#like garfield minus garfield is funny

[anti-ao3]

i can't be the only one who hates those videos like "x character has schizophrenia" and it's just the character talking to themself, right. those videos suck.

[variousqueerthings]

fascinated that in toeing the line of "the doctor both is and is not asexual, and because the show is ostensibly sexier now there should be imagery of especially david tennant and various women (shockingly no men with ten) smooshing lips," it means that the doctor only ever instigates a kiss when it's got some scifi-type reason behind it, even starting with nine removing the time vortex from rose.

so only counting lip-to-lip contact for a second here*:

jack kisses the doctor (the parting of the ways)

nine removes the time vortex from rose (the parting of the ways)

cassandra kisses the doctor (new earth)

madame de pompadour kisses the doctor (the girl in the fireplace)

jackie kisses the doctor (army of ghosts)

the doctor leaves a DNA print on martha (smith and jones)

martha gives the doctor cpr (smith and jones)

john smith kisses joan (human nature)

astrid kisses the doctor (voyage of the damned)

the doctor kisses astrid goodbye as she dies (voyage of the damned -- only instigation on the doctor's part of any kiss)**

donna shocks the doctor out of being poisoned (unicorn and the wasp)

christina de souza kisses the doctor in planet of the dead and is overall very flirtatious at him in a way that almost feels like idk. an anti-romance plot. it's like everything that came before (and tbh... also amy and river song) in terms of "sexy" doctor-and-companion tension is lampshaded and made a bit silly. I don't know if this is just because the actress and dtennant have minus chemistry, but it's very funny that this is the final flirting + kiss and it's so very... "shrug, you're not going to be my companion, okay, goodbye"

*I think the only time the doctor even jokingly talks about kissing is in dalek's of manhatten, when martha and bby andrew garfield/frank have been captured and the doctor arrives. martha expresses her relief, and the doctor says something along the lines of: "well, you can kiss me later. you too frank, if you want." this is to diffuse a very scary/tense situation

**I tend to read the astrid final kiss as a kindness/comfort rather than romantic interest or sexual interest. because she is dying. and she kissed the doctor earlier, and is very scared

but wait! tentoo and rose were really going at it, you say! tentoo is part human/specifically human in a donna sense. tentoo is also super up for settling down and having a monogamous relationship, which isn't exactly the doctor's style in any regeneration. so yeah.. tentoo is another part of the tightrope, just like john smith. change the doctor into someone who is almost-but-not-quite the same, enough plausible deniability and voila, it's almost like the doctor is kissing someone, but crucially, the doctor still Is Not. in tentoo's case, the doctor is in fact watching it happen with a somewhat despondent look, before turning and leaving without waiting for rose to say goodbye. because, youknow. canonically the doctor cannot give rose what she wants (because he's not alloromantic/allosexual because he's an immortal alien) so it's better just to leave

lastly flirting: the doctor does flirt, but not often. the most flirtatious the doctor gets outside of above kissing line is when jack briefly joins nine and rose, and I'd call that the jack-contagion (affectionately, it's a good thing). ten, actually, flirts... less. comparably. (and hilariously is annoyed that jack flirts so much around him) a bit with rose in christmas invasion and new earth, but apart from the "sexy" wink, not very overtly. I mean, maybe I'm very ace, but I think they do banter rather than flirting. the one time the doctor interprets something as flirting that funnily enough isn't is when rose is talking to a cat. the doctor similarly gets flirted at (madame de pompadour, shakespeare code, martha several times, health and safety, silence of the library) but doesn't tend to enjoy it or often even notice it

[popculturebuffet]

Here Comes Garfield: The Fantastic Funnies (A Comission For Emma Fici)

Hello all you happy people! And welcome one and all to Here Comes Garfield, my look at all things garfield. For the rest of the year this feature will mostly be a look at the 11 garfield specials, minus babes and bullets which I covered previously, as well as his appearence in Cartoon All Stars to the Rescue for last 420.

So for those just joining us: I'm a lifelong comic strip nerd, ever since my dear Aunt Paula gave me her spare copy of the Indespensible Calvin and Hobbes in the 3rd grade. From there I slowly glommed on to other strips over the years: From FoxTrot, to Doonesbury, to Get Fuzzy to Zits to Cul De Sac, to recent faviorites like Pheobe and Her Unicorn, Crabgrass, the Steenz version of Heart and the City, and Breaking Cat News, which i'm wrapping a huge retrospective of soon, and whose place this retrospective is taking on my friend Emma's Patreon slot.

I love talking about this fine art, fitting your best work in just 4 panels, all the wonderful characters many simply don't know exist, all the weird shit that happens.. it's good stuff. So naturally I also gained a love for specials based on them. And while I loved the Peanuts ones and will climb THAT massive mountain someday, as a tween.. my faviorites were Garfield's and it's how I fell in love with the fat cat, the cool cat the nobody's cool cat.

While younger me did like garfield as a strip, especially that one arc where Garfield gets caught in a window blind and it conttinues to suck in an escalating number of people

Truly the "Snoopy's Awkward Nephew" of Garifield comics. Pure art. But while I liked it, it was watching the specials on the DVD garfield as himself that sucked me into the character. The DVD"s were released around the time of the first movie and releases of Garfiled and Friends to cash in and they certainly got my money. 12 specials, all ranging from excellent to watchable, and all wil lbe covered this year.

However before I can tell you that story, I have to tell you this story: See while Here Comes Garfield was Garfield's first SPECIAL.. it wasn't his first apperance in animation. Two years before that Garfield lept onto screens and into the inky depths of animation with a short but scene stealing apperance in the 1980 special the Fantastic Funnies, an apperance I honestly didn't even know existed till recently, but is such a weird and important piece of garfield history I had to cover it and Emma was on board to comission it.

So what exactly IS the fantastic funnies you may ask. Well i'll tell you.. you may ask. The Fantastic Funnies was a sequel to the earlier special The Fabulous Funnies, a celebration of comic strips interviewing various creators and including a live action on animated bit with Rob Reiner. I haven't seen it but if there's enough intrest I might cover it. The special was a hit for NBC, with CBS regretting having passed over the idea when animation maestro and peantus producer Lee Mendelson suggested it. After they remembered he'd pitched it and they'd been stupid at all of course, as is the executive way. They called dibs on the next time.

The next time was 12 years and an animated series that didn't do so good later, and CBS was front and center for the Fantastic Funnies, taking the concept but spiffing it up: this time the interviews were, with two exceptions, each accompanied by an animated short, there was an animated bit to start it off, and we also got a few musical numbers and live performances from the broadway cast of annie.. well two of the broadway cast of annie bu tthat's still more of the broadway cast of annie than has been on this blog so touche Fabulous Funnies, touche. It's the most 70's thing to come out of 1980 and i'll be covering the whole thing under the cut.

Fantastic Funnies is hosted by Loni Anderson, who at the time was on CBS' hit WKRP in Cincinatti.. and what i've seen of it is excellent. She hasn't really done anything else i've seen, but she seems nice enough.

This makes it awkward as hosting wise she feels shoved into the special. The script she's given feels awkward, with her only genuine enthuasim coming from Barney Google. I honestly wish I could be as jazzed about Barney Google and his go go gooogly eyes as Loni Anderson apparently was in 1980. I AM that jazzed about Snoopy's awkard teenage nephew

But it's not the same alas.

I can't even blame her as anderson was already frustrated with her pay for the series she did do and would demand more from the network leading to a brief exit from WKRP. I can't be too hard on her for not giving a fuck about an extra gig they saddled her with she didn't ask for with a script written by a block of wood on several pounds of qualudes. She did her best under the circumstances.

The circumstances also include getting animated as a cartoon, lucky, and getting to introduce a panel of various comic strip all stars of the time.

Okay so going row by row, with the strips self titled unless otherwise stated.

Front Row: Charlie Brown and Lucy (Peanuts), Nipper (Wee Pals), Dennis the Menace (US Comic), Nancy and Sluggo and Little Orphan Annie. Second Row: Blondie and Dagwood, Dick Tracey, Barney Google (Snuffy Smith), Alley Oop and Prince Valiant

Third Row: Pogo, Tumbleweeds, miss Peach, B.C., Beetle Bailey

Back row: Michael Doonesbury (Doonesbury), Broom Hilda, Drabble, Cathy and Hagar the Horrible

And in their own section because dogs apparently don't get bleacher seats at Walden, where I assume this is taking place as the only college out of these strips, we also get the dogs and one very special cat in their own section.

So Snoopy, Daisy (Blondie), Fred Basset and Garfield who are all about to throw down when Lonnie announces they have to get back to the human world for the show. But before that a song they all prepared, and it was at this point in the special I had to ask myself the tough question:

I still don't know. But yes the song is like living in a living nightmare and I don't care for it. It's thankfully short and Broomhilda takes them all to the real world. But that's a story for another day

Sadly not that day.

For now the special settles int' it's formula: Lonnie introduces a cartoonist, they talk about how their strip came to be, we get an animated segment about it. The only exceptions to the last part are Wee Pals, which instead has it's creator voice over one of his strips directly and Prince Valliant, who gets jack shit.

It was at this point I also realized a bit of an issue. While I mentioned my love of comic strips.. most of the ones I adore come from the late 70's onward, with Doonesbury and Peanuts being the big exceptions. I don't have anything against strips from before that time, I've read what I could of Pogo and want to read more and Krazy Kat is still well loved for a reason. I've also recently gained an appreceation of popeye thanks to Randy Millholand's take on the franchise.

The thing is I started devouring every comic strip I coudl in the 2000's. It was a great time for that as every strip got at least ONE collection, so even if you didn't read the newspapers, you could get a sample of a wide range of strips in book form. Boondocks even got a hilarious title out of it for it's first book.

So I got to sample a wide range of strips, many of which I still read today: Get Fuzzy, Zits Pooch Cafe, For Better or For Worse, Baldo, La Cucaracha, Cul De Sac, Lio, Luann, Rudy Park, Adam@Home. Many strips I first found in collection and binged later. Sadly this went down in the 2010's but thankfully the kids comics boom has meant many newer strips have gotten collections. It's why I have collections for heart of the city and crabgrass on my shelf.

But as you may of noticed... most of those either started in the 2000's or in the 90's. Most of the kings features based strips simply didn't get collections and thus I didnt' notice them.. and by the time I could i'd mostly heard of them by reputation as dinosaurs that would go on till the heat death of the universe via various legacy artists who wouldn't really change a thing.

And I do GET why: a lot of these legacy strips.. are ran by family members who want to honor the legacy and may simply not feel comfortable altering the strip too much. I'm not asking that dagwood suddenly become a t-rex... i'd love that, but I get i'm not everyone's target audience. Not every strip can be Pooch Cafe and go entirley off the rails AND still be every bit the strip it always was AND be good

It's hard. So I do have some sympathy. It's not limitless: while I get not doing so say in the 2000's when handing your strip off to another cartoonist, let alone your DAD'S strip wasn't a thing unless they were going to stay the course, in the 2020's and late 2010's we've had a bunch of great reboots and soft reboots of legacy strips: Randy Millholand of Something Positive fame did such a fantastic job on popeye sundays he got a weekly slot with olive and popeye, giving other creators the chance to do their own olive oyl strip basically alongside his. Mark Tatulli got tired of doing heart of the city (Lio both continues and slaps hard) and rather than phone it in or end it, handed it over to the talented Steenz, whose work on the strip is both something entirley diffrent but something entirely fresh and fun with some tight continuity. Olivia James made people care about Nancy for the first time in decades and has a nice dry wit. And while Henry Barjas keeps the soapy stylings of gil thorpe and hasn't changed as much as his contemporaries he still isn't afraid to shake things up having Gil go through a divorce, get two new assitant coaches, a third assitant coach who was once his arch nemisis and making the teen cast far more diverse including trans and non binary characters, being one of the few creators to do so in comic stripery.

While I don't want you going after these old men, and please for the love of god DO NOT GO AFTER THESE MEN. I do not want that. I may gripe, but these seem like decent guys just ones who won't evolve and have no reason to. I'm just outlining why maybe i'd rather read strips that keep growing with age or have fresh new voices rather than "Dagwood still hasn't left the 1950's and when theyt ry to it's embarassing for everyone involved. "

I.. didn't mean for this to turn into a screed on legacy comics that never really changed but it makes it all the more special tha ta lot of these creation stories for these comics still fascinated me.

The big standout was Wee Pals, a strip I hadn't heard of as it ended in 2002. Wee Pals was created by Morrie Turner, a cartoonist and protege of Charles Schultz who bemoaned the lack of black characters in the newspapers. Charles told him why not make one, and Wee Pals came about, with Turner diversifying the cast to drum up intrest creating one of the more diverse casts in earlier comic strips as a result. Nowadays it's a tad quaint, but I can't fault the man for trying to make comic strips less white and i'm glad I know this pioneer exist. I'm also mildly annoyed his strip wasn't animated, as it was one of the funneist present, with our heroes talking about one's pet chameleon.

