#like a lot of his appeal to me

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[welcometogrouchland]

Also I am. Constantly forgetting how fucking funny Hunter is. We never give him enough credit for how funny he is because his life is so fucked up but I swear 90% of his lines are just bit after bit after bit. He's not even trying either. Anytime he actively tries to make a joke it falls flat but if you just put him in a Scenario he'll find a way to be so over invested and yet out of touch/at odds with whatever's going on. He's so autistic

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[apnourry]

🖤🩶🖤

[whydotheycallmechimney]

every single one of Elijah’s love interests are incredibly hot and badass woman, and that’s just what happens when you’re the sexiest man in the entire tvdu

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[pumpkinrootbeer]

no change in the movies pisses me off more than them having peeta just scream "ur all gonna die!!!1!1" at the camera with the hard cut to haymitch going "that was a warning (empath)" when in the book it was peeta struggling to even get the warning out and literally everyone in 13 expect haymitch and katniss going "wtf did he mean by that he can't be trusted" to which haymitch had to desperately plead with coin to listen to the warning, because that's obviously what is was, and none of them know peeta except for him and katniss

Like as unintentionally funny as the scene in the movie is it wasn't even a moment in the books that makes haymitch seem all that clever, like they try to spin in it the movie, it was just him knowing and trusting peeta. It was a testiment to his love for the kid, not anything else ughhfhfjkdkdkf

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[daily-hanamura]

[faksyan]

Huey Emmerich, mgs v cast & hypocrisy, a character analysis

Prefacing this with the fact that this is the morally gray franchise with the morally gray characters and I love how it portrays Huey Emmerich precisely for him being Like That. I think he is one of the most nuanced and well-written mgs characters and I'm pretty sure like half of it wasn't on purpose. He is the guy everyone hates for killing his wife (understandabe reason), trying to make one of his kid pilot a giant robot and almost drowning another in a pool (also understandable reason), and, most of all, for being a traitor. And with such a list, feels a bit weird that the accent often falls on that last part, doesn't it. Which is exactly how the narrative wants you to feel about his betrayal, on a surface level.

Every character essential to the Phantom Pain plot gets their "please feel bad for them, sympathize with them" moment, no matter how horrible a person they are. We get multiple monologs from Kaz, we get the 'I was the same way once' interrogation room and the ending of the Truth with Ocelot, we get Paz tapes and 'you're all diamonds' with Venom, we get Code Talker, Quiet, Eli (if they actually finished mission 51), even Skull Face, somewhat (don't even make me start on that guy. how is he less hated than Huey). The point is, the game is trying to make you feel bad for people who murder, torture, and whatever else, and parts of it are working, because it's fiction, and humans and morality are complicated and layered things! But what does Huey get? Torture sessions and tantrums that are framed as pathetic and ridiculous, even when what he is saying makes sense. Because yeah, there's some of that there. It's just that everyone else in the room deliberately doesn't acknowledge it.

When Venom just finds him, the first thing Huey says is that what happened to MSF was Snake's fault. The same during his exile - that there wouldn't have been an inspection, if there weren't a nuke to begin with. and it's like. he's not wrong. Having their own nukes as an independent military organization was a risk Snake and Kaz didn't just take blindly, they knew what could have happened. It was a gamble, and it didn't work out. If it did, it would've been their achievement. It didn't, so it's all Huey's fault, even though literally anyone could've been in his place. XOF weren't even the first to attempt to attack them, Zero was, Paz just didn't succeed. And if Skull Face hadn't either, someone else would have, the attention of the entire world was on them. It wasn't about betrayal, it was Snake and Kaz being drunk on success and biting off more than they could chew. Yes, Huey is a bastard and a traitor, but are we really going to blame all of this on him?

