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#just the more tragic flavor
lieutenantraziel · 2 years
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Happy Valentine’s Day with this extremely romantic picture for 2023 Dimilix Week! There’s so much more on Twitter, too, with the same tag.
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rhythmic-idealist · 9 months
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Chase Trinaeste POV Shepherds of Haven fic? Yeah………….. Chase x MC fic? Yeah.......
And another friend’s OC is also mentioned in here? …..Yeah…………… dw about it..........
Listen though. L-listen:
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You gotta learn to braid.
Thinking about it, your head is immediately gifted with images of him irritatedly brushing it out in the morning and chewing you out for bad technique. Better yet, he wears it to breakfast, thinks it’s good, and then chews you out only after Trouble makes some no-brained comment and he looks in a mirror for the first time. After all, you’ve got nimble fingers, makes sense to assume you were trustable.
Rock’s head is in your lap.
And his hair is going everywhere, and he’s always clearly taken his time with it (at your best guess he uses five different products at least), so that’s why you’re thinking about it. Don’t people with long hair sleep with braids, sometimes? Lavinet would probably teach you, and do you the favor of not announcing that you’re about to use your skills for evil.
He’s been like this since about five in the morning. You’re a light sleeper. As needs be, you rise either with the sunset or with the sun. Or elsewise, if you’ve got to— you have what some might call an uncanny sense for a well-timed catnap.
So you’re up again, working out the couple little kinks in your back from dozing upright like that. It’s another of the perks of the job: learn to sleep anywhere. You have a lot of little resume filler skills like that, just a tragic lack of resume to put it on. Idly, you wonder over the nonsensical notion of putting one together for the Order once your writing gets good enough to, and you’re kind of attached to the idea now. Blade wouldn’t read it, especially considering you’re already in, but there’s some small giddy joy you get out of the idea of putting it in his possession anyway. Maybe Trouble would read it. Maybe Shery would think it’s juicy enough that she can’t keep her hands off it, and then roll in the guilt about it for a few weeks after. ...No, you can’t do that to her. Funny as that is, she could read with permission. You might be cruel, but she’s a horrible choice of target.
Anyway— So you’ve been watching him be like this since about five in the morning, and thus have evidence of him being like this since about five in the morning. You remember falling asleep late last night, though. Waiting for him to drift first. It was probably one, two AM.
When six-thirty rolls around, you’ll have to wake him, you have a bright and early morning dose of espionage on the schedule today (it’s why the two of you are all the way out here, plus Lavinet and Ottilie graciously hosted in another wing) and you can’t have a grouchy Hero of Haven who hasn’t had a good hour or more awake to put his silver tongue back on.
Something something joke about that tongue’s many talents.
Head in lap is a surprise at all. It’s one of those things— Rock has done this thing to you where all your defenses are the ones that keep coming down first.
It feels a little like getting grifted. When you’ve caught onto a grift, though, and you’re playing along to see what or whom or where they take you to, you don’t feel like you’re in danger, because you’re good. You’re in as much danger as you want to be, or more like: when there are unpredictable variables, you know more or less where they’re going. Rock makes you feel like you’re teetering on the edge of something you don’t fucking play with, and it doesn’t help that he likes to open his mouth sometimes just to remind you you’re rolling off a cliff.
Anyway. Then you get this, and you wanna be a charming shit about it, as usual (and you intend to), you just also wonder how much he’s falling off a cliff.
He gets bad nightmares. You know that because of the trip to the Reach. You do also know it because of the tightness in Blade’s lip when you mentioned it offhand later— there’s history there; they’ve been worse than that. You also know it because you picked the brains of a couple recruits who were standing around griping after Trouble sent them for something like twenty laps around the compound (not a real intuitive head for numbers on that man): apparently, it was Captain Nomura they’d been gossiping about, and Trouble was a hardass about it.
It’s the one thing that makes you feel borderline… even. If not even, then at least okay with it.
That’s a lie, you’d probably feel okay with it anyway, you got down to being okay with whatever he’s doing to you the minute you realized you were this invested. It’s just something you use to put things in perspective. There are things you didn’t exactly expect to peel open for him, about you. But there are also things he’s not asking to broadcast publicly to every hard-luck-fleer who wanders onto the Shepherds compound to recruit. Rumors about the head of the Thieves Guild abound, but the unflattering ones are usually less true, and the untrue ones abound so plentifully that no one knows heads or tails of that, anyway.
Feels fair he should have secrets from someone. You’re still gonna fucking dig your way into them before they bury him alive, it’s just. Yeah, you haven’t had your brain pulled open onto a projection screen.
So he has nightmares. You’re not actually sure how often. Technically, you don’t have proof they haven’t gotten better since you last heard. But since you’re not bound to the same evidence requirements as a court of law, and since it’s become a roulette game of how grouchy Rock’s gonna be minute-to-minute, he was dodgy about the prospect of rooming with you or anyone on this mission at all, and he’s recently had a god or demon or trick of the light try to tell him (plus all of the rest of you) that he’s less Mage and more something else’s torn out rib, you can look at two plus two plus two and say probably.
You’ve learned how not to dream. It’s basically the same as learning how to wake up when you want to. When you did dream, you dreamt of mutiny, imaginary holes you left and getting torn down through them. You were always yourself in your dreams—some people are characters, tropes, or other people they know, apparently; you wouldn’t know. Now you keep that in the waking world, and you keep ten paces ahead of it.
That’s the thing you’re deadly sure about in him. That he’s keeping ten paces ahead of something. You—your whole tether to his side—account for anything from like one to like eight of them, as far as you can tell. That’s all you know.
…Well that’s the quick way to tell it. He’s keeping ten paces ahead of something inside the Shepherds. Could be Blade, but you’re not sure why. Could be the Autarchy, but that’s too simple for you. Doesn’t feel like it. Could be Ottilie’s God-given plans for a pretty obvious heathen, but your nose also says it’s not that easy.
He looks dead asleep right now. Comfy, you’d kind of go so far as to hope. And anyway you look at his face, still waters, and you’re a little afraid to even brush his hair out of it.
You don’t even know if he meant to lay his head down on you at all, if that’s a cliff he made his shaky peace with (or if it’s a cliff at all, if means anything to him, Hael if you know) or if he was just miserable.
You don’t know if it’s you, like the stillness might be the effect of having another body in the room that he’s willing to lay his head against— …or if maybe he just doesn’t get them every night. Or if there is one under there. But you hope he’s not dreaming.
You try to bask in it, for now. Try to pose like a king with a sweet little kitten in his lap, like a guy painted on the front of a romance novel with the sweet, innocent angel he’s seduced to lay over him, nightgown slipping down her shoulder. You spend an hour with only walls to watch, dutifully still so he can finish sleeping, and it’s only a small handful of times that you have to stop and breathe through a creep of bile up your throat.
Six-thirty hits.
“Good morning, Sunshine.”
“Mmf. What.” Rock spits a strand of hair out of his face. Yeah, you probably could have done him a favor on that instead of leaving it there for him to wake up to. But it’s funny, so, you know. Win-win.
“The sun is shining, the birds are chirping, Ottilie’s slaughtering her morning chicken—” (she is not).
Rock seems to parse the reality of where he is, and peels himself up from you, sitting facing away from you— and then he glances at you over his shoulder, for a moment, and everything about it is horribly, disressingly raw.
He looks at you a little too long. The thing about Rock is his rules are a lot like yours, and you are not supposed to say anything about it, but he’s looking at you, like he’s asking you to, and it lasts a long time.
Then he goes to brush his teeth.