There were other intresting stories too: Cathy Guthwise based Cathy on her own life, just changing Cathy's job from cartoonist to "whatervers funnier". Broom Hilda, a strip about a wtich, was something his creator tried pitching as an add character first. IT's small stuff but it always fascinates me how a strip comes about.

The only outright hilarous one is Johnny Hart, who kept trying to sell a caveman character, his friends asked him to put up or shut up so in his words "He drank 4 beers and the caveman slowly came into focus." He just.. outright got hammered to fuck because that was a normal thing in 1980 and created a classic comic strip out of it that later became obessed with jesus. Amazing.

The interviews are neat and while I may not like these strips I respect their creators.. and the creator of Hagar for putting on a viking helmet. Good stuff.

As for the animated segmets.. their eh. Like I said most of these strips are pretty gag a day and it seems like the shorts just flat out animated a strip. Which can work as it does for the raeson we're all here, garfield will come soon I promise, but for the most part it just dosen't land for me

In two cases they just flat out take bits from pre existing specails: For Doonesbury they take a bit of Joanie at the daycare.

For those less drenched in the deep and complex lore of doonesbury as the werido who has a ton of print books and bought digitals of strips he already had and books he already bought years ago just to have a copy on kindle: Joanie Caucuss was once a house wife, who got tired of it and her husband clinton and hitched the first ride she could away from his sexist ass. That ride happened to be with strip lead Mike and his best friend and revolutinary Mark on a motorcycle trip to find america. They took her back with them, she joined them at their commune, and soon got a job in daycare while trying to become a law student, which is the status quo the special used. Soon after she'd become a law student, head to berkley, find the love of her life and a long LONG list of other stuff up to present day where she works as a campaign manager on occasion during her alleged retirement.

It's not a bad bhit, but I get the sense they wanted to pick the least political thing they could.. yet weirdly DIDN'T go with the musical number or the dinner the group have. Or you know just accept doonesbury is political and include frank discussions of the 60's in this special.

For Peanuts, they just include an animated bit of snoopy singing suppertime from your a good man charlie brown. It's new animation far as I can tell, as the bit wasn't in any of the specials and they woudlnt' adapt the musical till the mid 80s. It's fine I just question why they didn't recycle anything from the specials.

Finally Cathy is from it's special, but fits, with her "wanting to have it all". A very cathy joke and frankly had I not found out she has three specails, i would not have been able to tell.

As for the other material either recycled from the fabulous funnies or made for this special, i'm going in no paticular order.

Beetle Bailey: Beetle runs away from sarge to try and get out of doing the obstacle course

Hagar the horrible has a trite bit about his wife telling him to take out the garbage VIKINGS DON'T DO THAT. YOU SO SILLY HAGAR.

Dennis the Menace keeps drawing out bed time because kids do that, even immortal children who aren't all that menacing.

By now your starting to get what a mountain it was to climb this special: short interview, unfunny skit, short interview unfunny skit, rinse repeat, toss away my sanity. I TRY to be positive on this blog, try not to be a dickhead.. but this special is so damn boring half the time. The interviews are kinda neat but the animated bits are just.. so lame.

So as a break let's talk what else the special did to fill time. Loni Anderson sang the radio themes to Popeye and Little Orphan Annie. IN the former's case.. that's all you gets. No adventure, no high seas just her singing the popeye theme. We dont' even get a musical number from the popeye movie because it hadn't happene dyet. I want to hear bluto say i'm mean over and ove rand over again. I"m that desperate.

Annie DOES get the cast of the broadway show, a huge hit then and forever, to do two numbers, both iconic and both well performed: The first is I dont' Need Anything But YOu, the cute duet between Annie and Warbucks, and then of course Tommorow best sung by bill the cat.

But the kid they use here does pretty good herself. They have it sung at the only playground in budget for some reason, but they did their best.

We also get a truly batshit bumber about peopl eneeding their funnies, from reading them as they go down the fire pole to IN A MOVING CAR. Yes even serial murderers need their funnies as they mow down pedestrians. It's nature's way. I do relate to tha tboost you get from reading them every day, I do so and I have to use three diffrent sites: one for andrews mcmeel, one for king features, and one for the webbcomic kevin and kell. So I get it. Three's also a closing number I ran away form.

The final non torture bit is Johnny Fever from WKRP. Due to a news strike he's tasked iwth reading the comics and drmatically reads flash gordon. Howard Hessman is hilarous as always, the bit is fucking great, and it woke me up after several strip adaptions put me to sleep. good stuff.

Back to my cycle of torment, and we have a Blondie cartoon and one of the few animated bits in the specail that was intresting. And unintetionally hilarous as Blondie gets dagwood THIS haircrime done to him.

What makes it funny is that not only is this haircut too much even for the 70's, but Blondie LOVES it, as do the kids.. despite all three of them having never updated their styles. Granted Blondie's hair game is timeless, so I get her point but it's just a .. weird plot to pick for blondie.

Naturallyt his being blondie instead of forcusing on the problem of "his wife wants him to try a hair cut that makes him not feel himself" it's in part him worried tha this friends and co workers will laugh. I mean they will, it's as if Luke Skywalkers hair started to eat into his brain, but that shoudln't be your takeaway and him washing it out while Blondie's alseep solves nothing and isn't funny. "Haha he can't be honest with his wife and she's going to later cite this incident to thier marriage counclier". Granted I would ENTIRELY read Dagwood's hair causing a divorce between them, but i'm not sure that's an arc Blondie readers want. I do wnat reprints of golden age blondie as it apparently involved Dagwood having to get disinherited to marry blondie, getting drunk, and other soap opera stuff more intresting than Dagwood trying to single white female mark hamill. Huh now THAT'S a Disney + series i'd watch. get on it disney

The other really fun one is Marmaduke. This one's just kidna fucked up. Marmaduke want sto go sleep in the same bed with the kids, which can somehow fit all three and is adorable so I don't get why not, but the dad tries to make him go outside because that was the thing with dogs. It hasn't aged terribly with charlie brown because snoopy clearly likes having his own pad and the inside is larger than most mansions, let alone the brown house

And when the whole thing burned down in one of the more sobering strips in the series run

Charlie Brown dutifully helped him plan his new house

Honestly I could talk about Snoopy's house burning down all day but it's not what you came for. You came to hear me tell you how it relates to Marmaduke. My point is Marmaduke just has a regular ass Dog House, and just wants to sleep in bed. I get this was normal at the time, it used to be the norm that dogs woudln't sleep in bed.. but my Dog YOshi curls up on my mom' sbed every night and maddie, my other dog , only dosen't when she's not on her own bed restfully asleep as she is as I type this. what i'm saying is maybe just maybe forcing dogs to live outside at night was cruel jackassery and maybe letting the big old dog curl up at the foot of the bed or, if he prefers tucked in while old man bastard can sleep outside and think about his life choices. Also i'm shocked this wasn't the plot of either marmaduke movie. It's so perfect. One man's journey to be a better dog owner .. or Marmaduke repeadely hitting him in the nuts with a tennis ball machine and other various objects. I"m not picky. Also i'm not touching either of those films unless someone pays me the 15 dollars it'd take to comissoin it. I'll review plenty of garbage on my own time, but I have limits. Pete Davidson is very much a hard and fast one. Owen Wilson is fine though. We love owen in this house.. but even he can' save cgi marmaduke and we all know that.

Pogo also takes a bit from the then upcoming film I go Pogo.. a guy I don't know tries to take two passing critters for a ride using the old shell game.. only to have put something under every one. i'ts a nice joke and it works well, and the gorgeous claymation. Given it's both election based and based on a comic i'd like to know better, me reviewing that .. would still be 15 if anyone wants it but far less of my own personal hell. But i'm more likely to do that one on my own. Fun fact: pogo's election storyline's inspired bloom counties, which I will be covering this year or at the very least the 1984 one.

BC has some bit with a turtle. It sure does exist

Broom Hilda asks who the fairest in the land is and her mirror calls her second. She responds by breaking it. This bit.. was actually funny. I'm not sure Broom Hilda would be for me as it's main gag seems to be "Gee isn't a woman chasing men against their will funny" which

Same other way around or with non binary folks. But I did like this and her horning in on mike's close up

She looks like she's about to hit on him but adorably so and he looks just.. so done with it as he always is. I mean.. I can't have turned out worse than Mike's actual first marriage. his second is pretty ballin though.

Mama has her Son say that life is a song.. onlyf or her to sing about him neglecting him. Get it because guilt tripping is funny! This is apparently most of what Mama is.

Finally before our main event we have tumbleweeds with sexual harassment as some lady refuses to let tumbleweeds go. And that's not me being lazy that's his actual name. Though to it's creator's credit he retired rather than let it become "a zombie strip", so good on him.

Okay now for what you all came to see

Also garfield

Garfield's first aniamted special was MOSTLY worth the pilgramage here. While ti's only a few strips repeated, it's fascinating for just how diffrent it is from Here comes Garfield a few years later.

For starters the Fantastic Funnies used an early design for our faviorite cat, not the iconic entirely weird by this point earliest garfield but one more in between, not quite upright yet, but not nearly as realistic as day 1 garfield.

To the classic peanuts team of Mendelson and Mendez's credit they did a wondreful job, likely why they were chosen to produce the specials till the companies backing peanuts asked them to stop helping out rival specails, and this version of garfield heavily resembles what he was like in the strip this frame is based on

It's also telling how fast Jim Davis was evolving the special that by the time it aired Garfield had already changed his look up a bit, if still not fully to his more classic 80s look.

It's not a HUGE change, just a little thinner, with the bigger change being in how he sit's/stands

It's just a testament to how slowly but surely the character evolved in apperance over his first decade or so and part of what makes this intreresting: while the specials help chart this evolution, and helped cause it as Jim needed to draw Garfield with SKinnier legs for the opening dance number of here comes garfield, it's nice to have this bit of his evolution frozen in amber.

The voices behind the characters are intresting: to my shock Thom Huge ALWASY voiced john and basically only stopped doing it when he retired. Thom did voices for commericals and was an old frat brother of Jim Davis who Davis asked for help with this special. While the producers would recast huge for Here Comes Garfield, he sent them a tape and became THE voice of john in the same way Lorenzo Music became THE voice of garfield.

WHile that's weird enough... what makes this special stand out besides the earlier designs... is Garfield's Voice. It's not Lorenzo Music, who would DEFINE the character in my eyes and is THE garfield, no question, though Frank Welker and Bill Murray are admirable.. but Radio DJ and voice guy Scott Beach.

Beach is take is intresting as both Murray and Welker clearly take from Music, while Beach largely does his own thing. Instead of the dry, sarcastic bored tone Lorenzo perfected, Beach has that but it sounds more like Jean Shepard'ss narration in a christmas story. Shepard isn't bad but his voice for Garfield is less relaxed, mor ebooming and confident. It dosen't COMPLETELY fit and makes the short feel a tad weird.. but it's also hard to judge the voice as, like I said EVERY voice after took cues from Music. he left the perfect blueprint. The fact Chris Pratt isn't that dry, sarcastic , laid back voice the character has been defined by hasn't helped his case voicing the character at the time of this review. Beach does a good job, but he just didn't quite fit and it's hard to compare a 2 minute performance with dozens of hours worth of material from Music. Beach did a decent job, but he just wasn't the right guy for the part, simple as that. his voice just didn't fit Garfield's give no fuck nature that well.

Finally we have the specific strips adapted. nd the garfield wiki was a huge help here. Seriously fan wikis can have a bad rap but many are done by dedicated people who save me a LOT of work and do a lot of through research> Kudos guys, thanks for your help. So the wiki has each strip adapted. Excluding the "I have feet? " one we have

Not bad choices: they get all the garfiled bases: he dosen't like catching mice, likes food and Jon weight shames him a lot. Simple, quick and well done.

Overall the garfield shorts for this special are excellent. It's a short bit but it gets the character down and it's easy to see why, despite being the new kid on the block at only two years old at the time, garfield's the one who go ta specail out of the deal.

Now does he make the specail worth watching?

I mean if you like comic strip history like me, you'll get something out of it. There's a bit on the inductees into the hall of fame, but even then it's a long slog of interviews that are fairly short and shorts that are both short and tedious. The good bit here or there cannot save this.

