#legends has so many little details within it that give everything so much character

[smashwolfen]

I noticed something really REALLY cool about Legends arceus while looking up references, and it's so little, I don't know how many other folks have noticed it!!

The pokedex you get at the beginning of your journey;

Perfect, crisp and brand new! So many pages to fill! Untouched by anyone ever, the first to ever exist! The original pokedex.

But at the end, with a completed pokedex;

The title of the book is all ripped and damaged! It's been through so many surveys and treks out in hisui's wilderness! The edges of the blue cover are faded and dulling, maybe got wet a few times with run ins with outbreaks, being jostled around in a pack exploring around the region. The black binder holding it together after all this time is equally as banged up, probably barely keeping the stuffed pages inside safe and tucked away, but still doing its job.

This is the first ever pokedex, this is the one that began the understanding of pokemon as we know it, bringing humans and pokemon together as friends in the distant future. Before technology advanced and made the pokedex we were first introduced to in Kanto so many years ago.

It's falling apart and has been waterlogged a few times, it's recorded so much and survived raging lords, hordes or pokemon, alphas, an exile, gods of time and space, a banished deity, and faced almighty sinnoh.

And it was written, filled out, carried and protected all this time, by a kid who did their best to help the professor who first met them in Hisui.

And it survived.

[brailsthesmolgurl]

Salvation

In another parallel universe, the legend was retold. The God of Sea and his bride has A heart so great that it holds the power to bring Lemuria back to its olden days glory. The bride however, is untouchable. If so, who is going to be salvaged?

Here comes the parallel universe ending! I know it was long awaited, but thank you for waiting patiently as all of my written stories are planned meticulously hence it takes up a LOT of time.

Read the start of this series: Damnation

Read the sequel of the Damnation: Retribution

Warnings: Angst, Spoilers for Rafayel Lore, Character Deaths, Gore and Blood (tbh its a common theme for this series already). A little bitty suggestive heh cause my hormones are raging for this man. Smol surprise at the end :)

"Tomorrow marks the day." Rafayel's slender fingers ran through y/n's curls, a smile slowly stretched across her lips, her cheeks evidently turning rubescent under the moonlight's sheen. "Tomorrow is the day I shall bring you to visit Lemuria." The purple haired god laid next to his soon-to-be bride, on her bed, in her chambers. The thing he could do to her right here and right now were endless. And none of them involved any items of clothing. That was how much the young god was holding himself back.

The smile on her face never faded, as her small hands reached up to cup both sides of his cheeks, his face warm and soft to her touch. "I can't wait. Hearing all of those stories from you, no pictures nor drawings could possibly compare to the reality of seeing your kingdom with my own eyes." She said, eyeing Rafayel glistening under the moonlight, the shadow on his face does not cover up his ethereal looks. Rafayel leaned in closer to her, his breath mingled against her cheeks. "You know we should not kiss until tomorrow, right?"

Her reminder of the pre-wedding taboo made him grunted, his lips formed an immediate pout and he threw his head back, clearly frustrated. "I should be the one to ban such traditions next time." He grumbled, but calmed down to look at her when her hands cupped his cheeks again, thumbs smoothing over his chiselled jawline. "How could one possibly live with not kissing their bride the day before their wedding?"

His childlike remark made her giggled. "Your people had done it for ages, and I figured it would only be right if we were to go along with such customs. As I shall be the first mortal bride afterall. I do not wish to upset any of your merfolks." She raised her hand up, surrendering herself and Rafayel leaned forward to hug her tight within his arms. Laughters erupted from the both of them.

When they looked into each other's eyes, their laughters slowed down, mesmerised by one another's gaze. Y/n could barely believe that this very moment is happening to her. It felt like yesterday when she had rescued Rafayel from the sandy shores and released him back into the ocean after he had promised to return to her some day. Now, here they are, awaiting for a grand wedding tomorrow, an official bond to be tied between the God of the Sea and his mortal bride.

The once cherubic looking Rafayel had grown into the dashing young god he is today. With misty purple locks that are naturally wavy---although he constantly claimed that it was the sea water that turned it wavy. Eye colour a mixture of lilac purple and lapis blue, that could change colour depending on the lighting and his mood. A personality that not many can and would want to handle given his nonchalant-ness. Mixing in good looks and his non-chalant attitude, he is like walking trouble amongst mortals.

But she knew Rafayel better than anyone. She knows the way he talks, although condescending to some, she knows that he is not just a talker, but also a doer. He nags her over the smallest of things, be it her dress colour not matching her lip colour for the day or whatnot; she knows that he cares for everything, even for the smallest of details. He yaps like he knows what he wants and gives off the vibe of an independent individual, but deep down, he is just a needy young man, seeking for her constant comfort, validation, love and affection.

These are just some of the small characteristics of Rafayel that made her fall for him even more. She watched as Rafayel inched in, his lips aligned with hers. But before she got to utter a word, he quickly moved his lip upwards and pressed a big kiss onto her forehead. "If I could not kiss your lips, I would just have to settle for kisses on your forehead and cheeks then." He teased her and continued barraging her face with kisses. Their laughters for the night were endless.

Rafayel sat at the edge of her window sill, turning around to watch her as she was fast asleep, her brunette hair messily tousled all over the bed, but she looked picturesque, with the silvery moonlight painted across parts of her face and the steady breathing of her chest made her a living art in Rafayel's eyes. "I shall see you later, my beloved bride." Not wanting to wake her in her slumber, he dived into the water below.

...

"Your highness! Stop running so quickly!" The maid, Natasha cried out, struggling to keep up with the bride's quick feet. "Your dress might get dirty and unkempt! And I did not receive any other gowns from them!" Sadly, the maid was the only one who gave her blessing to y/n's marriage. The king and queen could care less as long as Rafayel kept their pockets loaded with gold.

"Come on Natasha, lessen the apprehension, would you?" The bride slowed down her footsteps and turned to flash her maid a wide smile. "Today is a big day after all and I know, everything is going to be alright." Seeing the bride's grin, Natasha sighed in defeat and trotted behind the bride, exhausted but still anticipating to watch the union ceremony.

When they arrived near the sea stacks, Natasha handed her a red velvet box. Upon opening the latch, the box opened to reveal a veil, one woven from silk that could only be harvested from sea anemones that grow in the far West, the ones that only glow during the winter times. The veil was translucent, with an iridescence of silver glow whenever the light refracted off of its material. The crown that goes around her head is made out of pearls that were harvested from oysters that could only be found in the southern region of the seas. Collected and crushed by the merfolks and infused with a rare blue gem that only Lemurians possessed to create the crown for the veil.

The veil shorts of nothing extravagant, as expected of the God of Sea's taste. Rafayel ensured that this veil was done 6 months prior to the wedding as he does not appreciate any mishaps especially when it is related to his bride. Y/n took the veil out of the box and she carefully placed it on top of her head, Natasha going behind her to dust off the excess sand off of the back of the wedding gown. She also took the time to adjust the veil behind y/n's head, wanting to make sure everything is in place before the ceremony begins.

"It has to be perfect. Perfect." She remembered the way Rafayel nodded his head towards her, spelling the word PERFECT to her just so she could understand him. But Natasha caught him the moment he said the first sentence. Although she just waved him off that time, she knew that on the day of the wedding, Rafayel is the last person she would want to upset. Who knows what would happen to her if she made him upset. The thought itself sent a shudder down her spine.

"How do I look?" Y/n turned to face Natasha and the maid's heartwarming gaze gave her just the answer she needed to hear indirectly. "I can't wait for this Natasha." She held onto the maid's hands tightly. Horns started blaring loudly and the two women looked towards the sea stacks together. The sun rise made the sea blended in with the sands on the shore, the saturated warm glow casted upon the surface of the waters a sight to behold indeed.

Trumpets and choirs joined in with the blaring of the horns and y/n knew it was time for her to present herself walking towards the sea stacks. "Your Highness, your bouquet. Don't forget it." The maid shoved a bouquet of flame lilies and the bride muttered a thanks, hastily holding onto the bouquet before she stepped out from the backs of the huge rock.

The appearance of the bride made the merfolks gasped in awe, the off-shoulder wedding dress was made out of fine silk, and it did a great job in outlining her bodyline and curves perfectly. Her dress cut off at the mid of her thighs, but a big ribbon was attached to her right hip, aiding in the aesthetic and transitional fabric from fine silk to a chiffon tail. The tail of the dress was completely see through, with droplets of diamonds sewn on it. The bride glowed under the ray of the sun and nobody could have dreamed of a better start to a wedding.

Rafayel emerged from the waters, in his mundane form of course, riding on top of two orcas and he was delivered right onto the top of the sea stacks. His clumsy stumble made her giggled, hands going up to cover her mouth. Rafayel donned a full white suit, with a swallow tail at the back of his tuxedo, his hair neatly styled, probably with the help of his people. And the left side of his pocket peeked a corsage with flame lilies, same as the ones she has as a bouquet in her hands.

Upon seeing his bride, Rafayel was enthralled at her beauty, his jaw dropping slightly ajar before one of the merman spit water at him thus he only managed to snap himself back to reality, glaring at the merman who spat at him as he reached up to wipe the stain off of his sleeves. Not like the water did anything to his outfit either, but he had to be sure of it. It is their big day after all.

"Ain't this my bride." Rafayel said confidently when he walked to the edge of the sea stacks, reaching out his hand to her, for her to take so he could guide her onto the sea stacks. "Careful, I do not wish for my bride to be unable to walk before the grand night tonight, yeah?" His wink made her face flushed instantly and she smacked his arm playfully.

Standing next to him, she felt like everything was set in stone for her finally. She got to marry the one that she had always been in love with and she will be one of the very first mortals to visit this forbidden land under the waters. "Here, we rejoice in each other's company. One of merfolk and the other of mortal." Amund, Rafayel's trusty friend took the opportunity to solemnize the wedding.

"This moment shall mark the first of its kind in mortal and merfolk's history. A reunion to be witnessed between the God of the Sea, Rafayel, and his bride, a mortal. y/n. Shall there be any objections towards this blessed reunion..." Amund trailed off, eyes scanning the crowd, both in the waters and the only human on land before he continued. "You shall not be entertained." His sentence took everyone by surprise and everyone shared an understanding laughter. "Hence, Rafayel, would you take y/n to be your beloved wife? Through all suffrage, illness and happiness?"

Rafayel nodded, facing her and confidently saying. "I will always say yes to that. For I will love you for ages to come."

"How about you y/n, would you accept the God of the Sea, Rafayel's intentions of having to love you through all?" You immediately nodded and Amund shouted. "This reunion is blessed, you may kiss the bride!" Rafayel's lip immediately pressed against his bride's, the kiss shared between the two erupted a huge reaction from the crowd. Claps and whistlings and shoutings could be heard from all directions. The choir then resumed its melody when Rafayel pulled back from her lips. "Y/N?" His smile faltered as he watched his bride's irises had turned into a shade of blood red, matching the same colour of the liquid that was oozing out of his chest, staining his white suit into crimson red.

...

Y/N jolted awake in her own bed, beads of sweat littered all across her face. Running her palms across her face, surprised that her face is cold to her touch despite the current season is far from winter. Reaching over to her bedside drawer, she fetched her goblet and drank the contents of it.

A couple of knocks could be heard from her oak door. "Come in." The door slowly opened to reveal one of the maids, Clarrice. The red head walked in, silver tray in her hand, ready to be served to the princess. She bowed partially as a sign of respect, then placed the tray by the highness' study table before she walked over to pull open the heavy drapes of the curtains to reveal the warm sun rays shining in from the windows.

"It seems like your highness has chosen to sleep in today, hence I had drawn your curtains whilst you were in deep slumber." Clarrice smiled, her pink thin lips a contrast to her pale complexion, brown freckles strewn like constellations on her face. Y/N sat on the bed, eyebrows knitted together, not being able to figure out why Natasha is not greeting her as per usual. Given Natasha was the maid that was specifically assigned to care for the princess.

"Have you seen Natasha anywhere?" The princess questioned, taking another sip out of the goblet in her hand. Milk cold to the inside of her mouth, when the princess had always been accustomed to warm milk in the morning.

"Your highness, Natasha was nowhere to be found within her chambers at dawn." When the maid replied, she watched the princess' eyes narrowed and nervously added on. "It seems like Natasha had left the palace in a hurry. All of her items remained within her chambers, including her uniform. All that was missing was her common outfit. She could have left for the farmers market?" The hesitation in the maid's tone does not sit right with y/n.

"You may head on with your day now. Thank you." The princess spoke promptly and the maid hurried out of the chambers. Placing the goblet back onto the bedside drawer, y/n started retracing the dream she had earlier on. All she remembered from her memory was her being at a beach...the beach near the sea stacks!

The princess catapulted herself off of the bed, still in her outfit. Her outfit. She did not noticed the outfit she had on while she was in bed. She is wearing a gown. Specifically a fancy one, one would wear for a wedding. Wedding ceremony. Natasha. Rafayel. When the pieces started to piece together, so did her heart rate quickened. Raising her hands to her vision, she caught sight of splatters of crusted liquid on her palms, a brownish shade with specks of what seems to be blue fairy dust.

Realisation hit her with a truck and she grabbed the rope and tossed it out of her window, sliding down it as fast her hands would allow her to, the pain of the rope burn unregistered into her senses. Guards at this hour were most likely deployed to their stations within the towers hence allowing her escape all the more easier. Once her feet touched the ground, she ran with her bare feet and went out through the gardens behind the palace that leads her straight towards the seas.

Her bare feet carried her past the sandy shores, the strong currents of the sea breeze accompanying her speed. Coming across the huge rock that leads towards the sea stacks, she slowed down her footsteps, seeing bloody imprints on the sand, foot prints that belong to a human.

When she came to the sea stacks, the scene in front of her made her heart stopped beating for a good while. There laid Natasha, on the shore, with a pool of red replacing her shadow. Some parts of her blood on the shore were darkened, a natural occurrence of oxidation of the bodily fluids. The princess screamed for her maid, her friend, and ran towards her, tears uncontrollably rushed down her cheeks. She turned the maid over, only to find the young maiden was covered in stab wounds all across her torso. "Who did this to you?!" She shouted in agony, pulling the deceased into her arms as she cried, while cradling her friend.

"Y/N...." A voice cut through her cries and the nightmare does not end. "Y/N..." Just when she thought she had to suffer losing Natasha, she was met with the image of the God of the Sea, her beloved husband, her forever lover, laid on the sea stacks, blood emitting from the side of his mouth, his eyes losing their usual glow as he tried to call out to her. "RAFAYEL!" The princess cried, laying her friend down carefully onto the sand before she rushed over to Rafayel's side, stumbling her way up the sea stacks and having barnacles cutting into her skin. Yet again, her physical pain were not registered to her senses as of this moment. "RAFAYEL!" Her cries were unstoppable now, eyes turning bloodshot as she pulled her lover into her arms. "What happened?! I will go and get help..."

As she wanted to stand up to leave, Rafayel grabbed ahold of her hand and she regained the memory of the actual cause behind the happening.

...

The vision was murky but she could clearly hear a conversation taken place between two individuals. It seemed to take place within a cave, a female figure, with a singular eel-like tail and a merman, were having a talk. "If she remains untouchable, your kind shall perish." The feminine voice spoke, long, crooked fingers holding onto a round, translucent ball with spikes on it. She seemed to be studying the ball as she spoke. "Eradicating either one might be beneficial for you, as long as the heart is willing to be given."

"Does this mean I have to kill off the God? With my own hands?" The merman spoke, hesitation laced in his voice.

"Do not fret." The woman chanted a spell and a blue pearl appeared within her fingertips. "The mighty gem of Lemurians right? Infuse this with the crown that you would be making for her and the spell shall happen upon their kiss of rejoice, as husband and wife." She handed the blue pearl to the merman and added. "At least now, you won't get your hands dirty."

The merman kept the pearl in his pouch then placed a huge woven basket in front of the woman, a compensation of sorts for her 'service'. The merman turned to exit the caves and y/n gasped when she realised that the merman was Amund.

Her vision then flashed forward towards the moment when she wore the veil. Upon kissing Rafayel, she immediately got possesed by an unknown force, but an entity of evil origins. A dagger was summoned into her hands out of thin air and she stabbed Rafayel right in the heart with it. Y/n screamed out, but her voice was muted, playing the role of a bystander as the vision continued unfolding itself. The God of the Sea was taken aback as he had never thought he would be killed by his very own sworn lover.

His eyes looked into hers. Pupils blown out of the usual proportion before he spat out blood, splatters of it hitting her wedding gown and her face, but the possessed bride was unfazed. Merfolks were horrified as they hurriedly scattered into the seas. For an entity so evil that dares to challenge the God of the Sea, the merfolks know that they are powerless against this possessed individual, be it a mundane. So they chose to flee, hoping that the warrior amongst them, the longest friend of Rafayel's, would come to the rescue.

But Amund just stood by the shore, now in his human form, as he watched the blatant massacre happening right in front of him. A small smirk creeped up onto his face when he knew right then and there, the future of his people are secured. The foregone of a God shall mean one or two of the foretold endings. The princess willingly sacrifices herself to save Lemuria as she knew how much Lemurians mean to Rafayel. Or Amund shall dig the heart out of her if she chooses to be selfish. All with the end goal of him being viewed as the hero, salvaging Lemuria from its end days.

...

The vision ended, with y/n in shock, eyes staring blankly at Rafayel's body in her arms. The God of Sea finally letting his tears run astray, flowing down his cold and blanched face when his bride slowly came to her own realisation. The young god had once told his bride about the specialty of her heart, for he had given half of his heart to her when they made a promise during their first meet.

That moment, Rafayel summmoned a small blue fish within his palms, stating that blue fishes are emissaries of the sea, but he lied partially, knowing the moment she wanted to release him back into the ocean, he had fell in love with her and was sure that she will be the one. Hence, a bonding vow was made without her knowledge, and part of his heart was given to her as a contribution of his love.

The princess turned out to be the bait, the bait to kill Rafayel when he least expected it, just so Amund could gain the heart of either the God or the bride and to return glory to Lemuria. But Rafayel, although wanted to marry a mundane, had never once thought of abandoning his kind. His plan was to bring her to live with him within Lemuria, and with both of their hearts within the vicinity of one another, it could restore glory to Lemuria and no bloodshed would take place. And obviously, this plan was only known to the God of Sea himself. As a God only does what is best for his people and his actions shall reap what he sows.

"Im sorry!" Y/N's lips are only wired to speak these two words, body shaking and voice hoarse, mentally and physically pained, watching the dying God in front of her eyes. "I can't do this without you, Rafayel." Her hands cupped his cheeks, his blood painting her palms in red. "Please don't leave me..." She continued begging. "I could never forgive myself...Please don't go...."

