#like it hurts like hell but he can do it

[s0fter-sin]

ghost fucking soap so hard and so good he passes out but he utterly panics about it

he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this

he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up

soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone

(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)

soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight

the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes

it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”

(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)

it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that

“you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close

ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship

hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself

soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming

instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started

and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips

[gardenofnoah]

cw: implied sexual trauma, panic attack, intimacy struggles

You don’t notice it happening until it’s buzzing under your skin. Loud and unavoidable, the only thing you can pay attention to is the irregular flutter of your heart and the way it seems that all the air has been vacuumed from the room—

“Hey.”

You blink, and Katsuki is no longer above you. He’s not touching you at all—you turn your head to find him next to you, propped up on an elbow and only worried.

“Too much?”

The panic flares at the question, because what if this is the last time? What if he’s tired of this?

Your exhale is shaky—your laugh is forced and sounds out of place. “No, it was fine, I just—“

“Oi—“ he says, gently, “tell me the truth.”

The truth burns your eyes and keeps them on the ceiling, away from his. You nod, helpless and resigned to whatever comes next.

“What’s goin’ on in your head?”

You feel the tears spill over before you can catch them. You swipe them away with the back of your wrist. It’s still numb. “I’m just sorry. I didn’t mean to ruin it.”

He grunts a little in acknowledgment—a displeased, ugly sound—and then there’s movement that finally draws your eyes to him. You watch him cover himself with your duvet—all the way up to his chin.

“S’it okay if I hold you?”

He reaches for you and you let him pull you in. His hands stay above your shoulders and pointedly avoid your neck—cradling your head, letting you hide in the curve of his throat. His pulse is steady and constant against your forehead—or you imagine it would be, if it wasn’t muted by the fabric.

“Nothin’ is ruined,” he murmurs against your hairline, “s’my job to keep you safe.”

Your chest shudders against the cushion of the blanket and you feel a little guilty about crying all over it but Katsuki keeps you there, tethered to him. The ringing in your ears subsides, just a little. Just enough to hear the panic in your own voice.

“I promise I want it. I don’t know what’s wrong with me, I’m sorry—“

“Hey, hey,” he shushes you, careful not to tighten his arms around your shoulders. “Nothin’ to be sorry for. S’too much today—that’s all.”

It’s quiet, then, save for your sniffling. He keeps his mouth pressed to your hair, and his arms wrapped around you. There is a noticeable absence of his fingertips tracing along your skin—you don’t feel them there at all, and it’s on purpose. He’s considerate and it makes you anxious.

“Can hear you thinkin’.”

“I just—“ you inhale, trying to be brave, “I don’t want you to leave. I know I can’t—give you this—“

“Oi,” he gruffs, a little sharply, “I don’t give a shit about that. M’not a barbarian.”

You feel the expansion of his lungs as he draws in a slow exhale, and lets it out against the crown of your head. “Don’t think so little of me,” he murmurs, tone laced with hurt.

“You’re right,” you whisper, because he is, “I love you.”

“Love you.” He kisses it into your skin, soft and barely there. “Always will.”

[cubbyhole-for-flea-bee]

Apologies

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[alaynestone]

3.15 TIME IS ON MY SIDE 5.01 SYMPATHY FOR THE DEVIL

[trashogram]

Sooooo tired of the idea that a character "following their heart for once 🥺" makes them a good person.

Anakin Skywalker's whole story is literally about that.

He chose love over his responsibility to the Jedi and the people in the universe and ended up killing the very woman he chose over everything and everyone else.

Rose Quartz's story is exactly the same. She followed her heart and escaped her abusive family but was too naïve to deal with and truly understand the consequences of her actions and it led to centuries of war, thousands of deaths, and her son blaming himself for things he wasn't even alive for.

Sometimes responsibility and duty DO come before love. Sometimes you DO have to make sacrifices for the greater good even if it destroys you. Because that is what a good person actually does. A good person puts others their own fucking daughter over themselves and wants to do right by them.

Yes, and at the very least the creators for both of those characters understood that the “following your heart” route for their respective characters would lead to tragedy. That was actually the whole point for Anakin and Rose.