Other than Garfield .. there really isn't much to write home about for the casual viewer or if your a fan of Peanuts and Doonesbury like I am, as both bits can be found elswhere. It's easier to either fast forward to the bit with a comic you like or find the garfield bits in their own little video, of which there are plenty. I'm glad I reviewed the special.. but it just hasn't aged well and probably wasn't that fun to begin with. Even as much as I ranted about how much I didn't know the strips.. i'ts still presented so dryly even if it had strips I liked more in it, it'd still be a bit of a slog. There's just not enough genuinely good stuff or loveable nonsense to keep this afloat. Skip the special but DO check out the early garfield stuff. It's brilliant.

Next Time: The first proper special as Garfield must save Odie from the pound.. after he grooves to Lou Rawls a bit. As is nature's way. Thanks for reading.

[blairwaldcrf]

@strideofpride tagged me to share 8 shows to get to know me…

1. Sense8

so, like, other than the beautiful themes and diverse cast of characters there's a particular belief system of mine that runs parallel to this that I'm not inclined to talk about on main, but that is why this is number one

2. Under the Banner of Heaven

not because it's true crime, or even because I love Andrew Garfield; but because I've never seen a show portray growing up mormon in utah with such dead accuracy

3. Gossip Girl

believe me, I wish I could erase this from the list, but it first aired when I was a teenager and influenced me staying in an abusive relationship idealized on the show that changed the entire course of my life, and it would be disingenuous not to include it

4. Vampire Diaries

there's a few reasons I include this, other than my blood kink this show inspired, and how deeply I got into fandom for this show more than any other. the main one being Caroline Forbes and how closely my life parallels the more human aspects of her life an eery amount

5. HIMYM

look, a lot of the humor and jokes are very much not funny to me anymore, and all the characters are extremely flawed, but I can't pretend I haven't seen all nine seasons (minus the finale) almost mine times

6. Batman the Animated Series + Justice League

what got me into comics!

7. The Magicians

so much about this one, but a lot can be summed up with: Julia Wicker

8. Gilmore Girls

I didn't technically watch this through until adulthood (see grew up mormon reference earlier), but I do very much love it

honorary mentions to the shows I briefly watched a few episodes of as a teen to get at least some wlw rep while closeted: degrassi, south of nowhere, and the oc

tagging: @takaraphoenix @legendsofentity @missbrunettebarbie @gotlostinwonderlands @nateserenas @nbshrubberry @freddieslater @dylanobrienisbatman @insistonyourcupofstars @rachelblairy

[flowers-and-literature]

My Headcanons:

You're super short but you look kinda tall

I feel like you have braces...?

You usually wear jeans and denim stuff

You may be involved if your school has a theater. You're probably a theater kid

I feel like you're out of the closet but also not. Like a shoe out or a shoe in

You're probably the weird kid at school

I think you're pretty open wit your beliefs at school. Not so much with family

Friend issues. Like you may at times feel left out in the group or that no one in your irl friend group gets you (other than a few exceptions)

I feel you might not know any other ppl in the same fandoms as you irl

You probably like to go out with friends and have fun and party in anarchist fashion but at the end of the day, you probably end up staying home

I feel it might be hard to actually get you to loosen up irl but once that is done, you're like super crazy and fun and hyperactive. This is gives me noodle energy. Like noodles before boiling v/s after boiling, if that makes sense

(Ok so this was me trying to dig into your brain. I may have accidentally projected while writing some of there oops)

BESTIE!!!! THIS WAS SO SO ACCURATE WTF???? YOU'RE SO EPIC!!!

-i am indeed incredibly short 😔 the second I can get my hands on some platform boots tho I'm never returning to regular shoes lmfao

-you're close!! My teeth are more crooked than your average politician, and at some point in life (probably very very soon) I am going to need braces for sure

-also correct! I'm wearing some right now. Bestie are you in my house how did you know?? Lol yeah but half the pants I own are denim & there's also a denim jacket in my closet that I tried to punk-rock-diy but did not work and we never speak of it again

-also correct, I was in my school's play last year (2 years ago technically. Still not up to date on this 2023 thing) and will try auditioning this year if I like what they're doing

-definetly. I'm standing in a doorway with Garfield socks on one foot & Nikes on the other

-how did you guess 😭 but yeah. Being weird is actually super cool you guys did you know that did you know my autism makes me sexier than all of you did you guys know that /lh (funny story: I also was not aware I was one of the weird kids until late 2022 and idk how I made it that far without realising tbh. Like yeah the short kid with glasses and who never shut up about musicals is a social outcast?? never struck me tbh)

-yes!!!! I'm very open with paganism at school & around my friends but half my family thinks I own an I ❤️ Jesus t-shirt /not serious (about the tshirt thing)

-yeah!!! That's exactly it bestie!!! Like I love my friends to death ofc but sometimes it does feel like I'm the only person who understands me (minus mutuals cuz ily guys)

-saugdrysufa yeah again. Pros of being Weird: fatter ass than anyone I know irl & bites people. Cons of being Weird: the only one who shares my specific interests & bites people.

-okay this one actually called me out to hell omg. You're so 100% correct like I'm always itching to hang out with my friends and go places so bad. But anxiety & the fact I cry whenever plans get changed which is very likely when setting up a meet-up are against me. Gods strongest warrior blah blah 💪😔

-noodle energy!!!!! That's what that is!!!!! Yes I do suffer from Noodle Energy Syndrome. And honestly it happens quite quickly which is funny cuz you think you're meeting this chill person and then they see you again and are giving you an in-depth recount of their day filled with many hand flaps and dances and jumping

[mr-imagin8ion]

Mixed Breeds: my biggest creation

This time last September, I discovered and read the newspaper strip "Mutts", about the unadventures of a dog and a cat.

It was a complete dead zone.

Half the time, the attempts at humor were thin, and half the time they weren't even there and there was only some poignant ad for some save-the-animals cause. There was like a total of ten gags, sometimes they forwent a comic and just overlaid an animal drawing with someone else's quotation, and it was sometimes just used to support a charity instead of tell a story.

But when a canvas is mostly blank, that means there's a lot of room to paint. So I decided I would completely rewrite "Mutts" to be something exciting and interesting and entertaining and charismatic and nonpartisan and funny. Taking a page from this show called "Bagel and Becky" that was from this country called Canada, I created "Mixed Breeds". It's like Square Root of Minus Garfield for Mutts.

In the Mixed Breeds canon, here's the story behind it: it was created by a man pen-named Notrick McDon'tell, a former storyboarder for the Bagel and Becky Show. When the show ended, he discovered that "Mutts" had become devoid, and traveled back in time to 1994 to take Patrick McDonnell's place and save comedy once and for all.

(Sometimes "Mixed Breeds" will do crazy inventive fantasies to make up for Calvin and Hobbes, which I also abhor because it's really pretentious and editorial and serious and editorial and serious and pretentious.)

To honor the 29th anniversary of "Mutts", I will start displaying the comics today at 6:00 post meridian and continue on a sesqui-monthly basis until it catches up to the present.

[kirbywithaknife]

My sibling replaced garfield with an aloe plant, please enjoy

[cuddlyscribe]

hello! (minato req back for more)

thank you for answering all my asks! i don’t send them very often in general but you’re really nice and have been super helpful (i get super anxious sending anyone anything)

i looked at your fandom list and i was wondering if i could get something with Garfield aka Beast Boy from Teen Titans?

maybe something where recently joined reader is struggling to unwind after a fight and he’s helping them or making them laugh? can also be ns or sfw! whatever you’re comfortable with~

thank you 💖

of course bb! thank you for being so patient with me, i really do appreciate it. i understand feeling that way, though. you never know how someone will react to your ask! i hope you enjoy your request, too. don't be a stranger! ❤️

(i decided to go with sfw this time since i'm in a wholesome mood (t-minus probably like two hours days until i'm in my horny brain hours again)

Beast Boy is a natural when it comes to getting people to relax. Well, to be honest, it depends on who you ask that. Cyborg would beg to differ.

But in your case, Garfield tries his very best to be more on the funny side and less on the "please-shut-up-or-i'll-stank-ball-you-in-the-face" side.

He instantly comes to your aid after a particularly rough mission. Not the worst the team had seen but it was up there, and Gar could understand your tension afterwards.

Now, he genuinely, really, seriously, likes you and he doesn't want to mess this up. The last thing he wants is to push you away or make you upset with him

So he approaches you cautiously while feigning chillness, plopping on the couch next to you for a moment before saying anything

But now that he's closer up, he can tell that you're really upset and you're having a hard time winding down after that fight

He doesn't think before he speaks (oftentimes not a good idea), but it's so genuine how he asks if you're okay, if you want to talk about what happened, etc. His concern comes from the heart

As you two talk about everything, he can see you visibly begin to de-stress. You relax into the couch and you're smiling. Forgive his rapidly beating heart

Gar goes for a dorky joke about how you absolutely destroyed Control Freak with your attack, using sound effects to enhance it

And when he gets a laugh out of you, he stops for a moment and has his glitter in his eye. His grin grows about 3 sizes larger

Now he keeps the jokes coming, smiling more and more as he can tell how much better you're feeling

Just as things are starting to wind down, he asks you if you'd like to run out and grab a pizza and watch a movie. Just something to help you decompress.

He's screaming in his head about how this is TOTALLY A DATE

And he can't help his excited cheer when you wholeheartedly say yes.

[homeofjonicles]

The Jonicles - Entry 19

image above drawn by me using a really cool technique i learned on tumblr!! (the reason it says 30 is because jon is 29 in the strip and i wanted to reference that)

It is currently the 28th of July, 2022 at 7:19 am! This date is a very special one all revolving around a very special boy - It's Jon's birthday! You have no idea how long I've been waiting to celebrate the birthday of this beautiful man! It is also officially day #70 of my Jon Arbuckle hyperfixation (and 7 is a lucky number!), making Jon's birthday extra special as it lands on a great milestone this year!

You know, I've been waiting to write this entry for so long, I know who I'm going to write about and I know that what I'm going to write has to to with the special significance Jon has, but I never knew ehat to actually write on the notes these are written on. But Jon, O Jon…

Jon has really been there throughout almost my entire life whether I have realised it or not. When I was merely a small tiny child sitting on the floor watching Garfield And Friends, his smiling face was there onscreen for 4 year old me to enjoy. When I was still just a young boy sitting in my room reading my dad's Garfield strips, Arbuckle was lovingly sprinkled throughout the pages, prodiving chuckles and smiles wherever he went. When I was a young prepubescent boy, I had discovered and became fascinated with the complexities of the Garfield Minus Garfield strips and was introduced to the sadder side of Jon Arbuckle. And again, when I was only 11, discovering the hilarious and fucked up Garfielf shitposts and binging a compilation of them, Jon was right there the whole way in various different depictions, all of them making me laugh and smile. Every bit of my life that popped up that was even slightly Garfield related, whether it was a fact, or a funny shitpost, a meme, a comic strip, Jon was there, even if he wasn't present, he still lingered and floated around in my thoughts by pure association alone like a gaurdian angel.

And now… now we're here. On that fateful day of May 19th, 2022 at 4:24 am when I witnessed that singular image of that man, Jon appeared in my life once again and this time as a hyperfixation on a fictional character that I never could have predicted. He showed up in my life in a very special way at a time where I'm still discovering things about myself and when I've been feeling my lowest. Confused, in denial, anxious, hopelessness, nothingness, all these things swirling around in my head, and then here comes Jon. That handsome devil, that dorky loveable goof, that relatable fun cartoonist, he had swept me away into an interest that I could have never known would actually keep me in a state of fascination and joy, I think it's even at special interest status at this point! Jon is here, in my heart and mind. And he kinda is like a guardian angel in a way. He's always in my thoughts, his adorable little face looking over me contently. And it's no wonder he's always there if he means so, so much…

Jon is relatable. Incredibly relatable. I have went through this time and time again in many entries, especially Entry 3 which I'm still debating on publishing. But Jon is relatable, sometimes even painfully so and even to the point of me jokingly questioning "hey, maybe i am jon, haha wouldn't that be cool". He's like a representation of me, and I know that's because Jon is written to be relatable, but he's just so much more to me. His quirks, whether it's sorting his socks alphabetically, wearing colourful tacky mismatched suits, playing silly games with his cat like "Guess The Burp", somehow gluing a blender to his face for a strange and inexplicable reason, I am that. And I don't mean that literally, I haven't managed to glue a blender to my face (yet), but it's those little things Jon has that mirror my own quirks. And you may think "well yeah, everyone has quirks!", and you're right. But because I have a strong connection to Jon, because my identity closely matches his in many aspects, those weird and wacky quirks of his feel incredibly familiar like I was the one with those behaviours. Like I was Jon.

