Glass #paris #france #lasamaritaine #sanaa #lagneau #françoisbrugel #sra #architectes #glass #courtyard #transitionspace #holidays (at La Samaritaine) https://www.instagram.com/p/Cmg8if_sUdv/?igshid=NGJjMDIxMWI=
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Sita being Held Captive by Ravana in Ceylon by Suzanne-Raphaële Lagneau (b. 1890)
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Suzanne Raphaëlle Lagneau Nu orientaliste
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Isabel Marant - Paris Fashion Week- Spring/Summer '09
PARIS - SEPTEMBER 29: (UK OUT) A model walks the runway during the Isabel Marant show part of Paris Fashion Week Spring/Summer 2009 on September 29,2008 in Paris, France. (Photo by Nathalie Lagneau/Catwalking/Getty Images)
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The wife of an American doctor suddenly vanishes in Paris and, to find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Credits: TheMovieDb.
Film Cast:
Dr. Richard Walker: Harrison Ford
Michelle: Emmanuelle Seigner
Sondra Walker: Betty Buckley
Wino: Dominique Pinon
Le Grand Hotel Manager: Jacques Ciron
Williams: John Mahoney
Shaap: Jimmie Ray Weeks
Peter: David Huddleston
Edie: Alexandra Stewart
Kidnapper: Yorgo Voyagis
Taxi Driver: Djiby Soumare
Bellboy 2: Roch Leibovici
Desk Clerk: Dominique Virton
Gaillard: Gérard Klein
Bellboy: Stéphane D’Audeville
Hall Porter: Laurent Spielvogel
Hall Porter: Alain Doutey
Tourist: Louise Vincent
Hotel Detective Le Grand Hotel: Patrice Melennec
Restroom Attendant: Ella Jaroszewicz
Florist: Joëlle Lagneau
Florist: Jean-Pierre Delage
Cafe Owner: Marc Dudicourt
Waiter: Artus de Penguern
Desk Cop: Richard Dieux
Inspector: Yves Rénier
U.S. Security Officer: Robert Ground
Marine Guard: Bruce Lester-Johnson
U.S. Embassy Clerk: Michael Morris
U.S. Embassy Clerk: Claude Doineau
Blue Parrot Barman: André Quiqui
Rastafarian: Thomas M. Pollard
Dede Martin: Böll Boyer
TWA Clerk: Tina Sportolaro
Extra (uncredited): Angela Featherstone
Taxi Driver Who Hands Over the Matches to Dr. Walker (uncred: Roman Polanski
Bellboy 3: Alan Ladd
Film Crew:
Casting: Bonnie Timmermann
Original Music Composer: Ennio Morricone
Assistant Art Director: Gérard Viard
Writer: Gérard Brach
Writer: Roman Polanski
Producer: Thom Mount
Director of Photography: Witold Sobociński
Costume Design: Anthony Powell
Casting: Margot Capelier
Editor: Sam O’Steen
Additional Writing: Robert Towne
Stunt Double: Vic Armstrong
Production Design: Pierre Guffroy
Production Sound Mixer: Jean-Pierre Ruh
Sound Re-Recording Mixer: Jean-François Auger
Sound Editor: Jean Goudier
Hairstylist: Jean-Max Guérin
Makeup Artist: Didier Lavergne
Supervising Sound Editor: Laurent Quaglio
Producer: Tim Hampton
Additional Writing: Jeff Gross
Sound Effects: Jean-Pierre Lelong
Sound Re-Recording Mixer: Dean Humphreys
Assistant Art Director: Albert Rajau
Choreographer: Derf La Chapelle
Stunt Double: Wendy Leech
Movie Reviews:
JPV852: Movie starts off well enough with the mystery element but afterward tonally felt a bit off (veered into moderate comedy at points). Ford is fine as was Emmanuelle Seigner, though I wonder if this could’ve used the eye of Brian De Palma rather than Polanski. **3.25/5**
kevin2019: “Frantic” is an engrossing and well made film that easily builds up a genuine sense of mystery and intrigue from the very beginning. It is incredibly well crafted throughout with an immediately interesting opening gambit and Roman Polanski is a seasoned director and he knows precisely how to create a natural and rhythmic momentum to the proceedings and to then successfully maintain it at a certain level without any evidence of indecision on his part in terms of how the film ought to proceed in order to achieve its maximum potential and effectiveness. This results in a splendid film that effortlessly retains a compelling quality until the very end and it provides the perfect showcase for the romantic city of Paris even though it also makes you pause for thought about visiting there on Valentine’s Day.