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I genuinely do love the prison arc and find it fascinating and I wish it was easier to find content and analysis about it that didn't veer to any of the Very Not Fun extremes
#my observation is that only people who enjoy both c!tommy and c!dream are capable of writing prison arc c!q#if they only like c!dream then q gets turned into a heartless hollow monster who exists only to wring out angst#if they only like c!tommy then the torture is either barely acknowledged or gets turned into a haha funny girlboss move#both of you are boring. where are the LAYERS.#and c!sam. guy has such a compelling fall from a well-intentioned and tender-hearted dude to somebody who will kill and torture so easily#i think it's very possible to acknowledge that both of them parallel c!dream by design without. like. drawing direct equations?#parallel lines don't intersect after all.#and acknowledging that c!dream is the victim of something incredibly unjust doesn't mean absolving his past injustices#it's just... the more time goes by the more weary i am of the ''who's worse than who'' competitive brand of analysis#i'm so much more interested in how these characters got to where they are. how they justify themselves. and how they will go forward.#and how everybody around them reacts! vibrations in the web and all of that. how does it affect people and what message do they take?#still holding out hope for c!sapnap to hear about the torture from c!q#let's see how much weight those making-amends letters really hold#and for c!sam to have a talk with c!tubbo. maybe muster up an apology. process what he did so he can move forward.#and for us to see literally anything about how c!dream is coping with whatever the fuck all of that was#my guy. my dude. WHY would you do that. there is nothing in the world that is worth it#he's hurt too many others and been hurt too badly himself. he needs the ends to be worth it but nothing ever will be.#they're all three slightly different flavors of horrible and they're all just so fucking tragic#anyway i think i've ranted long enough in these notes#i just needed to get this out somewhere#dsmp
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aethersea · 1 year
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what's up with teen mom origin story?
that's actually the first stranger things fic I ever wrote! I jotted down a bulleted list of what I think happened to steve right after s2, to put him on the path to where he was at the start of s3. this was back in my "what no I'm definitely not going to write any stranger things fic" stage, but that didn't last, and now it's climbed a mountain and I turned around!
which is marked complete, because I reached a natural stopping point and couldn't figure out how to write the next bullet, but I do in fact still have a good handful of bullet points to get round to. and this weekend I spontaneously wrote 500 words for this, so we're back in business, baby!
He’d known that there would be no one to pull Billy off of him. He’d known that he had to win, that there was no other option, that if he didn’t win the pain would go on and on, maybe forever, maybe for good. He’d known, though it had been a brief fleeting thought and he hadn’t let himself dwell on it, that he might die. But it wasn’t the first time he’d taken a swing at a monster in that living room. So he hadn’t let himself hesitate, hadn’t let himself think, hadn’t let himself pull his punches.
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mantisgodsdomain · 10 months
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We are going through the Hbomberguy video's Queer Video Essayist List to see if anything clicks and having the fun experience of taking all of five minutes to realize "wait a minute... we already know all this stuff! this guy's just saying it in a longer format!
#we speak#for context this is the queer horror essay#we put it on while we play picross games for fun and were going through the standard “long intro about vaguely tangential things” intro#where they say things like “horror is pretty queer” and establish that Horror Is In Fact Pretty Queer (we know this but its Standard)#and then they start getting in on the body horror parts and the horror of being transgender and we're like “yeah we know this also”#and then we're halfway in like "...okay we think we might know this already but we're hoping that it goes into insight we dont already have#we continue with the puzzles while still listening to the game. the voiceover keeps going with things we are Aware Of.#surely. we think. surely we will start getting the unique insights soon#the video ends. we are forced to confront the fact that we have spent more time researching and digging into this subject than the essayist#something something “ah yes the inherent horror of having a body the thing we stick in like 99% of our works in some way or another”#very tragically our perspective is skewed too much to fully appreciate this because we've already steeped ourself in the genre#we know this stuff. we are in fact writing stories that deal with the same damn themes in extremely similar dysphoria horror ways.#we are busy doing irritated antenna flicks at phrases like “elevated horror”#its just another genre of horror bro we really dont like acting like its in any way “better” because it integrates aspects of other genres#every story will integrate its own genre expectations and little fragments of other genres and a whole load of other stuff in different way#as someone who lives in this subgenre we are begging you not to put Our Sort Of Horror on a pedestal because its slightly more. artsy?#we dont even know the word but they call it elevated horror because it deals its horror in a way thats more Artsy and thus more palatable#it's a different flavor and that flavor happens to be farther away from the guts and gore and monsters usually associated with horror#but that does not mean it is in any way better than a slasher or a monster thing or any other kind of horror it just makes it different#it might be more or less palatable to you in being what it Is but it's still not like. “better”. “elevated”. it's just a different subgenre
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asidian · 27 days
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A little heartbroken by the news, not going to lie.
But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.
I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.
So here we go. The Season 2 in my heart, in no particular order:
Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually
Payneland confession and a first kiss
They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually
Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse
Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem
The boys dance on-screen with some of those skeleton choreography dances
Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that
Tragic Mick saves the day like a big damn hero with a bazooka like in the comics
The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes
Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7
Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold
The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together
Crystal and Niko lay the boys to rest side by side, under the same headstone
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t4tnavysea1 · 2 years
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All the queen Rolan on my dash is giving me Tma flashbacks
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drchucktingle · 2 years
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What flavor of queer are you, if that's not too invasive of a question?
question is just fine with chuck it is kind of interesting story.
on LGBTQIA trot i am TECHNICALLY two letters
easy first one is B that does not need any more explanation. that has always been my trot
second way is what i have learned through talkin with my online buds way of non-dysphoric trans. it has taken chuck LONG time to understand this but it has been fruitful journey i think. long ago chuck would post online about becoming other people or things or concepts or wrestling with my IDENTITY as a buckaroo (whether that meant becoming sweet barbara or becoming my reverse twin or becoming the entire seahawks footballs team, very handsome). in fitting with my entire heckin LIFE some buds probably thought these were jokes when they were not at all. they were just personal artistic bubbles tumbling up and popping in ways i didnt understand yet.
but through posting these thoughts and THEN writing trans tinglers and talking to my trans buds online, i started to realize there are all kinds of versions of a trans identity INCLUDING the ones that rolled around deep inside of me that i never had a name for.
three events helped chuck understand this
first: the trans buds chuck talked to while researching harriet porber said 'well i always knew if i could press a button and change my body to match my gender i would instantly do this' and chuck thought 'of course woudlnt we all do this?' and they said 'well no, do you feel this way?' and i would say 'yes very strongly'. i will FOREVER be grateful to trans community for these conversations and maybe it is another reason why being anti-gatekeeping is so important to chuck.
second: thought about all the games i have ever played like a dang videogame or a role playing game, chuck would ALWAYS choose ladybuck character. didnt really think this was a unique thing at time but it is a pattern across whole life
third: chuck was trotting around with some buds and they all said 'whose bod would you choose if you could transform into any body?' (this is common topic for chuck believe it or not.) and the buckaroo guys went around naming the usual brats pitt or handsome channing and it got to chuck and i said 'obviously brie larson' and then the dang guys just kind of stared at chuck and then i realized 'oh, i didnt even think my answer was unusual but i guess they were only talkin guy bods'
these three things happened pretty close to one another but they were all bubbling up for decades and expressed in various ways even chuck did not entirely understand
anyway. chucks way is NOT that i feel uncomfortable in my body and it does not bring me grief. i am not upset about it honestly. i do not even THINK about it most days. however, it is all TRUE and in a purely technical and utilitarian sense of A PLUS B then YES, male would not be my preferred gender.