And it even goes into feelings. My behavioural and emotional patterns remind me of Jon. He can go from happy and jovial (not matter how fake it is) to null in the difference of a single panel. He can go from being somewhat content with his life to suddenly waking up the next morning and deciding he's going to completely flip it on its head and move to… Antartica or something before dropping that idea too. He can be completely silent and quite depressed looking through an entire strip, paying no mind to the situations unfolding around him, completely unenthusiastic at all. And that… hurts sometimes, especially when Jon isn't upbeat or goofy or even just happy. When Jon is just quiet, solemn, deep in thought, feeling worthless in life, there's no joy to his expression… It not only hurts to see a character I care for and love so dearly in a state of unhappiness, but it hurts in a more personal way. I feel those things, I feel almost exactly like Jon. Unworthy, numb, solemn, confused, anxious. Sometimes I'm scared to pull that lever and continue forward, and I often question the point of doing so, that nagging question that always hangs around in my head. But knowing Jon feels the same, knowing the connection I have to this single character, it makes it easier. And yes, I know that looking to fictional men for help doesn't replace actual social interaction or any professional help, but it helps. Jon helps.

Jon is here for me in my thoughts, I know that for a fact. It's been 70 days already, I think that's well established. He's a friend, a guardian angel, a buddy, a metaphorical shoulder to cry on, no matter how fictional he is. He's been there through thick and thin, he's seen my grow and I've seen him grow as well, and between that barrier that separates reality from fiction is a single connection between he and I. I probably sound like I've lost the plot, but if one day that barrier were to shatter and crumble and I was able to actually see Jon in person, I would. I would be his friend, be able to talk to him, be able to see him right there, I could share my thoughts on the connection between us, and it would be swell. It would be special. It would be theoretically catastrophic if that barrier broke for all fictional characters but hey, at least Jon's there, lol (and maybe Lyman could finally be free from his void prison…..)

So, Jon, on your special day, I celebrate the personal and emotional connection I have to you, as well as your birthday, because you mean so much to me. You mean so much to a random autistic kid from Australia who has a little too much time on its hands to write these, and I'm happy for that. I'm happy that you have been throughout my entire life and many other people's lives to share this similar connection with. You are a pretty underrated character, but you will not got underrated in my heart and in my thoughts, and I swear on that fact. You are special. You are worth something. You are Jon. So, happy birthday, Jon, from all of us. Whether some have been there since that first little strip in a small local paper in 1976, or whether some are just starting to read the comic today, we wish you a happy birthday. Love you, Jon <3

Last edited at 8:18 am

Happy birthday to our special boy from not only me, but many others in the Garfield fandom. Have a great day, Jon, you deserve it :)

Cheers,

Your Local Jonnoisseur

Posted on the 28th of July, 2022 at 8:43 am.

[scary-ivy]

Outta nowhere; what comic strip would you see getting the garfield minus Garfield treatment? I hae already considered Calvin n Hobbes and have found the idea sacrilegious. Thank you for being still here and alive, please have a good.

I love the concept of Calvin and Hobbes but like Garfield minus Garfield. The obvious choice seems to be to remove Hobbes, but honestly I think it's funnier if you remove Calvin. As for other comic strips...idk this is hard. XKCD isn't technically a comic strip, but a lot of the strips have the format of two characters talking and one of them ranting about a science concept, so I think it would be funny to remove the one who's explaining the concept and just leave the other charters reaction. Also removing Popeye from Popeye might be interesting. Have a good 👍

[conundrumrespeculis]

Garfield Pet Force

Ive been thinking about this book series a lot recently so I have decided to plague y'all with it and try to convince you to read at least one of the books with possibly the best sales pitch I know.

The "Story So Far" summary of book two (Pie-Rat's revenge) minus the spoilers for the first book, which I have put under a readmore because it does, in fact, take up a solid amount of space, and not everyone wants to read the glorious premise of Pet Force.

1

The story so far... There exist an infinite number of universes parallel to our own. Each one is similar to ours, but each one is also unique in it's own way. In one such parallel universe, a group of superheroes known as Pet Force kept the peace for many years. Each of the five members of Pet Force possessed incredible superpowers that they used to battle evil. Recently, however, an evil veterinarian with magical powers named Vetvix defeated Pet Force, banishing the five heroes to a ghostly dimension from which there is no escape. The kind and benevolent ruler of this alternate universe, Emporer Jon, lived on a peaceful planet known as Polyster. He called upon his sorcerer- Sorcerer Binky- to find new beings to serve as Pet Force. Using his magic cauldron, Sorcerer Binky opened a doorway between Emperor Jon's universe and our universe. He brought Garfield, Odie, Arlene, Nermal, and Pooky into the parallel universe where they took on the powers and appearance of Pet Force.

...

And Ladies and Gentlemen this is just the tip of the HAT for Pet Force. Emperor Jon? The Pet Force version of Jon Arbuckle. And it SHOWS. Not to MENTION they actually give a story and reason that works really well for the world that's been built as to HOW such a dunderhead got on the throne.

And Sorceror Binky? If you haven't guessed it already, He's The Pet Force version of Binky the Clown and it's THE funniest shit. He also is just a great character in general and you can just tell he's amazing just from dialogue.

Vetvix? The Evil Magic Veterinarian? The Pet Force version of Liz. And she is lean, mean, fashionable, sassy, and wants to rule the universe. She won't stop at NOTHING to get what she wants, but she's also a legitmate character. She has likes and dislikes, people she gets along with, and people she hates, she has devious wins and frustrating losses. But she won't give up!

And if you get annoyed at her for some reason? You can read one of the books where she's not the villain! Pie-Rat's Revenge focuses on Pie-Rat (Yes he IS a pirate rat that likes food and he's brilliant he wears an eyepatch and peg leg despite needing neither just because he's commited to the aesthetic) escaping from "jail" and teaming up with Garzooka turned evil to go commit crimes such as stealing food.

Or if you don't like him you could read about the lethal lizards! Some incredibly engaging criminal reptiles that got superpowers and decided to commit crimes! Their names are Dragon, Chameleon, and Snake. So I think you can tell what reptiles they are. And they're absolutely ridiculous I love them.

And I haven't even MENTIONED the fun of garfield and co. in superhero roles. Specifically their names are Garzooka, Odious, Abnermal, Starlena, and Compooky! And they are also ridiculous and at times not very heroic, including the times literally everyone got to be evil. Yes I am counting the mutanator. No I am not spoiling their surprise in this post.

The original Garzooka was a heroic leader-type, but put garfield in the drivers seat and you have a glutonous lazy superhero with a heck ton of power who at one point eats the cords for a spaceship. I'm like 98% certain he's got an iron stomach. If you know garfield, you know how ridiculous he can be.

Odious is literally Odie. Big heart, but oh so no thoughts head empty. Literally can lift up an entire castle and also make infinite drool (this was not tested but definitely implied). He has also knocked people out on accident because he forgot he does that when he licks people. A total idiot but I love him.

Abnermal is Nermal. Incredibly annoying, likes comics, looooves to pester garfield, and really funny ok, he literally annoys people as one of his superpowers. But also he knows when to shut up (sometimes) and is always super excited for being a super hero!

Starlena is absolutely fabulous. I'm just gonna get that out of the way now. She's most certainly the most mature member of the team and kicks ass. Literally the smartest other than Compooky, but honestly nobody beats Compooky in smartness. She takes no shit but also genuinely cares about other people. One time she saves the day by giving a snappy comeback. She is fabulous.

And Compooky, the literal super computer and garfield's best friend. He's the brains of the team, but can't fight very well (he's literally a teddy bear) so usually he stays on the ship. HOWEVER he's fucking badass ok? Literally gets captured by enemy forces and is so smart he escapes all on his own. Absolutely terrifying when given power I love him.

And if absolutely NONE of this convinces you to read at least one of the Pet Force books, that of which are:

Small, easy to read chapter books.

In posession of bomb ass cover artwork.

Readable in any order without losing context due to the story so far bit at the front of each book which gives you the context needed.

Quality.

Then I don't know what to tell you.

Unless it's because you've seen the movie bc if you've seen the movie I will tell you the movie literally becomes better after you've read the books. I would not enjoy that movie half as much as I do if it weren't for how it does a silly take on the books and both plays into them and seperates itself from them. Do not judge the books from the movie, and the movie from the books.

[popculturebuffet]

Top 20 Animated Episodes of 2020 Part 2 (#10-#1)

And we’re back.. The first part is HERE, which includes the first 10 and my thoughts on this past year in animation, so we can cut the long intro and get right into it. This is the best episodes this year had to offer in animation, and it’s , without meaning to, at least a third bojack horseman. On with the show. 

10. I Am My Monster (Steven Universe Future)  “We all had Steven when we needed him, but the only person who's never had Steven is Steven. He's always been there for us, so... how can we be there for him now?“ Oddly “The Future”, a finale I did really truly enjoy.. is not on this list. Really good episode, it’s just Future was easily one of Steven Univereses best season, tightining up the pacing without loosing what made the series feel special and really digging into some of more unhealthy aspects of steven’s life. And while the future is good and certanily the needed epilogue.. this episode is the climax, the cumilation of EVERYTHING Steven had done and gone though and something fans sadly saw coming and just had to simply watch, unable to help as Steven slowly lost himself. Previously on this list we saw him hit rock bottom and it only got worse: He went to home world, attacked white diamond due to his pent up trauma and once again ingored attempts to help him, this time from the diamonds and spinle, angrily refusing to listen to his own words she she sang Change at him.  This only got worse in the briliant and sadly edged out of the list “Everything’s Fine’ A really damn painful episode where steven tries to assert he’s okay and act normal.. only he cant and he destroys everything around him, and even repeats pearl’s text trick from a single pale rose with a pained voice message to connie saying to help steven. But the pressure of the LONG overdue intervension and the fact it came too late.. means steven confsses his recent sins.. and instead of taking them for twhat they are, spur of the moment acts caused by a toxic influence and a fuckload of ptsd and unreseovled issues with white that while certanly not okay are symptoms of a larger issues takes it to mean “Im a fraud”.. and thus he horriingly corurpts.  So here we are as Greg, Connie and the main gems all gap ein horor as Steven has corrputed himself, reduced to a monster whose not even malcious just.. sad.. so full of self loathing he can’t function and at risk of STAYING like that. And the relization hits hard.. and hits everyone who joins in hard. The auxilery crystal gems soon join but attempts from both groups to stop Steven do nothing. The diamonds arrive.. and not only are saddneed by what htey’ve doned but equally powerfless to stop him.  Everyone breaks down, blaming themselves for not seeing this sooner and for speding YEARS piling their issue on the kids, everyone ready to give up as they loose the person they care about most.. except one. Connie proves to be the hero of the episode, rallying the others with the above, pointing out Steven would happily help them if he could.. and that’s the problem. He’s spent his whole life fixing other peoples problems and focusing on that.. but never had someone to be HIS Steven. Fighting him’s not going to work.. he needs to know he’s loved... in the end the final battle of the series is not some struggle of life and death.. but of love. What wins the day isn’t a fight, though our heroes various powers do come in hand to restrain steven.. but it’s all of them, one by one telling them they love him in easily the most tearjerking moment of the series, cumilating in connie softly playing a kiss on his nose... and it’s this that FIANLLY frees steven from his self made prison.. finally realizing h’es not alone and that no matter who or what he becomes.. his family loves and forgives him. While we REALLY needed the next episode to wrap things up after this swell of emtitions. this was the climax the series desrved: after spending 6 seasons trying to help everyone ELSE and fix their issues he never should’ve had to.. it’s eveyrone else who gladly pitches in to fix steven’s own issues, to help HIM when he’s at his lowest point like they’ve been, and make it so he can FINALLY heal and finally find himself once and for all. IT’s one of the finest episodes of the series and easily the best of future. 

9. The Perfect House (Close Enough)  “I’m this close to connecting garfield, TO JESUS”  This one’s just really funny, charming and creative. Simple as that.. I could move on but eh i’m a wordy bastard. Once again we’re focused on Emily, this time as we find out an endearing hobby of hers: She likes visiting open houses and fantasizing about affording a better place she likely never will afford, one with trash can nooks, a kitchen and a living room that are fully seperate, and indivudal bins for tea and sugar... and when it’s pointed out she dosen’t drink tea it’s only because she has nowhere to put it.  But after Josh and Candace get them thrown out, if adorably so, Emily is forced to face reality... i.e. Alex, in one of the series finest gags, in his underwear with conspiracy boards trying to connect garifled to jesus and having a jug of his urine around for some reason. Did I mention I love this weirdo because I do. Brigette is painting in the ktichen.. using her body as the canvas, though in a bikini because the show wasn’t streaming only yet. You’ll have to wait a season for possible boobs. Naturally this just stresses her out so she goes to visit more houses while Josh vows to buy a family bike, a large circular bike for the whole family, as an activity because of course he does and of COURSE he also has a recurring issue of being mocked by some random kid about not having one. 