"I am here...I will always be here..." The bride's cries would not stop, eyes avoiding his as she knew that he was stating the opposite of what he actually meant. Until her eyes landed on the dagger that was laid beside Rafayel. The same dagger that she had used to stab Rafayel in his heart, and the same dagger that Amund had used to kill Natasha as to eliminate any witnesses. Rafayel's eyes caught on eventually, but with him on the verge of death, he was physically unable to stop her.

He watched his bride, with eyes widened in terror while choking onto his own blood, trying to form words. "I love you." Were her last words before she stabbed herself with the dagger, right into her chest as well, where his and her heart lies. What comes afterwards was her choking and simultaneously spitting blood right out of her mouth, a sign of her haemorrhaging.

If nobody could take his heart, she shall not give up hers as well. A smile of relieve dawned on her face, the rosiness of her cheeks gradually fading as crimson tears replaced the redness of her cheeks. For she is a mundane, she could not hold on any longer like how Rafayel did, as it takes a while for a God to be fully bled dry.

Her whole body fell limply, like a puppet torn from its strings, and her face landed right in front of Rafayel, forehead touching his. The last breath the God of Sea took, was surrounded by the sounds of the clashing waves, basked within the warmth of the sunrise, his lifeless eyes stayed open, tear streaks are the only colours apparent on his pale face, just like his bride's.

...

Hundreds of years had passed. Linkon city's renowned museum held a grand exhibition, displaying all there is for one to know about the hidden city Lemuria, and its people, Lemurians. The exhibition featured paintings, artworks, artifacts and even 'theoretically-accurate' skeletal structures of the Lemurians. As this exhibition, does run on nothing factual but relying heavily on theories and legends arising from sea explorers.

Y/n held an information pamphlet in her hand, browsing the exhibition before she stopped at one of the large paintings with the title 'God of the Sea'. The painting featured a merman, a tail with two fins for the bottom half of his torso, while the upper is made of a man. Her eyes glanced over at the God of the Sea's face, a fish head that looked all too similar to a sardine fish.

"Don't you think this artwork is suspicious?" A voice travelled from beside her, the tone of the sentence laced with disgust. "In fact, I think this whole exhibition is a total scam." Y/n turned her head to face the source of the voice. A towering young man stood next to her, wearing a white V-neckline shirt and paired with a pair of black slacks and black dress shoes, his midriff secured with a wide belt. "What do you say?" He turned his head to face her, his dusky purple hair matching the shade of his purplish-pinkish-bluish eyes. A smile evidently plastered on his handsome features.

"Who are you to say that?" Y/n crossed her arms across her chest, raising her eyebrows.

"The name's Rafayel." He confidently spoke, eyes glinting with amusement. "Anyways, mind grabbing a cup of coffee with me?"

... DUN DUN DUN!

And this shall officially mark the end for the pain! The story although still had mentions of angst and still caused some evident damage to your hearts, but I made sure I shall give you guys a good ending okay! Do not confuse this timeline with Damnation and Retribution as those are coexisting with this current timeline. SO yes! If you paid enough attention the details, the sea stacks... the sea witch blah blah..... IT IS ALL INDIRECTLY CONNECTED (depending on how you piece it based on your understanding). But yes, my story is written in this specific manner because I purposely wanted the worlds to be connected!

I really really hope you guys had enjoyed this series as I shall be writing more series as such in the future, either with Zayne or Xavier so please stay tuned for that!

If you could, drop me comments on what you think about this story as well! Even if it hurts you, makes you wanna smack yourself (pls dont do that), or whether it leaves you unfazed, I am nosy and I wanna know how this series has affected you mentally! Check out my other works as well on my page!

Wardrobe Malfunction ft LNDS boys

You forgetting a date with the boys *gasps in horror*!

Thank you for reading this series of mine. LOVE YOU ALL SO MUCHIES, MUACKS <3

[chronotsr]

Pre-G1 Modules, part 4...A - The Judge's Guild Roundup

Part 4a? This is one of those projects that keeps ballooning in scope forever.

Again, keeping with the theme of "trying to not get too historical", Judge's Guild was a group formed by Bob Bledsaw and Bill Owen to release DM aids, in part because then-TSR didn't think it was a viable market. Note that this is Bob Bledsaw Sr., the guy responsible for the nazi incident at Judge's Guild a few years ago was Bob Bledsaw Jr. Anyway, JG was responsible for a lot of materials ranging from setting materials, adventure modules. A lot of luminaries ultimately come from JG, including recently passed legend Jennell Jacquays, so they're a very worthwhile topic to review. I will not talk everything they put out between 1976 and G1 because I'm already planning on touching on (edit: 3 of 6) items today, so we will focus only on their for-sale, non-serial modules.

City-State of the Invincible Overlord (1977)

This is stretching the definition of module -- it's more of a setting book. CSIO is a setting supplement for, yeah, a city state of an invincible overlord. I hope you like maaaaaaaaaaaaaps! Essentially, an overlord stays above and aloof to the factional struggles of the people beneath him, roman emperor-style, and details out a bunch of characters and places within a city. It's, actually pretty good, I think a modern revision of CSIO would probably be pretty fun to play in, especially if you omitted a lot of 1970s gunk (like the frequency of slavery). It has this nice quality where it's much more brief per-location than modern city sourcebooks, but has many many varieties of the same concept. You might want a tavern, and there are so many to choose from. Here's a random assortment of buildings you can find in this book:

A park of sexy statues with a pleasure cult hiding in the rush

A 'fear shop' where the owner will go to ridiculous lengths to scare you

A GILF brothel

The tavern that Fafhrd and the Grey Mouser always go to

A siege engineer you can bribe for promotions

The map is almost, too comprehensive. I'm not sure what % of buildings are described but it's gotta be close to 20%, which is REALLY HIGH by ttrpg city standards. I'd guess that Green Ronin's Freeport is maybe 1% described. The book also has the traditional regulars of a city book (laws, sewer maps, factions) as well as the admittedly novel idea of a full advertising system to acquire hirelings. It, probably didn't merit a full page, but the idea of caring this much about where precisely those hirelings is coming from is kinda novel.

Regardless, this is an adventure module review blog, not a city review blog, so we have done our due diligence and may now proceed.

Tegel Manor (1977)

Oh boy, it's a megadungeon. Here we go. So despite that ominous cover, it's only 30 pages, so it could be worse. The essential schtick of the adventure is that there's a destitute (by noble standards) paladin who owns the deed to an extremely haunted mansion and is desperately trying to pawn the problem off on someone else. You can bully him into helping, but he's a complete coward.

The house is magically fireproofed because adventurers are just like that. A good sign, I think? Surely this won't be a tedious monster closet festival? We have a pretty standard rundown of a town and,

That's one of the most unfortunate names I've ever seen. If I was a dwarf named Cretin Nodcock, I feel like I would also not give a damn about my appearance. Or maybe work on a name change. This adventure really lavishes in its old timey words, we have a paladin described as "poltroonerous" (cowardly), a passing mention of "white wassail" (a mulled white wine), et c. Relatively little is given about the surrounding town and countryside, just enough to get us into the manor asap.

The first floor is a greatest hits of a haunted house. Animated knives, disappearing ghosts, screaming, the walls ooze GREEN SLIME, et c. Here's the stuff (across this entire dungeon) that isn't rote:

A creaky floor that gets so loud that it stuns elves' sensitive hearing while a wall crusher goes off

An animated yellow mold that looks like a sleeping woman

An animated painting of a battle that shoots arrows outward randomly

An animated painting that paints the party, and if it succeeds the party is petrified

Rust monster on flying bed action

A room of opaque gas-filled tubes that contain a variety of people, monsters, objects in animation. I bet the elf lord would have some nice things for their rescuer.

The level of haunting really goes down and it just becomes an assemblage of roughly halloween monsters in increasingly ridiculous patterns. If I was running this, I'd probably shrink the manor down into a greatest hits version of these rooms, because this is a SPRAWLING manor and it's room after room of "there is a wolf, there is a wight, there is a moldering desk". When you think of Gygax going "why would anyone want to buy a module?", this is sticking in my mind. It's not "Dwarven Glory" bland but it IS a never-ending gauntlet of monsters punctuated by silly rooms.

A rare luxury after all the room-by-room shit. Just some good ol' fashioned silliness.

Inexplicably under the house is a further dungeon-dungeon, which is mostly rat tunnels. Happily some of these maps feature little blank lines to mark your revisions from the official map, which is a nice little conceit.

I am always, always, always happy to have a new riddle to throw at my party, although I'm not so good at riddling myself.

Curiously, lich is spelled with an e at the end here, I have no idea how normal this was at the time.

Like most GMs, I have a crippling addiction to random tables for miscellaneous crap. This is a really hard to parse table but I believe how it works is:

Roll a d12 to determine what the statue does from the first list of results

Follow that result vertically down to the array of concepts

Roll a d8 and pick from that vertical list of results So for example, I rolled d12=5; d8=8. I go to 5 in the first list (Advises), follow it down vertically to the third column of results (the one that starts with Location), and index down to 8 (Directions). My magic statue advises directions to the party. What a nice guy! This table bothers me so bad that I rejiggered it real quickly in excel, because with the benefit of widescreen monitors it's pretty easy to fix:

Tegal Manor wraps with some extra resurrection rules, in case you needed more realism in your magical revivification. I think I prefer it just working, thanks.

Modron (1977)

There's honestly a stunning lack of underwater content in RPGs, I think. Underwater is such a magical location, both experientially and in mythology. One of these days I will set an adventure in one of those sets from the old 1986 Journey to the West TV show, the underwater sea dragon palace ones? They're so fucking cool. Everything is better with underwater dragon palaces.

Right. Modron. Focus.

Modron is another one of those "straddling the line between module and setting book" situations, only much smaller than CSIO. The art all looks like Prince Valliant, which by that sentence alone either means you're going to love or hate it (I hate it). Our titular Modron is a goddess, but also a temple, but also a port town. We will deal with these in order.

Goddess Modron is a river goddess who was worshipped by the town and the temple. She is implied to be, kind of like wonder woman in a weird way? She has to exist underwater, or she dies in 6 rounds (so 6 minutes), which is pretty fucking lame but I too know the struggle of dry skin. She's a fertility goddess (who isn't) and she does d20 years of damage when she lovetaps you. Tragically, she is no longer worshipped in favor of Mitra. COWARDS! LOVE YOUR RIVER/SEA GODDESSES.

Modron's Temple is very, very briefly explained. Essentially, only the oldest people in town know how to find it, via the cellar of the tavern. It's completely underwater, and a lot of mermen hang out there. The head priestess can drain your water! Google says that one love tap would exhaust you, two would probably kill you, and three would definitely kill you. It's implied in this section that a JttW-style Triton Coral Kingdom is, in fact, hanging out off the shoreline somewhere.

Town Modron is your standard raided port town. There was once two gods worshiped here, then it got messed up by raiders and ECONOMICS and some light civil war. It's okay, ya boi Invincible Overlord is sending you a bailout, making him a better autocrat than most living politicians. Apparently they have a pet seamonster who serves the overlord directly? Awesome! We need more pet kaiju in the world.

The actual area-by-area is pretty blasé. The local rulers are varyingly competent (the king is competent but a huge sex pest), there's a guy who takes you on guided tours to, anywhere in the multiverse? Somehow the blacksmith has figured out how to rustproof armor, which will really piss off your rust monsters. The book makes a point to say that the jailor is a particular bastard, so Judge's Guild says ACAB? Unlikely but a very funny concept.

Tragically, we end our adventure without a map of the palace, the temple, the other temple, or anything. I don't believe this is the first supplement to contain Mitra as JG's most famous god (well, Mitra is a real-life god anyhow), but this is certainly the first adventure-ish module to feature him. Dark Tower is quite a ways away!

A poison coral table is, one of those things you would only ever see in early DND. That is so unbelievably specific. The book ends with many such cases, there's a pearl randomizer that doesn't include any fun magic effects or anything, merely linking to Supplement II. Boo!

So originally when writing this, I had intended that part 4 be a whole unit, but then I realized that I was going to have to include these semi-adventures in the roundup. So to my great shame, we will continue this later.

[bookswithsav]

The Secrets of the Immortal Nicholas Flamel: The Necromancer

Book Information 

Title : The Secrets of the Immortal Nicholas Flamel: The Necromancer 

Author : Michael Scott

Series : The Secrets of the Immortal Nicholas Flamel (Book Four) 

Rating 

Was the story engaging? 

The Secrets of the Immortal Nicholas Flamel: The Necromancer is a very engaging story. With the return of the characters that have been introduced earlier on in the series, the story that began in The Alchemyst continues, throwing more and more at the audiences and the characters. The Necromancer seems to be a little more calm in terms of events compared to that of the previous books, however, the story being told is still riveting and does a wonderful job at building the bridge between the beginning and end of the overall journey. 

Rating: 5/5  

Were the characters enjoyable/developed well? 

The Necromancer does something very important within the The Secrets of the Immortal Nicholas Flamel series, and that is to introduce the changes in characterizations that have been happening under the surface in the previous books. All of the characters that have previously been involved in the story continue to develop as the situations around them change, becoming (in some form) a result of the battle being fought. There are a few characters in which have had a sense of doubt building around them for quite a while now, and this is continued within The Necromancer, causing further doubts on what is truthfully right or wrong. While most of the characterizations within The Necromancer were done beautifully and fit well or continue to build upon what we know as the audience, there are a few situations where characterizations of specific characters feel off, creating a sense of shock due to the abruptness of the change - however, I believe this is due to something we don’t quite know yet. 

Rating: 5/5

Was the plot developed well? 

The plot within The Necromancer was developed splendidly. I have to argue that The Necromancer is one of the most important books within the series so far, as it is the story that it tells allows an insight into what is truthfully happening and what is truthfully at stake for the characters. Although it’s arguably slower in pace than the other books so far, the plot is developed in a truthfully beautiful way that allows the readers to get a glimpse into both the past and the future, as important details of the history that has caused everything are revealed while also hinting at what is to come. While I had originally said that The Sorceress had an important job of continuing to accelerate the overall story forwards, I now have to say that The Necromancer holds this job title more accurately, as it acts at the bridge between what has happened, what is happening, and what is to come. 

Rating: 5/5

Was the audience kept in mind? 

I do have to say that the audience was kept in mind throughout The Necromancer. Something that’s been an issue throughout most of this series is the fact that many creatures of different myths, legends, and religions are introduced to the story without much further explanation. The Necromancer continues what The Sorceress achieved by continuing to offer an explanation as to why these creatures are important and/or horrendous, whether this is by directly giving an explanation or through context clues. Additionally, other elements of the story as well as different characterizations are explained in an effective and appropriate (no unnecessarily direct explanations) method, creating a wonderfully smooth read that allows the audience to be pulled from one situation to another. 

Rating: 5/5

Would I recommend the book? 

I would absolutely recommend The Necromancer. Standing in the fourth book out of six in the series, The Necromancer does a beautiful job at creating an absolutely riveting story while also continuing the overall story that the audience has become invested in. Through a plot filled with important information, The Necromancer sets up the rest of the series with a feeling of anticipation and incoming doom, driving the story with an even greater sense of risk than before. 

Rating: 5/5

Overall Rating: 5/5

Review 

Warning: Spoilers! 

The Secrets of the Immortal Nicholas Flamel: The Necromancer was quite a read, and as I mentioned above, it does an absolutely brilliant job at connecting different parts of the overarching story together. 

As the audience, we’re caught in this position, similar to Sophie and Josh, where we just don’t know what’s happening and what’s happened. There’s a lot of history that led the world to get to this point, and while some of the characters we come in contact with know it, most don’t, and those who do don’t know all of it. Because of this, everything that Sophie and Josh choose to do becomes a toss up on whether or not their actions are right or wrong, and it doesn’t seem like anyone will know until the end. - which is approaching quickly. 

I first want to go through and discuss Perenelle and her characterization in The Necromancer. In the Rating section, she was the character that I was referring to when I said that her characterization was abruptly different from that of what we’d seen previously in The Sorceress. In fact, in my review for The Sorceress, I stated that I believed Perenelle was the more truth worthy of the Flamels. I don’t necessarily agree with this now. Previously, we had seen Perenelle worry about Sophie, Josh, and Nicholas frequently as she was separated from them due to being captured by Dee, consistently asking how the twins were doing and what danger they might be in despite her own position. In The Necromancer, however, all of the care that we had previously seen gets thrown right out the window. She’s seen constantly pushing Nicholas despite him quickly aging, acting very cold towards Sophie when she doesn’t do exactly what Perenelle wants, and even snapping at Josh and telling him that he’s inferior to his twin. Before this book, I believed that Nicholas may have been the more cruel of the two, with his short temper towards the twins and his seeming disregard for their safety, but in comparison to Perenelle’s characterization in The Necromancer, I can’t say that this is the case. Nicholas is growing weaker as he ages quickly, which may be some of the cause for the decrease in direct interactions we see between him and the twins, but he seems to wish for their safety and their happiness more than Perenelle does, and I have a feeling it’s always been this way. 

It’s been stated by multiple characters that out of the Flamels, Perenelle is the one that should be feared greater than Nicholas, and this fact was backed up by the idea that she was a highly skilled sorceress that also possessed incredible wit, allowing her to think her way out of situations quickly. However, it’s also been stated that Pernelle has been pushing to fight the Dark Elders for centuries at this point, trying to convince Nicholas to take the fight directly to the other side instead of waiting and protecting the Codex like he desired. With the subtle cruelty that Perenelle is now showing the twins due to her desire to use them in the fight, it has to be wondered if Perenelle is the driving force behind the Flamel’s hunt for the twins of legend, dooming many to a fate that could have easily been avoided, dragging Nicholas along due to his love for her. Let me explain my reasoning behind this really quickly. 

Not once throughout the series so far have we seen Perenelle feel guilty for her actions (or at least that I can remember). When Sophie directly confronts her about her involvement in getting both her and Josh hired, Pernelle does not shy away from the question, but instead happily confirms it, telling Sophie that she knew they were the ones. It has to be asked; how many children has Perenelle told that to? We know that there’s a long list of twins who have been involved with the Flamels and fallen victim to their circumstances, and through Nicholas’s nightmare in the previous book, we can assume that they all look similar and hold some of the same qualities about them. Also from Nicholas’s nightmare, we can understand that there’s a sense of guilt that he carries with him regarding all of the previous twin’s fates - especially when we learn this is a reoccurring dream for him. What Nicholas and Perenelle have done to the previous sets of twins causes some form of guilt for Nicholas, causing him to shy away from using more dangerous artifacts and directly hurting Sophie and Josh, but we don’t see this with Pernelle. In The Necromancer, now that she is directly involved with the twins, she becomes abruptly different, pushing Sophie to use ancient technology that she knows isn’t safe to use, snapping at Josh, and overall putting multiple people in a different kind of danger than Nicholas had before. Arguably, Sophie and Josh’s Awakenings were something that needed to happen if they really were the twins of legend, which Nicholas seems to fully believe at this point, and despite the risks, it was the step that was either going to lead to their success or failure concerning what they think is right. But Perenelle’s push to use the skull, an ancient artifact not even the Elders want to touch, and her quiet anger at Sophie’s refusal creates this weird sense of danger surrounding her, and it seems as though Nicholas was not the one we needed to really worry about. (Also, just dropping this in here, the Witch of Endor remembers nothing of Pernelle - at least that Sophie can find.) 