didnt talk on this for a while because there are MANY dysphoric trans buckaroos who go through a lot of hardships and i have gone through ABSOLUTELY NONE IN THIS WAY. it has not made my life more difficult and it does not haunt me, so i do not want to have my voice drown out other trans buds who need space to shout. i am very privileged so even though technically this applies to chuck i do not need or want any bonus points.
that beings said, part of my journey on the autistic spectrum was to recognize that EVEN THOUGH my personal story is not tragic, it is still an important one to get out there onto this timeline. IN FACT there should be more stories of buckaroos who love being autistic like chuck. i am PROUD of my trot and i love my autism (this is also why i wanted to explicitly say my lead character in camp damascus is autistic)
so in the same way, when directly asked, i will say: i am technically non-dysphoric trans ALSO this has not weighed on my life at all. my story is not tragic it is full of joy and excitement. i will not shy away from this because there are all kinds of buckaroos on this spectrum.
anyway that is my VERY LONG TROT hope you enjoyed getting to know chuck a little more thank you for this question buckaroo
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starmocha · 3 months
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So the preview of the new theme song uses imagery of the guys' myths, including Sylus'. Rafayel, Xavier, and Zayne, I think we are all fairly familiar with, but since Sylus is not released yet, there are a lot of speculations about what kind of tragic past he and MC shared. Let's try to break it down. Or make it more confusing. 🫠
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Interestingly, before the "tragedy" we see their wrists are bounded together by a red thread.....perhaps....the Red Thread of Fate? As the saying goes, rough paraphrasing on my part: Two lovers, regardless of time, place, and circumstances, are destined to be together, connected by a single red thread. The red thread may twist and tangle, but it may never break.
However, as we can see in the video, Sylus and MC's thread does break, and unlike in the traditional belief, their thread is wrapped around their wrists and not fingers. As the thread breaks, we also see Sylus behind bars. Imprisonment? A crime?
Speaking of wrists, another thing I've noticed with Sylus' trailers is that it involves handcuffs a lot, which seems more significant now in light of this preview.
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Especially since we see him also breaking them so easily.
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I kind of made a passing joke in the tags of a previous post that Sylus' upcoming chapters carry shades of the Greek myth with Hades and Persephone, but perhaps I may not be too far off?
Just take a look at this wide view of the scene of Sylus and MC separated:
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The N109 Zone is shown during the night with a bright red moon, giving a feeling reminiscent of the Underworld ruled by Hades. Note how it looks like Sylus is behind bars, a prison, if you will. In Greek mythology, Hades was tasked with ruling the Underworld, not by his choice, but the wills of others (so in a sense: trapped). Could this mean that perhaps Sylus has no desire to be the leader of Onychinus? Could he be bounded there against his will?
Meanwhile, MC is shown on the side of light. If we compare her to Persephone, she is on the surface world with other people. But from the preview, it looks like she is abducted and taken to the N109 Zone, much like Persephone was abducted and taken to the Underworld to be Hades' bride.
(Brief unserious interlude, because I want to spread my Hades/Persephone agenda:
Sylus is the Hades to MC's Persephone
The dark to her light
He is feared by everyone except her.
He'll let her get away with everything (covering him in silly band-aids, poking him in the side) because he adores her.
If anything happens to her, the world will feel his wrath.
He embodies the feeling of "if anything happens to her, I will kill everyone in this room and then myself."
In short, scary leader is big softie for his wifey and I am willing to die on this hill
OK. End interlude.)
Also, um... 😭
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Bringing up the theory that Sylus is trapped? The Beast is trapped in the castle because of the curse by an enchantress. I seriously couldn't get this comparison out of my mind when I saw the dancing scene in the trailer, so it feels appropriate to bring it up here.
Perhaps like the Beast initially, Sylus does display a very dominating and aggressive temperament, but then in his 5* memory, Captivating Flavor, he seems more approachable, so perhaps we will soften him over time?
Now...since Infold had the audacity to drop that trailer while I was writing this, here is another example of them going with the trapped/caged/bounded theory (there is also an image of a bear trap earlier, but I'm at my 10-pic limit, so the cage seems more obvious (and aesthetically pleasing lol)
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So could Sylus be trapped in the same way as the Foreseer is trapped within the Tower? But unlike the Foreseer, Sylus is always trying to break free from his chains. Circling back to his myth, could it be that his tie with MC was broken...by him? Perhaps out of a sense of protection? For her sake?
In Beauty and the Beast, the Beast was willing to let Belle go, to be killed by Gaston, to succumb to the curse, all for the sake of Belle's happiness and freedom.
In the myth of Hades and Persephone, Persephone was allowed to leave the Underworld to return to her mother for half a year, but since she ate a few pomegranate seeds, food from the Underworld, she was also bounded to return to the Underworld for the other half to be with her husband. Each year, the cycle returns. Come spring, Hades must let his beloved wife leave him for half a year, and there's nothing he can do to change it.
Bonus Greek myth tidbit: the crow plays a significant part in a myth involving the sun god Apollo, where it acts as a messenger for him. The crow, once white, was burned and turned black, as retribution for telling the truth (revealing an affair) that led to Apollo killing his lover.
So, let's recap real quick the symbolism we have seen. 🤔
Handcuffs: bounded
Bars: imprisonment
Bear trap (couldn't include the pic, but it's there, trust me): caught, trapped
Birdcage: trapped, caged
The crow: a messenger; punished for revealing the truth (so, punishment)
So, gathering my random little thoughts...
Theory 1: Sylus and MC must have been destined lovers in a past life, but due to whatever conflict, Sylus decided to break his bond with her for her protection and accept any punishment that comes with it, which could mean to be ruler of a place he has no desire for, an imprisonment of sort.
Theory 2: Destined lovers, but perhaps a third party interfered out of jealousy or spite. Could Sylus have been caught and framed of a crime and been literally imprisoned, thus forcing him and MC to separate?
Something to this effect, I think, from working with the crumbs I've gathered. It's also almost midnight as of the time of writing this, so my brain is feeling loopy now (also no thanks to that Sylus trailer that popped up while I was writing this 💀)
Anyhoo, make of all of this as you will. My Hades/Persephone agenda will persist.
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stararch4ngelqueen · 11 months
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hear me out…jason proposing 😵‍💫 i’m such a sucker for a lowkey proposal like you’re just having a normal convo and he’s like “marry me” and you’re like wtf but you laugh it off bc like ofc he’s joking so when you’re like “you’re funny” he’s just dead serious, “marry me.”
I don’t really know where I was going with this, but if you get the reference I respect you.
Time written - 10:10 a.m
You weren’t a criminal when you met Robin, years before his tragic prime. It wasn’t every day when your paths crossed with a cape wearing teen around your age, even more so on his search of a bag of valuables you were ready to deny when it ‘accidentally’ came into your hands.
“Care to tell me how that happened?” The Boy Wonder at the time smirked, amused at your gawking face.
“Cat got her own tongue? What, you need some milk?”
You rolled your eyes. I you were a thief, you’d have sense to throw the satchel at his head. The cheesy jokes must’ve been a Robin thing. “I’m more of an Ice cream girl, actually. But, I didn’t steal this!”
To add up on this horribly unprecedented situation, Robin quirked a brow behind that domino mask of his, gesturing his head towards the bag of valuables in question.
“Trade you a milkshake for that.”
It was your turn to be incredibly confused, your mouth left open for quite some time. Was he serious right now?
“I choose the flavor.” You state after a further moment of thought.
“Seems fair.”
“And the place it’s bought from.”
“That’s askin’ a bit much,” Robin began to huff, hinting his growing smirk as your frown deepens.
“All I’m asking for is a five dollar shake in exchange for this bag full of hundreds of dollars, bird boy.”