So she escapes and meets dave and caitlin, a husband whose family life is miserable and a child star who got emanicapted and they quickly form a psuedo family to look at open houses.. only to, as if to remind you what show your watching, instead end up in a tgif sitcom... and trapped in a styigian void, with only Emily desperate to get out. Also she’s been missing three days and Josh has some thoughts on that and goes after her.  Naturally given she’s crashing in on her fake sitcom family, this oly has him seen as a plot element, and Emily’s attempt at cursing and everything she can , while hilarious fail.. but the climax is what makes the episode and what inches it slighlty above quack pack.. which itself was fucking awesome. Instead of FIGHTING the format... Emily is forced to play into it, and realizes a cheesy moment of emtional honesty is what’s needed. She apologizes to her fake family, saying their nice but she has to face the world and to josh and much like Donald, seroiusly this episode was made years ago and there’s no way in hell frank knew about it, she just needed an escape but it’s more healthy: instead of wishing for a life she never had Emily just wants a break from the life she does for five minutes. She’s happy where she is, with her loving husband, wonderful daughter, impulsive but still carring best friend.. and well okay maybe not Alex, there’s somethihng really wrong with him, but as much as I love the guy I admit he’s not for everyone. I’m also a borderline feral man covered in hair who wants people to know i’m smart. I get him. 

IT’s this that sets her free.. and we get another amazing gag as Dave’s family shows up and Dave chooses the fantasy.. though instead of this being thorughly pogiant it’s just “classic dave”. COmplete with title sequence. And of course it ends on a family bike with Emily getting those tins from Josh. Their relationship.. is REALLY what makes both this show and this episode in paticular work. Here while Emily screws up, it STARTS innocently enough, simply faking being a family and spirals into tgif because while this show isn’t, possibly, in the regular show cinematic universe, it’s defintely in the same multiverse. She just wants some peace of mind from a chaotic life, but dosen’t resent her husband or anything.. he just frustrates her sometimes which is fair. But he’s never portrayed as an abusive asshat which you think would be a low bar to clear but.. you’d be suprised. Point is it’s a wonderfully weird and somehow still unique despite being one of three tgif parodies this year. Seriously that shit is a goldmine. It’s how Dashieel Driscoll got half a season out of full house and a good chunk of a very special epsiode as a whole out of it. Though a certain incident helped. 

Point is good show, jolly good show... and ew’ll be right back with the rest afte the cut

8. Agony of a Witch/Old Bodies, Young Souls (The Owl House) “You always thought you were better than me! That I could never Beat you at anything! “  “I AM Better than you!” “Then WHY WERE YOU SO EASY TO CURSE?!”  The Owl House was a show I took WAY too long to catch up on after missing the second half of season 2.. minus Enchanting Grom Fright which I caught first run and we’ll get to that story shortly. Point is my procastnation did me dirty here as this show , which was already fantastic just got better and better, cumulating in this epic, heartdestroying, soul punching, beautifully animated finale that takes everything the show has built up thus far, blows it up in some places and uses it to beautifully end in others, leaving us with a new road for the future.  So yeah naturally it’s been a long ride as one of Owl House’s strength.. is that no episode is filler. No really, each one has a purpose great or small in the larger narrative, and every major arc has been expertly paced and crafted, bringing us to this point. The only major arc or plot thread left out is Amity, and that’s honestly for the better. Make NO mistake, she’s a great character.. but like fellow great Donald Duck, she was left out because the episode had a LOT of emotional stuff going on, a lot of plot to fit in, and a lot to do and it’s simply better for her character and for the moment’s she’s bound to have in response to well.. everything happening here, to let it breathe next season rather than try to shove it into an already stuffed two episodes.  But this episode is one long string of payoffs, and payoffs creating more setups: So all season Eda, our loveable witch, has been grappling with a curse that turns her into an owl beast, one that’s been getting worse as far back as the mid season finale Escape from the Palisman. She’s been needing more and more elixer to combat it, a harrowing parallel to some real world diseases: Sometimes your meds can only DO so much to combat something actively killing you.. thankfully this time.. not speaking from personal experince.  And Luz finds out soon into the episode as Eda makes a cloak of witches wool, which can deflect powerful spells, to protect herself.. only to black out and go owl just as she’s saying she’s fine. Like most parents would Eda hid just how bad things have gotten and it’s gone from needing just one bottle of elixer to needing their entire suply, and even that barely worked. Despite her mentor’s assurances, Luz is now PAINFULLY aware her mentor is on borrowoed time... not helped by the fact the coven attacked earlier that morning and she finds out by finding hooty playing tea party with them, meaning Eda is outgunned, outmanned and while Lilith failed, again.. the emperor can now easily find her himself and send whoever he wnats and however many people he wants to fetch her.. and Eda can’t use too much of her magic or else.  So while Eda and King, touched by how much Luz has changed them, decide to throw a suprise party with King making a big cake to jump out of and Eda using witches wool she intended for herself to make her a cape. Meanwhile as you’d expect Luz.. is plotting a dangerous and life threatning mission: with a field trip to the Emperor’s Coven that day, one she was going to sit out because you know they hate her second mom for dogmatic and vile reasons the episode fleshes out, she finds out they have an artifact called the healing hat that can seemingly heal anything.  So she does what Luz does and comes up with an impulsive plan to heist the thing.. but for once her impuslivness isn’t played for laughs. Her mother figure is slowly sucumbing to a fate worse than death, for once instead of just acting rashly because Luz.. she’s doing so because she KNOWS, that she has no other choice. Nothing else in sight and she’s smart enough to know that if Eda had a cure she’d of told Luz about it. Even if it was dangerous or required a sacrifice or something Eda would’ve just left that part out.  But the trip serves a few other purposes besides getting Luz where she needs to be for the plot that makes it work: it elaborates on just what the emperor’s coven is like and WHY Emperor Belos gets away with everything: He claims to speak for the titan,  the giant dead monster whose body makes up the boiling isles and who, as Luz has discovered, is the source of the magic there. So when he bloodily, I mean it’ sa kid show so they dont’ say so but given how violent this one is i’m asssuming bloody, took power, he claimed they were doing magic wrong, killed any hertiics and set up the rigid coven system. It explains just WHY the boiling isles limits themselves, gives the whole thing a creepy dogmatic religion vibe.. something that i’m REALLY suprised disney let them get away with as they had to fight for gays in the series.. but at the same time shouldn’t be because hunchback of notre dame exists and Soul , released the same year, was a big gamble against the bible belt. So their not afriad of religious groups.. but they ARE afraid of homophobic groups.. which have a lot of overlap. 

Point is it’s a good storytelling device.. and cathartic given i’ve been playing Fire Emblem: Three Houses as I finally bought it with some christmas money. Good game, probably will talk about it in the future, not the point here. 

The point is that the visit gives us some worldbuilding that helps show just how much of a threat the coven is and why their so intent on capturing Eda. We also finally meet belos, god emperor and man tired of Lillith’s shit and giving her till twilight to get Eda.. or presumibly die. I mean he dosen’t say it but he sure is implying it as loud as he can.  That’s when things go pear shaped for Luz who finds the hat.. and LIlith who has found her barganing chip to lure Eda to her, which works as well as you’d expect and leads to the best figh tin the series thus far and one of , if not it’s best scene; A duel between edith and lilith. And while they fought back in Covention this time  it’s not a petty squabble between siblings masquerading as one trying to capture the other.. it’s  fight NEITHER can afford to loose. Eda can’t loose her protege and Lilith will loose everything, dying at best being cast out of the coven at worst, if she fails not to mention loosing what she feels is her only chance at saving her sister.  But it’s also VERY clear Lilith is groosly outmatched, and while no slouch herself Eda’s constant bragging about being “the most powerful witch on the boiling isles”.. is entirely backed up. Lilith barely is able to hold herself and only gets ahead by using a child as a shiled, going even lower than her sister. However the stress of this, the build of having been the older sister of someone who constantly outshined her then turned entirely against her, finally causes lilith to snap.. and reveal the curse is her fault. Cissy Jones delivery here.. is jsut perfect, showing a mixture of rage and pain, showing that she’s spent YEARS hiding this, years resenting her sister for constnatly being better desptie working harder and doing the right thigns. Even when she’s trying to HELP Eda, genuinely trying to undo her mistake as we find out and as we’ve seen genuinely sees the emperor as the wise and benevlolent god he portrays himself as.. she can’t let it go. SHe can’t see past her own bitterness to see her sister is right and if she could just let this go and work on Eda’s terms instead of forcing Eda into her world, then maybe it wouldn’t of gotten this bad. Maybe she could’ve told her. 

Eda takes it about as well as you’d expect, and Lilith.. uses this to threaten luz’s life and force eda to use up her magic to save her, leading to the series most heartbreaking moment and Wendy Mallick’s best acting so far as she bids her appretnince a tearful farewell. Luz RIGHTFULLY and angrily lashes out at lilith calling her a monster while Lilith takes Eda and urges luz to go home... and after a tearful ending with king realizing something’s deeply wrong.

So thus next episode after a history lesson from king and some suprisinging caution as he KNOWS what Luz is up against.. Luz still decides she dosne’t care. Eda’s sacrificed herself, to Luz it’s her fault she’s in this which while KINDA accurate missues some fine points such as her sister’s stubborness or the fact had lilith not shown up she could’ve taken the hat. And the fact LIlith saying the hat was junk was pretty unreliable. What i’m saying is maybe the child shoudln’t blame herself for being kidnapped while genuinely tring to reach the same goal. 

But Lilith soon learns to her horror her sister was right. While Belos restores Eda’ss sentience even fully owled.. he has no intrest in helping her, eveyr intrest in publicly petrifying her, and not even the slightest hint of remorse at betraying lilith this deeply. After all her faith in the man.. Belos spat in her face and told her to like it.  Meanwhile Luz goes on the warpath, and we see just how far she’s come.. and WHY Belos is probably so restrictive with magic and put it on such a tight leash: we see that with her natural power and just a handful of spells, the four she’s pciked up over the season, she easily curbstomps the conformotrium staff, gets to Eda fairly easily.. and fines sshe can’t free her and eda wants the door destroyed so whatever Belos wants with it, he can’t have it. Luz heads home, ready to destroy the door.. onlyt of ind two things. her magic dosen’t work there.. and Lilith followed her and grabbed king. After a breif fight and Luz angrily and rightously confroting the asshole, wish she was in Eda’s place.. Lilith admits luz’s right and gives her backstory: That her insecurity was so great that on the day before a duel with Eda to determine who got into the emperoror’s coven, she curfsed her own sister, with no idea it’d last this long or get this bad. And with no idea Eda had lost intrest in it and WILLINGLY gave her sister teh spot.. It’s very clear despite her masssive flaws that will need to be adressed.. lilith never stopped caring about her sister, and it took all this to make her realize that trying to fix the mistake on HER terms without including her sister.. instead has almost cost her it.  So Luz and King relucntnatly take her help, though the other two are quickly capatured when theyt ry to get to hte exceution platform and thrown in the cage with Eda.. which dosne’t help the coven’s reputation as gus and willow try to make a case for Eda. Meanwhile we get the SECOND best fight of the series as Luz challenges Bellows.. and it’s UTTERLY chillling and while he’s had scenes before this it’s here we get the true scope of who he is ..and that like eda the god complex is something he can back up. Whlie Luz proves just how strong she’s gotten by keeping up with him it’s barely, and it’s clear from the moment go, and one of the series best shots, with Belos creeply materlizing behind her before announcing “sure, i’ll play” that this is a game. She’s no challenge to him and he simply wants to see waht she can do and is mildly impressed if a tad annoyed at her actually damaging his mask. But with Eda, King and Lilith’s lives in the ballance the only way Luz can save htem.. is to give him waht he wants. 

Thing is, just like Lilith, just like everyone has, good an dbad all season.... Belos undereesitmated luz.. who left fire runes on the door, willnig to sacrifice ever seeing her mom again if it meant keeping him away from her. While he has no invasion planned whatever it is CANNOT be good. Luz saves them, and Eda flies them off with Belos saying the titan dismissed them. Also that Belos has a big penis.. super huge, size of a tractor that one. Yeah that’s the ticket. 

But we get  a happyish ending as LIlith does what she should’ve done a long time ago and apologizes, and Eda starts to fogive her, brought on by King earlier standing up to her as whle he’s not happy with her either, he realizes from her story she’s not a bad person.. just a very messed up one who couldn’t own up to her mistakes. One who belivied in the wrong person to fix her problem and finally takes repsonsiblity and part of the curse into her. So with the sequel hook of Eda having lost her internal magic power but still being able to use glyph’s like luz, we also find out the Emperor has the door and a mysterious masked minon,.. who i’m fairly certain isn’t amity only because it’s too obvious. This is simply how you end a season: It’s engaging, heartbreaking, well animated and pays off EVEYRHTING so far while setting up the season to come. It’s going to be a LONG wait till next time, mid-this year.. but I can wait. The high from this one’s going to last a while. 

