#literally might as well be named 'orphan'

[shih-coulda-had-it]

So does that mean Geten is Redestro's adopted kid now since it has been confirmed he raised him

not to knock any sandcastles over, but imo Re-Destro is as much as a father to Geten as Endeavor (pre-Kamino) is to his kids 😔🙏 i realize that it is tempting to think of a tiny Geten toddling after single father Re-Destro, but... then i would compare Re-Destro to All for One, in terms of picking up lost children off the streets and honing them into weapons for their cause.

(which actually makes a wonderful parallel to poke at in dfohiko twins verse! wow, can you imagine Rikiya being proud about having 'personally raised' Geten? but because he's unfortunately a product of his upbringing, he actually just followed in the steps of AFO, and became not a dad, but a father figure to try and impress?)

((he brags about having an adopted son to Toshinori when they have a reunion, and Toshinori restrains himself from pulling out his phone and showing off pictures of his new adopted son))

but let's look at the evidence for canon!

first and foremost, the line that 'confirms' that Re-Destro raised Geten.

"The few remaining [Himura branch] families and their members scattered, including myself. Which is when Re-Destro came upon me and brought me into the fold." (c387, Geten)

no age range indicated, unfortunately. if i threw a dart, though, between Dabi (age 23-24) and Rei (age... 44. not canon, but if it was younger, we'd probably be holding multiple knives to Endeavor's throat), i'd put Geten around mid-30s. just old enough to know he should flee and ditch the Himura name.

the phrase "into the fold" is, uh, not very familial. which leads me to my second quote.

"Elevating one's [Quirk] ability will be the only way to really live! Beyond that sheer strength... life has no value!" (c230, Geten)

this does not sound like a young man who had an easy upbringing! you say 'adopted,' i say 'recruited.' unlike with Sorahiko and Toshinori, i don't think Geten was staying in Re-Destro's spare bedroom, or even personally trained by him.

based off what Geten absorbed of the MLA's philosophies, i think Re-Destro chucked him into the MLA-equivalent of Bible camp and offhandedly directed Geten to become stronger in order to meet him again.

tl;dr I totally believe Geten wasn't brought to Re-Destro's attention until the MLA heard of the LoV, at which point they believed his ice (previously WAYYY too flashy to be of use for the MLA) could counteract Dabi's flames.

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[explorerrowan]

Bruce Wayne: "Why can't I adopt him? He has dark hair, blue eyes, and is named Billy Bat-Son."

Barry Allen: "Actually, when you say it like that, I'm surprised he's not already living in Wayne Manor."

Clark Kent: "Well, first, his superpowers are arcane in nature, so it would probably be best if someone like Fate or Zatanna kept an eye on him. Second, he's not superpowered or trained when in Billy mode. Do you think Damian would accept a kid his age getting adopted by you, or do you think his head would be removed faster than you can blink by Damian's katanas?"

Bruce: "The training thing I can fix. I literally take angry orphans and make them crime fighters..."

Barry: "Which is still weird, by the way."

Bruce: "... but you might have a point about Damian's patience level and about the powers. Call Zatanna. She probably won't be able to adopt him, but she'll probably know someone in the magical community who can. And Fate is... strange. He'd mean well, but I'm not entirely sure he could provide a safe environment for a kid, and this is coming from the guy that trains angry orphans to be crime fighters."

[aroaceleovaldez]

was thinking about next-gen kids and decided to doodle a couple. elaborated thoughts below:

Iphis is named with the same naming conventions that Sally used when naming Percy - primarily, mythological figure who had a good fate. Nice for Percy to honor his mom by naming his own kid the same way and Annabeth gets a fun nerdy mythology name. Also sending good vibes to their kid. Plus middle name directly in honor of Sally, of course.

Specific myth is Iphis and Ianthe, with the idea that a.) it's gender-neutral so works regardless of kid's gender and b.) not only does Iphis have a good fate, but arguably nothing bad happens to them ever and they get helped out by like three whole pantheons who show up in a literal parade and they live happily ever after. Percy and Annabeth are pushing for the BEST vibes possible.

(Also I am a very strong proponent of the "I don't think they'd name their kids after dead family/friends" so none of them have that)

Iphis of course inherited the Jackson family early grey hairs <3

Virginia is named after Juniper (cause Juniper is specifically implied to be Juniperus virginiana). She's probably been childhood bffs with Iphis since Iphis was born.

Chuck is Chuck. I gave him a Yankees jersey cause you know he's being raised as a sporty kid.

Do you ever think about how OP Frank and Hazel's kid would be. It's ridiculous. Quadruple legacy, including 2/3 of the Big Three. Frank by himself was already so OP the gods had to nerf him. Hazel came back from the dead and Frank kinda just said "nope" to dying that one time. Hazel presumably has every power that Nico has which is. A lot. Not to mention what Hazel has been shown to just be able to do on her own (including but not limited to SINKING AN ENTIRE SMALL ISLAND). Ares/Mars kids can functionally be completely invulnerable sometimes and also have some limited necromancy. Combo that with Hades/Pluto kids also being hard to kill and having necromancy as one of their main powers. Not to mention how Pluto geokinesis might combo with Chloris (goddess of spring) powers? And this kid is 100% being protected by both Nico (who is probably a deity by that point) and probably Pluto himself as well? Hello?

Anyways Hazel and Frank's kid is a total powerhouse. Possibly functionally immortal. Easily strongest demigod of her generation.

I like to think the latent Chloris legacy would crop up (probably in combo with Mars and Poseidon's plant aspects) and give them an accidental Persephone-type theme and that's fun. Frazel's goth daughter who takes after her grandmother (and uncle).

Figured since Frank is Canadian and Hazel is from Louisiana they'd go for a French name. The flower theme was not intentional on their part it just happened. Law of demigod naming conventions appears nonetheless.

I figure Leo might not have kids of his own but he probably still hangs around with Hazel and Frank so of course he's going to make their kid a cool thematic robot pet. He's probably her godfather or something.

Ronan is literally just some kid who showed up at the Chase Space who coincidentally was a legacy of Freyr and could shapeshift. Magnus and Alex obviously can't have kids cause they're dead, BUT some orphan with essentially a combo of their powers just shows up on their doorstep? Their kid now.

The ironic part is of course their shapeshifting powers just happen to be because they're distantly related to one of Annabeth's friends. Ronan finds himself suddenly gaining two parents and two cousins (Iphis and Lily) in rapid succession.

He only picks up Magnus' last name though cause Alex has 100% disowned her mortal parents.

He has a seal flipper cause shapeshifting and apparently "Ronan" means seal. I just wanted to draw those two showcasing their shapeshifting a lil bit.

Might try to doodle the other next-gen kid thoughts I had at some point but idk when. anyways yeah.

[canisalbus]

For some reason, I was always under the impression that Machete (through various misfortunes and happenstance) just sort of... BECAME a priest - I wasn't aware that be actually WANTED to be one :0 what was his reasoning for that line of work? I mean, I guess growing up in and around the church might foster an interest, but...?

Well, priests were held in extremely high regard at the time. Apart from nobility who had the benefit of proper education, they were usually the only people who were literate, and being able to read was a massive advantage. Social classes were extremely rigid, if you were born a peasant you died a peasant and so on. But if you managed to join the clergy, had luck on your side and didn't do abysmal job, you might be able to ascend to a higher status, accumulate more wealth and live reasonably comfortably regardless of your origins (to my understanding the main reason people didn't choose this path to escape poverty and hardship was because of the literacy requirement. I've read that some village priests could only write their name and memorized everything else, but for the most part you had to be able to write, read and speak at least passable Latin). Committing crimes against men of God was a severe offence, more so than regular laypeople, and (at leasts in some eras and places) priests themselves couldn't be tried in regular courts and had their own ecclesiastical courts instead, all of this made clergy kind of a protected class.

Machete spent his early childhood in a monastery, after his parents left him there (he was sickly and his family was stretched thin and couldn't care for him anymore. Before orphanages monasteries sometimes housed orphans and foundlings until they were old enough to be apprenticed). He grew up in a strongly religious environment so a certain sense of spirituality and fear of God was ingrained in him from early age. He was a quiet, meek, punctual and polite kid, and because he didn't like to play outside and was so well behaved, he was allowed inside the scriptorium and the library. He was inquisitive and very fascinated by books so the monks taught him to read, and when they commented he'd make a good priest he was instantly entranced with the idea. He wasn't interested in preaching, but if there was a chance he could be safe and respected, even regarded as holy, he felt he had to do everything in his power to attain that. Sure he was sort of guided and trained towards that goal all along, but he also genuinely thought it was something that would give his existence meaning and significance, after being discarded by his birth family and feeling vague worthlessness and lack of belonging ever since.