“A five dollar shake in exchange for about seven hundred bucks inside that bag,” Robin points out, his smile growing bigger and bigger. “Throw in your phone number, an’ we got a deal, kitty cat.”
It turned into unconventional milkshake roof dates, sitting over the skylines, staring down at the chaotic world below as the two of you shared an unintentional paradise.
He’d tease your fear of heights, constantly calling you a Catwoman rip off, but he always made sure to never let you fall. Your relationship was sweet, too sweet, and gone way too fast.
Your rooftop dates were a tradition you kept alive when he died, only to resurface when a knock at your window interrupted you of sleep, opening your balcony to find a single milkshake perfectly balanced, with a bright black arrow drawn on the cup to meet Red Hood on the roof.
Jason Todd wasn’t the same as you remembered him to be, but he was still Jason, underneath all that broodiness that shielded him from whatever unseen traumas he hadn’t shared with you quite yet.
All these months since he ‘returned’, he always made sure to keep up your ice cream date schedules. Nine o’clock sharp on the roof of your apartment building. Sometimes, ontop of Wayne Industries on special occasions. He’d always be the one to carry you, especially now.
What did stick with him was his horrible Robin humor, which was what you believed he was using when he popped such an unexpected question.
“What?” Came your first response, a nervous laugh leaving your lips. A strange warm throb formed in your heart, thudding rapidly in your chest.
“What did you say?”
“Marry me.” He repeats again, never putting off that firm expression plastered on his face.
What an untimely thing to say in the calm before an unknown storm. Both of you were out of breath after chatting for an hour, sipping on thick melted shakes and laughing over the previous Boy Wonder.
“Jason, this isn’t funny.” You peer down at your cup, nearly finished with its contents. He always got your favorite.
“You’re right,” He agrees, his tone a little too calm to be considered any sort of joke.
All possibility of opportunity to pop a laugh and admit he was joking weighed heavily in the air, carried around by the nightly breeze. He never says he’s joking, never shrugs off such an alarming, mind blowing question.
“What if you’re kidding?” Your denial still leaks through, making his lips twitch upwards. It has to be a joke, he wouldn’t say it like this.
“What if I’m not?” He casually responds, nearly wearing down your patience.
“You’re not joking, are you?”
“I’m not.”
“Jason.” Saying his name so softly, littered with fear and hesitancy makes his second life heart melt. Being so sweet on his girl, even after his death, taught him a great lesson about time.
Regardless if he didn’t arrive at nine o’ clock sharp, or if you arrived two minutes late, time could easily be taken away, ruining everything.
He remains quiet, watching your flustered expression vary from your hands along your cup before setting it down beside you. Taking this chance, he gently grasps hold of your hand before it had a chance to retreat into the safety of your jacket pocket.
“I meant what I said,” Jason speaks again in a more calm, soothing tone of voice. “I know this ain’t traditional. I don’t exactly do traditional, but … I wanna marry you.”
His hand squeezes yours, making you hesitant to speak further. He was serious, the realization was heavily daunting in such a unique way. A unique, exciting way.
“Why?” You look at him again, swallowing slowly as he leans closer, nearly making you anticipate a kiss.
Instead, his forehead settles against yours, taking in the rich, crystalline serenity of your unique, radiant beauty.
“Because,” he mutters, “You waited for me.”
Dedication, patience, hope; That was worth more to him than gold, worth much more than the bag of valuables he knew you didn’t steal.
“I have a ring for ya,” Jason continues on whilst his thumb strokes along the back of your hand. “If you don’t like it, I’ll getcha whatever you want. We’ll have as big of a wedding as you want, then we’re gonna go somewhere.”
“Somewhere?” You whisper.
“Yeah. Just you and me; no crime fighting, no danger. Nothing. Just us.”
“Just us?”
“Yeah babygirl,” Jason peers into your eyes, wanting to coo at your noticeable tears. “Wherever you want. I’ll follow you anywhere.”
You just needed to say yes.
You couldn’t help but giggle with an overwhelming mix of emotions, your trembling hand reaching up to settle behind his hooded head.
“Why do I feel like,” you nearly laugh in between your words. “Why do I get this feeling you put the ring in my cup?”
“An’ ruin a perfectly good five dollar shake?” Jason expresses in surprise, chuckling along with your giddy laughter. “C’mon babe. I’m not that inconspicuous.”
“Then where is it?”
Jason tilts his head, raising a brow. “Why’re you asking, kitty cat? Plan on stealing it?”
“No,” you muse, your nose nearly bumping against his.
“You expecting me to slip it on right about now?” His hand finds purchase along your hip, cradling your supple body. “Dosent work unless you—“
You cut him off via a kiss, one he graciously accepts.
You tasted like cherry sublime mixed with the highlife, a good life where you always existed in it. If he were to die again, he needed to know that he went with one successful accomplishment. Marrying his Robinhood sweetheart.
“Yes,” you whisper, those tears you worked so hard to hold back cascading down your cheeks. “I’ll marry you, Jason.”
In knowing him since he was Robin, till you met him as the muscular, ever brooding Red Hood, you’ve never seen the man smile so big. His eyes shining brighter than the moon that was ever so beautiful tonight.
Grasping hold of your hips, he pulls you into his arms, carelessly tilting over his half finished milkshake cup in the process. His lips find you once more after sitting you in his lap, muscled forearms snuggly hugging around your waist, holding you as physically close to him as possible.
“The ring I gotcha-“ he muffles against your pretty lips in between kisses. “- is at my place. Waiting for you—on my bed.”
Your laugh was all you could respond with. From the very start, it’s as if he planned this all out. All it took was a bag of misplaced valuables and the promise of a five dollar shake.
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tcfactory · 8 months
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I've been thinking about QiJiu and how they could be post-reconciliation and I'm like. I love most flavors of these tragic idiots, but I like them as either romantic or full on disaster siblings the most, probably.
Because them becoming close platonic friends feels like sort of... an extension? Of the state they are in canonically, where they are devoted to each other, but in a lot of ways have grown apart. They just fix up the holes in it - and I don't think that works all that well for them on the long run, because it would be all too easy to be reminded of the bad times. I think for them to be happy and stable long term, they need a shift in their dynamic either to something new (romantic relationship, with the courting period acting as a sort of soft reset) or back to the (codependent, but not necessarily in a bad way) sibling-relationship they had before.
Like. Honest to god I want a story where the two of them make up and Liu Qingge is the first one to look at them and go:
"What the fuck?! WHAT THE FUCK?! So this was just a sibling tantrum?? Like the time Mingyan refused to talk to me for three weeks because I got monster guts on her new dress, except you idiots dragged it out for thirty years?! I'm ashamed to be your shidi! Shame on you!"
"It was a bit more serious than-"
"Zhangmen-shixiong, what could you have possibly done that's worse than monster guts?"
Just Liu Qingge shaking Yue Qingyuan until dumbass failbrother explains what happened - perfect grounds for Liu-Jiu reconciliation too, because in LQG's mind 'making your little brother think you willingly abandoned him to slavery' is a perfectly valid reason to become the angriest, bitchiest bitch to ever peak lord. It doesn't matter that it doesn't make sense, his big brother instincts tell him that if he did something like that to Liu Mingyan then blood would flow. He doesn't know what a Joker even is, but in his mind that would be Mingyan's Joker moment for sure.
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redroomreflections · 4 months
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Not Easily Broken Chapter 1
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Natasha Romanoff x Fem!Reader
Summary: Natasha and Reader go through a tragic divorce
Masterlist | General Masterlist
1/10
Note: Yes, it's getting finished besties.
