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#listen sometimes you gotta shoot your shot
scarlettgauthor · 4 months
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Dear Sam Reich,
I know you're here on Tumblr and I fully suspect you namesearch yourself. (No shade, I do the same thing to see people saying nice things about my books!)
I'm Scarlett Gale. You don't know me yet, but my new life's goal is to get internet famous enough for you to book me on DropOut. I'm hot. I'm weird. I'm deeply qualified. I have no dignity. I have a very specific list of skills and experience:
Community musical theater ages 5-20
Internationally recognized burlesque performer for over a decade
Experience with improv AT ANIME CONVENTIONS
Cosplayer
Started playing D&D with version 2.5 when we still had to calculate THAC0
Co-produced and performed in the Alison Bechdel-approved Bechdel Test Burlesque, which was included in the Women and Gender Studies program at the University of Oregon
Femdom fantasy romance novelist
Cat lover
Competent juggler
Put me on your shows. As many of them as you want. I will do Game Changer. I will do a Dimension 20 campaign. I will do Um, Actually. I will bring my own costume wardrobe and wear a strappy bra and a very cool cape and switch wigs every five minutes just to be confusing.
Here is a picture of me eating cheese backstage while dressed as Wonder Woman:
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You will not regret booking me. I'll fit in perfectly: I have a BA in Digital Art and lower back pain.
Thank you for your time, Scarlett Gale
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steddielations · 10 months
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Eddie’s queer awakening Part 2 | Part 1
Steve doesn’t know what else to do to make Eddie realize he likes him. Never in his life has he had to work this hard at winning someone over. Never.
Even with Nancy in high school, there was always a hint that she wanted him to chase her, which made it worthwhile. Sometimes, Eddie will do something that makes Steve sure he feels the same, flirting back. Then Eddie will do something that makes Steve not so sure, laughing it off.
Steve doesn’t like resorting to bullshit queer stereotypes because he doesn’t exactly fit them either, but Eddie looks like those rugged guys on his posters and album covers. Sometimes it feels like a masculinity performance worthy of King Steve, but sometimes it feels genuine.
Eddie’s not dressing like Bowie, but he prances around on cafeteria tables yelling about sodomy and he’s never had a girlfriend that Steve knows of. He could like both, same as Steve, of course. Or it could be nothing, of course. Steve’s just putting all these moves on a straight boy, about to get his heart broken again.
Robin’s given him countless pep talks, assuring him that he’s right about Eddie when he starts to doubt it. “You sniffed Vickie out just from her VHS returns. If anyone has a functional queer detector here, it’s you. Trust it.”
“What if I ask him out and he rejects me?” Steve fully understands Robin’s worries now, it’s not the same as getting shot down by a girl. “I’ve got enough rumors about me already.” They all wanted to say it in high school, calling Steve a pretty boy in tight pants that spent too much time in the mirror.
Tommy used to shoot them all down. Now he’s not by Steve’s side, snarling at anyone who suggests it. Which was mostly just Tommy trying to convince himself that everything they did under the covers at sleepovers was “just guy stuff”, and he convinced Steve too. To the point where Steve hadn’t even considered any different until a few months ago when he told Robin and— yeah, that was an eventful conversation. The first time he stumbled across the word bisexual— from a Bowie interview in one of Robin’s magazines— it felt like something clicked into place.
“I don’t think Eddie’s the type to out anyone, either way.” Robin’s right. She’s not always right, everything would be easier if she was, but she’s right about that.
“I keep having to pretend to like his shitty weed to get him to come over. Not even the yawn and stretch move worked on him. Y’know, this,” Steve demonstrates, stretching an arm above his head and then draping it over Robin’s shoulder. She shrugs him off with a fake gag. “I kept looking at his lips and I thought we were gonna kiss, but he laughed and poked me in the ribs and called me dude.”
Robin listens to all his boy troubles and then they come up with a plan. Steve decides he’s going to come out to Eddie, just put it out there that he likes guys. In a totally platonic way and hopefully that gets the ball rolling the other way, where he tells Eddie he likes one guy in particular and hopes all his Romeo efforts don’t blow up in his face.
So he goes for it. Eddie strolls into Family Video and picks out a movie that Steve’s actually heard of for once. It’s easy for Steve to throw him a smile and invite himself over. “You know this is the closest thing to a romance movie you’ve picked? No way I’m letting you watch this alone, somebody’s gotta hold your hand through the sad ending, looks like it’s gonna be me.”
Several emotions fly across Eddie’s face, landing on overwhelmed disbelief. “I don’t get it, man. How do you not have a girlfriend? You’d be so easy to fall in love with. Hell, I feel like you've made me fall halfway in love with you already. If I was a girl, I’d date the shit out of you.”
It looks like Eddie wants to clap a hand over his mouth as soon as the words leave it.
Steve watches him carefully, trying to think clearly over his heart pounding in his chest because Eddie just said he loves him, kind of. This is it. “Would you still date me as a guy?”
Eddie’s nervous hands jingle with chain bracelets as they tug his hair and hide his face. “You mean, objectively? As a guy would I date another guy? I mean, could I want that? I hadn’t really considered that option until now. Uh. Shit. Wow, this is-”
“Because I would, you know,” Steve jumps to say, as earnestly as he can, needing Eddie to finally know. How could he not know? This is it. Steve didn’t come all this way just to tap out at the finish line. He goes for it. “I’d date you as a guy, Eddie. I’d date the shit out of you, too, just like you are.”
Eddie’s face is flushed now, his eyes wide and swimming with both questions and realizations. Steve snaps out of it for a second, looking around to see the store is thankfully empty, Robin’s still on her break, but this isn’t the place for this conversation.
“Wanna talk about it over the movie tonight?” He offers.
It moors Eddie, he relaxes more and Steve hopes he’s not imagining the faint hint of a smile. “Yeah, that’s— yeah, talk. I can do that.”
“Okay, it’s a date. See you then.” Steve hands over the tape, their fingers brushing and making warmth flutter all through him. He watches Eddie halfway trip out the door, running into it once and pulling on it three times before pushing it open.
Steve can’t stop grinning, thinking about later, determined to tell Eddie he’s already in love with him too.
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hauntedhowlett-writes · 11 months
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pairing: cult leader!joel miller x virgin!female reader
rating: explicit (18+ MDNI)
word count: 8.6k
summary:
You think you’re as good as dead when a band of raiders find you. In what you think are your final moments, an angel appears.
His name is Joel Miller, and he is here to deliver you from evil.
author's note: a huge thank you to my fellow cultist @atinylittlepain for listening to me scream about this. without them, we'd probably be on version 5 of this story. and to everyone who has been excited about this, i hope you enjoy!
warnings: DARK CONTENT - DEAD DOVE DO NOT EAT, dub-con: power dynamics, dub-con: cult mentality, age difference - 60M and 27F, explicit sexual content (18+ minors do not interact), no use of y/n, dual POV, post-outbreak, canon divergence, canon typical violence (knife wounds, gun shot wounds, numerous mentions of blood), minor character death(s), blood cult ceremonies, religious themes, possessive behavior, emotional manipulation, loss of virginity, oral sex - f receiving, vaginal fingering, unprotected p in v, cum play, dirty talk, pet names, praise, joel really has a loose screw ok? if there are any tags missing, please let me know!
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“I don’t think you should go out there by yourself,” you say, watching as your dad inspects his gun. He looks up at you with a pained expression.
“I gotta see where we should head next. I don’t want to lead you out in the wrong direction, accidentally get you in a bad spot,” he says. “I’ll be fine, buttercup.”
There’s a heaviness that settles in your stomach at his words. He sounds confident enough, but his eyes tell a different story, expose his fear. He stands with a sigh, a wince of pain washing over his face.
“Maybe I should—“
“No,” he interrupts. “I’m going. I won’t be gone long, okay? We can’t stay here forever. Who knows what’s out there in the forest.”
That’s exactly what you’re afraid of. At least inside the rotted cabin you stumbled across you could pretend you were safe. The forest is alive in a way you’ve never experienced growing up in a QZ surrounded with barbed wire and steel. You hear the snap of twigs and the howl of wolves, or the flutter of wings and the call of birds, and sometimes you think you feel the weight of eyes watching you if you venture out too far in your exploration.
“We’ve made it this far. We got out of Denver and that was half the battle,” your dad says. “You got your knife, right? And enough rations.”
You nod, swallowing around the lump in your throat. He kisses your forehead, dry lips lingering on your skin. You have an aching feeling this is a goodbye, some sinking intuition that he’s making a mistake that you can’t correct.
“Be back soon. I love you.”
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Joel’s been keeping an eye on the people in the woods for the last three days. There was chatter on one of the radio stations that the Denver QZ was facing an uprising and he knows that once those walls come down, the survivors that venture out are bound to stumble across his town.
The cabin door opens and the man steps out, venturing into the forest. Joel waits to see if his female companion follows, but the door remains shut. He longs to see you, the girl who’s image has been burned into his brain since his first glimpse, but he has a duty to fulfill first.
He walks quickly and quietly through the forest, sure feet catching up with the man less than a mile from where he’d started.  Joel clears his throat. 
The man turns, fumbling with a gun that he clearly has no experience using, pointing it at Joel with shaking hands and shouting, “Move and I’ll shoot!” 
“You lost?” Joel asks, holding his hands up and keeping his face trained in a mask of concern. “Lookin’ for somethin’?”
After a pause, the man seeming to have concluded that Joel isn't a threat, he says, “My daughter and I…we escaped the Denver QZ."
"That must've been difficult." 
"We....we're running out of food," he continues, dropping his arms, limbs hanging heavy at his sides. "I-I don't know what else to do, man."
Gun no longer pointed at his face, Joel approaches the man, stopping when he's within arms reach. Up close, he can see the dismal state the guy is in -- sunken cheeks and bloodshot eyes, tattered clothing hanging on a thin frame. Joel places a hand on his bony shoulder.
"I can help you," he says. The man looks up, a brief glimmer of hope flashing in his eyes. Joel watches the slow realization, the way his brain catches up to what's just happened, a choked noise spilling from his dry lips. 
Joel tugs his knife from the man's gut and steps back, watching as he collapses to the ground. Desperate hands smear the blooming red stain across his abdomen. Joel circles the man, positioning himself at his back, and pulls him close with a hand slapped over his mouth.
"I'll take good care of her," he whispers before dragging his knife across his neck in one clean slice. The man twitches once before growing limp and Joel releases him, body hitting the forest floor with a dull thud. Not one to waste, Joel gathers anything of use from his person. 
Something catches the light against his neck. Curious, Joel tugs the bloodstained neck of his t-shirt to the side, finding a silver chain. He pulls, revealing the length of it. 
A cross.
The clasp snaps with a sharp tug and Joel stuffs it in his pocket. Standing and shouldering his bag once more, he begins his walk back towards the cabin.
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You're running as fast as your legs will carry you, lungs and limbs burning with the effort. You made the mistake of not listening to your dad when he'd told you stay where you were, to stay hidden, that he'd come back. Your nerves had gotten the best of you and you decided that you would catch up with him, but you didn't know which direction he'd gone. You figured you would travel a little ways and see if you could find him and if you didn't do so quickly, you'd rush back to the cabin and wait, just as he told you.
That's when the men saw you, two large figures with rifles that reminded you of FEDRA soldiers slung across their backs. 
You duck behind a thick tree to catch your breath. You can hear voices calling out through the forest above the rush of blood in your ears, taunting tones carrying through the air.
"C'mon out, pretty girl!" 
You chance a peek out from your hiding spot, only catching a brief glimpse of one man through the trees. 
"Where ya hidin', sweet thing?" 
His voice sounds far away and that gives you the courage to move forward, a tentative dash for another tree. 
“I might be nicer to ya if you just come on out, but if I have to hunt ya down…well…you know what a hunter does to its prey, don’tcha?”
You press your hand over your mouth, muffling the cry that claws its way up your throat. You start to run again, faster, not caring if he can hear you so long as you're able to maintain that distance, hoping that if you can outrun them for long enough, he'll just give up and then maybe you can find your--
You crash into something, the world sliding out from under you and the breath rushing from your lungs as you land on your back with a pained shout. A hand wraps around your ankle, pulling you across the rough ground before you have the chance to recover. 
"Gotcha," a man says, the voice different from the one that had been taunting you before. A figure stands over you, a foot on either side of your hips, looking down at you with a sinister smile. "Pretty little prize, huh?"
You twist your body, scrambling away from him. He laughs, following after you with unhurried strides.
“Now, don’t play hard to get,” he admonishes. A hand wraps around your ankle and he drags you toward him, kicking and screaming. Your foot connects with some fleshy part of him and he curses. 
“You little fuckin’ cunt,” he hisses, dropping your foot. He kicks you, heavy boot colliding with soft flesh and bone, a sharp pain blossoming in your side, shooting down to your very marrow. You curl in on yourself, wounded prey trying to protect its most vulnerable parts.
A shot rings out, the sound startling in the relative quiet of the forest. You sit up, sudden movement making you light headed, and it takes you a long moment to register the scene before you.
The man that had been chasing you, the one that had caught you, the one that had hurt you on the surface but planned to do far worse, lies on the ground, eyes wide open but unseeing. Above him stands your savior, an older man with gray streaked dark curls and tan skin, broad shoulders and hard brown eyes. He reminds you of a painting you saw once in a book your dad owned, long before the outbreak.
“Death On A Pale Horse,” he explained when you showed him the painting that caught your eye. “Based on the Book of Revelations. You remember that one, right?” 
“Yeah.”
“This one,” — he pointed to the central figure, a dark creature on a white horse — “is Death. And this one” — he pointed to a figure on the right that rides a dark brown horse, the dark colors making him blend among the horrors breaking from the sky behind him — “would be famine. You can see the emaciated man below him.”
“What about the other two?” You asked.
“The one of the red horse would be war.”
You pointed to the remaining figure, a man with dark curls and a determined expression. “And the white horse?”
Your dad paused. “Conquest. Pestilence. The Antichrist. The first horseman of the apocalypse.”
The man before you today looks like that figure on the white horse and despite his choice to rescue you from one horror, you fear he may be something far worse.
The man kneels and you flinch away from him. He sighs and says, “I ain’t goin’ to hurt you.”
“Who are you?” You ask, voice weak, throat on fire. 
“My name is Joel,” he says. “I want to help you.”
“How do I know you weren’t with those other guys?” Your eyes grow wide and you rush to stand on shaky legs. “Wait, there’s another—“
“He won’t be an issue,” Joel assures you, wrapping a steadying arm around your waist. “C’mon.”
“I can’t—“
“Men like those two ain’t the only things in the forest to worry about, and I’m afraid we can’t sit around and find out. That gun shot could send a horde runnin’.”
“Wait!” You snap, pulling out of his grasp. He holds his hands up, as if in surrender, or maybe like he’s approaching a wounded animal. You’re not sure which. “My dad is out there. H-he went to figure out where to go from here. We were in a cabin…” Your voice trails off. “I told him I would wait for him.”
Joel’s eyes are soft as he says, “We need to get ourselves to safety. I can send someone out to look for your dad first thing in the mornin’.”
“Send someone?”
“There’s a group of us, down in the valley. Survivors, like you.”
“Really?” Relief washes over you, eclipsing even the ache in your belly and the burn in your throat and the pain in your muscles. “How far?”
“With the state you’re in, probably about a two hour hike.”
You don’t have much choice but to go with him, do you?
“Okay.”
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“Where’re you comin’ from?” Joel asks, glancing over his shoulder at you. You’ve been following quietly behind him, head down and eyes fixed on the ground. 
“Denver,” is all you offer in response. He knew that much already. He wants to know more.
Maybe he has to give more first.
“‘M from Texas, originally. Was in a QZ in Boston for a while before makin’ my way out here.”
“Why’d you come out here?” You ask.
“Had a friend once tell me, ‘Save who you can save’,” he says. 
“What does that mean?” You ask.
“You’ll see.”
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Joel had mentioned survivors, but you're shocked to discover that just past a wooden sign proclaiming WELCOME TO CRESTONE in chipped yellow paint, a whole town is tucked away, surrounded by a wooden gate that opens for you as you approach. You feel the weight of curious eyes as you walk through a town square, Joel's palm between your shoulder blades steering you towards a more residential area until you reach a two story adobe home.
Once inside, you’re led upstairs to a sparsely decorated bedroom, a large bed in the center with a faded quilt tucked around the mattress with precision and a dresser against one wall covered in yellowed wallpaper. Joel gestures for you to sit, kneeling on the wood floor in front of you to work on the laces of your sneakers.