Now I want to talk about Sophie, and more specifically, what the Witch of Endor’s memories are providing to the story. I mentioned before that The Necromancer is where a lot of information is beginning to reveal itself to not only the twins, but also to us as an audience, and most of that is provided through the Witch of Endor’s memories that Sophie now possesses. Through her memories, it’s revealed that there’s something else happening that’s a little bigger than previously thought, as we learn that there’s something very wrong with that skull the Flamels possess. The Witch had spend quite a while (even for an immortal) working to rid the world of the ancient technology, putting herself at risk in order to find ways to discard them. So why do the Flamels have one? And what exactly does the Witch know that Sophie hasn’t figured out yet? There’s something very important regarding the ancient technology of the time before the Elders being hinted at, but without direct access of memories from Sophie’s point of view, we’re not going to understand the importance of these objects besides the fact that they should be feared; and if they should be feared, why would the Flamels possess it? We also know that the swords that are now in Dee’s possession are much more powerful than originally thought, and indeed much older than originally thought due to the knowledge that they provided him. The Necromancer places a very large importance on the danger of these objects, hinting that they find some way of damaging the user when in possession, and that makes their involvement and existence all the more important to the overall story. 

We need to talk about Josh. Throughout the series so far, Josh has been increasingly weary of the Flamels and the company that they keep - and honestly, for good reason. Nicholas has consistently put them in danger from the start, and Perenelle, as far as Josh is aware, is a willing proxy to these actions. Everyone that he and Sophie meet are hiding some form of secret from them, and Sophie is consistently given more opportunities than him despite his willingness to participate. It makes total sense for Josh, a teenager who is scared and in danger with his sister, to become weary of the people who put them into danger in the first place. It definitely doesn’t help that Dr. Dee and Machiavelli give him the opportunity to choose in some form whenever they’re around him, although Machiavelli really seems to be the only one who actually means it (giving Josh the opportunity to back out of being Awakened by Mars due to danger). Josh’s eventual switching of sides has been hinted at since the beginning of the series, starting with the end of The Alchemyst and only continuing from there. The question is how is he involved now that he’s decided to leave Sophie and side with the Dark Elders? And how does this impact the history that’s already been told? 

If Micheal Scott thought he was sneaky with this, he wasn’t. Unless I’m wrong, then completely ignore this next part, but I’ll find that out later. It’s been implied over and over again that the original twins looked incredibly similar to Josh and Sophie, which is most likely the reason why many of the twins the Flamels attempted to use also resembled Josh and Sophie. With the knowledge that Scathach, Joan, Shakespeare, Palamedes, and Saint-Germain actually fought with the original twins on Danu Talis, we now know that there’s some significant overlap between the time periods. What if Sophie and Josh are not only the twins of legend but also the original twins, and their separation that is happening currently leads to the fight that destroys Danu Talis and sets the world as they know it into motion? This would explain the unease that they set in those who remember the original twins and were present during Danu Talis’s destruction, as well as the need to send those who have worked with them back in time. 

The Secrets of the Immortal Nicholas Flamel: The Necromancer raises a lot of questions for the audience, and it does so beautifully. With the twisting of time, technology, and betrayal, The Necromancer sets up the ending of the story with a continuously accelerating pace, furthering the risk of danger for the characters as well as the anticipation for the audience.

[qiyansluvr]

Just finished The Story of Minglan

So I just finished the Song Dynasty drama The Story of Minglan with Zhao Liying and Feng Shaofeng in the main roles after binge watching it for a little under a week now. I actually had started it months and months ago but after watching the first few episodes, I noticed immediately that it was going to be a heavy and serious drama and i wasn’t in the right place of mind at the time to deal with it.

But here we are now, after having watched all 73 episodes of this masterpiece. Because that’s my main take away after finishing it : a masterpiece. 

There’s a few things that i could nitpick if i really wanted to go into details, but most of them are just scenes i wish we saw more of, and nothing that really changed how the story was told. 

First I’ll begin to say that it’s evident this drama was written by women. The harshness of what it means to be a woman in a patriarcal society is depicted so well. And all the women characters are complex and vivid and absent of stereotypes and archetypes. Yes you hate some of them for their actions, and behaviours, but you also understand how they came to become what they are. The stories around divorce and dowry and marriage but also jealousy and ambition and women’s relationship to one another is so central and so vivid, it makes me ache for every single one of them.

Less obvious but to me very much present and commented upon is the treatment of slaves vs the aristocracy, and mroe generally, the way class intersects with women circumstances, even within the lower gentry. I feel like that’s a subject that’s not often touched with historical dramas and here it definitely felt lke the scriptwriters thought about it.

I’ll also point out how fleshed out the relationships between the characters are, all of them. There are no relationships that are just flat and dont make sense or are ignored for the sake of the story. No, everything, every relations is accouted for and you understand how these relations shape the characters.

The male characters are also incredibly well written. Many of them misogynistic, as you’ll expect men from this era to be, but it never feels as if it’s put there just for the plot to advance. No, it makes sense, and each men has its own flavor of it, even the good ones. 

The relationship between the man lead and the woman lead is so delectable. At first i didnt really ship them, as we had anoher love interest for Minglan, but Gu Tingye grew on me, just as he grew on Minglan, and I understood why she would love him so. I like that they have a relationships of equals and that despite his scheming, she is his match. In my memory, the only other relationship that grew on me like that in cdramas is Fuyao and Wuji from Legend of Fuyao, where at first I didnt like the ML, but he grew on me. 

Which leads me to the acting, which is just so excellent. Zhao Liying is incredible, as she always is, but it’s also really nice to see how she changes Minglan’s posture and facial expressions as she grows. The chemistry between the two lead is just amazing, but so is the entire cast. The Sheng family dynamic is so realistic, you can always feel the tension. Special mention to Zhu Yilong and his gorgeous smile and puppy eyes. 

I need to give extra props to the set designing team, and especially the lighting team. I read that they tried to use as many candles as possible to avoid using too much modern lighting, and it’s really appreciated, bc the scenes that happened at night indoors are always well lit (especially in contrast to GoT which is my reference in terms of low-use of modern lighting). In general the sets are very colourful and distinctive, and you can feel the changing atmosphere in the different houses and rooms reflecting the nature of the characters occupying them.

That brings me to the costuming, which I admit i have very little knowledge on Song Dynasty fashion, but I like that it was colourful, that they used the costume to describe the passing of seasons and that each character had their own distinct styles, colours and evolutions. 

Overall, I woulld 100% recommend this drama, it’s now definitely in my top 3 cdramas alongside Nirvana in Fire and Joy of Life (even if I cant give a ranking within those three). 

As for the few things I would nitpick, they would be 1) Rong’er relationship with her little brothers. How she dealt with the grief of Chang’er, and how she deals with Tuan and how that affects her relationship with Minglan. 2) The relationships with the Sheng sisters at the end. The ending scene seems to suggest that they made peace but I would have liked a scene before, with all three (Hualan wasn’t a part of their dispute) of them talking about how much of a shitty father they have. 3) More happy scenes with Gu Tingye & Sheng Minglan. Maybe it’s bc im a romantic at heart but I just wanted a little bit more scenes of them together, they spend so much time apart T.T

To end things, this drama needs more people to watch it and more people to write fanfiction for it! 

[sinisterexaggerator]

Do I obliterate your ask by sending all these or — Ah, what the heck. You're one of my favorite writers. Might as well go big or go home LOL!

3 4 5 10 13 16 22 28 29 32 38 39

Oh shit, OK.

3. Writing ritual. I do not have one.

4. I answered this one earlier.

5. I also do not have any writing superstitions.

10. Hm, has a piece of writing haunted me? Not really. I mean, I am moved in the moment by stuff, but my ADHD brain probably forgets over time, no matter how amazing it was. As far as my own writing haunting me, sure. My unfinished WIPs are screaming at me to finish. LOL.

13. A difficult subject matter to write about. Hmm. Probably my own personal history and past, but I don't plan to write a memoir or anything. Something that is easy appears to be angst and smut. I am good at creating drama and situations, and pretty decent at the sexy stuff too, I think.

16. Weirdest thing I have ever used as a bookmark: Idk, a lighter maybe? But only temporarily.

22. How organized am I with my writing? Not too organized. Bare minimum so I don't drive myself crazy. I used to have all my writing all over my desktop taking up space, word docs half finished, all in little rows. Then I made a couple of folders. Now I have a folder for all my multiple-chapter fics that contain the document itself with the writing in it, and anything I have bothered to write or create in relation to that work. Another I have for headcanons, one for finished fics, and one for WIPs and to-dos, and even misc things, like lists of names for OCs I kind of like that I've never used. Of course *THE FIC* of the hour is loose on the desktop and I can stare at the little icon until I am persuaded to open it. I back-up everything on a cloud, but when it comes to writing itself I've only made an outline ONE TIME and it's because it's my "Magnum Opus" and basically an entire series unto itself, so it needs a lot of planning and I have a LOT of thoughts about it. As far as tools, I just use Microsoft Word and notepad for notes. Idk, I am a basic bitch. ;D

28. Most delightful character I have ever written for? Hmm. Probably Shriv Suurgav, just because he is husband material and a good boy all around.

29. I draw my inspiration from canon but then my own brain I guess, and sometimes discussions with friends that I suddenly very much need to elaborate on because it's just too good to pass up. My ADHD is good in a way because my brain is constantly jumping from scenario to scenario and "what ifs" and it makes it so I have toooooo many ideas and not enough time to write them all. I like to browse Wookieepedia too and see what's there in regards to canon/legends and then take that and let it inspire me. Give me two lines about an insignificant man in a Star Wars RPG and I can make him into an OC. That's what happened with Kayson from Stars Above. And even one of the guys in the sabacc scene. He was a real weapon's shop owner in Tatooine as listed on a roleplaying game but that was all the info. I made the rest up. ;D

32. Answered this one already, too.

38. I am a perfectionist to the point every minor fucking detail must line up and make sense or I will not be happy. Like, later on if I find out something in canon contradicts something I wrote I will be LEGIT MAD to the point I'd be tempted to change it. LOL. I also hate when canon CONTRADICTS ITSELF. I research the hell out of stuff to make sure the timeline matches up, to practice proper characterization, to know the specific name of an object within the Star Wars universe, and I must, MUST describe things in explicit detail and paint a picture or I just don't want to do it. I can't just write smut usually, for instance. THERE HAS TO BE A SET UP! It has. to. make. sense. And yeah, that part is fun for me.

39. What keeps me writing is the fact I have fun with it, and people like you who talk me up! Feedback goes a long way. If others enjoy it, I enjoy that I made them happy in some capacity, if only for a few moments. If no one cared, I would probably think it's not worth it and my writing must be shit, haha.

[adamwatchesmovies]

The Last Vampire on Earth (2010)

There’s nothing like a knockoff to make you appreciate the real thing. We’ve seen many Twilight imitators over the years and The Last Vampire on Earth is easily the worst one. This film only has two modes: utter boredom and unintentional, all-consuming, laugh-so-hard-you’ve-got-tears-coming-out-of-your-eyes unintentional hilarity.

While rehearsing for a play adaptation of Dracula, college student Chloe Parish (McKenzie Grimmett) begins hanging out with and becoming closer to Aurelius (Michael Bole), a classmate playing the titular role. While studying the legends of the vampire, she begins wondering if the man she’s falling for could be one.

The word “knockoff” isn’t exactly appropriate. I think the correct term this time is “plagiarism”. Entire scenes are lifted word-for-word from Stephenie Myers’ book. Yes, I'm saying "book" rather than the "movie adaptation". This film is so poorly made the effort to pop the DVD into a player and manually type all of the dialogue to ensure the correct punctuation must have been too much for writer Mandie Abraham. I know the credits SAY this film is based on the 104-page novel of the same name (published in 2010) but come on; it’s Twilight.

Where to begin? How about with the cast? I can’t remember the last time I saw someone less qualified to be a leading man than Michael Bole. He doesn’t lack charisma, he has anti-charisma. Constantly mumbling his lines without a drop of enthusiasm, he is never convincing as a human being, much less a 2,000+ year-old vampire. He and McKenzie Grimmett have no chemistry, whatsoever. You don’t need to see the one very brief, icy kiss - the one she seems to recoil from in disgust - to believe these two would never EVER fall in love. To be fair, you can’t blame her. I once heard the film described as “'Twilight' if they replaced Robert Pattinson with an ogre”. It’s cruel… but also fitting. Don’t think I’m letting the female lead off the hook. She’s clearly either a big fan of Twilight who got suckered into this project, or an amateur with absolutely no future in Hollywood. Either way, it’s painful to watch.

The picture is poorly shot. The special effects are at the level of a middle-school project hurriedly churned out over a single afternoon. A weird filter applied to every single frame makes the film look like it was shot through a cardboard tube and the effect isn’t even centered most of the time. Then there are small details which pass by so quickly you might miss them (no thanks to the lack of subtitles). When Chloe learns Aurelius has been alive for two millennia, she asks him if he met Jesus. Of course, he says yes, Because no shitty movie about immortals is complete without the revelation that they were present for every single big event in human history. The pasty lunk replies that yeah he met Jesus, and that he was a pretty cool guy. So wait, it’s a vampire movie in which Jesus lived… and the vampire isn’t affected by crucifixes?

The writing is on a level so low even film enthusiasts who see everything are unlikely to have encountered anything like it before. It’s no secret that Twilight was heavily influenced by Stephenie Meyer’s Mormon faith. At first glance, this film’s not-Bella being a Jehovah’s witness doesn’t seem out of place. It even seems a little clever, as the Witnesses do not believe in blood transfusions. But then, you see the characters go to a church and it becomes clear this is simply window-dressing riddled with mistakes. What did you expect? The film can’t even manage to give its vampire pointed teeth. Doing something like basic research would be just way too hard.

Even within its own logic and mythology, The Last Vampire on Earth is packed thick with mistakes, illogical choices and actions which make no sense. There is nothing, NOTHING this film manages to get right, not even the DVD menu, which doesn’t even include an option to jump to a scene. Closing your eyes while The Last Vampire on Earth is playing is a sweet, sweet relief so there's a chance it may put you to sleep. To watch it, you’ll need to strain your ears so you can hear what the characters are saying. It’s shockingly bad but sprung unto an unsuspecting audience, it can be a riot. There are so many aspects of this picture to pick apart and the effort involved in the project so fruitless you can have a good time with what is undoubtedly one of the worst productions I’ve ever seen. (On DVD, November 30, 2018)

[sm-entertain-me]

“My Name” Masterlist

Welcome everyone to my Masterlist that is exclusively for the hit Netflix series “My Name”, starring Han Sohee, Park Heesoon, Ahn Bohyun, Chang Ryul, and Lee Hakjoo! I have become obsessed with the show and will be writing more on the Dongcheon side of things rather than for Pildo, but I will still write for him nonetheless! It’ll just be a little bit less frequent as I have some demons that need to be tended to due to Mujin, Gangjae, and Taeju’s characters in the series. Enjoy!

Last Updated: December 5th at 10:10 PM (PST). Most Recent: Wrong Place, Right Time (M), smut for Do Gangjae.

LEGEND: TBW - To be written. IN PROGRESS/NC - Not completed. TBR - To be Released, usually the next smut to be released. BOLDED - popular 

Choi Mujin (Park Heesoon)

Vital Points (M) - While Jiwoo is away being the good little mole she can for Mujin, another prolific female joins the inner rankings of Dongcheon. Seeing how far she’s progressed in such a short time, Mujin arranges for some one on one time to test her training… and her resolve.

Sweet Relief (M) -  In the short amount of time you had been in Dongcheon, you rose to the same level as Mujin’s most trusted henchmen, maybe even the same level as Taeju. You had seen Mujin at his lowest lows and his highest highs, but you often wonder how much of a toll it takes on him. Unable to face his demons alone anymore, Mujin turns to you for relief in more ways than one.

April Showers (M) - Long day of training means a long, steamy shower to get you all rested for tomorrow’s brawl. Your boss completely agrees and has to make sure you’re properly rested to give your best tomorrow, no matter what extracurricular activities it may contain

The Offer (M) - As a steadily improving drug lord in the streets of Seoul, it’s very important of you to get some protection to help grow your empire to new heights. Knowing how Dongcheon operates and how they’re known for having the most effective security details, you arrange a sit down with their dashing leader to make him an offer he can’t refuse.

Master and Apprentice (M) - It’s no secret that you and Gangjae are an item within the Dongcheon organization, but what happens when Mujin walks in on his two most talented recruits in the bedroom together? (feat. Gangjae)

Do Gangjae (Chang Ryul)

Money Talks (M) -  You’re the most sought after dancer in the club, always getting suitors to beg you to come home with them in exchange for empty promises of marriage, riches, and everything your heart desires. You’ve heard every line in the book and we’re unimpressed with each attempt to say the least. Until one night when a new drug lord has eyes only for you and won’t take no for an answer.

Master and Apprentice (M) - It’s no secret that you and Gangjae are an item within the Dongcheon organization, but what happens when Mujin walks in on his two most talented recruits in the bedroom together? (feat. Mujin)

Wrong Place, Right Time (M) -  You knew you didn’t belong in a club like Mango’s, the type of people surrounding you being wanted for all kinds of crime that you couldn’t even fathom committing. But after the day you had, all you wanted to do was let loose and forget about reality for at least one night. You were sure at least something in this club would make you forget… or someone that is.

Jung Taeju (Lee Hakjoo)

Sworn Protector (M) -  Being the daughter of a prolific drug lord wasn’t necessarily easy as you had many people try to kill you, men try to do unspeakable things to you, or steal money from you just because of your status. They all tried and never succeeded because Taeju was always there to protect you. After all these years, you never knew how to repay him, until one seemingly meaningless midnight conversation in your penthouse suite turns into something much more passionate.

Secret Service (M) [TBW] - As a member of Dongcheon, Taeju was forbidden from having an official relationship as Mujin believes it would distract him from his work. So when Mujin enters Taeju’s room unannounced to discuss their next plan of attack, he has to act quick to make sure you stay hidden from his watchful eyes.

Jeon Pildo (Ahn Bohyun)

A Night in Narcotics (M) - You had one simple job tonight and you let Mujin down by getting caught by Narcotics while transporting new product from the warehouses since you had pulled transport duty tonight. Now you were stuck in a holding cell, alone with the smug cop that was able to slide those handcuffs around your wrists. You wanted nothing more than to wipe that smirk right off his face...