W/c: 2.2k
“Emma has ballet classes on Tuesday and Thursday nights,” Natasha breathes nursing her mug steaming with whatever tea flavor she’s decided to drink this month. She avoids your gaze letting her eyes focus on the steam rising steadily from the cup. She sips waiting for you to answer.
“Okay,” You sigh rubbing your sweaty palms against the leg of your jeans. “I can take Wednesdays with Ryan if you can do Thursday nights with Emma and then we trade Tuesdays?” You suggest looking over to the woman on the other side of the counter.
“No, I have training with Steve on Thursday nights,” She declines.
“Since when?” You ask your eyebrow raised.
“Since forever.” She answers simply. “Besides you are much better at interacting with the other dance moms. Emma will want you there too.” She reminds you.
“Okay,” You say again. “What about carpool? How is that going to work if we’re in separate places? Do we keep them every other night? Switch off on weekends?”
“No, Emma’s finally gotten through her sleep regression we can’t change that now.” Natasha shakes her head. She decides she doesn’t want the tea anymore turning her back to empty it into the sink. She leans against it heavily with her arms folded gazing out of the casement window.
“Nat, we’ve been at this for an hour already,”
She turns to glare at you and if looks could kill you’d be dead.
It’s dark here in the kitchen beside the light illuminating from the stove. You’re both tired and utterly destroyed but you need to do this. You don’t want to put your children in court. Custody battles could get ugly and you want this to go right. Looking at Natasha and the frustrated expression she sports you can tell she’s tired of this too. You glance over to your bags packed and waiting for you to take them. For you to leave. You both agreed you wouldn’t stay during the night anymore only keeping up appearances for the children until you’re ready to tell them. Until Natasha is ready. She notices your looks clenching the edge of the counter.
“Have somewhere to be?”She raises a brow.
“What? No.” You roll your eyes. “I’m just wondering if we’re getting anywhere with this. If we’re doing the right thing.”
“If we’re doing the right thing?” She asks incredulously. “Only one of us has made this decision. Only one of us is working to break up this family.”
“Nat,” You warn. You really didn’t want to go there with her tonight. You can feel the splitting headache at the base of your neck. There’s tension there and you reach up with your right hand to massage the spot. You can practically feel the knots under your fingers.
“Don’t call me that,” She practically spits.
“Fine, fine.” You sigh again. “I’ll take whatever day you want. Just send me their schedules and I’ll try to keep up with it.”
“There’s no try, y/n.” Natasha scoffs. “Either you’re there or you’re not. It’s not so easy to just hop in and out of your children’s lives when you want.” She returns to a defensive stance looking at you challengingly. “Then again I forgot who raised you.”
How dare she? Your jaw clenches slightly as you try to rein in your emotions. Your father was a deadbeat dad who only spent time taking advantage of your love for too long. He would come and go as he pleased only bothering to spend time with you when he wanted to look like the father of the year. You were nothing like him. Nothing like him! As you look into those forest green eyes you can see the dare there. She wants you to say something back.
“I’m not playing into your games,” You shake your head. “There’s never a moment where I haven’t loved our children less than the day they were born. I would never.”
“And yet you’re spending more and more time at the office,” She tilts her head. “Your paperwork sees more of you than they do.”
“Natasha, that’s unfair.” You ball your fists on your side. “You know things at work have been hectic. They know that. I-I try to be there as much as I can. Besides, I distinctly remember you being gone for months at a time for missions when they were young. I don’t see you getting any awards either.”
“Hmm,” She hums. “Seems we both have something in common then.”
“What is this really about, Natasha?” You ask. “Because there’s not much left for us to say or for us to do.” You stand walking over to your bags. You slip your cell phone inside of the carry-on and turn back to her.
“Right, run away like the coward you are.” She mutters.
“What?” You’re taking steps closer to her this time. You don’t realize how close you are until she’s pressed against the counter. Your breaths are practically intermingled and this is the closest you’ve been in months you realize. “What is that supposed to mean?”
“Nothing,” Natasha says nonchalantly. “It’s just you have a tendency to run away from your problems. You run when times get hard.”
“And you don’t?”
“Like I said we have a lot in common,” She stands a bit taller. “You don’t have to do this. Any of this I mean. If it gets hard for you. I can take Ryan and Emma and I’ll figure something out with their schedules. I’ll tell them something about you having to work or I don’t know. Just don’t play with their hearts.”
“Dammit, Natasha,” Your hand raises and you don’t miss the way she flinches. You’re not going to hit her. You would never. At that moment you feel like an idiot as you back away from her. “Jesus.” You breathe. “Nat, we can’t keep doing this. Pretending that we love each other. I mean in the beginning, things were so loving and so passionate. I’ve loved every minute of our life together but it’s just…. I…” you stumble to find your words.
“Who says I’m pretending?” She frowns.
“It’s not enough anymore for us to be holding on by a thread,” You drop your hands back to your sides. “It’s not enough for us to be two people in love anymore. That’s not how a marriage works.”
“Is that it? Or I am not enough?” She’s vulnerable at this moment looking at you. Her voice cracks just slightly and you feel your heartbreaking. You’re not heartless and you’re not a monster. You never wanted to make her feel this way. “Did you find someone else?” She asks suddenly.
“I’m not a cheater.” You reply. How could she possibly think she wasn’t enough? Natasha was everything. She’s always been everything. Your everything. Sometimes things don’t work out the way they’re supposed to. That’s why you’re here and after 9 years of marriage and two children, you aren’t taking this lightly. You’ve sat on this for the better part of a year and you decided a divorce was better. You fought more in the past year. Spent more time apart. Kept yourself out of the house more and more. Anything to put some space between the two of you.
“You know that’s really hard to believe when you haven’t been present for a very long time,” Natasha says.
“What? Just because I’ve been away more doesn’t mean I would cheat?”Where would she ever get this idea?
“We haven’t had sex in almost two years,” Natasha points out. Damn! Has it really been that long? Surely you’ve been intimate more recently than that. There was that time a few months ago when you had her against the sink in one of the bathrooms at Tony and Pepper’s anniversary party. No. You’d gotten interrupted and forgotten all about it. “So if you’re not getting it from me you’re getting it from someone else. Just tell me instead of giving me the bullshit excuses you have been. Is it Cara from accounting? She’s sweet. Nice body. Lisa from HR? I bet she eats pussy well enough. ”
“Natasha, I am not a cheater.” Your voice raises and she immediately shushes you. If you wake the children this is going to turn into an even tougher conversation. In a hushed tone, “I can promise you, Natasha I have never cheated on you.”
“So tell me what it is,” Her tone is almost petulant and childlike. She’s frustrated and hurt. The next thing is for her to lash out and you’d much rather leave before she gets to that.
“Nat, I can’t because there’s not just one simple reason,” You try to force your mind to focus on the conversation in front of you. “We aren’t who we used to be. We fight more than we love. That’s not how a marriage should be. It’s not good for the kids and it’s not good for us.”
“And you made this decision all on your own,” Natasha’s voice wavers. Before you can speak again there’s a small voice coming from behind her.
“Mama?”
You both turn to see sleepy green eyes looking up at you.
Four-year-old Emma (four and a half according to her) looks between the both of you as she tries to figure out the situation in this room. She’s holding her favorite blue blanket, the one she’s had since she was a newborn, to her chest. She looks so small in her nightgown with her red hair messy as she trails over to Natasha. Her blanket drags against the ground as she walks. She raises her arms to be picked up and Natasha obliges her.
“What are you doing up, printsessa?” Natasha raises the girl onto her hip caressing her back and head as she rocks her gently.
