HAPPY BIRTHDAY, PRESIDENT OF TONARI CLUB!
I, uh, m-made something f-for you.
Know that I'm totally embarrassing my ass over here, so... Don't laugh loud enough that I can hear you from over here!
Aaaaaand now, per Lyndis tradition, I'm gonna overexplain shits and turn a simple Ask into a whole ass Ramble!
-----------------------------(why is there no "Read More" partition in an Ask? I'm so embarrassed right now goddamn it)-------------------------
If you're short-sighted, try removing your glasses or contact lenses and look at this picture. I just did and it's suddenly even prettier!
I actually planned to draw your Sonicsona at first. And then I realized I deadass couldn't even draw Base Sonic. Then I thought I should draw a mole. I realized I also couldn't draw a mole. I thought I should just go for the easiest shit and draw ToFu. I realized I could not draw either one of them, too.
Because I cannot draw, I cheat! I mean I turn things into shapes (chiefly triangles, though not all of them) and then color them and hope that something shows up. This is me using this scientific /+ philosophical concept called Emergence.
No, I didn't just say THAT to sound like I have a technique of any kind, trust. It's so totally a technique—my very productive ass told me.
I remember you saying your favorite color is something like pink, blue, and stuff? It was from that tag game from last year. Hence, I decided I should create a context so I could draw an obscene amount of pink and blue.
If I'm being honest, it took me less than a millisecond to come up with the exact context—Breath of the Wild/Tears of the Kingdom is abundantly blue.
And since I always wanted to sneak ToFu in, I thought I would make a purplish-pink dusk. And then I will sneak those stargazing two in.
Come on. Everyone knows those ToFu panels. Even someone like me, who had not seen that part of the manga yet, knows.
Bless Tonari for being so relaxing to color.
HOWEVER! Fushi's limited-ass color presented a big problem for my cheat-drawing. How many combinations of "white" can you even make before you zoom out and see... nothing?! So I basically sabotaged them. That's what you get for being difficult, you mopey, neck-crick-possessing, fragile-enough-to-be-blown-by-the-wind cutie doofus.
I made up the color of their pants. I didn't even refer to their Nameless Boy drip when I decided on the color. I assed that part.
Yes. I admit I put a shit ton of effort into coloring Zelda. This version of Zelda is my kin, you know. Anyway, I like the way her, uh, shirt turned out.
I also like how the Master Sword turned out, but there was so much blue I ended up requiring outlines to distinguish it from Link's shirt and the sky. Told ya I have no technique or skill. I cheat through and through
I was too lazy to draw those sky islands. Besides, the ToTK side is already saturated with details.
What the fuck issa "proportion?" Everyone's head is an orange. The difference, Nova, is whether it's a Mandarin Orange or an Orange.
I don't know if I overdid Dinraal's draconic mane. It looks like she's wearing a wig. At least she is different from how she initially looked—a red tapeworm outfitted with chicken legs.
I admit I put more effort than any Past Me would have into Dinraal because a certain mutual is very, ah, particular about dragons.
Drawing two of your favorite ships for their show of devotion was a completely deliberative choice on my end. Did you also realize that both Link and Fushi had a short, small, low ponytail and that both Zelda and Tonari had similar hair? I believe it's due to me hitting my drawing skill limitation.
There is actually an Easter Egg of some sort in this picture. It's not the ugly doodle thing, no. That thing is me. I'm not an Easter Egg; I'm a ghost.
I'm not telling you what that Easter Egg is. I'm fine with it never being discovered; it'd be like those secret levels in old video games.
But if you DID discover it, come tell me what you think it is!
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I hope you like it enough! Instead of it giving you a migraine, that is. Surely my """art"""... doesn't require a trigger warning... right?
Have a good one, mai bruzha!
---Lyn
A RAMBLE FROM YOU LYN IS THE BEST POSSIBLE BRITHDAY PRESENT I COULD HAVE EVER RECEIVED!!!! COUPLED WITH ART BY YOU????? AND OF MY FAVORITE FELLAS????? What did I deserve to be so blessed ;A; 💕💕💕
I’ll spare us all a little extra scrolling on my part by adding that read more you were fretting about, I have my own ramble upcoming!
I KNOW YOURE ON YOURSELF ABOUT NOT BEING ARTISTIC OR WHATEVER BUT THIS IS ART!!! AND DAMN GOOD ART TOO!!!!!!! This is!!!!!!!!!!! I want this made into stained glass I want to make this the permanent window to me bed roOM LYN THIS IS AMAZING THIS IS ALMOST CERTAINLY GOING DOWN AS ONE OF MY FAVORITE ART STYLES!!!! There’s no such thing as cheating in art, it’s all art!!! “Cheating” is a style, no technique is a style!!! I should know I have none either, hehe -w-‘ your art may be some type of cubism? Hehe idk I’m not an art student :3 Either way this is absolutely gorgeous I’m in LOVE!!!
