At this point i'm certain i should not be left alone unsupervised for extended periods of time.. it's not good for my mental state. I'm fully aware of this obejctively, but i don't care about it the slightest.
I forgot a concert i was waiting on for months, i forgot that i was supposed to meet a friend few days ago whom i haven't seen over a year, i regularly forget daily tasks lately, i can't sleep nearly as much as i used to, which wasn't much to begin with, i have thoughts and dreams i should not have. I skipped a week at work via a lie because i hadn't had the mental strength to present as normal around people and i lied to my friends about it, saying that i wanted to stay home to play a game with them which we did, on my part as a weak attempt to socialize but i didn't cared about that either and basically just exhausted myself mentally and pissed myself off. I lie on a daily basis about anything and everything because it’s easier at this point. I don’t have motivation for anything because i just don’t care. And i know it's supposed to be concerning but i just don't give a shit. I know i should. But i don't. About any of it. And at the same time it doesn't affect me as it probably should. So on the bright side, at least i’m not suicidal at the moment. But that doesn’t mean i don’t wanna do unhealthy stuff. Fun times.
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cw: slightly suggestive
when nanami kento saw his wife about to leave the house in a stunning, tight sundress, he swore his whole world stopped for a moment.
“honey?”
“hm?” you glanced at him, then looked back at the mirror, trying not to stab yourself with your earring. nanami cleared his throat. “where are you going?” he asked as he walked over, standing behind you and sliding his hands around your waist.
“i’m having lunch with my friends, sweetie. i told you that this morning, remember?” you raised a brow, confused. your husband nodded dazedly, his eyes glued to your figure.
“right.” he swallowed, his throat suddenly dry. “where are you going to have lunch?” he asked, his hands gently roaming over your body, feeling the fabric of the dress he so badly wanted to tear off you.
“that cafe we always go to…” you trailed off, finally securing your earring. “are you okay?” you met his gaze through the mirror. “i do this once a month—same place, same people.”
he nodded, humming in acknowledgment. you stayed silent for a moment, trying to figure out what had him so distracted. now that your earring was in place, you became hyper-aware of his hands, their slow, deliberate movements over your hips, squeezing in that familiar way that told you he was restraining himself from acting on his desires.
oh.
a blush crept up your cheeks as you realized nanami hadn’t seen this dress on you yet. you’d just bought it last week and forgot to show him. “kento?”
you called out to him, but he seemed too entranced by the way the dress clung to your curves. he leaned in closer, burying his nose in your neck, his hands trailing down to squeeze your thighs.
you let out a startled moan, hastily covering your mouth. he inhaled deeply, the scent of your perfume overwhelming his senses.
“your friends won’t mind if you’re a few minutes late, right?”
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nanami kento comes home on a saturday afternoon, hands full of groceries and hair freshly cut. in the distance, he hears his precious wife humming along to her favorite soundtrack. you must not have heard him come in. he smiles to himself, setting the groceries on the counter, but not unloading them. that can wait. right now, he wants to hold you.
he slips out of his shoes, padding quietly to the laundry room where you are folding towels. you have your back to him, headphones lodged in your ears. as nanami gets closer, the music bleeding from your headphones becomes audible. he chuckles softly. no matter how many times he tells you it's bad for your ears, you insist on listening to your music at just below full volume.
snaking his arms around your waist, you jump at the sudden contact. nanami presses his chest against your back as you take out your headphones, leaning into his touch. you sway in silence for a moment, nanami resting his chin on your shoulder. when you turn to face him, your expression changes at the sight of his hair.
"your hair," you state dumbly. "you cut it."
"yes," your husband muses. "is there something wrong with it?"
"no, no!" you assure nanami, studying his hair. "i just wasn't expecting it. you normally have me do it, which you know i don't mind doing."
"i know, but i didn't want to bother you on your cleaning day."
your expression softens at his words. nanami, your ever loving, ever caring husband, always thinking about you before himself. you reach one hand up, smoothing the hair down the back of his neck. as you bring your hand up, the freshly cut hair pricks your palm, and nanami lets out a low hiss.
you immediately apologize, pulling away. "did that hurt?"
"yes, but it's okay. it felt... good," nanami confessed. "... do it again. please." his voice is thick and demanding, and you obey without hesitation.
this time, you use just the tips of your fingertips to graze his undercut, beginning at the base of his neck. his breathing quickens as you continue to to run your hands through his undercut, going up and down, switching from one hand to both, thumbs caressing the sides of the cut. the laundry room fills with his melodic whimpers and faint groans. his eyes are shut tight, teeth digging into his bottom lip.
"fuck..." he cusses lowly.
"you okay, nani?" you giggle, stopping momentarily. his eyes flash open, pupils blown. "kento?"
"let's go to the bedroom," he insisted, grabbing your hand and dragging you towards the master bedroom. you barely have time react before nanami pushes you back on to the bed, practically ripping your leggings off.
"kento, what are you doin-" you try to protest, his hands clamping around your wrist and bringing them down to grip his hair. his head disappears between your leg, lips latching around your clit. involuntarily, your fingers tighten around his sharp undercut. he moans into your cunt, the vibrations sending waves of pleasure through your body.
from then on, nanami kento always got an undercut.
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The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?
Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.
TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
can look like this in print!
because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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