearted american football coach who shoved himself into her life and her heart has just left to go back to kansas and this little dutch girl trips and suddenly rebecca’s found happiness? it’s frustrating. really, it is. like i’m happy rebecca has a shot at happiness and a family, but she just as well could have had it with ted, who is admittedly very similar to this dutch man. i don’t get it. this is where it well and truly lost me. fifth (this one’s a three parter, sorry), where’s ted’s happy ending? because i don’t think it’s a life of volunteering to coach children’s soccer. i know people have been implying/worrying that ted and michelle reconcile but i don’t see that happening. ted, at his core, is still the man michelle left. he’s still overly optimistic (although we didn’t see that in the finale, like what?), he’s still punny, and let’s be real, he’s still a mess. i didn’t see the resolution to his arc. in fact, returning to kansas feels like a regression. he literally ran from kansas. that’s the whole reason he went to richmond in the first place. what changed? why is he going back now? for henry, yes, of course, that’s understandable. and at the same time, within the show we’ve been shown that the bond of a father and child is not always enough to get dad to stay/be a good and decent father (i.e. ted’s father, i.e. james tartt sr., i.e. rebecca’s father). this isn’t, of course, true for ted and henry, but i think it’s a point to make concerning everyone saying things about the child-parent bond being end-all, be-all. for some people, that’s true. for others, it isn’t. it isn’t a jab at anyone or the parent-child relationship in general, it’s just the truth. this is a coin that has two sides, y’know. got off course there but anyway, henry also could have gone to london, which i think might have been the best thing for him anyway, he seemed to have a good time there and he would have had a whole band of new brothers with all the himbos. michelle isn’t a bad mother by any means, but she’s got her own shit to work through if the whole doctor jacob thing was anything to go by. i also don’t think the show did all that great of a job showing us that henry had this super deep connection with his dad, but maybe that was just me lol. regardless, i still understood the bond and its importance and of course ted wanted to be there for his child. that part does make sense. the way it was gone about felt like a disservice though. ted’s expression at the end there doesn’t scream happy. he looked rather sad to me, like something was weighing on him still. and i’m sure there was. i don’t think he’s at peace with himself yet, or happy. maybe he’ll get happy in kansas. i hope he does. but getting to see rebecca’s “happily ever after” and not ted’s hurt my heart. guess i was hoping they would actually subvert the expectations and have him stay in the home he’d made for himself instead of going back to the place where he lost so much. why did he have to give up his found family and the job he loved (and was still actively learning about!! offsides!!) and the best friend he made and the support system he found (which, no matter your age or your progress, you always need a support system) and the community that had come to love him andandand- all ted did was sacrifice to make other people happy and better and this feels like another sacrifice because his mom guilt tripped him by saying something he already fucking knew (sorry i’m not a fan of dottie). i just don’t get it. how is his happy ending going back to the root of all his problems and staying there? just sucks, really, even if it was always the obvious outcome. sixth, i’m just mad all the signs lead to nowhere. the matchboxes, the army man, the bantr fakeout (will never, ever be over this one), the hotel room fakeout where they cut from rebecca to ted in the room and then he opens the door and it’s sassy, the romcommunism, the soulmatism. it wasn’t all for nothing, of course. their friendship is so important and i love it, but this ending felt like a big fuck you to it too because ted was so…distant. it almost felt like he didn’t care that much that he was leaving rebecca and it makes me super upset. all of this is based on the one-time watch from last night but tbh i don’t know if i can handle watching the episode again right now. it really did hurt, especially the way rebecca looked at him at the airport. tbh nothing can convince me she wasn’t at least a little bit in love with him. and, yes, i know. henry is ted’s everything and that’s so admirable and it’s not all about romance, and it’s not. but just let me believe what i want to believe. let me find the joys in the media i consume and if it’s the hope that two attractive, single, middle aged leads could have gotten with each other in the end and figured out how to be happy together, then so be it. i just hate seeing the hate from all sides, honestly, and a lot of people are legitimately really mean about it when this show is all about being kind. ted lasso is a beautiful series and, at the end of the day, it’s just another piece of media that the audience is free to interpret and pick apart however they want to. me, personally? i will continue to live in my delusional little world where ted and rebecca figure out that they belong together/i will pretend the last 10 minutes of the finale didn’t happen. thanks for coming to my tedtalk.

[brittlebutch]

actually what's funny about the bill and ted trilogy is that the stakes Do keep getting higher with every movie, but it never really feels like they are because no matter what's happening, Bill and Ted always wind up focused solely on the potential damage posed to their families and everything else going on is just noise to them

like in Excellent Adventure, Rufus goes back in time because if something disrupts Wyld Stallyn's development, the basis of his whole society is going to collapse; bill and ted don't care about any of that, they just don't want Ted's dad to ship him off to Alaska because they won't be able to hang out anymore

in Bogus Journey, De Nomolos has this whole multi-step plan to kill Bill and Ted and take over their lives and change the whole timeline to be made in his own image; bill and ted don't care about any of that, they just don't want the princesses to wind up getting hurt (they don't even find out who De Nomolos IS until after he's been arrested)

in Face the Music, the whole timeline is unraveling, the whole of time and space is on the verge of complete collapse, and if they don't manage to pull everything together by the deadline, reality as they know it is going to end; bill and ted don't care about any of that, they just don't want to lose the relationships they have with their wives and daughters

like lol, i really do love it so much

[harvestmoth]

more rejuv things but its. its just this guy again, im sorry shes all i can draw

[mastersprogram]

Will Blum as Dewey Finn!

Bonus of - Alex, Sierra and Andrew with him :)