“I heard yelling,” She pouts looking over to you through her thick lashes. She looks exactly like Natasha despite you having carried her. It’s something you both joked about after choosing her donor. Ryan looks more like you. He’s seven and apparently a much deeper sleeper. “Mommy, are you going somewhere?” Emma asks pointing her chubby fingers over to your door.
“Yeah,” You answer her.
“For how long this time?” She shoots another question.
You look to Natasha for help on how to answer but she simply looks away burying her face in Emma’s hair.
“For a little bit, Babygirl.” You try.
“But I don’t want you to go.” Emma’s pout deepens. “You have to stay and eat breakfast with me, and Mama, and Ryan.”
“Not this time, I can’t.” You say.
“Oh,” She looks down before looking up at you. “Well, when you get back can we have a sleepover in your and Mama’s bed? We haven’t done one of those in a long, long time?” Her voice is hopeful and you can tell she’s fighting her sleep again.
“I’m sorry,” You whisper. You can’t bring yourself to lie to her. You don’t want to be like him. Giving her false hope.
“Tell you what, Printsessa, you and Ryan can sleep with me tomorrow night.” Natasha bounces her on her hip. Emma’s eyes light up at the promise. You’re so grateful she’s taken the lead. She’s had to frequently these days. “Now you can sleep with me tonight too. Go upstairs and get warm and I’ll come and tuck you in.” She releases Emma from her hold and the girl slides down from her body. She begins to run to the stairs before stopping in her tracks. She turns to run and you kneel to catch her in your arms. She wraps her arms around your neck landing a wet kiss on your cheek.
“I love you, Mommy. Come back soon,” It’s a thing you and Natasha used to say whenever she was away on missions. Hearing your daughter utter those words brings tears to your eyes. In your peripheral, you can see Natasha is just as emotional as she wipes the tears away quickly before Emma can see.
“I will,” You manage to get out as you hold her in your arms for a few seconds. Finally, you let go and she takes off running presumably for your bedroom. You stay kneeling before rising to your full height. You reach out to Natasha to comfort her, you’re not really sure why, but you’re expecting her to pull away. She doesn’t. She allows you to pull her into your arms and she buries her face into your neck. You hold her as a sob rack her body. You dare a kiss to the side of her head and she pulls away from you as if she’s been burned.
She wraps her arms around herself defensively. She looks so small at this moment. With her black leggings and her oversized sweater.
“I’m broken, and I’m tired and it’s your fault so please leave.” She doesn’t wait for you to say anything else as she turns to follow the same path your daughter has taken. She trusts you enough to lock the door. As you look around the home you’ve built you can’t help but feel guilty. Everything you’ve built was crumbling and you can’t help but feel it’s all your fault.
----> next part
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iamgonnagetyouback · 9 days
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𝟷.𝟽𝚔 || 𝐑𝐎𝐌𝐄𝐎 𝐀𝐍𝐃 𝐉𝐔𝐋𝐈𝐄𝐓
♡ ︎ꜱᴜᴍᴍᴀʀʏ: Romeo and Juliet had nothing on you and Jess Mariano.
♡ ︎ᴡᴀʀɴɪɴɢꜱ: None
♡ ︎ꜱʜɪᴘ: Jess Mariano x reader
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The small bell above the diner door jingled, signaling your arrival at Luke’s Diner. As you stepped inside, you caught sight of Jess Mariano slouched in his usual booth, a dog-eared book in his hands. His dark eyes flicked up just briefly from the pages before returning to whatever literary masterpiece he was engrossed in.
You and Jess had a thing. Well, not officially. Not that anyone was thrilled about the prospect of it becoming official, except maybe you. You were supposed to be the sweet, well-liked girl in town—the one who got along with everyone, including Rory Gilmore, who always threw daggers your way every time you were caught within a ten-foot radius of Jess.
Lorelai wasn’t any better. She’d never been particularly subtle, and her dramatic sighs whenever she spotted you two talking were enough to fill a whole novel themselves. And Luke? Well, Luke had his usual I’m going to throttle my nephew expression on his face.
It wasn’t like Jess was helping to ease anyone’s concerns, either. If anything, he seemed to enjoy the chaos. He lived for the thrill of rebellion, the undercurrent of defiance. And you? Well, you were getting a kick out of it, too.
You slid into the booth opposite him, the vinyl squeaking under your jeans as you gave him a once-over. “Hey, Romeo,” you said, leaning forward. “What tragic tale of doomed love are we reading today?”
Jess’s lips quirked up, his eyes still on the page. “Wuthering Heights,” he said dryly. “You know, to set the mood for our inevitable downfall.”
You grinned. “How fitting. Are we at the part where Heathcliff wrecks everything?”
Jess finally looked up, his gaze meeting yours. “Depends. Have you made up your mind to ruin my life yet?”
“Who says you’re not the one ruining mine?” you teased back, earning yourself a full smirk from him. His hand casually turned the page of the book, but his attention was clearly focused on you now.
Before either of you could continue, the door opened again, and in strolled Rory and Lorelai. Instinctively, you straightened, feeling the weight of their disapproval from across the room. They exchanged knowing looks, whispering between themselves, and Lorelai’s exasperated sigh wasn’t even the least bit subtle.
Jess rolled his eyes, leaning back in the booth. “Well, if it isn’t the Montagues.”
You chuckled softly under your breath. “Ignore them.”
“Hard to, when they’re so invested in our tragic demise.”
“Tragic?” You arched an eyebrow at him. “A bit melodramatic, don’t you think?”
He shrugged, his smirk growing. “Just quoting the classics. We are in a small town where everyone has an opinion, and they all seem to hate me. Shakespeare would’ve had a field day with this.”
“Oh, totally. You as Romeo, me as Juliet, and the entire town as the bloodthirsty Capulets.”
Jess’s gaze darkened slightly, his tone playful but serious beneath it. “You know how that ends, right? Double suicide, lots of crying, poetic last words.”
“Relax,” you said, laughing softly. “No one’s drinking poison or stabbing themselves here. We’re more of a modern adaptation. Happy endings.”
“If you say so, Cherry,” Jess said, leaning forward slightly, his voice a low murmur. The nickname slipped off his tongue with a casual ease that made your heart skip a beat. It had started as a joke, something to poke fun at your fondness for cherry-flavored candies. Now, it felt like a secret only the two of you shared, a reminder that he saw you differently from how everyone else did.
You smiled at him, leaning your chin on your hand. “I do say so, Romeo.”
“Speaking of star-crossed lovers,” he continued, “you planning on telling the entire town about us?”
“What about us?” you grinned, glancing around. “Besides, they’ve already made up their minds.”
“Of course they have,” Jess said, his voice dripping with sarcasm. “It’s Stars Hollow. They hate me.”
“Not everyone hates you.”
“Really?” He gave you a sceptical look. “Name one person.”
“Michel doesn’t hate you,” you said, leaning back with a satisfied grin.
“Michel doesn’t care about anyone.”
“Exactly.” You smirked. “I talk to him about you all the time.”
Jess’s eyes lit up with intrigue. “You talk about me to Michel?”
“In French,” you replied nonchalantly, picking at the edge of your napkin. “It’s our little secret. So, even if the whole town thinks you’re the worst, Michel remains blissfully indifferent.”
“Lucky me,” Jess muttered, though his eyes gleamed with amusement. “So, what do you tell him? How much you adore me? How I’m your Romeo, destined to sweep you off your feet?”
You shrugged, playing coy. “Maybe.”
“I knew it,” he said with a grin, leaning in closer. “You’ve got it bad for me, don’t you?”
Before you could respond, Luke approached the table, wiping his hands on his apron and glaring down at Jess. “You bothering her?”