[hubristicassholefight]

Swordswoman Showdown Round 4/Quarterfinal

Kikunojo (One Piece) vs Brienne of Tarth (A Song Of Ice and Fire)

(Better here in a "preferred character" sense, not "who would win in a fight")

Propaganda below cut

Kikunojo

She is a samurai and a retainer for the Kozuki Family, serving as one of the Nine Red Scabbards, a group of samurai that protect the Kozuki family and their country. She's a very skillful samurai, and she and her group managed to delay and hold off the main villain of the arc, (which was an almost insurmountable task for even the main character) and survived the experience despite her horrible injuries; She's canonically and openly trans! And she's gorgeous. And huge... She's 287 cm tall, which for the USAmericans in the audience is 9' 5". She's simply the coolest.

She’s a samurai and fights with a sword; tall trans woman <3

Legendary devoted samurai!; She's 2.87m tall, a time traveler, and not even losing an arm in the middle of the fight stopped her- she had it imediately cauterized and went back to the fight.

She's a lady samurai! Pretty and very skillful with her katana!

She is a samurai who was sent 20 years into the future to avenge the death of her lord; She’s so tall and canonically trans and I love her

She’s a badass samurai who fights for what she believes in and to help people. She is known as Kiku of lingering snow. She’s also canonically trans

She's a time traveling trans samurai, the only woman in a group of 9 legendary samurais; Her arm was chopped off by the biggest baddie so far and she continued fighting, isn't that badass?

One of the strongest samurai in her country; She's a trans icon

#kiku the greatest of all time#🐐#tall and gorgeous samurai lady#who is a trans icon#love that she is so tall that she doesn't fit in the image display#gets recognized as strong by the main character multiple times and proves it by being the most resilient badass of the entire arc#stands up to tyrants and abusers of class privilege#also helps break said main character out of the enemies prison and takes part in a rebellion against the corrupt prison staff#one piece#okiku#kiku

#kiku is canonically trans

Brienne

gets gifted a sword made with the rarest metal ever because she’s THAT good; she’s simply the best

Brienne is one of the top sword users alive in her day. She's descended from a man who's catchphrase was "I'm better with a sword." Better than what? You. Jaime Lannister. Loras Tyrell. Any five given guys at once. She has a fantastic sword that might be magic or cursed and is named Oathkeeper because that's what she does; I love her

Beat like 20 guys in a tournament when she was 19. Was given a magic sword. Won a sword fight against the premier swordsman in the realm. Very swordly; Very tall and strong. Holds her sword in high esteem. Accomplished with other weapons as well!

She's defeated multiple of the top knights in the series in duels. One such knight gifts her the fabergé egg of swords and she uses it to defend orphans and stuff. Got out of a bad betrothal by dueling him and beating his ass so bad she broke multiple bones. Honestly there's so much more she is the swordswoman of all time. to me; She's buff and ugly and 6' 5" and so honorable and kind that she inspires the guy who fucks his sister to yknow. stop doing that. literally gets mauled for the sake of protecting a bunch of orphans (with her sword). also she's 20 she should be at the club ‼️

One of the best sword wielders in Westeros, the author says he would pick her to defend him. Has a cool sword called Oathkeeper. Manages to go up against 7 fighters and take out most of them,. The only true knight; First off, talking about book brienne, they massacred show brienne, the show runners simply didn’t understand what she’s about.“ She had no chance against seven, she knew. No chance, and no choice” brienne had plenty of choice but she couldn’t leave people to die. The chivalric paradigm is rotten and corrupted, but here is Brienne, the one true knight, who isn’t even a actual knight! “knights are for killing”, but here is a knight who risks her life again and again to protect innocents! Bri IS hope, she is the light in the dark that shows that things can be better, things must be better. Fundamentally an idealist: “Winter will never come for the likes of us. Should we die in battle, they will surely sing of us, and it's always summer in the songs. In the songs all knights are gallant, all maids are beautiful, and the sun is always shining”

[yuurei20]

Hellooo your recent post on Trein not canonically having two daughters has me shook (what if he has three and one was adopted??) because i was so sure that was canon.

If someone had asked me I would've said "yeah that's right, two daughters." And he's never said it. Damn.

Can you do a series debunking popular rumors?? I have seen SO many things that people claim is canon when I've never even heard of it and when I ask where they got it from it's either "the wiki" (where anyone can say anything, it even says that Farena is king right now when Kifaji literally calls him the first prince in Tamshina Mina, so that's not true), or they say "well it's obvious" but "obvious" headcanons are still headcanons, I want to know what is actually going on in the story for real!

Hello hello! Thank you for this question ^^

I am very sorry but I do not know very much about popular rumors 💦 If there is anything specific you have in mind, I would love to try and help!

And maybe these previous asks might be of interest? ^^

・Did Jade really eat his siblings? ・Is Jade really the only member of his club? ・Did Lilia really call Silver his son? ・Is Ruggie really the vice-housewarden of Savanaclaw? ・Will Ace really betray the prefect? ・Is Idia really close to the prefect? ・Was Silver really in the prefect's bedroom? ・Does Idia really say "degozaru?" ・Was Crowley really holding a whip? ・Is Crowley really stingy? ・Was Crowley's name really changed for EN? ・Does Jamil really care about Kalim? ・Can Leona really drive a car? ・Is Cater really bisexual? ・Is Cater really a playboy? ・Is Lucius really Trein's familiar? ・Is Neige really an orphan? ・Was Book 2 really supposed to be Book 6? ・Does medicine really work differently on different species? ・Is STYX really the government? ・Do you not really need a license to drive a magical wheel? ・Does Yana really write all the events? ・Has Yana really said that there will be a continuation after Book 7?

And you are very right about Falena! 🦁

Kifaji refers to him as "crown prince" (as you say!), and when Kalim asks if Falena is regent, Leona confirms that he is ^^

"My father is still king, but with his illness, he's bedridden. So Crown Prince Falena has been running things for the past couple years."

This was hinted at back in 2020 where Leona said that Falena "runs the Sunset Savanna since (their) dad's sick and bedridden these days," and maybe that is where confusion about who is king came from? ^^

[ultimategenshintournament]

Ultimate Genshin Tournament: Finals

[Mistake poll, go vote in the new one]

Propaganda below cut

Arlecchino:

Hot Evil Woman.

#the duality of arlecchino is so well done #Also her design is insanely attractive (via @rinrinlovee)

#women driven by their own agenda #implied to be fucking insane #people were disappointed she didn't actually kill the kids in her story but listen #that would make her no better than dottore #she's a bad bitch she refuses to run the house on anyone’s terms but her own #i love morally grey characters guys #arle has mystery and intrigue there is no telling what her next move might be #and she has her fair share of tragic yuri #the fact that she is harsh #that there is inherent immorality in her character since she trains orphans to be child soldiers #but the fact that she still cares deeply for her charges #and arle thinks the doctor is despicable and refuses to make deals with him #except one that allowed her to set the children free to take their own path #like i cannot emphasize enough how much depth is in her character #freminet reports that she doesnt like when the children cry #but she still brought him back an emblem of his mother #and told him the truth about why he is in the House #in fact she's deeply appalled when she finds out he's been lied to and told his mother no longer wanted him #she is incredibly perceptive and forward thinking #and fine ill say it shes hot #and she's ridiculously powerful #in her boss fight we dont even kill her. we don't even come close #she was just entertaining us as a test #also i really enjoy a character who can suffer such tragedy and carry it with her in her life #but then is afforded the agency to make it better for herself and everyone who comes after #no child will die for wanting to choose their future #wanderer saying that those who have seen through her cordial facade have disappeared #like how can you NOT be interested in her #i want to know desperately what her grand plan is #i think we as a fanbase moved on way too quickly from the fact that teenage arlecchino #KILLED A FUCKING HARBINGER #also the question of where is arle actually from still remains #what exactly *is* she? (via @stormyrainyday)

Furina:

girl deserves therapy and hugs and the best life in the WORLD because she went through a lot!!!! wouldn't pretending to be a god for 500 years with no support mess you up? and yet she still kept on going for her people!! she wanted to save her nation from a doomsday prophecy and she DID

After act 5 she deserves the world :(

“If all the people of Fontaine are on one side, and I am on the other…is it not obvious where the scales of suffering should tilt?” NO IT ISNT YOU’RE JUST ABNORMALLY SELFLESS AND INCREDIBLE AND PERSISTENT. Even the Archons praise Furina’s name and say she is a human with strength and capability worthy of an Archon. That’s not even to speak of Focalors. She snapped at Arlecchino when she implied that Furina had done nothing to preserve her people from the flood. Meanwhile every minute she was working to prevent the prophecy. A month after we took her to court and almost got her killed she agreed to help us direct a play, a favor for a favor

Guys, she deserves to win. She endured 500 years of torment and suffering. No hope in sight, just the knowledge that a trial, any trial, might signal the start of her life as herself. She sacrificed herself again and again: her reputation before the people of Fontaine, her happiness during the 500 years of her rule, and her very own divinity. Her trailer is literally just her worst nightmare coming to life. She is finding the joy in life again, slowly. Let’s be a part of that joy. Vote Furina!!!! 

