shout out to clumsy people.
shout out to people with coordination issues.
shout out to people with dyspraxia.
shout out to people with apraxia.
shout out to people with muscle weakness.
shout out to people with paresis.
shout out to people with paralysis.
shout out to people with arthritis n/or joint deformities.
shout out to people with chronic pain whose pain makes it hard to control their movements.
shout out to people with chronic fatigue whose fatigue makes them hard to control their movements.
shout out to people with balance issues.
shout out to people with other conditions that make hard to control body n/or movements.
shout out to people who are undiagnosed n struggling with control movements.
it's not your fault. it's not your carelessness. you deserve support n accommodations. you shouldn't be judged or mocked. you deserve respect. your struggles deserve respect.
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I saw that some people here are worried that glorious rivals might be NA, because of the deleted scene of tgg and I wanted to explain why I highly doubt it.
First off, there are different levels of YA. A book which has target audience 12 yo will be different than one with target audience 18 yo. I'm pretty sure that the tig saga in general is something in between.
This means that there are different 'spice' levels in YA (tho I wouldn't call them spice, since it's still YA). It's a wide age range, from 12-18 (correct me if I'm wrong), therefore it has different intensity levels. For example, the Shatter me series is also YA and I think we can say that it was more explicit than the deleted tgg scene of Rohan and Savannah. Even then, there are still 13 year olds reading it and it's not a problem, because it still isn't NA, the scenes don't describe the actions after make out and undressing, which is exactly what YA means. Just because the make out session is a little bit more intense and is suggesting further action, it doesn't mean it's NA unless the further action is described explicitly.
Secondly, even if she wanted to separate the two trilogies (which would be a very bad idea on her part, because she'd lose most of her audience, so I doubt it), the first book of the second trilogy (aka tgg) is still YA, she can't say "oh, you read the cliffhanger from book 1 but can't read book 2 because you're underage, even tho I said that you can read the series". Authors don't just change the age rating of the books mid series. Between series of the same saga, possibly, even if it risky (the whole losing audience thing), but definitely not in the middle of a series.
It's okay if you're uncomfortable with higher levels of YA (which, honestly, it's looking like we'll get there in the next book, that I can't deny), but you can't say it's not appropriately rated, because she's just changing the intensity, not skipping to the next rating.
So, yeah, I don't think glorious rivals or any future book from the saga will be NA, I don't think she'd risk losing most of her audience. Even if she's targeting older audiences on purpose by potentially switching to NA, it wouldn't be in this saga, because people who read NA probably wouldn't read 5 books of YA before they get to the NA book. It would be a lose-lose for jlb to do that, so I don't think we have any reason to freak out about the age ratings.
She's just changing the intensity. Again, it's understandable if you're uncomfortable with higher levels, but it still counts as YA. YA doesn't mean only having a 1 paragraph long kiss every once in a while, for some books it means sexual tension without action, or the characters doing it, but only having their emotions described instead of the action itself (again, I'm giving Shatter me as an example of such YA book).
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I ignore about 95% of the conversations surrounding Arya having killed people because, outside of Arya stans, people refuse to include the context of the very violent circumstances she experiences + her trauma which influences her actions. She wasn't destined to be a killer and her being forced on the run, having to survive during a war (at times on her own), having to witness countless people being tortured and murdered, being enslaved as a prisoner of war, having to witness the deaths of her family, etc. are all hugely important factors. Not to mention the times when her life is literally on the line and she has to make tough decisions to ensure her survival. The only time her trauma is acknowledged is when people are using it to prove she's "too far gone", otherwise it's essays on how she hasn't suffered that much. It's so boring how people ignore well-developed characters just to reduce them to one or two aspects of their story. And this treatment is only for certain characters; let someone mention Sansa being part of the plot to poison Sweetrobin and all of a sudden, people can understand being forced to make questionable decisions under difficult circumstances.
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will never forgive champion haters like what do you MEAN you dont fuck with i got nothing but dreams inside?? i’m just young enough to still believe but young enough not to know what to believe in?? if i can live through this i can do anything??? the only thing i do is sit around and kill time, i’m trying to blow out the pilot light???? shut up forever
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having vague thoughts about E3 and the current state of AAA game development in general..
like yeah direct promotions have had more of an impact than Big Events for me, and the main thing I'd want to see out of E3 are trailers for new games or the conversations that follow online - but a few points on that
I can just as easily look up “new games for [platform] [year]” on youtube
Something about the way AAA games are built these days makes me get bored of them ⅔ of the way through, if I even make it that far, on top of them charging more for less content and hiding away the rest behind multiple DLC packs
I've mostly been buying indies the past few years and have gotten a lot of fun out of them; they continue to deliver a nearly unrivaled experience of fun gameplay mechanics and interesting/emotional stories at a ridiculously low cost
I also have emulators for going back and playing old games I really liked so I'm not exactly desperate for new games
and idk!! weird to see E3 officially ending but I also think the landscape is very different these days including the game companies themselves. I'm not a game dev so I can't rly speak to what the change has looked like on their end over the past 10-20 yrs.
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