[sage-nebula]

Game Review — Blue Fire

One of my all-time favorite game series is The Legend of Zelda. My favorite game of all time is The Legend of Zelda: Breath of the Wild. And my second favorite game of all time is Hollow Knight. So it would make sense, then, to think that a combination of the two would be the most amazing thing the world had to offer me.

Overall Score: 7/10

Well . . . it could have been better. It also could have been worse, absolutely, but it also could have been better. For more detailed thoughts, jump below the cut (and view on blog due to formatting).

The Pros:

The graphics and animation are beautiful. The specific Zelda game the graphics brought to mine (despite the color palette, which was clearly more Hollow Knight inspired) was The Legend of Zelda: The Wind Waker. Whatever reason the developers had for going the cel shaded route (maybe they had an artistic vision in mind, or maybe it was easier somehow) it was a good one to make. In particular, all of the glowing and flame effects were lovely, the shadows all fell in the right places, the characters were charming to look at, et cetera. Everything worked well with the acrobatics as well. Visually, the game is beautiful.

For the most part, the platforming is fair and even platforming challenges are doable with enough practice. This is particularly true for the overworld / main dungeons, rather than the Voids, which are more extra dungeons that you don’t have to complete to beat the game (although doing so certainly makes the game easier given that each completed Void gives you another life heart). While there were some areas where the game lagged for whatever reason and threw off crucial timing, as well as some Voids that were definitely more Platform Hell than simply platforming, the platforming puzzles were very well put together for the most part and were enjoyable to play.

The fast travel system, when unlocked, is incredibly convenient and takes a lot of the headache out of traveling around the world, particularly given that you use the shrines for a number of things (fast travel, saving, char—spirit equips) and there aren’t any maps present in this game whatsoever. It does take some time to unlock fast travel and you’re not exactly pointed in the direction to get it (in fact I had to look up to figure out where I was supposed to go to get it), but once you have it it’s a well-developed system that took a lot of pain out of playing that would have otherwise been there.

A minor thing that I liked, but (just like in Hollow Knight) when you die, your spirit or soul is left behind. Also like in Hollow Knight, it keeps all of the money you had on you when you died. Essentially, it is the exact same thing as the Shade from Hollow Knight, but white instead of black. Anyway, the minor thing I liked about this is that if you die in a boss fight, your spirit waits for you directly outside the boss arena, meaning that you don’t have to try to reclaim it while the boss is trying to kill you. It was a nice bone the developers threw the player.

While no tracks in particular standout, and while the OST doesn’t live up to the OSTs of the inspirations behind this game, there were times when the music was very nice, which is always a plus.

While the main quest is very short, there are numerous sidequests you can do even apart from the Voids that give you things to do in each area, making them feel a little less small and giving you a bit more time with the game, as well as unlockables as rewards (mainly in the form of new costumes, but still). There are lots of little secrets hidden around in each area too, which is nice to discover if you’re someone like me who loves exploring in games. 

The Neutrals:

The story. The story is . . . how do I put this . . . okay. So, it’s clear the developers wanted to write a story with the aesthetic of Hollow Knight (ruined kingdom, lots of shadow / light dichotomy, fallen kingdom, et cetera), but with an overt storytelling style like The Legend of Zelda. So you get a lot of exposition about what happened in the past, and what you as the main character are supposed to do now . . . but the thing about the exposition is that not only is the same thing repeated about fifteen different times (such as the constant harping on about how the main character contains both light and shadow within them), but also there are huge chunks of seemingly important detail that are just left unexplained. Like for instance: we know that the Fire Guardians from the Fire Keep were one of the last strongholds against the Shadow (who was also the sixth god and has also corrupted the queen yadda yadda). And we can extrapolate that the Fire Guardians were specifically trying to create a warrior that was both light and shadow based on the fact that the game starts with the main character breaking out of a test tube with a bunch of corpses that look just like the player scattered around, seeming to be failed experiments (i.e. just like how the Pale King created the Hollow Knight in Hollow Knight). But the only Fire Guard that we see around is Von. I think he mentions briefly once that the Fire Guards were trying to make the warrior, or had made the warrior, or something like that, but we’re never told why, exactly. We don’t know what processes led to that. We don’t know who was in charge. We don’t know why this specific type of warrior was needed except “since you have both you may be the answer.” And the fact that there were apparently a bunch of failed experiments is never really touched upon either. Furthermore, we’re told that the five gods had lifted Penumbra (the world) into the sky to protect it from the Shadow (a la Hylia raising Skyloft to protect the people from Demise), but that it didn’t work and the Shadow ultimately got to them anyway. So allegedly this is a post-apocalyptic land. But the only thing to really be ravaged is the Temple of Gods, where apparently the corrupted queen sleeps. Everyone else seems mostly fine as long as they avoid the monsters? It’s like they were going for what Hollow Knight did, but didn’t quite want to go the full route of having corpses literally everywhere on-screen at all times. Although weirdly enough, there is also a distinct lack of NPCs which makes the world feel more empty than Hallownest despite the circumstances . . . What I’m getting at here is that there definitely is a story, but it was told in a way that was pretty sloppy. It’s not so sloppy that it detracts from the overall experience, but it’s like too much was piled on in some areas and not enough was explained in other areas. Or like they took some things they liked from other games (e.g. making the creation of the “warrior of light and shadow” reminiscent of the creation of the Hollow Knight) without following through on what made those things work. Like it wasn’t just that there were a lot of failed Knights and that their corpses were tossed into the abyss and that The Knight had to try to claw his way out (as did Broken Vessel and others) while the “successful” Hollow Knight was raised by the Pale King. It was also that we know that the entire reason why the Hollow Knight was created in the first place was to contain the Radiance / the Plague. It was also that these hundreds or thousands of corpses were the Pale King’s children. It was also that the Pale King has a monologue over that segment saying, “no mind to think, no will to break, no voice to cry suffering” as requirements for the Hollow Knight to be considered successful. The horror didn’t come just from the corpses being tossed down the pit around you as you had to climb up in an attempt to get out, but also at all of the surrounding context, which was left entirely out of Blue Fire’s version with the warrior of light and shadow. Not that they should have copied it (although if they had it really wouldn’t have been surprising), but it’s clear what they were trying to do and where they failed because they didn’t have the follow through to go with it. I feel like the above paragraph is so critical I should move it to The Cons, but I do want to say that I don’t think the story itself was terrible. It borrows so much from both Zelda and Hollow Knight that it really isn’t original and it doesn’t follow through on things that made those stories work, but overall it doesn’t ruin the experience, even if all of the repetition gets old pretty quickly. Although as a final note, I’ll also add another thing that bugged me, which is that we never learn what the people of Penumbra are. Like we know the Shadow is bad, but they all look like Shadow people. We know there are creatures called “onops” but we don’t know what they are, or if everyone is an onop. Whereas in Hollow Knight we know that all the characters are bugs. It’s just another little thing that wasn’t explained but probably should have been.

On a less long note, the combat is also pretty mediocre. Again, it’s not bad. There is a parry system that, if you learn to time it right to actually pull off the parry, is pretty cool. But although you are given magic, which is useful for killing long-distance enemies, the magic can’t do a single thing for you in boss battles no matter how many times you upgrade your mana. Additionally, it is very much a “mash Y to win” type of game, where Y is the button you use to attack and you just mash that while jumping around. There’s no complexity to the combat at all or any strategy that is really required. It’s not bad, per se, but it’s nothing to write home about either.

The charms in this game are called spirits, and while you can buy a majority of them from shopkeepers, you can also “capture” your own by coming across the spirit of a dead person and trapping it to use its power for yourself. This is made apparent when you go back to a young child who is dead the second time you go to see them, and capture their spirit for use. Also when you literally murder an NPC for a sidequest and then later capture their spirit to use for your own use. And aside from the sidequest giver being horrified you killed the NPC and telling you to keep it hush-hush (without even knowing that you can and will capture the spirit of that murder victim for your own use) this . . . is never really remarked upon. Ever. And the thing is, it creates a sort of dissonance, because your character is treated as a hero in this game. No one seems horrified by you, there’s never any question of whether your existence is moral or not, nor any reason to think that your character would be amoral. In Hollow Knight, the Knights were created to be soulless husks who were there to be vessels for the Radiance / infection. Hornet in particular calls out your cursed existence and how she does not like you because of it. But although you can learn “emotes” from statues (which is teaching your character either actions or emotions, it’s unclear), no such deal is made here. So this aspect of the game is strange, even if I can at least appreciate that they tried to make their spirits a tiny bit different from Hollow Knight’s charms. Though with that said . . .

The Cons:

It’s one thing to be inspired by other games, but the sheer amount that this game cops from The Legend of Zelda and Hollow Knight is, at least to me, incredibly distracting. Just a handful of examples off the top of my head: — In Hollow Knight, you have a Shade that lingers where you last died and keeps all of your money from when you died. In Blue Fire, you have a spirit / soul (again, it’s unnamed) that lingers where you died and keeps all of your money from when you died. You have to retrieve them before you die again to get your money back. — In Hollow Knight, you have different circular charms that each have a different design, name, and grant you different abilities. You can only have a certain amount equipped at a time (though you can increase how many you can equip at once) and you can only equip them at save points. In Blue Fire you have different spirits that are contained in circles that each have a different design, name, and grant you different abilities. You can only have a certain amount equipped at a time (though you can increase how many you can equip at once) and you can only equip them at save points. — Everything I explained above about how the main character breaking out of a test tube at the beginning, surrounded by corpses just like them, felt like an echo of the Knight’s creation in Hollow Knight (but again, not as effective for reasons outlined above).  — The default tunic has a hat that is exactly like Link’s from The Legend of Zelda. This is made even more obvious with the dyed green tunics. — The story segment detailing how the five gods created Penumbra was copped from how the golden goddesses created Hyrule from The Legend of Zelda: Ocarina of Time. To compare the dialogue: Ocarina of Time: “Din. With her flaming arms, cultivated the land and created the red earth.” Blue Fire: “Dina, God of Land. With her mighty body of stone, Dina carved mountains, deserts, and landforms in the earth.” It’s in the exact same cadence, to the point where I half expected the artifact they created at the end of the story to be the Triforce (instead it was called the Oath of Sarana).  — In Hollow Knight, the titular Hollow Knight is housed inside the Temple of the Black Egg, and is in fact locked inside that Black Egg to seal the Radiance / infection. There are three locks on the egg, and each one will only be broken when one of the three Dreamers dies. You have to break all three locks to face him, a corrupted “final” boss. In Blue Fire, the corrupted queen is housed inside the Temple of the Gods. There are three locks on her door, and each one will only be broken when one of the three Shadow Lords dies. You have to break all three locks to face her, the corrupted final boss. — It’s implied that, especially in places like the Temple Gardens, that the humanoid enemies that attack you are not monsters, but are people who were once completely normal and even forces of good who were corrupted by the Shadow. This is exactly like how all of the enemies you face in Hollow Knight (with the exception of, say, Hornet) were also once normal bugs before they were turned into zombies by the infection. I could go on. The point is, it’s perfectly fine to be inspired by something. Hell, it would be hard to find an action/adventure game that wasn’t inspired by The Legend of Zelda at this point. But it’s one thing to be inspired by something, and another thing to completely rip-off your inspiration to the point where the similarities are distracting to your audience. And it’s not just me; when I was looking up the exact dialogue for the story of the gods from Blue Fire, I found others who were pointing out just how similar everything was to Hollow Knight in particular, including someone who, like me, realized that the Temple of the Gods was essentially the Temple of the Black Egg. When things are this blatant, it feels a whole lot less like inspiration and a whole lot more like plagiarism.

The Voids all have a star rating to indicate how difficult they are. These star ratings are completely meaningless. Granted, partly it’s because everyone is going to have different abilities and so it will be hard to create an overall difficulty scoring that will be accurate for every player, but it’s also telling when a four-star course is miles easier than a two-star course, which I found to be the case on more than one occasion due to level design that was, at times, kind of bullshit. 

Although there are NPCs, there are none who are memorable or standout, despite the fact that most of Penumbra’s populace is (maybe?) still alive. Unlike in Hollow Knight, where there were characters like Elderbug, the Last Stag, Hornet, Quirrel, and so forth that were memorable and lovable, all of the NPCs in Blue Fire feel rather the same and are pretty easily forgettable.

The world itself is incredibly small. While the fact there are no maps makes this kind of a good thing, on the other hand it’s a bit disappointing that there are a total of two towns and then a few small connecting areas. It doesn’t really make it feel like the kingdom that it’s supposed to be. 

On that note, why aren’t there maps? The fact that there is fast travel is really more of a necessity than mere convenience because there are no maps to help lead you around. If you put down the game for a while and then go back to it, you might not remember how to get to different areas in the game, and if you haven’t unlocked fast travel yet (since it is something you have to unlock) you’re going to be pretty much boned due to the lack of a feature that is in basically every other game. 

Overall, while this is not a game I think I would ever go back to, it also isn’t one that I regretted purchasing and playing. It could definitely have been better, but it also could have been worse. My only hope is that the next game this studio makes is more original, rather than copying so much from other, more successful titles. (Or at the very least, that they study why certain things worked in more successful titles, instead of just copying at the surface level and calling it a day.)

[beeshavethrees]

HEY LOOK it’s an AU I’ve sat on for a couple years and never talked about! This is also probably the *weirdest* AU I’ve ever made. This AU focuses mainly on Alexander and Thomas reincarnating over the years, though other characters sometimes pop up as well. Details below the cut!

Making the photoset small so that it isn’t immediately obvious how rough these little sketches are. I did this in like an hour which is why it’s so sloppy.

Don’t expect anything else from this AU, I just wanted to get it out once.

As stated this is a really weird AU, so I’m going to summarize it in the cleanest way I possibly can.

World setup:

This world relies on three main concepts. The first is that souls have power, and the second is that this power is represented by colors, and the third is that soul magic leads the world.

Souls have power, and this power grows over time. As someone is reincarnated over the years, their soul will continue to grow more and more powerful and refined. Souls can change their power type (explained in the next concept) each time they’re reincarnated, but often trend towards keeping the same or similar power types as those they’ve had in previous lives, or a mix of them.

This power is represented by colors, particularly light or the lack thereof. Magic is defined as two types: white/light (and its components), or black/dark. Someone can not have both types of magic. Dark magic is organic magic, allowing the user to manipulate the natural world. Only a small subset of the population has this magic, and most go into careers related to naturalism or farming. Light magic is inorganic magic (making it essentially limitless), and is held by the vast, vast majority of the population. It is broken down in the color spectrum -- most light magicians aren’t considered as having light magic, but instead have red magic, or blue magic, or so on.

Soul magic leads the world in the form of the High God. As the power of souls grow over time, so does the power of the gods. The High God is little more than a web of scraps of magic, and builds up the basis of the universe and everything within it. Two Lesser Gods are also much later brought into being by this same force of magic, but where the High God is concerned with the cosmos, the Lesser Gods care for the beings within it. The Lesser Gods also pluck individual souls out of the cycle to act as servants and ambassadors who can actively visit humanity to guide it down the path of the Lesser God’s vision. The Lesser Gods can correspond with the High God, but there’s little to be heard by a being in such a grand scale above even the other gods.

Plot basics:

The storyline takes place over thousands of years, and several reincarnations of the cast, but the main focus is on three lives.

One of three: This life takes place while humanity is still only beginning to gain its footing. Magic is in its infancy, and is capable of very little -- and while some regions embrace the natural variation in magic, others detest it. The main cast lives in an area of the latter sort -- a small tribe identifying themselves with their “red” magic is clashing with the “blue” tribe over a small area of land that grows a particular herb that is highly nutritious and thought to have healing properties. The one thing the two tribes agree over is in a legend of people with every magic type, “light” magicians, who are incredibly powerful and are sent by fate to lead tribes to prosperity. Both tribes also identify their affiliations by painting stripes under their eyes with their color.

(There are other tribes in the area -- many of the other cast members live in the green tribe, and Lafayette is of the dark tribe to the south, but they don’t have much standing on the plot.)

Thomas is the son of a the blue tribe’s leader and is particularly gifted with magic to the point where some people claim his family must descend from a light magician. He hates the pressure put on him to step up and lead, or to use his powers to defeat the red tribe.

Alexander is from the red tribe, raised by his mother -- his father is unknown to him, though his mother claims she found his father one day while out foraging, brought him back to the village to tend to his wounds, and fell in love until the day he ran away again. Alexander is a typical red magician, but often will go out alone into the woods to attempt to push his powers to the limits, with the excuse that he forages while away. One day, Alexander leaves to forage, but becomes caught in a heavy thunderstorm. Disoriented, he stumbles through the underbrush until he comes to a messy trail and follows it.

Thomas is the one to find him collapsed on the trail, bunches of the herb Alexander collected in his small bag. The rain washed away Alexander’s paint -- not knowing who this stranger could be, Thomas hauls him back and takes the herb from Alexander’s back to give to the healers.

When Alexander wakes up -- indoors, clothes dry -- he’s approached by Thomas, who introduces himself. Alexander is at first terrified, knowing that a member of Thomas’ tribe wouldn’t hesitate to kill a member of the red tribe. But Thomas has been working on a plan: he doesn’t want all this pressure on him to do this and do that as the heir to the only family descending from a light magician; instead, he slyly mentions that he heard legend of light magicians appearing to aid those in need. Alexander jumps on the opportunity, claiming that of course he’s a light magician, and of course he’ll help Thomas’ community. Anything to stop them from stabbing him then and there, he supposes. Thomas thanks him, hands him a bowl of broth made from the healing herbs, and their relationship develops from there.

Alexander never does find out his father was a light magician.

But other folks find out he’s a red magician -- and before he can escape back to his own tribe, he’s killed.

Two of three: Thousands of years later, magic is no longer a faint power only a few can properly utilize. Instead, it’s well-known and spread through the population, which isn’t tribal any longer, but is instead a relatively highly-developed interlocked society spanning the globe.

No longer are people defined by a single color -- many people descend from a mixture of many colors, and instead are simply inclined towards one over the other, though some stronger than others. Light magic has also become far more common, though it’s rare to see someone who can naturally use it; instead, people with great magical affinity will be invited to schools of higher education where they are trained.

Thomas is in his second year studying with one such school. His parents both attended it, and are ecstatic for Thomas to join it as well, though he’s less interested. He’s initially invited to the school to study light magic, but during the first week of orientation he finds out: hey! He hates light magic and isn’t inclined towards it at all! And instead he runs off to study blue magic. It just...feels better.

Alexander comes into the school a year after Thomas on a full scholarship. He comes from a far more unfortunate background, but shows incredible magic potential. So, a light magician it is! Where the other magics at the school dress however they want, work on projects all over the common spaces, wander the halls...to be a light magician is to be perfect, and that’s exactly what he wants. He dresses in the perfect white uniform, he sticks his nose up at other magics, and his class -- only one, all day, every day -- is set with the other 99 students in his class in an auditorium.

