#just in the sense that the movies literally never have to show it again after the first movie bc peeta never wears shorts anyway

[deanpinterester]

anyway i've said this before but the movie downplayed katniss's burns soooo much and for what. her body was on fire. even if we weren't going to physically see the actual burn wounds, we should still see that katniss is ill af. she should be ghostly white and sweating bullets. she should be crying from pain even through all the medicine. she should be semi-conscious at best and super sick. she has third-degree burns all over her WHOLE BODY. her face and hair should not have been mostly spared, despite what the book said. we are not feeling this moment!! she and we just watched her sister die!! but she wakes up from being exploded and everything is clinical and sterile and she's fine!! where are the vibes? the emotions? we should be feeling that she is shattered, spiritually AND physically!! but i guess i shouldn't be surprised by the movies that couldn't even be bothered with the "invisible" disabilities like peeta's leg and katniss's (even if temporary) hearing loss

[yuri-is-online]

Ok so jadeyuu! Jadeyuu? Jade is an eel. Jade has never been in a relationship- never even got the urge. So he's kinda panicking when he finally snaps out of his little domestic daydreams only to realize. He has no idea how to actually get to those daydreams.

How do humans court? Fuck humans for a second how does his own species court??? He only know surface level (ha) shit he never paid attention beyond that cause it was "irrelevant" (he wants to go back in time and punch himself so bad. For several reasons).

So now he's trying to figure it out but heres the thing, he only has super cheesy media to work with. Bro is taking it so seriously but some of the stuff is just???

Why is sharing clothing so important?

Are flowers really that big of a deal?

Why do all these couple fight all the time? He doesn't want to fight with yuu he just wants to feed them mushroom dishes and cuddle and "cuddle" He doesn't want to fight! Why do couple always fight in these movies is it necessary?? Is it a love language??

What's a one night stand?

WHY WOULD YOU DO THAT? WITH SOMEONE YOU JUST MET???

... has yuu had any? They told him once that most of their past relationships were "situationships" and he had to laugh and pretend he wasn't about to simultaneously raise hell and profusely thank your exes for fumbling so hard.

What's this about your father's consent? Does he need to get your father's consent? Would any parent work or just your father? Do you even like your father- shit you haven't even seen your father since you've been here and he's a literal world away. ....shit.

Someone stop him he's about to create an entire world wide scheme to invent otherworldly communication just to ask his not-parners dad if he can even court them in the first place-

Oh it's not that important in modern day?? Oh. Thank goodness.

At what point in this can he ask you to be his officially?

At what point can he start indulging himself in all his somewhat ugly jealous urges in public without scaring you off?

Would it be considered a "red flag" to ask you to only talk to him? He knows it is he's just holding out hope that maybe you'll agree to be kept in a large terrarium of his and be completely his and-

You would never agree to that. Oh well, an eel can dream. If Ace gets all clingy with you again he's going to break his arm off.

How long does he have to wait until he can show you to list of names he's already thought about giving your future children?

CAN HE PLEASE JUST HOLD YOU??? PLEASE!!!

Idk where I'm going with this I just got the mental image of jade watching titanic (something something convenient potion accident) and hurriedly scribbling down notes every time something romantic happens and I wanted to share that image.

I like the idea of Jade doing research about human courtship. I really really like it I think it's so stupidly funny to picture Mr. Suave, one hell of an eel butler reading human x merfolk fanfiction and going O: that's me (˶ˆᗜˆ˵) Or watching romcoms and taking notes that's hilarious. He watches titanic and nods "yes this would never happen with us, I would simply drag them into the sea and then we would live together happily ever after while everyone else drowns- ah or is that too fatalistic?"

But yes he doesn't know much about courtship in general. He can "flirt" but its not intentional on his part, he's just being snarky. But with you he has no idea what to do. The clothing thing makes no sense to him, is it to stake a claim? Then why not bite you? That would get the point across faster... is it a him thing to want to do that or is it a mer thing? One night stands are too complicated, there's too many ways for that to go wrong the only reason Jade could think to have one is if someone has information you want to steal and he's not interested in obtaining things that way. They don't owe you anything that way.

Jade with soft yan! urges he tries to tamp down because he knows they're not healthy but he just wants to protect you form the dangerous that exist in the coral sea. Even if you become a merfolk you still used to be human, soft, fragile, and so naive... really there's no end to the things that could steal you away from him. Like Ace! Now if you could please look the other way while he disposes of this pest- he jests. He would never rob you of your friends, everyone needs them and he needs you to need him the same way humans need air.

Also the sheer irony of Yuu complaining all of their past relationships being situationships when that's what they have going on with Jade right at that very moment. Maybe that was intentional huh Jade ever think of that? Maybe the pretty human was huffing at you and batting their eyes because they are frustrated that history is repeating itself and the sketchy guy their friends don't approve of is being unclear about his feelings again. He figures that out once he finally finds out the definition and he feels so so stupid

[sweet-as-an-angel]

Yandere Kencanons

Warnings: Kidnapping, Abduction, Major Spoilers for The Barbie Movie, Unhinged Post, Possessive Ken, Ken Just Wants to be Loved, Petnames, Ken Being Condescending, Post-Patriarchy Ken, No Pronouns Used for Reader Except 'You'.

Simply put, you’d charmed Ken. Made his non-existent heart flutter and a feeling he always associated with Barbie to overtake him. Been in the wrong place at the right time. Hence, less than a few hours after your meeting with Kenneth, you were in Barbieland. Sorry - Kendom Land.

You’d made the mistake of asking him for the time, in a rush to make it to work. And, with a twinkle in his eye and a seeming newfound sense of purpose, he proclaimed that “You respect me!”

Dazed and with little else you could say, you shrugged. “I mean…I guess…?”

And that was enough for him.

“I must go – get back to Barbieland – spread the news about patriarchy!”

You'd humoured him, more for the promise of your own safety than actual agreement, and he tipped his hat to you, billowing away in the direction of Venice Beach in a haze of his own world.

You managed to dodge him initially, untangling yourself from his vacant stare and making it to work unscathed.

On your way to lunch a few hours after, however, you were accosted again.

Of course, by none other than Ken Carson.

Who, having put all he’d learnt from his books on horses, the Wild West, and patriarchy, literally lassoed you and threw you onto his shoulder.

“We’ve gotta get you back to Barbieland – the Kens are not gonna believe this !”

On your journey back to this mysterious place, Ken explained to you how Barbies usually rule everything while the Kens are left with nothing.

“But, with you at my side, I’m sure we can make it right!”

You genuinely chalked this guy up to be insane, if at most, an escaped patient.

However, as you traversed 2D landscapes, you were more inclined to believe him. That this fabled Babrietopia did in fact exist.

And, once you get there, you become Patriarchy Ken’s personal servant.

He tells you to “Brewski Beer” him, all the while talking about how his initial conception of patriarchy had been that it was “Horses who ran the world, but it’s actually men — and horses are men extenders.”

He calls you his “bride-wife” or “groom-husband”, which, compared to the other Kens’ long-term distance low-commitment casual partners, seems oddly…endearing. Dangerously permanent.

With no idea how to get back to the Real world, you’re stuck with Ken and his entourage of fellow Kens, the Barbies either indoctrinated into their way of thinking or in hiding.

Speaking of, you are basically Ken’s property.

And he treats you as such whenever one of the other Kens tries to accost your service.

His tone is low, eyes sharp. “(Y/N) is my long-term distance low-commitment partner, not yours, Ken.”

And, to show as much, you get to sit on the floor next to Ken as he watches the Godfather with his Kentourage, talking through the whole thing, commenting on its ingenuity and nuance.

He also makes you stay nearby whenever he changes outfits - which is just him changing into another faux mink coat, pants and headband.

Despite being this new, independent, untethered Ken, he asks your opinion on things which seem largely inconsequential. Still, you sense something unstable. Insecurity, perhaps.

"What about...this coat?"

"Isn't that the same as the last one you showed me?"

Ken looks at your glass reflection in the wardrobe doors. His smile glitches, falters. He replaces it.

"Yeah, course - I was just testing you, seein' if you were paying attention."

Whenever you get a moment alone, away from the madness of the Kens, it’s short-lived. For Ken is never far behind, seeming to materialise in the doorway of whatever room of the Dreamhouse you’ve adopted as your refuge.

“What’s wrong, tiny baby?” He says, sauntering over to you, snake-like.

“I want to go home, Ken,” You tell him, voice racked with sobs, tears in your eyes.

He just gives you a narrowed, confused look, adopting an almost incredulous posture as if to say ‘Why?’

“First of all, I don’t like your tone, Doll,”

He steps towards you. You step back.

“Second of all, why in Kendom Land would you wanna leave ?" Another step forward. Another step back. "This is the dream of any patriarch’s partner to be where you are now; it should feel just like home !” Another step forward, another step ba-

Your legs hit the edge of the bed.

It doesn’t matter how hurt - or frightened - you look. Ken doesn’t listen.

“And besides, do you know how many Barbies would kill to be where you are now ? I know Weird Barbie would.” And he smiles – smirks – as if he’s triumphed you in some way only he is aware of, hands on his waist. The image of power.

Ken tends to test his boundaries when it comes to physical affection.

Seeing as he received none with Barbie, he seems to want to try his luck with you.

And yes, this does include him puckering his lips and staying stood in front of you until one of you caves.

Usually, it’s him, causing him to retract and act as if nothing happened. Which it didn’t. 

But when he really wants a kiss, he can persist for hours.

You timed him. Two hours and three minutes until you relented and pecked him.

“Wow,” he says, every time, as if it’s the first time, his eyes clouded with dreams and what you could only pen as whimsy.

He’s incredibly touch-starved. Show him an ounce of willing and he’ll be overjoyed in his own, new, macho way. Though, he does have a hard time containing a squeal whenever you touch skin.

Secretly, he's entranced by how...human you are. how different you feel and talk to the other dolls in his Kendom.

He's developed an obsession interest with your hands, holding them in his, telling you how small and soft your hands are compared to his.

He squeezes them whenever he gets the chance, commenting on how "Squishy" your fingers are, despite you having a skeleton beneath your skin - a concept that blows Ken away every time you explain it to him.

He also adores hugs. Though, he only hugs you/lets you hug him when out of view of other Kens. He needs to protect his image as the stoic leader, after all.

Loves a cuddle; goes stupid crazy for them.

He favours holding you to his chest and resting his chin atop your head. He finds your warmth a foreign comfort. While you find his lack of a heart – and a beat – a discomfort.

“S’nice and warm,” he says, eyes closed, the image of laxity. "Being here with you."

He mumbles that last part. You know not to inquire further. The Kens consider any form of genuine affection to be a weakness.

It’s in your best interest to just let him stay there and talk about whatever it is he’s fascinated himself with, lest you wish to incur a temper tantrum or the cold shoulder.

Aside from being a fan of hand-holding, he's also a partaker in wrist-holding.

If you ever do something to aggravate him, he tends to grip your wrist hard enough to make you wince, his jaw clenched, eyes narrowed.

“Something wrong, Babe?” He’ll say, tone deep with simmering wrath.

You know not to push it with Ken.

Despite how platinum and perfect he is, he does harbour a resentment which, whether caused by you or not, he seems to target you with.

Talked to a Ken for too long, or in a way he didn’t like?

He’s going to embarrass you in front of him. Make you seem undesirable to all who are not himself.

He knows he can’t make you disappear, given the fact that you’re mortal. But he knows he can make other Kens disappear; an idea that, the first time it appeared to him, frightened him, made him confront a darker half he’d repressed. But, as time went on, he’s learnt to harness it in ways you’d never have suspected from a Ken.

Not that you’d know it from the way he treats you, but he does actually care for you.

Perhaps…as much as, even more so, than he does — did — for Barbie.

