Recently cleaned up some oc portraits so that I could update their lore post for the few people that are interested <3 I'll give the same disclaimer as before that I'm not a master worldbuilder or even a very good writer tbh. these are just my dolls I play with for fun.
anyways long post ahead here is your introductory guide to the characters of fitaly (fake italy) a fictional duchy set in the early 16th century.
Antonia de' Farona
Antonia is the eldest child of the Duke Niccolò de' Farona. Though they interact infrequently, she has a wretched relationship with Andrea Bernardi, her sister's betrothed. She finds him dismissive and condescending and is suspicious of his behavior around her maid, Lucia. When she is wed, she brings Lucia with her to her husband's villa. The marriage lasts roughly 5 years until her husband passes (I haven't worked out from what yet, but it's not particularly integral to the story.) Seeing as they have no children, her husband's family contests her right to retain his properties and she returns to her father's palazzo, Lucia in tow. She is largely reclusive as a widow and prefers to remain in her apartments, despite having more relative freedom than her sisters. She sees Andrea as undeserving of her father's affection and believes that had she not had the "misfortune" to be born a woman it would be her in his place, and truly loathes him after her return. Despite this, there is a brief attempt by her father to offer her hand in marriage to Andrea after the death of Isabella, but she wholly refuses and begins spreading nasty (but not entirely untrue, nor undeserved) rumors about Andrea throughout court to deter further pursuits.
Isabella de' Farona
Second child to the Duke Niccolò. She has been betrothed to Andrea Bernardi since they were both children. She finds him less objectionable than her sister Antonia does, but she is certainly not enamored with him. Isabella is a vivacious and charming girl, though Andrea seems entirely immune to her charms. She dies abruptly at the age of 16 (allegedly after suffering an acute illness, but circumstances are suspect) before she and Andrea are ever wed.
Maddelena de' Farona
Maddalena is the Duke's third daughter, and she's rather meek but sweet. She's not particularly pivotal to the story, but it IS important to note that she too has already been betrothed, hence why Marietta had to resort to trying to marry Andrea to her widowed sister.
Paulo de' Farona
Paulo is also not particularly relevant, but he's currently the Duke's only surviving male heir (thus far), so he's very doted on.
Lorenzo de' Bassani
Administrator in the court of Duke Niccolò de' Farona. Lorenzo was instrumental in arranging a marriage between his young nephew Andrea and Isabella de' Farona with the intent that they would wed when they reached maturity. He hosts Andrea more and more frequently as he gets older, and secures him secretarial work at court.
Andrea Bernardi
Andrea was betrothed to Isabella as a child as a means of satisfying his mother's political aspirations. Andrea is educated and ambitious but somewhat dour for his age. He leaves his family's villa to seek employment at court when he's 16, which he secures with the help of his uncle Lorenzo. He coerces Antonia's maid, Lucia, whom he is infatuated with into entering a relationship with him while at court, but shortly thereafter Antonia is wed and takes Lucia with her. During this time, he is taken under the wing of Duke Niccolò, who sees his younger self in Andrea's ambition. Several years later, when Lucia returns to the palazzo after the death of Antonia’s husband, he resumes their relationship while Antonia grows even more resentful of him. Isabelle dies before she and Andrea can fulfill the marriage contract. He is in no hurry to find a new match, but his mother immediately proposes that he marry the Duke's eldest, widowed daughter. Niccolò is inclined to agree, but Antonia causes such a fuss about the matter that it's quickly abandoned. Andrea leaves court abruptly, and takes Lucia with him, much to Antonia's dismay. Meanwhile, his mother secures the daughter of a Spanish ambassador to be his wife. The two have a very brief betrothal period before they're wed and Ysabel goes to live with him away from the eyes at court.
Ysabel de Torres y Mendoza
Ysabel is the daughter of a Spanish ambassador and overall a very reserved girl. She finds herself somewhat isolated outside of Spain. Initially, she is tentatively pleased by her marriage to Andrea— she assumes he is keeping a respectful distance to allow her to acclimate— but it becomes clear over time that he is genuinely disinterested in her, and she has to fight for any semblance of affection from him. He makes no secret of Lucia as their marriage progresses, and young Ysabel chooses to make Lucia the object of her loathing rather than confront her unfaithful husband. Overall, it is an unhappy marriage from the outset. Despite this, she and Andrea eventually have children together, whom he is similarly uninterested in, except for their son.
