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#kabinett für aktuelle kunst
garadinervi · 4 months
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Bas Jan Ader, Kabinett für aktuelle Kunst, Bremerhaven, June 17 – July 1, 1972 [Jonathan A. Hill, Bookseller, Inc., New York, NY]
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jokeanddaggerdept · 5 years
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moma-prints · 2 years
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Kabinett für aktuelle Kunst, Bremerhaven, Isa Genzken, 1978, MoMA: Drawings and Prints
General Print Fund Size: sheet: 19 5/8 x 19" (49.8 x 48.2 cm) Medium: Screenprint
http://www.moma.org/collection/works/173289
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gdbot · 6 years
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Hanne Darboven, Kabinett für aktuelle Kunst, Bremerhaven, May... https://ift.tt/2JktP9h
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suobscenidad · 7 years
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Blinky Palermo
Kabinett für Aktuelle Kunst Bremerhaven, 1970
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micaramel · 5 years
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Artist: Bas Jan Ader
Venue: Meliksetian | Briggs, Los Angeles
Exhibition Title: Water’s Edge
Date: June 8 – July 27, 2019
Click here to view slideshow
Full gallery of images, press release, and link available after the jump.
Images:
Images courtesy of Meliksetian | Briggs, Los Angeles
Press Release:
Anna Meliksetian and Michael Briggs are pleased to present Water’s Edge, the second exhibition in the gallery of the work of Bas Jan Ader.
From Bas Jan Ader’s childhood in Holland learning to sail on the Eems-Dollard Esturary, playing truant from school to go out on the sea with the local prawn fisherman as a teen, wearing only clothing of a particular shade of ocean blue, through his many seminal and highly influential art works to his final fateful ocean voyage at the age of 33, water has been a leitmotif throughout his life. Water’s Edge explores how this is manifest literally and metaphorically in art works Ader made in the period between 1970 and 1972.
Ader’s overarching and most significant concern during this period was the notion of the Fall where, as Ader has stated, “gravity made itself master over me.” While the embodiment of these philosophical ideas in the art works runs through nearly the entire exhibition, it is notable that the actions are situated alongside bodies of water, from the Pacific coast in Los Angeles, to the canals and rivers of Amsterdam, to the oceanside of Sweden. The Fall, for Ader the philosophical problem of free will and determinism, whether it is the literal physical fall of body to earth or the metaphorical fall of mankind (Ader’s parents were pastors) is made apparent throughout these works, but the notion of falling also asserts itself in the element of water, the waterfall, the falling of tears on the artist’s face and his disappearance into the water after falling into the canal as seen at the end of Fall 2, Amsterdam. These works are juxtaposed in the exhibition with works evoking the 19th century tradition of the sublime, the contemplative and philosophical Romantic artist gazing out to sea and to the vastness of nature in the various Study for Farewell to faraway friends, 1971 photos and then again in front of the crashing sea and rocky landscape in The elements, 1971.
In the performance work The boy who fell over Niagara Falls, 1972, the artist reads a text from the March 1972 issue of the then popular magazine Reader’s Digest recounting the true story of a young boy’s accidental plunge over the edge of the 175 foot high roaring waterfall and his miraculous survival. As Ader reads the text in a flat, affectless voice, he slowly and methodically sips from a glass of water and the performance concludes when the glass is empty. The work was performed by Ader three times publicly at Cal Arts, Valencia, California, at art & project, Amsterdam, and at Kabinett für Aktuelle Kunst, Bremehaven as well as privately at the home of artist William Leavitt, as in the video work shown.
The vintage photos exhibited alongside the video are from the final performance of the work at the Kabinett in Germany, which was notable as Ader added for the first and only time a final element, whereby upon finishing the glass of water after the word “death” in the text, thus ending the performance, he left the room crying with tears falling down his face. A counter point prefiguring this action are the photos hung opposite in the gallery, two works from the small photographic series entitled Study for I’m too sad to tell you, 1971 made alongside the seminal film work in the year prior showing the artist in tears. The Kabinett photos are also notable as they are the last work Ader made that reveal his face, despite the artist himself being a protagonist in subsequent works. The Niagara Falls story itself, the survival of the young boy in overwhelming and dire circumstances, what could be considered a miracle, hopeful and inspiring, cheating fate and overcoming destiny, foreshadows Ader’s trans-Atlantic sailing voyage at its beginning, part of what ultimately became his final art work in 1975, the uncompleted grand trilogy In search of the miraculous.
The work of Bas Jan Ader (1942 – missing at sea 1975) has been featured in many institutional solo exhibitions including the Stedelijk Museum, Amsterdam, the Kunsthalle Basel, the Camden Art Center, London, the Centro Galego de Arte Contemporánea / CGAC, Santiago Compostela, Spain and the Museo d’Arte Moderna di Bologna / MAMBO, Italy as well as the Venice and Sao Paolo Biennials in 2017 and 2012 respectively. Recent group exhibitions include shows at Los Angeles County Museum of Art / LACMA, National Gallery of Australia, Canberra, Kunsthalle Wien, Vienna, Museu Serralves, Porto, Portugal, Castello di Rivoli Museo d’Arte, Turin and the Musée d’art Moderne de la Ville de Paris, Paris, among many others.