7. Good Damage (Bojack Horseman)  “ That means that all the damage I got isn't good damage. It's just damage. I have gotten nothing out of it and all those years I was miserable was for nothing. I could have been happy this whole time and written books about girl detectives and been cheerful and popular and had good parents, is that what you're saying? What was it all for?! “

Bojack Horseman is one of the best shows of the last decade, and an important one to me. it was the first one I watched when we switched to all streaming. I really related to Bojack and his struggles with depresion and self loathing.. which backfired given he’s a much worse person than me and while I could relate, I also compared myself too much to a character who in retrospect is both far worse  and has FAR MORE issues than I do and diffrent ones at that outside of the depression and self hatred.  The point i’m framing is that the series and I have a complicated relationship and that coupled with how bad 2020 was meant it took until a few days ago to finally finish it, almost a year later. But I cannot deny how good the show is: it has faults, a bit of reptititon in some character arcs, casting a white woman as a Vietnamize-American woman (something both Ralph Paul Waskerberg and Alison Brie have apologized for to their credit), and .. I can’t think of a last one. They never brought Ralph back? Yeah let’s go with that one what the fuck there. So I felt I owed the show one last round and it payed off as the final stretch, while easily the hardest to get through due to covering the collapse of Bojack’s life, is easily one of it’s best. 

But before the fall, we get Good Damage, which instead of focusing on BoJack focuses on Diane, said asian woman voiced by a white lady, neurotic writer and Bojack’s best friend, who has moved to Chicago to be with her boyfriend guy, a chill, charasmatic and likeable buffalo cameraman. Things are going better than they ever have: she’s in a supportive relationship and thanks to her antidipresenants, while still her loveably neurotic self, is now not obessing over shit as much and is solving her problems with applomb. Even the weight gain from her meds, which she dreaded in the previous half of the season.. has insteead only made her look healthier and happier, and more beautiful than ever. 

The only problem is she can’t write her long promised Memoir, which Princess Carlolyn, her former boss, agent and loveable pink cat and single mother, has promised to a lot of celebrities. She TRIES, she puts lots of work into it, keeps trying to sit there but nothing comes out. And what makes the episode truly great is how this is presented. Bojack is no stranger to beautiful, visually diverse episodes, Stupid Peace of Shit being a notable example and one similar to this one but uniquely great in it’s own way, but this one is easly the bes,t using a squiggly crude style to show just how chaotic and uncomfortable diane is and how stuck she is. She’s TRYING, but she just can’t make her life’s story into anything GOOD, she can’t get the words out which as someone whose had reams of projects I never startd, even to this day and who has genuine trouble writing fiction.... I related to this like all hell. But even people who have never had an intrest in writng can just get the feeling thanks to the wonderful writing and animation, from cameos by the rest of the cast to Diane’s father showing up as a goblin to the word boxes showing what she’s writtne it’s just a treat.  But what centers this amazing visual represtnation is Diane’s internal struggles as an encounter with a rude sales person leads her off on a tangent..and to Ivy Tran, a teen detective whose upbeat, optimstic, and in a great bit outlines who she is in jsut the right amount, and solves mysteries in a food court. It’s a genuinely good idea, one I honestly think could support it’s own series... seriously get on that Ralph-Bob. Get on that. Point is it’s good.. but Diane’s so hung up on what she SHOULD be making, she can’t see what’s right in front of her, despite guy saying the passages are good.  Things come to a head when Diane makes a huge mistake and goes off her meds.. which from experince never ends well: for the entire episode she’s been under the impression she can’t write because of them.. only to be proven HORRIFYINGLY wrong. It’s a  VERY necessary aseop: that your medication will always be with you and that going off it suddenly, or blaming it for writers block not only isn’t true but is DANGEROUS. Diane spirals, cries and her writing gets dark and full of self hate. It’s then Guy proves just how fucking majestic he is: he figures out what’s going on after she tells him, and helps her get to bed so she can rest, puke whatever she needs and they’ll talk about things after she takes her meds again and gets her head on straight, when she’s in a good place to do so. As someone with mental illness.. ti’s nice to see a character who not only supports someone fully, but knows how to handle it. Instead of a shitty third act breakup like many shows would do guy stands by her.  He does however step SLIGHTLY over the line, if iwth good intentions and reason and send Princess Carolyn the Ivy Tran pages, because as he puts it he made an executive decision.. and when Diane is a bit annoyed by that as it does sound a tad douchey, he rightly points out she was in a really bad hole of a place, stuck in a loop doign something that even before going off her meds was clearly hurting her and going nowhere, and needed SOMETHING to snap her out of it, and did so not to hurt her or because he thought he knkew better or , like her ex husband, because he was oblvious to her needs; he did it because it was the hard but necessary thing to get her to seee she had something special and that she dosen’t have to constnatly tear herself up by diving into past traumas because of some internal obligation. 

Naturally Diane dosen’t take it despite Princess Carolyn not only being impressed but PREFERRING the ivy pages, as she was genuinely unaware Diane had something so happy and charming in her. While Diane is worried about it when the two end up meeting in person, we soon find out why: If all the damage she went through wasn’t “good” damage, things she could writ eabout and use later.. what was it for? Could she of just been happy this whole time? Did she waste her life. And in a rare moment betwen the two PC helps Diane walk it back, explaning that she can do what she always wanted: write something that makes someone like her feel not alone. That she dosen’t HAVE to make her life story into something complicated, just make what makes her and other people happy. Something PC’s daughter could enjoy one day. So Diane finally accepts that maybe there’s something else for her.. and then we get a segue into the next episode with bojack having a panic attack and pasing out but that episode, good as it was didn’t make it so moving on.  We also check in with Penny, the daughter of an old friend of bojacks who he nearly slept with and is stil haunted both by the decision and a drunken later visit to apologize... which isn’t helped remotely when max and page, two reporters inovlved in teh subplot that tears bojack’s life apart, start hounding her. While they have good intentions, exposing Bojack’s connection to Sarah Lynn’s death, the two’s methods still come off as creepy, following a, at this point , 21 year old girl whose been through ENOUGH home. While the two aren’t terrible people their actions.. are.. while getting hte story ismprotant is it truly worth genuinely harming this person. And penny wonders if she SHOULD air her story.. she ends up not.. but only because her mother, while lettiner he decide, poitns out it may not be worth all the pressure and possible trauma it digs up,especially since Bojack is getting what he deserved anyway. IT’s a decent subplot tha tties up a loose end but really makes our journalist characters feel like assholes for again, basically stalking and harassing a young woman who didn’t want to rehash the worst moment of her life. Otherwise top notch stuff. 

6. Heart (Parts 1 and 2) (She Ra and the Princesses of Power) “Don't you get it? I love you! I always have! So please, just this once... STAY! Stay. “

Now we get to the gays winning.. and to one of the best series finale in recent memory. And given the other two titanic shows ending, one of which we’ll get to’s ending in a moment, last year, it’s a huge compliment. Heart is how you end a space opera... with big wonderful speeches, great payoff, a huge climax.. and a beautiful cathartic kiss paying off the relationship at the heart of the series that ends up saving the universe.  So let’s just go ahead and crack open that pinata: The kiss.. was easily one of the best moments of animation this year and, at a time when the quarantine was starting, misery was spreading, and things looked pretty damn bad, having a major animated show, one of the biggest of the last few years, climax with an emotional moment between two women, one the series had been setting up since day 1... it was a huge step foward for gay representation in children’s animation, and warmed my big bi heart. And it’s not just good because of that: the fact it’s a giant pile of representation is wonderous, but it’s because it’s also well baked into the show. This is the conclusion of both their character arcs: Catra finally realizes Adora will not abandon her and her leaving the Horde was not choosing them over her.. it was simply doing the right thing. So instead of running or trying to escape she’s grown enough to fight for what she wants and fight for a future with Adora.  Adora meanwhile finally overcomes her martyer complex, her determination, especially after Angela’s death, to make sure no one else is gone and she’s the only one that suffers and looses. To make sure there’s nothing else. It’s Catra’s confesssion that FINALLY gets it through her thick skull that she dosen’t have to be alone or bear anything alone.. she’ll always have someone with her to do that.. and even before Catra.. she’s always had friends for that. She dosen’t have to be alone. So the two embrace and it’s fucking beautiful..and gives adora the full power of the doomsday device they went to shutdown in the first place, restoring the planet.. and allowing her to destroy horde prime’s fucking soul. I just want to reiterate that because it understandably got lost in the shuffle of the gays winning, but our heroine fucking tears out the main villian’s soul.. and it is SO damn satisfying given what a truly repulsive , irredemible, asshat Prime was. So the two finally get a future together, a chance to build and to stop letting the past define them. It’s wide open.  But while that alone would probably net it on this list but it’s damn good otherwise, an epic final struggle between our heroes and the horde for the fate of not just their planet but ALL of htem as Prime prepares to finally wipe everything else out in egomanical genocide. There are just.. tons of awesome moments in this one: Bow and Glimmer’s suprising but welcome love confession, Seahawk annoying mermista into fighting her chip, the people of etheria fighting back.. and the reason they do is easily the second best moment of the episode. With the chips down, not literally, and things looking bleak Bow hyjacks Prime’s egoamnacial hologram.. and broadcasts for everyone to fight, to fight back, and to END THIS. After spending most of the series as the one trying to keep his friends together, the glue of everyone.. it’s bow’s heart, courage, and voice, the one that lead his friends through some rough times and severed as reason when they needed it most wether they listned or not.. that frees the world and with Entrapta turns the tide at long last. It’s just a hell of a moment.  And the only other moment equaling it is Hordak freeing himself and deciding he is his own man, he made himself tha tway for better and worst and kills prime, at least before adora finsihes the job with the badass “I am HORDAK and I DEFY your will. “ It’s just a wonderful, epic finale that pays off most of the shows major arcs, gives our heroes a MUCH deserved happy ending after spending their lives at war, and let it be said one last time, gave gay representation in children’s cartoon one hell of a win.

5. Nice While it Lasted (Bojack Horseman) 

“ No, I need to tell you... thank you... and... it's going to be okay... and... I'm sorry... and... thank you... “

Back to back finales here and honestly both are REALLY close in quality, both satisfyingly paying off their series. But both take equal and opposite routes: Heart is an epic finale in scope size and impact... while Nice While it Lasted is a very stripped down character piece: there are other characters in the background but after the intro the only voiced characters in each segment are Bojack and one of the main cast, each one both showing how much said relationship has evolved since the show began, and giving Bojack time to reflect on his possible future. I say possible because one of Nice While it Lasted’s best aspects it that there’s no real concrete ending for Bojack. Ther’es still closure: after his life emploded and he nearly died, more on that in a bit, Bojack ended up in prison, offically for breaking and entering but unoffically for all the shitty things he did with him glumly accepting it. So one year later he’s out thanks to Princess Carolyn for her wedding, sober again thanks to prison and even started his own acting class at the prison he’s geninley invested in, inteding to continue it once he gets out. But otherwise.. his future’s in flux. HE’s sober for now, but he’s painfully aware that could change again, his friends while, with one excpetion, still having a place for him in their lives, have moved on, and his career is on the upswing again despite being a pariah a year ago because as I mentioned earlier and as PC brilliantly puts it

So he could become a better man, get his career back, make amends for what he did and stay sober.. or backslide and fall down into the same traps he always has. It plays into an aseop the series has always preached: There are no real endings, life just goes on. Even for the rest of the cast hteir lives aren’t over.. their just in a good place.. maybe bojack will, maybe he won’t. Tha’ts up to the indvidual viewer and I like that. While ambgious endings can be frustrating and I get while some preferred the more concrete if still somewhat ambgious ending of a view from halfway down, I feel this fits the series better: Bojack, like the end of every season is moving on to something new, but this time we don’t know what, and that’s okay. IT’s time for us to move on.  Well okay not from this entry as each vingette deserves some praise: Our first has Mr. Peanutbutter pick up Bojack from prison, and even get him a new suit.. and then another one offscreen because predictably for his life BOjack got meatball all over it. He also calms our hero down when he wants to go back to jail, letting him know it’s okay and he’ll be there for him.. unless his friend Erica shows up but what are the odds... 1:1. But what’s nice about it is while Bojack still makes jabs, it’s clear he’s gone from truly hating and resenting PB for being the betterversion of him.. to truly seeing the guy as one of his best friends, his jabs having gone from hurtful and bitter to wry and warranted. I mean they were warranted a lot back then too he’s just a lot softer about them. 