“What—“
“You need rest,” he says, removing your shoes. He looks up at you, brown eyes full of concern. Your stomach flips.
“But—“
“No,” he says sternly. He stands and walks to the side of the bed, tugging the quilt free and folding it down. “I have duties to return to, but you’ll be safe here.”
You don’t have it in you to continue arguing. You haven’t seen a comfortable bed in more than two days and the exhaustion catches up to you in one fell swoop, eyes halfway to shut as you crawl into the space Joel’s made for you between the sheets. He pulls the covers over you, the warmth of a hand smoothing across your cheek the last thing you feel before falling asleep.
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You wake to the sun high in the sky, streaming through the open window of a room that you don't recognize.  You push yourself to sitting, your ribs protesting the movement and your head pulsing just behind your eyes. Your mouth is unbearably dry, so much so that you start coughing, further aggravating your bruised ribs.
"There's water on the nightstand," a voice says, startling you.
You look to your left, finding a young girl sitting in a wooden chair by your bed. Her dark hair is pulled back from her face, wayward pieces falling across pale skin. Her sharp brown eyes watch you with an intensity that makes your skin crawl.
“I’m Ellie,” she says. You mumble your own name.
“Did Joel save you?” Ellie asks. 
“Uh—“
“He must have. That’s what he does,” she continues, cutting you off. 
“Ellie!” A familiar deep voice calls out. Her eyes go wide and she scrambles from her seat, rushing for the door. Heavy footsteps climb the stairs, Joel appearing in the open doorway. He looks at her with a stern expression, mouth pressed in a thin line. “Thought I told you not to come up here.”
The look on her face isn’t fear, like her reaction would have led you to believe. No, she looks up at Joel with reverence as she says, “Sorry. Wanted to see her.”
Joel nods. “Head to the mess hall. I’ll bring her down shortly.”
Ellie casts a lingering look in your direction before disappearing through the doorway. 
“Sorry about her,” Joel says. He takes a seat on the edge of the mattress. “How’re you feelin’?”
“Could be better,” you say honestly. “How long was I asleep for?”
“A little more than a day.”
Your eyes go wide. “My dad—“
“We’ve sent out a search party. No luck yet, I’m afraid,” he says. You curl into yourself a bit at the news, shoulders tight with worry. He reaches forward and places a hand on top of your own where it rests on the sheets. “You should get some food. I brought you some new clothes, too. I’ll let you get dressed and we can go down to the mess hall.“
He leaves the room before you respond and you drag the pile of clothes closer to you, finding a neatly folded t-shirt, jeans, underwear, and socks. It takes you a long moment to work your way out of your dirty clothes, your movements slow to not aggravate your injuries. You keep your bra on, pulling the clean shirt over your head, followed by the jeans. You're thrilled to be wearing something that's not caked with dirt and sweat.
You're working on putting your socks on when there's a knock at the door, Joel entering when you call out for him to come in. He smiles at you.
"There, that's better," he says. "C'mon. Let's get down to dinner."
You follow him out of the room and down the stairs. The first floor of the home has a kitchen that opens up to a living and dining area, the space filled with worn mismatched furniture. The walls are wood paneled and there's a massive stone fireplace with elk antlers mounted above it.
The sun is setting as you step outside and get your first real look at the town as its bathed in gold. Narrow residential streets give way to wider roads once you reach the town center, where commercial buildings are pressed together advertising long forgotten businesses, their windows dark. 
"That's the butcher up there," Joel says, pointing to one of the wooden buildings. "He gets the meat from the traps prepped for us." He points to another building with a sign that says RESTAURANT. "That's the bakery."
"A butcher and a bakery?" You ask. "Do you have electricity here?"
"Sure do. Solar panels, just outside the gate."
You continue walking through the town until you come up on a large white building, people entering and exiting through a set of thick double doors. The shadow of a cross remains above the door, perhaps scorched by the sun where a crucifix once sat. People welcome Joel as he enters, heads turning in their curiosity. You press a little closer to Joel's side.
The large room is bursting with noise and activity -- a flurry of conversations, the clink of cutlery, and laughter. You've not seen anything like it before, the mentality in the QZ not conducive to camaraderie. You can count on one hand the number of people you would have considered friends within those walls, and even that was a stretch. You and Joel join a line of people retrieving plates of food from a single window. 
"How long has all of this been here?" You ask, gesturing to the room. He looks around proudly.
"Ellie and I came across this town on accident after we went through hell leavin' Boston. The folks here set up their own quarantine zone and with bigger fish to fry, FEDRA sort of left ‘em alone. They were kind enough to take us in," he says. "After that, more people started showin' up lookin' for safety. Lots of people who escaped the QZs or had been on their own for a while and were tired of runnin'."
"Ellie says you save people," you comment, taking a step forward as the line moves. "What's that mean?"
"Every flock needs a shepherd."
You’re at the front of the line now, standing in front of the window. A woman appears, her face lighting up when she sees Joel.
“Joel! How are you?” She asks, leaning onto the ledge. Behind her you can see people moving quickly and efficiently around a stainless steel kitchen, large pots of food simmering on the stovetop. 
“Well enough,” he says. He places a hand on your shoulder. “We have a new guest. Make her plate nice and full for me?”
“Of course.” 
She gathers a plate from a precarious stack, loading it with a heaping pile of food ranging from mashed potatoes and stew to colorful vegetables that you haven’t seen in ages, not since before the outbreak when you were seven and your dad would make dinner rather than pass you a ration package. You’re speechless as she hands you the plate with a kind smile, a mumbled thank you the best you can manage to show your gratitude.
Joel is handed a plate as well and you follow him to a table where Ellie sits next to a man with white hair, her plate already empty in front of her. The man looks up at Joel as you approach, his expression closed off and wary. 
“Michael,” Joel says in greeting, jaw ticking. You take a seat beside Ellie, who to your surprise moves closer to you, arm brushing yours. “You botherin’ Ellie?”
The man, Michael, shakes his head. “No, sir. We were just having a little talk.”
“What about?” Joel sits on the opposite side of the table. He rips his bread roll in half. 
“Just some concerns I was having.”
“You bring your concerns to me. Not to her.”
The two men stare at each other, the tension thick and impossible to ignore. Finally, Michael gets up, leaving the table without another word. Ellie’s shoulder’s lose their tension and Joel catches her eye, the two of them seeming to have an entire conversation in just a look.
The moment passes and Joel’s features relax, a smile tilting the corners of his lips as he returns his attention to you and gestures to your plate.
“Dig in,” he says.
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Joel walks you back to his home after dinner, the sky now dark. Ellie’s already closed herself in her room by the time the two of you return, having left the mess hall before you had finished eating. 
“Tired again?” Joel asks when you yawn, mouth open wide as you stretch your arms above your head. 
Your expression is sheepish as you say, “A little bit.”
“That’s to be expected,” he assures you. “You fought a hard fight. It’s okay to relax now. I’ve got you.”
“Thank you.” Your fingers tangle in the hem of the t-shirt he’d given you earlier. “I don’t know if I’ve said that already.”
“You’re welcome. Come on, let’s get you back upstairs. You can use the shower and get to bed.”
“Oh my god, a shower sounds amazing.”
He shows you the bathroom and helps you get the water running. Once he shows you where to find a towel, you smile gratefully before shutting the door on him.
Dismissed, Joel makes his way to Ellie’s room, knocking on the door. She answers quickly, opening up only enough for him to see her face.
“Yeah?” She asks.
“Can I come in?” 
She rolls her eyes but opens the door further, allowing him inside. Her room is smaller than his but far more decorated, pages ripped out of old magazines and comic books tacked to the wall. She takes a seat on her single bed, folding her legs beneath her.
“What did Michael talk to you about?” He asks. She shrugs her shoulders. Joel bites back a sigh. Sometimes he forgets what it was like to reason with a teenage girl. “Ellie.”
“He said” — she pauses, scratching at her wrist in the way that she will when she’s anxious — “he said that you were full of shit. That your fucked up ceremony isn’t helping any of them.”
Joel’s teeth grind together. “That all?”
“Called me a stupid kid for following what you say,” she mumbles. “Said everyone in town was stupid for believing you.”
“Thank you for tellin’ me,” he says. Rage burns in his veins as he turns to leave. 
“What are you gonna do?” Ellie asks as he reaches the door.
“I’m goin’ to teach him a lesson.”
He pulls the door shut behind him, tilting his head against the wood with a sigh. The click of a latch down the hall precedes your quiet, “Joel?”
Joel turns to face you, surprised to find you standing just outside the bathroom door with a towel tucked around your body. Water glistens on your skin in the low light, drawing his eyes down your neck and across your chest. He clears his throat.
“Everythin’ alright?” He asks. 
“Yeah, everything is fine,” you murmur. “I…could I get some new clothes?”
“Of course, should’a given you some before you showered. Sorry about that.” 
Joel walks past you, entering his bedroom and approaching the dresser. He tugs the top drawer open, full of clothing he’d gathered while you’d been asleep for more than a day. He piles together another t-shirt, sleep pants, and underwear, setting them on the bed for you. 
You’re standing in the doorway when he finishes and he fights the urge to go to you, to pull you close, to run his wretched hands over your body like he’s wanted to since he first saw you in the forest. 
He doesn’t, though. Not yet. You still have much to learn.
“Here you go,” he says. “Some more stuff in the drawers for you if you need it.”
Joel leaves you to get ready for bed, shutting the door behind him. He heads downstairs to grab what he’ll need, essentials shoved in a bag thrown over his shoulder before venturing off into the night.
Only a few lights continue to illuminate windows as Joel walks through the residential area. The house he approaches at the end of a street is already dark, quiet beyond the wood door that he knocks on three times. The door opens slowly, Michael appearing in the small space. 
“What?” He grunts.
“Come take a walk,” Joel says. Michael rolls his eyes, moving to shut the door but Joel’s boot blocks his effort. “I ain’t askin’, Michael.”
“Oh, yeah? What are you going to do?” He challenges. Joel throws his weight against the door, catching Michael by surprise enough for him to step into the house.
Joel throws an elbow into the man’s gut, making him double over with a groan. He circles behind him, kicking the back of his knee to send him to the ground. He pulls a length of chain from his pocket, looping it around Michael’s neck and pulling the ends.
Michael struggles, clawing at the garotte and thrashing wildly, but Joel holds strong. He tightens his grip further until Michael’s fight becomes sluggish, lack of oxygen finally causing him to go limp.
Joel releases the chain and Michael’s body slumps to the ground. He removes his backpack, digging through the contents until he finds a rusted pair of handcuffs that he uses to bind Michael’s arms behind his back. Next, he places a strip of duct tape over his mouth.
When he wakes, Joel will lead him out past the gate. He will find an unassuming home that rests outside the boundary of Crestone. He will open the hidden doors of the cellar, the ones covered in a layer of leaves and grass. From the darkness he will hear the echo of desperate groans and the rattle of chains and the angry attempts to break free from bindings. He will lead Michael down the dirt steps, the smell of rot and fear and death clawing at his olfactory nerves. 
He will place a burlap bag over a struggling Michael’s head and the man will beg and plead in words muffled by tape. Then, Joel will offer him for judgment.
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A hand on you shoulder shakes you awake, the room still mostly dark when you manage to open your eyes. You groan, pulling the quilt up over your head.
“C’mon, we gotta get to breakfast,” Ellie says. The cover gets yanked down and she gives you a mischievous grin. 
“Where’s Joel?” You ask, sitting up slowly. She shrugs.
“Probably there already.”
You swing your legs over the side of the bed and stand, stretching your arms up. You grab the same jeans and socks from the day before, changing into them quickly and sitting down on the floor to pull your sneakers on. Ellie watches you, her foot tapping impatiently.
“You can go without me if you’re in a rush,” you offer. She shakes her head.
“I’m fine,” she says quickly. “You ready?”
“Sure.”
You follow her out of the house, her clipped pace difficult to keep up with due to your lingering pain. As the sun starts to rise and you pass by more of the houses, you notice something peculiar about some of them.
“What’s that?” You ask, pausing in front of one the houses. There’s a streak of what looks like dark red paint across the top of the door. Ellie doubles back and stands beside you.
“Protection,” she says. 
“From what?” 
She shifts her weight from foot to foot, uncomfortable with your line of questioning. Rather than answer, she walks away, leaving you to catch up to her or be left behind.
As the two of you start to walk through the square, there’s a rush of people around you. Shouting can be heard up ahead as a crowd comes into view, gathered around the front of the mess hall building. People press in close together, craning their necks to see over each other and catch a glimpse of whatever spectacle has their attention.
Ellie pushes through the crowd and you follow close on her heels until she manages to break through the other side of the wall of people. You catch glimpses of something writhing on the ground, something animal but not quite, something failed and fetid and foul. Another peek affords you a view of an arm littered with bite marks shaped by blunt teeth, deep gouges into their skin that shine red with blood and fester with disease.
Joel appears, stepping around the side of the building. The whispers cease, the crunch of Joel’s boots and pained groans the only noise to be heard in the stale air.
His dark eyes scan the crowd. People shrink back from his gaze, pressing closer to each other for relief. He reaches down, curling his fingers into the burlap material and yanking it off to reveal a man, familiar and yet not recognizable. Unseeing eyes, ashen skin, and dark red veins now the hallmark characteristics of the man you now remember as the one who had been talking to Ellie in the dining hall.
Joel draws a gun from his back, aiming it at Michael’s head. “Let this be a lesson,” he says, pulling the trigger.
The shot rings out, making you jump. The agonized sounds come to abrupt halt and his body goes limp, eyes still open as blood blooms on the ground around him. 
“No blood spilled. No blood saved,” Joel says. You look up from the horrible scene and meet his hard gaze. You step back, turning and shoving your way through the crowd.
Then, you run.
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You’re frantically shoving clothing into your bag when a door slams downstairs and heavy footsteps climb the stairs at a quick pace. You can feel the burn of Joel's eyes on your back, his presence in the room thick and cloying as you refuse to turn around, even when he murmurs your name.
He moves closer, a hand on your shoulder prompting you to turn to break the connection. He holds his hands up in surrender, taking a step back as he says, "Let me explain."
"Explain? Explain?! How the fuck do you explain that?!" You snap. 
"If you'll just listen--"
"There's nothing you could possibly say that will--"
"Ellie is immune!" He shouts. Your words die on the tip of your tongue, lost to ether as you stare at Joel. 
"W-what do you mean? Immune?" You ask. 
He takes a deep breath. "I told you what my friend said. 'Save who you can save'. The first person I saved was Ellie."
"I helped her out of Boston, kept her safe, nearly lost my life if it meant keepin' her alive," He continues. "That's what I offer here."
"So you think you're....what? Some kind of god? That you can grant immunity?"
He huffs a laugh, the noise devoid of any humor. "God abandoned his worst experiment in their time of need. There is no god anymore, just the poor creatures he left behind. Someone had to take up the mantle."
"But how?"
"The ceremony," he says. 
"That’s not a fucking answer, Joel!” You shout. “What fucking ceremony?!”
“Blood spilled for blood saved. You can’t make it in this world without givin’ your everythin’ first.” He lifts the bottom of his shirt, just enough to reveal a jagged scar to the right of his belly button, shiny scar tissue disrupting smooth tan skin. “I did this for Ellie. Now everyone else has to do it for themselves.”
“I don’t…I don’t understand.” You take a small step closer to inspect the wound, raising your hand and reaching out with a tentative touch. Joel inhales sharply as you run your fingers across the puckered flesh. 
His hand wraps around your wrist, pulling your hand up and holding it against his chest. “It’ll be easier to show you, okay? There’s a ceremony in a couple days.”
“I don’t—“
“You’re just afraid because this is somethin’ new, but I promise you that you got nothin’ to be scared of. I’ll take care of you.” He lifts a hand to your face, tilting your chin with his thumb. “I just need you to trust me.”
His eyes are honest, earnest, pleading with you to believe him and the longer you search them, the more truth you seem to find. He will take care of you. You just know it.
“Okay.”
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Dinner is served early on the day of the ceremony, the room buzzing with excited conversation. You haven’t seen Joel much the last few days, just passing glimpses, and Ellie says it’s because he has a lot to prepare for. Tonight there’s a woman at his side wearing a white dress that flows to the floor, black hair braided down her back. She smiles at Joel, hanging on every word you can’t hear. It makes your stomach clench in a weird way when her hand curls around his bicep and her head leans against his shoulder.