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Le danger Microsoft plane sur le ministère des Armées
Sous la signature de Laurent Lagneau, le blog Opex360.com – Zone militaire, spécialisé dans l’actualité militaire et géopolitique, et toujours bien informé, publie une information significative :
LOGICIEL. Selon un rapport parlementaire, le ministère des Armées risque de tomber dans le « piège Microsoft »
« Avec des si, on mettrait Paris en bouteille », dit-on. Mais il n’en demeure pas moins que…
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love to make a montage of a movie + a different movie's trailer and have the sound put on top of the images create pretty funny and/or fucked up implications for the worldbuilding/plot of the original movie. which i generally only realize when i rewatch it six months later.
ex: trailer of Infitinity war on top of images of Les Barbouzes, ends with Lagneau in his bathrobe coming in the kitchen and saying "who the hell are you guys", implies that not only did the three other guys come to his house to flee Thanos but also that they started having breakfast in his kitchen without even informing him of their presence or identity.
other ex: trailer of J'accuse vs images of le Viager, since Dr Galipeau basically is the one speaking the most of the movie i've got him cast (at different ages) as multiple characters which basically creates the implication that when he was young he framed Dreyfus as a traitor and then as an older man he denounced himself to sell more newspapers lol.
other ex: lady violet from downton abbey is gandalf.
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Waves #paris #france #lasamaritaine #sanaa #lagneau #françoisbrugel #sra #architectes #wave #glass #facade #skin #thin #structure #holidays (at La Samaritaine) https://www.instagram.com/p/Cmg5ER3sH1_/?igshid=NGJjMDIxMWI=
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Have a happy Thali Friday! GOLO5 OR THALI10 . #thali #thalimtl #therealthali #1409stmarc #lagneau #agneau #lambcurry #channamasala #tgif #rainyday #mothersday #fetedesmeres #cuisineindienne #indianfood . #delivery #livraison #montreal #deliverymontreal #livraisonmontreal #GOLOIT (at Downtown, Montreal) https://www.instagram.com/p/BxSktHSAkPi/?utm_source=ig_tumblr_share&igshid=1tcaz79gkhnut
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Suzanne Raphaële Lagneau ill. Sambo de Gustave Flaubert 1928, réédition Callidor 2022
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*Simon Lagneau.
Afimdobrasil
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But most frequently Matho would go off at sunrise, as melancholy as an augur, to wander about the country. He would stretch himself on the sand, and remain there motionless until the evening.
He consulted all the soothsayers in the army one after the other,-- those who watch the trail of serpents, those who read the stars, and those who breathe upon the ashes of the dead. He swallowed galbanum, seseli, and viper's venom which freezes the heart; Negro women, singing barbarous words in the moonlight, pricked the skin of his forehead with golden stylets; he loaded himself with necklaces and charms; he invoked in turn Baal-Khamon, Moloch, the seven Kabiri, Tanith, and the Venus of the Greeks. He engraved a name upon a copper plate, and buried it in the sand at the threshold of his tent. Spendius used to hear him groaning and talking to himself.
One night he went in.
Matho, as naked as a corpse, was lying on a lion's skin flat on his stomach, with his face in both his hands; a hanging lamp lit up his armour, which was hooked on to the tent-pole above his head.
"You are suffering?" said the slave to him. "What is the matter with you? Answer me?" And he shook him by the shoulder calling him several times, "Master! master!"
At last Matho lifted large troubled eyes towards him.
"Listen!" he said in a low voice, and with a finger on his lips. "It is the wrath of the Gods! Hamilcar's daughter pursues me! I am afraid of her, Spendius!" He pressed himself close against his breast like a child terrified by a phantom. "Speak to me! I am sick! I want to get well! I have tried everything! But you, you perhaps know some stronger gods, or some resistless invocation?"
"For what purpose?" asked Spendius.
Striking his head with both his fists, he replied:
"To rid me of her!"
Then speaking to himself with long pauses he said:
"I am no doubt the victim of some holocaust which she has promised to the gods?--She holds me fast by a chain which people cannot see. If I walk, it is she that is advancing; when I stop, she is resting! Her eyes burn me, I hear her voice. She encompasses me, she penetrates me. It seems to me that she has become my soul!
"And yet between us there are, as it were, the invisible billows of a boundless ocean! She is far away and quite inaccessible! The splendour of her beauty forms a cloud of light around her, and at times I think that I have never seen her--that she does not exist--and that it is all a dream!"
“At Sicca”. Gustave Flaubert, Salammbô (1862).
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Guy Lagneau, Jean Dimitrijevic et Michel Weill, musée - maison de la culture, Le Havre, France, 1961
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Guy Lagneau, Pierre Guariche & Alain Marcot, France, 1971
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