He doesn’t feel like he’s tethered to any one job or image when he’s with you; his identity is not an extension of yours. But, he does try to treat yours as if it is an extension of his.

“Babe, hurry up with those beers — the game’s about to start !”

He knows you’re impervious to the effects of his brainwashing, given that you’re from the Real World, so he feels that you’re the most genuine person in Kendom Land. Hence he tends to treat you with equal harshness and care.

This also often leads to Ken asking you things about your world. Things he doesn’t yet have the answers for.

His favourite pastime is to lay his head on your thighs while you sit against the headboard of his bed, asking you any and all questions that come to mind.

“What’s your favourite colour?”, “Where does the sun go when it’s night time?”, “What did you do at your job?”

Personal ones like that last one often cause you to tense, and Ken can tell. He tends to refrain from asking you such questions now, seeing as any reminder of your life prior to this cause you to, what he has learnt to call it, cry.

Despite how tone-deaf Kenneth can be, he is actually rather intuitive. Or, rather, considerate.

When you’d told him your favourite colour, he’d painted his bedroom walls in it. Albeit a slap-dash job of it, given how interior design is not in his box description like Interior Design Ken, but he tried !

Despite his small acts of kindness being his attempts to imitate comfort, they do little to calm you. For everything he says, does, discussing a future with you in Kendom Land, changing aspects of his world to cater to your preferences, feel as if you are to take up unwilling, permanent residence here.

And, while you wait and plot for a way to escape, you exist as a perpetual puppet for Ken to mither and berate and order around.

In the real world, a doll has started appearing on shelves – a new range of ‘Misery Barbie/Ken’ dominating the toy aisles of every supermarket and toy store, your visage wrapped tightly in every box.

Tears, an outfit demeaning enough to make a grandmother faint, and the unwavering expression of the need for freedom.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterpost Masterlist

Yandere Masterlist Juicy Original Content <3

[wolverigrl]

Scorched Earth

Logan Howlett x mutant reader

!Disclaimer! Y/n is a mutant with the same skills as the human torch! Let me know if you'd like to read another part!

Warnings: mentioning of alcohol and death, angst

Enjoy!

---------------------------------------------------

“Bobby, for real, you can’t possibly think that’s better than mine!” I laughed, leaning back on the chair in the kitchen, feet propped up on the table. Across from me, my brother grinned, folding his arms over his chest with that cocky smirk of his.

“You’re just jealous I got the better nickname.” Bobby replied, his voice light, teasing. “Iceman? It’s sleek, it’s cool - literally - and it fits me.”

I snorted, rolling my eyes. “Oh, please. ‘Iceman’ sounds like the title of some second-rate action movie. Meanwhile, I’m lighting up the sky over here.”

Bobby raised a brow, feigning offense. “That’s a lot of talk from someone who’s still stuck with ‘Firecracker.’ ”

I punched him lightly on the arm. “I’ll take ‘Firecracker’ any day over your ‘cool’ puns.”

Our banter was easy, the kind that came naturally after years of being siblings. Bobby had always been the steady one, the one who could calm everyone down with a joke, while I was the hothead - pun intended - never one to back down from a challenge. It’s what made us a good team, even if we drove each other crazy half the time.

The way he carried himself, his calm demeanor, and his unwavering sense of control over his powers - everything I wasn't.

I was the fire to his ice, the chaos to his calm. We clashed often, but it wasn’t because we didn’t care. It was because we cared too much. And despite all the bickering, all the teasing, there was a bond between us that no one could break. I’d die for him. He was my anchor when my temper flared, my tether to reality when my powers spiraled out of control.

Just as I was about to throw another sarcastic remark his way, Logan walked into the room, his usual gruff self. He barely acknowledged us, heading straight for the fridge. Typical.

“Hey, Logan!” I called, a mischievous grin spreading across my face. “Did you finally get that stick outta your ass, or is it still lodged in there pretty good?”

Logan froze mid reach for a beer, then slowly turned his head, giving me the look - the one that said 'I am not in the mood for your crap right now, bub.' But that just made it more fun.

“Don’t you have somethin’ better to do, hotshot?” he growled, slamming the fridge shut and twisting the cap off his beer with more force than necessary. “Or do you just live to run your mouth?”

I smirked, unfazed. “You know, it’s funny you say that, because I’ve noticed you love listening to me. Maybe it’s because no one else has the guts to call you out on your eternal grumpiness?”

Bobby snickered from beside me, enjoying the show. “She’s got a point, man. You’re not exactly known for your sunny disposition.”

Logan shot Bobby a glare before turning his attention back to me. “Maybe I’m grumpy ‘cause some people around here don’t know when to shut up.”

“Oh, come on, Logan. You’d miss me if I didn’t poke at you every now and then.” I said, leaning forward with a grin. “Admit it - you secretly love the banter.”

Logan let out a low, frustrated growl, shaking his head as he took a long swig from his beer. “The day I admit that, is the day hell freezes over. And even then, I’ll blame Bobby.”

Bobby grinned, raising his hands in mock surrender. “Hey, don’t drag me into your weird dynamic. I’m just the innocent bystander.”

I shot Bobby a mock glare. “Innocent? You? Yeah, sure. Tell that to the last five people you pranked.”

Logan huffed, clearly done with the conversation, but I wasn’t quite finished yet. “You know, Logan.” I continued, leaning back again and stretching my arms behind my head, “You really oughta work on that sunny disposition. You’re gonna give yourself wrinkles with all that frowning.”

He narrowed his eyes at me, jaw clenching. “Why don’t you mind your own damn business and keep that fire of yours under control?”

“Oh, I keep it very controlled, thank you very much.” I said, flashing a smile. “Besides, you seem to enjoy living dangerously. Why else would you keep hanging around us?”

Logan shook his head, muttering something under his breath before retreating to his usual corner of the room, beer in hand, grumbling the entire way. Bobby leaned in toward me, his voice low enough so only I could hear.

“I still think you’re his favorite.”

I laughed quietly, watching Logan brood from across the room. “Nah, he just hasn’t figured out how to handle all of this yet.” I gestured to myself with a playful smirk.

“Sure, that’s what it is.” Bobby chuckled, leaning back with a relaxed sigh.

Despite Logan’s gruff attitude and my constant teasing, there was a kind of unspoken respect between us. He was the first to step in when things got dangerous, always willing to put himself on the line for the team. And even though he’d never admit it, I knew he appreciated having someone who wasn’t afraid to challenge him, to call him out when he was being extra cranky. In a way, it kept things balanced.

Bobby and I exchanged another look, both of us knowing exactly how this dynamic worked. I teased Logan, Logan growled, and the world kept spinning. It was our version of normal - a delicate balance of sarcasm, snark, and the occasional grumpy Wolverine glare.

It was one of those rare moments when everything felt light, even if just for a little while. Days like these, with Bobby teasing me, and Logan grumbling from across the room, were the best. I’d give anything to hold onto them.

But life as an X-Men had a way of reminding you that those moments could be fleeting.

And I didn’t know then just how fleeting they would be.

Todays mission was supposed to be a standard takedown. Another mutant extremist group, radicalized and bent on 'mutant supremacy'. Charles had briefed us thoroughly, and we had faced worse before. Or at least we thought we had.

It went south almost immediately. We were outnumbered, and it was clear that our enemies had intel we weren’t prepared for. They knew where we would be, how we would strike, and worse - they knew how to separate us. That was when things really started to fall apart.

The battlefield was a mess of chaos and screaming. Blasts of energy, ice, and fire lit up the sky, while the air howled with the sound of Storm’s winds tearing through enemy lines. I was a blur of fire and fury, every step a combustion of flame as I ripped through the chaos, throwing up walls of fire to keep enemies at bay. But no matter how hard we fought, there were too many. We were getting spread thin. Too thin.

I caught sight of Bobby ahead of me, just in time to see him raise an enormous ice wall to shield a group of our teammates. His back was to me, and before I could shout a warning, a blast from one of the enemy’s weapons slammed into him, sending him sprawling across the ground.

“Bobby!” I screamed, my heart lurching.

He struggled to get up, one knee bent, but the blast had been too much. His walls of ice began to crack and crumble around him. Panic rose in my throat like bile. He was surrounded, the enemies closing in.

I pushed forward, flames erupting from my palms as I blasted through the mob, trying to reach him. “Hang on, I’m coming!” I shouted, but my voice barely cut through the cacophony of combat.

But I wasn’t fast enough.

Before I could get to him, a second blast hit him. The impact was devastating. I saw his body jerk violently before he collapsed, crumpling like a rag doll on the cold, scorched ground. Time seemed to slow, my breath caught in my throat, and everything else faded away.

“No!” My scream tore from my chest, broken and raw, but there was nothing I could do.

He was still, too still.

I scrambled toward him, my flames fizzling out as I dropped to my knees beside his body. I reached out, hands trembling as I gently touched his face. His skin was cold, colder than it should have been. His chest didn’t rise. His eyes were closed. My pulse pounded in my ears, but I couldn't hear anything except the roaring silence in my own head.

He was gone.

“Bobby, please…” I whispered, my voice cracking. “Please don’t leave me.”

I don’t know how long I sat there, holding him, begging for him to come back. I couldn’t save him. I. Couldn’t. Save. Him.

Then, something broke inside me.

The grief, the rage, the helplessness - everything surged at once, overwhelming every rational thought. The fire inside me, the power I always tried to control, flared up in an instant. It wasn’t just fire anymore - it was fury, pure and uncontrollable.

Flames erupted from my body, hotter and fiercer than they ever had before. I screamed, the sound ripping through the air as fire exploded in all directions, a supernova of heat and light. The ground beneath me cracked, molten lava seeping from the earth as the intensity of my power burned through everything in its path.

I couldn’t stop it. I didn’t want to.

The flames raged out, consuming everything they touched. The enemy soldiers who had killed Bobby screamed as they were incinerated, their bodies turning to ash in mere seconds. The ground smoked, trees around us igniting in a blaze, and the air became thick with heat.

Jean’s voice echoed in my mind, faint, as if she was shouting at me from the end of a long tunnel. “Y/n, stop! You have to stop!” Her voice was desperate, but I couldn’t listen. Couldn’t hear her over the roaring firestorm inside me.

Storm tried to summon her winds, pulling clouds thick with rain to douse the flames, but it wasn’t enough. Even the sky couldn’t hold back the inferno that had taken over me. I felt her power strain against mine, but my emotions fueled the fire, making it burn hotter, stronger. I was losing control completely, my body heating up like the core of a star.

“Y/n! You’re going to kill everyone!” Scott shouted through the comm, his voice barely audible over the roaring flames. I could see them, all of them, struggling to get away from the heat, the fire spreading in every direction.

Charles reached out, trying to touch my mind, but I was beyond reach. His calming presence couldn’t get through the thick walls of grief and rage that had consumed me.

I was going to burn everything. Everyone.

Then, through the haze of heat and fire, I saw him.

Logan.

He was moving toward me, slow and steady, ignoring the screams of the others as they begged him to stop.

“Logan, no! You’ll die!” Jean’s voice, frantic, but he didn’t listen.

“Logan, don’t!” Storm shouted, the wind whipping around her, but he kept walking, one foot in front of the other, his eyes locked on mine.

I couldn’t stop the fire. I was too far gone, too lost in my own power. The heat radiated off me in waves, scorching everything in its path, and yet he kept coming.

His skin started to blister almost immediately. The heat was unbearable, even from where I stood. I could see his face contorting in pain, could smell the sickening scent of burning flesh as he got closer. His clothes were already charred, the leather of his jacket melting and fusing to his skin. But he didn’t stop.

I wanted to scream at him to get back, to stop, but the words wouldn’t come. All I could do was watch in horror as he walked into the flames, his healing factor struggling to keep up as his body was scorched by the heat I was putting off.

