#like certain gods. probably not. but like a lot of them
Your brother is your god (a joshua juukulius poem)
You are who you cling to; god
is in the pristine refinement of the knight
where your only claim to family is crafting him, detail by painstaking detail, until he’s a proper heirloom
to make up for the fresh apples you cannot bite,
to make up for your stain on the face of your brother,
you are a forgettable person attached to an unforgettable name.
Did you think that because you were born into this that you’re deserving of that name?
The only existing god
is in the form of your finest accomplishment; elder brother
is the picture perfect knight,
a dog who serves well and does not bite
at the hand feeding him and carving him into an heirloom
fit to join every heirloom
that came before you. Him. Your hands shake as you cough up exertion blood and your name
back into your handkerchief, bite
down the longing for a god
who could make you so good that you have no need for a knight
always leaving you behind for lofty ideals. Your brother
is your hero, your brother
casts a light so stark that all you can do is cower in the darkness that is his heirloom,
his right to the path of a knight
that should have been yours, as your name
decreed, but you were born frail and so your brother picked up your burden for you. Your brother is your god
so this is why apples taste sweet when he picks them for you, but just as bitter when you bite
into the rottenness of being only his brother. You bite
into your brother
like that could make you a god:
Something worth saving, something sword-heirloom
sharp in its acceptable sort of way, a perfect portrait paired with that name
heavy on your shoulders like the armor of a knight.
And yet your brother is the greatest knight
because out of the two of you, who’s the one who saved the family from your bite
marks? You must never forget that as much as you made him, he’s the one carrying the crown of that name,
the one who saved you from being the sad, useless heir, so instead you are the sad, useless second brother
who is only there to stay behind to prop up the true heirloom
because there is no god
without you, and thus your knight is your apple is your brother
is your bite scar is your bed grave is your heirloom
and when the pearly floodgates make way—if you have no name, what is a dog to a god?
—
welp, hello!! wrote this for @deafknell ‘s rezero season 3 part 1 fanweek for the day 1 prompt: Memories / Rivalry / “—Shut up and put on your war face.” (this poem also couldve fit for the Names prompt later in the week but shhh.) joshua is a character ive really come to love especially the more i found out about his story and especially with having people like deafknell as beloved mutuals who enjoy him a lot and portray him beautifully!! so i hope ive done him justice his story hurts my heart 🙏🙏
also if youre curious—this is probably so juukulius coded of me to say this wjdnd—but this poem is a sestina poem which has a really unique structure of repeating six words (though i did repeat a few others but yes i stuck closely to the sestina structure) in certain places!! here i used god, knight, heirloom, bite, brother, and name!! really recommend googling about sestina poems if youre curious!! ive really grown to be fond of poetry as well. <3
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Normally, traitors aren’t frog-marched to the Emperors themselves, regardless of what rank of information they had. These aren’t normal circumstances, though, Techno bemoans to himself. For one, the man is refusing to speak anything but French and a tiny amount of broken Bayesh. For another, on being made, he immediately handed over about three folders of classified information then loudly waited for handcuffs to be put on him.
Phil is lounging in his throne; he’d never been one for propriety. This leaves Techno to be, uh, the actually serious one. The one adorned in uniform, sitting and glowering down. It’s lucky that the traitor isn’t a pigman, because Techno isn’t actually great at glowering, but humans are weird about pigman facial expressions so he should be fine?
The traitor stands before them and grins. In perfect Bayesh, he says: “Finally. It took way too long for you to catch me, bitch.”
Techno pauses. He stares. In Piglish, he barks to his guards: “Everyone out. It’s Leader business.”
They file out. They’ll be waiting outside. Phil straightens in his seat and reaches for his own sword.
Techno, laboriously, drags his hand across his face. He switches back to Bayesh. God, does he regret being fluent in multiple languages sometimes. “What are you doing here, Tommy.”