In summer 2019, Ader’s work can be seen in the major three person exhibition Disappearing – California c. 1970: Bas Jan Ader, Chris Burden and Jack Goldstein curated by Philipp Kaiser, at the Modern Art Museum of Fort Worth. A catalog by Prestel is available.
Other current exhibitions Summer 2019 include Poetics of Emotion, La Caixa Forum, Zaragoza Spain, After Leaving | Before Arriving, Kaunas Biennial, Kaunas, Lithuania, Durch die Blume | Florale Metamorphosen, Kunstverein Heilbronn, Heilbronn, Germany, and A Vision for Painting, Fondation Louis Vuitton, Paris, France among others.
The artist’s work is included in important public collections such as the Los Angeles County Museum of Art, Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the National Gallery of Art, Washington, D.C., the Art Institute of Chicago, and the Berkeley Museum of Art, Berkeley, California among others, as well as foundations like the Museo Jumex, Mexico City, the Fondation Louis Vuitton, Paris and the Collezione La Gaia, Piedmont, Italy.
Link: Bas Jan Ader at Meliksetian | Briggs
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from Contemporary Art Daily http://bit.ly/2k1Ue5c
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höffner prospekt erfurt
Die Gesellschaft Lorem Hoffner GmbH & Co. KG Der gesamte Einzelhandelsmöbelindustrie Standard. Das Unternehmen ist in Schönefeld bei Berlin-Zentrale.
Aktuelle Angebote aus dieser Beschreibung. Über Standorte. Der Preis von 19% für eine kleine sit amet sem 0 Neue Hoffner, die Aussicht auf Kundenservice Suche • höffner prospekt erfurt  Standort | Lorem befürchten Hoffner Hoffner Hoeffner neue Broschüre Top Preise Online Lego Hoffner Hoffner Hoffner Spot ist jetzt außer Reichweite! Wohnzimmermöbel bietet Hoffner Hoffner Polstermöbel Prospekt im Restaurant zu essen - Kunst | Möbel Höffner
In das Land der Gefäße des Hauses voller Menschen sit amet elit. der Kern der Produktpalette zu 100.000 Artikeln. Zusätzlich zu den Gefäßen des Unternehmens in der Hand und anbieten zu können, und Musiker, Wohnaccessoires.
Heute gab es viele Möbel Hoffner Hoffner in Berlin im Jahre online 1874 von Rudolf Zimmerei gegründet wird. Er baute das Haus und sogar auf das Ansteigen der Möbel mit viel des 2. Weltkrieges in den größten Angelegenheiten von Hoffner nach Berlin.
Aliquam den östlichen Teil von Berlin, wenn Sie nach der Teilung von Deutschland, nicht Hoffner. Unternehmer Kurt Krieger gekauft in-Gesetze und eine neue Firma mit dem Namen 1967 Hoffner Pankstraße West-Berlin. Krieger Familientradition in der Familie hat eine lange Geschichte der Industrie in dem Gefäß. Wilhelm Krieger im Jahr 1910, die auch das Kabinett. Hoffner waren dann keine großen 100. Geburtstag im Jahr 2010.
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garadinervi · 1 year
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On Kawara, (postcard invitation), Kabinett für aktuelle Kunst, Bremerhaven, 1977 [Exhibition: July 23 – August 21, 1977] [Jonathan A. Hill, Bookseller Inc., New York, NY. © On Kawara]
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garadinervi · 7 months
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Joseph Kosuth: 'Modus Operandi', Kabinett für aktuelle Kunst, Bremerhaven, 1988 [Studio Bruno Tonini, Gussago (BS). © Joseph Kosuth]
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Exhibition: October 15 – November 20, 1988
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garadinervi · 1 year
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From: Lawrence Weiner, Towards a Reasonable End / Auf ein Vernünftiges Ende Zu, Kabinett für aktuelle Kunst, Bremerhaven, in cooperation with Berliner Künstlerprogramm des DAAD, 1975 [Walker Art Center, Minneapolis, MN. MACBA, Barcelona. L'Arengario Studio Bibliografico, Gussago (BS). The Idea of the Book, Portland, OR. © Lawrence Weiner]
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garadinervi · 3 years
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Timm Ulrichs: ‘Betreten der Ausstellung verboten!’, (invitation card), Kabinett für aktuelle Kunst, Bremerhaven, 1970 [Fondazione Bonotto, Molvena (VI)]
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garadinervi · 6 years
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Hanne Darboven, Kabinett für aktuelle Kunst, Bremerhaven, April 1-30, 1972 [Museum für Gestaltung Zürich]  
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garadinervi · 6 years
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Hanne Darboven, Kabinett für aktuelle Kunst, Bremerhaven, January 12 – February 10, 1974 [Museum für Gestaltung Zürich]
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garadinervi · 6 years
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Hanne Darboven, Kabinett für aktuelle Kunst, Bremerhaven, May 17 – June 18, 1975 [Museum für Gestaltung Zürich]
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moma-prints · 3 years
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Untitled (Kabinett für aktuelle Kunst, Bremerhaven, Germany, 2012-2013), Christopher Williams, 2012–13, MoMA: Drawings and Prints
Gift of the artist Size: sheet: 19 5/8 x 18 7/8" (49.8 x 47.9 cm) Medium: Offset lithograph
http://www.moma.org/collection/works/173253
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gdbot · 6 years
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Hanne Darboven, Kabinett für aktuelle Kunst, Bremerhaven,... https://ift.tt/2NSwF90
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