At the wedding Todd and Bojack finally reach some form of understanding after years of awkwardness, the two having reconclied but not being really remotely close or in each other’s lives hardly anymore after Todd’s understandable blow up at Bojack in “It’s You”. Here Todd has Bojack rush him to the beach to cary him on his shoulders.. to watch fireworks because he could tell he was overhwelmed, the two having found a rhtym again, with, like with mr peanutbutter, Bojacks jabs being a lot friendler and Todd having a respect for his own needs while actually being present for bojack instead of ignorant of how bad things were like he was at the start. He even helps BOjack see even if he DOES replase.. he can get right back on the horse, couldn’t resist that one sue me, and as the hokey pokey says turn himself around. 

After, in one of the best payoffs of the series, finally trying Hondedew and finding it’s not so bad, Bojack dances with PC, admittingh e half hoped he’d have to help her go thorugh with it before the two run through the scenario, and PC expresses some honest fears with bojack helping her showing how the two hav egone from a horribly stiffing relationship.. to two close friends who are probably stuck with one another for life. Sunk costs and all that. And if bojack does want to act again she knwos some people. But for now PC finally really has everything she ever wanted:: A daughter, and a loving husband in judah. 

Finally we have the most painful of the group because of course the Bojack finale wouldn’t be all sugar and would have to punch us in the gut. Bojack finds Diane again who hasn’t talked to him.. because he called her the night of his near death/sucidide and due to putting the blame on her due to being high out of his mind, made her feel like it was his fault during the 7 hours she could reach no one and thought he was dead. Diane is hurt, feeling betrayed that bojack promsied he’d be fine then possibly left her with the pain of his death on her concious forever. Thankfully she’s doing fine, as she’s now married guy and Ivy Tran is a huge success and probably a series now.. but it’s abudnantly clear her friendship with Bojack is over.. but even this bittersweet, and necessary, seperation, as Diane has moved past LA and Bojack needs to stop relying on her and stand on his own two hooves, still warms the heart as she thanks him and lets him know i’tll be okay, and endugles him in telling her one last story, a rathe rfunny one about prison movie night bfore the series ends on the melancholy and apporriate song mr blue as the two gaze out and they see each other and we see them for the last time. 

4 The Wasteland (Infinity Train) 

“I'm as good as dead, and if my last act is to bring you with me, sliver, I can't imagine a better way to go!” “Well, I can! “

So from a bittersweet ending to holy shit that’s depressing, we have our only entry from Infnity Train on the list. That’s not to say the series did bad this year. Season 2 was easily the series finest hour, taking the framework from season 1 and crafting a gripping story of a teenage mirror person who just wanted to live without assholes trying to kill her for what she fundementally IS, and be recognized as a person, with the help of a magical deer and a more optimstic teen grappling with his peer pressure issues.  The series was still undoubtly silly with a parasite voiced by Bill Corbett, wonderfully so, and again a magical deer named Alan Dracula, long may he reign, it simply deconstructed the nature of the train and thus opened up the floodgates. By giving us a denzin who, after years of being someone’s reflection in both senses of the word, just wanted to live and how that clashed with the train and the racist assholes she met alnong the way, from the ones who wouldnt’ stop trying to kill her.. to humans who considered her as nothing more than a plaything at best and something to get rid of at worst. While Season 3 was not bad, if a bit way too strcuturally messy and trying to do too much at once, Season 2 still handled the same issues but in a much tighter frame storywise.  And that’s why only one episode made it: Most of the episodes, espicially the later ones, are pieces of a large whole, with the show being heavily seralized. Which while a great approach intended for streaming, also means it was hard to find a chapter that worked that well on it’s own, steven universe future had similar issues. But I did and the wasteland is easily the darkest, harshest and most intresting episode out of the batch.  The episode opens at MT’s darkest hour: The apex told the mirror police where she is, Jesse is gone, and MT is now running for her life from the sadstic assshole and his spinless partner who want her dead just for existing.. gee can’t imagine why a bunch of assholes refusing ot acknolwedge other peoples opinons, rights or even existance was a big topic last year.. or this year. 

So while Mace, the main mirror cop, manages to handcuff her MT manages to throw him under the train. THe result is her trying to escape the train by wondering i’ts vast desert, forced to drag Mace along as he taunts her, bleeding out slowly from you know being bisected by a train. It’s a really moody peace as Mace mock’s mt’s dreams of escape and justify’s his own selling out, while MT pokes holes in that: he was so desperate to not nonexist.. he’s willing to kill others who just want the same. IT’s a damn hard watch but fuck if i’ts not compelling. 

And the climax is what makes it. MT finds out she can’t leave the bounds of the wasteland, as it only projects so far and after escaping the ghoms ends up back on the train, with Mace, not long fo rthis world trying to kill her.. so we get a 13-14 year old GRINDING HER HORRIFYING ABUSER UNDER A TRAIN WHEEL. Just jesus.. I mean I kind of get HBO Max’s point that MAYBE this is a bit much for kids. I mean i’ve seen other really dark stuff but holy fuck a man died.. and we see his blood splatter. But it’s this horrible, harsh moment that makes the episode.. as is MT”s reaction.. not one of triumph.. but of exaustion and horror at what she’s done, before steadying herself to prove him wrong. A hard one to write about but damn it was good. 

3. Enchanting Grom Fright (The Owl House)  “Dear Luz, will you go to Grom with me- Amity”  Now we THANKFULLY get to something lighter: the gays winning.. again. Coming out during pride month, phrasing, and only a month after the she ra finale we got this delightful episode. As I said earlier I watched this one first run: while I was super behind, I couldn’t resisit to the point I watched it before that week’s amphibia. I was that curious what was going to happen.  See as i’ve given out about quite a lot.. and I mean a LOT, Disney dosen’t have the best track record with gay representation: they don’t do horrible sterotypes or anything.. but they also don’t do much of anything for the most part. Alex Hirsch has outright spoke about how much he had to fight just to get Blubbs and Durland firmly together in the finale, and how the symbols for the love god were widdled down to just male and female. And around the time this episode came Disney was coming out of a REALLY bad batch of pr stunt gay representation: They made a big deal about the first gay x in an x having gay characters in avengers endgame, star wars: Deep Hurting and onward.. but these were cameos AT BEST, with the endgame one being so minor I genuinely didn’t realize the character was talking about dating a man and only found out afterwords. Sure Ducktales had gay dads, which is awesome and always will be.. but none of the major cast was allowed to be openly gay. I mean we know webby and lena are gay but hell if disney would allow that.  But miracoulsy.. shockingly and wonderfully.. Disney DID mange to finally just say fuck it and let some big gay rep in, something so obvious it can’t be ignored and that actually features the main character and one of the most major supporting characters. And what do you know, the good press and pats on the back outweighed the bad. It’s almost if giving up homophobic markets in exchange for doing the right thing.. is a GOOD thing while also being profable. Who’d a thunk. Point is via sheer perstiance, Owl House creator Dana Terrance got to not only make her lead bi, which Terrance herself is, but have her love intrest be a girl. And I find it genuinely wonderful that gay, bi, pan and what have you children can watch this and say “tha’ts me and this is okay”.  But even minus Owl House saying gay rights.. the episode is just REALLY good and part of it is who it focuses on. Amity easily has the most character devleopment out of the cast going from someone who walls herself off from everyone, revels in her superiority.. to slowly opening up to heroine Luz, realizing Luz is not a bad person and that Amity herself dosen’t have to be, and right before this starting the road to patching things up with her former best friend willow. Allt hrough this said friendship had been prettty, prettyy, prettyyy gay. And that’s wonderful obviously, but part of why I watched this was while I HOPED they’d get to be couple.. I wasn’t convinced since see a fucking bove. But I was happy to realize that oh my god I was wrong, the gays won all along. 

So with Amity a better person she’s naturally syampthetic when sh’es put front and center at hexside’s prom equvilent which while having a dance, gromprosals and a disco ball tha’ts also a sentient being, becuase boiling isles, it also has the queen or king forced to fight a horrifying monster that manfiests as your greatest fear. And, as we find out towards the end.. Amity’s is being rejected by Luz, having her love letter, which she fails to deliver due to running into luz.. and co (which is my faviroite gag of the episode and the adorable smiles gus and willow give in response are what make it). And . it makes sense. When you stop and think about it.. Luz is the best thing in her life. She got her to change as a person, genuinely cares about and adores her, just wants to be her friend and thinks the world of her. Given her siblings, while trying to be better, are two disaster bisexuals who just stopped a lifetime of untietonally harsh bullying and her parents are controlling asshats who made her abandon her best friend at a young age and she sees LILITH as a mother figure, just let that sink in given a few entires back.. yeah.. no wonder sh’es utterly terrified of rejection. Poor baby. 

Of course WE know Luz wouldn’t. Luz may be many things, including oblvioius to thte freaking obvoius as this story line has revealed, but shes not cruel and even if she said no, which I higlhly doubt she would, she woudln’t be a dick about it. But being surrounded by cruel assholes for some time has made Amity a bit paranoid so Luz volunteers to sub in to both genuinely help her friend.. and to prove to eda she can do this. Eda is also chaperoning. and looks neat in a suit, while King and Gus get a wonderful b plot of mcing the dance with the egotisticl king having issues with stage fright. I will get more into that when I review the episode proper, come back in a month for that.  But yeah while Luz does well when the time comes, and while sadly not wearing her otter suit does wear a wonderful tuxedo with a tutu.. she has her own repressed issues to adress as Grom takes the form of her mother, as Luz has been nursing guilt over not telling her the truth about what’s going on. Luz runs, and Amity ends up facing her fear to save her crush and the two get a wonderfully romantic, and desturctive dance together as they face hteir fear, untie as one and kill that motherfucker... well okay i’m not sure grom can die but it’s gone for now.  The dance sequence.. is easily one of the best scene’s all year, beauituflly animated and painstakingly planned out, with wonderful music.. it’s just awesome and what takes the episode ove rthe top, with the two perfeclty in synch as they take grom out in less than a minute. Also king become prom king and queen, he is best of both as Luz’s own personal issues put a damper on things. Also someone’s been writing her mom. 

Overall just a perfect episoe and a perfectly gay episode of one of the best shows going right now. Speaking of a perfect episode of one of the best shows going right now, tha’ts also on disney. 

2. Escape From the Impossibin! (Ducktales)  ”We have to keep them safe” “But not like this!”  So from some emotinal torment mixed with some lovely shipping, we get a whole buttload of emotional anguish but with a robotic scrooge and the time loop room and the time loop room and the time loop room, and time l...

As I said in part 1, Season 3 is easily Ducktales best so far, having far better pacing, character ballance and bolder and more intresting stories than ever before. While the first two seasons are still excellent, this one has taken everything great and honed it and no episode shows off just how great this season is than this one.  This one takes place in the fallout of “Let’s Get Dangerous!”, with the family dealing with finding out FOWL”s not only still alive, but is run by Bradford, head of scrooge’s board of directors former shush agent as we’d find out later, and asshole, who knows all their secrets. And given Scrooge is mildly paranoid on a good day and Beakly is extremley paranoid on her best day, it’s done a number on both as they’ve split the family minus launchpad, who just had a whole episode so fair enough, up: Scrooge has taken Della and Louie, wiht their see all the angels schtick, to test out his new security, while Beakly and Donald are securing the house while Beakly has webby throughly test the boys.  Neither side goes well. The bin ends up locking our heroes out due to Scrooge’s password being changed, and forcing them to work past it. Louie rises to the challenge, as does della.. but as they beat a robot versoin of scrooge, because of course the final test would be a robot version of scrooge, Scrooge is instead of triumphant at not being dead, incredibly depressed and furious. Because when told he’s scrooge mcduck he tellingly replies “AND WHAT IF THAT’S NTO ENOUGH’. For once.. Scrooge is SCARED, up against someone who knows his every move and is one step ahead, iti’s how it’s always been, no matter what he’ll do, he’ll always loose and Bradford will always win. I REALLY need to watch spies are forever, point is he’s scared and Bradford PROVING the point by revealing he was behind it and taking over the robot dosen’t help. Our heroes win though in a damn impressive action sequence, but as it turns out.. it was just a distraction.. but we’llg et back to that.  The other plot though is whyt his is so high. While the first plot is a fun romp with deep eomtional consequences.. the second plot is decidly far darker.. it still has some good bits as webby terorizes the boys and easily one of the best in the season when she horrifying imitates dewey, but its’ only when she does finally attack she realizes she’s taken it way toof ar. She’s terrorized her brothers, caused huey to break his leg and then turn her away when she tries to help.. all she’s done is turn them AGAINST each other and they can’t win this way.  Beakly strongly disagrees and clealry lost in her own paranoia and fear, prepares to attack huey.. and thus Webby steps in... leading to one fo the most heartbreaking and tense fights in the series as grandmother and grandaughter fight one on one but both are outmatched.. but Huey and Dewey, despite everything, refuse not to help their sister and help pull webby up, with Webby panickidly realizing something’s VERY wrong and her granny usually isn’t like this when sparring... and is also chasing them. This leads to the roof, in a rainstorm no less, and Webby relcutnatnly ready to fight even though she clearly knows she both can’t win.. and dosen’t want to anymore. Despite her wilingless to scrap, fight and train.. Webby dosen’t WANT to hurt her granny she just wants to help her. Thankfully, the boys attempt to stop this, while failing horribly, catches donald’s attention as he catches them, ntocies what’s going on and furiously refuses to let this go on. While Beakly tries to ignore it and fight..s he instead slips and despite everything, the rest of the group rescue her, with Webby impressing on her grandmother that they aren’t fowl. They wont’ win acting like them and tearing each other apart.. they need to be the family they are.  But if all that wasn’t enough turns out.. yeah, Bradford’s thing was a distraction and with the rest of the group distracted with Beakly, that meant his plan went off without a hitch: all the missing mysteries have been taken by FOWL, in a masterstorke that ties both plots together and brings what seemed like isolated adventures on their own in a tagnetally related plot into the fore. Everything so far has built up to this.. and despite the loss.. the family, having been through a dark night of the soul, is ready to fight back. They want the rest of the mysteries? Their going to have to fight clan mcduck in their elment. And it’s been glorious so far. A tense, well paced, hard hitting episode, this one’s a winner. and almost got #1.. ALMOST. But as much as I tried to not go with the obvious chocie, the one with tons of press and praise and that’s graced tons of best of lists... I had to go with what was honestly the best. So...