“That’s Marcy. She’s volunteered for the ceremony,” Ellie says. She’s sitting across from you, a smirk on her lips. “S’why she’s been hanging around Joel the last few days. Joel’s gotta prepare her.”
“Oh,” is all you manage to reply, picking at the vegetables on your plate. “What does…what does he do? To prepare her.”
She shrugs. “Dunno.”
You glance at the pair. Joel leans in close to the woman, whispering into her ear. Your fingernails dig into the meat of your palm, your hands curled into tight fists beneath the table. He stands, a hand on the woman’s shoulder as he calls the people to attention, voices fading until silence envelops the room. 
“Tonight,” Joel says, “another is to be saved. And we will all bear witness to the gift of deliverance that only self-sacrifice can grant.”
It’s only a few words, but the power in them is palpable as you glance around the room at the entire town watching him with rapt attention. His eyes meet yours.
“Save who you can save,” he intones. A chill runs down your spine.
“Save who you can save,” the town echoes back. 
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The sun is already low on the horizon, twilight casting a soft glow on the scene. You stand at the back of the crowd, watching as Joel leads Marcy onto a raised wooden platform. Another man joins them, passing something wrapped in cloth into Joel’s outstretched hands. 
“The thing about the world today,” Joel says, unwrapping the cloth to reveal a large knife, “is that there ain’t a single guarantee.” He looks out over the crowd. “Except here, within these walls. Why? Because here you’ll make the greatest sacrifice and earn the greatest reward.”
He begins to pace the length of the platform, knife in hand. “Givin’ your blood in exchange for your safety? That doesn’t sound so bad, right?” The people around you nod their heads in agreement. “You’ve seen what that sacrifice can do. I did it for Ellie. I did it for myself. And tonight—“ he places a hand on Marcy’s shoulder “—another has made the choice to earn that gift of protection.”
A cheer erupts, spreading through the crowd through shouts and applause. You find yourself joining them, clapping your hands together as you continue to watch Joel. 
“Marcy,” Joel says. “What brings you here today?”
“No blood spilled, no blood saved,” she recites dutifully. 
“Are you afraid?” He asks.
“No,” she says.
“Why?”
“Because I trust in your protection.”
Joel smiles at her, beaming with pride, and that knot in your stomach from earlier returns with a vengeance. You want him to look at you like that.
He stands in front of her, blocking her from view with his body. A hush falls over the crowd and from the silence erupts an anguished scream. You flinch, the sound piercing and painful and petrifying, though it seems to have taken nobody else by surprise.
Another scream as he jerks his arm back, the knife in his hand now stained with red that slides down the blade, dripping to the wood beneath his feet. He steps to the side and you can see the woman now, her hands pressed to her belly. Crimson blooms beneath her hands, marring her pretty white dress and leaching the color and vitality from her face. She drops to her knees and so does Joel, who wraps an arm around her shoulders and gently guides her until she’s lying on her back. He holds her hand and smooths her hair from her face as she just repeats, “Thank you.”
Slowly, the strength in her voice fades. Her arm goes limp in his grasp, dropping to the floor with a dull thud as her eyes flutter shut. Joel whistles sharply, three men rushing up the platform and lifting the girl into their arms, careful not to jostle her too much. Joel remains kneeling, his head turning to scan the crowd.
“We are born covered in blood,” he says. “It gives you protection from the outside world when you’re wrenched from the womb. And it will protect you now as it is wrenched from you.”
He steps off the platform and walks past the crowd, heading for the residential street. Everyone shuffles forward, moving en masse like sheep following their shepherd or cattle to the slaughter. You’re led to one of the smaller homes and you watch as Joel smooths the flat of the blade across his hand, gathering blood in his palm. 
He places his palm on the door, smearing the blood across the faded blue paint. When he’s done, he turns to face the crowd.
“Marcy has earned her protection. Those of you among us that have not yet made your sacrifice, may you return home this evenin’ and realize that each passin’ day is a wasted opportunity for your salvation.” His serious expression softens as he smiles. “No blood spilled.”
“No blood saved,” the crowd says.
To your surprise, the words fall easily from your lips.
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Joel shuts the door quietly behind him. He’s just finished checking on Marcy and was pleased to find that her wound has been dressed and she’s recovering well. At the kitchen sink he runs the water as hot as he can tolerate and scrubs his hands clean.
He can hear faint footsteps upstairs, the sound of your pacing back and forth in his bedroom. He’s pleased that you stayed through the entire ceremony, didn’t run away filled with fear or disgust like you had watching him make an example out of Michael. 
There’s hope for you yet.
Joel dries his hands on a towel and heads upstairs. He glances at Ellie’s room out of habit, though he knows it’s empty. She likes to help out after the ceremony, usually sticking beside the town nurse, Shelly, as she monitors the person who participated in the ceremony over night. 
The door to his bedroom is shut but he can see that the light is on, the glow of it seeping out from the gap beneath the door. He knocks, three sharp raps of his knuckles, and waits.
You pull the door open, and Joel is once again struck by how much he wants you, how much he’s craved you since the first time he saw you. You look up at him with wide eyes but he doesn’t sense any fear as you pull the door open further and step back to let him enter.
“You doin’ okay?” He asks, shutting the door quietly behind him. You’re standing with your arms wrapped around yourself, nodding quietly. Joel moves closer, tentatively reaching out to tilt your chin up so that he’s looking into your eyes. “Talk to me.”
“I….,” your voice trails off. You take a breath. “I want that protection.”
He was hoping you would say that. Relief floods through him.
“I can’t do that,” he says. Your brows pinch together, hurt flashing across your features. “I won’t have your blood on my hands.”
“But—“
“Listen to me—“ his hands frame your face, thumbs smoothing over the high points of your cheeks “—you’re meant for somethin’ different here.”
“Something different?” You repeat. You shake your head slightly. “I don’t understand.”
“From the moment I saw you, I knew I couldn’t let you lose a drop,” he whispers. “You don’t need to bleed, sweetheart. Not like them. I’ll protect you myself.”
Your mouth drops open the slightest bit, drawing Joel’s gaze. He slides his thumb across your bottom lip, mesmerized by the softness of it. There’s not much about his life the last twenty or so years that he would call soft.
There was his brother, Tommy, even though they couldn’t see eye to eye and had to part ways. His daughter, Sarah, before the outbreak. She took care of him, made sure he took his vitamins and packed his lunch and didn’t miss a parent-teacher conference. She was light and joy, his heart outside of his body, and she was ripped from his grasp.
There was Tess, who was not a soft person but was a soft place to land among the carnage. Bill, ornery though he was, and Frank, arguably his better half. They were a breath of normalcy, even when Bill had a gun trained on him. Ellie, once she quit being a pain in the ass and wormed her way into his heart with her promise to follow him wherever he went.
And now there was you.
“Will you let me do that?” Joel asks. “Protect you?”
You lift your hands, delicate fingers wrapping around his wrists. He wonders if you can feel the rapid beat of his heart, his pulse pounding beneath your grip. Finally, after a long moment, you whisper, “Yes.”
Joel captures your lips with his, swallowing your gasp of surprise. You’re tentative, a bit clumsy with your movements as you kiss back and he pulls away, leaning his forehead to yours.
“I-I’m sorry,” you murmur. “I’ve never—“
“Don’t worry, baby, I’ll take care of you.”
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“Don’t worry, baby, I’ll take care of you.”
While his words don’t stop your pulse from racing, they do calm your nerves the slightest bit. It’s not that you’ve never been interested in sex, there was just never a good opportunity. Going through puberty in an apocalypse where a militant government faction monitors your every move in exchange for basic necessities wasn’t exactly conducive to forming intimate relationships. 
While you’re lost in your thoughts, Joel moves you backwards until your legs hit the mattress and he urges you to sit down. He kneels in front of you, working on the laces of your sneakers, removing them and setting them to the side. He looks up at you as he removes your socks and you’re not sure if you're supposed to find the sight of him kneeling at your feet as sexy as you do, but a rush of warmth rolls through you all the same.
He runs his palms up your legs, across your thighs, until his fingertips find the waist of your jeans, popping the button of the fly and pulling the zipper down. 
“Lift your hips a bit, sweetheart,” he says, working the denim down and off your legs, tossing them aside. His hands return to your thighs, goosebumps erupting along their path to your hips. 
“No one’s touched you here?” He asks, here being the soft skin of your inner thigh that his thumbs sweep across. You shake your head. He moves higher, a featherlight touch over the elastic of your underwear that makes you gasp. “What about here?”
“N-no,” you manage to whisper. He smiles at you, the same proud smile he’d given Marcy that you were so desperate to have for yourself. 
“Good girl,” he murmurs. He kisses the inside of your knee quickly before sitting up higher, reaching up to lift your shirt up, tugging it over your head and dropping it onto the growing pile of your clothing.
“Lie back for me,” Joel commands. You shift up the mattress and follow his instruction, bringing your arms up to cover your exposed breasts. He makes a dissatisfied click with his tongue, pulling your arms away as he crawls up the mattress to settle between your legs.
“None of that,” he admonishes, planting your hands by your head. He kisses your lips again, butterflies erupting in your stomach when his tongue tangles with yours, hot and demanding. He palms one of your breasts, hands rough on the delicate skin. “This is mine, do you understand?”
Joel brings his mouth to your breast, tongue swirling over your stiff nipple. You cry out, the foreign sensation making more heat rush through you, leaving you throbbing between your thighs. He looks up at you through his lashes as he sucks your nipple between his lips, releasing it with a lewd pop.
“Mine to touch,” he says, leaning on one arm to trail his fingers down your stomach. “Mine to kiss.” His lips trace the same heated path. “Mine to protect.”
When he reaches your underwear, he pulls back. “Look at that,” he murmurs, thumb rubbing across the gusset, making you whimper and squirm. “You’ve soaked your panties, sweetheart.”
Your face feels hot with embarrassment. “‘M sorry,” you mumble.
“Sorry? Ain’t nothin’ you need to be sorry about,” he says with a chuckle. He sits up, working your only remaining barrier between you down your legs. He spreads your legs with his hands on your thighs. “Goddamn, you look so pretty, baby.”
“Really?” You ask. His answering grin is wolfish. 
“So pretty,” he repeats. He settles on his belly, face so close to your pussy you can feel the warmth of his breath against your heated flesh. “Gotta get you ready.”
Your response to the question is cut off with a high pitched moan as Joel runs his tongue through your folds, circling your clit with broad strokes. You try to close your legs against the sensation but his strong hands keep your thighs pinned down near the mattress.
He groans as he sets a slow and measured pace, alternating attention to your clit with dipping his tongue inside of you, dragging your essence from the source. Your hands clench in the sheets, chasing and retreating from the overwhelming sensation in equal measure.
There’s a blunt pressure that turns into a slight pinch as Joel slips a finger into your tight heat. Your head tilts back with a high keening noise and you’re panting, desperate for breath as he moves his hand in tandem with his tongue.
One finger becomes two that thrust and curl and part inside of you, stretching you in unfamiliar ways. It feels good, and all you want is more, more, more.
Joel’s hand moves quickly and he sucks on your clit, swirling his tongue around the sensitive bundle of nerves until that flood of relief that you’ve only accomplished a handful of times on your own washes over you, your back arching sharply off the mattress as you shout his name like a prayer to the heavens.
His motions slow to a stop and he leaves the bed. You hear the clink of a belt and the rustle of clothing being removed before his weight returns between your legs, a new heat to be felt against your flushed skin with his clothes no longer in the way. With shaky hands you reach up to touch him, starting at his shoulders.
You trail your hands across his warm tan skin, down his hard chest and softer belly. That scar, the one that frightened you before, leaves you breathless as you run your fingers over it now. He’s so strong, so powerful, and he wants you. Wants to protect you so that you don’t know that same pain.
“Joel,” you whisper. He leans forward, hands on the mattress beside your head. He kisses you, slow and all encompassing. You can feel the hard length of his sliding through the mess he’s made of you and you gasp.
“Let me make one thing clear,” he says, face serious, “there ain’t any goin’ back from this. You’re mine. You got that?”
“I trust you,” you reply. Your response earns you a deep groan from the man, a kiss to your forehead that precedes the blunt head of his cock pressing to your soaked entrance.
His cock is thicker, much thicker, than his fingers were and you whine at the intrusion. His shushes you, peppering your face with soothing kisses. 
“I don’t think—“
“You’re doin’ so good, sweetheart, I know you can handle it,” Joel says. “Take a deep breath, just a little more.”
Tension gives way, a sharp pinch that turns into an ache as Joel presses his hips firmly against yours. He kisses your neck and trails his nose across your sweat damp skin, holding still as you adjust to his girth.
You shift your hips the slightest bit and Joel’s moan echoes your gasp. “Tell me I can move,” he begs, another desperate kiss pressed to your lips. “Please, baby.”
There’s something heady about the power you have in this brief moment, a man like Joel begging you for something when he’s used to having everything. You nod and that’s all the encouragement he needs to draw back slowly, that fullness leaving you inch by inch, before thrusting sharply.
It’s unlike any experience you’ve had before — the way his body moves with yours, the flex of his muscles above you, the intense look in his eyes each time he presses inside of you.
“Made for me,” he murmurs. “Mine.”
“Yours,” you agree, moaning as each drag of his cock presses against a tender spot inside of you that has your stomach tightening rapidly.
His effort doubles, hips slamming hard enough to make the headboard bang against the wall. You dig your nails into his back, watch the clench of his jaw against the sting, and moan his name as you succumb to the feeling of free falling into bliss, clenching around his cock.
“That’s it, sweetheart, fuck,” he growls, hips stilling against yours as warmth pulses inside of you, his mouth dropped open on a groan of your name.
Joel takes a moment to catch his breath before withdrawing from you. He reaches his hand between your legs, pressing his fingers into your swollen pussy as you gasp.
He holds those fingers up, the light catching on the red staining them.
Perhaps you’d spilled blood for your safety after all.
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You wake to the early morning light filtering through the window, a noticeable ache between your legs as you begin to stir. You’re naked, having fallen asleep in Joel’s arms last night, his lips caressing your neck until you’d drifted off and dreamt of blood and wolves. You stretch your limbs, encountering only cold sheets as you do.
As you sit up, you realize the sound of rushing water is the shower and surmise that Joel must be in there. With stiff movements you leave the warmth of the bed and approach the dresser, tugging open the top drawer to find clothing for the day.
You’re reaching for underwear when your fingers catch on something cold, metal in a sea of fabric. You pull on the object, unearthing it from its hiding spot and holding it up for inspection.
A cross, hanging from a silver chain. A chain you would tangle your fingers in as a child, a cross that a thumb would rub across as a deep, familiar voice muttered prayers.
The shower turns off and you take one last look at the crucifix before setting it back into the dark corner you’d unearthed it from.
Then, you shut the drawer. 
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Joel Miller masterlist
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writingduhh · 20 days
Note
listen im lowkey obsessed w the idea of schlatt x reader who doesnt stream or anything but is a guest on chuckle sandwich
Ok I LOVE THIS! My mind immediately went to when Charlie was still on the pod so hope that’s ok! (You can just pretend it’s tucker for all the tucker lovers)
Also, this is Fem reader!
Jschlatt || Podcast Cameo
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You’ve always been a little outside the world of streaming and content creation. While your boyfriend, Schlatt, was making waves online, you preferred to stay in the background, supporting him quietly. You loved the privacy, the comfort of your normal life, and the knowledge that while he entertained millions, he came home to you.
But one day, that quiet routine was interrupted when Schlatt casually mentioned, “Hey, how would you feel about being on Chuckle Sandwich?”
You looked up from your book, eyebrows shooting up in surprise. “Me? On the podcast? Schlatt, I don’t even use social media. No one knows me. What would I even talk about?”
He grinned, leaning against the doorframe with that mischievous look you knew all too well. “That’s the point. You’re not like anyone else we’ve had on, and I think it’d be fun. Plus, it’s a chance for the world to see why I’m so obsessed with you.”
You rolled your eyes, your heart fluttering despite yourself. “Obsessed, huh? You’re laying it on thick today.”
“Can’t help it,” he shrugged, walking over to sit you, pulling you into his arms. “I just think you’d be great. Besides, you already know and like the guys. They’ll make it easy on you.”
You hesitated for a moment, then sighed, resting your head on his chest. “I don’t know, Schlatt. I’m not used to being in the spotlight like you are.”