Vivziepop appears to really believe Stolas is in the right for doing terrible things for the sake of his own selfish desires, and yet to make it justifiable to her audience she’s destroyed the story, the characters, and completely abandoned the worldbuilding in Helluva Boss, specifically the class system and commentary, so that Stolas comes out looking sympathetic. I can’t stand it and I can’t stand the thousands of misguided yet hostile fans that accept that BS.

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[a-dauntless-daffodil]

*grabs the Vanguard Vaggie idea and scuttles back under her goblin rug*

OKAY BUT

Imagine, like after they retreat back to heaven, the other exorcists...start talking. They start talking *behind Lute's back*.

At first it's pain and bitterness and betrayal at Vaggie fighting them. 'How could she do this? How could she hurt us?!'

Then, maybe during some hit and run nonsense that Lute has them doing, the conversation shifts. They start noticing that Vaggie doesnt go for the kill unless she has to. Doesn't maim. She always gives them the chance to run, to go home... And they start talking. They talk about those better times with the Vanguard. They wonder aloud why she fights for hell. And maybe, just maybe, they talk about how they miss her. They miss Vaggie. They miss having that feeling of her looking out for them.

I wonder how long it might take for one of them to linger. To lower their weapon. To take off their mask.

Even then, it takes a long time for the first exorcist to *stay* after they should have retreated. For them to ask for a place to stay. But as more and more start to come to Vaggie, to the *Vanguard*, and ask for a home...charlie cant help but be grinning as she holds Vaggie's hand.

ayyyyeeeeeee!!!!

what if there was that slooooow realization that when Vaggie was around, their vanguard, they all felt more like a team together. she liked things done Right and done Well- wasn't bothered with competing- took training and exterminations Seriously- kept them all sharp sure but also turned something that was just Adam's shits and giggles, just a GAME, into a purpose and a duty again. something to be proud of and do their BEST at (while still having fun)

so yeah when Adam and Lute come back with her halo saying she's sided with hell, betrayed them all, damned herself and gets to rot there with them- there's that anger. oh they HATE her for doing that-

because they miss her

and things were better, they all felt better, when she'd been around, and that's gone now and it's her fault

or adam and lute say so anyway

can you IMAGINE in this au, the shift when Lute 1v1s Vaggie... and doesn't come back to heaven with her head?? DOESN't beat her? and Adam's DEAD?

and so are so many of them actually- dead exorcists that vaggie helped kill, that vaggie helped fight off

why?

three years her being in hell and she'd never fought any of them or hurt any of her sisters when they came flying down- (and she COULD have) (used to be one of the BEST after all) it's only when they're sent after her HOME that she fights, almost as if-

as if killing isn't what she wants to do anymore, if she can help it

thats. not the same as turning against them. not the same as her siding with hell- even so lute and adam still wanted her dead, and even then, she'd let lute LIVE...

is that weakness and betrayal?

but she's not weak, if lute couldn't kill her. and she never killed any of them until they came after her. is that still betrayal?

or is it something else

is there anything kind of betrayal here. are they on the wrong side of it...

im not sure, if any of them would take off a mask willingly- risk hell-

i KNOW that even ONE moment of hesitation would get lute turning on them, just like she did with vaggie- worse maybe, now very aware of the danger of letting fallen angels live- HER mistake, not killing vaggie when she had the chance all those years ago

and if a wounded and abandoned exorcist staggered to the gate's of the hazbin hotel? if some of her other sisters went looking for her- KNOWING this time what the supposed 'betrayal' and 'sin' had been?

(a moment of hesitation)

(before one of them drops her weapon to knock on the hotel door)

yeah. they'd find charlie running to help them inside. probably already pulling out bandages- a demon with first aid gear in her pockets, always carried just in case, nothing like they were expecting-

they'd find their Vangaurd waiting there too, having gone ahead and made things safe for them to follow, just like always

that'd be pretty sweet

[hitlikehammers]

nowhere without you

rating: t ♥️ cw: post-final battle, hurt/comfort ♥️ tags: established relationship, hurt/comfort, BIG emotions, even BIGGER love, as in: soul-deep love, softness; happy endings always ♥️

for @steddielovemonth day eight: Love is the heartbeat I can feel when I hug him

(also probably the humble love-soaked endlessly-devoted beginnings of the rockstar!husbands in je ne regrette rien)

The weirdest part is how, in the aftermath, Eddie doesn’t speak. Like, at all.