The answer is yes. And the reason is that they need someone to blame that's not them. The whole big theme of Phantom Pain is that Ocelot, Venom and Kaz have to do their best to keep up appearances, for the sake of Big Boss and his reputation. He is a legend, he is above everyone else, and he can do no wrong. Except after the fall of MSF everyone thinks that he can, Ocelot says as much in the briefing tapes. And they can't have that. So they blame it all on Huey. (<- all of this is a dictatorship allegory and critique of governments and military systems btw. 1984 or whatever I haven't read it. yay symbolism.) And blaming Huey is easy.

Huey is not a fighter. His father was a scientist who worked on the Manhattan Project. He was born on the same day as the Hiroshima bombing, his disability was (presumably) caused by his father's exposure to radiation. It's not that there was no choice involved in what he was going to do in life, but it was kind of inevitable that he would get involved with building nuclear weapons. And even when he says he is thinking about quitting upon being found by Snake in Peace Walker, it's Snake who convinces him not to, offering him to join MSF instead. In the PW tapes he also expresses that if it weren't for his disability, he would've been anywhere else, doing something different and living a "normal life".

He talks about the concept of nuclear terrorism there too, about nukes falling into hands of people without state who would be able to use them however they want, and I wonder if that was part of the reason for his betrayal. He didn't make the decision to bring nukes to base, he doesn't actually know these people. If maybe he thought it prevented a hypothetical nuclear catastrophe. Huey does say that he trusts Snake not to use them, that he values how honest Snake is, and is honest with him in return, even telling him things he's never told anyone before, like about his plagiarism of Granin's work. So what changed between then and the inspection, what was his motivation for betraying MSF, why was he approached about it of all people? Did he lie in the tapes, did he change his mind, did Skull Face offer him something that seemed more compelling, just threaten him? We never get to find out anything about it aside from every other character screaming that he's just a coward. No villain monolog, nothing.

Maybe it was about feeling important, like he is in charge, something that the hostility he has faced throughout his life didn't allow him. Huey is a sheep among wolves (wolf in sheep's clothing more like, but still). He does not fit in with the buff cool masculine soldiers, and even while working with Strangelove at NASA, he was regarded as obnoxious and spineless. It's not surprising he agreed to work for Coldman, since he, apparently, was the first person to actually recognize his skills. And even that later turns out to be a lie told to use him. Huey rarely if at all has been treated seriously, he is an outcast, even among people who share his ideas.

All he has is his brain and his knowledge, but it's never framed as much of an achievement (despite people exploiting it left and right), nor is him essentially being the nerd in a military setting ever really viewed as something dorky or endearing by the narrative like with Otacon, because the characters around him don't see him as such (as a result, so don't the players). On top of that, every other person uses his mobility aids to further degrade/harm/threaten him, even though he is already harmless when it comes to physical confrontation. In short, people he is surrounded with just enjoy the powerplay.

Right up until the point he actually does something that hurts them. And this is where my favorite part kicks in.

All three Diamond Dogs' higher-ups blame Huey for slightly different reasons, some maybe even believing that they are in the right and entitled to it (looking at you Kazuhira), but I am more than sure they know what it is that they're doing. And it's not like Kaz lacks self-awareness either, I don't think. Maybe it's denial that some of his actions led to the death of his friends, maybe blind belief in his own martyrdom and self-righteousness (sounds an awful lot like another character we know, huh), it still doesn't change much. How they all frame the story is the same. Huey's powerless and pathetic, but has ruined everything at the same time. And it doesn't really make sense, but everyone on the base agrees. It's the moment where individuals turn into a crowd that demands blood, but at least it's not their commanders it's directed at!

The Questioning Huey (6) tape is a good example of that. I especially like the bit where he starts talking about how DD is not actually a dog, because on a smaller scale, it shows how people on Mother Base just roll with things that are objectively false and turn on anyone who says otherwise. No, DD is our beloved mascot, and we are called dogs, he is just like us. And it's not like DD is just a wolf either, so neither of them are right here. But each of them thinks that they are.