“Showing you your intelligence weak points, fucker. Do you know how easy it is to slip Bayesh spies in here? I was smooth. A smooth customer. I was hearing classified milkitary secrets—”
“You were caught within two hours,” Techno says.
“That’s—that’s just what you think, innit?” Tommy says. Phil laughs. He’s the real traitor here.
“Tommy. I don’t wanna have to cause an international incident, but I’ve had a really long day, so if you just tell me who hired you to run a spy op, and why you decided it was a good idea to run it yourself, instead of sending one of your experts…”
“No one,” Tommy says.
“Hey, don’t lie you little shit. Techno might not want to start an incident but I don’t care,” Phil says. He grins and holds up his sword. “You wanna wake up in a jail cell and reveal some secrets? We may all be Leaders but it won’t stop torture from hurting.”
“What the fuck, Phil,” Tommy says.
“No one’s torturing anyone. We’ll just bomb them later if we must,” Techno says.
“And I wasn’t lying. It’s—can I take the wig off by the way? It fucking itches.”
“I despise you.”
Tommy takes off the black wig, revealing his blonde hair. “Anyway, I don’t want to work with you guys either, so I figured I’d get your attention by like, acting like we’re enemies and stuff. Got hired for espionage enough back in the day to pick up that much.”
“Who the fuck wanted you as a spy?” Phil asks.
“Fuck you,” Tommy says and doesn’t elaborate.
“Please just tell us what you want,” Techno says. “Please. I can’t handle this much you at any given time.”
“This needs to be Leader to Leader,” Tommy says, and something heavy laces his words. The hairs on Techno’s arms stand up.
“You coulda asked,” he says, in one final desperate bid for normality.
“No, I couldn’t have,” Tommy says. “I think Chip’s dead.”
Techno doesn’t notice that he’s standing until he is.
“What?”
“Yeah,” Tommy says. “Yeah. And, uh, I fucking. Need your help to figure out what happened. Before we get blamed. And I know, politically, you’ve got no reason, but if we don’t figure out—”
Techno sits back down, heavy.
“I know you understand Piglish. Let me talk in my native language. Phil.”
“Yeah, mate?”
“Go get the stuff.”
Phil’s eyes darken. “Right. That. Well, I’ll be back.”
Tommy’s voice, for the first time since Techno met him as a newly-minted Leader, standing on a wooden bench and yelling about executions, is small.
“You believe me?” he says.
“Why else would you come here?” Techno asks. “Not like we like you.”
“Good, because I’m shit at infiltrations. Would have been embarrassing if you, like, didn’t know your enemy well enough to know that,” Tommy says. He’s saying something else underneath it. Techno is neither good enough at Bayesh or at Tommy to guess what.
“Let’s work out an excuse to make a treaty. And you tell me everything.”
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I think people overestimate how feminist team black is. If someone brings up how Baela should be the heir to Driftmark, it's always "she would've been Queen if not for the Greens!", ignoring that 1, she would be Queen consort, not a Queen in her own right, and 2 she has a legitimate claim in her own right to Driftmark. Team Black's goal is to crown Rhaenyra, but Rhaenyra becoming Queen isn't a win for feminism because it does nothing to dismantle the rest of the patriarchal system that exists in Westeros. From what we've gotten so far, it reads that Rhaenyra wants to be the exception and not the rule. Rhaenyra has made a lot of bad political decisions, which means she can't acknowledge Baela's claim because it would weaken her own claim (blatantly admitting her eldest sons are illegitimate would not end well for her to say the least). So she betrothes Jace and Luke to Baela and Rhaena to kind of atone for that, like as a consolation prize Baela will be Queen and Rhaena will be lady of Driftmark, neither of them would hold either title in their own right. It's good matches because the kids like each other and will treat each other well, but it's not a feminist win or a feministic liberation. It's usurpation, usurpation that takes place because Rhaenyra has to do damage control after having illegitimate children and after a serious of bad political decisions (both hers and her fathers, Viserys is the arbiter of this entire mess). To me, Rhaenyra is very reminiscent of Mary Queen of Scots, I can see a lot of elements drawn from Mary's history in Rhaenyra's story and character, down to their sons eventually taking the crown they failed to claim/keep.