Scratch that: it’s the weirdest and the most concerning part. Eddie makes noise, mostly pained kinda moans that make Steve’s chest clench, ache more the admittedly-decently-deep wounds slowly—but reliably, like, consistently—stitching themselves together, and Steve begs him to get looked at again, because something has to be wrong to cause those kinds of sounds but Eddie doesn’t even shake his head, doesn’t really move at all save that sometimes he trembles, and it’s…

It fucking breaks Steve’s heart.

He’s almost gotten used to stroking Eddie’s hair in silence—so wrong; worthy Eddie that’s just so wrong—and working any tangles out so, much as it’s getting a limp and greasy with days of neglect, at least it’s smooth; but he’s almost resigned to this for the long haul because he’ll weather anything he has to for Eddie and they’ll work through this, whatever this is, they’ll worth through it together and—

“How did you stand you it?”

The sound is more a scratch than anything, glass on sandpaper, and it’s down to Eddie lying where he hasn’t left for the last four, going on five days—as in, not once while Steve’s been awake has he existed without Eddie’s weight situated just so against his chest, sinuous and deliberate in where he presses against, careful as a rule of Steve’s worst injuries and delicate about how he rests against Steve’s body, but not…hesitant.

More, kinda…kinda desperate.

So it’s down to him being pressed so close and sure and unwavering that Steve feels him speak more than anything, matches the motion of his lips against Steve’s gown to words rather than the wind, or something outside his door to the halls of the hospital beyond; it’s down to the tension in the whole of him, the all-too-present shaking that Steve matches the scrape of the question to a hurt that’s…that maybe Steve doesn’t wholly understand just yet, but that really and truly does cut him deeper and closer and more critical at the core of him than the Upside Down ever could have clawed in: Eddie lives in him, nothing else can really…ever hope to be deeper.

“How are you,” Eddie rolls gravel across more words, and Steve’s missed his voice so fucking much, he didn’t realize how much until it’s here again for him to hear and hold but, Jesus fuck, it’s like…it’s like it’s drowning; like Eddie is drowning and then his breath is hitching, and oh, god, that voice is cracking around the edge of a sob, watery and wavering as he damn-near close to begs:

“How did you survive it?”

Steve feels it clench in his ribs, because he thinks he…he thinks he’s putting it together. The strain, the agony in that voice, that voice he loves so fucking much, from this man he loves with everything, but then—the way Eddie presses into him. The force, and the position, and the pattern. The way he’s been quiet, unfailing, but never…never seems distant, seems the opposite: seems focused; intent. The way Dustin had come in and caught him upon the things he’d missed in one of the almost-nonexistent windows where Eddie sleeps, hand lines alongside his sternum and head curled in the most uncomfortable pretzel Steve can imagine, forehead all scrunched and eyes squeezed shut so goddamn hard, looking like any sleep he manages is nothing close to rest by any measure: but Dustin had came in and told him Eddie was the first to him; Eddie ran faster than he’d seen a person run; Eddie’d looked devastated, broken when they’d caught up, and they’d been so afraid, feared the worst, and—

Steve’s starting to fit the pieces together. Maybe.

“No,” Eddie whines, pitchy and fervent and almost ear-splitting, like a wail of sheer gut-wrenching pain that Steve can’t find the reason for in the here and now because it’s just them in a hospital room, they’re okay, and his hand presses heavy, gentle around his wounds still, always gentle and so, so careful and Steve doesn’t know what’s caused the reaction, but then—

Then he can feel his fucking heartbeat for how hard Eddie’s pressing. It’s weird, how it makes him feel…strangely alive, the sensation of it kept and held like that, specifically in Eddie’s hand. And he’s not paying attention to the monitors really, tuned them out as quick as he could but when he listens, okay. Okay, maybe faster than normal, but Steve’s fucking worried, okay, he’s—

“Fuck, no,” Eddie moans and twists his head, no, not just his head, his ear and leans harder into Steve’s chest, his breathing shallow and Steve hates it but he doesn’t know what to do, how to help, what to fix because he’ll fix it if he knows, he’ll climb out of this bed and crawl on the goddamn floors of he has to, but he doesn’t know where to go, what to find, what demon’s left to slay—

“I’m just, I’m grateful you did,” survive, Steve survived…

He survived, like, now?