He tilted your chin up, his gaze softening as he looked into your eyes. “You’ll be fine. I’ll be right there with you the whole time. And if you don’t like it, we never have to do it again. But I really think you’ll surprise yourself.”
With his arms around you and that earnest look in his eyes, it was hard to say no. “Alright, fine. I’ll do it. But only because you asked.”
“Good choice,” he murmured, leaning down to press a slow, lingering kiss to your lips. “I can’t wait to show you off.”
The day of the recording arrived faster than you expected. You felt a mix of nerves and excitement as you walked into the recording studio with Schlatt by your side. Charlie and Ted greeted you warmly, as they always did, immediately making you feel at ease. They were as goofy and charming in person as they were on camera, and it wasn’t long before you were laughing along with them.
“So, what made you decide to put up with Schlatt here?” Charlie teased, leaning back in his chair as the recording began.
You shot Schlatt a playful glance, “Honestly? I think it’s his weird mix of sarcasm and sweetness. It keeps me on my toes.”
Schlatt grinned, resting his hand on your thigh under the table.
Ted jumped in, his voice full of curiosity. “So, how do you handle the whole ‘dating a youtuber’ thing? It’s gotta be pretty different from a regular relationship.”
You thought about it for a moment, feeling Schlatt’s thumb gently stroking your leg. “It is different, but it’s also kind of nice. I love that he has something he’s passionate about, and it makes the time we spend together even more special. Plus, I get to see a side of him that the audience doesn’t. A side that’s softer, sweeter… maybe even a little bit shy.”
Schlatt laughed, his hand giving your leg a light squeeze. “ Me!? Come on, you’re making me sound soft.”
You turned to him, your eyes sparkling with affection. “You are soft, sometimes. Especially when we’re alone.”
The guys erupted in playful jeers and teasing comments, but Schlatt just leaned in closer, his lips brushing against your ear. “Keep talking like that, and I might just have to show you how rough I can be.”
Your breath hitched slightly, your cheeks flushing at his words. You shot him a look that was both amused and flustered, and he chuckled lowly, clearly enjoying your reaction.
The conversation continued, flowing effortlessly from topic to topic, with Charlie and Ted keeping the mood light and fun. They asked you questions about how you and Schlatt met, your life as someone without social media, and what it was like dating someone with such a large online presence. You answered honestly, with Schlatt chiming in every so often with a sarcastic quip or a teasing remark that had you all laughing.
At one point, the conversation turned to pet peeves, and you couldn’t resist poking fun at Schlatt. “He leaves his clothes everywhere. I swear, it’s like a trail of evidence from the front door to wherever he is.”
Schlatt groaned, but there was a playful look in his eyes. “And you’re perfect, huh?”
You shrugged, giving him an innocent smile. “Pretty much.”
The banter flowed naturally, and before you knew it, the recording was wrapping up. Ted turned to you with a grin. “You did great. You’re super entertaining. Ever thought about starting your own channel?”
You shook your head, laughing. “Oh, no. I think I’ll leave that to you guys. I’m happy just being the supportive girlfriend.”
Schlatt wrapped an arm around your shoulders, pulling you close. “And I’m more than happy to keep you all to myself.”
As the recording ended and the mics were turned off, you felt a wave of relief mixed with a sense of accomplishment. You’d done it. You’d stepped out of your comfort zone and had actually enjoyed yourself.
Charlie and Ted both gave you hugs, thanking you for being a guest. “You’ve got to come back sometime,” Charlie said with a wink. “We’ll make a regular out of you.”
“We’ll see,” you replied, smiling. “Maybe I’ll make a cameo every now and then.”
As you and Schlatt left the studio, he slipped his hand into yours, giving it a gentle squeeze. “See? Told you you’d be great.”
You leaned into him, feeling the warmth of his body against yours. “You were right. I actually had fun.”
“I’m glad,” he murmured, his voice softer now that you were alone. “And just so you know, I wasn’t kidding when I said I wanted to show you off. I love that you’re mine, and I wanted everyone to see how amazing you are.”
Your heart swelled at his words, and you stopped walking, turning to face him. “You know, for someone who tries to act tough all the time, you can be really sweet.”
Schlatt grinned, his hands finding your waist and pulling you closer. “Only for you. Don’t go spreading that around.”
You laughed, wrapping your arms around his neck as he leaned in, his lips touching yours. “Your secret’s safe with me.”
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strrykais · 8 days
Text
control alt + love [k.seung smau]
12. balls to the face
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"here are your maps, and walkies. we split up in twos, felix and jeongin you head to crow nest, jisung and changbin head to the junkyard." seungmin says looking at the guys.
"minho are you okay with hanging out in the tower at the capital? we need a high vantage point of our flag." he says pointing at the map staring at minho as he nods. "okay chan is staying with the flag defending, ill head to the fort raptor, when you spot their flag don't engage, call for back up."
“remember jongho and mingi are their best shooters so be mindful when you are in open areas, their shots are nasty and accurate. wooyoung is our best bet in capturing if we want to win.” felix says glancing around at the team. everyone gives nods.
“hongjoong and seonghwa arent the best shots but they are fast and good at hand to hand combat to be careful.” minho says looking at jisung.
“whats that look for?” jisung scoffs. “why are they good at this thing?”
“this is how they team bond they do it like once a month with their staff. seungmin and I join from time to time.” minho tells jisung. “dude you literally came to one of these.”
"what about me?" you say side stepping behind minho raising your hand before the two of them could continue.
"you are with me." seungmin says looking at the walkies making sure they are on the right channel. "okay that's everything, remember stay hidden and don't get shot."
you watch as the team disperse seungmin still continuing to look at the map. you walk up next to him trying to glance over his shoulder.
"shorty you are too close. i can feel you on my back." he says glancing over his shoulder
"oh sorry" you say stepping back only for him to turn around walking to you, you slowly step back more but seungmin continues to step at you completely blocking you in when your back hits a tree trunk.
"what are you doing? aren't we supposed to head to fort raptor." you say avoiding eye contact glancing around him.
"im going to fort raptor, you on the other hand, well depends on how you answer this." seungmin says pressing his gun into your lower stomach.
"you gonna shoot me? are you being for real? whats up with this damn team and not having their teammates back?" you say huffing out.
"listen yn, one thing my team does is have each others back. im sorry that the little game you and jeongin were playing didnt go the way you want, but there is something you need to learn and im gonna teach you." seungmin says leaning in, the barrel of the gun digging deeper into your stomach.
"and what is that exactly?" you say trying to seem more cool than you were feeling inside. you couldn't exactly understand what is going on but your heart was racing and you felt like your breathing was erratic.
"teamwork. i know its hard to be heard because you are new, and a girl so you feel like you have to shout. but we, your teammates arent the ones you need to be shouting at. we had your back the moment felix picked you. we had to fight tooth and nail to get hq to even accept the idea of letting a girl on the team. i also understand friends fight its a normal thing to bicker especially with us living together. but what you won't do is belittle your teammates on live game play like that ever again. jeongin can be a lot, trust me i know the kid for 3 years, but sometimes you gotta be the bigger person and either ignore it or talk it out. i don't care that we lost because i knew it. but your fight didn't just effect you and him. it was effecting everyone. your game style change to a selfish one and minho and jisung had to pick up the slack you were pulling. and whatever they couldn’t keep up with, changbin had too pick it up. you caused a chain reaction. do you understand what im trying to say."
seungmin steps back when he notices you havent said anything, lifting your head you stare right at him.
"you are right im sorry, it won't happen again."
"you are right, it won't because ill bench you." he says turning around walking away.
you giggle out at his joke, only for you to stop when you notice he isnt laughing.
"wait you arent serious about benching me?" you say grabbing your gun and calling out after him. seeing him give you a little smirk and a shrug he continues to walk.
"hurry shorty we are behind schedule."
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previous | masterlist | next
a/n : i apologize for the lack in updates.. lwk been having writers block but we are SO BACK ALSO SEUNGMIN CRUMBS when the slow burn is fr a slow burn.... :( how excited are we to have this ball rolling??
tags: @onlyhyunjin @15092000volcano @chenlesfavorite @hippopotamusdreamer @vegetablesarefuntables @soondoongdoriii @jeonginplsholdmyhand @nappynapnaps @sincerely-sun @staytinyluv @kimseungminpabo @seungzsmin @sweetasmarie @hinanitiram @tricky-ritz @ayyonoona @hanniemylovelyquokka @toplinehyunjin @missystay @binniesbabe @tirena1 @jihoons-kitten @skz-ot8-stay @darlingz99 @khandzilla @icouldntcareless22 @rihaee @kikieatsfood23 @hvnverse
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clemblog · 5 months
Text
Caine’s Lesson - Part 5
Pomni watched in fear as The Fudge Monster charged down the main road to get to them.
No. No. No. No. No!
She’d done so well-
This couldn’t happen to Lou-
She’d been so brave-
Things seemed to fall in slow motion as it lunged at the pair, grabbing them and sniffing at them.
“NOT CANDY… CANDY!” Boomed the monster, his grip slowly releasing Pomni.
She was falling. Lou was in the clutches of her kingdoms devourer.
It was over, wasn’t it?
But then everything began to move in slow motion. A gun shot rang through the atmosphere, the fudge monster reeling back in pain with a pained screech.
“Go on boys! Another shot and Princess Lou will be out of that beasts clutch in a jiffy!” Called out a familiar voice. Pomni found herself being caught by a soft but strong figure. Now she was on a horse? The gentle arms who’d caught her now wrapped around her, keeping her steady as she got her barings.
“It’s alright Miss, my lads will get Lou down unharmed. My names Gummigoo, this is my mare Tang, she’s a gentle girl. She’ll get you to safety.”
“G-Gummigoo..?”
“That’s me! What’s your name?”
“I’m P-Poms-“
The two were interrupted by further gun shots and the crash of the Fudge Monsters arm falling to the ground. Max quickly pulled her up onto his own horse whilst Chad continued to shoot at the Fudge, giving the group a better chance at escaping unscathed.
“Alright boys! Off we go!”
The three gummy horses charged off into the open land, the groggy groans of the fudge monster not far behind.
“W-Wait a minute! You’re the bandits who stole the kingdoms syrup-“ Spoke up Lou, eventually. Her grip began to loosen on Max in her anxiety.
“I’d recommend holding on Princess.” Began Max, quickly.
“We’ll explain when we get to safety Princess Lou.” Murmured Gummigoo, focusing on the road in front of him.
“I-I think we should listen to them Lou-“ Stammered Pomni, trying not to focus too much on Gummigoo’s arms around her.
Get it together Pomni, he’s just riding a horse.
“They did save us afterall-“ She added, quickly.
“…fine-“
The group fell into silence as the bandits focused on out witting the fudge monster that was slowly pursuing them.
It gave Pomni a chance to think.
Gummigoo was still alive!
He just- didn’t remember her-
Maybe that was for the best…
Hopefully this time he wouldn’t glitch out of the world- And loose his sanity-
Maybe… They’d have a chance this time… To be friends.
Hopefully.
Kinger wasn’t sure if he should be doing this… But in one of his moments of clarity, he needed to talk to Caine. One of his oldest friends. Something was wrong in the circus. Everyone was going up the wall. His poor sweet Ragatha… The young lady who’d been there for them when he’d lost his Queen. She was ruining herself over worry for Pomni.
So, he had to say something. For her sake.
Caine used to have a point of access in the circus. Where his residents could get to him if they needed to. He’d long since stopped telling everyone where it was, but Kinger remembered. Sometimes- He remembered where it was right now- So, he’d head in.
“I-It’s gonna be okay Ragatha- P-Pomni will come back! You’ll go get her or-or Caine will bring her back- Then! You get to hug her and hold her and she’ll never disappear again! You can tell her how you feel- And she’ll obviously reciprocate- Because she’s just so wonderful how can you not be with her- She compliments you perfectly and you can make her so happy- She doesn’t have to worry about being in the circus ever again! You’ll talk to Caine- You’ll get Jax to back off- Kinger will be so happy for you that’ll he start to remember things better again! Y-You just gotta get Pomni back!
And everything will be okay!”
“Woah.” Gasped Lou, as the group began to encroach upon a large looking ranch far from the kingdom.
“Princess!”
“Princess Lou!”
“ITS THE PRINCESS!”
She quickly jumped down from Max’s horse, running over to her surviving citizens.
“My gosh! I thought you where all gone-“
“Never Princess Lou!”
“We’ll always stay kicking for you!”
Gummigoo helped Pomni off Tang with a gentle hand.
“S-So- This is some kind of safe ranch?” Asked Pomni, curiously.
“You’d be correct Poms!” Nodded Gummigoo. “To be honest, my family have never been sure about that Caine god, so just in case we’ve been building our lives out ere!”
Pomni nodded along at this. “Guess that worked out then-“
“It sure did! Now, come on! Come meet Ma. She always greets the new members and something tells me you’ll be a good old member to have with how you protected Princess Lou out their-“
“Oh- Are you sure-?” Asked Pomni, gently, she tried to keep a level face as she remembered the lack of an asset for said individual in the deep clipping parts of the world.
“Of course! She always greets everyone! And by everyone, crikey, I mean everyone. My Pa always said her heart was too big for her chest.”
Pomni snickered at this gently.
“I think that’s true for a lot of moms-“
“Oh definitely, now come on, Ma don’t like to be kept waiting!”
“Ma! Meet Poms, we found her helping Princess Lou. She’s got a pretty nifty set of bandit skills if you ask me!”
“Oh my! What a pretty lass you are! Welcome to Croco Ranch, Poms. I’m Lullyloo, but you can call me Ma. Everyone does!”
“N-Nice to meet you Ma-“
Pomni couldn’t believe she was here- Was this world developing in assets as she made her way through..? Would it keep going as long as she was here? She really hoped so- Cause she’d stay here forever if so.
She felt alive here.
She missed the feeling.
Part 6
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ghosty-writes-23 · 15 days
Note
I've been listening to a band called Ghost on repeat and it has inspired me to request this:
a crack treated seriously oneshot with RE4! Leon and an amateur heavy metal musician! Reader who was Ashley's college roommate and they were also kidnapped.
Reader never leaves without their guitar, often looks for the positive in everything, and knows how to put on a show!
They've written songs based on what they've encountered in their experience in Spain lol
(feel free to delete this ask if you're uncomfortable with writing something like this)
RE4!Leon & Musician!Reader One-shot.
!TAGS!: Pure Fluff, You Mental Health Matters, Flashbacks, Gender Neutral, Nightmares, Comfort, Music. 
Word Count: 1k
Ghosty's Notes: Hello, thank you so much for another request I love writing these, sorry if this one is a little short, I tried to but everything in here that you asked for, maybe expect the crack part which I hope you don’t mind and I didn’t know if you wanted romance with Leon or not so I just didn’t add it and tried to make this as Gender neutral as possible.
Thank you for all the support, it means a lot❤️
-Ghosty :] ❤️🦝
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2 Months….
It has been two months since you were kidnapped and taken to Spain by a dangerous cult, where you had gotten infested with a virus they called the las Plagues, watched a man you had started to think of as a friend die before your every eyes.
The only positive to everything was you had your collage roommate with you Ashley Graham, the president’s daughter, but as time went on your started to think you were both doomed, even if you tried to use your humor and positive attitude to distract her from the danger you were both in.
You thought you were never going to get out, that was until you meet Agent Leon Kennedy, he had been sent by Ashley’s father to come and find you both, he was like a guardian angel but you should have known that was only going to be the start of one hellish night of survival, stopping a ritual, killing monsters of all kinds, and a few games at a shooting range that was set up by a merchant that seemed to always follow you around the island, he always welcomed Ashley, Leon and you with a friendly “hello stranger.” Whenever you visited him.
After battling your way through the island with Leon to rescue Ashley from the many times she got kidnapped, to a point it was starting to get on your nerve, you tried to stay positive and when you had a chance to settle you found a little notepad and a pencil and started to drum your fingers on your leg in a soft beat as a song rhythm came to your head as well as some lyrics.
“What you writing there?” Leon asks as he placed the last of the barricade on the door, this should give you some safety for now. “A song?” you say not looking at him as you keep writing, you almost had the whole chorus done.
“You’re a musician?” Leon said with an eyebrow raised, but you could hear the curiosity in his tone. “Amateur one, but a study music theory and instruments at University.” You say before you looked up at him, he nodded his head as he was checking out the area, it was raining heavy and would make it harder to walk in the muddy trails as it would leave footprints.