Only...light magic isn’t all it’s cracked out to be. Light magic is no longer the raw force of power it was; instead, students are encouraged to refine and control it if they want to use it. Light magic is pulled from the soul and spun into a string, then woven on a loom into the desired shape. First-years are still learning how to weave, so they work on projects as a community -- each student of the 100 is brought up to a stage during class, spins a single string, then sets it on the loom and sits down. The lecturer then weaves them all together. Though first-years are forbidden from meeting with the upper years, rumor says upper years get to weave their own magic, and go on to work at the greatest government-run magi-tech facilities in the world.

But Alexander feels off. He doesn’t like the clothes, and he doesn’t like the culture. Within the first month, the lecture becomes dull: there’s no notes to take, every demonstration is slow, and he’s terrified that every time it’s his turn to come to the stage, he’ll mess up his weave. Not only that, but weaving doesn’t feel...right.

One day he runs into a group of blue students while going to the restroom during lecture. They’re encouraged not to leave during lecture, but he’s falling asleep and has to get out of that uncomfortable chair. And he realizes...the blue students are using their magic freely, and already doing amazing things with their powers, not spending all their days in that awful lecture hall.

And just like that, Thomas convinces him to leave the light magic program. Alexander becomes a red magician, but something never does sit right with him about what was happening in those lectures.

Until it comes out that weaving light magic requires depositing a bit of one’s soul along with it. Light-weaving magicians will all burn out eventually, and while the soul will regenerate come their next reincarnation, their magic is stolen from them in their current incarnation.

Chaos breaks out among the magicians of the school. A microcosm of revolution between those who are learned and powerful and those who are plentiful and ready to throw all they have at it.

Alexander is killed in the chaos.

Three of three: Another several thousand years pass. It’s by this time that the Lesser Gods have fully formed, and light-weaving technology has surpassed all else to the point where humanity is post-scarcity -- cities are rebuilt for beauty, natural spaces carved out, portals and magic commonly integrated. Everyone has everything they could want, they only need to find their place and personal happiness.

Thomas is plucked out of the reincarnation cycle by the Lesser Gods; he’s brought into being as an adult with a strictly light-blue uniform and a purpose. He mainly takes correspondence and delivers messages, seeks out additional souls that would be good to be made into a being such as himself (a ”unit”), as well as various other duties assigned at random, such as setting things up if another unit will be doing things down in the world.

He doesn’t personally recommend Alexander’s soul be pulled, but he doesn’t mind when he’s assigned to wake Alexander up. Alexander is another unit, but this time an enforcer with a pink uniform: or, white-red, to be specific. An enforcer is more than a passive messenger -- they’re powerful, strong, and are meant to cleanly eliminate those who would destroy the perfect society humanity has built.

He and Alexander work next to each other for a time while Alexander is awaiting orders. One day, Alexander is sent off on a mission: some random crazy person has been trying to build an artificial god. Of course, that won’t fly, so he’s off to eliminate them and destroy anything remaining of their project.

But in his absence, Thomas starts to realize that he’s...lonely. He’s excited when he’s given his next assignment to go to Earth for some silly routine work, and realizes that he doesn’t...really want to go back. James is the final nail in the coffin for him: finally, someone else who likes him! They just have to disappear and pop off elsewhere, ideally avoiding enforcers, and they’ll be off scott free!

Shame that Alexander finds him.

(The funny thing about Thomas being a servant is that he does have some powers -- ones that happen to counteract all of Alexander’s offensive abilities as an enforcer. Making it a very awkward sort of manhunt. Units were never made to hunt each other, or even defect at all!)

And with each escape, every thwarted plan, Alexander cracks a little more. And eventually, when Thomas extends a hand -- maybe out of pity, maybe out of love, maybe just because it’s what he’s always done in all their lives -- Alexander takes it.

And they run free.

And that’s it for this AU! I’m never writing for it ever again. Goodnight.

[sailorbadger]

The Fandom’s Least Favorite Character - an analysis on Kate

Kate is probably the most hated character in the Robin Hood fandom. Not even probably, she is the one who consistently gets the most hate. So, what has she done? Did she commit several murders? Did she kill off a beloved character? Did she do something so problematic that she deserves to burn in hell? Did she do war crimes? No, her biggest sin is existing among unfair circumstances.

The title of this post is kind of a lie. This analysis is not really about Kate as a character, but about how she is written, how the narrative presents her and how this all affects the fandom’s treatment of her. I started writing this because I am sick of seeing so much unnecessary hate for Kate. This is just me commenting on larger trends I have witnessed and a decade’s worth of frustrations finally being written out. If you do recognize yourself from some of my descriptions, I hope that this post will give you something to think about, but just know that this is not meant for any one person in particular.

I’m not going to try to convince anyone to think of Kate as their favorite character. I’m not even trying to make anyone like her. I’m just trying to see why she is so hated within the fandom. So, let’s start off with how it all began. Grab some snacks, you’re going to need them; this is a long one.

 Introduction: Is it all Merlin’s fault?

To understand the context in which Kate was introduced to the show, let’s first look at where we left off at the end of season 2. I’ll start with the in-universe changes first. The biggest change obviously is that Gisborne murdered Marian. This altered the whole course of the show. Marian was such a central part of not only the show but also the Robin Hood legends, that at that point it was obvious that things were going to change. Will and Djaq left the show as well. Them leaving is not as dramatic of a change for the show’s narrative since they were not as central as Marian, but they did make up one third of the gang. This meant that there was a need for new characters to be introduced in season 3.

In our world, things changed between seasons 2 and 3 as well. There was a larger gap in production than before (with seasons 1 and 2 coming out in consecutive years and there being a gap year between seasons 2 and 3), and some of the people working on the show left or were replaced. Robin Hood’s spot on the BBC schedule was taken over by Merlin for 2008 so I guess we could blame that show for everything that went wrong in season 3. (I’m obviously joking here but conspiracy theories are welcome.)

The most important change in my opinion – and I think this is even more important to how season 3 turned out than anything that happened in-universe in season 2 – is the fact that Dominic Minghella was no longer writing or producing the show. It’s surprising to me that the fandom as a whole doesn’t ever really talk about this, when in many other fandoms creators or showrunners leaving the show are usually a big deal and mark the end of an era. I myself only found out about Minghella’s departure from the show before season 3 this year, but it seems to explain a lot on why season 3 felt so different from seasons 1 and 2.

With all that out of the way, the stage is set, and it is time to look at how exactly Kate came into the show.

 Six boots, two feet

Season 3 starts off with my least favorite episode of the whole show (see my episode ranking for more details). It tries its best to address the events of the season 2 finale, but in a way that will let it quickly get to the season 3 storylines. Unfortunately, the things that happened at the end of the previous season were so important that they would have needed several episodes to cover the full impact of the events.

Kate herself is introduced in episode 2. She is immediately given a reason to hate the villains and join the fight when her brother dies. She doesn’t join the outlaws right away, but when she does, she essentially has to take over three roles at once. I do not think it’s a coincidence that I think episode 4 is Kate’s best episode and that she’s at her best before she actually joins the gang. That is the point in the show when she is allowed to be her own character rather than someone who is trying to fill a void.

Like I said, Kate has three roles to take over; she gets Djaq’s spot in the gang as “the girl one”, Will’s role as “the peasant with personal connections to the people’s suffering” (and interestingly, since Kate’s family is around, her connection could have been even stronger than Will’s) and Marian’s as “the love interest”. Since the season 2 finale got rid of both of the only female characters in the show, it was inevitable that they would eventually be replaced if the show wanted to include any romantic storylines (it was, after all, 2009, so queer representation was out of the question). With three pairs of boots to fill, and only two feet, it should not come as a surprise to anyone that Kate can’t possibly do it all alone. The show does introduce Tuck and Isabella as well to help fill the gaps, but I think Kate gets labeled as “the replacement” far more often than the other two.

 A triangle without a base is just an angle

Kate had all the potential for a good plotline. Her brother died, making her hungry for revenge, yet this part of her is only sprinkled in every now and then instead of being a part of her character arc. Instead, she is made a part of not one, not two, but three love triangles.

I’ll start with the Much/Kate/Allan one. Spoiler alert: it doesn’t actually exist. All sides of this “triangle” are… weird. The writers try to frame it as a legitimate love triangle, when only one person in it seems to have any real feelings for another character. Much is shown to be interested in Kate, but we as the audience are never given a reason for why he likes her or even how he fell for her. I guess we’ll just have to take his “I fall in love very easily” (from 2x4) quite literally. Kate does not seem to have any romantic feelings for Much, and she seems oblivious to his feelings as well.

To be honest, I don’t think Kate ever really saw Allan as an option either. At best I could admit that maybe she had a slight attraction to him, but I never got the impression that it was something she would seriously pursue. I don’t think Allan was seriously interested in Kate either. His flirting with her is quite similar to his joke-y flirting with Marian and Djaq. My friend and I talked at length about this, but Allan doesn’t seem like the type of person to flirt for real. This could be a whole analysis on its own, so I won’t go too deep into it here. But I don’t think Allan considers Kate a legitimate romantic option.

So, this “love triangle” only exists in Much’s head and in the narrative the writers try to force on the audience. The Kate/Allan side of it is practically dropped the minute Kate/Robin becomes a thing.

Then there is the Much/Kate/Robin/Isabella triangle that is not a triangle either. I already covered Much/Kate for the most part, so I won’t go into it. Since the Robin/Isabella relationship is not that central to Kate’s character, I won’t bore you and myself by going through it that deeply. The buildup for that relationship is practically nonexistent, and so is the end of it. The whole Robin/Isabella relationship feels forced, because the writers didn’t know how to properly replace Marian while coming up with something new.

Kate’s crush on Robin seems to develop out of nowhere as well. It looks like a pattern when it comes to romances this season. Robin himself doesn’t appear to have any romantic interest towards Kate until he and Isabella “break up”. After that point, their relationship progresses way too fast. It doesn’t help that they seem to have no chemistry between them, and Robin treats Kate like a child and then five seconds later proceeds to make out with her.

Honestly, if Kate had to have a romance with a character on the show (and with it being 2009 obviously they could not fulfil my dreams of Kate being bi but that’s beside the point), it should have been with Archer. The two of them had more chemistry in the 30 seconds they worked together in 3x12 than Robin and Kate had the entire season. It would have also made me far less uncomfortable, since the characters would have been closer in age. Which brings me to my next point.

 “There is only one thing worse than a rapist – a child”

How old is Kate supposed to be? Seriously, this show can’t seem to make its mind about her. In general, I do not trust anyone’s age on this show unless it’s been stated somewhere. I know some people try to base the characters’ ages on the actors’ real ages, but to that I say, “fuck that”. Archer is the best example of the fact that this show did not even try to cast people who are the right age, or even look the part. (Seriously, he does not look even close to being 20.)

That being said, Kate is written like she is both 15 and 25 at the same time. I don’t know if the writers had a specific age in mind when they were writing her, but there is a huge difference between those ages. I think it’s the most reasonable thing to assume that she’s in her late teens, maybe at most in her very early twenties. She is still living with her family (I know that most women at the time married in their 20s but it’s not like this show is concerned with historical accuracy) and her behavior is a little immature at times. With all that said, I hope it doesn’t come as a surprise to anyone that I find it incredibly uncomfortable that all the men that are presented as possible love interests to her are fully grown men.

It is the most obvious in Robin and Kate’s scenes. Like I said earlier, Robin treats Kate like a child and speaks to her in a condescending way, only to then make out with her in the same scene. I must wonder why the writers didn’t just age up Kate. I think it would have been more interesting to make her someone who is already married, and instead of losing her brother, it would be her husband that dies. Of course, I would prefer it if Kate didn’t have to be a part of any of these love triangles to begin with but aging her up would have made the dynamics far less uncomfortable. (I do have to also point out the fact that Meg is also written like she is a teen girl. The show then tries to pair her off with Gisborne, who is even older than the men Kate is being forced into love triangles with. So… yikes.)

 Let’s take a break, drink some water

Let’s take a moment to recap what we’ve learned here. First of all, Kate entered the show in unfair circumstances and with only two feet to fill three pairs of boots. She was only ever allowed to be a part romance plots, and she didn’t get a proper character arc of her own. In general, the women in this season were not written well (not that seasons 1 and 2 were the height of feminist television either), and they were reduced to being love interests or tools to further the male character’s plotlines. Without Dominic Minghella involved and with a full year between seasons 2 and 3, the show lost some of its charm. Unfortunately, this meant that Kate was not the best written character. But I do not think she deserves all the hate the fandom has given her over the years.

 Interlude: Doctor Death

Before I get too much into how the fandom has reacted to Kate over the years, I feel like I should explain my own history with this show and the fandom surrounding it.

I started watching the show when it was first airing here on TV. It was some time during season 2, and once I had seen my very first episode, I watched all the following ones as well. With the finale, there was a problem. I had seen 2x12 and knew that the final episode of the season would air the next week. I was so excited for it, but then my mother decided that we would all go out and have dinner. I kept looking at the clock all day, hoping I would make it home in time. I got home just to see the credits rolling. I’m still a little bitter about it.

After this, I was desperate to see how the season ended. I’ll remind you that this was before it was common for shows to be put online officially. Streaming wasn’t really a thing yet. I did the only thing I knew what to do; I went to YouTube. The thing is, I did not know that what I had been watching was the second season of the show. So, you can imagine my confusion, when I find the very grainy version of 1x13 on YouTube and start watching it. Eventually I figured out my mistake and watched 2x13. At some point I watched season 1 as well, but I honestly don’t have that many memories of when I first watched this show. My clearest memory is being betrayed by my own mother when she forced me to go out for dinner.

Since I do not remember what year this all happened in, I did some googling and if I’m correct, season 2 aired here for the first time in the summer of 2009, with reruns in the summer of 2010. Because I have no other memories for context, I can’t say whether or not season 3 was even out in the UK at the time. Anyway, I did not watch season 3 for a few years. I also didn’t engage with the fandom until 2012, when I joined Tumblr. (A side note: while trying to find out when season 2 aired, I found the episode titles and descriptions. Apparently 2x4’s Finnish title was Doctor Death. There were some real gems on that list but this one was my favorite.)

Over the years, I had read bits and pieces about season 3 on the internet. I was still upset about the end of season 2, and the things I read did not make me want to watch season 3. Sometime in 2012-2013 I finally gave in and watched season 3. I was mostly disappointed by the season as a whole, and as for Kate specifically, I found her annoying. In the fandom, I went along with the Kate-hate that was popular in the fandom at the time.

I did a full rewatch of the show with my friend in 2016–2017. During that time, I didn’t hate Kate as much as I did before. Maybe it was that I had a fresh perspective, maybe it was that I had matured in those few years. Who knows? I was mostly disappointed by the bad writing. Even back then, I wished that Kate had been given a proper chance.

The next proper rewatch of the whole series I did was this past winter. I watched the show in a non-chronological order with someone who had never seen it before. This time, I was angry at the writers and found myself half-ironically becoming a Kate-stan. I also began to really pay attention to how the fandom has talked about her over the years and was unnerved by the hate has she gotten.

So, here we are. Time to take a look at how the fandom has treated Kate. Most of this will be based on my own experiences and memories, so if someone else has a different point of view to offer (especially from the early days of the fandom while the show was still ongoing), feel free to comment! I just wanted to give you my own history with the fandom to show that I have indeed been around for most of the fandom’s history.

 The hate-train for Kate-town leaves from platform 4

It seems that from the very beginning, Kate was disliked. I remember reading negative comments about her way back in the early 2010s (I would try to look for examples, but I just spent 30 minutes trying to find out when season 2 first aired here and it’s currently 1am so I am not spending any more time googling right now). There are fics that make fun of her and how badly she was written, and most of the jokes and dislike about season 3 seem to always come back to her. This attitude has been present in the fandom in other contexts as well. Over the years, the hate towards Kate has come and gone along with the popularity of the fandom.

Every once in a while, someone has tried to either write Kate better or even see her as a character that was let down by the writers. Mostly this has not led to any significant change in the fandom’s attitudes. I feel like whenever some of the older fans outgrow their Kate-hate by either just maturing and realizing it’s pointless or just not wanting to waste their time making fun of her, new fans come in and start the whole thing all over again.

I am grateful, however, that the general consensus in the fandom seems to be (at least in the year 2021) that the actress is not to blame for Kate’s faults. It still does make me uncomfortable that people go so far as to cross out her face on pictured etc. just to show how much they hate the character. This hate that Kate gets feels very misogynistic at times and is at least partially the result of the show’s misogynistic writing, but the actress deserves no negativity for playing Kate.

 What about Isabella?

One thing that is very interesting to note is that while both Kate and Isabella were newcomers in season 3 and were both replacements for Marian in the sense that they were love interests for Robin, only Kate has received a significant amount of hate over the years. So why does the fandom not hate Isabella?

I think that a big reason for why Isabella is tolerated – not necessarily liked, I haven’t seen too many people genuinely enjoying her character – better than Kate is the way the narrative treats them. Kate is essentially forced down our throats. The show is so desperate for us to like her that they end up making her unlikeable. Isabella, on the other hand, is eventually made into a villain, and thus we’re not meant to sympathize with her in the end anyway. (I could write a whole rant about how Isabella’s treatment in the narrative is bad but let’s not do it here.) Isabella also has the advantage of being Gisborne’s sister, so her backstory ties better into already existing characters. I think it’s reasonable to say that Gisborne being a fan-favorite in certain parts of the fandom doesn’t hurt Isabella’s case either.

Isabella is also only involved with Robin, while the show keeps pairing Kate off (unsuccessfully) with almost half the cast. I think she was written in a way that reminds people of Mary Sues, and considering how fandoms tend to not like characters like that, it’s no surprise that Kate got all the hate she did.

 Murder and being annoying – they’re the same thing, right?

So why exactly does the fandom hate Kate so much? Obviously, the writing is a big reason. Season 3 is not written well, which means that Kate is not written well either. She doesn’t really get a storyline of her own, and instead her main purpose is to be someone else’s love interest. I would also add that Kate doesn’t really get hate for her personality. Most of the hate that she gets in terms of character traits revolves around her being annoying, but that’s not really a personality trait. So I think the issue is not her personality, but her role.

The next reason won’t surprise anyone who has spent as much time in fandoms as I have: Fandoms do not like female characters. Well, I should probably rephrase that. Fandoms tend to hate female characters more easily than male characters. I’m not going to analyze too deeply on why this is, as I’m sure someone has already done research on this with references to actual feminist theory. There is a lot of internalized misogyny in fandoms, and female characters get hate for even the slightest wrongdoing, while male characters who commit far worse crimes often have a strong fanbase that will defend them despite these flaws, especially if said male character is played by a conventionally attractive man.