That's why the amount of genuine Huey hate is a bit amusing to see, I guess. Because it's precisely the thing the game is trying to commentate on. None of these people are good. None of them have it figured out. The point is that it's just narrative bias that makes you belive that some are, if not good, at least better than others. In reality, it's never about morals or being correct, just perspective.

Huey himself, on the other hand, falls into another extreme - in his eyes, he's done nothing wrong. Because he can do no wrong, he's powerless, like everyone's alway told him, remember? He sees himself as the victim, because in a lot of cases, he is.

You can say that he is a lying traitor and that the truth serum didn't work on him because of some failsafe Skull Face thought of, but really, would he bother? He didn't even view Huey as anything but a traitor he despised. you know, the guy who was in charge of organizing the betraying part. the guy who put bombs in people and wanted to commit mass-murder on a scale no one has seen before. So the obvious and the most simple answer here is that Huey whole-heartedly, truly believes he hasn't done anything wrong. He thinks he doesn't possess the power to, that he isn't important enough. And it's drilled so deep into him he never acknowledges it's not really true. Even when he kills Strangelove, he still doesn't accept that it is his fault and his actions matter.

That's my favorite part about him, I think. How deep in denial he is about having an impact on the people around him, while also having a sort of god complex when it comes to his machines. How everyone around despises him for it, while being the ones who caused it and doing the exact same thing, refusing to get off the high horse. Metal gear is a messy franchise about messy people, but it's good exactly because it shows what has messed these people up so much. And more often than not, it's the system they're surrounded by, or that they created themselves in an attempt to escape the previous one. It's easy to point at Huey as just a bad person and only that, but I find the context of his whole life and the ways he's coping with it really compelling. There is a lot of complexity to it, and in the end of the day, they are all hypocrites.

[holoscout]

another day another fern and jermaine sketch dump whats upppp

[bonefall]

Voted for Bumble bc of course but also if you think Alex would not pspsps Bumble you are wrong. If they could communicate they would go to therapy together /s

If then could communicate they would go to therapy together

/GEN

Kyle/Green Lantern resurrects her but then he becomes convinced that she's not the same person she was before the incident, OR SOMETHING SOMETHING Black Lanterns aren't ACTUALLY bad they're just misunderstood Grim Reaper types, in either case Alex ends up breaking it off with Kyle because they've become very different people.

And then Bumble's there

And then they go to therapy or Alex adopts Bumble, and then uhhh Bumble's like one of the superpets. Like Krypto the Superdog. Free premise go forth and play with it if ur a DC fan

[vegaseatsass]

A few hours after I sent @veliseraptor some Vegas AUs for that meme, another AU hit me which I became obsessed with and thus must now share: My Stand-In AU. Fusion? Whichever!

Pete is the tireless, hard-working, unseen power behind Kinn's action movie empire: his stand-in. The loyal guy who puts his body on the line for Kinn every day but remains invisible and uncredited for it. And that's just the way Pete likes it! Until one day, Kinn's insanely hot cousin cracks a joke about Pete's ass from behind, and this momentary unexpected attention awakens something in Pete and he starts wanting to be seeeeen. Luckily for him, Vegas appears to be... really looking? No, sorry Pete, he is actually obsessed with his cousin who hates him, and having one of his typical obnoxious, needlessly sexual (longingly sexual) comments be received with flustered joy instead of disdainful annoyance has awakened something in him. He never realized there was someone who looked so much like Kinn from behind, but when he's with Pete he can pretend Kinn actually wants him, that the affection of their childhood relationship still exists beneath all the toxicity.

Except the more Pete starts to show himself to Vegas, and connect to Vegas and see him in ways Kinn hasn't in as long as he can remember, the more Vegas inadvertently grows attached to Pete for who he is. But will he be able to communicate that to Pete once Pete finds out their relationship was originally All About Kinn? What about after he chains Pete up in his family's safehouse to keep him from breaking up with him/"choosing Kinn"?? And will this all resolve in a very psychological threeway with Kinn once he finds out his sneaky manipulative sexy little cousin has seduced his stand-in out of his service? STAY TUNED ON MY STAND-IN: LA FORTE!