“But grateful’s such a weak word, it doesn’t,” and Steve takes a breath, and reaches, rests his hand on Eddie’s wrist just to see: his heartbeat’s somuch faster, it’s like a flutter of a flutter felt strong enough to break through skin, it catches in Steve’s heart just to touch—

“You’re so much stronger than I could ever, like,” Eddie’s going on, still breathless and fuck, Steve can see why; “fucking hope to be.”

Shit, but that’s…he wasn’t stronger, fuck, Steve wasn’t stronger than Eddie, Eddie nearly got eaten alive, Steve nearly couldn’t staunch enough of the bleeding, he almost lost—

Eddie keens, horrible and hurting and Steve stills: the monitor. The thundering of his own pulse at the memory.

How did you survive it?

Losing. Almost losing. That’s…that’s what it is.

That’s why Eddie’s pressed against his chest, his his head and his hand have been a fucking frame, goddamn, like, parentheses surrounding Steve’s beating heart, proof of life, Jesus—

“But I need to be,” Eddie’s voice is quiet, but steadier, and his chin dips like a nod to himself; “I need to learn how,” he’s firm with it; “for you.”

Oh, god. Oh…oh Eddie.

“I can’t ever lose you, Steve,” Eddie presses trembling lips to Steve’s chest and then presses close again, so close and oh: he wasn’t just intent where he’s been silent so long.

He was listening.

“Never ever,” he breathes against Steve, hot and damp; almost kinda breathless again, or still: “never ever.”

“Eds,” Steve begins, not even entirely sure where he plans to go, just knows he needs to do something, say something, but Eddie’s turning Steve’s hand in his, where he’d circled Eddie’s wrist; he’s turning it and mirroring the hold, gripping Steve’s wrist in kind.

“I couldn’t find it,” he gasps, and the sound makes the sob clear before Steve feels the wetness soak through to his skin; “I couldn’t feel it at all, you were, it,” he presses his fingers in hard, squeezes so goddamn tight, and Steve can’t…he doesn’t want to imagine what Eddie had to do, what Eddie found and felt, he doesn’t but he can, because he remembers the mirror image so stark, it took him so long because he couldn’t find a pulse either, he’d had to press on Eddie’s heart at the source and even then—

“I couldn’t feel you.”

Oh. Fuck. He—

“Oh, baby,” Steve’s elevated enough at an angle that he can at least kiss Eddie’s hair, barely brush his scalp but it’s enough, for the breath that punches from Eddie against his chest it’s at least something; “that’s…”

“I won’t survive that again, Steve,” Eddie sucks in, unsteady and drenched with tears, with sorrow, but also…also more than anything else, they’re filled up with so much love.

A love big enough to hurt that hard.

“And I can’t…” Eddie gasps, breath catching; “I can’t handle not feeling it,” and his fingers tighten; his hand on Steve’s chest and his cheek across from it press down that extra little bit so Steve knows his own heartbeat in those moments full and deep.

“Have to feel it always,” Eddie whispers like he’s telling himself, and Steve, and Steve’s heart through flesh and bone, some cosmic secret no one else can know: too sacred. Too precious.

“You can feel it any time,” Steve lets his hand fall from Eddie’s to cover the hand Eddie’s got splayed ln his chest, counting time; holds him there almost protectively: “all the time,” and he slips his fingers between Eddie’s and shifts his palm close to the beating, so he can still feel what he needs as he murmurs with his heart literally in Eddie’s hands, with his entire goddamn soul:

“All of me. It’s yours.”

Unshakable fucking fact. He doesn’t even have to will it, or hope for it; his heartbeat knocks that heavier against their hands for those words like it knows.

It knows.

“Don’t leave me,” Eddie bursts out, begging; almost something primal, and Steve can feel the tremoring of his lips where they drag against him; “please. I’ll do anything, I swear it, just don’t—“

“Be you,” Steve braves the whimper that comes from untangling his hand from Eddie so that he can reach for Eddies cheek and cradle him in closer, and oh, fuck, thank god: something in him sighs out and loosens, ever so slightly—finally.

“Everything you are,” Steve presses on, runs his thumb back and forth through Eddie’s drooping curls; “let me love you, past living and dying,” and Eddie’s breath catches, for that, but Steve holds him tighter for it, drowns him as best he’s able in the proof he needs so bad; “don’t leave me,” and Eddie huffs a little for that, like it’s beyond believing, impossible, and Steve smiles to himself for it, tries to lean enough to press the grin to Eddie’s head, hopes he manages as he murmurs there close:

“That’s it, Eddie,” and he lets his fingers spread wider, cradle Eddie all the more: “that’s all I need.”