“Not at all,” Jess said smoothly, leaning back. “We’re just discussing the great literary works.”
“Right,” Luke deadpanned, clearly not buying it. “Well, whatever you’re discussing, don’t get any ideas.”
Jess raised his hands in mock surrender. “No ideas here, Uncle Luke. Just harmless banter.”
Luke shot you a look that said I know exactly what’s going on before walking away, mumbling something about young people and bad influences.
You turned back to Jess, who was watching you with that infuriatingly smug expression.
“You know,” you said, picking up the book in front of him and flipping through the pages. “For all your talk of tragedy, I think we’re more of a comedy.”
“Comedy?” he asked, raising an eyebrow. “You’re sure about that?”
“Absolutely,” you nodded, meeting his gaze. “Everyone’s making a fuss, we’re keeping secrets, and at the end of the day, it all works out.”
“Is that so?” Jess tilted his head, his voice dropping slightly. “What makes you so sure?”
“Because,” you said, your smile softening as you looked at him, “no one dies in our story.”
Jess looked at you for a long moment, his expression unreadable before he finally chuckled softly, his defences melting ever so slightly. “Alright, Cherry. If you say so.”
“I do.” You leaned forward, mirroring his earlier movement. “Now, where were we?”
Jess smirked. “Oh, I think you know.”
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Stars Hollow had never been one for keeping secrets. Gossip moved faster than a Gilmore Girl with coffee, and somehow, before you'd even realized it, everyone knew that something was going on between you and Jess Mariano. Well, everyone except you and Jess, apparently.
You leaned against the counter at the Dragonfly Inn, flipping through the latest book you had been unable to put down, your mind still half in the world of fictional characters and tragic romances. Michel was at his desk, typing with exaggerated annoyance.
“Il est agaçant (He is annoying),” you said in a hushed tone, eyes still glued to your book.
Michel barely looked up. “I assume you’re talking about the delinquent,” he replied, his accent as sharp as ever.
You sighed, a smile tugging at your lips. “Yes, of course. Who else?”
“I don’t get it,” you had said to Michel one afternoon as you sat at the reception desk. “Why is everyone so against him? They don’t even know him.”
Michel had waved a hand, unimpressed. “Parce qu’ils sont tous idiots." (Because they are all idiots.)
The bell above the door chimed, and you looked up to see Jess walk in, his usual smirk firmly in place.
“Hey, Cherry,” Jess greeted you, leaning against the counter casually.
You raised an eyebrow, fighting the smile that threatened to break free. “Mon cher Roméo (My dear Romeo),” you replied playfully.
Jess chuckled, glancing around the empty lobby. “Don’t tell me Lorelai or Rory have been by to lecture you again?”
“Oh, they have,” you said, rolling your eyes. “Apparently, I’m making a huge mistake.”
Jess shrugged, not offended but rather amused by the whole town’s reaction to him. “What can I say? I’m Stars Hollow’s favorite villain.”
“Maybe it’s time for a redemption arc,” you teased, pushing the book you were reading across the counter towards him.
He picked it up, scanning the title with mild interest. “Pride and Prejudice? Not exactly light reading.”
“Well, I have to keep up with someone,” you shot back, raising an eyebrow. “You know, the town’s resident bad boy with impeccable taste in literature.”
Jess smirked. “Impeccable, huh? High praise, Juliet.”
You rolled your eyes. “I just don’t get why everyone’s so obsessed with what we’re doing. It’s not like we’re… I don’t know.”
“In love?” Jess finished for you, his tone playful but carrying a hint of something more.
Your heart skipped a beat. “Yeah, that.”
Jess’s gaze softened for a moment, and the teasing smirk fell from his lips, replaced by something more serious. “Maybe they’re just jealous they’re not living in their own Shakespearean tragedy,” he said, his voice lower now.
You scoffed, trying to brush off the intensity of the moment. “A tragedy? Please. You and I both know we’re way too smart to fall into that trap.”
He leaned closer, his eyes never leaving yours. “Is that what you think, Cherry? That we’re too smart to end up like Romeo and Juliet?”
The reference wasn’t lost on you. It never was. Jess had this way of weaving literature into every conversation, turning something mundane into something more. And you knew what he was doing, teasing you, pushing boundaries.
You bit your lip, leaning in just a fraction closer. “I mean, I do prefer happy endings.”
Jess’s eyes flickered with something unreadable, and then he leaned back, the playful smirk returning to his lips. “Good to know. I’ll keep that in mind.”
Before you could say anything else, the door swung open again, and Lorelai walked in, her eyes immediately narrowing when she saw Jess.
“Oh, great,” she muttered. “Romeo and Juliet. How fitting.”
You groaned inwardly. “Lorelai…”
But she wasn’t listening. She marched over, standing between you and Jess, arms crossed. “Jess, don’t you have a book to brood over somewhere else? Preferably far away?”
Jess just raised his eyebrows, completely unfazed. “Nice to see you too, Lorelai.”
“Yeah, well, the feeling isn’t mutual,” Lorelai shot back, turning to you. “Seriously, you need to be careful with him.”
Jess glanced at you, and for a moment, there was something unspoken in his eyes—something that made your heart race. You knew he wasn’t going to push back against Lorelai, not right now. Instead, he gave you one last lingering look before turning to leave.
“See you later, Cherry,” he said softly, as he walked out the door.
Lorelai groaned once he was gone, turning back to you. “I really don’t get it. What do you see in him?”
You didn’t answer right away, your mind still on the way Jess had looked at you, the way your heart had skipped a beat when he called you Juliet. Maybe you were falling for him. And maybe, just maybe, it wasn’t such a bad thing.
“Je ne sais pas, (I don't know)” you muttered under your breath, catching Michel’s amused smirk from behind the desk.
But deep down, you knew.
Romeo and Juliet had nothing on you and Jess Mariano.
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cer-rata · 6 months
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An incomplete but very angry diatribe about the missed potential of the Star Sapphires
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So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.
Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!
So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?
Right?
Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.
It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.
But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:
The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...
Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.
Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.
Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.
Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?
It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.
Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.
From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:
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Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.
And then they just...
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No actually, I will not explain this one, you have eyes.
And yeah they fixed her costume finally,
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But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.
So.
What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.
So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to
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physalian · 6 months
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The Hero with Dead Parents is not Cliché, it’s Necessary
The staggering number of protagonists in sci-fi and fantasy with dead parents grows every single year. Frodo Baggins, Harry Potter, Luke Skywalker (before the retcon in ESB), almost every Disney Prince and Princess, the Baudelaire children. Beyond the realm of fantasy into action, thriller, romance, mystery, slice-of-life, and bildungsromans.
Dead parents, or parent, is the curse of being the hero of the story and for a very good reason:
Parents are inconvenient as f*ck.
Unless the mom and/or dad is the villain of the story or the entire story is about the relationship with the parent/parents, the “dead parent” trope serves many purposes and while it may be “cliché” that doesn’t mean this trope is bad or, in my opinion, overused.
It’s one less liability the hero has to worry about protecting
It’s one less obstacle in the hero’s path to their adventure
It’s one (or two) less characters to find excuses to stay relevant in the story
It’s a juicy backstory a lot of people can relate to
Trauma. Is. Compelling.
It’s an excellent motivation
And their murder is an excellent inciting incident
Living parents and guardians get killed off both for internal plot reasons, and meta writing reasons: Living parents are a pain in the ass to keep up with. You’re stuck with a character your hero should still keep caring about, keep thinking about, keep acting in relation to how their actions will be seen and judged by that parent. That parent becomes an obvious liability by any villain who notices or cares.