1. The View from Halfway Down (BoJack Horseman)  “Oh BoJack, there is no other side. This is it. “  This episode was my main reason for catching up with the series and finishing it off once and for all. Awash with praise and hype I was curious about this one.. and my curiosity paid off. This is easily one of if not hte best episodes Bojack put out in it’s storied run: it’s creative, impossible to look away from and devistating: in short it’s the show in a nutshell.. and it’s a hell of a view. 

Previously as mentioned before Bojack’s life blew up and he lost just about everything, from his friends, though as the finale bared out only one of them stayed away for good and for good reason, his only family in hollyhock, his house, even horsin around. He had nothing left.. so high on drugs and in his old house he passed out at the end of last episode.. and we wake up here with a recurring dream as Bojack has a dinner party at his mother’s house, another wonderful performance from Wendy Mallick. Everyone there is someone Bojack knew who died: his former best friend he betrayed Herb, Sarah Lynn his former child co start turned washed up 30 something he let die, Courdory, a co star who died trying to get off david caradine style, Crackerjacke, the uncle he never knew who die din the war and his parents, distant mother Beatrice as mentioned and his father, who is in the body of his hero secretariat who comited suiccide in this unvierse due to getting banned from racing, as that’s the kind of weird shit dreams do. Also Zack Braff, who has no real conncetion to bojack but still died during that time Mr Peanutbutters house sunk into the earth and his ex wife Jesscia bIel formed a death cult.  The group play a game of best and worst, lay into each ohter and have some really intresting conversations with Bojack confident of when it’ll end: before the show their always mentioing. But this time, it’s diffrent.. Bojack is there for it so we get a trippy and horrifyimng stage show as Bojack watches the various people one by one vo into a black door, allt he while bojack coughts up sludge and is persued by it, unaware where he was before this. Sarah Lynn gives one last song, a reprise of a song from previous in the series, Courdroy does a ribbon dance and zack braff gets on roller skates. And bojack has a frank conversation with his dad, with his dad/secretariat revealing he DID care but was just so filled with loathing he coudlnt’ admit it to his son and thus was an abusive ass.. and then reveals to bojack he’s not waking up and bojack horryfigngly see shimself, drowning ina pool. And while he frantically, heartbreakingly tries to flee... he can’t. There’s no exit for him. As herb tells him, this isn’t the afterlife, this is his brain making sense of his last moments, and ther’es no way of knowing if he’ll get rescued, no way to do anything but watch.. watch as his father secretairat shows suicide in all it’s horror by letting it know he wouldn’t of done it if he knew “the view fro halfway down”, a horrifingly haunting poem that sells just how bad it was. As beatrice and crackerjack also go we’re down to herb who introduces bojack... before going in himself, claming there is no other side. Bojack tries not to go genle and runs, and in a horrfying sequence is surronded by the ooze as he tries his damndest to escape.. but in the end he can’t. As herb said.. he can’t do anything about this. So speaking to his min’ds version of diane he accepts he probbaly won’t be coming back and we hear a monitor as we fade out. While we know it’s not the end now... there’s no way of telling then. 

The View from Halfway Down is a haunting, beatuflly animated, masterwork, taking 6 seasons worth of communinity and regret and shoving it in bojack’s face in an intresting way, while bringing back characters we thought we’d never see again for one last go round. It was patcually nice to hear LIn Manuel Miranda and Wendy Mallick again,, and Kristan Schaal is always great. The show ALWAYS had a horrifying habit of having it’s penutlimate episode be an utter gutpunch that broke you, with the finale picking up the peices and offering some hope.. and this was no exception. They literally saved the best for last, and it was worth the wait. The view from halfway down may be gahstly,.. but the view of this episode is hauntingly beautiful. 

So that was the list, and it was.. a lot taking 2-3 days to finish all together over both parts. But it was worth it and hopefully we can get back to some regular stuff later today. For now, thank you for reading, and hopefully i’ll see you somewhere in the sunset. 

[dramaphan]

Garfield minus Garfield:

I read this when I was like 6 I don’t think I found it as funny as I do now - (these are real Garfield comics, they just edited out Garfield)

[missmartian369]

I’m Blue

I wanted to make a short little drabble of a certain song that I’ve had stuck in my head for the past 30 minutes to an hour lol.

-

The Outsiders (minus Bart), Traci, Violet, and Perdita were all hanging out in the living room of The Hub. After a few minutes, Jaime turned towards Ed.

“Hey Ed where’s you’re boyfriend?” Jaime asked.

“He just texted me. He said that he’ll be here in five minutes. He said that he has a surprise for you Jaime.” Ed said. Jaime turned his head towards Traci, who was sitting next to him.

“I wonder what it could be?” Jaime said. Traci just shrugged her shoulders.

Five minutes have passed and the zeta tube announced Bart’s arrival. Everyone turned to greet him, but they all paused at the sight of him. Bart walked to where his friends were and stood in front of him.

“Hello everyone.” Bart said.

“Uh.....hello Bart.” Perdita said.

“Um.........your outfit is.......uh.....” Tara didn’t know how to finish her thought.

“Well it’s very blue.” Violet said.

“Blue? He’s dressed like Jaime!” Victor said.

Indeed. Bart was smack dab in a Blue Beetle costume.

“Why are you dressed like me, Hermano?” Jaime asked.

“Dude are you having like a mid-teen like crisis?” Virgil asked, resulting in Cassie elbowing him in the arm.

“No. I’m dressed like Blue because I have a surprise for Jaime. A surprise performance.” Bart said.

Everyone looked at each other confused. Bart just took out his phone and played music for a particular type of song. After a few seconds of the music playing, Jaime’s looked to Bart with disbelief.

“Dude......you wouldn’t.” Jaime said.

“I would.” Bart said smirking, and then broke out into song, “I’m blue da ba dee da ba daa. Da ba dee da ba daa, da ba dee da ba daa, da ba dee da ba daa.” He sang while dancing.

Everyone besides Jaime broke out in hysterical laughter. Ed, Cassie, Virgil, Perdita, and Garfield even got up to join Bart in his act. After a few minutes they stopped dancing and everyone just cried with laughter. Jaime just glowered at his friends.

“I hate you all.” Jaime said with this arms crossed. Traci, while laughing, wrapped her arms around his neck and kissed him on the cheek. That only made him feel better a little bit.

“Oh come on lighten up. It was funny.” She said, as she laid her head on his shoulder.

“Yeah well you don’t have to hear Scarab’s jabs.” Jaime said, still glowering.

-

Bro I heard someone singing this on Twitter and I haven’t gotten the song out of my head since! And then I thought that this song would be a great moment for Bart to troll Jaime lol.

[famder-news]

Video Review Wednesday

Mod Aca here with another Video Review Wednesday. 

Only this week I thought I would shake things up and do a fan made video. So I picked possibly my favourite fan video ever, the surreal and hilarious Sanders (without) sides by @cattonsanders

Sanders (Without) Sides

Video Length: 2:07

Characters in Order of Appearance: Thomas, Joan, that's it. That’s the point. Deceit is mentioned but not seen.

Watch it HERE and see the original tumblr post HERE

Really the idea is simplicity itself. The whole series is Thomas talking to himself and what must that look like? 

We’ve seen in Selfishness v. Selflessness that when Thomas goes to the Mind Palace, he is in fact, sat on his couch with his eyes closed. And in the end card of Can Lying be Good, we hear Joan ask if Thomas did ‘that thing where you stand in the middle of your living room and talk to yourself.’

Cattonsanders took it to the next logical step. And showed us what it might be like to actually be in the living room while Thomas is having a dilemma.

It is strangely humorous and surreal to hear Thomas say his lines and get nothing back, yet still react as though he has heard something. From his perspective, he no doubt has, the episode unfolding in his mind as it normally would. We are the outsiders here.

The way the music cuts out the majority of the time when it shifts to a shot of a ‘without’ side just adds to the joke, the bizarre nature of the world that Thomas inhabits. For the majority of the video you might find yourself wondering why it is as funny as it is. And why, when it is the same joke, it remains being funny. Part of the joy is seeing Thomas ‘react’ to each new side appearing. It is funny because of its absurdity, because it is pointing to the collective immersion we have all agreed to, that we can indeed see these sides as if they were real.

And if you’ve watched the episodes too many times, you might find yourself reciting the missing side’s line, which... adds a whole new layer to the whole thing.

It is the same idea as the often funny, always tragic comic strip Garfield minus Garfield which you can find HERE. Well worth a read if you find this funny.

And that’s it this time. No end card or quotes this time, as the joke is in the lack of words.

Please feel free to leave comments/thoughts on a reblog or reply. Disagree with anything? Think we missed anything out in our review? Let us know! Have an awesome Sanders Sides video or your own that you would like us to cover in a future entry? Our Asks and Submissions are open!

~ Mod Aca

[rotationalsymmetry]

Another thing I noticed, about representation. I grew up with the San Francisco Chronicle. And I love comics. I read the comics literally every day that I had access to a newspaper with comics. At some point, I noticed some comics seemed to be, let’s call them “diversity” comics. In contrast to say Garfield, where the main character is a male cat who is frenemies with a male dog and with a I think male kitten (Nermal is a male name, right?) and where the main human character is a single man who is presumably based on the cartoonist and female characters only ever show up to be the love interest of one of the male characters. It could have gone differently. I mean, Questionable Content started out that way, and it sure didn’t end up that way. Minus the sentient lasagna-loving cat I mean. And white. And straight. And able-bodied. The thing is, I started noticing that I thought the “diversity” comics -- Curtis, The Knight Life, The Elderberries, I don’t think that was it but that’s all I’m coming up with (I didn’t think of Cathy as being in this category, but given that almost all comic writers are male I probably should have*) were generally better. I mean, granted, it’s hard to compete with Calvin and Hobbes or The Far Side. But some of the other comics featuring white men or boys were...just bad. There was one called Zippy the Pinhead which I used to think I just didn’t get because it was for adults and I was a kid, but which I now as an adult think is just utter nonsense. And the comics that were blatantly aimed at a demographic that wasn’t mine, were funny and relatable and good. There’s this idea out there that “affirmative action” is about prioritizing diversity over qualifications, that without affirmative action people just pick the best job candidates or comic strips or whatever. But they don’t. The evidence, over and over again, is that people are biased. Conductors think women musicians play better when they don’t know they’re women, and I’m drawing a blank on other examples but they’re there. And I believe they’re there because I was reading a bunch of comics and without any particular reason to think I’d like comics centering black characters or a comic strip featuring seniors in a retirement home or what have you better, I found that I did, in fact, like them better. Which implies, that whatever is interfering with quality getting recognized and rewarded, it’s not affirmative action, and it is in fact something working in the opposite direction as affirmative action. (I mean, speaking to the choir here I’m sure, but still.) *Luann, one of the few strips that has a female protagonist, is written by a man. Sally Forth, which nominally has a female protagonist although it struck me as more of an ensemble cast thing, has changed hands a few times but has always been exclusively and drawn by men. Cathy, uniquely, is written by a woman (which annoys me, because I think it plays to stereotypes and it’s always been one of my least favorite comic strips, but the point is: if there’s only one female comic artist on a page of a couple dozen comics, that’s a pretty good sign that something is blocking women from making it as comic artists. Even while the editors deciding what strips to put in apparently see a need for female characters.)