And then he was there, standing right in front of me, his skin bright red, his hands trembling as the fire licked at his skin. His face was a mask of pain, sweat and blood mixing with the charred burns that covered his arms and neck. But his eyes, his eyes were steady.

“Y/n.” he said, his voice low and raspy, strained from the pain. “You need to stop.”

“I can’t!” I gasped, my breath catching as the flames flared up again, fueled by the storm of emotions inside me. “I can’t control it. I-I’m going to kill you, Logan!”

“I don’t care!" he growled, taking another step closer, his boots melting into the molten ground. His body trembled, his skin bubbling and cracking under the heat, but he didn’t back down. “I’m not leaving you.”

Tears streamed down my face, evaporating the moment they hit the air.

His eyes locked onto mine, unwavering, even as the flames licked at his skin. His face contorted in pain, but he didn’t stop.

“Bub.” he rasped, his voice hoarse from the heat. “You need to let go. I know it hurts, but you gotta stop.”

I couldn’t hear him over the roar of the fire. I was too far gone. The heat, the flames, my emotions - it was all consuming me. I was a supernova, and there was no pulling back.

Logan took another step. His healing factor was working overtime, but even he couldn’t withstand this for long. Yet, he didn’t hesitate.

“Y/n!” Logan yelled, louder this time, and I felt his words cut through the haze. “I know what it’s like! To lose someone - hell, to lose everyone! You feel like you’re gonna burn up inside. You feel like it’ll never stop, like you’ll never breathe again. But this ain’t the way!”

I felt the fire flare around me, almost as if it were trying to drown out his words. I wanted to listen, but the grief, the rage - it was still so raw. Bobby was gone. How could I stop the fire when everything inside me was screaming to let it burn?

But Logan didn’t back off. He stepped into the heart of the inferno, his arms opening, and wrapped me in a hug. The flames surged as they met his body, and I could feel his skin burning under my touch. I could smell it. His face twisted in agony, but he didn’t pull away.

“Let it out, hotshot. Let it all out,” Logan whispered, his voice softer now, almost tender. “But don’t burn yourself with it. You ain’t alone. I’m here.”

I could feel his chest rising and falling rapidly, his breaths ragged from the heat, but his arms around me were steady, grounding. In that moment, the fire faltered, flickering as my mind struggled to grasp what was happening.

Logan - the one person who could barely stand to be in the same room as me without a sarcastic remark - was holding me, burning alive in my fire, all because he wouldn’t leave me alone in my pain.

And then, I felt it.

The fire started to die down, the flames retreating into my skin as I began to sob against his chest. The heat that had consumed me so completely, so violently, began to ebb, leaving behind only the suffocating weight of grief. Logan’s chest was soaked with my tears as I clung to him, my body shaking with the force of my cries.

“I couldn’t save him, Logan." I choked out between sobs. “I couldn’t- ”

“I know." Logan murmured, his voice rough but soothing. “I know, bub. It’s not your fault.”

The last of the flames flickered out, and the air around us was suddenly cooler, still. Logan’s body, still blistered and burnt in places, didn’t move. He just held me tighter, letting me cry into his chest, never once letting go. I buried my face into the fabric of his ruined shirt, his heartbeat the only thing keeping me tethered to reality.

After what felt like forever, I became aware of the world around me again. The sounds of the battlefield had quieted. Jean, Storm, and the others were slowly approaching, their faces a mix of worry and relief.

“We need to get back to the mansion,” Scott said, his voice soft but firm. “Y/n, Logan… let’s go.”

Logan didn’t move to let me go, and I didn’t want him to. The thought of being alone right now, without the steady warmth of his presence, was unbearable.

“Can you walk?” Hank asked me.

Logan shook his head, giving a low grunt of pain as he stood up, still cradling me in his arms. “I got her.”

I felt Logan’s arms adjust under me as he began to walk, carrying me like I weighed nothing. I should’ve been worried about him, should’ve told him to let me go, but I couldn’t bring myself to. I pressed my face into his chest, feeling the burn marks on his skin, the roughness of his wounds. He was hurting because of me, but he didn’t care.

The journey back to the mansion felt like a blur, the sounds of the battlefield fading into silence as Logan carried me, step after step, his breathing labored but determined. I clung to him, my body exhausted, but my mind still racing with grief and guilt.

When we finally reached the mansion, Logan carried me straight to my room. He pushed the door open with his shoulder and laid me gently on my bed. His face was tense with pain, but his movements were careful and protective.

I reached out, grabbing his wrist as he turned to leave. “Don’t go... please.” I whispered, my voice barely audible. “I-I don’t wanna be alone.”

Logan’s eyes softened, just for a moment. He gave a small nod and sat down on the edge of the bed, his weight making the mattress dip slightly. He didn’t say anything, didn’t try to offer any more words of comfort, and for that, I was thankful. I didn’t need words. I just needed him to stay.

I curled into his side, my head resting against his chest once again. His heartbeat was slower now, more even, though his body was still warm from the burns. He didn’t flinch when I pressed closer, seeking the comfort of his presence. His arm wrapped around me, holding me close, and for the first time since Bobby died, I felt a small flicker of something like peace.

As I sobbed into Logan’s chest, my body exhausted from the emotional and physical strain, I felt his hand gently stroke my hair. He didn’t say anything, just let me cry. His presence as steady as the heartbeat beneath my cheek.

The tears slowly began to subside, my body relaxing into his as the exhaustion took over. I was grateful for the silence, grateful for the way Logan just was - strong, unyielding, and never pushing me for more than I could give.

Eventually, my eyes grew heavy, the grief and pain pulling me into a restless sleep. The last thing I remembered was the feel of Logan’s hand still in my hair, his quiet strength wrapping around me like a protective shield.

And for the first time in what felt like forever, I let myself drift into sleep, safe in his arms.

---------------------------------------------------

[miwiheroes]

Light = Truth

So this whole Byler post is literally just based off something that my friend who has a studies film at school said to me about lighting. Me and my friends do a presentation night like every few months and obviously my hyperfixation atm is byler so I did '10 reasons why I think byler could be canon'. My friends were convinced by the end btw, which is fun (and they kept pointing out yellow and blue things afterwards i loved life), but they also contributed so many things that I have never even considered or seen on byler tumblr before.

For example, my friend who studies film (btw we aren't just kids who like movies or smth, we are adults studying film lmao), stopped me during my presentation because I wasn't talking about lighting choices that were super clear.

I guess you can take what they said with a grain of salt because they aren't like, a professional ig, but they said that so many times during film, light is symbolic to mean truth. And it's like... oh my god. Suddenly, after they said that, everything made sense. Of course, light means truth in all these scenes! So I just want to point out two Byler/ Mike is gay moments that I think are related to this:

Light in the Closet tm

Hello??? Why is there a light in the closet here, not just to draw ur attention towards it, but also to symbolise something. Who tf has a light in their closet unless its massive, and why would it even be on in this scene?

The truth is, you're in the closet, Michael. We've all seen these images before and how he has his eyes open, yada yada, but the light literally means truth here, and its framed on his head, like he's thinking of the truth.

In literally the first scene in season 4 with Mike, as we know, we see a closet. That's almost comical. Not only that, but the light is on. Meaning, the truth is, Mike's still in the closet, again it's framed near his head. (Pair this with the one way sign, it's very obvious what they're trying to say here)

Let's talk about this image right here:

First of all, the light is literally shining out of the closet, not just in a blurry fashion, but it's literally a ray of light pointing at Mike who's standing in front of it. This being in the very first scene with Mike in it sets up the sort of arc he has in season 4, the fact that the truth is he's in the closet, but the one way sign shows he's still in it.

I showed this image to my friends during the presentation and the one I mentioned earlier also said that the set designers put the lamp where it is for a reason as well. The lamp in Mike's room is, of course, lighting up Will's drawings on his notice board as well as the buff guy posters. So, his true feelings are that... he likes men. Yah

2. Lights on Will

In the Van scene, everyone knows about how they spent a reallyyyy long time getting the lighting just correct, and if it was meant to mean truth, it all makes sense. (Also to get that heart in Will's eye lmao)

In this shot, (not particularly this frame but yknow) Will is literally bathed in sunlight, and it could just mean that Mike's seeing him in this light because he's pretty to him or something, or it could mean that Will's literally telling the truth/ Will is Mike's truth. Playing D&D and Nintendo for the rest of their lives is really what he wants, as established in season 3.

(my fave byler scene yes pls) When I showed this photo to my friends in my presentation, my film studies friend literally laughed. Yes, it is very very clear what they are trying to tell viewers here. The light is purposefully shining perfectly on Will only. Mike is completely cut off from the light and is in the dark. Some think that it's because he's 'in the dark about Will's feelings' (and yeah he is) but I think it's because by the end of season 4, Will has kind of admitted the truth to himself. He loves Mike, but Mike hasn't admitted his truth, that he loves Will.

However, we get clear foreshadowing for the next season in this scene because:

Mike reaches into the light, for the truth. It also foreshadows him supporting Will more in season 5 perhaps, but the fact that the next shot is this:

kind of just makes it super duper obvious that he's going to (very cheesy but) 'find his truth' or true feelings with Will/ in the next season.

Okay thanks for listening to me ramble about how light = truth, i would love to hear any other moments that could also mean the same thing :) Anyways, byler endgame.

[loveinhawkins]

When Eddie’s terrified, he feels cold—and it’s not a mild thing, not just goosebumps on his arms. It’s violent shivers: his breath catching as ice forms in his lungs, crystallising up his throat until he can barely talk.

It was bad at the middle school talent show: stuck in the wings with fellow students pressed up against him, all jostling for space. He should’ve been sweating.

And technically he was, but it was as if his brain hadn’t checked in with his body or maybe the other way round, and he kept biting down hard on his tongue as his teeth chattered.

A teacher noticed and even asked if he was feeling sick, if he wanted to be sent home.

He shook his head, felt his legs shaking; Jeff had to speak for him until it was finally the band’s turn on stage, and the ice thankfully thawed enough for him to sing.

But right now he thinks the ice is here to stay.

He’s sat back in the boat, the tarp tangled up by his feet; he can’t stop one knee from bouncing up and down erratically. He knows he isn’t really shaking because of the literal cold, but it doesn’t exactly help that it’s damp as hell in here.

He’s not alone—he’s still surrounded by quite possibly the most random group of people in history. Dustin’s leading the conversation, which has devolved into Max teasing him about some girl called Suzie.

Eddie suspects the change of tone is deliberate, that these kids who are somehow well-versed in a literal fucking war have an admirable intuition; have sensed that he needs a cool down after learning about an evil alternate dimension. Kinda like what he does if he watches a horror movie late at night—makes sure to read some light-hearted crap before he goes to sleep, so the scary shit isn’t the last thing on his mind.

Eddie appreciates the thought. If he wasn’t still repressing shivers, he might even find it sweet.

But the chatter isn’t helping.

He can’t grab a hold of it, the sounds slipping away before he can make sense of them; his mind keeps drifting away, and he’s suddenly stuck on the thought that he can’t remember what Chrissy’s last words to him were. He can hardly even recall what her laugh sounded like in the woods—like everything about her has been trapped underwater, stifled beyond all recognition.

He let her die, and he can’t even manage the decency of remembering her. What the fuck is wrong with him?

He exhales shakily. Neither Max or Dustin seem to notice, which both relieves him and sets his teeth on edge.

His lungs are tight, but he still feels a sudden urge to talk—for once wishes that he’d just bite his tongue instead.

Something’s cracking deep inside him.

He’d thought his breaking point had been reached long ago, but it keeps getting worse; as the kids talk, he can’t avoid the fact that they’ve already watched him profoundly lose it, and shame spreads from the pit of his stomach—merges with the ice, culminating in a bitter wave of self-loathing.

Leave me alone, he desperately wants to say, but he knows it’ll just come out in a scream, knows it’ll sound like he’s furious. That’s always been the way of things, at least for him: deep-seated fear hiding underneath anger.