Kate is also blamed for things such as breaking Much’s heart, even though she was never really aware of Much’s feelings in the first place, so it was definitely not intentional. She’s blamed for every small wrongdoing in a way other characters in the show are not. I’ve seen people criticize Kate for small things that she has not even done on purpose. Some of these people then also go on to ignore the fact that Gisborne has committed several murders, taken part in the oppression of the poor and done many many more atrocious things, and paint him as a more sympathetic character than Kate. I understand if you do not like Kate, but it feels misogynistic that the female characters are held to different standards than the male characters. I can already hear some of the Gisborne-fans saying “but I acknowledge his actions and think what he did was wrong! I just find him to be a misunderstood and/or interesting character”. To those people I will just say: Why are you not applying this same logic for Kate? Why are you making outright hateful comments about her? If you don’t like her, why not just ignore her? If you are a Gisborne-fan and have never made these comments about Kate, this obviously doesn’t apply to you. And even if you aren’t a Gisborne-fan, but you do recognize this way of thinking in yourself in regard to some other character, I encourage you to think about it critically. I just used Gisborne as an example since I know he’s perhaps the most popular male character in the fandom (at least if Ao3’s numbers are anything to go by). I’ve also seen a similar attitude from a lot of Allan-fans, though in their case the hypocrisy is often not as obvious, but I’ll return to Allan in a moment.

Many female characters end up getting hate because they get in the way of a popular (often m/m) ship. In this regard, Kate is kind of an outlier since she doesn’t exactly do that, since there isn’t really a ship to get in the way of. Sure, she’s eventually paired off with Robin, but Marian is already dead by the time she shows up, and if people were truly bothered by someone other than Marian trying to get Robin’s attention, they would also hate Isabella with the same intensity. I do think there is one “ship” Kate does come in the middle of, and here’s where we get back to Allan.

Now, the ship Kate does get in the middle of is not in fact canonical. I am of course talking about the popular Allan/OC trope. If you go on Ao3 or Fanfiction.net, you won’t have a hard time finding fics where Allan is paired with an OC. This is understandable, seeing that the show only has four main female characters to begin with, one of whom is already in a love triangle with other people, one of whom canonically ends up with someone else, one of whom is actively hated by the fandom and one of whom just does not interact with Allan.

I want to make it clear that I think it’s fine if people want to come up with their own OCs for the purpose of shipping them with existing characters, it’s just not my thing, especially when those OCs are any level of self-inserts. (I personally don’t feel the need to ship Allan romantically with anyone. I just tend to not like OCs in any fandom.) Since Kate is presented as a potential love-interest for Allan, I think many fans who would rather see Allan with their own character or even themselves view Kate as an obstacle or a threat.

As you may see, this fandom, like many others, unfortunately treats the women in the show differently from the men. Male characters like Gisborne are viewed as redeemable so long as they are attractive, but Kate is irredeemable for… breaking Much’s heart and/or getting in the way of Robin/Marian or Allan/OC? This is something that really bothers me. I don’t mind the fact that people don’t like Kate, it’s the extensive hate she gets that makes me uncomfortable.

 Conclusion: Where do we go from here?

Like I said in the beginning, I am not asking anyone to say Kate is their favorite character or to even like her. I just wanted to provide some things for people to think about regarding how they treat female characters. I think it’s about time the fandom took a proper look at itself and critically thought about how it speaks about female characters. It’s 2021, let’s not hate on female characters just for being a little annoying or getting in the way of shipping.

I haven’t seen the fandom analyze that much why season 3 is the way it is. I would love to see some meta about how Dominic Minghella’s departure and other behind the scenes factors contributed to the story and aesthetics of season 3. I would also love to see some actual analysis on the season 3 characters that isn’t focused on tearing them down. If the fandom never made another post about how terrible Kate is without providing any actual reasons, I would be happy. I can sort of understand this immature hatred coming from 15-year-olds, but I’m disappointed to say that I have seen fully grown adults tearing down Kate in this quite misogynistic way. I know that many people do not intend for their dislike of Kate to come across as misogynistic, but it does not erase the fact that that is how many of those hateful comments appear.

I think Kate had a lot of potential. Season 3 had a lot of potential. It is quite a move to kill Marian in the middle of a Robin Hood story, so they had the chance to take the story to all kinds of places. Unfortunately, the season 3 we ended up with was not of the same quality as the previous seasons. Instead of just hating on the characters or story in general, I think we should focus on really analyzing the season, and even coming up with our own ways of improving it. Many people have already done this (though unfortunately many of these attempts also include thinly veiled hatred towards Kate. It’s your story, why are you not treating her any better than the actual writers of the show?), but there’s always room for more takes.

At this point I will shamelessly advertise my own “Kate should have been the new Nightwatchman” theory and my Nightwatchman-fic. I wrote the latter in a way that would let it be a part of canon if necessary. I think that by refocusing the story and shifting the way we read the text, we can find new aspects of season 3, and perhaps even enjoy it more. That is what happened to me during my latest rewatch, and all it took was watching it in a non-chronological order and talking about it with someone who had never seen the show.  

I’m not trying to gatekeep the fandom and say that only thought-provoking analysis or fix-it fanfiction is allowed. I just feel like people should be more conscious of the message they are sending out when they write hateful comments about Kate, censor her name or even cross out her face from pictures. Is it actually funny? Are you contributing something to the conversation? Is it actual criticism or just hate for the sake of hate? You don’t have to start writing posts in the defense of Kate, but you can just start ignoring her. It’s not that difficult. It’s fine to make jokes, but let’s start thinking about what our jokes say about us.

I once more want to emphasize that this is not a callout post I wrote with any one person in mind. So, if you felt offended when I was talking about Gisborne-fans, Allan/OC-shippers or Kate-haters in general, I can assure you that this post was not about you personally. This is not about any individual person. I’m just commenting on trends in the fandom I have noticed over the years. I don’t think any of you have committed any sins or that you need to be cancelled. I just hope that if you did feel guilty reading this, you’ll realize that maybe this post was something you definitely needed to read. As a woman, I would love it if this fandom worked on getting rid of its internalized misogyny.

I’m not claiming to be right on all of this, in fact I have a lot of bad opinions as well. I hope this post has provided people with things to think about. Feel free to use this as a starting point for your own meta or analysis. I’ll end my rant here, and leave you with this thought:

Kate had a lot of potential to be a good character. She did not let us down. The writers did.

[writing-frenzy]

Care to Make a Wager? (SVSSS Fic)

Summery: No System AU: In which Airplane finds he has a new lease in life, but of course it would have a cost. Of course, being the creator of this world gives him quiet the price cut. Not to mention the untended bonus content.

Still, he did not expect the direction his life would go.

(Warning: mentions of death, violence, and most stuff you could find in SVSSS Canon. You should be good, but here is a just in case.)

---

When one Airplane Shooting Towards the Sky was reborn, he really wanted to curse his lot in life. Sure, he had been born into a rather well off Merchant Family, but when the Lord of the Family has two Official Wives and a crap ton of Mistresses on the side, things were bound to get crazy.

Luckily one Shang Huan had one hell of a Mother; in another life, Airplane might have described her as a ‘killer queen or a ‘boss ass bitch’, but as his mother, he just thought of her as the most amazing woman on the planet. As it was, She alongside a whole bunch of tutors taught him everything he needed to know about the world and then some. 

(Sewing was a bitch to get right.)

But with those lessons, it didn’t take long for Shang Huan to realize he was in his own fucking novel; it had not been a happy realization, making him break out into a truly childish tantrum, filled with screaming and tears that only calmed after he was given some delicious melon seeds.

(Luckily it had been attributed to wanting a snack after a morning full of lessons, otherwise he probably would have gotten the switch for it...)

But with all this knowledge of his place in life now with him, Shang Huan needed to start planning; good thing that was one of his specialties.

Noting down every bit of information he could, Shang Huan mapped out as much items and cheats he could afford to take from the Protagonist, as well as places he could and couldn’t go, hazel eyes narrowed as he messily scratched out his plots with his trusty quill and journal. The many lessons he Mother made him go through only helped to sharpen him, as well as learn the world’s common sense.

He was having a good go at it, building himself up as much as he could before something completely from left stage truly changed his course.

“There is a legend of Dreaming Glory, said to be a treasure to ensure great health and excellent rest. Though be cautious, for it is guarded carefully by the spirit of a Felled Divine Beast, angry and resentful of the betrayal it had faced.” was a tale a wandering storyteller spun, a group of children ooooing and awwwwing at the right places, even as Airplane felt his jaw drop at the information, focusing more on those words then the candy his mother allowed him to buy at one of the festival stalls.

See, while the Legend of the Dreaming Glory was definitely right at home with this world, it actually hadn’t been anywhere in Proud Immortal Demon Way; it had been in one of his earlier short stories, where Airplane had been practicing with the Xianxia/Xuanhuan genres (and didn’t need to rely on it, dreaming more of the theater then writing). (Until a mugging gone wrong and dreams cut short-) 

This... opened a few more roads then expected, especially if all his fantasy stories came into play, as there had been a lot of experimentation with plots and ideas until he hit his cash cow with PIDW. After all, taking something from the protagonist was always going to be a risk of somehow getting his attention, no matter how much the man wouldn’t actually need it.

(After all, showing off had always been a part of Luo Binghe’s character; showing that he was no longer the penniless street kid, no longer the weak disciple, no longer the one who was always pushed around, but now the one who can take.)  

It also meant more research; thankfully, his Mother was one to always encourage more in the way of learning, thankfully humoring all the ‘trips’ he wished to take.... In hindsight, he probably should have questioned why she was always willing to take him and go, but at the time was just thankful that he could indeed confirm places he would need to visit later and squirrel away items that were within his reach. (An actual legit Cultivation Manuel, even if it was only directed for growing crops and alchemy, was still his most proudest find, only needing a riddle to get and easily hidden in his pouch with his other learning books. Being an Author only got him so far, as every little detail was needed to ensure one stayed on a steady path, though did provide it’s own little boosts here and there.)

------=------

One day, when Shang Huan had been 13, sneakily already past the first part of Cultivation Qi Refining and entering into the first stage of Foundation Building, found his Mother to be ill, no Doctors seeming to be able to cure her (or willing too as he saw a servant of the Second Wife slip a few gold; he got his revenge in the end), Shang Huan took a deep breath and buckled down, doing all that his Mother said to do with the time she had left, learning as much as he could before it would no longer be open to him. 

(Like he could stay here in this den of vipers, without his Mother’s protection and love; there was nothing else for him here after all.)

In that time as his Mother stubbornly clung on, he listened as she mourned his chance to enter into the prestigious Cultivation Sect of Cang Qiong like the First Wife’s Third Son, Shang Shaoqing. She apologized greatly that she could not fight for him to get that chance, like so many of the other Mistresses did for their own children.

‘Huh,’ Airplane couldn’t help but think, ‘looks like I just dodged a arrow.’ though it was good to finally know just what the timeline was for the story; Shang Shaoqing was to be a certain traitorous Peak Lord after all.

As it was, his Mother showed her determination and spirit greatly, lasting till he was 16 before she finally past away, a smile on her face as she did, her son long gone with his inheritance and her blessing of broken ties, carrying her name meaning of Shang instead of his Father’s.

(If the night before, Shang Huan had decided to tell her of his other life, told her how this was a story he had happened to read, showing her a few of the treasure he had gathered, how he cried when Shang Wenyan had only smiled with a few too many teeth, her voice fierce as she praised her son with all her heart, hugging him close with what remained of her strength as she told him her last words.

“Live life however you want my child, live and dream and hope, do not be afraid to destroy any your way, and know I will love you always my greatest pride and joy.”

Well... no one needed to know about that.)

But with this new freedom came it’s cons as much as it’s pros. As he was stuck at a bottleneck in Foundation Building at Middle Stage, there was still a number of things outside his reach until at least Core Formation First Stage...

------=------

It was during his wandering, selling talismans he could make at his level, along with tales he made up that he finally got his big break.

He first heard tales of a powerful Resentful Spirit that was residing in a broken land near the Borders, no one from Demons to Humans wanting the land as it was deemed useless for all the resentful energy there, and no one bothering to pay a sect for what they considered a waste of money and time.

Shang Huan saw this, and wonder if it was what he recognized... Taking in more details and scoping out for any information, Airplane couldn’t help but wonder how lucky it was; this was indeed a spirit from one of his very first stories in fact. He knew exactly what to do.

Instead of fighting the Resentful Spirit, Shang Huan brought it pure cave water and incense, smelling of ash and jasmine. 

This certainly got the Spirit’s attention.

“What do you want Rogue?”

“I want for many things to be honest.” the brunet Cultivator smiled, not showing any teeth so as to make it look falsely gentle, “But for now, I admit I do desire your land.”

That got a huff for his efforts, the spirit a mass of negativity and ire, but actually still listening.

“You have provided the right offering, so I will give you a chance; bring me wine of the Soothing Jade Flower, the Broken Sword of Chun, and a branch of Deathly Yew... You get me these three things, and the land will be yours.” And with that shopping list given, the spirit was gone, even as the energy seemed thicker then before, the incense and water gone.  

And with an absolutely evil grin, Airplane was off; he had already remembered the Wine and branch, had even gotten them first as he had plans for them, but he had not remembered the broken blade.

Fortunately, it wasn’t too hard to find; he had written that the blade had been struck with a heavy stone in a battle between Demons and Cultivators on the borders of the land, where it would lay forever. And lo and behold, there was only one ancient battlefield it could be abandoned in, as this was PIDW.

There weren’t many left over from the borders after all, most of them being purified already. And as he thought, the Bloody Sword Grave was still around, a testament to just how much the resentful energy had soaked into the ground, demons and cultivators alike avoiding the place like the plague, even as bloody rusted swords stayed stabbed into the ground, their thirst and hatred still felt even to this day.

Couldn’t be compared to Xin Mo of course, but for being swords on the surface they sure were impressive. Ignoring all these deadly, intact blades stabbed into the ground, Shang Huan covered his face with a scarf drenched in purified Qi infused water, even as the talisman he sewed on for defense and purity glowed the more he traveled through.

He finally stopped at a blood splattered rock, digging carefully around it as he did, before he managed to pull out four broken pieces of what had once been a beautiful blade, but was now nothing but shambles and rags.

Having what he needed, Airplane made his way back to the spirit and their lands.

------=------

(This deadly spirit of a truly terrible Cultivator, who had been feared and revered for being a monster on the battlefield... cried as they saw the items laid out before them.

“Ah, no my Han-Er, my beloved figher... why you stupid, loveable fool...” The Spirit sobbed, easily using his energy to clean and reformed the blade, manipulating the energies of the other two items to aid it, ensuring the sword would still be pure, hugging it close even as it seemed to damage them.

“... He tried, to come back to you; his fellow soldiers betrayed him... He loved you so much... still does.” Shang spoke, watching as the spirit that laid resting in the blade finally came out with this truth, purifying the other as they did, along with most of the land around them.

The brunet had to look away from their reunion, their emotions a bit too much for him... This had been one of his first tragedies he had written, a solider and their beloved separated because of jealousy and hate, doomed to wait for each other forever, the solution to be so easy to have, if someone had given them a bit of kindness, to discover the truth of their separation, though never given the chance in the end... He never mention just what the Beloved’s gender was, made it ambiguous, but had in his mind of minds always thought of them as a man...

Maybe he shouldn’t have put too much of himself into his work, but a habit is so hard to break.

“... We truly thank you; as promised, the land is now yours to do with as you see fit; all you need to do is put your name on the deed and your blood into the ward stone. All the treasures inside are now rightfully in your ownership, so mote it be.” was announced, making Shang Huan turn to see two beautiful and handsome men smiling at him, before they bowed seeing they had his attention.

Airplane could only bow back, biting on the words of how he owed to them to do this at least.

And with that, they were gone, to enter finally into the cycle of reincarnation, together at last...)

------=------

Having his own place was wonderful; a lot of work, but wonderful all the same.

The wards around his land ensured no one with malice could actually enter it, along with protections against thieves and robbers like most noble Sects had. Shang Huan even went as far as to make sure he owned the plot of land in the official records, having everything stamped and recognized, even as he made sure no one actually looked too closely at what land it actually was.

He even made sure to pay his yearly taxes to the Emperor on time, making sure everything was nicely recorded and logged. (And seeing as he didn’t live in any town or such, he didn’t have to bother paying anything to any Lords for protection! How nice was that?)

But having a base of operations, one with land rich in Qi and perfect for Cultivating on, it not only gave Airplane security, but many other advantages as well.

He now had a place to securely put all the treasures he had gathered, which was a lot considering it was a variety of weapons, valuables, and even priceless seeds to plant. He could be completely self-sufficient as he cultivated, the spirits on the land easily convinced to do chores in exchange for sweets and treats (And being able to live in such a energy rich place). Not to mention how his Cultivation not only went up, but combined with other manuals that were treasures of the home, Shang was set on his way to being a powerful Cultivator in his own right.

And if he was feeling a bit cooped up, he could always go on journeys around his world, exploring and treasure hunting for odds and ends as he saw fit.

Soon enough, Shang Huan had managed to reach 34 years old, entering the Peak of Nascent Soul stage in his cultivation when, in a bit of boredom and interest, he bought out a debt ridden gambling house on the border of his territory, that rested in a ghost-like town on the border of the Human World and the Demon Realm.

It was, quiet frankly, just something to do to pass the time. It wasn’t too hard to fix the place up, and warding it had been a fun challenge of his skills, but he honestly hadn’t expected anything much of it, just putting a few of his lessor needed or easily replenished treasure up to be won. And making it to where anything bet could only be what one had to bet, alongside making sure others would have to honor it had been a fun spell to create, as he really didn’t want to be bothered by liars and braggarts and then having to chase them down. He even just made up some Golems and bargained with a few willing natural spirits to help run the place.

This was just suppose to be a fun little venture; he never expected it to blow up like it did.

------=------

It started slow; a trickle, with a whisper, a simple rumor.

There is a place where priceless treasure could be won; if you’re willing to bet for it that is. But be careful to not bite off more then you can chew, for it might be more then a bit of blood and coins you lose.

Some poor sods have even lost their very souls to the place, even now working where screams and laughter flow so freely to the terrible click the dice, the gentle flap of the cards.

It is a place no Mortal is safe, where no Demon has promise, where a Cultivator is honor bound to accept what is due; after all, no one has to enter the place, no one needs to keep coming back, no one has to bet their all, not all all. 

But oh, how they come; even those who dare not darken the doorway of that gambling hall come, filling what was once an empty town into one practically bustling with life. Funny, how it came about because of such a deadly place.

And oh, do not even bother messing with the Gilded Plane Gambling Hall’s Owner, a man who at first seems so weak and stumbling, so gentle and busy with their hard work, who at first couldn’t hurt a fly even as he smiles so prettily.

He’ll smile that same smile even as you sell your very soul at his tables, those gorgeous hazel eyes amused even as the crowds pant at his feet, screams all around from both terror and ecstasy.