“That and more baby,” Eddie answers him between the double-beat of his pulse, immediate; “you’re the music and the rhythm,” he nuzzles a little against him, and Steve smiles a little wider for it; “you’re the reason my heart beats,” and Steve finds that heartbeat for himself at Eddie’s jaw, now; a little calmer. Not much. But: something.

It’s a start.

”I don’t have a reason without you,” Eddie exhales, vehement; “I don’t want a reason, without you.”

And Steve should maybe push on it, or be scared by it: but neither seem right, not for this.

Not for them.

Steve just holds Eddie’s pulse under the pressure of his touch, and holds Eddie’s cheek closer still into his chest as he breathes:

“You’re my whole heart, Eds,” and he lets a second pass, and then another, for that heart of Eddie’s to pump evidence unshakable against him, to play the song and rhythm straight into his waiting ear:

“Was never going anywhere without you.”

♥️ ao3 link here

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch

♥️

divider credit here

[pepperpixel]

“Can't remember when we walked past the O.R. sign!

(sur-ger-y!)

Can't remember passing out with her hand in mine!

(my-my-mind!!!!)

I remember waking up with my mind repaired.

(A-OK! ^^)

I remember when I realized, she wasn't there...”

Amnesia was her name….. is. so. horrifically. sadly fitting for these two in literally every single line. And I’m gonna NEED ALL OF U GUYS TO GO LISTEN TO IT NOW OK… THIS ISNT A DRILL GO GO GO GO!!!

Anyway… uhh. the fact Betty “blessed” this guy to like. An eternally long lifespan w THIS FUCKED UP OF A MENTAL STATE IS SO SCREWED UP GHGH- Like poor Simon god damn…! u kno he’d rather just keep on not sorting out his baggage and trauma forever too cuz it’d be too complicated… too much… force him to admit things about himself and about BETTY that he really really doesn’t want to… better to just leave it all unexamined.. pack it all into lil boxes so he can just try to ignore it and pretend it doesn’t exist… HE GOTTA LIVE FOREVER W IT THO… *ME BANGING ON SIMONS DOOR AT 3 IN THE MORNING*: “SIMON U GOTTA ACCEPT URSELF!!!! LOVE URSELF!!!! ACKNOWLEDGE N ACCEPT EVEN THE “BAD” PARTS OF URSELF!!!! SIMON PLEASE!!!!! SIMON EVEN PPL WHO LOVE YOU AND WHO YOU LOVE CAN HURT YOU!!!! ACKNOWLEDGE IT!!! ACKNOWLEDGE THE HURT AND ACKNOWLEDGE UR FEELINGS!!!! AND URSELF!!!!! SIMON!!!!” anyway… gGHGH YEA, SRRY. SIMON PETRIKOVS MENTAL ILLNESSES MAKE ME FEEL LIKE IM GONNA EXPLODE. ANYWAY HAVE SOME ART. W a bunch of diff versions cuz I’m indecisive!

[gilded-gheists]

My feelings towards ao3 this morning.

[voidcat]

leaning in for a peck on the lips and telling your windbreaker darling they're so sweet they give you toothaches... only to be hit by a real toothache hours later

[lunar-years]

i love it in fics when Roy reacts before he's processed his feelings and says/does something he very soon after hates himself for saying or doing and then he spirals in guilt and regret and apologies. something about it resonates soooo deeply like yeah!! lets give this guy a hug and some grace!! let's shower him in it!!

[iindigoeyed]

I don't want to start shit but the funniest argument you can have against feligami is that felix somehow is manipulating / controlling kagami. You mean the guy whose whole thing is that he hates sentis being controlled. As if he holds any power over her. Ah yes, the same guy who detransformed in front of her willingly because she was about to pummel him with a fucking chair, totally powerful. And the part where he showed her he meant no threat by throwing his fan away so it would get her mother off their trail-- so awful and menacing of him. I'm so scared for Kagami, yall. He might have put himself in harms way by going against Tomoe (who turned into like the size of a skyscraper and multiplied four times at this point) literally just so he could get to know her; but let's not forget that he's COMPLETELY EVIL and wiped out the entire planet with the help of his amok... which he promptly stopped doing after being told that he shouldn't do that by Kagami herself. The fact that Kagami has years of fencing training and could easily defend herself from him-- hell, the fact that she's best friends with Ladybug and could have turned him in to the heroes at any moment in those sewers if she was uncomfortable around him-- no, none of that brings me any solace. i'm quaking in my boots at this 15 year old boy built like a twig. He's a monster guys.