Your honor, they're married and Arlecchino would want her wife to win.

HAVE YOU SEEN HER? SHE IS SO BEAUTIFUL OH MY GOSH AND HER VOICEEEEE MY QUEEN MY GODDESS MY EVERYTHING WE NEED TO HAVE HER WIN THIS SHE IS SO PRETTY

she literally gave up her entire sense of self and sacrificed everything just to save Fontaine… all without ever knowing that she was the human side of the archon. She did everything because of her own sense of justice, because of her love for the people, because even she had to do her all for a chance for them to live on. Furina is the perfect example of what a leader should be, while also being so so very fragile and just…so very human. needless to say, Furina is perfect through being imperfect. So she absolutely deserves this win FURINA SWEEP REAL!!!

she managed to fool an entire nation and even the hydro dragon for 500 years. She literally put up the greatest act in all of history. All for one singular goal. The survival of Fontaine. And what did she give? Everything. Her soul. Her life. She is the epitome of the most amazing character design. And so she absolutely deserves this win!!

she literally was almost assassinated by the one she is up against right now. She literally almost was killed by arle. Literally WHY would you let arle win over our beloved queen Furina? Furina is a victim who is suffering trauma from her. She deserves the win more than arle! Payback for arle traumatizing sweet, innocent Furina…!!!!!

(image via @deityofhearts)

[makeste]

BnHA Chapter 408: Orphaned Cryptid to Billionaire Supervillain

Previously on BnHA: HE WAS BORN AN ARROGANT BABY.

Today on BnHA: Horikoshi decides he’s going to cover the rest of the AFO/OFA saga in the span of just seven pages, the majority of which are mostly just filled with lovingly detailed closeups of AFO and Kudou’s eyes. Back in the present day, Kid For One takes a couple of seconds to trample the last of the “Kacchan is OFA II or is related to OFA II” theories into the dust, and is then all “fuck it, I’ll just take him out with one last spectacularly grotesque supermove.” Kacchan is all “lol you fucking dipshit”, and he says it with such confidence that it truly makes me believe he can defeat AFO’s “ALL THE QUIRKS EVER!!” attack with his piddly little exploding bloodsweat quirk. AND IT WILL BE A SIGHT TO SEE.

interesting!

Yoichi’s name btw is written with the kanji 与 which means “bestow” or “give”, and 一 which means “one.” so basically “one who gives”, which is fitting as the creator of OFA, but also fits in with this new context of being the first “possession” bestowed upon AFO

oh yes and also AFO I guess has just torn his brother to shreds or something too. idk. I’m going to be honest with you guys, this panel has such a surreal vibe that I just sat here blinking stupidly at it and wasn’t even shocked or anything. like what. is he dreaming this?? or did he really just make a “STOP! IN THE NAAAAME OF LOVE” gesture and in doing so remove half of his brother’s jaw

ewww

idk what’s wrong with me today guys. AFO just disintegrated Yoichi, and Kudou and and OFA Tres (who apparently still doesn’t have a name???? freaking Kudou got named before you??) are literally RIGHT THERE and presumably horrified, and all I can think about is how fucking gross it is that they’re all hanging out in a fucking sewer

oh shit y’all it’s about to go down

he can’t kill Kudou right off the bat can he? does Kudou even know he has OFA yet? are we going to see him transfer it to OFA III? I’m so fucking excited omg

LOL WHAT

“weirdly matte” omg. so apparently he’s like All Might, where the “he’s just drawn differently” thing is something people actually acknowledge in-story. “yeah he actually has no pupils. that’s a real thing. technically that should mean he can’t see since pupils are what let light into your eyes, but don’t worry about that part. just know that his eyes canonically look weird to the story people as well, and everyone is creeped out by it, not just you”

yeah he’s actually blind

so he literally can’t see outside himself. way to lay those metaphors on thick, Horikoshi

(ETA: this is my “just in case my impeccably dry wit doesn’t translate well across the internet” ETA to assure everyone I know he’s not actually blind lol.)

now we’re cutting to some random city where AFO is broodingly staring at Yoichi’s severed hand because he’s perfected the art of always doing incredibly unsettling things

I cannot believe the fucking hands thing has an actual origin story. of course it does. this man has never done a single hinged thing in his life. it’s all unhinged or bust. am I talking about AFO or Horikoshi? YOU DECIDE

he’s sitting at a table with a bottle of wine holding his dead brother’s embalmed severed limb and thinking about fucking quirk shit

so your transformation from Orphaned Cryptid to Billionaire Supervillain happened almost completely offscreen huh. I’m kinda disappointed, ngl. I could have read a few more chapters about that. maybe a spinoff miniseries

WAIT WHAT

are you serious. we finally get a panel that’s INCREDIBLY RELEVANT to pretty much ALL OF MY BNHA THEORIES, only for that same panel to contradict itself ONE SPEECH BUBBLE LATER?? so what is the truth???

omg omg omg

so many fucking questions, omg. what the hell does “through research” even mean. how did he confirm Yoichi’s quirklessness, and why did he later change his mind? how the fuck can Yoichi have a quirk factor and yet not have an actual quirk. “it was just so weak it didn’t count or something I guess” okay??? how much of this is unreliable narrator vs. the word of god? how is it we’re getting so many answers and yet all I have is more fucking questions you guys

BRUE?CE?CEE??!

bruce

Kudou is so goddamned hot. I hope you washed the hell out of that arm wound after getting it all covered in sewage you stupid sexy man

I can’t get over Three’s name. “idk if anyone noticed, but it’s kind of a subtle homage to another very famous superhero” Horikoshi your nap wasn’t long enough, please go home

also love how Bruce is talking shit about OFA being a puny loser quirk for wimps. how the fuck do they even know what’s going on, anyway? was there a tutorial???

oh you just had a feeling huh??? that it was “something like this”, huh??? how is it that I, who knows all about OFA because I’m from the future and have read 408 chapters of this nonsense, am somehow still less in the know than this handsome clown who doesn’t know shit but just “had a feeling”

(ETA: while editing this post I noted that Bruce is sitting in front of a computer in what seems to be some sort of medical lab, so maybe they ran some tests or something? except that only makes me more confused, because it implies they didn’t actually figure out OFA’s workings via convenient plot instincts. so then how the fuck did they figure out the transfer process?? questions)

meanwhile AFO is sitting in the panel next to him whining about how someone stole Yoichi’s quirk. excuse you. he did not steal it. it was in fact a gift

these flashbacks are all jumbled up and it’s unexpectedly fun to read, but also really chaotic

I guess he’s talking to Kudou on the right and AFO on the left

so many intense closeups of eyes in this chapter oh my goodness

Horikoshi even drew the individual goddamn eyelashes. this looks like the margins of someone’s notebook from when they were really bored in middle school

oh my god the information overload!!!

so much for AFO actually feeling emotions lol. or is he just lying to himself about why he cried. that delicious ambiguity

so we don’t even get a flashback explaining how the transfer actually happened?? to either Kudou OR my beloved Bruce?? goddamn you Horikoshi. omg I would seriously kill for more of this. make a movie about it. I want the OFA origin story prequel movie damn it

I like how AFO just sits there on a throne holding court with a single tiki torch beside him for aesthetic reasons

I can’t quite figure out how he killed Banjou and I’m not sure I really want to know. it looks very violent

friendly reminder that Shinomori is Sir Not Appearing In This Flashback because he’s the only OFA user who died of natural causes! good for you Shinomori. En probably wishes he was more like you

poor En

was Nana just taking a stroll or something one day and stumbled across this epic fight with the evilest man on the planet vs some kid in a trenchcoat, and then the poor kid got bisected and he looked at her and he was all “please eat my hair” and she was just like “ok”?