He opens his mouth. His teeth are clacking together.

He manages to temper the feeling right at the brink so that all he says is, “D-don’t you assholes have a bed time?”

“Oh, that’s cute,” Dustin says, over the sound of Max scoffing.

Please go, just fucking go, I’m gonna fall apart and I don’t want you to see it, not again.

“Yeah, well I have a bedtime, so let’s get outta here, dickheads,” Steve says.

He sounds dry, borderline snippy. But his eyes fleetingly meet Eddie’s as he speaks, like he’s heard him somehow. Like he understands.

Dustin stands with some customary grumbling, pulling Max up with him.

“Night, Eddie. It’ll be okay,” he says, so optimistic—with an unshakeable courage that Eddie has never once possessed.

Eddie attempts a smile. Has no idea if he succeeds.

Robin’s already standing, walking off behind Dustin and Max—but then she spins, doubles back on herself; Eddie jumps at the sudden movement.

“Water!” she says, “I’ve got some in the car, you should—hang on, Eddie.”

“I’m—I’m fine, I don’t need…” Eddie’s voice is hoarse, fades out on him. He coughs, tries again, slightly louder, “I said I don’t need it!”

But Robin’s already too far away to hear him.

The quiet rustle of a jacket: Steve is still here.

Eddie lunges forward as quick as he can. His hand clasps around Steve’s wrist.

“Harrington, seriously, tell her not to bother, man. I’ll—” He swallows. “I’ll just throw it back up.”

It’s almost too dark to see, but Eddie swears Steve’s eyes are flickering over his face. He doesn’t know what he’s seeing. Doesn’t think he wants to know the answer.

“Dude, you need to drink, at least,” Steve says finally. He gently tugs himself free—stepping back with an apologetic air, slowly enough that Eddie doesn’t startle. “Gimme a sec.”

He’s back in under a minute, passing Eddie a bottle of water with the cap already off.

Eddie drinks. Despite his protesting, he knows it’s for the best; his head is pounding. He spills the water more than once; his hand is trembling.

Steve doesn’t mention it.

“I can get you some food,” he says.

Eddie shakes his head. “I ate before. Not hungry.”

He’s telling the truth, although he can’t remember what he ate. Can’t remember much of anything.

Steve doesn’t look very happy with that response. His frown is audible when he asks, “Don’t you have a blanket or something?”

Eddie laughs, horribly false. “Why, Harrington? Wanna tuck me in?”

Steve doesn’t answer.

Eddie wants him to retaliate with what he deserves: cutting words. Wants Steve to throw out something cruel, then leave him be.

No. That’s not…

He wants… he wants…

“Don’t move,” Steve says. “I’ll be right back.”

Eddie laughs again—a little more genuine. “Can’t exactly go anywhere.”

He doesn’t know how long Steve takes. He loses track of time after the sound of the car reversing fades away; the darkness stretches out before him, and his fingers flex, tremulous, and he almost starts to believe that no-one’s found him after all, that he’s alone, that he’ll always be—

The soft crunch of tires rolling over gravel. The twin clunks of a car door being opened then closed, not too loudly, followed by even footsteps. Slow. Safe. And Eddie hears Steve singing, quiet enough that he can’t really decipher the lyrics.

He doesn’t know why he recognises it, why it’s so familiar. But he understands why Steve is doing it, the realisation burning in his throat: that Steve is signalling his approach, so Eddie knows it’s him.

“Hey,” Steve says, and there’s a gentle kind of thud—something being dropped by Eddie’s feet. Then the soft press of fabric behind him: a pillow.

Eddie manages to shift his feet a bit. More fabric. It’s a blanket.

“I just thought, like, two layers, y’know?” Steve is saying. “Not ideal with the tarp, but it should trap more heat compared to…” Eddie’s throat tightens even more. It’s so… so fucking kind.

“Thanks,” he manages.

“Hey,” Steve says again, softer—a hand lands on Eddie’s knee; his palm is warm. “You’re okay.”

Eddie realises belatedly that he’s crying again. For a little while, it just feels automatic, as if he’s detached from the tears; Steve gives him space, working around him.

And Steve’s not tucking him in really, just sort of shaking out the blanket, but he lets it fall with intention—smoothes out the creases when it gathers around Eddie’s knees.

Eddie doesn’t know what changes, just knows that he’s abruptly aware of the silent tears building into something more. There’s a false jagged sensation of something getting caught in his chest as he swallows, and he gasps, inhales sharply—once, twice; feels that panicked stutter to his breath, like when he was a kid failing at treading water.

Steve crouches by the side of the boat.

“You’re okay,” he repeats. He’s rubbing his throat ever so slightly while he says it—doesn’t seem aware that he’s doing it.

“I’m s—” Eddie chokes on the words again, a distressed hum cutting through instead. “I’m s-sorry.”

“Eddie, it’s—”

Eddie points to Steve’s throat. “C-could’ve—mm, mm. Could’ve been bad.”

He remembers the feeling of Steve’s skin against the shard of glass, remembers his stupid shaking hands—so close, too close to blood being spilled.

Just a hair’s breadth away from…

It could’ve happened so easily. Two deaths on his conscience.

“Eddie,” Steve says calmly. “It’s fine. I wouldn’t have let you.”

It’s not a threat. It’s a reassurance.

His hand falls away from his neck, as if making a point.

Eddie stares and stares—and it’s definitely too dark to tell if there’s a bead of blood on Steve’s skin, but his mind does the work for him.

Vivid, wet. It wouldn’t stop. Chrissy. Her eyes…

The ice freezes over completely, stops up his throat.

Eddie can’t breathe.

“Yeah, you can,” someone’s saying, “hey, it’s gonna pass, it’s gonna pass, okay? I’m just gonna…”

A snap.

Eddie flinches, cries out with a wordless noise of anguish.

Through the roaring in his ears, he hears, “Shit,” before a contrite whisper of, “Sorry, sorry.”

Steve. Steve’s here, guiding his hands until they’re cupped around something.

Something warm.

It starts the thaw, draws air back into Eddie’s lungs. His head clears a little. He knows where he is. Wishes he wasn’t…

He wants someone to tell him that Chrissy didn’t suffer, that she didn’t feel anything.

No.

He wants someone to wake him up, to tell him it was just a nightmare, that he can go home; he wants the universe to rearrange itself so that Chrissy never even met him—that the only trouble she ever has to deal with is which shoes to wear with her graduation robes.

“I want,” he gets out, “I want—”

“I know,” Steve says.

His hands are still wrapped around Eddie’s.

And Eddie senses the source of the heat now, a packet of some kind.

A hand-warmer.

He manages to take a proper breath, deep enough that he can smell the pillow Steve has given him; it doesn’t smell of the detergent Wayne uses, but it smells like a home at least. The dip in the middle makes him suspect that Steve’s brought the pillow from his own bed.

Eddie breathes in again. Out.

“There you go,” Steve murmurs.

Gradually the warmth against Eddie’s palms brings about a repeatedly suppressed, bone-deep tiredness. His eyes are stinging with it, and he feels like the boat’s been pushed out onto the lake; he sways forward without meaning to.

“Sorry,” he says, tongue thick.

He lifts his head to find Steve looking at him intently, brow furrowed.

“You should lie down,” Steve says quietly. “You look exhausted.”

Eddie does, turns onto his side so he can still just about see over the side of the boat. But…

“I won’t sleep,” he tells Steve through a sigh. He’s not arguing the point; it just seems inevitable.

Steve shrugs. “Just shutting your eyes is better than nothing,” he says casually enough, but it sounds too knowing, like he’s speaking from experience.

Eddie wonders what Steve sees when he falls asleep.

Steve stands up slowly. Hesitant.

“I’m—um. I’m sorry,” he says. “I’d stay, believe me, but I just—I don’t want the car here too long in case someone…”

“Go, Harrington,” Eddie says, hopes it comes out as gentle as he means it to be. “You’re the taxi service.”

Steve smiles. “We’ll be back,” he says. “Tomorrow, okay? I promise. We’ll bring food.”

“Tomorrow,” Eddie echoes. Tries and fails to push down a yawn. “Food.”

It’s not so bad, listening to Steve walking away. Eddie’s eyes close, burn with relief; in his head he follows along with the sound of Steve’s footsteps as they get more and more distant.

Car door opening. Closing. Seems farther away than before. His head is heavy.

He doesn’t expect to fall asleep. But he does his best to keep his thoughts on something light anyway. Maybe the continual warmth between his hands helps, ensures he doesn’t spiral back down to… to…

It comes to him fuzzily: why he recognised Steve singing in the first place.

Last summer, going to the mall to catch a movie, walking past an ice-cream parlor and hearing…

It was an unselfconscious kind of singing—no tension in the high notes. The sort usually done alone.

And do you feel scared? I do. But I won't stop and falter.

Eddie glanced over. Steve had been mopping, head down, but he looked up suddenly—for a moment, Eddie worried that he had been spotted. But then he watched the surreal sight of a group of children walking all over the wet floor, Steve beckoning them onward with fond exasperation.

He tapped at his wrist. “You’re cutting it fine tonight. Through the back, round the—”

“We know,” came an already distant chorus.

Steve rolled his eyes.

“And if anyone hears about this—”

“We’re dead!”

A door shut—alone again, Steve shook his head to himself. Smiled.

And if we threw it all away. Things can only get better.

Eddie remembers thinking that his voice wasn’t all that bad. It was nice.

It was…

Eddie wakes up warm.

The sight of the tarp disorients him for a few seconds—but he’s too sleepy to be panicked. The blanket against his jeans feels perfectly heavy. Keeps him still. Keeps him…

He thinks he must unintentionally drift off again; when he comes to, he feels that the hand-warmer he’s holding has gone cold. His feet knock against something, and he opens his eyes enough to see that Steve’s left more pouches. He takes one, hums when he cracks it so he doesn’t hear the…

It’s another day. He’s still here, damp wood against his back. A pillow beneath his head.

He knows the nightmare hasn’t stopped; Chrissy is still dead.

But there’s things he can touch, hold onto—evidence that he’s not been left alone, not really. He knows that Steve will come back. They all will.

His hands are warm.

And that’s something.

[avonne-writes]

Happiness, you’re a cat

A HS AU one-shot inspired by @alienoresimagines 's post

I'll probably post this on AO3 tomorrow. Edit: posted on AO3

1.

Bucky hates hospitals. The sterile smell, all the sick and dying people, back-breaking waiting room chairs. Thankfully, he has never had to stay in one overnight, but he did hit his head in a goal post once when he was ten, and his mom spent hours in the ER with him to get his concussion looked at. It was just after his dad left. What a miserable fucking time.

Unsurprisingly, he isn't keen to go back there anytime soon.

He feels like he might have to though, because at the rate things are going, they’re gonna have to amputate his right arm. A few months ago, Brady showed him a gory Reddit thread about a guy who, apparently, fell asleep in the lotus pose and his legs got so fucking wrecked that they had to cut them off. The pose restricted his blood flow or something and they couldn't restore it. He can’t remember how long the man was contorted like that. What's the point of no return?

His elementary school teacher used to tell his mom that Bucky would do crazy things for the people he liked. Well, she must have been right because Bucky's going to risk his arm just to let Gale sleep for an hour longer.

Gale. Gale, Gale, Gale.

Bucky's heart skips a beat every time he lets himself stop for a moment and think about things. Happiness floods his chest and makes his limbs thrum with excited energy. Three of them. His right arm is currently fighting for its life, crushed under Gale’s curled up body. But he puts the pins and needles out of his mind and concentrates on the positives.

Gale has been his boyfriend for a whole month now. A month! Bucky's longest relationship so far lasted three. He doesn’t let himself think about the fact that this means that they may be past one third of their time together. He can’t think about that or he’ll get anxious. Who knows, perhaps they'll stay together forever. It was their one-month anniversary today - Gale said it was stupid to call it anniversary because the word literally comes from "year" in Latin, but he did accept Bucky's invitation to watch a movie with him in Bucky's room.