It’s so creative and well done and I LOVE your eye for detail, the lighting is inspired!!!! Like the way the sun hits the space behind Zelda is so pretty, AND ZELDA IS SO PRETTY!!!!!! EVERYRHING IS SO PRETTY, I CANT FOCUS ON ONE THING BECAUSE I KEEP JUMPING BACK AND FORTH BETWEEN ALL THE THINGS I LOVE ABOUT IT (every thing, every last detail!!! Is that a little you in the middle? Is that the Easter egg???? I could just pick you up and pat your little head!!! 😭 I know you don’t love hugs but that’s how I’ll be standing if you’re ever ready for one!!!)
I should slow down maybe and pick a few things to focus on BUT I JUST CANT I LOVE IT ALL!!!! The two scenes just blend so well into one another that my eyes are just naturally being drawn back and forth between both of the scenery! Dinraal, who turned out AMAZIING BY THE WAY, ABSOLUTELY NOT OVERDONE, if anything I’m so glad you had fun working on her!!! She’s so gorgeous!!!! I bet your friend is so so proud of how well she looks!!! Oh but anyway, Dinraal naturally leads my eyes over to the sun/moon (and the 24, hehe, thank you!!! /)//(\ Your memory is astounding!!), which have their own beautiful rays of light leading down onto the adorable couples 😭 I love love LOVE the moonlight leading down onto Tonari and Fushi, and the fact that she’s pointing at it too like she can almost reach it? Beautiful! Gorgeous!!! And it just leads my eyes down to them too, there’s just such a natural circular flow here, no wonder I keep getting caught in a loop of admiration! 😁
The blues and the pinks, and the stars on the ToFu side!!! I just noticed them and they’re everything to me!!!! Hahaha I’m so glad Tonari was relaxing to color hehe, same for me, something about her is just so lovely and calming when she’s relaxed 🥰 As for Fushi’s colors, I didn’t notice! Even after you pointed it out it looks good to me! ¯\_(ツ)_/¯ this is from someone who never references colors though, I’m so loosey goosey about everything -w- BUT YOUR SOLUTION TO YOUR PROBLEM WAS GREAT, THEIR SHAPE IS VERY VISIBLE AND EASY TO MAKE OUT hehe :3 I love their crossed little legs 🥰
Zelda being your kin is so good to know hehe, I’ve always been drawn to all versions of Link myself! I think we’ve been perfectly set up to “play dolls” with these characters in the future, so to speak! Aaaahh they can’t have been easy to draw, there’s a reason I almost never dabble in drawing those two and their intricate outfits, but you make it look effortless!!! Zelda’s shirt turned out amazing, and I’m stuck looking at her little triangle braids!!!! I don’t know why I’m so fixated on that it’s just adorable!!! 😭💕 What a lovely technique, man, I’m so enchanted! AND THE MASTER SWORD, I know you called it cheating BUT I LOVE THE LINE WORK, it makes the sword stand out, almost like you lined that specific part with some sort of melted gold??? Aaaaaaaaaahhhhhh!!!!!
This is gorgeous and beautiful in every which way and thank you!!!! For everything!!! For this beautiful drawing and for giving me a chance to ramble and giving me something gorgeous to look at for the rest of my day, and for indulging in both of my silly little ships /)//(\ I’m so glad I don’t need glasses because I love every inch of your art, thank you thank you THANK YOU!!!!! Gosh it’s so so so lovely 😭💕 you’re so lovely!!!!
I don’t know how to say goodbye so I guess I’ll just say good night for now! Thank you for thinking of me… I’ll have a wonderful day, so long as you promise me you’ll have a wonderful night along side me 🥰
Goodnight, Mai Bruzha!
- Nova
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09: Bill/Johnny
Sloowly getting through @almost-a-class-act 's wonderful prompts! This one is: Character A has just moved in and it's Character B's turn to tell the new neighbour the neighbourhood's dark secret…
Now, I've set this in rural Scotland. I've given Bill the appropriate language, but I have zero idea how to actually spell it. It's one of the stupidest things I've ever written, but no, I'm not taking it back. Bill Fraser is a teuchter now (for this fic at least).