OH WOW

what a transition omg

LOLLLLLLLL

you know, part of me always wondered how All Might was so certain he’d killed AFO that he apparently never bothered to confirm it. but looking at this panel now, I can understand

fjjfdzjgf

he’s sweating so much. like “okay yeah he punched the top of his face off, this is pretty bad but I’LL DO MY BEST”

BACK TO THE PRESENT DAY AWW SHUCKS

so let’s recap. over on Kacchan’s side we have “GOTTA USE THE PAIN TO WIN!!!” haha ouch. and then over here on KFO’s side we have. whatever the fuck we just experienced over these past two chapters. so basically it’s a battle between the two most deranged characters in the entire series. glorious sweet chaos

DSFJKSLDKGJL he’s now trying to figure out how the fuck they look so much alike and whether they’re actually related

“no, that can’t be it. so then maybe... this kid grows up and then somehow travels back in time...?!” HE’S JUST LIKE US FR

so now he’s saying it’s because Kacchan didn’t have character development yet the last time, but now that he does his eyes are all Full Of Determination just like Kudou’s and so we’ve basically come full circle!

transcended WHAT? :O :D :D omg I’m kidding you guys please don’t hurt me

lol

actually the more we learn about Kudou the less I personally see the resemblance now lol. because Kudou seems so calm and collected, but Kacchan is just... [gestures to literally everything about Kacchan]

so AFO’s trying to strategize, but he can’t warp Kacchan away because the only available targets are too close and he’s still got that SUPERSPEED, BOYO so it wouldn’t make a difference. lol but if you kept doing it repeatedly it might be kind of funny though

and he can’t keep fighting him either because he’s getting his ass whooped and it’s speeding up his de-aging or whatever. well you could just give up then I guess. your call, AFO

oh was that your plan?

spoiler alert for me lol. but it’s not exactly shocking or anything since he’s dying, guess he wants to abandon ship

(ETA: just FYI for anyone reading this who’s not familiar with my dumbassery, I have currently only read chapters 1 through 374 at this point in time, before skipping ahead to 403 because Kacchan came back and I lost all willpower. I am working on catching up with the rest!)

oh so now you did come up with a strategy?

lmao what the FUCK

how much of this is going to be clearer to me once I finish the chapters that I missed, and how much of it is just plain old “nope this is all brand new zero-context BnHA bullshit” lol. this looks like every single quirk AFO ever absorbed combined into one gigantic horrifying blob that forced Horikoshi to take an extra week just to draw it

oh my god!?

Kacchan hovering there bravely facing all this is giving me Gandalf “you shall not pass” vibes and I’m LIVING FOR IT

so either AFO is going to kill Kacchan for the second time right here and now, or he’s going to fail and turn back into a squishy evil baby fdslfjkls

love how All Might is all “DODGE IT YOUNG BAKUGOU!” thanks for the warning, champ. doing his part

more exploding bloodsweat closeups. are these just going to be a mainstay of Kacchan fights from now on

“are you stupid?”, when faced with [gestures to the entirety of the previous page], is possibly the best line ever uttered by anyone in the series. even better than the polite “coming through” uttered only seconds before it

ah man. you love to see it. he literally doesn’t even care. HE ALREADY DIED ONCE TODAY, AND IT CLUED HIM IN TO THE FACT THAT HE’S A MAIN CHARACTER AND ACTUALLY IMMUNE TO DEATH. sorry AFO it’s curtains for you. CURTAINS

[imagopirateversion]

It’s a Pirate Life for Me!

Why I am an adult who still believes in the pirate philosophy and is not willing to change.

An essay by: a person who really hopes future employers will never find this, but will still put their name at the end of it.

Painting credits: Pirate Boarding, Andrey Serebryakov

Can One Still Call Themselves A Pirate in the Twenty-First Century?

There are two answers to that question, and both of them are "yes".

Pirates do actually exist today: there were around 120 incidents of maritime piracy and armed robbery against ships reported in 2023 and around 115 in 2022 (source x). So yes, one can define themselves a pirate in the twenty-first century in a very literal sense; which is not what I'm trying to do here, of course.

While the world has changed and piracy has (almost) ceased to exist, thanks to stories, legends and media, the idea of piracy has become completely detached from the practice. This has led to a concept of "piracy" that has very little to do with sailing, stealing, and killing, and a lot more to do with what most things become over time: philosophy.

What no longer exists in practice in our era (and sometimes what never existed at all) has become a way of living: think about cowboys, goths, hippies, punks and so on. All these things are much more than aesthetics: each one has its own vision, its own practices, its own style, its own way of living; in other words, its own philosophy.

This text is about pirate philosophy and its origins.

First Things First: Why Did People Become Pirates?

Piracy did not appear out of nowhere in 1600; it's ancient and we have proofs of it existing as a practice since ancient Egypt (read more here). We automatically think of the seventeenth and eighteenth centuries when we talk about piracy because that period is known as the Golden Age of Piracy. Precisely between 1650 and 1730, there were thousands of active pirates, some of them infamously notorious, as Henry Morgan, Captain Kidd, Calico Jack, Bartholomew Roberts and, of course, Blackbeard himself. But why did that happen? Well, the answer is complex but can be easily summed up in a single word: money. The world was changing, and as Lord Cutler Beckett explains so brilliantly in Pirates of the Caribbean: Dead Man's Chest: currency was becoming the currency of the country, especially in England. Ruthless landowners forced small farmers to leave their lands, while smaller tradesmen were challenged by larger businesses. Everyone wanted more, and those who couldn't adapt to the new world's rules became unemployed and were forced to move to urban areas to look for work or poor relief. The cities became overpopulated and soon there weren't funds left: distressed people had no hope of making a better life (source x). For this people, piracy was nothing more than a way out: it was either submit to the new society and starve to death, or rebel and survive. What would you have done?

What Kind of People Became Pirates?

Piracy soon became the best choice for many people. Not only for unemployed men who couldn't find a better way to survive, but also for those who, for various reasons, couldn't fit in. people who couldn't conform to societal norms weren't just discriminated against or isolated, they were often killed. That's why, even though piracy wasn't an easy life at all, many people preferred it. So, who were the pirates?

Sailors usually didn't make enough money to survive, and the discipline was extremely strict. Many of them ended up starving, getting sick, and dying. It's not surprising that many chose to become criminals and sail as pirates (source x).

Teenagers, often orphans with no money or future. Young men might have to endure seven-year apprenticeships before they could make an independent living, while piracy offered them a way to earn money quickly (source x).

Rebellious against the oppressive conditions imposed by their governments, specially from the Navy.

People discriminated because of their race. Black people in particular often had no social opportunities all, but could find acceptance within pirate crews, where camaraderie transcended racial or ethnic differences.

People with a religious belief that was considered heretical or nonconformist by the mainstream society could often find themselves persecuted. Pirate crews comprised members from diverse religious backgrounds and were generally more tolerant of religious differences.

People with a criminal background, who were offered an opportunity to start anew and be part of a community, two things that the civilized society couldn't give them.

Queer people, particularly homosexual men. Homosexuality was a crime at the time, often viewed as negatively as piracy, if not worse. Piracy was a male-dominated world; although for a long time media tried to portray pirates as "turning" gay due to the absence of women among them, the truth is that many gay men were pirates because they were gay. Homosexuality was so common among pirates that they had something very similar to same-sex marriage. It was called "matelotage": a legal civil union that bound two sailors together in an informal partnership, uniting one's fortune and future to the other's, and was respected by ship captains and pirate crews (source x).

Women. The majority of pirates were men, but not all of them. In a world that was not at all kind to young girls and women in general, it was not uncommon for them to disguise themselves as men or marry a pirate in order to become one. There have been notorious women pirates, some of them captains, such as Zheng Yi Sao or Huang Bamei (source x).

In short, outcasts. Individuals rejected by society, unable to find their place, and unwilling to conform to strict societal rules.