Since Gale is a total movie nerd, Bucky was looking forward to showing him Moneyball, but Gale pillowed his head on Bucky’s chest and fell asleep ten minutes in. The movie is at two thirds now, and Bucky's arm is on fire from being pinned so long.

He doesn’t care.

He turns his head to look at Gale the best he can, and he knows that all the pain is worth it a thousand times over. So close that his eyes can’t focus, he sees the slope of Gale's nose, his long, pale eyelashes and the soft, parted lips he spent an hour kissing yesterday. Bucky has never had anyone sleep on him before. It’s the most amazing, comforting feeling he has ever experienced. They breathe together. Gale's body is warm against his, and his arm draped across Bucky's torso fills Bucky's stomach with butterflies. God, he wants to reach out and stroke it. There are small moles sprinkled on it. There’s one on the heel of Gale's palm, and he’s aching to pull it to his mouth and kiss it.

Ah, why is he such a loser? Gale is right here in his arms, in his bed, and he’s still in pain because he wants more and he knows it's too much and his crush is so bad, so... ugh, it's fucking embarrassing. Bucky flushes hot and cold, then hot again. Happy in his misery.

He'd feel it if his arm was beyond saving, wouldn’t he? Or, technically, he wouldn’t feel it. That would be the sign, he thinks. Prickling pain is good.

Gale told him he had trouble sleeping lately. What's a better anniversary present than letting him rest as long as he needs it?

It's a bigger problem that Bucky can’t pay attention to the movie anymore. His senses are entirely consumed by Gale. The weight of him. His blond hair. His smell. Bucky takes a deeper breath, trying to memorize it. If it clings to his clothes, he’s gonna hide them from his mom and sleep with them tonight. Gale is like an angel in his sleep, and he just wants to - to squeeze him tight and never let him go. Man, he needs help...

Unable to resist any longer, he raises his - still alive - left hand and brushes Gale's right with a fingertip. When Gale’s breathing doesn’t change, Bucky smiles to himself and starts tracing the lines of Gale's bones with his index finger, then the divots of his wrist. He draws a J over the back of Gale's hand, then a heart. He’s just about to start a G when the skin shifts under his touch, and Gale’s inhale hitches.

The moment Gale's consciousness returns, he shoots up into a sitting position, lifting all the weight that has been crushing Bucky's arm at once. Bucky whines and sobs dramatically in pain, so much so, that after a moment, Gale starts snickering.

"What are you doing?"

"Pins and needles." Bucky gasps and sits up too, shaking his arm desperately.

Gale rubs his forehead like some middle-aged dad looking at his dumbass kid. Bucky grins in return. He doesn’t know why but he enjoys this. The sight of his smile makes Gale laugh again. His chin-length hair is flat on the side that rested on Bucky’s chest, and there's a blush creeping up his neck.

"Sorry for falling asleep." He says. Bucky can’t look away from the blue of his eyes. He’s hypnotized.

"You can always sleep here."

Gale casts his gaze down, then glances back up, a little shy. "Thanks, Bucky."

"I would've let them amputate it for you." Bucky tells him, holding out his arm.

Gale gives him a look of pained amusement. "Do I even want to know what you're talking about?"