“Gotta a style you like playing?” Leon asked as he came and sat beside you, glancing at the notepad with your handwriting scribbled onto it. “Heavy mental mostly, but I do sometimes play other gene’s.” you say glancing at him, even with the light conversation you couldn’t help the worrying feeling that had settled into your gut.
“do you think Ashley will be okay.” You asked Leon wanting a serious answer, he took a few seconds as if he was really thinking about his answer before nodding his head. “yes she will be okay, we will save her I promise both of you will get out of here safely.” Leon promised you and it warmed your heart know Leon was going to protect both you and Ashley and get you home safe and sound.
And Leon Kept to his word, both you and Ashley had returned home safe and sound, maybe with a few new scars and cuts, but they could be easily treated in the medical centre, her father came and gave Ashley a huge hug, he always had tears in his eyes seeing his daughter was home in one piece, your parents had come to visit as well and gave you heaps of hugs and kisses, they were just happy to see you were alive and well
But even if you now settled in back in your dorm room, it didn’t stop the nightmares have plagued your mind ever since you had returned home, every time you closed your eyes you had visions of the cult drawings there symbol on your face with blood, the pain that ran though your body when the Las Plagus virus was running through your body, you would wake up in a cold sweat, panting as your clothes stuck to your body.
In moments like this you did the only thing that brought you comfort, you started writing what you were feeling and about your experiences in Spain and in your nightmares, and soon a couple minutes of writing turned into a couple hours of writing song music’s and using your guitar and pulling together a song and in the morning you show Ashley and she loved it and thought you should perform it, to which you thought was a good idea in due time.
You had never performed in front of people, but you knew you could put on a good show, but what a lot of your friends or people didn’t know was you had stage fright and would choke up in front of an audience, which was why you would rather just keep your concerts in the privacy of yours and Ashley’s dorm room.
But after much convincing Ashley finally got you to record a demo of a coupe of your songs, she was so proud of you and encouraged you to make more copies and sell them. To which you told her you would think about it, but deep down you were a little nervous about, But you decided to take the leap and made a small batch and handed them out at your guys Uni.
Ashley even gave Leon a copy to which you felt slightly embarrassed about, but she reassured you he would love it. It wasn’t until a couple weeks later, Ashley was handing you a small note and said it was from Leon, you opened the note, and a smile came onto your face.
I loved the demo, keep it up and one day you will be a great musician. – Leon.
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©Ghosty-writes-23, 2024. all rights reserved. !I DO NOT! consent to translations or replications or reproduction of my work on any other social media platforms and or make AI Bots without my explict consent and permission.
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sshewonders · 8 months
Text
WARM BODIES
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Chapter 08: Bit of Banter
chapter synopsis: You and Daryl share banter as he carries you through the woods back to camp. Despite his stoicism, your camaraderie grows. As evening nears, Daryl suggests a rest, and you promise not to fall asleep, leaving the both of you with a sense of trust and companionship between you two.
chapter warnings: The chapter contains mild language, emotional discussions, physical injury, carrying scenes, humor, character development, and survival themes in a woodland setting.
word count: 1.9k words
author's note: Okay, I seriously hope that this is not cringe, and I had written it as I'd imagined it in my mind. And oh, by the way, don't be too comfortable and wishing for a softer Daryl; you know the saying, "be careful what you wish for." Anyway, enjoy reading.
MASTERLIST
NEXT CHAPTER >>
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You nervously gnawed on your lip as he persistently attended to your ankle with a massage. Occasionally, you couldn't help but emit either a contented sigh or an exaggerated groan, prompting him to shoot you a disapproving look and simultaneously cease his ministrations on your mildly sore ankle. To be brutally frank, your ankle wasn't in agonizing pain, but who in their right mind would turn down his, albeit somewhat coerced, offer to play ankle masseuse? It's like refusing a free ticket to the foot massage carnival.
"Why were you looking for me, anyway?" You began, "So much for the 'Ain't nobody got time to babysit you.'" You echoed his words, reminiscent of a little over a month ago.
Daryl halted the ankle massage, releasing a sigh as he nibbled on his bottom lip. "Knew you were gonna be here, deep in them forest."
"Really?" You shot him a puzzled look, your nose scrunching up a bit. Daryl nodded before resuming the ankle massage. "How did you know?"
Daryl paused the ankle massage and, with a gruff sincerity, said, "You're the type who'd rather spill your guts to the trees than start a conversation with someone, even if you know 'em pretty well." He continued massaging again.
“Oh.” You could feel your cheeks warming up with embarrassment. Were you really that obvious or was he really that observant?
"No need to be embarrassed. I'd do the same. Nowadays, it ain't easy trustin' folks, even if you think you know 'em well enough."
After a few minutes of quiet, only the serene sounds of the river, splashing fish, and birds' melodies surrounding the both of you, Daryl completed the ankle massage and settled down beside you. You both found yourselves captivated by the picturesque view of the river.
"Thanks, Daryl," You broke the silence. "For the ankle massage and for wandering through the woods to find me. I know I can be a real pain in your ass sometimes."
Daryl grunted, a nonchalant acknowledgment. "Ain't nothin'".
A pause lingered before Daryl cautiously broached a different topic, "Didn't mean to make you cry tha' night, back when we first talked."
You furrowed your brow, puzzled. "How'd you know I cried?"
Another grunt from Daryl, "Stood outside your tent. Was gonna apologize, heard you sniffle and sketch. Just stood there 'til I heard you crumblin' papers. Then, I left."
The revelation left you surprised and contemplative. "You...you were outside my tent that night?"
Daryl affirmed with a nod, his gaze still fixed on the river. "Yeah, I was."
There was a silence before you spoke up, "Sorry for asking about stuff I shouldn't have, Daryl."
Daryl stayed silent, letting you continue.
"I just... I wanted to learn how to be useful, y'know? Before all this happened, I felt useless. Still feel pretty much useless in this new world of ours." You took a deep breath. "I gotta figure things out for myself now. My brother's gone, and I can't trust anyone these days."
Daryl listened, his gaze fixed on the river.
"But when Glenn and I found you, everything sorta settled for me. It felt like I had a plan for my future." You paused, looking at Daryl. "And now, I don't even know where to start."
Daryl asked, "Why me?"
You shrugged, "I don't really know why. Just seemed right, I guess."
"Your brother, what was his name?"
You replied, "Rick Grimes. He was a sheriff's deputy, like Shane."
Daryl nodded, "Dipshit told you he's dead, didn't he?"
You smiled, although sad, and nodded back, "Yeah, he did."
Daryl leaned in a bit, "You don't really believe that, do you?"
You kept your sad smile, "Nope, not really. Wouldn't believe he's dead unless I see his body with my own eyes."
"Tell me about 'im."
You rambled on about your brother, "My brother was...well, he used to think he was some kind of superhero, always trying to save the day. Sheriff's deputy, he was. I swear, he thought he could rescue the world from bad hair days or something. Used to bug the hell outta me, but now I'd give anything to hear him ramble about his 'heroic' escapades again."
You chuckled, catching Daryl's eye, "And you'd think being a deputy, he'd have some epic stories. Nope. Most exciting thing was probably catching Mrs. Henderson's cat stuck up a tree. He'd go on and on about it like it was a damn mountain rescue."
You continued to talk about your brother, your words weaving through memories like a melancholy tapestry. "You know, Rick used to tell me stories when we were kids. Silly tales about superheroes and brave knights. He'd promise that as long as he was around, nothing bad would happen to me."
Your voice carried a weight of nostalgia and sorrow as you shared these fragments of the past with Daryl. "He became a sheriff's deputy, because he wanted to be like our Dad who was the previous Sheriff. Always looked out for people. But now... now it feels like he's gone, and I can't shake this feeling of being lost."
Unexpectedly, Daryl offered you his crossbow without saying a word, leaving you confused.
"What're you doing?" You asked.
Daryl replied, "First part of hunting is knowin' how to properly hold a weapon."
You chuckled, "Excuse me, I'm an archer too. I know how to use a bow."
Annoyed, Daryl retorted, "You want me to teach you or not?"
You grabbed the crossbow, admiring it, and teased, "Do I need to ask your beloved crossbow for permission before I press the trigger?" You laughed.
Daryl kept a straight face. "Shut up," he said, proceeding to instruct you on how to use the crossbow.
Daryl began instructing you, "Alright, listen up. First, you gotta have a steady grip. Hold it firm but not too tight. Feel the weight of it."
You followed his lead, adjusting your grip on the crossbow.
"Good. Now, your posture. Sit comfortably, back straight. Gotta be steady, or you'll miss your shot."
You nodded, ensuring your sitting position was solid. Daryl continued, "Next, line up the sights. You see those notches? Align 'em with your target. Take a deep breath, exhale slowly. And when you're ready, squeeze the trigger, don't jerk it."
You focused on the sights, taking a deep breath as Daryl had instructed. "Like this?"
Daryl nodded, "Yeah, that's it. Practice it a few times. Get the feel of it."
As you practiced, Daryl observed, occasionally giving pointers on your form and aiming. After a few tries, he suddenly said, "Hold up. Don't press the trigger just yet."
Confused, you looked at him. "Why not?"
Daryl explained, "If you're practicin' your aim at prey, it should be moving. Let's simulate that. Track something with your sights, follow its movement. Don't press the trigger till you get a feel for aimin' at a moving target."
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After a session of aiming practice that left you feeling tired as hell, the sun began its descent, casting an orange hue across the horizon. It dawned on you that you and Daryl needed to make your way back to camp before darkness settled in. Daryl, always practical, stood up, collected his belongings, and suggested to head back.
Nodding in agreement, you decided to rise to your feet, only to end up sitting back down with a thud. The pain from your sprained ankle made standing an impossible feat. Daryl, observing your attempts with hands on his hips, witnessed the struggle. Sitting on the ground, you sighed, admitting defeat. "I can't stand," you acknowledged.
Expressing his annoyance, Daryl rolled his eyes, pivoted to face away from you, and knelt on the ground, patting his back as an invitation. "Come on," he urged.
Your curious "What?" prompted Daryl to respond, "Can't carry ya. Got things to carry. And don't get any ideas; didn't say you're heavy." He quickly countered your gasp, playfully insinuating the thought you were heavy.
Rolling your eyes at his teasing, you retorted, "You better not be calling me fat."
Daryl smirked, "Nope, not at all. Just practical. We both got stuff to carry. But since you can't walk, piggyback's the most sensible way to get ya back to camp."
Worried about being a burden, you hesitated, "I'll try to stand and walk."
Annoyed, Daryl glanced over his shoulder, muttering, "Get on my back before I decide to leave ya alone in these damn woods." Gulping, you secured your bag and bow on your back before gently climbing onto Daryl's back. As he rose to his feet with you securely on his back, he grunted, signaling the start of the walk back to camp.
As Daryl trekked through the woods, carrying you on his back, the unexpected conversation unfolded. Out of the blue, you proposed the idea of serenading him with a song. Daryl, in his usual straightforward manner, swiftly shut down the notion with a simple "Nope."
Unfazed, you shifted gears and suggested sharing a joke, earning nothing more than a grunt from the taciturn hunter.
Undeterred, you playfully remarked, "Must be tough for you, not being able to crack a smile."
Daryl, ever the stoic one, coolly replied, "I got a sense of humor, you know."
You, feigning skepticism, shot back, "Really? I don't see any evidence of it."
Daryl, with a hint of amusement, retorted, "You haven't said somethin' funny." Quick on your thinking, you teased, "Your face is funny." Daryl, surprisingly, looked over his shoulder, your faces in close proximity, and he maintained a deadpan expression.
"Hey, Daryl, ever hear the one about the squirrel who took up acting?"
Daryl, with a raised eyebrow, grunted, "Nope."
You chuckled and said, "He was a real nut case!"
Daryl's deadpan expression remained unchanged, prompting you to add, "You know, for a tough guy, you could use a laugh or two."
Daryl, without missing a beat, retorted, "Your jokes need some work."
Pouting playfully, you shot back, "Oh, come on! I bet even the geeks would crack up at that one!"
As Daryl trudged through the dense woods, you, still reveling in your own humor, couldn't resist another attempt at cracking a joke.
"Alright, Daryl, one more for you," you grinned. "Why did the geek join a gym?"
Daryl, in his usual monotone, replied, "I don't know."
"Because he wanted to improve his dead-lift!" You burst into laughter at your own joke.
Daryl, not sharing the same enthusiasm, simply grunted in response. You, wiping away tears of laughter, decided to shift the conversation.
"Hey, Daryl, do you think we'll run into any geek stand-up comedians out here?"
Daryl raised an eyebrow but offered no verbal response. You, however, continued your comedic musings.
"Maybe they'll have a killer routine!" You added, chuckling at your own pun.
Daryl, looking ahead, remarked, "You sure have a way with words." You beamed at the back of his head, proud of your comedic prowess.
As you both continued the journey, Daryl broke the silence, suggesting, "You might wanna rest for a bit. It's gonna be a long walk."
You, with a touch of pride, declared, "I won't fall asleep, promise."
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( divider by @cafekitsune )
@celtic-crossbow @maackiimoo @duckmania127 @xmaeyonaiise @richardsamboramylove55 @snailss
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Text
Just throw 'em back
I thought of that title, and now I'm singing Chandelier in my head at a very unreasonable volume for telepathic singing.
Ummmmmmmmm this includes consumption of alcohol and getting drunk. No one is underage if that bothers you.
This is right after the Klance sunset scene.
-----------------------------------
Now. We all know what happened during Allura and Lance's date.
We can also assume that while it was happening, Pidge was doing tech-stuff, Hunk was cooking, and Coran was doing generally Coran-ish things.
Keith however, was not.
He was laying in a dark dorm room with his head stuffed in a pillow. He didn't know why he tortures himself like this. He had just given a pep talk to his CRUSH so that his CRUSH would be confident to go out with a GIRL.
Ugh, making reasonable life decision sucks.
Shiro, of course, has been through his fair share of gay dilemmas. His psychic dad sense clued him into Keith's situation.
"Hey... rough day?"
Keith just grunted into his pillow, which meant 'yes' to Shiro.
"Dang, that bad? It this a non-existent love life problem or something else? 'Cuz I can help you with the first one."
Keith flopped over onto his back and stared blankly at the ceiling. After a minute, he held up one finger. That, or he was just flipping Shiro off, but Shiro was trying to be optimistic here.
"You've gotta help me out a bit here, bro. Do you want advice or a distraction?"
Keith decided to finally pipe up.
"Give me a pep talk and I will not hesitate to shove a knife down your throat."
Shiro held his hands up. Keith didn't respond, so he just picked the guy up and hauled him to his car. There was no protest from the black paladin, but that tends to happen when a guy rejects you without even realizing that he's doing it.
An hour later, they arrived at a small bar in the closest town to the garrison.
Seeing their destination, Keith finally I dropped for a moment to raise an eyebrow at Shiro.
Shiro just shrugged with a crooked grin on his face. “You passed the drinking age in space. I figured we could have your first real drink before going back out to the war. None of that disgusting Nunville stuff Coran offers us.”
Long story short, Keith has had 3 (or was it 4?) shots and Shiro is hanging on to Keith’s shoulders to keep his balance. He was a bit too enthusiastic, and the only noises that leave his mouth now are garbled, slurred words.
Drunk Shiro seems determined to give Keith a talk, though.
“I remember my first boyfriend. He was cute. But soooo straight. He smelled like water.”
Keith’s brow shoots up to his hairline.
“What are going on about, Shiro? Are you really gonna do this now? Also, how does someone smell like water?”
Shiro raises his prosthetic arm to Keith’s face in a poor attempt to shush him, but his lack of coordination leads him wack Keith across the face.
“Shhhh shshshshh. Let me brother you. What I’m trying to say is, cute guys are straight sometimes. So instead of wallowing in self-pity, you RIOT! You gotta go up to his dumb face and FESS UP. He flirts with literally anyone! He has to at least bisexual. And if you fail and humiliate yourself, we can watch Pitch Perfect together in a dark room and eat too much ice cream and I can yell at him for you. Alright?”
Keith shakes his head with a small laugh. Even drunk Shiro has his dumb way of cheering Keith up. And, who knows? Maybe his advice is halfway decent.
——————-
I don’t even know what that was. But listen to Shiro, kids! If you’re queer and you know it, then OWN IT! I believe in you, my loves!!
49 notes · View notes
crimsonblackrose · 2 months
Text
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Lia is reading Beowulf
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Anthony recommends Animal Farm instead.