War is Helloween
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He’s seen him before. In the darkness of the countryside, folk illuminated only by the built-up bonfire, the occasional sweeps of torches, and the sparkers the children run around squealing with, Bill finds himself looking towards the stranger. It’s hard not to notice newcomers around here, and especially not ones so handsome they turn heads wherever they go. The blond hardly seems like he belongs amongst countryfolk and farmers, but he’s ended up at the fireworks display on the brae all the same. Bill first saw him two days ago in the village shop, where he was with a young woman, a babe in her arms. His sister, the gossip says. Bill’s already heard the older folk muttering about it, wondering where the husband is, and what the brother is doing here. He’s sure he’ll hear all the news the next time he goes to the Fife Arms, whether he wants to or not.
He can’t deny feeling curious, though. Not much changes around here—not usually for the better, at any rate. Besides, the man is good-looking. Johnny Cooper. There’s something about him that catches Bill’s eye, and makes him half want to go over.
He doesn’t, though. Johnny is surrounded by some of the farmers’ wives, and is gratefully accepting bonfire toffee. Bill’s mouth is still sweet with the rare joy of it, Jenny Grant’s recipe as good as he remembers from childhood. It’s as warming to him as the bright fire that’s been built to last, and he’ll try to get another few pieces off of her before he heads back home.
Until then, he stands in the cold November night, waiting. A few friends and folk have drifted by, stopping to chat, offering him a beer, and he nods and listens to the words they have to say, contributing here and there. He finds himself standing in a loose group of men, their attention turning towards the pitch dark beyond the fall of the firelight when a faint torchlight flickers there. Johnny is still on the other side of the little gathering when the fireworks begin. Bill looks away from him, to enjoy the display. It’s nothing like the big, fancy ones he sees on the telly. He wonders what Johnny makes of it. If he likes it here, or if he thinks as little of this place and its people as townfolk usually do, the way of life too small and simple to be worth noticing in their opinion. Plenty outsiders have bulldozed in and then drifted away again, not taking to the lifestyle, or simply missing the glittering lights and apparently comfort of bustle.
Bill likes it here, though. It’s home. He watches the fireworks light up the darkness, and feels something ancient and primal tug at his heart. You can’t feel this anywhere else, he thinks as a chill breeze stirs around the little gathering.
When the last firework is spent, all that’s left is the warmth of the fire, and the people around it. Bill soaks it up, lingering as people start drifting home—the folks with younger kids first, then others following. He snags some more of Jenny’s bonfire toffee, and sees that Johnny is just drifting from the circle of firelight. There’s a set to his shoulders, a sense of purpose about him that makes Bill’s blood run cold.
Half running, he catches up with the man. “Oi!” he calls out.
Jumping, Johnny turns around, laughing. “You scared me!” He’s grinning, the distant fireglow softly picking out the features of his face.
“Far ye gaun?”
A blank look. Bill gestures out at the darkness.
“Yer car? Far’s it at?”
“Oh!” Understanding dawns on Johnny’s face, his smile softening but not fading. “My sister has it. I was going to walk.”
“Tae the village?”
“Um, yes?”
The cold feeling in Bill’s blood grows more profound. “Ye cannae dae that,” he warns.
“No?” Johnny looks around, out into the darkness. “I mean, it’s only two and a half miles?”
Bill shakes his head. “Ye’ll no mak it.”
“Um,” Johnny breathes. He’s not smiling any more. “But I came—”
“Ah’ll gi ye a lift,” Bill insists. “Or, if ye rither, ony ae the fowk here wull gi ye a lift. Just dinnae wauk it an yer ain, aye?”
“O–okay?”
The distant, warm glow of the fire is reflected in the blond’s wide eyes, and Bill suspects that, while he might have got the gist, he’s a bit dazed. Another chill curl of wind swirls around them, and they both shiver.
That seems to decide it. Relenting, Johnny moves closer to Bill. “Where’s your car?”
Bill points back towards the other side of the gathering. “Mandy’ll be glad tae tak ye, if ye’d rither.”
“No, it’s okay. I’m good.” After a few paces, Bill hears a shift in fabric, and a hand is drawn out of a pocket and offered to him. “I’m Johnny, by the way.”
“Aye, Ah ken,” Bill nods. It’s an awkward angle to shake someone’s hand at, the gesture out of place here. He lets it happen, though, giving Johnny a brief, firm squeeze of a handshake. Johnny’s hands are cold, but there’s a warmth that transfers to Bill at the touch. Stickiness too. They’ve both had toffee. It’s the reason Bill hasn’t pulled his glove back on.
He pulls them on now, knowing it’ll be cold for the first few minutes, until the car heats up. There’s a heavy jacket on the passenger’s seat, which he pulls out of the way as soon as he gets in, the wellies in the footwell joining the jacket on the back seat.
Johnny looks so out of place as he gets in, the harsh interior light of Bill’s car making him look pale. He’s probably cold, Bill realises.
“Ye cauld?”
Rubbing his hands against his thighs, Johnny nods. Bill pulls the jacket forward again, offering it over.