"Brady showed me this thread -" Bucky launches into the story, happy to be able to talk to Gale again after more than an hour of silence. Gale listens to him attentively, and when he slips his hand into Bucky's, Bucky's suddenly aware that none of the nerves died in his palm. They're very much alive and pump giddiness into his veins. Moneyball draws to a climax in the background, forgotten.

~~~

2.

It's 4 p.m., and the bright-hot light of the sun blasts Bucky's face through the window of their apartment. He’s lying on his back in their bed, and Gale is asleep in his embrace, his head resting on Bucky’s shoulder. Bucky's arm tingles with pinprickles of pain. Volume so low it's almost muted, a movie drones on in their TV.

It's Moneyball again.

The irony isn’t lost on Bucky. Every single time he tried to watch this thing with Gale in the six years they’ve been together, Gale fell asleep. Every. Single. Time. He’s starting to think it’s some sort of message he's supposed to understand. John, stop making me watch baseball films and footage. Or, John, I have a Pavlovian reflex to nod off as soon as I hear the word baseball. He can hear these things in Gale's voice, although Gale would never say them, only Bucky would if he did an impression of Gale. It would make Gale laugh, so Bucky grins up at the ceiling just imagining it.

Fuck, his arm hurts like a bitch. And the sun feels like fingers made of light trying to pry his eyes open. His t-shirt is growing damp with sweat at the collar. Over his head, with some effort, he manages to grab Gale's actual pillow, the one Gale discarded in favour of Bucky's chest. Bucky puts it on his own face to block out the light and tries to fall asleep too.

This exam period has been a real clusterfuck. He was on coffee 24/7, would have walked around with an IV drip of the stuff if he could, just to push through. Gale simply reverted to his antisocial insomniac persona, and they decided by mutual silent agreement not to even try to touch each other until it was over.

It's done and dealt with now. Grades added in their college accounts, pat on the head received gracefully by Gale for being the only one who passed Applied Nuclear Physics on the first try. Obligatory Let's get wasted! party attended two days ago, call with Mom suffered through hungover yesterday. Now, there's nothing else on Bucky’s agenda but sleep for 48 hours straight. And making Gale watch Moneyball.

He's gonna make him do it before they get married, he swears.

Gale is so tired that he’s sleeping with his mouth open. Bucky can tell. It doesn’t take a genius, given the suspicious damp spot he feels on his shirt. He doesn’t mind a bit of drool. Or a lot. He’s gonna let Gale sleep as long as he needs.

But by God, his arm feels like it’s gonna skip the whole amputation step and just fall right off. He yawns against the pillow on his face and tries to take his mind off it.

He can smell Gale's scent on the fabric, he notes happily. Gale's left leg is tangled with his own, Gale's once icy foot tucked against his calf, now warmed by Bucky's heat. You have the coldest feet in the whole fucking galaxy, he informed Gale a few weeks ago, sitting on the couch with Gale's legs on his lap. Gale just pressed one of those feet to the tender skin of Bucky’s inner thigh, half inside his shorts, and told Bucky to guess the size of the Milky Way or lose a piece of clothing.

There's a reason why Bucky isn't the one planning to be an Astrophysicist...

He wonders what it’s going to be like once they graduate. His heart skips a beat. Does Gale hope for the same things he does? They've talked about marriage in the abstract, playing around with the fantasy of it for a bit, but it's not a fantasy anymore. It’s within reach, Bucky can feel it. And that suddenly makes his hopes so much harder to share - he’s scared of losing them all on a mistake.

But now that their exams are done, it can occupy all his thoughts again.

It's time. Anticipation thrums through his bones. He has been aching for it long enough. He’s got the ring. All he needs to do is ask.

Drifting between daydreams and reality, he reaches for Gale’s hand on his abdomen. He traces his knuckles with his thumb and lingers on his bare ring finger, lost in thought.

When Gale pulls in a sharper breath, he shifts his touch to Gale's wrist.

Gale groans and lifts his head away from the wet spot on Bucky’s shirt. Blood flows rapidly back to Bucky's arm and makes him grunt in pain. He tries to shake the pins and needles out of his limb, while Gale just climbs over him like some lazy cat and collapses on his other side. He takes up the same pose he had before, just mirrored, but upon noticing the pillow on Bucky’s head, he nuzzles his way closer until both of their faces are covered by it. They're pressed so close together that the tip of Bucky's nose brushes Gale's cheek.

"We've blinds." He mumbles.

Gale hums and falls back asleep. Bucky’s arm lies squished under him. Moneyball stays on until the end credits roll down.

[flippinpancakes64]

cullens coming in on the reader crying

The Cullens walking in on you crying

Sorry that this took so long, I literally got in a car crash. I guess that's what I get for deciding to write fanfic.

For right now, my requests are closed as I am currently trying to catch up :'(

Anyway here's your story! Thank you for being patient and I hope you like it!

Edward:

Unless he was away from home, you wouldn't have even been able to think sad thoughts before he was right behind you

But assuming he was away and didn't notice your turmoil until he was close to the home, he is instantly by your side

When he goes up to your room and sees you curled up on your shared bed, he is instantly worried

Frantically scanning your mind for every possible thing that could have made you as upset as you are right now

If it was a person, his first thought is violence

If someone said something to you, he is instantly flying out of the house and hunting them down

He gets so blinded by rage that he doesn't even stop to think that you might just want comfort at that moment

So unless you can call out to him before he can leave, you're gonna have to wait until he comes back

But after he comes back, or if this was never about a person in the first place, he is instantly holding you

Rubbing your arms, petting your hair, whispering words to you

After you've calmed down he's asking you what you need

Your favorite food? Your favorite movie? You want to go out somewhere? You name it, he'll do it

Won't leave your side the rest of the night

Alice:

I get the sense that she's a bit clingy

So just the fact that you were able to be alone long enough to cry without her noticing is a one in a million chance

Unlike Edward she does not resort to violence, however

In a flash she is by your side, petting your hair, drying your tears, and asking you what's wrong

No matter what the issue is, she will stay by your side

She already has your favorite takeout on the way, your favorite movie on the TV, your favorite drink in a cup beside you, and your favorite pajamas neatly folded waiting for you to change

She will spend the whole night talking to you softly, braiding/messing with your hair (or just running her fingers through it if it's not long enough), and telling jokes she knows you'll laugh at

Doesn't leave your side

She doesn't even make you get up early to spend forever choosing the perfect outfit for you the next day

If it was a person who was making you sad, she goes out of her way to walk you to classes where she knows you'll see them

If they try anything in the future she is not afraid to stand up for you

Jasper:

He senses your mood change from a mile away

Like literally

He is out on a hunt with Emmett and he feels your mood change and he can feel the tears falling from your eyes

Jaguar or whatever the hell he had be damned he is running home

Wastes no time in going to your side

Asks what's wrong and then calmly listens

He brushes away the tears from your eyes and holds you in his arms as you let it all out

He'll make little snarky comments if this was about someone being mean

Is your 'yes' man

"I just want him to die!" "I completely agree, darlin'"

Again he is your personal servant for the night

Food, movie, drive around town going at least 100 mph

You name it, it's done

He's also not one to get violent, though

He knows his own limits

He is still very sensitive to blood

Is not willing to put their whole livelihoods at risk just to put some douche in their place

Rosalie:

As soon as she heard the first sob, she was up the stairs and in your room

Instantly cradling you, holding your head, giving you kisses on the cheeks, doing anything to calm you down

Once you finally muster up the words to say what happened, she is shushing you

After you explain, I mean

She doesn't want you just mumbling on and on

Because now she's in 'fix it' mode

Is running you a nice, warm bath with candles and bath bombs and everything

She cooks you something warm and nice

Puts on your favorite show or movie and lays next to you until you fall asleep

But if someone did this to you...

As soon as you're asleep she is up and out of the house

She might enlist the help of Emmett or Edward

Their tires are slashed, all of their shampoo is Nair, all of their clothes have been shrunk in the wash, etc.

She wouldn't tell you what she did

That's her little secret ;)

Emmett:

He gets a little scared at first

He doesn't really know how to deal with crying and really big emotions

I mean the biggest emotions he's ever felt were hunger and fear

Either way as soon as he hears you crying he is done with whatever else he was doing and is by your side

He sort of just.. sits there

He's rubbing your back and trying to be supportive and a listening ear

He will let all of your tears soak his shirt he does not care

Once you calm down enough you're gonna have to be the one to ask him to do things

Don't be scared to ask, he will do anything you want

He will ask you if you want him to go beat up the person who made you sad (if that's what happened)

But that's only half a joke

If you say no and laugh he'll laugh too

But once you're asleep....

He is out the door

That person is legitimately missing the next day

Police cannot find their body

Or any sign of them at all

Esme:

Ultimate comforter

She walked into the house after going grocery shopping for prop food for the house when she sees you

I feel like she would try to give you your space first

She would go up to you and ask if you're okay, but if you don't immediately say something she would quietly leave

When she was going through her own human heartbreaks all she wanted was to be alone

But she is on high alert

If you so much as whisper her name from all the way across the house she is there in an instant

Food, blankets, a board game, and maybe some wine if you're feelin it

She will help you make a blanket fort in the living room

(She also told everyone else to go away)

Listens intently and quietly while you explain everything that happened and why you're crying

If it's because of a self esteem issue she could start crying herself if she could

She thinks you are the most perfect person in the world

However if someone else did this to you I feel like she would have all of the tea

"What did you say their name was again? I recognize that last name, their mom was a hoe"

Carlisle:

He's really quiet about it

He doesn't want to intrude

So when he comes home and goes into his office to see you curled up on his chair crying he just leaves again

He slips a note to come into his room whenever you feel like it

When you get in there he has the bed all set up with pillows and blankets

The TV is on playing one of those YouTube videos of a crackling fireplace

Warm food is sitting on a tray for you

And he is sitting in the middle reading a book as he waited for you

He is there with open arms and open ears

He's really good at reading people

If you just want someone to talk at and complain to, he will happily sit there silently

If you want explanations, someone to bounce ideas off of, or an active listening partner he can do that too

I'm sorry but if you spoke bad about yourself he'd hit you with some bullshit

"Well actually *insert thing here* was very fashionable and considered very attractive in *insert random era here*"

And if it was someone else who said something to you it would also be insufferable

"The way you're describing this person sounds like they might have *insert mental illness here*"

Your best bet is to just tell him to stop talking

Vampire! Bella:

This girl knows sadness

I mean she was like a stationary rock for three months when Edward left her

She knows it sucked being alone too

So when she hears you crying she is right by your side

She also might have grabbed some tissues on her way

And oh she might have also grabbed the bowl of candy that Esme uses as decoration

And wow that's crazy she picked up your favorite sweatshirt of hers how weird

She is the ultimate yes man

If someone said something to you she chimes in about how she hates them too

If you're crying due to a self esteem issue she shoots that down immediately

If you're crying because of a movie she starts talking about how if she was human that movie would have made her cry too

The queen of yappersville

She could talk you to sleep

And tbh she probably does

The next day, if it was someone at school who made you cry, she gets all up in their face

Like I'm talking middle of the school hallway like "so I heard you had some things to say to my partner here yesterday, why don't you say them to me now?"

People are a little scared of her now

But at least no one messes with you anymore :)

[christinesficrecs]

I had a request for newer fics, so here you go! Also, some other recent fics were posted here.

They’re all together ooky, the Hale family… (Snap, Snap) by DropsOfAddiction | 12.4K | Explicit

Derek realises that he’s probably squashing Stiles a little bit, right at the same moment that Stiles apparently realises that he’s still holding onto Derek’s face.

They both definitely acknowledge Derek’s nakedness at the same exact time, judging by the alarmed look on Stiles’ face.

“So, you have no clothes on,” Stiles removes his hands and holds them above his head in surrender, cheeks a muddy red.

“In my defence, I was covered in fur less than two minutes ago,” Derek rolls his eyes and he pushes himself up and off him, hands covering his junk for Stiles’ sake.

“You’re still kind of furry now…” Stiles sits up, blinking rapidly, clearly just as weirded out as Derek. “Oh my god, pretend I didn’t say that. I’m not looking or anything.”

Derek smirks, because that… that was a lie and he cocks an eyebrow at him.

as dear as a brother by endversed | 10.3K | Explicit

“You are not allowed to sleep with him,” Scott says.

“You’re not the boss of me,” Stiles scoffs.

Stiles and Scott become best friends at college. Derek is Scott's hot older brother.

Take Me Away From Here by Hedwig221b | 33.5K | Explicit

Derek Hale looked terrifying. With his broad frame and muscles, with his wild black hair and thick beard, with his eyes the color of blood and fangs of a killer. Despite his kindness and his apparent attraction to Stiles, he was still a stranger, a predator, a wolf.

The thing is, Stiles would deal, but others might not. People found Lord Hale horrid, monstrous and unapproachable.

If Stiles stood behind him, no one would touch him.

He’d be safe with the wolf. If not from him, then definitely from everyone else. And that was enough.

Messily Ever After by KaliopeShipsIt | 20.3K

When Stiles and his blue slushie have a literal and quite splashy run-in with an adorable five-year old flower girl and her panicking daddy in the middle of the mall, the last thing he expects is to get a date to a stranger's wedding out of it.

Let alone, a boyfriend and a kid.

His Accidental Touch by Hidden_Orchard | 12.8K | Explicit

It happened accidentally, the first time. All the many and varied times afterwards, Stiles would hold his hands up and admit full responsibility for. But that first time – pure chance.

Derek needs a cuddle. Stiles - generous man that he is - would never deny Derek something he needs.

An Alpha's Misunderstandings by Dexterous_Sinistrous | 48.5K | Mature

And Derek was there, as if it was a simple twist of fate.

There were so many ways Stiles wanted to forgive Derek, but then he came to his senses.

He wouldn’t risk Charlotte’s safety for that hope–never again. ~*~ Stiles and Derek are parted by war and misunderstandings, only to find each other again.

Red, Red, Red by loserchildhotpants | 9.4K | Explicit

“Just… it’s weird, I’ve been - uh. You ever, like, dream of something? Something you’ve never seen before, but then you see it out in the world?”

everywhere, everything (every day) by nerdy-stilinski (Captain_Ameriyeah), S3anchaidh | 14.3K

Derek’s never been the best at making decisions. That’s how he keeps waking up with Stiles in his arms, but never under the right circumstances.

Or: Derek agrees to a pack vacation and instantly regrets it.

Matchmaking in Fandom by isthatbloodonhisshirt (wasterella) | 13K

It wasn’t like it was a secret that the showrunners made terrible decisions when it came to their own show, so why he’d had actual faith in them not fucking the movie up, he had no idea. Really, it was his own fault.

He hadn’t even set the bar high for the movie! The bar was so incredibly low, like mid-shin height, and they somehow managed to get it subterranean. That was talent. A bad talent, but still a talent.