Mr. Landry lived next to their elementary school and had chicken coops. They've been in school together since elementary school.
Lia: I miss being friends. Anthony's brain breaking for a moment.
Lia calls Kenny: Strawberry ghost.
Anthony's friend does Tommy's line about how everyone is doing something new.
This actor does a great job of making me hate his character Zack:
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All he does is egg Anthony on and put peer pressure on him. Apparently Kenny got like 20 points during gym
Anthony stealing Kenny's clothes is messed up.
Miguel has been stretching since 6 am. 🤣 Tournament's a month away.
Mr. even while drunk never loses his keys somehow misplaces his hachimaki at Carmen's? not buying it.
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Don't go where he can't follow. Ooh I forgot he drops a little context. "You know how they make that loaded potato soup."
I think the "i found something in your room I need you to explain" is 1. another invasion of privacy. 2. Anthony why wouldn't you hide a cobra kai hoodie, knowing that they broke into your home and are terrorizing your sister? 3. Why did you even take it home? and 4. I think sadly, the most we've seen Daniel say to Anthony since he was littler and just sort of ignored Daniel or tried to order out his needs.
Anthony you little liar. Well...actually I guess from Anthony's perspective Kenny is giving him a hard time. But it's not on purpose and the way you've been responding to losing at basketball or not having all of Lia's attention is not cool. And you curbing to peer pressure is on you. I'm sorry that your friends suck, but Anthony you managed to go this long making them think you knew karate and couldn't use it because it was a lethal weapon kinda means you should be able to worm your way out of all of this. Kenny's in Cobra Kai because of you.
Messing around and name calling is what your 'friends' are doing to you, not what Kenny is doing to you.
Daniel: Go upstairs, get changed. Anthony: For what? Daniel: Just go upstairs and get changed.
Anthony should've come down in a suit. Because Daniel should've specified working out or something.
Robby listening to Kenny and then figuring out the best way to help him/steer him. "I got kicked out of school and went to juvie, you gotta be smarter than me and your brother" is a very good choice.
I totally see Piper in the background and her friends.
Silver: we all have weaknesses. Tory: Kreese doesn't. Silver: of course he does. Kreese: The hell i do, don't tell them I have any weakness.
each pick a fighter 6 pack of brews to the winner.
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Johnny struggling from 'we're hooking up, to not hooking up to sex talk intro....
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Johnny nervously just listing off chain restaurants.
Miguel's surprised but not surprised and also judging his mom just a smidge:
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Listen sometimes Johnny's got a whole lot of decent balanced stuff in his fridge. It depends on how much self-hatred he's stewing in. When he digs himself out of it he tends to clean up and also his eating habits change.
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Miyagi-do does not have wifi
Remember...when Amanda's clue that Kreese was dangerous was that he had weapons on his wall? These weapons? Weapons Daniel also had? And that the kids are now training because the All-Valley included skills competition?
Anthony says the cars, Daniel forgot to put the covers on them, look like a jackson pollock painting (they're covered in bird poop)
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I can't believe Daniel's leaving to go to the dealership. Like on the one hand proud of him for finding the balance to do both. Both on the other hand, he's literally leaving a whole bunch of teenagers alone to practice with weapons. Unsupervised by an adult. Daniel, wtf?
Piper flirting with Tory after their sparring. 🤣 Good for her for shooting her shot.
Johnny heard that Silver was giving out dojo merch and sent Devon a eagle fang shirt before her first class.
Random new eagle fang students, we haven't had that in a while. I guess Johnny did manage to scrounge up some new recruits. I do think he should've still taken Moon on she could've done kata for him.
Devon brings up Bloodsport. Johnny is delighted.
omg
Johnny sent her prep work and it was movies and she went above his list:
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Devon is a fan of Cynthia Rothrock.
Mitch saw Last Dragon, Johnny is not impressed. 😅 Sorry Mitch.
Devon also drops: best of the best.
Poor Miguel getting side lined again.
Johnny has tied the kids arms to their sides, in case cobra kai pops their shoulder out and they have to fight one handed.
I would like to point out he's talking about cheating and playing dirty and he got this idea because Daniel immobilized his arm with his secret pressure points.
Like I get that Daniel thinks his way is the best way to prep against Silver, but if they'd talked and Daniel had told him of all the Silver moves he knew, Johnny would've built lessons about ways to defend against it. Because he's literally trying to ensure they stay in the game and don't panic if they get injured like he did. Which he's been doing since the beginning by showing pretty much all his students at some point how to get out of a choke-hold.
It also sucks though, now that Johnny has one from Kreese and one from Daniel on that list because Daniel went too far and used the pressure points against him. It's a good lesson but it shouldn't have been inspired the way it was.
Johnny's used literally everything he can think of, ducttape on Mitch, rope on another kid, what looks like bungy cord on another. I dunno I feel like prepping them against cheating is so smart. I think he seran wrapped Bert. 🤣
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I would say Johnny being careful with Miguel is probably related to Miguel's injury, but that hair ruffle in front of the class is totally because Johnny's told Miguel he's dating his mom.
One of the kids throws sand in Mitch's eyes. Which ow, and also dangerous. Johnny that could've been accomplished with a blindfold. But use the other senses because you've been blinded, without meaning too defends against one of SIlver's moves, to blind your opponent. For that one Miguel just held a box of sand.
Oh, I don't think having Devon kick all the guys in the balls is the way to go there Johnny. Even if Daniel used a ball-shot move he learned from Mr. Miyagi in TKK2. Miguel you gotta admit, not being in this one is probably for the best.
Johnny should've ensured they were all wearing protective gear first. Which is not...very him. (I'm going to blame netflix here) because while he put the kids in danger and it didn't always seem safe i.e. the junkyard with the dogs. He still ensured they had protective gear when doing stuff like breaking glass.
Like everyone giggling about Silver picking Kenny might make sense, but Silver totally scammed Kreese with his whole double or nothing. He literally knows that Robby's weakness would be his little buddy he's taken under his wing. Which is the whole point of the lesson.
And he proves it when Robby goes woah woah woah are you okay and Kreese has to call pause.
I do like that despite winning Kenny and Robby still do a little fist bump after their fight, like no hard feelings there despite Kenny tricking Robby by feigning injury.
all the ice, at least Johnny got ice for them all.
I dunno Johnny you shouldn't put all the kids but Miguel through the ringer and then say 'champ we've got family dinner'. It's uncool and you should know that it could cause division or seem like you're playing favorites.
Also Johnny just leaves Miguel. Are you seriously leaving Miguel who as far as we know doesn't have his own car or license yet, at an abandoned factory?
The taskrabbit Anthony called is named Artie, whose cat needs hernia surgery so this is his side hustle, and Daniel has tons of Glacier freeze gatorade but no lemon lime.
Daniel I'm surprised you let your credit card or any financial info anywhere near something Anthony has access to after he tried to alexa order something and you struggled to cancel it.
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Anthony's response to this is that he knows, which makes me wonder if Daniel and Amanda pay so little attention to him that he feels like he does most things on his own and thus accomplishes everything on his own.
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See that works on Sam because she met him but Anthony didn't so he doesn't care.
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Mr. Miyagi taught sam the wax on wax off first move. Anthony gets he's a great ma and he taught Daniel karate. And he's heard all the stories and he's sick of it.
Daniel asks if that means he doesn't want to learn how to defend himself or learn skills for life and Anthony responds not if it means cleaning up bird shit to which Daniel rebukes him for language. then essentially says he thought Anthony was mature enough for this and walks away and tells Anthony to just go back to his video games.
Which, Daniel you fucked up here. Anthony never got to meet Mr. Miyagi that he remembered. So he's just hearing the whole family bond about this guy he doesn't know and it's isolating because he's got nothing to draw on to add to it. Anthony knows all the stories, he knows all about Mr. Miyagi, but do you know anything about Anthony beyond video games? Do you even know what video games he likes to play? Because you bought him kitkats from Japan and that's it. You're just not...listening. You're pissed because in your head he disrespected Mr. Miyagi. And didn't listen to the core of it. Which is there is no Miyagi magic for him and instead his whole life he's been living in the shadow of a man he doesn't know and getting teased because he should know the moves.
Also, I think if Johnny was still there, it'd suck because his training is always hard, but that Anthony would enjoy it more.
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normally i tend to think whatevers in the middle of the table is the main course, but that's tomato, red onion and avocado and nothing else.
johnny is not good balancing between Miguel and Carmen.
I think what's happening is Johnny is trying so hard to not be Sid that he doesn't know what to do. Carmen literally moves later like she's going to just eat the tomato, onion and avocado as a meal/salad.
The way Anthony immediately starts apologizing for being in the dojo is kinda telling of his not so great relationship with his father. Like he found something that sparked his interest in karate but then immediately panics as soon as Daniel asks what he's doing.
Like Daniel even says he doesn't need to apologize, but Anthony just doesn't seem to know him well enough that he thinks he's doing something wrong.
Is this the pressure point lesson?
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Because if it is, what Daniel says related to it is wild.
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If it is in fact pressure points then Daniel you've already used it twice, once to save Johnny's life and stop Kreese and once to try and win an argument with Johnny.
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I am glad Anthony is talking about how he feels sort of left out because he doesn't have any memories of Mr. Miyagi.
I also feel like this is a long time coming, Daniel needed to have this conversation with Anthony ages ago. A chance to tell him not stories about himself and Mr. Miyagi or Sam and Mr. Miyagi, the stories he knows all about, but you missed telling Anthony about his own story with Mr. Miyagi. "Mr. Miyagi wanted to hold him and as soon as Anthony was in his arms, Anthony kicked him in the face."
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Mr. Miyagi apparently just laughed and said Anthony was going to be handful but would also be a protector of the family.
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Since when? Also you, not wanting to pressure someone into doing what they don't want to do? Dude. You do that all the time. You tried to pressure all the students into learning just Miyagi-do which broke up the combined dojo.
Junior Prom theme his Hollywood Heights, which feels a bit like phoning it in since they're in LA.
Johnny once again showing up at school. Why if it's decorated for prom is it the middle of the day? Who would put up all those balloons and decorations this early?
Carmen might get pissed that Johnny's taking Miguel out of school to skip history.
Lia has figured out her and Ant's play date: Saturday at a fair at Westwood park and the best part is fried oreos. A bunch of other people including Kenny are going. Lia also has a friend named Jane.
Zach, get a hobby will you?
Kenny using LaPusso against Anthony knowing it's a weakness and luring Anthony and his not friends into a trap in the library. Smart kid. Also I get why he didn't trust the 'let's talk'.
Kenny is doing a great job of taking them all out individually.
One of the kids is named Marcus.
Of course Kenny got caught.
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Johnny knows a lot of random facts about Rowdy Roddy Piper (A Canadian wrestler/actor for WWE who it look like wore a kilt)
Johnny says he doesn't know how to do this kind of relationship. And Miguel says that's what happened with robby right, he got scared? And Johnny admits that he got scared.
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Johnny felt cheated, everything just made him miss his dad more and he couldn't figure out why everything was happening. His mom did the best she could but well she married sid.
Miguel asks if he ever tried to find him.
Johnny doesn't know what he'd say. But this is something Miguel's relating to.
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Johnny also doesn't know where he'd begin looking for him.
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Johnny really does have some honesty and reveals a lot about himself when people are willing to listen.
He says he didn't have a male role model until he met Kreese and they both know how that went.
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He's trying so hard not to be the people in his life that abandoned him or gave up when he didn't do exactly what they wanted when he knew it was wrong.
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He says he can never fix that. 😭
But he doesn't want to make that mistake with Miguel, he just doesn't know what to do or how to do this. he says he clearly doesn't know what the hell he's doing.
omg I'm going to cry, don't you boys start crying. Like damn xolo the tears in your eyes and the shaky laugh.
Some things are going to change, you dating my mom, but there are some things I don't want to change. | Like what?| Like you being my sensei.
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I love that Johnny prepared a lesson.
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He's going to teach Miguel one of the most badass moves in karate, the flying tornado.
Sam crashing their lesson. 🤣 She skipped school and was like fuck everyone else I do what I want which is sneaking into Eagle Fang.
I do appreciate that Johnny's first question is "Does your dad know you're here". Like he knows Daniel will be pissed and I don't think he'd teach her and lie about it. It's not his style.
The school/principal moved fast. "I've already talked to the other offending students and they will be suspended, so will your son."
He has evidence of Kenny running and being chased by the kids, found the milk tiktok, and evidence of cyberbullying.
Kenny really took care of his bullies.
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Terry's reading this book.
Terry's also excited for Kreese's six pack gift to him: Ba Muoi Ba (Vietnamese Beer)
Scovil, from Utah, didn't really bathe, took point and took over leadership when he shouldn't have and stepped on a mindfield and died. Aka Kreese is warning Silver.
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Kreese you really brought down the vibes, this guy was the giddiest happiest dude and now he's so sad and quiet and aware something is up.
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Terry is right, Kreese you're over-reacting.
It's also uncool for you to pull the cage into this. You're being a dick Kreese, this is mean. Like Kreese you put so much effort into getting Terry to co-sensei with you and then you pull rank, and dredge up the worst memories of Terry's life.
4 notes · View notes
astroprompts · 2 years
Text
✧ —𝐇𝐀𝐌𝐈𝐋𝐓𝐎𝐍 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 [𝐀𝐂𝐓 𝟏]
𝐀𝐀𝐑𝐎𝐍 𝐁𝐔𝐑𝐑, 𝐒𝐈𝐑
“Pardon me, are you [name]?”
“I'm at your service.”
“I have been looking for you.”
“I'm getting nervous.”
“I may have punched him. It's a blur.”
“I wanted to do what you did.”
“He looked at me like I was stupid. I'm not stupid.”
“Can I buy you a drink?”
“While we're talking, let me offer you some free advice.”
“Talk less, smile more.”
“Don't let them know what you're against or what you're for.”
“You can't be serious.”
“Fools who run their mouths off wind up dead.”
“If you stand for nothing, what'll you fall for?”
𝐌𝐘 𝐒𝐇𝐎𝐓
“I am not throwing away my shot.”
“I'm young, scrappy, and hungry.”
“I probably shouldn't brag, but dang, I amaze and astonish.”
“The problem is I got a lot of brains, but no polish.”
“I gotta holler just to be heard.”
“Only nineteen, but my mind is older.”
“Don't be shocked when your history book mentions me.”
“I will lay down my life if it sets us free.”
“I'm with you, but the situation is fraught.”
“If you talk, you're gonna get shot.”
“I think your pants look hot.”
“Let's hatch a plot blacker than the kettle callin' the pot.”
“Oh, am I talking too loud?”
“Sometimes I get over excited, shoot off at the mouth”
“I never had a group of friends before.”
“When you're living on your knees, you rise up.”
“I imagine death so much it feels more like a memory.”
“I never thought I'd live past twenty.”
“We need to handle our financial situation.”
“For the first time, I'm thinking past tomorrow.”
𝐓𝐇𝐄 𝐒𝐓𝐎𝐑𝐘 𝐎𝐅 𝐓𝐎𝐍𝐈𝐆𝐇𝐓
“I may not live to see our glory.”
“I've seen wonders great and small.”
“Raise a glass to freedom.”
“Let's have another round tonight.”
“I didn't think that you would make it.”
“I came to say congratulations.”
“Now, be sensible.”
“From what I hear, you've made yourself indispensable.”
“Well, I heard you've got a special someone on the side.”
“What are you tryin' to hide?”
“I'll see you on the other side of the war.”
“I will never understand you.”
“If you love this woman/man/person, go get her/him/them.”
“What are you waiting for?”
𝐓𝐇𝐄 𝐒𝐂𝐇𝐔𝐘𝐋𝐄𝐑 𝐒𝐈𝐒𝐓𝐄𝐑𝐒
“There's nothing rich folks love more than going downtown and slumming it with the poor.”
“Daddy said to be home by sundown.” / “Daddy doesn't need to know.”
“Remind me what we're looking for.”
“I'm looking for a mind at work.”
“There's nothing like summer in the city.”
“Your perfume smells like your daddy's got money.”
“Why you slummin' in the city in your fancy heels?”
“Some men say that I'm intense or I'm insane.”
“Look around at how lucky we are to be alive right now.”
𝐅𝐀𝐑𝐌𝐄𝐑 𝐑𝐄𝐅𝐔𝐓𝐄𝐃
“They have not your interests at heart.”
“Oh my God, tear this dude apart.”