Lucia
Lucia is my favorite oc I will not even pretend to be unbiased... She is Antonia's servant and a notorious flirt and gossip. Though several years older than Andrea, she unwittingly gets his attention and is pressured into a relationship with him when he first arrives at court. Having been humiliated by the discovery that her former lover was already married with a wife and children at home, she found Andrea's overwhelming attentions a consolation for her wounded ego and a refreshing change of pace. However, by the time of Antonia's marriage, she's grown restless and is ready to leave Andrea's immature behavior behind. During her years away, she takes another lover (with some unexpected complications) but once again leaves him behind when she and Antonia return to the palazzo. Upon her return, she is surprised to find that Andrea even remembers her— even more so that he again pursues her— but she believes he's matured and acquiesces to further relations with him. After Isabella's death and the disastrous marriage negotiations with Antonia, Andrea offers to offers to take Lucia with him away from the palazzo. She accepts, and briefly experiences a honeymoon period where he freely showers her with affection away from prying eyes. Unfortunately, the arrival of his new wife complicates matters, and tensions begin to escalate as Andrea fails to satisfy the wants and needs of both his wife and mistress all under the same roof.
Bartolomea
Lucia's mother (and only known relative) and also a palazzo servant. She claims that Lucia's father was a craftsman who died shortly before Lucia's birth, forcing Bartolomea to find work in the palazzo to support herself and the expected child. The story about her father is 100% not true, but Lucia believes it. Neither she nor her daughter are literate.
I think that’s all for now.. it is hard for me to figure out how to introduce them bc I have a lot of lore backlogged but hopefully everything here makes sense <3
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hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.
I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.
In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.
I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.
I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.
If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.
Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.
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SIMS 4 OC LOOKBOOKS: The Drakes - Jess, Sam, Tobin, Natalie, Winnie & Bailey
A new family inbound! When I say new, I mean to the sims lmao, these guys are some of my longest running ocs - from back in the early days! So glad I can finally capture this family all together cus I love them so much! Like father like son for their boy Toby, while Natalie has the most calm mind of all of them - no one knows how that happened. Wouldn’t be complete without their fur babies: Winnie and the now v elderly Bailey! (Bailey has seen every inch of this couples bullshit… she’s v tired) Let me know who’s your favourite!
Ackermans || Rikihisas || Enatsu || Kyutoku || Olalias || Hatakes || ATLA || Ginnivan || Ishimoto
Tag list (ask to be added or removed): @carrionsflower @statichvm @risingsh0t @simonxriley @tommyarashikage @kanos @confidentandgood @unholymilf @florbelles @thedeadthree @shellibisshe @roofgeese @aezyrraeshh @faerune @tekehu @jackiesarch @minaharkers @sergeiravenov @carlosoliveiraa @rosenfey @greenecreek @queennymeria @heroofpenamstan @alexxmason @tethrras @jamessunderlandgf @a-treides @solasan @bigbywlf @delzinrowe @fenharel @imogenkol
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for the character bingo do Miko 😈
🫡🫡 YESSIR
IM THINK EVERYONE KNOWS HIW MUCH I LOVE MIKO 💖 💖💖 LIKE SHE WAS THE FIRST TF FANART I EVER DREW AND STILL IS MY FAVOURITE FROM TFP EVEN THO SHIT WRITING LIMITED HER CHARACTER SO MUCH. MIKO SAID FUCK SCHOOL!!!! ALIEN ROBOTS>>> AND SHE IS CORRECT!!! I LOVE MY REBELLIOUS AND DESTRUCTIVE GIRL, SHES THE ONLY ONE WHO HAD A MEANINGFUL FRIENDSHIP WITH HER BOT OOP- 🫢 IF SHE WAS THE MC TFP WOULDVE BEEN 100000x BETTER 😁 !! this is basically how I feel->
“I’m tired of mf on here tellin me miko ain’t bout this miko ain’t bout that 😒 they say miko don’t be putting in no work? Stfu!!!! those niggas ain’t know shit 🧐 all them mf talking about miko ain’t no hitter, miko annoying, miko a fake 🙄 stfu yall don’t live for miko? Yall know miko caught a body shooting at the decepticons and shit 😱. mf better stop playing with her like that she a savage out there 👊🏿 if I catch another mf talking sweet about miko? I’m fucking beating they ass 💢, I’m not fucking playing no more 🤬 you know miko roll with the wreckers n them 🚨”
-end mini rant
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I promise one day I’ll stop bringing up this screenshot but today is not that day because uhm.