[laundrybiscuits]

(wait for the season to come back to me tag)

“We still on for dinner this Thursday, or are you gonna reschedule again? Because I swear to god, Steve, I will break into your apartment and set up camp if I have to. It’s been years. Centuries.”

“It’s been a month, Henderson.”

“I barely remember who you are anymore. What’s your name again? How do I know you? We’re actually very happy with our current cable provider, thanks.”

God, that kid is such an asshole. Steve loves the shit out of him.

“Listen, I’ll see you on Thursday and explain everything, okay? Actually, uh—I’m kinda calling to give you a heads-up. Got some big news, so you should, like…brace yourself.”

Dustin’s quiet for a long, worrying moment.

“Steve. You have got to know that that’s the least helpful thing you could possibly say. You’re not even gonna give me a hint, man?”

“Wish I could. It’s not a bad thing, okay? Just big. Like…Upside Down big.”

“Okay, for my own peace of mind, I’m going to pretend you’re completely overreacting about the fact that you, like, got a dog or something.”

“I’m not—”

“Peace of mind, Steve! See you Thursday at my place! Don’t cancel or I’ll kill you!”

Steve’s left laughing into the dial tone. Honestly, he’d mostly called so Dustin couldn’t complain afterwards about not getting an advance warning. There’s just no way to hint at the whole Eddie thing without Eddie being present and accounted for; it would be the worst kind of cruel.

Steve can’t imagine what he’d have done to anyone who tried to tell him Eddie was alive without any kind of proof. It wouldn’t have been good.

“So we’re telling Henderson on Thursday?” Eddie jostles Steve’s shoulder. Steve thinks he’s been doing that a lot more lately.

“Seems like,” says Steve.

———

They take the train to Dustin’s place in Wilmette as soon as it gets dark out. Eddie’s bundled up in a nondescript hoodie and one of Steve’s denim jackets, looking like every other Chicagoan braced against the cool evening air.

They haven’t been going out all that much. Robin keeps asking if Eddie wants to do any tourist stuff, maybe the museums or something, but he always shrugs off the offers. Steve would’ve maybe expected him to want to get out and explore, now that he’s not cooped up anymore, but Eddie mostly seems to want to sleep, read, and watch TV.

Robin’s been on a campaign to educate Eddie about the ten years of pop culture he missed. “It’s essential for rehabilitation,” she says. Steve is pretty sure it’s just an excuse to make them rewatch all of Robin’s favorite movies, because some of the stuff she brings home was definitely already out in 1986.

Eddie draws the line at letting Robin show him music, though: “Nope, nuh-uh, no freaking way. I wouldn’t have listened to that shimmery synth shit if I’d been alive and free every single day of the last decade, and I’m not gonna listen to it now.”

Steve does have a few metal cassettes, but he feels weird about bringing them out. It feels like he’s crossing a line, somehow—admitting to something. So instead, they’d all traipsed over to the Tower Records a few blocks over, and let Eddie roam around sampling things.

To Steve’s surprise, Eddie hadn’t actually picked up that many metal albums. He'd grabbed the new Accept and some Alice in Chains, sure, but he also picked up Nirvana and Soundgarden. He had gotten into a conversation with a very helpful clerk that ended with the clerk scribbling a number on a business card and handing it over with a grin and a promise to make Eddie try some local act called Wilco next time.

Obviously Steve’s happy that Eddie’s making friends and charming people. He’s legitimately fucking thrilled that other people are finally seeing how great Eddie is, because Eddie deserves that. Eddie deserves the world, and if he wants to date some random clerk, he should get to.

It’s just that if Eddie Munson comes back from the dead to start dating some random clerk, Steve is going to have to go live at the bottom of Lake Michigan. That’s all.

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[burinazar]

ah it’s finally two years since i met my treasured weirdos