(Shang Huan can’t help but sigh, pinching the bridge of his nose as he is once more offered someone’s entire being; if he’s said it once, he’s said it again, betting is at the tables, not at his feet.

Just another day it seems; hopefully there will be no explosions in the kitchen again.)  

-----------------------=-----------------------

0.0 huh, I did not expect this when I started writing; I just wanted to have Airplane have some fun in the world he created, maybe opening up a few businesses to make money on the side. I did not mean to make him into an oblivious Hua Cheng of the PIDW verse (Yes, in this verse, he will be as terrifying and pretty, I will not take criticism for it.)

Also, I was greatly inspired by Nighthaunting, though instead of ballet I have SQH as a theatre kid whose dreams got cut short due to bad luck and assholes. I love how they have built their world, and how they say that writing was probably a side thing for Airplane, which just makes so much sense. Also, I am all for Airplane being scary and fully taking advantage of his author knowledge, so haha! Hope you all enjoyed this story~

[turtlycute]

do you have an anime watch list for beginners like the best animes of all time

Hello Nonny, thank you so much for your question. This is going to be a long post so get comfortable.

Like any anime lover, I have my own ideas of what some of the best animes for beginners might be. Unfortunatly, a lot of the "best of all time" type anime is not really the best for newer viewers. Like for so many others, my first animes were epic series like Pokemon, Yu-Gi-Oh!, Sailor Moon and Inuyasha. These all hold special places in my heart and are all fun nostalgic or first watches.

The anime genres I tend to gravitate towards now are slice of life, comedy, drama, romance and shoujo with some sports, supernatural and mystery animes thrown in. So, keep that in mind as you read this list. If those are not your kinda things, then this is not the list for you. A lot of shows on this list are classics or highly popular in these genres. I've also choosen anime that comes in both English sub and dubbed versions because, for beginners, dubbed is sometimes easier to follow and enjoy. Subbed or dubbed, there is no judgment here as long as you are enjoying what you watch. Finally, I tried to stick to anime with mostly 1-3 seasons only. There is nothing wrong with the more epic long running series and many of these fall under "the best of all time" heading but seeing that an anime has 100+ episodes can be kinda daunting for a novice viewer. Now to the list...

First of all, if you are just wanting to try anime but, not wanting to commit to a whole series, I would recommend starting with a movie or two. Some classic films I would recommend would be Totoro, Spirited Away and Howl's Moving Castle from Studio Ghibli. Some more contemporary films like, Your Name, Weathering With You, A Silent Voice and Wolf Children, would also be great anime starting points. These films are staples for any anime collection.

Now, as for anime series, here is just a list of 10 that I think quality animes and would be great beginner watches.

Ouran High School Host Club:

Haruhi Fujioka is a scholarship student at the elite Ouran High School. One day, Haruhi becomes accidentally indebted to the school host club. Now she must work off her debt by playing the role of a male host to the female student clientele. Hilarity ensues.

This reverse harem show is a much loved modern classic for a reason. It's full of fun characters and lighthearted comedy moments with just enough drama and romance to keep you coming back for more.

Maid Sama:

Misaki Ayuzawathe is the first female student council president for a previously all boys school. Now, her life is busy with maintaining top grades, keeping the male students in line, recruiting more girls to the school and keeping her part-time job at a maid cafe a secret. When one day Takumi Usui, the most popular boy in school, discovers her secret job, Misaki finds herself doing everything she can to keep him from revealing the truth to the whole school.

This shoujo has enough of comedy, romance and drama to satisfy anyone's appetite.

Fruits Basket:

After finding herself orphaned and homeless, high schooler Tohru Honda makes a new home with classmates Yuki and Kyo Sohma along with there guardian Shigure Sohma. But the Sohma's have a dark secret, they are under a curse that causes them to change into animals from the Chinese zodiac when hugged by members of the opposite sex. Now, Tohru must keep their secret as she learns more about this family and their curse.

There are actually 2 different versions of this show. Many people would recommend that you start with the completed classic 2001 version but, I'm going to say it's okay to skip that for later and dive into the 2019 reboot and ongoing series. The newer series is so beautifully animated and has a more detailed version of the story than its predecessor. This shoujo is full of drama, comedy, romance, supernatural mysteries and inspirational moments. You'll definitely need a kleenex box when watch this one.

Kamisama Kiss:

One day high school student Nanami Momozono finds herself abandoned by her father, penniless and homeless. After she saves a mysterious man in the park, he offers to help her by giving his home to her. She soon discovers that this gift home is really a rundown shrine and she has magically become local land god. Now, she must learn to juggle her school life and her new position as a land god. Luckily for her, a reluctant fox familiar named Tomoe comes with the shine and has to give her assistance with it all.

This classic is part shoujo comedy and part supernatural adventure. I definitely recommend this in the English dub if for no other reason than to enjoy J. Michael Tatum's voice work as Tomoe.

The Morose Mononokean:

Hanae Ashiya spends his first week of high school with a mystery illness that has left him feeling increasingly weak. He eventually discovers that the cause of his illness is a large fluffy creature that has attached itself to his back. When Hanae comes across a flyer advertising an exorcist who expels youkai, he decides that exorcism might be just the thing to remove the creature. The flyer leads him to the Mononokean and a magical tea room which suddenly appears. The Mononokean turns out to be a fellow classmate, Haruitsuki Abeno, who reluctantly helps Hanae but, demands that Hanae work as his assistant to repay him for the exorcism. Now, Hanae spends his free time working to learn about yokai spirits and how to best help the yokai that live in the mundane world.

This supernatural comedy is just fun to watch, with enough drama to keep you interested. It really has that classic Saturday morning anime adventure feel but, for a slightly older audience.

The Devil is a Part-Timer:

Just as Demon Lord Satan, a.k.a the Devil has nearly conquered the world of Ente Isla and destroyed his enemies, a hero named Emilia corners him and forces him and his top general to escape through a portal to modern day Earth. Emilia, of course, follows him determined to finally defeat the Devil. But now they all find themselves on Earth with no powers, they must discover how to survive even if that means the Devil must get a part-time job at Mc Ronald's just to pay the rent.

What can I say about this show... It starts out with an almost stereotypical supernatural action/adventure anime feel only to turn into a comedic slice of life with a little romance and the ocational fight sequence thrown in. This show is one of the best examples of how versatile anime can be and a great way to get a little taste of a lot of genres.

Death Note:

High school student Light Yagami stumbles upon a supernatural notebook that allows its owner to kill by simply writing someone's name down. Light soon sees the death notebook as a way to reform society's ills by killing criminals and undesirables to create world without crime. Once the police discover that a mysterious serial killer is targeting criminals, they bring in the worlds greatest detective, L, to find and capture this serial killer. This begins a epic battle of witts between Light and L.

This classic anime is a lot darker than anything else on the list but, it's definitely worth mentioning. It was one of the earlier animes I watched and I'm still a fan to this day. It falls mostly into the categories of thriller, supernatural, mystery, horror and crime drama. It is also another one that I'd strongly recommend the English dub over the subbed version. So, if you want to take little walk on the anime dark side, this is a good place to start.

Yuri On Ice:

After a disastrous performance and coming in last place at the Grand Prix, ice skater Yuri Katsuki is thinking about retiring. That is until his skating idol and living legend Victor Nikiforov shows up to his home offering to be his coach. Now, with Victor's help Yuri works to rebuild his career and fight his way to a gold medal at the Grand Prix Final.

Yuri On Ice is my all time favorite anime so, of course it's going to make the list. So much about the struggles and perseverance of the characters in this sports anime is inspiring. Then, when you add in a little romance, flashy skating routines to a great original soundtrack and the drama of competition, everything about this show gets a gold medal.

Free!-Iwatobi Swim Club:

Haruka Nanase has always had a strong connection to the water and a passion for swimming. As he starts high school, Haruka is reunited with childhood friends from a youth swim team, Nagisa Hazuki and Makoto Tachibana. The three decide to start a school swim team. Now, they must recruit a fourth member and train to be able compete in their first swim meet. Watch to see these guys bond as a team and friends and as they pursue their goal to compete at Nationals.

There are a lot of great sports anime out there but, this one is a good one to start with. Free! exemplifies so many standard tropes within this genre and does in an engaging way with an easy to understand sport. There are multiple seasons and movies for this series but, the first season, Free! -Iwatobi Swim Club, is satisfying enough as a stand alone.

My Roommate is a Cat:

Subaru Mikazuki, an introvert writer with social anxiety, adopts a stray cat after a chance encounter. Together they both learn they are not as alone as each of them believed.

This slice of life anime is sooooo relatable, cute and funny. If you're looking for something that's low key and will make you feel all warm inside, than this is the show you should start with.

Here are some honorable mention animes to also consider: Toradora, ReLife, Princess Jellyfish (I just love this show and think everyone should watch it), Black Butler (if you're willing to sort out the correct viewing order it can be worth it), the classic Avatar: The Last Airbender (yeah, yeah, yeah is it anime or isn't, doesn't matter it's a great gateway) and Kakuriyo- Bed and Breakfast for Spirits

So here are some of my top favorite anime for beginners recommendations. A nice mix of classic standards and a few newer shows that really show off specific genres. These are just my opinions, I'm sure there are many other animes that should probably make this list. As always, if anyone wants to add to this list or make some different suggestions please feel welcome to add your own favorites in the comments or as a reblog. Thank you Nonny for the ask and I hope you find this list helpful.

[keepholdingontobooks]

BOOK REVIEW: DARK RISE (DARK RISE #1) BY C.S. PACAT (LIGHT SPOILERS)

REVIEW:

“When the past is forgotten, then it can return. Only those who remember have the chance to stave it off. For the dark is never truly gone; it only waits for the world to forget, so that it may rise again.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

Set against the backdrop of a magic-less 1821 London, Dark Rise starts with a sense of urgency. Things half-told, and hinting at what’s to come. Details that should be kept in mind for when the inevitable comes, make all the more sense.

“Long ago,” said Justice, “there was a world of wonders—of what you and I might call magic. Great towers and palaces, fragrant gardens, and marvelous creatures.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

Will Kempen has been on the run since they murdered his mom and her last words to him were run and a promise forged as her dying wish.

Told from multiple points of view, all the characters in place add to the layers of this complex and dark story.

Will, a boy on the run after his mother was killed

Violet, a girl forced to turn against the only family that she’s ever known

Cyprian, a powerful Steward-in-training who is searching for his lost brother

Katherine, a girl whose aspirations to secure an auspicious marriage put her right in the heart of danger.

James, whose dark magic and ruthless cunning make him a foe to fear and admire

(Excerpt from Edelweiss)

Usually, I’m not a fan of stories told from multiple points of view (more precisely, 2+ POVS). Only because I find myself invested in a certain character and want to know about their POV and storyline, and adding so many different perspectives loses that connection. It waters down my connection and makes it harder to root for someone if I’m constantly being shifted. With Dark Rise, although I didn’t absolutely love or particularly bid my time for all the different POVs, I will say that they lent themselves screen time.

“—Sarcean, the Dark King; the final eclipse; the endless night, whose dark reign will bring about the end of our world.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

We follow along with Will’s journey in learning about the Old World where heroes and villains grappled in a war between Light and Dark. Magic, secrets, betrayals, control, were things that went hand in hand in this old world. Little by little, Will is introduced to this old and new world. Where descendants from the Light, have had a long vigil for the day that the Dark King returns with his evil beings, weapons, and his reign come again.

“I think what people were is less important than what they are. And what people are is less important than what they could be.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

In the middle of all this history, he begins to question his place in the legend. What he must do, and why everyone seems to be looking for him.

Readers aren’t ready for the Dark Rise trilogy.

One thing with reading advance copies so far out of release day is that not only do you have to wait for release day for other readers to join you in a journey, but then you have to wait even longer for the next installment. And here I thought it was a duology and that everything will be laid out within the next book, so I didn’t have to worry that much. Yeah…somehow I missed the word trilogy and just jumped into the synopsis.

If you’re wondering if C.S. Pacat will hold back being a young adult novel, you really don’t have to worry about anything. When the dust settled, I was left kind of shocked that she would have gone there. For what she did to the characters in every sense of that statement. I’ll get a bit spoilery later on and will tag it. For now, I will say that although the characters are teens, readers have to keep in mind that this is a story that spans centuries. Though the characters are in a new time, there are old times at play here. A lot of secrets and revelations that I think don’t even scratch the surface.

“Was this how it had been in those ancient days? The lights in the world going out, one by one, as the Dark King’s forces marched toward victory?”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

Now, if you are waiting for another Captive Prince, you will not find Damen and Laurent within this story. Does James remind me of Laurent? Yes, maybe, perhaps. The similarities run in the shallowness of blonde hair, and in the veneer of calculating demeanor. Yet, there is a softness, a vulnerability that makes itself known until the last chapter. So no, this isn’t another story of Damen and Laurent. This is something entirely new, but with the cleverness of something dark and twisted that looms at every chapter.

“He was beautiful. A golden beauty, he might have been carved from fine marble by some master, but there was no one in the world who looked like this.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

Will harbors a cleverness that quickly surmises the actions and unfolding of things and those around him. He holds a type of magnetism with his genuine and rightness that people come to him and believe he can be the hero they’ve been waiting for….

He harbors cleverness and quickly adds up the information

That last sentence in Dark Rise? Imminent.

Throughout the 464 pages, I felt like I was bracing for something. Like I was being kept from something. Although, I kinda deduced it still doesn’t take away from anything that happens later on.

“Later he would think back on it as the moment when he had understood, all the pieces fitting together into a picture he didn’t want to see.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

Since I had a bit of a theory whilst reading, I looked at the details and the information through that lens. Pacat has said that she likes an unreliable character, and that comes through here as well. I do wonder how this trilogy will play out since I can’t see a good way out of it.

It almost hurts for everyone when some of the truth is unraveled (for some characters, and some of the truth because there has to be more to it). The last pages are even bittersweet. That dance of one knowing and the other believing in one thing whilst the opposite is being played out to the unsuspecting (this makes sense once you read it). And then when you take in the different players and how this truth changes everything.

There are some things that still don’t make sense, especially from Will’s involvement and knowledge that I hope is cleared up in book two.

As for romance, I would say in this regard we can look at the blueprint of a slow burn. Of things at a realistic pace. The connections in this book are…transcending and interwoven. There is a lot to unpack and theorize. If anything, it speaks to Pacat writing in introducing characters, situations, and consequences that are complex and can’t be predictably resolved.

I’m really looking forward to how everything will progress from book one to book two, and to its conclusion. There are just too many questions, and too many theories swirling around right now. Obviously with nowhere to go because the first book isn’t even out yet.

If you’re looking for that romance across enemies lines, the tension between a hero and a villain…Pacat heard you but one-upped you.

“There’s one thing I do know so well that it’s part of me. Him. The fact of him. The feel of him. It’s deeper than memory, deeper than self, carved into my bones. And I can tell you this. “Simon isn’t a tenth of him. Simon’s plans, his power, his ambitions are nothing. Simon can’t comprehend him, as the warmth of a single day can’t comprehend a night that lasts for ten thousand years.”

-Excerpt from Dark Rise by C.S. Pacat from Uncorrected Proof

This is where I get SPOILERY, so please do not read on.

It should have been a clue when Pacat cited Lord of the Rings as her main inspiration for the series, but wanted to focus on the “enemy within.” Because what do you do when the biggest enemy is out there but within you?

Again, spoiler—but, though I don’t know how there will be a good outcome, say that you’re told a big villain who wants to bring chaos, destruction, darkness to the world. That it wants to subjugate humans, and only those with powers, magic, having a place in the world, will one day come. That you must defeat it. Only to find out that that person is actually within you.

The way I see it is that Will, like James, is a Reborn, and although they’re from that time they don’t remember what happened during that time. Will has the Dark King within him but perhaps is awake yet. Will he develop different personalities, of sorts, when the Dark King is awakened? Will it take over Will (does Will want what the Dark King wants, will he fight to not be like the Dark King?), the door waiting to burst open, and for him to claim his throne? How do Reborns work in this world

One thing I will say is that sometimes with reincarnation and descendants I’m a bit unsure with logic. This might be what Pacat meant to do in the narrative, but at one point, it feels like we’re supposed to be feeling that Will might have a romance between Katherine and/or James. My problem with the logic is that just because someone is a descendant of a person you might have loved, doesn’t mean you’ll feel a connection/spark/passion/love with a descendant. You mean to tell me that the great granddaughter/son is going to give you a connection just because you loved their great grandmother? What if they have multiple siblings, who will you feel a connection with? Reborn, I get.

I’m intrigued with how Pacat will develop James and Will’s connection (I’m trying to be vague here), but damn. Pacat really loved the complications. THERE ARE SO MANY QUESTIONS.

SPOILER END.

Dark Rise though rich in details, secrets, magic, and darkness, it’s really just the beginning. There is a lot to come, of that I’m sure.  The sense of something wrong remained through the entire novel until slowly, things start to unravel and slot to start the bigger picture.

In conclusion: C.S. Pacat is back.

(I highlighted so many passages/quotes, but I'll post after release day.)

[miekasa]

do share your thoughts on the SnK final chapter and ending if you read it! <3

OKAY!! Here are just some of my thoughts, none of which are uniform lmaooo and are subject to change if I think about it long enough <22 lots of stuff I haven’t completely figured out or reconciled with yet, but here we go 

Eren’s death

I wanted him to die, and one way or another, he was destined to die; so this is kind of the ending I asked for. 

I wanted him to die for a few reasons, most of which revolve around my desire for him to finally rest and not have to shoulder all the burdens that have been put on him for any longer. So, his death definitely did that for me, and I wouldn’t change it. 

BUT it was heartbreaking to see that, for once, he genuinely did not want to die, and wanted to have time to spend with Mikasa after everything. Eren has asked to die multiple times in the past, and his death was inevitable at some point in time; so to see that in his final moments, he finally said/realized he didn’t want to go made it so bittersweet. 

The thing I’m happiest about the most is that he achieved his original goal: to kill all the titans. As a titan himself, he was always a part of that plan, so, again I’m okay with his death. But it’s a twisted, beautiful sort of tragedy that in wanting to kill himself to achieve his dream, he found a sense of personhood that made him think life was worth living [even if his goal wasn’t achieved]. 

Another important reason I believed he needed to/should have died is because I didn’t want him to have to suffer at the hands of any other government or empire again. Even if none of the shit with Marley or the other nations happened, and he found away to “free” everyone without murder, the government of Paradis wouldn’t have trusted him. They never really did. 

Eren has been locked up and/or under constant supervision since he was 15. And when he wasn’t, it’s because he was kidnapped and somebody else was preying on his death. Even when he desperately pleaded to help and showed that he wanted to use his titan to help, he was treated like a criminal, and less than human.