if i'm not made for you, then why does my heart tell me that i am? by EvanesDust | 13K

When Derek’s kids write out their Christmas lists, they insist he writes one too. Not long after it's deposited in Santa's mailbox, he's reunited with the man of his dreams.

Stiles.

Derek can't help but fall for him again. It's really too bad Stiles is so obviously taken.

...or the one where Derek’s a grump who makes assumptions about his pregnant omega neighbor.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[ezra-editss]

Just watched X-men Apocalypse. What the hell.

Okay, so I kinda have a take on all this and idk if that's just how it feels to me, but that's what I wanna know. (I don't think this actually happened, but it's the vibes it is all giving)

So it started when I told my mom about First Class (keep reading I'm gonna get to apocalypse eventually) and we came to the conclusion that it feels like they wrote the script, looked at it again and thought:

"Hmm, this seems pretty gay.. Erik and Charles both have no female love interests and they have those lines that seem pretty romantic. Also, Erik seems almost obsessed with Charles at the end with how overprotective he is. Let's fix that!"

And then they gave both of them a kiss with a woman they weren't interested in and added the line "We're brothers, you and I" and then were proud of how well they "saved" it.

And then they made Days of Future Past and didn't even think of it, but when it came out they saw how people were shipping it and then they were like "oh shitt"

And in the first hour of the movie, I thought they were just doing all of this stuff to "erase" any potential gayness people thought there was and wanted to make sure nobody got the wrong idea about the recent movies. But it was more the reminder they like women, before the EXTREME GAYNESS in the second half.

(This is getting so much more unserious than initially intended💀)

Anyways, Apocalypse.

Either I missed something or Erik settling down and HIDING makes NO SENSE. In the last timeline it was 100% clear that he'd never stop believing in what he did, he would never stop fighting his war. So yes, this is a different timeline, but there is no reason given why he suddenly decides to try Charles way. He failed in Days of Future Past and Charles let him go, but there is no way that's enough. And they played this off like that isn't the thing they both wanted since forever and never seemed possible. Being on the same side. Erik switching to Charles side is insane, why wouldn't he talk to Charles in all those years then?

I can't believe they threw away everything that IS Erik, just so he had a reason to be angry enough to join the guy.

(They also died in such a weird/lame way)

And Charles and I still don't really know her name😭.. I have to admit the scenes where Charles was nervous were cute, but that's just because Charles is adorable. But in First Class she was obviously only there for the plot, in Days of Future Past, she wasn't even mentioned and in Apocalypse, she was, again, only there for the plot. She literally doesn't say anything the entire movie after the beginning. She has like two lines. And in the end fight, she's just standing there. And then Charles makes her remember and the flashbacks are soo bad, BC THEY HAD NO MOMENTS. (Especially bc you can compare it to Erik's flashbacks, we're gonna get to that)

(I don't think I have to say it, but to be sure. I have absolutely nothing against straight couples. I don't care if it's gay or not. But if one of them were a woman, I wouldn't be writing this. I just hate how often they prefer to write a heterosexual couple that has no chemistry at all instead of making the two guys/girls kiss.)

Let's talk about the ending. Sometimes when I talk about this stuff I'm a little worried that I interpret things wrong bc I want it to be like that and I'm not being objective anymore, but I was proven right so many times in this. When Mystique and Erik kissed in First Class, it felt really weird to me because Erik obviously had no interest in her. (I suppose it was to show her she's beautiful) And that was pretty much proven right when she talks to him and he barely reacts to what she's saying. I also thought that he probably didn't know Charles was dying, bc he wouldn't let that happen. Then Mystique says "Charles" and suddenly he does show a reaction and when she's gone, he has those god damn flashbacks. WHAT DO YOU MEAN THIS ISN'T A ROMANTIC PLOT?😭 and then the specific one of Charles turning away and leaving him. (Could be a metaphor for Charles giving up on him) THAT'S WHAT GOT HIM.

And they make it even more clear when Mystique is dying and Erik doesn't react, but when Charles is dying, is when he steps in.

Ending was cute, but damnn the "you can make me do anything" was crazy.

(This turned out soo long, I've never been so obsessed with something.)

[doyouevenshipbr0]

examples of atla live action’s attempts to be more feminist and how they actually had the opposite effect and/or hurt the integrity of the show

already talked about katara and pakku. does not make sense that she did not have a master. point blank. just because something sounds empowering (ie katara saying “yes. and ur looking at her.” after zuko asked if she found a master) doesn’t mean it automatically is. there still needs to be logic and katara “being her own master” defies logic imo im sorry!

katara in general. she has no ferocity here which to be very honest i dont think is fully the writers’ fault. some of the blame goes on them but the actress for katara just delivered alllllll of her lines w the same exact mild tone. katara is overly motherly. she is bossy. she is passionate. she is nurturing. she is emotional. THERE IS POWER IN THESE THINGS!!!!! why would we take away her spark?!?!?!

i loved live action suki. however, i LOVE the line in the original when her and sokka part ways and sokka says “i treated u like a girl when i should’ve treated u like a warrior.” and suki says “i am a warrior” *kisses sokka on the cheek* “but im a girl too.” THAT LINE WAS SO PERFECT like lemme say it again there is POWER IN FEMININITY! there is no shame in that!!!!! why does this show wanna take that away so badly. at one point live action suki says something like “im not just a warrior, im a kiyoshi warrior” and before she parts ways w sokka she thanks him for showing her some of the world or something like that. which was fine but i just love the simplicity of the original. a girl can be a warrior and have a crush. why do we have to change that?

this is a small one and it doesnt REALLY matter, but i cant help but think they changed this to be more “feminist” which is just dumb. yue isnt betrothed? well she was but she broke it off? and hahn (her ex) isnt a huge dick? i mean it wasn’t the worst thing and i didnt really mind it but i was just kinda like ?????. feel like yue being betrothed tied into her sense of responsibility and foreshadowed the sacrifices she will make for her people. so. feels rly weird that they changed it. i think it was to show more women agency which is always cool. but in the original, yue finally gets her agency by becoming the moon spirit. that should be the end of her character arc. idk. a weird change that seemed unnecessary.

sokka not being sexist. honestly i think the live action did a good job at omitting this while not REALLY making it feel like something was missing. with that being said, something was still missing lol. once again, its apart of sokka’s character. i feel like everyone has already expressed their hate for this so ill just leave it at that.

i am a TAD indifferent on the women of the northern tribe joining the forces during the fight. on one hand i cant lie i smiled bc obviously i love water bending and i love women so there was definitely apart of me that was happy to see that moment. however. it was kind of giving like in endgame when theres that random shot of all the women superheroes in one frame so the movie could have a “slay queen. we are girlbosses:)” moment. like it just felt a little empty and it wasnt the feminist battlecry they thought it was. these women have been healing their whole lives. why would they be any good on the frontlines of a fight? they never learned combat skills! HOWEVER, when we see them, its mainly just them reinforcing the walls so like. that makes enough sense. im cool w that.

i know im dwelling but as we know i hold atla in the highest regards. it does a lot of things perfectly imo. and one of the things i think it does PERFECTLY is its treatment of female characters. literally the only thing i can think of that i dont like is when team azula beats the kiyoshi warriors and ty lee says something like “u are NOT prettier than us” NDBSKSJDJ like ok that was weird. but anyways. it irritates me how the live action kind of seems to have this pov that says “the original was good, but there were some ideas and plots that were outdated so we changed them to keep with the times” like they’re fixing something that was broken if that makes sense. when in actuality, i think atla’s representation of women is perfect and timeless. it was relevant and powerful in 2005, and it is equally as relevant and powerful in 2024. there was nothing about its feminist themes that needed to be “fixed” or “updated”.

[mitch-the-silly]

hey!!!!

I’d like to request vox (I sense you like him a normal amount) x gn!reader headcanons where the reader is an overlord and is in charge of theatrical productions such as musicals, in which vox sees as ‘out of date’ and therefore detests the reader, but the reader is oblivious to this and is always seen trying to befriend him? I could see this as some good slow burn :)))

thanks a ton! 🎀

I DEFINATELY like him a normal amount :)

Anywho- Have to write for this guy more often and the second I saw this request, I knew I was gonna have so much fun writing this! Vox slow burn is literally my kingdom come-

ENOUGH SAID-

Vox x gn!thespianOverlord!reader

Cheery and old-timey, that’s how Vox viewed you. 

Truly, he only interacted with you because the musicals you produced for his films sold very well. But the world was begging and in need of more realistic movies and shows. Musicals just weren’t as interesting to him. So he always saw you as a luddite. Maybe not to the extent he saw Alastor that way. But your mannerisms and theatrics reminded him so much of his rival, so despite you having done nothing but benefitting favors for him, he kinda hated you on the lowkey. But who didn’t he hate at this point?

He at first found you extremely obnoxious. The way that, at times, people flocked to your theater productions instead of his movie premieres… 

Despite this, despite hating you so, you were always so kind to him. It baffled him truly, that you never caught the hint. 

The amount of time he’d rejected your invitation for coffee at your opera house should have already given the hint but you always figured he was busy (he was one of the most powerful overlords after all).

Every time a meeting was held, you spoke to him before and after the meeting. Always in such a friendly manner that made Vox smile awkwardly at you. He couldn’t outright tell you to stop talking to him, that would give off the wrong impression about him. So he would try his best to socialize with you without making you think you two were friends.

At times, you’d send him friendly gifts after collaborations. 

You’ve given him blue roses after writing a particularly famous movie musical that earned both you and him a huge amount of money. 

(He’d never admit it, but they made him feel special. He put them in a vase and kept them alive as long as possible.)

You definitely text him as if you two were friends. Which he always responds to very dryly, but you figure (again) that he’s probably too busy to put much thought to the text. Either way, you’re happy to hear back from him. 

He does ghost you on occasions, which you don’t take personally (much to his dismay).

You find yourself always speaking fondly of him and his image. Admiring him to some degree. The way he acts in front of everyone, you ought to ask him to try acting for a production! His skills impress you a lot. And you’ve told him before. Which, for a moment (and only for a moment), made Vox think you weren’t that bad.

Oh, what he hated the most… it had to be seeing your play advertisements plastered all over the city.

Hell, you would also go up to him and ask him if he could advertise your shows. 

You’d pay, so he couldn’t say no…

But the medium you expressed yourself with, oh how much he detested it!

Sometimes, out of courtesy (despite how much he detested you), he’d always accept the invitation to come to your Opera productions. Velvette liked to see the outfits the actors wore (and criticize them), and she always ended up dragging him along anyway. So he always ended up going when invited. 

This particular time, you were putting on a production of Phantom of the Opera. The actress who was supposed to play Christine/The Phantom got severely ill, and the understudy was killed in the recent extermination. So it was up to you to take matters into your own hands and save your production.

The second he saw you in that scene, his eyes shot open wide. He’d never seen you act before. Hell, you looked so good on that stage, that even Velvette’s heavy criticisms of the play’s costume wardrobe didn’t move him. 

And your voice! God… He’d wish someone that pretty/handsome would sing to him like that. Maybe it was the character you played and how they depicted them.

Matter of fact, he was paying attention to the plot this time. Unlike the other occasions. 

The fact that you were willing to jump in and play the part perfectly as if you’d been rehearsing it every day surprised him. You’d be perfect in one of his movies, he just KNEW IT!

After the production, you approached him. Speaking to him and thanking him for coming to see as you always did. 

The way he smiled at you was no longer full of false politeness. He now spoke much more freely with you. And it made you feel like you were finally important enough for him to have time for you! It was such a great feeling!

He didn’t want to admit how his perception of you had changed but let’s just say he began to plan more musicals. 

Velvette knew what was going on the second he stayed to talk to you a bit longer than usual. She made fun of him for DAYS.

He would begin to respond to your DMs with less dryness.

And he would accept your offers to drink coffee at the opera house (he’d deny them sometimes to not raise any suspicion on your side or from his fellow Vees). 

He would publicly deny any ties with you and would try his best to balance it out by telling Valentino just how “annoying” you were. 

Vox being the obsessive little man-child he is, would survey you. Or rather, jump in excitement the second you appear in the sight of one of his cameras. 

He’d set up a camera in your opera house just to see you directing rehearsals and even to see you practice.

He refuses to admit his feelings, but his fellow Vees are finding it hard to pretend they don’t know. Vox is… very obvious…

He begins sending you roses (yellow so he doesn’t make anyone think that he’s THAT obsessed with you).

He might start spiraling a bit when he sees any man approach you. But oh no, he had to keep himself together. You two were nothing, he didn’t like you! He only stayed close to you for convenience! …right?

Until he received another bouquet of blue roses signed off as “-Your Thespian Angel of Music”. 

Oh, he went nuts! He had to find the footage of you signing it off. And just as he suspected, you were bashfully smiling as you wrote the note.

He couldn’t! He simply couldn’t let this change his mind! But he didn’t have much time to think about the move you’d made, because you’d invited him for coffee soon after. 

Oh, he couldn’t keep himself together that time. Your smile, the warmth of your fireplace… it was all too much for him.

So it slipped out his mouth, he invited you to come over to his place and watch a movie. 

You gladly accepted and after agreeing to a date for this to happen, you two were set!

Of course, he planned for you two to watch a musical together. 

When you arrived at the V-tower, he was anxious to make sure that you were greeted properly. So he himself walked you to his area. 

Sideye from Velvette because she just knew that Vox inviting you was him admitting to them that he was definitely into you.

During the movie, he admits that he thinks you’re pretty cool and you take it as a huge compliment!

When you go home after the little date-not-date, he can’t get you off his mind! The way your eyes shone in the TV’s light, the way you paid careful attention to every scene. Oh, he was so stupidly in love with you.

So what did he do next? He spent his free minutes texting you. Sending you Envees (the hell version of TikTok) he thought you’d like and you sent him some back. 

He’d start advertising your stuff for free now! 

If it wasn’t already obvious to the Vees, now they knew he was head over heels for you.

Eventually, he got Velvette into thinking you weren’t that bad… Maybe she could put some more style into your shows.

After a few months of you talking to Vox and Velvette casually texting you, she was fed up with Vox’s obsessive giggling when he saw you in the cameras, so she told you. 

Yup. Velvette told you he liked you.