The Adventurers

There were a few people, a minority of course, who willingly chose piracy even though they had a normal, conforming, and even wealthy life. It's the case of Stede Bonnet, The Gentleman Pirate; he was born into a wealthy English family and inherited the family estate after his father's death in 1694. Despite his lack of sailing experience, Bonnet decided he should turn to piracy in the spring of 1717. He bought a sailing vessel, the Revenge, and travelled with his paid crew, capturing other vessels and burning other Barbadian ships. His story, apart from giving us one of the best pirate stories in the history of media, is significant because it provides evidence that piracy wasn't just about necessity; it was about identity. Piracy had become a way of life long before it was romanticized by the media.

The Pirate Life

What was it about pirate life that was so tempting for so many people? Life on a ship wasn't easy at all; the work was tough, the food was poor, and anyone could die at any moment, whether due to illness, sinking, or murder. Nevertheless, there was something that made it all worthwhile: freedom. People who have had no possibilities nor future in society found in piracy the opportunity to live by their own rules. Civilization's norms had no reason to exist in an uncivilized society; no master telling you what to do, no morality, no societal standards, no need to impress or perform. If you wanted something, you simply had to find a way to get it. That meant you could possibly starve to death, but it also meant that you had a chance of getting everything you had ever desired, and eating and drinking until you died, and in the civilized society you didn't have that chance. You could choose to sail and never touch land again; you could choose to marry or not to marry, to have a family or not to have one, to sleep with whomever you wanted to, to practice your religion. You could change your name and be who you wanted to be. Pirate life was the realization of that question most of us have asked ourselves at least once: 'What if I disappear tomorrow and start all over again somewhere else?'.

Piracy in the Modern World

In our eastern, civilized, technological, capitalist society, we don't need to be part of a crew and sail to be pirates. Piracy as a practice was defeated thanks to pirate hunting in the eighteenth century, but you can't kill an idea, can you? Ideas not only persist, they evolve and adapt to the changes they're forced to face. When we say "pirate" in today's world, we mean a lot of different things:

Sea Pirate: a person who attacks and robs ships at sea;

Software Pirate: a person who appropriates or reproduces the work of another for profit without permission, usually in contravention of patent or copyright;

In Italy, we have a way to describe people who ignore the Traffic Laws, 'pirata della strada', literally 'pirate of the street';

In sexual slang, the word 'pirate' is used to define someone who sleeps around, who constantly looks for casual sex.

The term 'ass pirate' has been used as a slur to describe homosexual men.

In short, the term in today's society is used to describe someone who breaks the rules, whether they are actual laws or societal standards.

If we consider everything piracy represents as a concept, as an idea, in modern society, and put it together, we can sum it up in three words:

Freedom, Anarchy, Resistance.

Freedom

'Freedom' is such an abstract concept it is almost impossible to define. It's widely discussed in philosophy, particularly the question: is it possible to be truly free? As soon as we built a society, in order to gain benefits, we had to partially sacrifice our freedom. We can't freely steal from our neighbors, but in doing so, we ensure our neighbors won't steal from us (at least, we hope). It's a simple concept. However, there's a line beyond which the benefits we gain aren't worth the sacrifices we make to obtain them. This has occurred repeatedly throughout history; it happened in the Golden Age of Piracy, and it was the reason why most of people chose to abandon civilization and sail as pirates, and it continues to happen every day. Whenever a social construct, or sometimes even a law, prevents you from simply existing as a person; whenever your future is dictated by your social status; whenever you're denied free time, enjoyment, rest, and happiness because you have to work ten hours a day just to be paid the minimum wage, if you're lucky enough to live in a country that has one. That isn't a freedom you willingly gave away to have a benefit. It's a freedom someone took from you before you were even born, before you could think and understand that just because everyone acts like it's the normal way of living, it doesn't mean it has to be that way.

Anarchy

It is true that, at least concerning crews, pirate society had a sort of hierarchy, in which the Captain of the ship was at the top. However, it is also true that this hierarchy could collapse at any given moment, considering the possibility of a mutiny, and that, in general, pirate society was anarchic. There has been research on the functioning of pirate society, particularly regarding its potential application in a hypothetical modern society where the value of human life and individual needs are more considered than they were during that era. Most of the work in that sense has been done by Peter Lamborn Wilson in his 1995 book 'Pirate Utopias: Moorish Corsairs & European Renegadoes'. He provides a definition of what he calls 'Pirate Utopias', that are described as "Early forms of autonomous proto-anarchist societies in that they operated beyond the reach of governments and embraced unrestricted freedom" (source x). I highly recommend reading his work and all the other research that followed it if you want to go into detail, because that's not what I'm going to do here (for now).

That being said, this is my personal take on the matter:

In our days, the discussion about Anarchy as a political belief is often ridiculed and reduced to a mere "if there were no rules, people would kill each other". That statement is true; people would. What is usually misunderstood and not taken into consideration is that people who profess to believe in Anarchy do not mean we should abolish every existing law overnight and see what happens. With 'Anarchy,' we mean a hypothetical society in which individuals are free to do as they please, and they willingly choose not to kill, steal, and hurt others because they have no interest in doing so. This hypothetical society is, of course, unachievable; it's what is called a utopia.

Most political beliefs are based on utopias (or dystopias, depending on your vision of them), because a society that strictly adheres to a pure political system is impossible to achieve. There cannot be a perfect socialist society, nor a perfect communist one, nor a perfect capitalist one, and of course, there cannot be a perfect anarchist society. What we can do, though, is aspire to one—or, to use a naval metaphor, we can set the course towards it. We can make decisions, take actions, and build societies around a specific vision.

The western society, for example, tends to a capitalistic system; in brief, money are what our society revolves around. The more money you possess, the more power you wield; your ultimate goal in life must be to gain money so that you can afford basic necessities: food, housing, healthcare and so on. Everything is privatized, leading to the rich getting richer and the poor getting poorer, being exploited by people whose only purpose is to become even more rich. Consequently, you are forced to wake up every morning at 6 am to work ten-hour shifts for minimum wage. Don't like it? You're free not to live in the capitalist society. You'll probably starve to death, end up living on the street, be marginalized, isolated, persecuted, but still. You're "free" to do it. Of course, this is not a "perfect" capitalist society, it can't be; not until Democracy exists, not until Resistance exists. Still, our society tends towards it.

'Anarchy' doesn't mean we should live in a society with no rules; it simply means we should strive towards it and build a society that is as similar as possible to that utopia, prioritizing the freedom of the individual, but without causing collapse.

Resistance

Most pirates were hardly educated enough to even understand all of that as a concept, of course. They didn't fight for a political idea, most of them fought to survive. Even though it wasn't a utopian society, they still had a shared belief: dissent. Being an outcast means to be disillusioned in how 'mainstream' society works, and we know most of them were, considering their social background. Piracy was, in its own way, a movement of resistance.

Times have changed, and we don't have to engage in naval battles to resist. As society evolved, resistance as a practice evolved with it, and hence Western society has become less and less violent, as have the harmless but powerful acts of resistance.

Every time you protest, you are resisting. Every time you talk back, you expose a normalized injustice, you rebel towards an unfair authority, you say 'no', you go against what's expected from you, you are unapologetically yourself, you refuse to adapt, you decide to ignore or bypass a senseless law, you are resisting. Every time you prioritize your free time over money, you challenge beauty standards, you don't accept a 'that's how it was always done' as a justification. Even when you have fun harder than how you're supposed to, when you rejoice louder than how's considered appropriate, every time you dance like no one is watching you, you are, somehow, resisting.

Piracy in Media

Much of our perception of things we haven't directly experienced is filtered and conditioned by media. Even when we study historical periods like the Medieval Age or the Roman Empire, a part of our understanding will always be influenced by the media we've consumed about them. This is because media is often how we were introduced to these subjects: you can get very passionate about Indiana Jones, and so get interested in studying the pyramids and ancient Egypt, only to find out pyramids are nothing like it was portrayed in the movies. Nevertheless, you got interested in studying them in the first place because of Indiana Jones, so as much as you understand and accept that that isn't the truth behind ancient Egypt, you can also accept that Indiana Jones is part of your vision of it, and that cannot change. I know Pirates of the Caribbean isn't historically accurate, as much as Our Flag Means Death and Monkey Island aren't; still, I cannot deny that they have a role in creating a general vision of Pirate Philosophy in the modern world.

There are, in my opinion, three main aspects that come out from the combination of what we know about Piracy as a historical reality and as it's portrayed by media, and those are Hedonism, Nomadism and Camaraderie.