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everyone on earth probably has a hypothetical farming sim in their mind's eye that they daydream about on occasion because of the unfortunate situation that despite there being like a thousand farming games released every minute only like 4 of them are any good. and i think this is fun, i think its good to keep the imagination alive. if i made a farming sim i would bring back rival marriages from the old friends of mineral town. i want to steal someones wife.
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For someone who's so thoughtful when he speaks, Lewis really does still give some absolutely terrible quotes when he's talking to journalists...
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#God tho this does make me want to pull back up that notebook fic snippet i had#of Margo confronting Molly about this too but like with science.#Margo would know. Just saying. She knows. ⃪ does this mean you have Molly/Margo fic?
Hi anon! sorry this is now several days late but boy do I. ( watched FAMK for the first time in February, wound up with Pages and pages of fic snippets (for a couple ships, margo x molly included) in chicken scratch on physical paper which is always a great sign that im being normal about a show, thought I'd cure myself if I just watched the whole thing a second time and absolutely only made it worse. )
I meant to answer this ask by just typing up the quick excerpt of the fic I was talking to myself in the tags about but...... started typing and did not stop. It lives over here now! Was not the one of the notebook fics I thought would see the light of day but you know? why not.
(I assume if you're here you, like me, have already read all the fics to be found but if you have Not read everything in that tag already, highly recommend. this fandom may be small but boy did it have good food on offer when I rolled in four years late fresh off a few episodes and absolutely screaming.)
Since I went ahead and dropped that one on ao3 at like 4am i'll throw in something a little more typical of the the notebook archives - how about this thing that exists entirely bc i noticed that used bookstore you can see beside the Outpost in season 1 and it gave me Ideas
Sometime post crossword-quiz / pre- run-in at the Jazz club.
Margo walks fast past the Outpost on her way over to Bargain Books. When she can, she prefers to park down at the other end of the street and not have to go by that eyesore of a bar in the first place, but when you double the size of the astronaut program with twenty female ascans, you turn street parking into a blood sport. On her salary, no way is she playing chicken with the corvettes, not even to avoid mustering a polite smile for a coworker at his inebriated worst.
Most days, that’s only an issue if she swings by after dark, the hour when everybody’s trickling out and stumbling home for the evening. Otherwise, the dingy whitewashed plywood keeps a nice impenetrable wall between book-seeking passers-by and drunken test pilots. Today, however, a spell of perfect weather is conspiring against her. Someone has the door propped open with a rusty paint can, letting the sound of laughter of clinking glass spill through it onto the sidewalk.
A flash of green catches Margo’s eye before she can make it past. Despite herself, she recognizes that shade in an instant. It’s the flannel shirt she had to reprimand earlier that afternoon for bringing a lit cigarette into the sim. Molly Cobb, bent over a pool table, chin twisted up towards Patty Doyle, grinning like a woman about to win.
Just Margo’s luck that this is the perfect time of day—indoor light matching outdoor light—for Molly to catch her eye straight through the open door as she makes her shot. 8-ball, dead in the pocket.
For no reason she can think of, Margo feels heat rushing up into her cheeks.
She stalks into Bargain Books in a hurry.
The sweater-vested owner behind the front desk gives her the polite nod reserved for a good customer (and disinterested conversationalist) as she beelines for Paperback Fiction. She finished Matheson’s Ride the Nightmare last night— should have picked up two when she noticed how short it was in the first place, but nothing else tickled her fancy when she was in here a week ago, so here she is again, browsing spines. Maybe it's time to cave and finally grab a 10¢ copy of Rosemary's Baby from the stack on the end, seeing as it’s the one highly recommended title in her genre-of-choice the entire country seems to have read in the last couple years, but she already knows the ending (and the entire premise of demonic pregnancy does not appeal for tuning out after the work day).