Thinking about @madwheelerz’s manifestation theory and like. When this happens:
…they’re describing the Upside Down in terms of the Veil of Shadows. Which. Okay, cool.
Except generally, when they use D&D as a metaphor, they use actual things from D&D irl. The Demogorgon, the Mind Flayer, Vecna… all are real, actual things in irl D&D, even if they’re not exactly 1:1 like the things they (nominally) describe/foreshadow.
…but not the Veil of Shadows. The Veil of Shadows is not a thing. They made it up for the show. And they didn’t have to. Because in real D&D, Shadowfell exists. Described as “the toxic plane of darkness and power. It is the hidden place that hates the light. It is the frontier of worlds unknown”. It’s literally alternately called the Plane of Shadows.
But the Veil of Shadows? Sounds a hell of a lot like Shadowfell in description, but Shadowfell is never referenced as the Veil of Shadows.
And… Shadowfell is from 4e. The kids, especially in s1, are playing 1e. They should not know what Shadowfell is at all.
Idk I just find it interesting that so many of the D&D references are real, and to things they could at least know the name of because they really did show up by name in 1e. Except for the one describing the UD as a whole? Thus comparing the UD to something entirely made up?
Just… interesting.
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So you choose not to step through the door, after all why mess with nonsense when you're already in nonsense? You check the items in your pockets, your phone you shut off to conserve power, the dog tag, key and top clink together but offer no help, and when you fiddle with the walkie-talkie you manage to get it to turn on, excitedly you call out to the void but only static responds, which is disappointing but predictable, so you put the items away and hunker down for the night, looking at the sky you can see that the stars seem strange, though you're no expert, and the moon seems to have a second smaller moon near it which looks pretty cool but is a stark reminder of how not on your own world your predicament has landed you.
In the morning you begin looking through the nearby bushes and plant life taking note of anything strange, you notice the berries you had been picking before you stepped through the door are also growing around here, they look and taste the same, and some other plants seem pretty similar to the forest from before as well, although the further away from the door you go the more unfamiliar plants you come across (of course that may just be your lack of familiarity with plants) and the few animals you have noticed are bizarre in a way that you can't explain, like the people from town, they seem almost perfectly familiar, just a little off and the noises they make have you thinking they wouldn't be able to communicate with their counterparts either, brushing aside another branch you come across a strange funnel made of metal which you pocket and what looks to be a regular whistle, you wipe it down and blow but hear nothing aside from the air going through, you consider it is either broken or maybe a dog whistle, as you go to put it away you hear something big running in your direction, before you can decide how to react a large creature storms out of the bushes and stops in the clearing before you, it's huge as a horse with paws and sharp teeth it licks as it looks around and spots you, it shakes its head again reminding you of a horse, then steps closer before turning and staring expectantly, you get the feeling it's waiting on you, impatiently, and you realize it seems to expect you to get on its back. Do you get on?
Yes.
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Someone literally asked if I was 15 for saying you are allowed to leave your partner if you start to find them unattractive. Like girl, just because you think your partner won’t leave you if you get fat doesn’t mean he won’t, and doesn’t make him or you better then anyone else.
Physical attraction is part of love. You aren’t a bad person if your partner’s physical appearance drastically changes and you don’t find them attractive. You literally cannot control your attraction.
She said you’re not your physical appearance. But you are. You are literally your body. We aren’t just shapeless entities.
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