“Hae a shottie o this till the heatin kicks in.”
“Thank you.”
They fall into silence as the light dims and Bill starts the engine. He rolls slowly out onto the single track road that winds its way down the brae and towards the village. They’re near to the planted forest of Norwegian pine when Johnny finally speaks again.
“What’s wrong with walking?”
The headlights fall strangely on the pines for a moment, and Bill watches the shadows shift. “Naebody wauks atween the braes an the village this tid o year.”
In the pause, Bill tries to work out how to explain what people usually figure out, if they move here early enough in the year, or if they have any sense.
“Why not?”
It’s best to keep it simple. “Fowk disappear.”
“They get lost? Isn’t there only one road?”
There is, and it follows the contours of the land, the fall and rise and then fall again down into the village. They are clear of the trees now, and in the gully that curves to the left, is a burn. It’s impossible to see in the dark—the headlights don’t peer down over the edge. “Aye,” Bill has to agree. “Bit thare’s mae tae it then that.”
Beneath Bill’s jacket, Johnny shifts, shivering. Bill reaches out to turn the heat up.
“I’m fine,” Johnny insists. “I just… don’t get it.”
“Dae ye wint tae?”
“I guess?”
They’re one bend away from being within sight of the village, and Bill feels like he can speak easier when he sees the warm glow of the streetlights. He doesn’t need to ask where Johnny lives. Everyone knows.
“Thare’s simmat oot there, simmat auld.”
“Something?” Bill catches the crease of worry lining Johnny’s brow. “Like… an animal?”
“No quite. Hiv ye nae feelt it?”
“No?”
They turn into the lane that leads quickest to Johnny’s home. From the tone of his voice, the uncertainty wavering in it, Bill suspects that Johnny has felt it.
“What is it?”
Bill doesn’t quite know how to answer that. As he pulls up, he leaves the engine running, heat starting to spill enthusiastically into the car. The light from the streetlamps has a different quality to it than the firelight, but, as uneasy as he looks, Johnny still looks handsome. Beautiful, even. It’s warmth like that that keeps the cold and the darkness from taking over everything.
“The lan.”
Johnny blinks. “The land?”
“Aye, this place. Atween the noo an Februar, it’s hungert fae wairmth. Dinnae wauk ootae the village aifter dark.”
“Seriously?” In the safety of warmth and light, scepticism steals over Johnny.
“Aye. Ask aebody,” Bill promises. “Fa telt ye tae come up the braes oniehoo?”
“Um… Mitch? Mitchel?”
“Eejit,” Bill mutters. He can believe that Mitchel forgot to make sure Johnny was getting there and back safely, although he’s of no mind to let the man get away with it when Bill sees him next.
Johnny is toying with the collar of Bill’s jacket. “So this wasn’t some elaborate ploy to get me alone?”
“Elaborate?” Bill echoes. “No, Ah wantit tae mak sure ye got hame safe.”
“I was joking,” Johnny smiles, and Bill realises that maybe he was, but perhaps he wasn’t. He lets out a breath, not sure what to say.
As his jacket is offered back to him, Bill takes it mutely, looking at Johnny’s hands, then up at the beautiful but utterly unprepared young man.
“Thank you, um…”
Bill waits as the silence drags on.
“You didn’t tell me your name.”
Oh. Right. “Bill,” he supplies, aware of the way his cheeks have started to flush. It’s annoying, and he reaches out to turn the heating down. “Ah mean it,” he impresses on Johnny. “Ye haftae stay safe.”
“I will,” Johnny says, with what feels like the right amount of sincerity.
“Good,” Bill nods.
“Thank you, Bill.”
Johnny already said that, but it’s nice to hear it again.
“Good night.”
“Nicht,” Bill answers.
Reaching for the door handle, Johnny goes still. “Um…” he turns around again, his mood tentative. “What was that sweet stuff?”
“The bonfire toffee?”
“I think so. I’ve not had it before. Do you know the recipe?”
Bill does not, but he knows where it’s written down in the old cookbook that used to be his grandmothers. “No, but Ah can get it fae ye.”
“I’d like that, thank you.”
“Nae bither.”
When Johnny smiles again, Bill gets the feeling that Johnny would be quite happy to linger here a while longer. He’d be happy if he did. All that lies ahead of Bill is the dark drive home.
“See you soon?” Johnny seems to hope.
Bill nods. “Aye.”
With a bright smile that brings something of the sun to the night, Johnny goes.
Bill isn’t entirely sure if Johnny will pay heed to the warning or dismiss it as nonsense, but what he does know is that the long winter ahead is going to be much easier to bear if he has a chance of seeing that beautiful smile again.
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