She’s dubiously eying the back-cover blurb on a Chandler detective thriller instead when a voice over her shoulder says, “Oh, Patty loves this shit.”
To her great chagrin, Margo jumps, gasps, and drops her book. “Jesus, Molly.”
“My bad.”
Molly squats down to pick it up, slouchy brown corduroy flexing over her thighs. She fixes a bend in the cover before offering it back to her, but when Margo tries to take it away, Molly doesn’t let go. Instead, she adopts a playfully quirked brow and tugs it back towards herself inch-by-inch, bringing Margo, frowning, a step closer than she was before. “Came here to see if I could talk you into a drink.”
Margo’s voice comes out approximately four steps too high as she looks around for some explanatory audience and says incredulously, “In there?” with a jerk of her thumb towards the Outpost’s adjoining wall.
“Yeah. NASA central, shithole though it may be, but I never see you around.”
“Well, I’m not an astronaut.”
“Neither are the five white-shirts who monopolize the best booth in the back six nights a week. They don’t check for a pin at the door, Madison. That’d be no way to run a business. It’s a bar. Come have a drink with me.”
“With… you.” She asks because she expects there to be an and. Me and the other ascans. Me and the rest of you white-shirt types in the back. Me and Patty Doyle.
But Molly just raps the cover of The Lady in the Lake with her knuckles and says again, “With me.”
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there's a lot to say about how house md treats women but I will say the show lets the women be way more complicated than some shows today
like yall still aren't ready for cameron
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the urge to throw a temper tantrum and sleep on the couch is high except I don't even know what I'm throwing a temper tantrum over and it will make my wife feel bad and I don't want my wife to feel bad, I just want to throw a temper tantrum
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still thinking about grief and recovery and support on this show because oh boy did the shows airing this weekend put me in my dead parent feelings
i said before i was concerned about how porjai is dealing with her own grief, and this episode we saw her easily talking about rung, and even casually yelling to rung that she misses her! maybe this is me projecting, because i can't do that, but this seems like a pretty healthy place to be, especially contrasted with mhok's relative silence, and i'm glad!
and mhok's silence doesn't come from anger or resentment (which are valid ofc, but i did wonder if imprisonment gave him time to work through this to some degree) but out of protectiveness. i fucking loved this, because it felt so realistic and lived-in. i lost a parent to intimate partner violence, and i NEVER open up about it; people sure have Opinions, and it makes me insane
but day finding out about rung offscreen wasn't on my bingo card, tbh. because we've been with mhok through everything he's found out about day
it doesn't bother me, exactly, but it feels slightly unbalanced, and i suppose what i'm thinking is: knowing what happened to someone doesn't actually tell you how they feel about it, or how it affects them, or how you can support them
mhok found out from that lady sharing personal medical info she had no business sharing about day losing his eyesight in the accident, but he put in the work to understand what it actually meant for day. and in most cases, we've seen day telling mhok about what troubles him in his own words (his crush on auggy, why he was avoiding his friends, etc)
bereavement is probably statistically more common, so i suppose it may not need to be spelled out for an audience? but i am wary, because there have been so many shows where characters are visibly — to me! — struggling with grief and everything else matryoshka-ed in it, but audience reaction simply doesn't factor this in
i'm also thinking about how often mhok tells day a story about himself with the intent of making him smile ("i bought two bracelets just because i had money to spend" "i found this rooftop when i needed to sober up" "my sister called this false rice". i'm certain there are more!). because this is what a caretaker does, or because this is what mhok does, or both?
because this always made me wonder what it would take for mhok to talk about something that wouldn't make day smile, or because he wanted to share. in the former case, it'd have to be something pretty bad!
of course, talking isn't the only way to recovery or intimacy. and mhok going from "i'm breaking up with my devoted gf because i don't want to drag her down with me" to "i'm going to ask you to be my bf" is pretty significant!
but as they navigate the journey from being caretaker and client to being boyfies, the balance has to shift around a bit to them supporting each other, consciously choosing to be there for each other
in this episode what we got was: you only want money to buy that car. and i'm not even mad about this, because this kind of comment is very in line with day's character. but wow. day, i know you're feeling big feelings, but throwing one of the few things you know about mhok's life in his face is. not it!