You can’t... you can’t treat a kid like that and expect him to turn out normal 😭😭 or to not want to go to extremes, or to become a pacifist, or to spinelessly hand over his own life and ambitions. (Honestly... think he should have started with murking a few people in Wall Sina, but whatever 🙄)

This is all to say, that if he continued to live, free of the 13 year curse, he wouldn’t have been free in any nation. He probably would have been executed, or at the very least, locked up until he died. So, I’m happy that he was able to die at his own hand (and Mikasa’s, too). 

Eren’s character

I obviously still love his character, and I don’t think his actions in the final season ruined him for way. There’s a lot to come to terms with, but I like that about him. I’ll work through all the details one day, and I’m okay with that. In fact, I don’t think Eren even ever got the chance to figure himself out independent of his titan.

His secret keeping was questionable, but not out of character. He’s always ruminated until he figures something out, or gets stuck and needs help—he’s always had the whole thing about doing everything on his own. 

Until that one conversation with him, Mikasa, and Armin after the fight with Jean in s3. I’d always read that as him beginning to understand that he didn’t have to everything on his own, and that he was going to be relying on his friends from thereon out. But, sometimes, I feel like that realization got erased...? I don’t know, maybe the more I think about it, the more it’ll make sense, but that’s one part I’m still working through. 

The only other thing I didn’t understand is how he got so smart LMAOOO. His plan and actions required quite a bit of thought, foresight, and sacrifice that he’s never really shown before; at least not to this degree. Like I said though, if you factor in how his was treated, and how his life always had an expiration date, it begins to make sense why he was so quick and insistent to act, so it’s not completely out of left field for me—and I could even make the argument that he wasn’t really that smart and was just as impulsive (ish) and hot-headed as he’s always been; but like I said, I’m still figuring it out. Not sure what it was that awakened his braincells but I’ll get there LMAOOO

Eren + Mikasa

Fuck y’all I like Eremika goodnight. I can’t help it, I’m a simple bitch: I see childhood friends to lovers, and I fold. You should too smh.

I... don’t think the little cottagecore timeline from 138 was out of character for either of them. I see the arguments that it was, and that’s cool, but I see it as something very real and plausible. 

Eren showed that he did all of this to ensure that even if he couldn’t bring peace to the whole world, at the very least, he could do his best to make sure his friends live long, happy lives. An alternate way for that would have been to give Mikasa the opportunity to spend his remaining years with him. 

Eren has always done his best Mikasa and Armin, even if his methods seemed harsh or apathetic. The way I see it, running away with Mikasa in his final year is not only becoming and telling of the kind of friend/person his is, but it would have been his way to atone for being an idiot and not acting upon his feelings [in a more traditional sense] earlier.

He knew either way it was too late, but he also knew that he owed her—and himself—even a piece of peace before it all ended, whichever way it was going to end. And I think that’s a part of Eren’s character that’s often overlooked. 

Mikasa’s ending

I think that Eren ultimately killed himself, but it’s undeniable that Mikasa helped, and I’m glad she did. If Eren was going to die by anybody’s hands, I wanted it to be Mikasa’s or Levi’s. 

I think Levi would have been symbolic, given his speech in the courtroom in s1, about how killing Eren is the best he could do, and that there was no in-between. But I’m happy with Mikasa doing it too, because, in a way, I think she ended up being able to do the one thing Levi didn’t have the physical strength left to do. I also like it as far as Mikasa’s relationship with Levi goes; she kind of becomes him in this complicated way, and it shows how far they’ve come in terms of trust. They’re a pretty good team. 

I don’t see why anyone would give her shit for sitting at Eren’s gravestone. It had been only three years since he died, and regardless of the amount of time that had passed, if it was the anniversary of his death, that’s a perfectly normal thing to do...? So many people hate her for being in love Eren and I don’t get it. She’s just mourning, and she’s well within her rights to do so. 

Actually, I think that Mikasa being shown to have loved and mourned for Eren so outwardly were the most profound displays of bravery in this whole series. 

It takes so much courage to love, especially in her world, but Mikasa has never shied away from it. I would even go so far as to argue that she is the character with the strongest sense of self and self-worth. I don’t think people realize how much it takes to know anything about yourself that assuredly—so many characters are left with unanswered questions about their world, themselves, and their place in it—but Mikasa has always known that she loves Eren. 

That’s an insanely hard thing to know and to do. And she wasn’t blind about it either, nor did she believe her love was unconditional (and if she gets shit for having hope for Eren, then so should Armin, but we know why he doesn’t get the same heat for it). She heard out the concerns of her friends, she let go of the scarf, and she killed him in the end. 

I would have liked to see her talk to Kiyoomi again, and perhaps see her being associated with that nation/country/whatever it was. But she’s still thee baddest bitch and the best girl. 

Levi

WE IN THIS BITCH!! WE ABSOLUTELY IN THIS BITCH!! 

ROUND OF APPLAUSE LADIES AND GAYS AND THEYS FOR THE MAN, THE MYTH, THE LEGEND HIMSELF!! 

If he died, I would have rioted. On god. 

This is the EXACT ending I wanted for him. I’m so happy that he gets time to rest knowing that none of his decision were in vain; and that he shouldn’t regret anything he did.

l know the wheelchair was literal in the sense that he was injured, but I also think it’s metaphorical in that he no longer has to standing on his own two feet, and carry everyone on his back. For once, for fucking once, he can literally sit back and read a fucking book in peace. 

Also Gabi and Falco taking care of him is so fucking cute, I loved that so, so, so much. 

Others

I don’t think Hange needed to die, goodbye. I get why they did, and I’m glad they went out in a way they wanted do, but that doesn’t mean I’m happy about it BYE. 

Pieck is far too sexy for her titan to have been that ghastly. Porco, too. Speaking of Porcupine, I fucking love him. I didn’t think I would like him this much, but I do, and now I miss him. 

When did Connie get so s*xy

I stand by the belief that this wouldn’t have happened with Erwin around—and for the worse. Yes, I think Hange waited longer than they should have to act; but I understand they were overwhelmed, and had a lot of responsibility, and regret, clouding over them. 

That being said, I think Erwin would have been 10x worse LMFAO with all his secret keeping and mystery. With all the shit going on, all the information being revealed to Paradis, and with Eren’s own secret keeping, I don’t think Erwin’s character and way of planning would have been conducive the new environment. RIP tho Erwin, you a legend for the shit you did, big ups on that my guy. 

I... guys, I like Reiner. Like, a lot. What goes on. 

I still hate H*storia and I think she caused a lot of problems that could have been resolved relatively quickly if she left 😐😐  yeah, yeah, girl power or whatever, but I don’t like it. I don’t like her. Bye. 

I have more thoughts on Marley and the other nations, but that’s a whole separate rant that I will spare you from for now 

[mostlymovieswithmax]

Movies I watched in September

I skipped a month again. But not to worry. This is a wrap-up of all the movies I watched in the month of September (2021). I think I maintained a steady ratio throughout but perhaps there’s not as much on the list this time because I wanted to get on with other things, be that work-wise or just trying to get out to the beach as much as possible and make the most of the last dregs of summertime. I went swimming in the sea a lot! But I also got to catch the new James Wan movie, Malignant (twice!) as well as the new James Bond, No Time To Die. Not to mention a couple of classics! My hope again with this list is to introduce people to new movies that they may otherwise not have seen or perhaps have never have heard of. These short reviews are my own subjective opinions on each individual movie. I’m thinking maybe a more informal approach to movie criticism can help include others who are just passing through. So here is every film I watched from the 1st to the 30th of September.

Fanny and Alexander (1982) - 8/10

Coming from Ingmar Bergman, I was surprised to see just how warm this was. I’m a big fan of the Swedish director and while this isn’t my favourite from him (perhaps due to it needing a second watch, or the fact I watched it in three chunks because it’s about three hours long and I overestimated how much time I had in the day) it’s still an interesting departure from what I’ve come to expect from him. Fanny and Alexander is a dreamy Christmassy movie that presents an overarching theme of love, spending a large portion of its runtime just hanging out with this big family on Christmas and showing how close they are. I would love to watch this again at some point in December and see how my opinion shifts but for now, while it could meandre in places, I can’t deny how unique a movie it is.

Another Round (2021) - 10/10

I had seen Thomas Vinterberg’s latest film before this point but this was the first time I got to see it in a cinema. Luckily for me my local independent cinema was showing it one night and while they had a few technical hiccups with setting everything up, the movie itself was still fantastic. Following a handful of school teachers who experiment with whether they can maintain a certain level of blood alcohol throughout the day, Another Round demonstrates a sense of unease and sadness throughout an otherwise comedic tone. These emotions are balanced perfectly, boosting an already intriguing concept that examines our relationship with alcohol from every angle.

Shang-Chi and the Legend of the Ten Rings (2021) - 4/10

Straight after Another Round, I made my way to the chain cinema to meet up with friends to see the new Marvel movie. At this point, having had my second dose of the Covid vaccine that morning, I was starting to feel the effects and I was not doing well. But I watched the movie anyway, all the while wanting to be in bed. Shang-Chi was massively underwhelming and I’d go as far as to say it was even incompetent. Truth be told,  I like the Marvel Cinematic Universe but from the get-go I already wasn’t hyped for this movie and I was expecting it to be about mediocre but what I got was something a lot worse. I won’t rehash what I’ve already said on this film so if you want to hear me rant about it a bit then I would recommend checking out episode 47 of my podcast, The Sunday Movie Marathon.

Your Name. (2016) - 6/10

Ultimately this was a fun little romance movie but I can’t say I understand why people adore it, nor do I understand why it needed to be animated. For what it’s worth, I found it cute and entertaining but nothing much jumped out to me.

Phil Wang: Philly Philly Wang Wang (2021) - 7/10

I’m always stumped on what to say about stand-up shows. It was good! I enjoyed Phil Wang talking about different things in a funny way and it got some laughs out of me. Admittedly I’m writing this a couple of weeks after watching it but it’s certainly a decent way to spend an hour if you’re looking for something light and fun.

The Lego Batman Movie (2017) - 6/10

I remember seeing this in the cinema with two of my friends and the theatre wasn’t exactly packed but those that were there were either children or parents. But I like The Lego Batman Movie! Clearly this was made by fans of the character as it’s packed with a lot of details and references from old comic runs but as someone who has never read the comics or seen those older movies, it still managed to be entertaining and while I won’t say it’s quite as good as The Lego Movie, the animation is still top notch and the voice actors are certainly giving it their all, especially Will Arnett as the titular character. It’s just a bit of fun!

Terminator 2: Judgment Day (1991) - 10/10

A friend of mine told me to go to the screening of Terminator 2 at my local because they themselves weren’t able to attend. The first Terminator movie is a real gem and one of the most 80’s-type movies I’ve ever seen. I was excited to watch T2, remembering next to nothing about what I watched of it when I was a child. So it was just me in this screening, with one person in a row in front of me, and one other person behind me. If I had it my way, I would have been the only person there because this is honestly one of the best movies I’ve ever seen and it was very hard not to yell out every time something incredible happened, especially when it’s so action-packed and basically goes all out at every opportunity to deliver some of the most jaw-dropping effects or choreography. Truly there is never a dull moment and I was grinning like a lunatic the entire time. This film rocks!

Mirror (1975) - 7/10

Andrei Tarkovsky is one of my favourite directors and the new Criterion release of his film, Mirror, had been on my shelf for a while. My friend and fellow podcast co-host, Chris, was also interested in watching this movie so we decided we’d give it a watch and review it on the podcast. But this is such a weirdly structured film that the entire way through, neither of us knew what on earth was happening. What we got from the experience is reflected in the episode we made and I would love to watch this again at some point, hopefully with more context and a better understanding of what I’m in for. But in the meantime, you can hear the discussion on episode 46 of the podcast.

The Night House (2021) - 6/10

The Night House is David Bruckner’s follow-up to his previous movie, The Ritual and while I’ll say I prefer The Ritual, this is still a decent watch, just don’t go in expecting horror. More of my thoughts can be found in episode 46 of the podcast.

The Ritual (2017) - 7/10

After watching The Night House, I decided to go back to the director’s previous film, The Ritual and I got a lot more out of it this time around. Themes of guilt and grief permeate the movie and the result is this weird and unnerving film about a group of guys who go hiking in Sweden after the death of one of their friends and encounter dark forces beyond their comprehension. It can be drawn out at times and probably could have been boosted with a better script but there are so many interesting and strange ideas presented that culminate in a haunting third act that it’s worth watching just to see what on earth they’re being hunted by.

Monty Python and the Holy Grail (1975) - 10/10

Straight after recording an episode about our favourite movies on the podcast, I returned to one of my all-time favourites. Holy Grail is such a fantastically funny movie with so many memorable lines and moments that it’s become a staple in the comedy genre. Setting it in Arthurian England is a surefire way to make sure it stands the test of time, making use of the budget in a way that heightens the comedy, for example: not being able to get horses and so resorting to having a man banging two coconut halves together as they skip through the grassy terrain. It’s the writing that really takes centre stage here; the guys from Monty Python were/are geniuses. A couple more points were made on my podcast so please do listen to that to hear more: Episode 46 of The Sunday Movie Marathon

Malignant (2021) - 7/10

The new James Wan movie was bonkers! I saw this one twice in quick succession without hesitation. To find out why I love it so much, listen to episode 47 of the podcast.

A Nightmare on Elm Street (1984) - 8/10

We got a marathon of the first three Nightmare on Elm Street movies on the podcast so we watched them in quick succession within a day. This first movie is a true masterpiece of its time. For more insight, listen to episode 47 of the podcast.

A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985) - 2/10

Quite an embarrassing departure from the genius and fun of the original. Elm Street 2 is not only technically unfulfilling but a wholly unentertaining movie to boot. More thoughts in episode 47 of the podcast.

A Nightmare on Elm Street 3: Dream Warriors (1987) - 3/10

While only a few hairs better than its predecessor, Elm Street 3 is still a mere shadow of the original. All in all, these second and third instalments in the franchise have put me off watching any of the others. More thoughts in episode 47 of the podcast.

Her (2013) - 10/10

Her is at once a beautiful love story between a man and an AI, and a scarily accurate look at how technology is expanding and moving forward. It uses warm colours and smooth camera work to create something that feels homely and safe, juxtaposing the often cold and dark feeling of science-fiction films to tell an intrinsically human story. What would it be like to go through this and what are the hurdles that need to be overcome? Her is a masterpiece of filmmaking and it left me emotionally exhausted in all the right ways.

Alien (1979) - 10/10

First time I’ve seen Alien in the cinema (as I was too busy not being born yet to see it on an initial release) and it was amazing! This is cosmic horror at its best. With all the eerie sound design, slow and deliberate camera movement, and outstanding effects, there’s no wonder as to why this is considered one of the greats and seeing it on the big screen was enthralling.

Aliens (1986) - 8/10

I had never seen Aliens before so the opportunity to see it for the first time in a cinema was one I could not pass up, especially since I was able to see it straight after the first. This is more of an action movie than the first one and as that, it was really something to see. While I don’t think it quite measures up to the original, James Cameron does bring a style to it that makes it something completely different while still feeling in line with its predecessor. A problem I’ve found as time goes on is that I don’t find myself thinking much about Aliens whatsoever and that’s probably down to its characters who generally I found quite weak. I’m already not big on standard action flicks and this is a clear cut above those but it does still fall victim to the trappings. That being said, I would in no way call this bad or even mediocre because it was a lot fun and being able to see it in the cinema is an experience I’m very grateful for.

Gunpowder Milkshake (2021) - 6/10

Gunpowder Milkshake is trying very hard to be John Wick and although it never really manages it, there is still fun to be had with its action (because really that’s all this movie has to offer). There’s a very creative scene in which Karen Gillan has to fight some goons in a hospital with a gun taped to one hand and a scalpel taped to the other, with the caveat being that her arms don’t work. Despite that and a good enough performance from Gillan, the rest is very goofy, with a villain about as intriguing as an advert for life insurance and a story that to say the least, leaves much to be desired.

I Lost My Body (2019) - 10/10

Another one for the podcast, I Lost My Body is a glorious cerebral animated piece that hits every nerve in my body. Listen to episode 48 for more.

Alice In Wonderland (1951) - 10/10

Perhaps the best early Disney movie in my humble opinion. Alice In Wonderland is complete insanity, doing things simply for the sake of it in a beguiling dreamlike take on Lewis Carroll’s classic book. Listen to episode 48 of The Sunday Movie Marathon for more.

WALL-E (2008) - 9/10

WALL-E is one of Pixar’s best. It is a cautionary tale of where the world is headed wrapped in a sweet story about going to the ends of the solar system in order to help those you love. I do however have one big problem with this movie and you can find out more in episode 48 of the podcast.

Killing Them Softly (2012) - 6/10

A lot about America’s economy at the time, Killing Them Softly goes about showing the lengths people will go to for money and yes it is generally solid with a fantastic speech by Brad Pitt to cap it off, but it cannot avoid meandering scenes of listless dialogue that neither engage me nor make me care about the characters it presents.

The Dirties (2013) - 6/10

Funny! The Dirties is a mockumentary about two guys making a movie about bullies in their school. While often it was generally chugging along and making me laugh, it tended to err on the side of plain as regards its presentation. A lot of scenes happen for the sake of it and in a movie that’s around an hour and twenty, it’s amazing I still managed to dip out in the latter half. More thoughts in episode 49 of the podcast.

Telstar: The Joe Meek Story (2009) - 3/10

Ah, I really hated this. I don’t even want to talk about it anymore. Just listen to episode 49 of the podcast to hear what I had to say.

Blade Runner 2049 (2017) - 10/10

This is my favourite movie! I got to talk about it on my podcast! Listen to episode 49 of The Sunday Movie Marathon to hear what I have to say!

No Time To Die (2021) - 8/10

Best Bond movie? Perhaps. I’ve not seen every Bond movie but of the ones I have seen (which does include all of Daniel Craig’s run), this is as good as it gets. Despite a near three hour runtime, No Time To Die felt as though it wasted very little. I’ve always complained that I could never follow the plot to these movies because often I simply didn’t care about it; for me it’s more about the action and seeing Daniel Craig be James Bond. No Time To Die does not escape some of the general tropes that often don’t leave me thinking I’ve watched something masterful but what I will say in its favour is that it’s fucking fun! Don’t expect to love it if you already dislike these movies because generally it stays in the same vein as the others before it, but for Bond fans it’s something totally enjoyable. Captivating cinematography, biting fight choreography and action set-pieces, a core struggle for James who actually goes through relatable hardships his time round, coping with being part of a family and trying to keep them safe.

I was happy to see a bit more attention paid to female characters this go round; in a franchise that often glamorizes Bond’s sexual promiscuity and ability to woo any woman he likes, it was much more refreshing to see that he often did need help from a lot of badass, well written female characters.

No Time To Die has been waiting to be released for a long time now and now it’s actually out, I’m pleased it’s not hot garbage. In fact, quite the opposite is true. The final swan song for Craig’s fifteen-year tenure as one of cinema’s most recognisable heroes outdoes all that came before it. Bravo.