Hedonism

Hedonism is defined as 'the prioritization of pleasure in one's lifestyle, actions, or thoughts'. It's a recurring theme in the portrayal of pirate society; from songs, to movies where Tortuga is depicted as a place where people drink, eat, have sex and fight as they please, to legends that speak of treasures to be found so one can live a life of excess.

The reason for this is related to what we already know about the history of pirates, particularly the society they escaped from. The society of the seventeenth century was extremely strict, both morally and legislatively. Sex outside of marriage was out of the question, and many things that we consider normal today were seen as affronts to decency, often punishable. To be considered a respectable man or woman, one had to follow certain rules. Additionally, many pirates came from backgrounds of extreme poverty, making them prone to indulging in every kind of pleasure when they could.

Hedonism isn't just a perpetual search for pleasure; it's actually an ethical philosophy that is grounded in pleasure (defined as the avoidance of pain as much as possible) as the only intrinsic value and therefore the only reasonable expression of ethical good. This philosophy of life can be easily connected to the anarchist society that we described earlier; a society that doesn't have rules and in which you don't have a 'place' or need to 'contribute,' since your only purpose as an individual is to pursue pleasure.

I personally believe in Hedonism as an ethical philosophy, particularly Psychological Hedonism, as much as my research of pleasure doesn't prevail on someone else's.

Nomadism

One of the things that fascinated me the most about the Pirate Life as portrayed in media, was the idea of embarking on a journey that would never end. Our society is a stationary one, and I actually think there's nothing wrong with that. My perspective on this matter has nothing to do with morality, ideology, or politics. Being stationary is good; the human species would have never evolved if it didn't stop and build the world as we know it. This is simply a personal preference and stems from my absolute intolerance and repulsion at the idea of being born and dying in the same place. I've always yearned to explore, to see as much of the world as I could. The concept of 'borders' has always bothered me; I firmly believe in cultural exchanges and in learning about how other human beings live in different parts of the world. Of course, I acknowledge that without nations, traditions, and populations that are local and bound to their territories, there wouldn't even be cultures to discover or different societies to explore. So, this is about me, not a hypothetical, utopian society. I'm the one who always wanted to travel without ever stopping; I've never felt like I belonged in any one place or that there's a good enough reason to settle in a single nation and miss out on all that there is to see out there.

Camaraderie

Pirates encompassed men and women with all different kinds of backgrounds, nationalities, beliefs, ideologies and identities. While we speak in absolutes, in a society with no moral or legislative boundaries, factors such as who you were, where you came from, who you slept with, or what you believed in simply didn't matter. You were a pirate, and that was enough.

The official definition of camaraderie is:

"A feeling of friendliness towards people that you work or share an experience with".

In this case, we could even say "towards people that you share a lifestyle with". Being realistic, in a historically accurate pirate society, it's plausible that hate towards differences and minorities still existed, considering the strict and mentally bigoted society most pirates came from. However, we're talking about individuals who chose to leave that society, probably because of its strict and mentally bigoted nature. It's reasonable to assert that this particular kind of hate was at least less prevalent in the pirate society than outside of it.

Piracy in media undoubtedly plays a significant role in romanticizing the sense of brotherhood and companionship felt among pirates; we saw Pirate Codes, Brethren Courts, battles in the name of a common ideal, epic friendships and romances, songs that speak of a union strong enough to beat death itself and slogan such as "Long Live Piracy!".

What attracts me the most about it is that camaraderie as a concept exists in basically all societies or communities with a shared aim or belief. However, there are always rules that need to be followed, and the risk of being excluded and losing the privilege of deserving such camaraderie is always present. The idea of fidelity toward one's society, community, or even nation is essential for its survival, ensuring that those in power maintain control over their adherents, citizens, or believers. The pirate society is the only one I've stumbled across that doesn't need it. The feeling of brotherhood within these people doesn't need any kind of loyalty, proper rules or the fear of losing privileges to make sure that the community keeps existing. That's because the pirate society is made up of people who have already betrayed, renounced, and lost all of their privileges to be there. All they have is that sense of brotherhood and friendship. They exist in a reality in which none of them belongs anywhere and that, somehow, becomes a sense of belonging; one that doesn't need to be continuously shown or respected, simply because it's the only thing that keeps them there.

I believe that is the only reality in which camaraderie and freedom can coexist in a society, and I think it's one of the most beautiful and powerful concepts I've ever seen portrayed.

Conclusions

We finally arrived at the end of this... yeah, let's call it 'essay'. It was more than two weeks ago when I wrote the first word. It was meant to be brief and simply a way to put in words an intimate belief. I wasn't sure if I wanted to post it, mostly because I rarely share such deep thoughts with people around me; though, I'm trying to change that. As all human beings I strive to find belonging and as a true pirate, I never found anywhere to do so. So, to find but one person who reads this until the end and finds themselves to agree with my view, it would make me immeasurably happy.

Thank you if you made it this far, even if you don't agree with a single word I've written, because you dedicated part of your time to me, and I appreciate it.

If you find syntactic errors, please consider that english isn't my first language and also that grammar is a made up concept anyway.

Don't forget to be free, to resist, to pursue pleasure as much as you can, to explore and to show camaraderie not because you have to, but for the sake of it.

Fair winds t' ye!

Imago

[river-of-wine]

I know I’ve been talking about Molly and Abigail a lot but I love them and people are way too mean to them, and when I see people blaming them for things such as the failure of the bank robbery all I can think is this. Do you really think that the game wants you to dislike Molly and Abigail? These two are portrayed incredibly sympathetically throughout the game, and it could not be made more clear that they are victims.

Abigail was a sex worker at seventeen years old, and she had a baby at eighteen. Her son’s father abandoned her in a gang with an infant to take care of while she was still a teenager, and he has been absent in his son’s life and refusing to accept Jack is even his son for four years. All she wants is for her son to have a better life than she had as an orphan growing up in bars and brothels, she wants John to be responsible for Jack and everybody else does as well, even Dutch of all people tries to tell John he shouldn’t abandon his own son. Literally all she wants if for her family to be safe, and that is not the unreasonable ask that people seem to make it out to be. She is a young woman with a traumatic past who loves her family, and who, in the epilogue, just wants a life with her son and her husband where they won’t be in danger anymore. Abigail is one of the biggest reasons why John ends up changing into a better man, why he goes from the deadbeat he starts the game as to who we later see him become for the better. Do you think that’s how the narrative would portray a traitor? How it would show Abigail to you if she were anything other than a desperate young mother trying to care for the people she loves?

Molly is a young woman in an abusive relationship. She is alone in America with nowhere to go and presumably no means to support or defend herself if she ever did leave Dutch, which is a hard enough thing to do in a relationship like theirs even when you are not an isolated Irish woman in 1899. She is completely alone in the gang, she has no friends and no one will properly listen to her no matter how hard she tries. She is in love and she’s worried about Dutch, she never asks him for more than the bare minimum of, as she says, “respect and affection”. She is not asking to be the only focus of his attention, she is not asking him to focus entirely on her instead of the gang, she just wants to be looked at, to be called by her first name, to not be ignored by a man who supposedly loves her. Molly is driven into depression and paranoia by her isolation from any support in the gang and Dutch’s abuse, and she ends up so desperate for somebody to pay her any attention that she says something she knows will get her shot. She is revealed to be innocent in one of the most important cutscenes in the game, the final plot twist that Micah ratted on the gang, and after this, but there is doubt before. Karen doesn’t believe her, Mary-Beth doesn’t believe her, Arthur himself is what keeps Dutch from shooting her and he doesn’t believe her. In the money ending, Arthur will plead with Dutch, telling him it wasn’t Molly and to kill Micah instead. Do you think that’s how the narrative would portray a traitor? Is that how it would show you a victim of severe abuse who wanted nothing more than to be loved?