“Chaos and bloodshed are not a solution.”
“Don't let them lead you astray.”
“They're playing a dangerous game.”
“It's hard to listen to you with a straight face.”
“Chaos and bloodshed already haunt us.”
“Honestly, you shouldn't even talk.”
“My dog speaks more eloquently than thee.”
“If you repeat yourself again I'm gonna scream.”
“I'd rather be divisive than indecisive.”
“Drop the niceties.”
𝐘𝐎𝐔'𝐋𝐋 𝐁𝐄 𝐁𝐀𝐂𝐊
“You say the price of my love's not a price that you're willing to pay.”
“Why so sad?”
“Remember, we made an arrangement.”
“Now you're making me mad.”
“Remember, despite our estrangement, I'm your man.”
“You'll be back, soon you'll see.”
“You'll remember you belong to me.”
“You'll remember that I served you well.”
“You'll be the one complaining when I am gone.”
“Don't change the subject!”
“I will fight the fight and win the war.”
“I'll love you 'til my dying days.”
“When you're gone, I'll go mad.”
“Don't throw away this thing we had.”
“I will kill your friends and family to remind you of my love.”
𝐇𝐄𝐋𝐏𝐋𝐄𝐒𝐒
“You got me helpless.”
“I have never been the type to try and grab the spotlight.”
“You walked in, and my heart went boom.”
“This one's mine.”
“Where are you taking me?”
“I'm about to change your life.”
“By all means, lead the way.”
“Thank you for all your service.”
“If it takes fighting a war for us to meet, it will have been worth it.”
“My life gets better every letter that you write me.”
“I'm just sayin', if you really loved me, you would share him/her/them.”
“There's nothing that your mind can't do.”
“I don't have a dollar to my name.”
“Your family brings out a different side of me.”
“My love for you was never in doubt.”
“I've been living without a family since I was a child.”
“I look into your eyes, and the sky's the limit.”
𝐒𝐀𝐓𝐈𝐒𝐅𝐈𝐄𝐃
“I just might regret that night for the rest of my days.”
“I'll never forget the first time I saw your face.”
“This is not a game.”
“You strike me as a woman/man/person who has never been satisfied.”
“I'm sure I don't know what you mean.”
“You're like me, I'm never satisfied.”
“I have never been satisfied.”
“Where's your family from?”
“There's a million things I haven't done.”
“So this is what it feels like to match wits with someone at your level!”
“I'm a girl in a world in which my only job is to marry rich.”
“I'd have to be naïve to set that aside.”
“I know my sister like I know my own mind.”
“You will never find anyone as trusting or as kind.”
“May you always be satisfied.”
“I will never be satisfied.”
𝐖𝐀𝐈𝐓 𝐅𝐎𝐑 𝐈𝐓
“Love doesn't discriminate between the sinners and the saints.”
“There are things that the homilies and hymns won't teach ya.”
“My mother was a genius, my father commanded respect.”
“When they died they left no instructions, just a legacy to protect.”
“Death doesn't discriminate between the sinners and the saints.”
“If there's a reason I'm still alive when everyone who loves me has died, I'm willing to wait for it.”
“I'm not standing still, I am lying in wait.”
“Life doesn't discriminate between the sinners and the saints.”
“If there's a reason I'm still alive when so many have died, then I'm willing to wait for it.”
𝐒𝐓𝐀𝐘 𝐀𝐋𝐈𝐕𝐄
“There’s only one way for us to win this.”
“Hit ‘em quick, get out fast.”
“Stay alive ‘til this horror show is past.”
“We’re gonna fly a lot of flags half-mast.”
“Yeah, he’s not the choice I would have gone with.”
“What are you doing, [name]? Get back on your feet!.”
“History will prove them wrong.”
“We have a war to fight, let’s move along.”
“I can’t disobey direct orders.”
“You're the closest friend I've got.”
“Don't throw away your shot.”
𝐓𝐄𝐍 𝐃𝐔𝐄𝐋 𝐂𝐎𝐌𝐌𝐀𝐍𝐃𝐌𝐄𝐍𝐓𝐒
“If they apologize, no need for further action.”
“Time to get some pistols and a doctor on site.”
“Duel before the sun is in the sky.”
“Pick a place to die where it’s high and dry.”
“Pray that hell or heaven lets you in.”
“Can we agree that duels are dumb and immature?”
“Your man has to answer for his words.”
“Okay, so we’re doing this.”
“Look ‘em in the eye, aim no higher.”
“Summon all the courage you require.”
𝐌𝐄𝐄𝐓 𝐌𝐄 𝐈𝐍𝐒𝐈𝐃𝐄
“Do you yield?”
“You shot him in the side.”
“Yo, we gotta clear the field.”
“This should be fun.”
“What is the meaning of this?”
“Meet me inside.”
“Don't call me son.”
“We called his bluff!”
“Watch your tone.”
“I am not a maiden in need of defending.”
“They take your name and they rake it through the mud!”
“My name's been through a lot, I can take it.”
“We need you alive!”
“I am more than willing to die.”
“I need you alive!”
𝐓𝐇𝐀𝐓 𝐖𝐎𝐔𝐋𝐃 𝐁𝐄 𝐄𝐍𝐎𝐔𝐆𝐇
“How long have you known?”
“You should have told me.”
“I'm not sorry.”
“You deserve a chance to meet your son/daughter/child.”
“Will you relish being a poor man's wife, unable to provide for your life?”
“I relish being your wife.”
“The fact that you're alive is a miracle.”
“Just stay alive, that would be enough.”
“I don't pretend to know the challenges you're facing.”
“I'm not afraid.”
“I know who I married.”
“So long as you come home at the end of the day, that would be enough.”
“We don't need a legacy.”
“We don't need money.”
“Let me be a part of the narrative.”
𝐆𝐔𝐍𝐒 𝐀𝐍𝐃 𝐒𝐇𝐈𝐏𝐒
“Yo, turns out we have a secret weapon.”
“I'm taking this horse by the reigns.”
“And so the balance shifts.”
“For this to succeed, there is someone else we need.”
“No one has more resilience, or matches my practical tactical brilliance.”
“You wanna fight for your land back?”
“I need my right-hand man back!”
“If you join us right now, together we can turn the tide.”
“The world will never be the same.”
𝐇𝐈𝐒𝐓𝐎𝐑𝐘 𝐇𝐀𝐒 𝐈𝐓'𝐒 𝐄𝐘𝐄𝐒 𝐎𝐍 𝐘𝐎𝐔
“I was younger than you are now when I was given my first command.”
“I led my men straight into a massacre.”
“I witnessed their deaths firsthand.”
“I made every mistake and felt the shame rise in me.”
“History has its eyes on me.”
“Let me tell you what I wish I'd known when I was young and dreamed of glory.”
“You have no control who lives, who dies, who tells your story.”
“I know that we can win.”
“I know that greatness lies in you.”
“Remember from here on in, history has its eyes on you.”
𝐘𝐎𝐑𝐊𝐓𝐎𝐖𝐍 (𝐓𝐇𝐄 𝐖𝐎𝐑𝐋𝐃 𝐓𝐔𝐑𝐍𝐄𝐃 𝐔𝐏𝐒𝐈𝐃𝐄 𝐃𝐎𝐖𝐍)
“Immigrants, we get the job done.”
“'If this is the end of me, at least I have a friend with me.”
“We gotta go, gotta get the job done.”
“We move undercover and we move as one.”
“We have one shot to live another day.”
“We will fight up close, seize the moment and stay in it.”
“We had a spy on the inside, that's right.”
“We're in the shit now, somebody's gotta shovel it!”
“When you knock me down, I get the fuck back up again!”
“And just like that, it's over.”
“The world turned upside down.”
𝐃𝐄𝐀𝐑 𝐓𝐇𝐄𝐎𝐃𝐎𝐒𝐈𝐀
“I'm dedicating every day to you.”
“Domestic life was never quite my style.”
“When you smile, you knock me out.”
“We'll bleed and fight for you.”
“When you smile, I am undone.”
“Pride is not the word I'm looking for. There is so much more inside me now.”
“You outshine the morning sun.”
“When you smile, I fall apart.”
“My father wasn't around.”
“I swear that I'll be around for you.”
“I'll do whatever it takes.”
“I'll make the world safe and sound for you.”
“You'll blow us all away.”
𝐍𝐎𝐍-𝐒𝐓𝐎𝐏
“Are you aware that we're making history?”
“Why do you assume you're the smartest in the room?”
“Soon that attitude may be your doom!”
“Why do you write like you're running out of time?”
“I've seen injustice in the world, and I've corrected it.”
“Now, what I'm going to say may sound indelicate.”
“Why do you always say what you believe?”
“Every day, you fight like it's going out of style.”
“Can we confer?”
“What do you need?”
“I know I talk too much, I'm abrasive.”
“You're succinct, persuasive.”
“Hear me out!”
“We have to start somewhere.”
“You're making a mistake.”
“What are you waiting for? What do you stall for?”
“What if you're backing the wrong horse?”
“For once in your life, take a stand with pride!”
“I don't understand how you stand to the side.”
“I'll keep all my plans close to my chest.”
“I'll wait here and see which way the wind will blow.”
“There's no one who can match you for turn of phrase.”
“Don't forget to write.”
“If I could grant you peace of mind, would that be enough?”
“They're asking me to lead.”
“I'm doing the best I can.”
“I'm asking you to be my right-hand man.”
“I know it's a lot to ask, to leave behind the world you know.”
“Look around! Isn't this enough?”
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Hmm~ let's try Miu iruma and Celestia ludenburg with a boyfriend who's the opposite of them personality wise. He's pretty energetic and kind if a bit airheaded while Celestia is polite but can be pretty rude if not cold and well Miu is rude loud and vulgar. When reader is asked sometimes why they're with Celestia/Miu when they're complete opposites and he's just replys that she's so cute while blushing with their girlfriend near by listening to his response.
TUMBLR DID IT AGAIN IT DIDNT TELL ME I HAD AN ASK, I APOLGIZE. I gotta fix my damn tumblr -Mod Junko
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Celeste and Miu with a reader who’s the complete opposite of them
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Celestia Ludendurg
• Nobody really knows how you two got together, with how cold Celeste is to everyone around her and how soft and bubbly you are? Just doesn’t really make sense to anyone
• Celeste is cold to everyone besides you, usually she only shows her affection in private, not a huge fan of PDA cause the whole “queen of liars” thing
• anyone who even looks at you wrong gets a death glare from Celeste, most times people are afraid to even talk to you when Celeste is around In case they say the wrong thing and make her angry
• Once the topic of how you and Celeste came up while having a conversation with Makoto and how you’re still together when you two are so different
• “I dunno, but I do know that Celeste is too cute to not be with”
• you didn’t know Celeste was listening in by the walkway of the dining hall, and she simply covered her mouth with her fingers and let out a small giggle
• later when you and Celeste were enjoying some alone time, Celeste took your hands in hers suddenly and whispers with a smug look
• “i believe you are the one who is adorable in this relationship my love~”
• you giggled and pulled her into a hug which she gladly accepted, opposites attract I suppose?
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Miu Iruma
• it’s odd Miu landed such a sweetheart, she’s probably one of the most vulgar and straight up rude students in the class, but somehow it happened
• and it doesn’t even bother you how vulgar she is, it’s such a sharp contrast how different you two are. Somehow it just works, don’t question it
• it was while Miu was resting her head on the dining hall table after an all nighter on an invention that kokichi decided to suddenly bombard you with the question of how you and Miu even work out as a couple and before Miu could shoot kokichi down like she always does you just let out a simple answer
• “she’s too cute to not be with”
• Miu could feel her face heat up and her head shot up off the table
• “I ain’t fuckin’ cute! And kokichi shut your damn mouth!”
• before Miu could go to chase kokichi down for being a menence to society like he always is, you took miu’s hand and guided her back down to her seat
“ .. I still ain’t cute, that’s more like you.”
• you simply laughed softly and rubbed Miu’s back so she could get back to getting some sleep
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titanicfreija · 1 year
Text
"These will be more personal questions, and possibly upsetting."
"Oh-kay?"
"When you die, are you frightened?"
"... No. Haven't had a good reason to be. There's places where I would be, but I haven't been."
"Is it painful?"
"Sometimes. I'm pretty good about dying fast, so not often. Surviving to flee hurts, though. Poor Sunny'll about cry if I do it too much, pretty sure she'd rather repair a corpse than heal a bullet wound that didn't kill me. Don't really blame her, they get pretty ugly. Crucible was hard on both of us for a while, but I'm pretty good at running before my shields break, these days."
"Is there a preferred or most hated death?"
"Ummm. If I've just really gotta die -- I don't like it. Even if it's not painful or scary, it's inconvenient-- but if I've really gotta pick the best and worst, it's Drop Pods and getting sniped by psions."
"You flatter us. Why?"
~
"Drop Pods are so fast they feel more like teleporting than dying. Psion snipers-- there's a few others that do this, but the psions came to mind because of you, I guess-- but so, the ones with the right firepower, I guess they're LFRs , they open whatever they shoot on the first hit. Sometimes it'll take them two, but they bust shield and plate and hit flesh before I can even register I've been shot, too busy reeling and confused, much less can I tell where it came from. Opens my helmet, ruins my visual feed, fucks with my hearing; clears armor off a chunk, at the very least a deep bruise; cripples or takes off a limb. They never kill me outright, though, so it's only going to damage and hurt. A lot. If I move fast enough, can get my barricade up-- and I have to start that as soon as I hear the charge up, I can't wait 'til I've been hit--and they're gonna hit me while I'm doing it-- I can save my ass and Sunny can heal me up before I try to run. Odds are decent that they'll pop me again before I can escape or chase me out of cover and into their allies. Prefer they get me than allies."
"How visceral."
"What's that mean?"
"It means the way you're talking about it makes it easy to imagine."
"Oh. So, yeah, I hate those things. They take juuuuuust long enough to kill me to be particularly memorable, and they're some of the hardest to escape and kill back with any kind of plain reaction-- gotta aim, they usually have friends a lot closer, and just... Yeah."
"Are you ever frightened on the battlefield?"
"... Of what? Consequences of loss, sometimes? Stakes aren't always high, but they get that way."
"Does dying frequently affect your mood?"
"... I get pretty angry after a minute. I'm usually trying to get something done, some loot or clearing somewhere important to Vanguard or civilians, and having to start over or start and stop, any time I can't get a job done when I wanted to, I get. Uh. Mean. And angry."
"It's okay. By the time she's lashing out at me, she's throwing herself into death head first over and over and I can just listen to her scream without having to hit back."
"Oh-ho!"
"Did you just make her laugh?"
"Shh."
"Hmph! Are you concerned for the lives and physical well-being of your Guardian friends?"
"Yeah to an extent. Rise hates being shot. And she's better at helping me up than I am at helping her up, so it's better for her to live than me. It's generally best to keep as many alive and healthy as possible just for the backup."
"What would you say was the worst death you can recall?"
"Woof...."
"I think that one--"
"I'm fine. It bothers Sunny more than me, because of when it happened but I was weak and reloading and a pair of Taken Knights rushed me, screaming fire all over. My shields were hardly up in the first place so it sank in quick and took way too long to kill me. And my own fire made it worse, trying to save me."
"I take it this is the advent featuring the shell with whiskers?"
"Yep. Sank deep. Hurt. Worth it! It's perfect and there's at least ten shaders that fit her look and even more that just look good. You've seen the bouncing and bobbing, we should have named her Bunny. Only thing she really asked me for, and I got it."
"Hmph. Is this pride common in Guardians?"
"I dunno? Probably?"
"Do you feel fear at all?"
"Yeah, but I'm not sure why, half the time? And I have a phobia that you will hear nothing more about."
"I already snitched. She defended you."
"I'm still not talking about it."
"Truly?"
"I-- no. Nope. Nope, don't wanna, even if I could, and I can't 'cos my mouth is doing a thing."
"Ha!"
"I know, right? What's it gonna do, kill me?"
"The methane would have."
"True. But nope. Just can't and don't wanna. How about you?"
"..."
"Sorry. Nerves."
"Forgiven. Do I frighten you?"
"Uh... I think the word is intimidating? Imposing? You being in a room makes me want to be smaller."
"I will accept this. Do you fear pain?"
"I mean... Yeah? Certain kinds and levels, I guess, getting shot hurts a lot, but I hardly think about that anymore? It's... No. I don't. I should and I don't. I didn't wanna tell you that but Sunny just 'matted out of my pocket to drive her little eyeball into my visual, and I'm pretty sure that shell is strong enough to beat some dents in."