Look at them at the pool together -- she looks so afraid, clearly he forced her to be there. Ignore the part where she's happily sat next to him of her own free will. He's gonna hurt her for sure. Kagami needs to be protected from him, because she cannot take care of herself obviously. The horror.

[pyrosomatic-metamorphosis]

thinking about 4halo again and dying

they just. they used to be so sweet together. and then the election arc managed to genuinely turn them against each other (and bad is still affected by being caged in the museum) and i would NOT have been surprised if a rebellion had started within the next few weeks after their last fight and. they used to be friends and then they almost destroyed each other

and then the eggs went missing

and there are so many parallels between them, but one of the biggest parallels is how they're both protectors. they both protected the eggs (and, when he became president, forever extended that protection to the other islanders) but the eggs went missing and they had to put all of that aside. Forever was quicker to put it down than Bad was (it felt like only a very temporary truce, from Bad's end), but they put their problems on hold, because their eggs. were gone.

and another parallel. the destruction. both of them with their plans to cause ruin because then, maybe, theyll get their kids back. bad caused most of the grieving arc damage directly, and got aypierre and antoine to help him. he dug holes in the ground. he placed mines everywhere and leapt into them. he started the lavacasting process of the fed building (and was interrupted by admins, so he stopped, but philza and fit were still right to laugh at him lmaoo). he drilled a hole through the side of the federation office from a huge distance away. he has chosen to hurt his friends and himself to get the eggs back. whatever the cost.

forever destroyed the island. or he planned to destroy the island. or he was interrupted just before he destroyed the island or or or. I don't know. but it was big, and it was bad. bad enough that the feds had to step in and forcefully drug him, and kickstart the happy pills arc.

and the happy pills arc..... oughghghgh as fucking awful as it was for their characters to experience i genuinely truly think that it saved them from each other. when he was first told about forever being fucked up bad was still in the "i need to kick his butt" mindset, and was all ready for an excuse to kill forever. and then he saw forever. and the first proposal happened. and bad was angry and he was sad and upset and he was careful. forever tried to kill him. bad decided to save him. forever kept trying to marry him. forever kept taking the pills. forever was so scared of his own anger and all of the damage he could and would have caused to his family that he kept taking drugs that kept him so out of his mind he hallucinated his son was just sleeping safely at his house.

and they both tried to kill each other. and they both failed.

and bad showed phil and cellbit (and tubbo) the item scanner that dapper discovered, which could destroy him, because nothing else was working. because they needed to save forever. because bad was reminded by then that forever was a victim of the federation instead of just a mouthpiece for it. and then when forever woke up he saw bad, suffering, and so excited to see him awake.

and now they're here on opposite sides again with forever projecting his protection urges onto the fed worker in bad's basement and bad frustrated that he isn't being believed and his evil plans of giving ron lemons apology brownies is being interrupted and. look at them. soft "i hate you" and the appreciation room and bad's quiet heartbreak when he learned about forever being missing and the "i miss you" book bad got mad at because it asked him not to torture fed workers. does anyone hear me im so ill about them. do you understand they care about each other so much and the happy pills arc reminded them of that. forever realized bad is colourblind and bad assumed forever was poisoning him and then forever helped bad cheat on another colourblindness test and forever was giving bad flowers and bad was accepting them and accepted that he was colourblind despite his previously constant denial and! i don't know if im being comprehensible and i dont really care i will be honest i just need you to know i am frothing at the mouth like a rabid little beast. they are a TRAGEDY of miscommunication and external pressure but they love so so much. platonic or romantic or qpp they CARE and it tears me to shreds

[pikkish]

For as much as I love Doom, I think we can all agree that modern Doom's writing is a bit of a dumpster fire of questionable choices and TAG especially so. So,

I'm gonna play Dark Ages when it comes out, and probably even enjoy it, too, but boy, do I have next to no faith that they're not gonna somehow totally screw over the story they themselves already established...