Each have their own flaws in addition to this, but that’s because they, like the men that are so highly praised within the fan base for their brilliant writing, are complex characters. They are three dimensional characters with personalities and wants and needs, who make decisions or react in ways we might not understand because they are their own people in their own impossibly difficult situations. Just think about the actual storytelling of the game, because nothing is done accidentally. There is a reason for every narrative choice made because it was all written down and performed with the intention of telling the story properly. There is a reason why no one questions that Molly was innocent after it is revealed and why her arc ends with that cutscene, and it is because she was innocent. There is a reason why John changing his ways for the sake of his family, both because of Jack and because of Abigail, and finally listening to his wife for once is shown as a good thing, and that’s because it is. Have whatever opinions you like about a character, but don’t pretend the game is telling you they are something that they’re not

[wordsandrobots]

Huh. Actually -- since I'm stuff home sick and my brain refuses to shut up and let me sleep -- apropos of reblogging @superhelltubedotsys' post citing Barbatos Lupus Rex's status as a werewolf Gundam, I'm now thinking about the significance that has within Iron-Blooded Orphans (some spoilers follow).

Because Barbatos the demon has no association with wolves in the Ars Goetia. The nearest applicable part is "He giveth understanding of the singing of Birds, and of the Voices of other creatures, such as the barking of Dogs", which is fitting for Mikazuki and plays into the comparison between mobile armour Hashmal and a bird, but pointedly does not imply 'appears as a giant fuck-off wolf monster with a knife-tail'. That description would seem more appropriately applied to Amon, the immediately prior demon, number seven: "He appeareth like a Wolf with a Serpent’s tail, vomiting out of his mouth flames of fire . . ."

But of course, Gundam Barbatos' steady revision towards the Lupus Rex form is a drift away from its initial design. Exactly how much influence the Ars Goetia descriptions had on the Gundam project and how much they were just used as a naming convention is a little up in the air. Some do seem to be applicable (Zagan being a 'bull with gryphon wings', Flauros switching between the forms of a leopard and a man, etc.). Others . . . well, Bael is supposed to appear as either a toad, a cat, or a man, or all three at once, and while that has some applicability to McGillis' whole deal, it's not really a match for Gundam Bael's angelic form. Nor do the Gundam's abilities evoke demon!Bael's power to render someone invisible. However, I think we can safely conclude that, in-universe at least, the goetic demons are only pertinent to the Gundams' initial appearances and capabilities.

Barbatos' revisions throughout Season 1 are instead a gradual cannibalisation of various different sources of technology and weapons to get it back into fighting shape (Teiwaz technically restores it to its original appearance, but that doesn't last past the Dort arc; thereafter, we're back to bolting on any spare armour going). Barbatos Lupus then represents a significant step towards redefining it in line with the Chief's goal of creating an 'ultimate' version based on Mika's battle data, with Barbatos Lupus Rex being the end-point for that progression.

Put simply, Barbatos gradually becomes more and more tailored to Mikazuki, specifically. To digress for a moment, this forms a big part of my reasoning that Mika being able to use the katana properly at the climax of Season 1 represents the influence of Barbatos' original pilot; after this, he ditches that kind of weapon entirely. Even while fighting Hashmal, he reaches for the biggest club available (technically, a broad-sword, but so ridiculously huge nobody could call it a precision weapon). It's another interesting detail that Mika can't beat Ein in their final face-off by fighting like himself, which comes back around again as the back half of Season 2 kicks into gear.

Anyway, my point is this: being a werewolf is not inherently part of Barbatos' deal. Rather it represents Mikazuki's growing influence -- as you might thematically expect for a union with a character named after the moon (crescent moon, specifically, though I can't imagine the association wasn't intended given Tekkadan are wolf-coded in the text). And that's fascinating because as I've written about before, Barbatos and Mikazuki are the most blatant example of a devil's bargain in the show. The kid literally sells and arm and a leg (and an eye) for the power Barbatos can give him. And yet, the bestial aspects Barbatos takes on are rooted in Mika.

There's an echo of Gundam Wing's 'Gundams are a curse' refrain in IBO. These machines bring bad luck to everyone who pilots them, as a function of representing humanity subsumed by war. The inherent gamble of the Alaya-Vijnana, the overwhelming nature of the conflict they were built to end, the fact Gundams are never sufficient on their own to change the world -- it forms an unspoken counter-argument to McGillis' zealous faith in their status as symbols of transformation that is actually very in keeping with the demonological tradition from which they take their names. What they offer is costly and potentially damning, while also largely illusory when it comes to anything other than utter destruction. Indeed, Mikazuki is a living testament to how 'cursed' their pilots are.

It just happens that he was able to curse Barbatos back.

Because that's what Barbatos Lupus Rex is, isn't it? Put side by side with its original form, this is a clear degradation of a proud warrior into a savage beast. The same design elements persist, of course, yet by the end, it's near impossible to picture Barbatos as an elegant fighter making precision strikes with a honed sword. It has become a true berserker, tearing into its opponents with teeth and claws (well, claws and knife tail). As Tekkadan in general tend to, Mikazuki strips away the affectations of nobility and 'honourable' warfare in favour of brutal reality.

The detail of the Lupus Rex form merging parts of a mobile armour into a Gundam only heightens this. Weapons are weapons, whoever they serve and whatever guise they wear. Mikazuki is always honest about that. His awed response to Hashmal is of a piece with how easily he fits within Barbatos. He sees himself as equivalent to them -- has, in fact, constructed his entire identity around being so.

Thus, the lycanthropy he inflicts on Barbatos is of a kind that merely reveals the truth lurking under the skin. It was always an instrument of devastation. Now it looks the part.

[neo-the-indigo]

ANALYSIS/SPECULATION/OPINION TIME! (again)

So I've been thinking about Despair Time (again), specifically Teruko's animosity for David. It got me thinking, since I haven't seen many people mention this.

Why exactly, does Teruko hate David?

(Spoilers for literally the whole fangan. This is gonna be kinda long, so hang in there.)

Quick disclaimer: Some of the stuff in this post is based purely on what I have observed, so let me know if I miss something somewhere. Thanks :)

There are 2 other reasons why I think Teruko hates David, so I will list those reasons before I mention the main reason.

David's "entire personality" (Teruko's words, not mine) is "fake".

I mean, Teruko says this almost verbatum in the 2nd trial, based on her first interaction with David.

To me, this is a weird (but valid) reason to hate somebody.

(I'm not putting the pictures for Teruko's first interaction with David because we've all seen that lol)

2. David throws Teruko under the bus in the first trial.

The whole cast does, really, but David starts it. This is a more valid reason to hate David, in my opinion. David is the first person to be suspicious of Teruko's testimony (because he's a Xander simp, obviously).

This comment sparked the whole idea that Teruko was the killer, and once David said this, the rest of the cast (except for Eden) jumped on the bandwagon.

And after everyone but Eden sided with David, he was the first to accuse Teruko of murder. I'm aware that they had been discussing this before the trial began, but David is the first person to outright say this.

Though both of these reasons are valid, I don't think either of these are the main reason.

So, what's the main reason then?

Teruko hates David because she doesn't understand why he puts on the "nice guy" facade.

Teruko, from what I've seen, has a hard time understanding why David does what he does. I also believe that Teruko is nearly incapable of understanding why David's "entire personality" is fake, and doesn't really see how he (seems to be, based on what I've observed) conditioned to do so.

Here are some possible reasons why she might have some trouble understanding David's perspective.

Teruko's background/lack of talent.

As we all know, the Ultimate Lucky Student talent isn't a real talent, rather this talent exists because of winning a special lottery (according to canon Danganronpa, but for this I'm assuming that it works the same in DRDT universe.)

Unlike Teruko, the rest of the cast are real Ultimates, meaning that a LOT of people are watching them closely, expecting nothing short of the best. This especially applies to people like David and J, who are (in J's case, was) in the public spotlight constantly. Because David has millions of fans, he feels he has to put on a fake persona to appease them, when in reality, that's not his real personality. It's possible that David, like J, has been in the spotlight since he was young, and was conditioned to hide who he really is to appease other people.

Teruko, on the other hand, is a nobody, and doesn't have to deal with any kind of social expectation/pressure. No pressure from parents (since she's an orphan), and because she was constantly on the run, there was most likely no time to make room to please people when there were more pressing things to worry about like food and shelter. This is part of the reason why I think she's so blunt.

2. Teruko lives under a rock. (I love her, but she does.)

Now now, I mean this in an endearing way. Teruko seems like the type of person who couldn't name a celebrity if she tried, because like I said previously, she had bigger fish to fry. What tells me this is her reaction to J's secret reveal in Chapter 2, as well as what Levi and Arturo said to her during that time.

Out of the entire cast, Teruko was the only one who didn't know who J was (as a celebrity).