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when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is
the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".
so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.
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Eeee! Lookee what I just got in the mail today from my baby brother!
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Bwoahh thank you for the lore. It’s really interesting to see the spectrum of views towards humans. Their feelings are so different yet they’re so similar (like night and day lmao) . Rip Goddess of Earth for having to deal with those two for a millennia. Love to hear more about these two <3
— Penalanon
Aaaaaahh yes!!! That's my main intention with my god ocs tbh. Two things: what is their view towards humans(A), and what governing style do they believe is most effective(B)? And I guess also to an extent, how do they feel about interplanetary relations, but that's a bit too meta 😭 I just think Luna and Sola are an interesting case study because they're so uninvolved compared to all the others. But yeah 😭 they are so similar, but ofc they'll never see it. I like to think they're both fascinated but one is like this 😍 and the other is like this 😟
But here I will give you the thoughts of some other gods regarding the two things I mentioned earlier, bcs I think it's a fun thing to play with. At some point I'll have to make a chart like the political compass one about this lol.
Earth(Eden)
A: They're creatures of the land with their own autonomy and goals
B: I will not interfere, it is also my duty to observe and come in only when really, truly needed(read: never.)
Saturn(Sabah):
A: They're like toys I can play with and manipulate.
B: Proxy wars are fun! I love anarchy and chaos! I will play to each side at will, and switch whenever it gets boring.
Neptune(Nikola):
A: They're my citizens whom I govern and watch over. I love to see their creations, its interesting to see what they come up with!
B: I am like a monarch, I can carry out my will through the people if need be but I don't micromanage them.
Uranus(Ustinya)
A: They are like my children, even if I don't understand them all the time, I still care for them and watch over them.
B: I am like a figurehead and advisor. I won't get involved too much unnecessarily, but I am honored they look to me for guidance, advice and encouragement.
There's others but these are the ones that came to mind first so :D I feel like most of them are pretty rational...and then there's Sabah 😭 I need to make more of them a bit evil I think
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Okay, but Sam's shitty photoshop doesn't mean Bonfire is coming out, guys
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Honestly I’d really like to make some kind of MLP AU or redesign/rewrite or whatever else of the sort because MLP was essentially my first fandom and it’s extremely nostalgic to me, but I’ve seen so many people do it already and have found myself physically incapable of producing something that isn’t blatantly copying what other people have done :/
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i think the issue is that, because the dance of the dragons would be seen as a pretty black and white issue for any modern audience (is there anyone who reads fire and blood and ISN’T on team blacks), and because the showrunners wanted to make this more of a muddied water situation, they have put a lot more effort into characterizing and fleshing out “the queen’s party” than they’ve done with “the party of the princess”. we learn a lot more about and get a lot more character work for people like alicent and aemond and helaena and even aegon, far more than we ever do about jace or luke or joffrey or baela or rhaena or even rhaenys, and don’t get me started on how just fucking confusing daemon is half the time, and what we know about people like corlys is pretty one note. rhaenyra’s the only one of that side who’s getting anything fleshed out, as opposed to literally everyone else opposing her where we get things like otto’s ambition warring with his love of family, while everyone on her side of the board is ridiculously flattened out to one or two character traits, or basically being furniture, where we get things like me being genuinely confused over which of laena’s twins is betrothed to who and how does she even feel about it, who knows.
and it’s ending up in this bizarre situation (for me at least), where intellectually i’m on the side of the blacks because they’re just in the logical and moral right of the situation that’s going to create the dance, the matter of the succession, but i’m so much more emotionally invested in the greens and in their desires and growths and struggles.
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Just recalled a memory from elementary school that made me realize I really did just have ocd from a young age
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