"Your Ghost intimidates you?"
"I have to live with her. Whole other kind of damage, trauma, and fear."
"She says as though she's not the one that lashes out inappropriately."
"You knock stuff over when you're grumpy, and push stuff off the fridge."
"Freija!"
"You snitched on my thing!"
"Sunny has a temper?"
"Caiatl!"
"I'm not gonna tell you it's worse than mine, but when I piss her off, she punishes me by talking over my head, refusing to help in combat. When we're all but in love, she'll put a requested gun in my hands, but when she's mad at me, she'll put it on the ground nearby. Steps away nearby."
"Can't believe this..."
"Gives me the silent treatment and vague visual cues. The first one that goes is coordinates-- she makes me punch in my own autopilot settings and coordinates. First clue, a thing she does when she's upset and my first chance to apologize, she has a nook on the fridge she runs to. I don't blame her, I am an absolute ass sometimes."
"sometimes!"
"Do Ghosts often "punish" their Guardians?"
"Rex is fuckin' mean. Sorry."
"You also know this Rex."
"Him and his Guardian live with us. Or I live with them. They make me feel bad, won't even be in the same room most of the time, but they're not the worst. I've heard about a hundred year silence, before. One that left hers down, that's probably the worst. I've heard a lot but I don't know how true any of them are. Comfortable guessing the Ghost is at least sometimes in the right."
"Hmph! Would Sunny leave you 'down'?"
"I won't say no, but I will say that if she ever does, I trust that judgement. Whatever I've done, whatever's gone wrong, it'll be for the best."
"Hmph! This is enough. I thank you for your time and honesty, Guardian."
"You're welcome...?"
"Freija...."
"It feels weird to say!"
"Try!"
"She's laughing again, relax."
"She's laughing because she thinks it's funny that I have to beg you to stop being a smartass at the leader of a multigalactic militaristic empire that blows up suns and has the technology to disrupt us!"
"I'm a kinderguardian with a popgun on a private comm channel septillion clicks away. I've also happened to be around for some really shitty days in the last couple years. She doesn't have to hold stature and I'm powerless. She likes that part, that's why she gets to ask all the questions she isn't allowed to ask Zavala no matter how friendly they get."
"That doesn't mean you can be rude!"
"It still feels weird to say!"
"I would allow something more natural if that is what the Guardian would prefer."
"Don't encourage her!"
"Now who's mouthing off the Empress of a multigalactic legion? No problem! Happy to help."
Hard Questions
New Angle
Honest
Radio Chat
Scripted Questions
Battlefield
Fear <-
Enlightening
More like Interrogation
(In)humanity
Underlying
Ghost Affection
@annieruok94 there's multiple again, I'm gonna do links.
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paulinawoodpecker · 3 months
Text
Tad the lost explorer and the spear of blood and tears chapter 12
Warning: death and shooting included
@jakkiisthatboy2
While oganda drives tad to the hut, she asked him a question. “so I want you to explain to me what happened.” “It was amazing! There was an all you can eat pizza, and music and” “not that! I meant What happened in my ceremony.” He got silent and “well…I got anxious and I didn’t want my bravest hero thing to end…so that’s that.”
“well I see. you just don’t want me to be the bravest hero so you can keep it.” “well…yes. yes I did.”
“why?” “I’m not ready.”
“well sometimes there are people who also aren’t ready like you but it doesn’t mean that you’ll stay the same forever.” Oganda starts to encourage him until The two of them noticed a police
“dang it . What did I do?” “I don't know.”
Two black police officers came in to the car “Dang!”
“oganda, put your hands on the dash where you can see him! oganda, put your hands on the dash! I'm not playing!” He warned her “tad, we ain't done nothing. What'd we drive, like 50 feet?” “Please. Please. Just do it.” “Okay.”
Tad and oganda put their hands on the dash while she said: “this is stupid.” “Trust me. It always works.”
“ma’am, can you roll your window down for me?” “Here we go.” Oganda rolls her window down and noticed Zula dressed up as a police officer
“I need to see your driver's license and registration.” “For what? What'd I do?” “ma’am, license and registration!”
“oganda, keep your hands on the dash!” “tad, how am I supposed to get her my license and registration if I have to stay still?”
“I wanna know why you pulling me over.” She asked one of the police officers. “You failed to signal a lane change.” “Come on.”
“Turn the music off.” Zulo forced her. “Why? I can hear you.” “Please, oganda!”
“Turn it off!” “This is my car! So how can you tell me.”
“Step out of the car.” Zulo told her by force “You’ve got no right to do this to me!” Zulo and oganda argued. “Listen, I'm giving you a lawful order.” “oganda, listen to him.” “Is it for failing to signal my lane change or for failing to turn down my music? Which one?!”
“ma’am, out of the car, now! Either you get out of the car yourself, or I'm gonna do it for you. Now!”
Tad got out his phone and recorded the video until Zula stopped him. “Drop the phone!” As she yelled, tad accidentally dropped the phone; not knowing where it is.
Tad watches oganda outside of the car with the two police officers with her. They checked her if she has drugs or anything on her
Zula recognized tad was in the car and asked her: “Where'd you find him?” “I know him. That's my friend. He’s friends with my sister when he was a child.”
“Keep your hands on the car. Do not move.” While zulo kept talking to oganda, tad tries to find his phone where he dropped.
Oganda reached out to him and asked: “tad, you okay? You all right?” “Go back where he told you.”
“He gonna take his time doing whatever he gotta do.” “I'm not playing. Go back.”
Zulo took off his hat and got out his gun close to oganda. “Do not move.” “I’m fine tad.” After what she said Zulo shoots oganda in the heart which made tad scream in horror. He went outside of the car and saw her corpse.
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“Shots fired. One suspect down. The other in custody. Requesting an ambulance.” “What did you do?” “What did you do?” Tad asked while in tears. “Be quiet, tad!” “Help her! She’s bleeding! Help her! Come on! She’s bleeding!” Tad convinced them to help her but they were unable to do so. “tad! I’m going to be fine.”
“No! This is all my fault. I should have go outside with you! I should’ve been the one shot!” Tad said with tears. “Tad...” “I'm sorry. I'm so sorry.”
“Don't be, Tad. It's been the most amazing adventure and the amazing training we’ve done together. All these days with you.” Oganda tried to breathe but the pain is unbearable. “I wouldn't trade that for the world.” “Please, don't go.” Tad pleaded her with tears. “Tad?” “oganda?”
“I... I love... you…” said oganda as her final words until she died. Oganda died in front of tad and he began to cry.
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hedgiwithapen · 1 year
Note
DHD Prompt: any au, dante realizing cisco has superpowers (+ talking about it for the first time?)
set during 1x16
Dante Ramon was not the kind of person who woke with the sun, or, if he could help it, before midmorning at best. Of course, being a hostage tied to a chair was not exactly conducive to anyone's sleep schedule. So he was awake, fidgeting in his ropes, when his little brother suddenly froze, still holding one of his tiny screwdrivers and the skeletal metal frame of what he'd promised their captors would be a weapon. 
"Cisco," he hissed softly, not wanting to attract attention and also not wanting to get punched in the face again if Cisco stopped working and Snart noticed. "Cisco?"
Cisco dropped the screwdriver, falling backwards hard enough to trip on the chain connecting him to what had once been a mobster's desk, now a captive engineer's workbench. He clutched at his heart with both hands, clawing at the fabric of his sweat-through graphic tee. Dante thought he might scream, but his mouth just hung open, wordless. 
"Cisco?" Dante asked again, more urgently, less concerned for himself. "What--did you shock yourself, or--" He didn't know the first thing about whatever it was Cisco was doing, but it had to have been dangerous. 
Cisco blinked, still clutching at his chest, his breathing a harsh staccato in Dante's ears. "I--I--oh, dios mio, I--."
"What? What happened?" Dante switched to Spanish, just in case anyone was listening.
"I died," Cisco said in the same language. "I was dead, I...felt it. It was so real..."
Dante wanted to scoff a laugh at that. In any other circumstance, he would have. "What do you mean, you died? You're right here, and you gotta finish those things so we can get out of here."
Cisco stood, still wobbly. "I'm not..sure," he said, looking at his hands. "I...It's a theory. Oh god."
"What's a theory?" Dante asked. 
"The accelerator. It affected people..."
"Yeah, like the Flash, I do watch the news sometimes."
"It affected people who were near it. They got powers...when they died."
"I'm sorry, what." Dante said, flat. "That's crazy. I can accept weird laser guns that shoot ice and whatever the hell the Flash is, but--"
"Ok, first of all, it's not a laser," Cisco said, "and I'm not going to explain the science of it because you literally could not understand it, and second of all that's where you suspend your disbelief? Really? Right there?"
"It's 9 am," Dante shot back, " and you're saying you just got resurrected."
"No, I.. I think it was... a vision. Of what was supposed to happen today. The Flash... changed time, uh, yesterday. Reset button. I think...none of this was supposed to happen."
"No shit, this isn't exactly how I like spending my nights," Dante said. "Or mornings. or any time of day."
"Shh, I have to think," Cisco said, going back to his tools. He gripped the tiny screwdriver tightly. Dante rolled his eyes. 
"Ok, so you died. And what, your power is... having a vision of it?"
"I guess," Cisco said. 
Dante clicked his tongue. "The Flash got superspeed, that one dude on the news could set himself on fire and fly, and you get to see... a past that didn't happen. Damn, sucks."
"That dude on the news is engaged to my friend, the one you were flirting with at your party," Cisco said. "And it's not the worst power."
"Not great, either," Dante said, deciding to ignore the part about flirting with a woman who’s fiance might be able to set him on an unfortunate amount of fire. "It's not going to get us out of here."
"Yeah, well that's what my engineering is for," Cisco snapped. "Will you shut up and let me think?"
Dante decided to shut up. 
"What are you doing, chatting instead of working?" Snart asked, lumbering in in his stupid parka, even though it was March and the temperatures had been rising steadily. It hadn't even rained, much less snowed, in weeks. "This isn't social hour."
"Sorry," Cisco said quickly, "I'm working as fast as I can."
"Hm," Snart said, moving towards Dante. "Maybe, or maybe you're stalling. Trying to buy your speedster friend time to find you? Don't try to play me, kid. I told you what would happen if you did."
"Wait," Cisco said, voice rising in panic.
Dante braced for the blow.
There was a crash, a shattering of metal and wood and the thud of a body slamming into something solid, and Dante squinted his eyes open. 
The desk was in what could only be described as shreds, splinters and fragments scattered across the room, and Snart, bleeding from the head, crumbled against the far wall directly under a dent in the wood paneling.
"Cisco, what the--"
"Ok, I think maybe it's not just visions?" Cisco said, his voice still high and startled. "Uh--" he worked his ankle free, the end of the chain no longer attached to anything, and stumbled over pieces of the 3D printer to reach Dante, something sharp in hand. He sawed through the ropes. "We gotta get out of here."
"You think?" Dante said, standing and regretting immediately. His legs felt like static, all pins and needles, but there was no time for that. "Where are we going?"
Cisco shook his head. "I don't know. Not home. And not STAR Labs."
"Why not?" 
"Because that's where my boss killed me."
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psychologeek · 1 year
Text
The Long Road.
Feel free to share. Based on true stories.
Tw: wounds, terror, death and possible death, implied sexual assault, etc. - lmk if I missed anything)
Party (The Long Road)
You just turned 18, and your sister wants to PARTY. It's common - she's the wilder one, and you are more shy. But you love each other, so sometimes she stays home with you and sometimes you go out with her.
Her boyfriend got the three of you tickets for this awesome party. It's a peace rave, and you're gonna PARTY till dawn. You get a drink, or two, and maybe smoke a joint (or two).
(It's peaceful and beauty. You are with your twin and you are whole).
There's this guy there, and he starts flirting with you. Your sister go to make out with her BF, whispering: "go get him, tiger!"
You are nervous af and not really sure, but hopefully he liked you?
He did ask for your number, so. Maybe?
He's cute, and you talk for almost an hour before his friends called him.
(You gave him your number, obviously. )
Your sister is high and you are used to the way she and her boyfriend are, but- ew.
Right in front of your salad?
You sit on the ground and watch the beautiful sunrise, as the sky slowly turn red and the it's getting lighter.
There's loud noises, but it's common here so. You're not really worried. You just look for your sister to make sure she's still around and didn't leave you behind to do the deed.
(Again)
There's a loud BOOM, and you realise the rockets are in the area. You scan harder for your sister as you run for non-existing shelter.
There's a sound of firearms shooting from somewhere and everything is blurry and you can't breathe and you can't find anyone you know and-
Someone grabs you by the arm, and you scream.
"Shush!" Your sister hiss. "Don't be such a scary can't, gosh". She's high, and her hair is all messed up but her boyfriend is nowhere to be seen. She notices your searching look.
"He's starting the car. I went looking for you," she roll her eyes. "Someone gotta make sure you're okay, right? I'm your older sister. ".
"By EIGHT MINUTES," you mumble.
(But you don't feel like fighting over it as usual. You can see your sister's scared, and so are you. You have no idea what's happening).
You keep running towards the vehicles, and there are screams you don't understand.
(You don't look aside. You step on something red and sticky but you DON'T LOOK DOWN).
There's a couple running towards you. He's wounded, and she's holding his shoulder.
"Don't go right," they whisper in horror. "They are shooting there".
You hold your sister's hand tight as you keep running. You don't know where, but you run. Your sister's by your side, and you try to focus on breathing and not crying.
Your sister fall, and you try to help her up when the shooting gets closer. You fall by her, holding her like you did in the womb, and pray they won't see you.
(You can hear someone screaming. There's a short fire and then silence.
You hear a girl screaming, begging, "no! Please, don't!" And you don't know which is worse).
Your sister sob into your shoulder, and you put your hands on her back, pushing her into you, trying to mute the noise.
(Your fucking brain can't stop thinking about how and when will your parents hear about it, since they don't use the phone on Shabbat. You wonder if you'll die first, and you don't know if you wish for that or not).
There's silence around, and you wait, listen carefully, as you think about keep running.
But your sister won't get up.
"I'm sorry I dragged you here," she cries. "It's my fault.just go. Leave."
But she is your sister. Your twin. Your other half.
You won't leave her behind.
She slowly stands up and you realise her leg is bleeding. She was shot, and you don't dare looking.
You have no water or food and your sister need assistance to walk. But you keep moving.
(You carry your sister, and you look at the road. At one point you see the man who screamed before, and you tell your sister: "Don't look at the road").
You walk. You don't know for how long or how far, but you walk.
There's a sudden noise behind, and you throw your sister to the side of the road and throw yourself on her body. It's a car, and the driver sees you and you get ready to die.
(You're already covered by your sister's blood).
He stop by you and you kiss your sister for the last time.
Then the car stops, and you hear
"Fuck fuck fuck be alive please be alive oh my god."
(He speaks your language).
"Hi, hi, can you walk? You alive?"
You get up, and it's the guy from the party.
"Holly shit, I thought we were dead," you almost cry.
But your sister is pale and you get inside the car and the guy get out one of those lame first aid kits, but it has something to tie around her leg and you're covered with blood and pain and you think to yourself and your sister-
"We can make it. We'll survive."
You don't look out of the window. You don't look at the road. You look at your living sister, drinking an old bottle of water probably left in the car for week but WHO FUCKING CARES you're out!
And then the shooting starts again. The guy from the party start driving in a zig zag pattern trying to avoid it. (you realise you can't even remember his name, which is rediculus consider it all.)
You're flying, and moving, and-
When you wake up, you're on disoriented and stare right at red window, confused, thinking
"Wait, something feels off".
Your sister keep her hand on your mouth, and you can see her mouth
"They're coming. Play dead."
And then there's shouting and noise outside and your head's aching and your sister look dead and you don't know if it's acting or-
Or-
(It's acting. You decide it's acting.)
And you try to stay quiet and play dead, but there's a loud noise and you move and they see you and say something and you don't get it and-
Someone's got a knife and there's a gun aimed at you and-
Someone tear out your seat belt and -
They look around, dismiss your sister and-
(They aren't dead. They can't be.)
They pull you out and take you by force, put you on a motorcycle.
(It's hurt. You're scared. You want your sister. You want your mom. )
You don't know what's coming, but as they take you you look back at the road.
You think about the young man you saw, and the woman you didn't.
You think about an old story, warning to never look back.
You still does.
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