Living parents can of course be done well, unless they’re the villain, but they just kind of sit there on the fringes of the plot, waiting around to be relevant again and they kind of come in four flavors:
There when the plot demands for pie and forehead kisses (Sally from Percy Jackson)
A suffocating but well-meaning obstacle in between the character and their independence trying to do right (Abby from The 100, Katniss’ mom from Hunger Games, Spirit from Soul Eater)
A mentor figure (Valka from HTTYD 2, Hakoda from ATLA)
The only rock this character has left (Ping from Kung Fu Panda)
*Notice how many of my examples lost their partners shortly before or during the plot, thus still giving the hero the “dead parent” label.
Most of these are self-explanatory so I’ll say this:  I think this trope gets exhausting when the parents are written out without enough emotional impact on the hero. These are their parents and a lot of the time, the emotional toll of losing them isn’t there, like just slapping a “dead parents” sticker is all you need to justify a character’s tragic backstory and any behavioral issues they might have.
Like, yes, the hero has dead parents, but you still have to tell me what that means to them beyond obligate angst and sadness. When the “dead parents” trope reads as very by-the-numbers, usually the rest of the story is, too.
How present the parents were in the character’s life should be proportional to the death’s impact on the narrative (as with any character you kill off). If they were virtually nonexistent? No need to waste a ton of time. If they didn’t matter to the character before, they don’t need to matter now unless the plot revolves around some knowledge or secret their parent never shared.
Sometimes, the hero’s dead parents are a non issue. Frodo being raised by Bilbo doesn’t impact his character at all. It’s a detail given and tossed away. On the other hand, sometimes the entire centerpiece of the work is revenge/justice/catharsis surrounding the parent’s death—Edward and Alphonse Elric’s entire story is defined by the consequences of trying to bring their mother back from the dead.
As someone who kept one of my protagonist’s parents alive and didn’t make them villains just to spite the trope, I have all the more respect for this enduring legacy of fiction. You can of course keep the parents alive, but I don't think it's seen as lazy or cheating or taking a shortcut just killing them off, so long as you remember that your hero is human and should react to losing them like a real person.
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azen13 · 5 months
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The Lives and Losses of Lovers
Description: This is actually inspired by a post by @lum1nesc3nce, which you can find here! TLDR: Zhongli x God!Reader, where Zhongli kills his lover but they stay alive. This does have a bit more of a Yandere!Zhongli flavor, though, so be warned!
CW: Yandere Themes, Descriptions of Violence, Descriptions of Blood, Murder, Mild Gore,
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The patio is warm, blessed with the touch of the sun’s earliest rays. Already you and Zhongli sit in two comfortable chairs; he sips on tea, you on coffee. It is a scene that has played out a thousand times, yet one Zhongli never tires of. He never tires of seeing your face aglow, of feeling your body leaning against his, of knowing you are here, miraculously breathing life through your bones and skin.
“My dear, I was wondering,” Zhongli starts, his soft contemplative voice shattering the flimsy silence blanketing the porch. “Would you like to accompany me to Liyue Harbor to purchase some groceries?” It is a reward–he thinks as he revels in your surprised reaction–for how understanding you have been in these turbulent times. With the whole mess regarding the Fatui cleared up and a mundane mortal life ahead of him, Zhongli can afford to spend more moments with you in sweet, blissful love.
Perhaps one day it will make up for that vile scene years ago, the moment his heart became stone: your body splayed stunningly on the ground, looking like the most gilded, horrific masterpiece he had ever seen. Painted in sunlit hues, his spearhead sticking from your chest splattered with blood made of molten gold. 
Even nearly dying you looked breathtaking. 
He is still suffering from regret for the decision. At the time, the situation was looking grim; Guizhong and Azhdaha were both gone, leaving you his only close friend. He spent many moonlit nights sharing tea and hushed conversation, as well as tears and heartfelt confessions with you. Zhongli is not the god of words, but just the sight of your iridescent eyes made him want to tell you every trouble and every worry had. You were his most valuable treasure, his lover through and through. Your contract with him, to always stand by side, loyal to one another, made him so weak, so soft, so human.
But that was the issue. Everyone knew of his love, his tender affection; unbecoming of a god who wielded earth and stone as weapons. His life was plagued by phantoms day and night. When he dreamed he envisioned you being kidnapped by some evil god like Osial and being tortured. Killed. Doomed to a fate worse than death, even. In the day, every action you did reminded him of a delicate tree weathering a deluge. Your branches swayed in the intense winds and even the earth couldn’t anchor you.
So he pleaded. He begged you to stay tucked away in his private domain where no great evil could stalk after you, promising to love you for an eternity of eternities. He would love you until every mountain had become a valley. But you refused, saying you wanted to live every facet of life, turning the world like a kaleidoscope in your hands.
The mirrors shifted and the skies turned red.
Those prophecies he had dreamt, uttered to him by ghosts haunting his mind, came true. You were taken away by some pesky, lowly god, and confessed all that you knew. That was fine. Zhongli was made of stone and Cor Lapis, and even if this insignificant insect of a god knew his weaknesses–few as they were–Zhongli eviscerated them.
But the contract.
When the god was sealed away beneath the sea, Zhongli fell to his knees, mouth opened but unable to utter any words.
Zhongli is not the god of words.
It is horribly tragic, he mourns as he stares at your hollow expression, that you must face the wrath of the rock because of a ridiculous choice of words. “To always stand by his side.” You have technically betrayed him.
The earth shakes for weeks afterwards. The sudden freak earthquake is talked about for weeks on end before people move on, as life does. Zhongli does not. His memory of you remains petrified, his new specter. He will never truly love again for thousands of years. Every time he is reminded of you, a piece of his heart chips away
But then you came back. 
That day is amber, crystallized in his mind. Seeing you in the bustling streets of Liyue Harbor, so lost after centuries away from home. At that moment, Zhongli decides he will not make the same mistake twice. He would have preferred more time to draw you in carefully, but he is afraid now. Afraid that some hideous twist of fate will rip you from him again. So he whisks you away to his private domain, and drafts up a new contract, binding you to him in matrimony forever. 
Please forgive him, he begs after you sign the contract in gold, tears dripping down your cheeks. He only wishes to protect you; he has always wished to protect you. But the world is cruel to lovers, and not even the strong can uphold such a delicate thing. 
In Zhongli’s private domain, wicked things like time and fate are nonexistent. Zhongli is the only god that rules these lands. He is a benevolent god, if a little possessive. After being deprived of you for so long, he craves your presence, he claims. Day and night, he tries to spend every living moment with you. When he cannot, you are ever-present in his mind–a living, breathing thing instead of the dead spirits that once terrorized it for all those years.
Some days you seem despondent, craving room to spread your branches far and wide. But Zhongli simply chuckles and kisses the top of your head; he smells the gentle scent of your shampoo, knowing this is what is best for you. He whispers it quietly, lacing sweet nothings and honeyed words into his voice as he pulls you into his arms. You haven’t tried to fight him on this in years, either. It’s part of the reason why he has proposed going on a  little trip to Liyue Harbor. Perhaps if all goes well, he’ll allow more trips out of the private domain. All supervised by his watchful eye, of course. After a few moments of stunned surprise, you finally have the courage to speak. “I-I’d love to. Thank you, Zhongli,” you say quietly. Zhongli smiles, leaning to press a delicate kiss to your lips.
“You are very welcome, my treasure,” he whispers, a hand reaching to cup your face; his thumb reaches to brush your lips tenderly.
He can tell that you are still afraid of him, fearful that he will hurt you again. No matter. One day, Zhongli hopes, you will shed your fear like a caterpillar in chrysalis, and emerge into a glittering world full of Zhongli’s love for you. 
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