Based on both Levi and Arturo's comments, I can assume that not knowing who Mariabella Rosales is is pretty similar to not knowing who Dwayne "The Rock" Johnson or Beyonce are. So yeah, Teruko is 100% clueless about celebrities. Her own reaction says this too.

Yes Teruko, being a child celebrity is a big deal, and so is being revealed as the daughter of the most recognizable name in the nation.

Now, what does this have to do with Teruko understanding David?

Thing is, David is a celebrity just like J is, obviously. Biggest difference between them is that he is always in the public spotlight, while J successfully avoided the press. Like I've said previously, David puts on a fake persona because of his millions of fans that he needs to appease.

My point is, Teruko knows absolutely nothing about what celebrities have to deal with every day, so she doesn't think of their heavy influence on society and the constant pressure that they face. To her, being a celebrity isn't a big deal. This is great when it comes to treating celebrities like people, but not so much when understanding different perspectives.

Based on both of these reasons above, if David were to tell Teruko what he goes through as a celebrity, based on her background and limited knowledge of what celebrities go through, I'm not sure that she would understand. There would be a lot of questions in that area.

I don't think Teruko is dumb, but just not knowledgeable in that area. I honestly really hope Teruko and David's dynamic improves and that they can understand each other more (this is unlikely, but a girl can only hope.) Their dynamic is the most interesting to me, and I wanna see how it develops over time.

Tell me what y'all think. I totally did not spend 3 days on this (lol).

[jakeysbuttsheeks]

I might be writing a Jake fic that's low-key crazy but Idk I like it-

Warnings: profanity, age gap , mature themes, overdose , drug use , substance use , death of parent , unprotected sex , sexual content , orphaning , other weird shit

(you have been warned)

So basically Jake met a guy named Mike in highschool and they kinda stuck together since then .

Mike is 8 years older than Jake though somehow.

But he gets along so well Jake and his friends, he's almost family.

Mike surprises everyone with his drug addiction but everyone are still there for him .

Mike suddenly ends up being a dad after fucking around with a girl .

The girl didn't want the kid(you) so Mike was welcomed into fatherhood with Jake and Jake's brothers and friends helping him .

Mike surprises everyone again when he od'd one night. Leaving 18 yr old you with Jake (your godfather) Because you literally had no other family left .

Things are weird but you end up falling for Jake and Jake feels like a horrible pedo pervert for feeling the same way for you until it all unfolds into a huge mess .

So godfather . Ye or nah?

(honestly I need help atp)

[alyssavstran]

Okay so about mischa's cute little speech before talia- so the English there is so weird. I thought about it, and it's almost like he just translated it on google translate .Just hear me out, as a person who had learned English and some other languages too theres simply no way that a language learner that knows the words posses and maidenhood would use them like this. Unless he looked them up on a translator- the words translators use are always at least slightly more formal than the original text. So either he sat down and translated the entire thing from Ukrainian to English at least mostly on google translate for some reason- possibly just him being bored, wanting to impress talia or even wanting to invite his friends from canada to their wedding or something similiar.

ORRR and thats about the entire musical where he uses and knows high level words but uses them weirdly ( idk how much time he had been in canada but it couldnt be too long. Yes he probably learned English back in Ukraine and knows a bunch from the music he listens too but i highly doubt he read a lot of books. Well, maybe ann and the green hill with all that orphan a hole business) and this just doesn't add up. Especially while comparing the text on "life is awesome" and the pre-talya speech with the Ukrainian text in "Talya" like he can say all that in English and in such a poetic way but the only words he can say in Ukrainian are i love you ?? It makes no sense.

Unless you actually pay attention to what karnak says in the beginning. He basically takes their deepest thoughts and brings them out. I doubt that ocean, for example, would ever say the stuff she says in her song out loud. Those are their deepest thoughts that they say in the songs and sometimes outside the songs too.

So my theory is that karnak used a translator on mischa's thoughts. He literally just translated them. If ricky is free from his problems with mutesness and leg issues why can't mischa be free from his difficulties with English?

The whole "squeeze keys" thing might disprove my theory but then again, the words for accordion in both Ukrainian and russian are literally just accordion. He probably didn't know the name lol

[mitsvriii]

Lost Child

TW’s: mentions of child abandonment

Pairings: Kaedehara Kazuha x reader

Word Count: 930+

A/N: I might do this scenario with other characters.

You were aiming to have a good day today, not to have some random child clinging onto your leg like he was going to die if he let go.

He didn’t even tell you his name, he just saw you and quite literally tackled you. And ever since then he hasn’t let go. So cue you walking around with a child stuck onto your leg.

You groaned in annoyance as you looked down at the kid, he wouldn’t tell you what his name was so you were searching around for anyone who might be looking for a child.

Much to your dismay there seemed to be no one looking for one. Did they perhaps drop him off permanently? You hated to think so but that could well be the case.

You sighed as you stopped walking, causing the kid looked up at you. “If you won’t tell me your name this is going to take longer”, you crossed your arms.

The kid shook his head as he buried his face in your leg, still clinging onto you. You sighed again and went to pick him up, which he gladly complied to. This kid seemed almost, familiar with you.

You brushed it off as you adjusted him on your hip. You continued on you quest to find this kid’s parents, despite knowing it might all be in vain.

“Okay then little buddy, I guess we’re doing this the hard way”, you made your way done to the port. Maybe a sailor had seen something related to this kid.

You asked around for a few minutes, but ended up with as much information you had started with. You could ask Mr. Zhongli, he was the most knowledgeable man in Liyue after all. But he was down with a cold that you didn’t want you nor the kid to get.

Beidou could know something then? Maybe so, she’s basically know everyone in Liyue. She could know if someone had a child that looks like the one you’re holding. Let’s see…she should be back from her venture to Sumeru. If you’ve counted the days right, that is.

You decided to see if you were right, and it seemed so because a few feet down the port was The Crux. You breathed out in what seemed to be relief as you head there with the kid still clutching onto you. He was a quiet kid for someone his age.

And just your luck, you didn’t see Beidou anywhere on the ship. Nor on the port. Great.

”Dove?” You heard the familiar voice speak. You turned around to see Kazuha looking at you in somewhat confusion, “Are you…Is that your child?”

Your eyes widened as you remembered why we were here in the first place, seeing Kazuha caught you off guard. “Oh, no! It’s um, I found him. I was looking for Beidou because I thought she might know some people who had a kid that looks like him.”

Kazuha nodded, seemingly understanding the situation now, “I’m afraid she has already left for the Jade Chamber, but I can be of assistance.” He put his hand to his chest and smiled.

“That would be wonderful, thank you”, you smiled back as you glanced down at the kid who seemed to he fascinated with Kazuha’s maple haori.

“Let’s see, where have you looked so far?” Kazuha asked, stepping closer to let the child tug on his haori. Of course he would notice the child’s gaze on it.

“All around the harbor, and I would’ve tried the villages but I doubt a kid this small would’ve made it from there to here unscathed.”

Kazuha nodded at the information, “I don’t mean to be harsh, but have you considered this child to be an orphan?”

“What? What do you mean?” You glanced between Kazuha and the child. You hadn’t thought of that, actually.

“Well for example, he seems to be clinging onto you tightly. A child that had parents would he looking for them as-well, and not seeking comfort from a complete stranger. He also seems to be quite skinny, perhaps he’s homeless, too.”

Kazuha met your gaze, “I also believe if the parents did throw out this child, then someone would’ve saw it and reported it to the Millelith. Liyue is far from empty, dove.”

Your mouth formed an ‘o’ shape as you took in Kazuha’s words. He was right because it all makes sense. But what would you two do with the child? You could just drop him off with the Millelith but he seemed so safe and comfortable with you…

“Kazuha would you be up to keeping him?” You question caught him off guard as you stared sr you. “I know how it sounds but he seems so safe with me…and I’d hate to have to drop him off with the Millelith.”

Kazuha’s brows furrowed in thought, “I suppose we can, but I am away with The Crux often…I would have to move in with you if that’s the case.”

“I’m fine with that”, you responded quickly, “yeah you can move in.”

Kazuha nodded as he moved in to kiss the top if your head, “I’ll go inform Beidou of our plans. Does he have a name?”

You looked down at the kid who was glancing between you and Kazuha. You thought for a moment before responding, “Hajime, for a new beginning.”

Kazuha seemed pleased with the name before he nodded and left to go see Beidou. The child looked up at you, a small smile on his face. You smiled back, before watching Kazuha disappear in the crowd.