You were elated, to say the least. To be seen in a favorable light by such a powerful overlord was one thing. But to be the object of his adoration… Oh, you were more than happy.

So you set up another coffee date with Vox at your opera house.

To his surprise, you kissed him at the doorstep of your opera house.

It almost fried his circuit. The lights in your building flashed a bit and you could have sworn he was glitching in the middle of that kiss.

After which, your relationship was VERY MUCH PUBLIC.

Vox posted about your musicals almost every day.

He’s definitely the type to go to your practices and post you with a caption like “My Angel of Music”, “My Romeo/Juliet”, or “My Christine Canigula/Jeremy Here”. Something in reference to the lead or most adored role of the production you’re currently directing.

He’s corny as fuck in private-

He’d definately cuddle to watch whatever new musical you two just co-produced. 

He funds your shows and is kind of embarrassed to admit it, but he’d blow marvelous amounts of money on you if he could (he has to be smart about how he spends his money and the fact that he can’t just spoil you as much as he wants, destroys him).

He also hates to be caught accidentally humming along to your musicals. He claims to not care about those things at all (he knows the entirety of your repertoire by heart).

[alpaca-clouds]

Hayao Miyazaki & Solarpunk

Hayao Miyazaki probably never planned to become this super influential voice for Solarpunk. He did become it though. In fact a lot of his movies are considered to be Solarpunk to some degree, which in a way does make a lot of sense. After all, not only does he generally feature stories about preserving the environment, and stories that are very much anti-war and often also anti-capitalist, but - and I think this is something often ignores - he also is heavily influenced by indigenous Japanese storytelling. There are very few creatives in Japan that outright reference the indigenous cultures of Japan - but Hayao Miyazaki is one of them.

The strongest Solarpunk vibes in his movies can obviously be found with Nausicaä, and with Princess Mononoke. One a post-apocalyptic movie, the other one a historical fantasy piece, which makes this entire thing even more interesting. Laputa, too, is often seen as Solarpunk - a story that is pretty much high fantasy with some scifi elements. And I would argue that you still very much can find Solarpunk themes in both Spirited Away and My Neighbour Totoro.

Not one of those movies is SciFi. And I very much find this worthy of discussing, because I think it is one of those aspects where a lot of people who would like to write something more Solarpunk could learn from.

One point that cannot be ignored is of course that Miyazaki aside from traditional and indigenous Japanese storytelling also drew heavy influence from Ursula K. LeGuin in some of his works - who also is one of the big influences on Solarpunk. And yes, there might be some essay of mine about LeGuin coming some day in the future - but not too soon.

From the very beginning of Studio Ghibli at least, Miyazaki's movies always had a heavy emphasis on some themes. These included feminism (by showing both women who can fight, and the importance of care work done by women), anti-war and pacifism, and environmentalism.

It should be noted that very much no Miyazaki movie is set in an utopia. Instead the movies are concerned with the idea of finding solutions for the characters - and with the characters empowering themselves.

Nausicaä and Princess Mononoke might be the clearest examples here. In both movies the protagonists take the role of creating peace between nature and those, trying to destroy it. However this ending is never quite a compromise, rather than the destroyers seeing that they are doing wrong and promising to do better. Which is another core thing that is there in most of Miyazaki's movies: They show a big hope for humanity and its ability to be good. Only rarely are we shown irredeemable villains in those movies - most of the times just people blinded by their lust for money and power. Or, at times, there is simply the problem that the two different sides can literally not understand each other.

This is a theme that gets explored again and again. How so many conflicts are rooted in the different sides not communicating - or at times literally being unable to communicate. With the protagonists being the ones who will be able to listen and understand.

The other aspect is that the protagonist in Miyazaki's movies also will empower themselves, while the antagonists do try and depower them. The protagonists have their own wishes and believes and stay true to them. They will also manage to succeed by befriending other people they meet along their way, by meeting them without any prejudice in many cases. Be it Ashitaka, who meets both the gods and the people of Iron Town without hatred, or be it Chihiro, who manages to befriend almost everyone she meets along her way.

The important aspect is, that the movies here offer a hopeful outlook and also show the importance of helping each other and banding up against a greater evil. In fact they do show a heavy emphasis on Mutual Aid in some interesting ways.

Here is the thing: Yes, I really want to see more Solarpunk fiction that is set in possible, but really positive Solarpunk worlds that dare to imagine anarchist and communist worlds. But we absolutely need these kinds of stories. Stories that are about the fight for the environment, for a better word. Stories in which the characters do offer mutual aid to others, work together and find understanding. And stories in which there can be hope found.

And I think we just need to give this more of a chance - and talk more about it.

[icarusredwings]

Rewatched Deadpool 1. Took notes.

WARNING: Discussion of mental illness topics, ending yourself, trauma, violence, etc.

Civil debate/ conversation welcomed. Sorry its super long. I think a lot.

Notes:

You know what? We see Wade coloring a lot. What's our status on just giving him cartoons snacks and coloring books? He needs it.

I think we all forget how actually impressive this man is. I just watched this cancer having fucker do like 50 flips.

Whatta man is so Logan Howlett coded.

"Bad deadpool" "good deadpool!"

Deadpool has been helping kids for a while. He terrified a little creep while he himself was a huge creep.

Missed up his words and Vanessa smiled at him. With that "aw hes cute" kinda thing.

When talking about their childhood (whether he's lying or not, hes not about the uncle) and he outdos her so much that she giggles.

The first date he takes her ducking skiiballing instead of yk prostitute stuff

Hes so romantic oh my god.

Theyre giggling and joking like all the time. Personally thanksgiving is my favorite scene before he proposes with a fucking ring pop.

I shouldn't laugh but the way he said "wtf" when passing out

Vanessa instantly jumping to "what can we do? There has to be something" makes me instantly respect her as a chronically ill person myself. Partners who medically defend each other make me so happy because a lot of people divorce their partners when they get "too sick" let alone dont show up to specialist appointments.

Him accepting death so quickly is a sign of mental illness, and you can see him be confused on why shes so upset. Shes crying and hes sitting here like "why do you care if I die or not?" He physically feels so unloved that he just doesn't get it.

"I dont know. Might further the plot. " Oh, so you know about wades little mental tv show he puts on in his head as a coping mechanism?

Also... Weasel.. YOU KNOW WHO ELSE IS A WEASEL!? Shit sorry wrong movie.

Its not until now that hes crying because he realizes if he does then no more vanessa. We already know hes very co dependent and many people only care about themselves BECAUSE of other people. Which is also considered a sign of wanting to ☠️ self.

The whole "superheros are all lame ass teachers pets" thing is so funny if you think about how much beef he has with the xmen when in reality I have a feeling Wade would love charles in a "Ugh im in trouble with Daddy wheel chair again." COUGH "old bald heavens gate looking mother fucker" COUGH

"Thats not nice" No. But wade is genuienly not nice either.

"This is embarrassing. Please stop, " Colosus said what we all were thinking.

Bro literally cut/broke off his own hand and didn't whine a single time. If you ever. EVER hear this man express pain it is 99.9% his own choice to let you know that it hurts.

During his changing process, Francis says "the only thing that doesn't survive is a sense of humor" wade says "we'll see about that" and smirks.

What also makes sense to me is that he did NOT break easily. They did test after test after test and this man still wasn't breaking. His spirit is incredibly strong and as much as we enjoy joking about how stupid he is, Wade is extremely resourceful.

Its like he has created an alter ego of humor and kindess in order to keep up with the fact he DOES understand how fucked up this world is and whats happening/happened around him but refuses to acknowledge it until he has too. Ussually for survival.

Ive seen theories that he has DID or a type of Scizophreania and the voices in the comics are obviously in his head. I have mixed feelings about it because even his thoughts have thoughts of their own in some cases. Talking to no one is often a sign of abadonment, esspecially in children who are school age and get lonely when taken from their families to attend school. Its almost as if wade never lost his and hes subconsiously talking to himself to keep himself calm/ from panicking in high stress situations.

"But then how does he know hes in a movie" thats the thing. He doesn't. Hes pretending to cope. Main charaters cant die and until he dies he has this mental show/movie going on to keep himself from realizing all of this is true. That this is reality.

Cunningham mentions breakfast for his kids and suddenly, wade wakes up. Hes not joking anymore. This is a "oh shit... I wanna make breaktsst for my kids too... with my wife vanessa" moment.

"So whats wrong with him?"

Diiiiiddd we all forget about scout master kevin? Uncle? Dad? That fact that the oxygen was physically taken from his brain and was given Co2 poisoning over and over? For multiple days? This is the same man who blew himself up just to escape because they told him he wasnt going to see vanessa again.

And then he fought a guy naked, survived the entire building burning down, and now is so insecure about his looks that he thinks he made the baby cry in the street.

Theres people staring at him, flinching away, called names, people see him and cross the street. (So when he tells Logan that he knows his pain when it comes to public settings, hes not lying)

Blind Al is literally the reason deadpools suit is what it is. Why the idiot thought white was gonna be a good idea- See above. Unlike Al, who could smell the blood/ bleach.

I really love al. She's like the adult Toph.

"I hear everything in this duplex." OH, you poor thing.

"The guy that turned me into this freak-"

Al: *bitch im blind face*

As far as she's aware, he looks normal. Which is beautiful when you think about it, but it's funny when you think about the fact that he's so insecure about his face that he purposly found a blind room mate that couldn't judge him.

And they cuddle while he gets dating advice from grammie 🥹❤️

I really like how the entirety of Sister Margaret's School for Wayward Children (HellHouse in the comics) stood up for Weasel. They're murderers. But they're family.

What they did to vanessa was straight fucked. Her fiance up and leaves without notice, youre just trying to work and live your life, you get kidnapped.

Negasonic is so cool. I love them.

Dopinder (The cab guy) is so cool too. I love him too. Kill that guy in your trunk. "Mr. Pool" reminds me of Tom holland spiderman.

"It is not boy band >:(" Suurreee it isn't.

"Wheres your duffle bag?" You mean his dollar general store tree hello kitty book bag filled with guns?

"Cue the music" *no one even gives a fuck at this point when he talks to the imaginary cams*

Negasonic mid battle: Hold on- "Hey Yukio, yeah I just gotta fuck shit up real quick, ttyl?"

"Sure thing! <3 You go baby!"

I dont know anything about negasonic but she reminds me of Gambit with her energy powers.

Like I said. Hes smart when its a serious situation because he immediately threw his katana into the glass so vanessa could breathe, only to immediately turn sappy and childish again when he sees her stab francis with it. Heart hands, is hallucinating because theres a knife in his brain (literally), sex joke. Etc.

Colossus shut the fuck up. Let this man kill him. He's hurt Soooooo many people. A bullet costs less then a dollar. His amount of therapy alone is going to be like *checks calculations* 80 billion.

"Not the nethers" Wade can and often does show proof of hurting but hed rather cut off his hand then let vanessa punch him in the balls. "Ow- owie 5000"

Hello Hugh Jackman.

After not seeing each other for so longer they instantly go back to the fibbing. "I live in the house with 12"

"You live in a house??" Funny guys get the girls. I should know. My wife says im super funny (yes im in therapy)

Pinky promises really matter to him.

Hes such a silly billy he brought out the phone with their song on it. God what a romantic idiot.

[darkpetal16]

Do you have any head canons of what a relationship with dust after the resets would look/be like? How he shows affection, his struggles, etc,?

Yep!

It takes a long, long time for him to not think this is all one big fantastical dream. There are several moments where he’ll stare at you, or Papyrus, or Toriel as if he’s not certain he believes what he sees.

He’s jumpy. Not in any obvious way, but he has to sit closest to the door, he has to have full view of windows, he cannot have an open space behind him, children laughing makes him tense, etc. It’s really only a change noticed by Papyrus, since he was already like this when you met him.

He doesn’t tolerate human kids. He doesn’t hate them, he just. . . Avoids them.

Sometimes his pranks/jokes go too far. His sense of humor has significantly darkened from the repeated deaths & resets so at times he’ll slip up and say something that makes others in the room uncomfortable or upset. A lot of his humor is centered around death, murder, and gore now. This is most concerning to Papyrus who doesn’t understand what brought this change on.

He evades. Doesn’t matter how often or how sincere someone (ie Papyrus or Toriel) asks about him. . . He won’t give them a straight answer. He’ll deflect, sidestep, or outright ignore their questions.

If in a romantic relationship with him, he’ll sometimes answer you honestly about how he is. You know the full story, so when he says he’s having an off day you know not to ask why. . .

It’s easier to be with you than others. He didn’t kill you, so he isn’t haunted by that image every time he looks at you. They don’t understand the full magnitude of their freedom, or what it cost him.

He’s too tired to be grateful they’re alive. Maybe one day when he’s not so. . . exhausted. . . He can look at the monsters without feeling uncomfortable.

He doesn’t initiate often, but when he does he clings. When he goes to you for affection it’s not a want, it’s a necessity. He needs to touch you. He needs to hear your heartbeat. He needs to feel your arms around him. He needs you to stay put with him where he can see you at all times. He needs to hear you say that you’ll stay with him.

Some days he thinks back to how you literally abandoned everything to be with him and he looks at you like you’re insane. Then he grins. Because he’s insane too. You both make a pair, huh?

He stargazes. He stays up past midnight each and every night to admire the view. He soaks it all in. A part of him is anxious that everything will be RESET and he’ll never see the stars again. He has to admire them now and as often as possible.

He gets jealous easily.

He knows he’s. . . Well, he’s pretty fucked up. He knows you’re nothing short of a saint for not only going back for him and willingly entering isolation, but for patiently dealing with him during that time. He knows he is was an ass.

He doesn’t understand why you want to stay with him. He’s happy and grateful and he cares for you as much as he possibly can. . . But like. . . You can do better. He knows that. The right thing to do would be to let you go so you can find someone who will treat you well.

But he can’t. He can’t bring himself to do that. He selfishly wants to keep you and any hint that someone else might sweep you away has him seething.

He wouldn’t stop you from leaving but. . . It’d devastate him. You are the only one who can understand him, and if even you can’t stand him. . .

. . .

Dates are causal and quiet. Movie nights, stargazing, picnics—he really enjoys picnics, fishing, even scrapbooking. Just as long as it’s quiet and low-energy. He gets too stressed in loud / high paced environments.

He’s very good about reading between the lines / picking up on nonverbal cues so he can consistently read your mood well. When you’re having a bad day, he’ll keep you company. He may not know what to say but he’ll sit with you. He’ll listen, if you want to talk.

Papyrus won’t question you moving in with them.

But you also can’t question it when Papyrus moves in with you two. Sorry, they’re a packaged deal.

PLAY IF DUSTTALE HERE FOR HIS ROUTE

MASTERLIST