#live trail

[sinceileftyoublog]

Bruce Hornsby Continues on the Trail

Bruce Hornsby performs at the Pabst Theater in Milwaukee, 10/17/23

BY JORDAN MAINZER

At one point last Tuesday in Milwaukee, in response to one of many moments in the night fans shouted their requests at him, Bruce Hornsby joked, "I love the battle between disparate elements of my audience." Funny enough, I can't think of a statement that better defines the virtuosic pianist and singer-songwriter. That is, what's amazing about Hornsby is not just that he's traversed the worlds of rock, jazz, bluegrass, but that he has diehard fans of each of his endeavors. Go to a Hornsby show--even a solo one like at the Pabst Theater, sans defunct backers The Range or current band The Noisemakers--and you're bound to find both classical music appreciators and Deadheads alike.

In that sense, 1998's Spirit Trail, a storied and purposeful left-turn into modern rock after the jazz-focused Harbor Lights and Hot House, exemplifies Hornsby's multi-pronged approach. On Friday, Hornsby will release a 25th anniversary reissue of the record via Zappo Productions and Thirty Tigers. It contains a remastered version of the record, four "lost" songs from an unfinished record that was meant to be Spirit Trail's follow-up (shelved in favor of the almost piano-less Big Swing Face), and previously unreleased live performances of many of the album's songs. In Milwaukee, venue employees were handing out early CD copies of the reissue, the night a celebration of both Spirit Trail and Hornsby's discography as a whole.

Per usual, audience members requested songs both by shouting them out and via written submission, dropped off on stage prior to the show. As expected, they were all over the place, from Spirit Trail and even Lost Trail tunes to songs he simply refused to play because they were too boring or didn't age well, like "Dreamland" and "The Old Playground". Ever cheeky, at one point, Hornsby asked for requests and responded to the various audible shouts, "I haven't heard what I'm looking for yet." It was clear he wanted to give preference to Spirit Trail. He led off the night with "Preacher in the Ring Pt. I", his jaunty piano playing covering the song's ground in totality. You didn't even miss Sonny Emory's clacking drums from Live Trail, nor the dulcimer from both the studio and live versions of "Shadow Hand". Hornsby's finger exercises were simply a masterclass. He wrote standout track "Sneaking Up on Boo Radley" by learning to play over a left-hand ostinato, appropriating György Ligeti's "Etude 13: The Devil's Staircase", and nailed it live. It was a perfect Spirit Trail song to play without a band. His voice, too, was on point, wailing on the Black Crowes-inspired Lost Trail tune "Living in the Sunshine", doing justice to the studio version that indeed sounds like it could be sandwiched between the Southern rockers' "Remedy" and "Thorn in My Pride".

Yes, Hornsby's reach and influence goes beyond Spirit Trail. "The Show Goes On" has been featured in everything from Ron Howard's Backdraft to The Bear. During the set last Tuesday, he segued "Sidelines"--a duet from 2022's terrific 'Flicted with Vampire Weekend's Ezra Koenig--into his most famous song of all, "The Way It Is", during which he invited set opener/Bon Iver drummer S. Carey out to harmonize. That over the past decade Hornsby has fostered fruitful collaborations with the likes of Justin Vernon and Blake Mills is more evidence that he's as shaped by his contemporaries as his organic musical interests. So put yourself in his shoes in the mid-1990s, and you can hear his response to the sociopolitical and musical landscape of the past decade in many of the songs on Spirit Trail. He's asking himself tough questions about his own Southern heritage, challenging institutional racism on songs like "See the Same Way". The strummed mandolin of "Preacher in the Ring Pt. II" recalls Steve Earle's "Copperhead Road", "Resting Place" and "Pete & Manny" the radio-friendly heartland rock of Mellencamp and Petty. Yet, Hornsby's also dipping his toes in the worlds of electronica and hip hop, songs like the shuffling "Line in the Dust" written on a synth bed and with a drum machine beat like much of the second disc of Spirit Trail. And of course, the goofily titled "Sunflower Cat (Some Dour Cat) (Down With That)" is built around a sample of Jerry Garcia's riff on "China Cat Sunflower", as Hornsby was trying to explain the appeal of the Grateful Dead to producer Mike Mangini, a hip hop head. Mangini was so taken aback by the former band member's performance that he wrote a groove around the riff.

On fan favorite piano ballad and Spirit Trail highlight "Fortunate Son", Hornsby sings, "I've stared down the devil and had to look away." The song is ostensibly written from the point of view of a wheelchair-bound military veteran, lucky to be alive but maligning society's penchant to ascribe sacrificial glory to a life of physical limitations. I've always heard it, though, as the general antithesis to tough guy nihilism, whether action heroes or strong and silent singer-songwriters. Hornsby is the ultimate reflector, yet not quite ready to face mortality like many of the characters in his songs. After last Tuesday and 25 years of Spirit Trail, it certainly does seem like he's only just getting started.

[nature-hiking]

Places I wish I lived - Adlerweg, Tirol, Austria, October 2022

photo by: nature-hiking

[noahnecromancy]

donate to families in palestine and gaza. if you can’t protest, donate. if you can’t donate, post about it. reblog posts with donation sites. do the daily clicks for gaza. doing nothing is supporting genocide.

[ashleyslorens]

EVA NOBLEZADA as EURYDICE HADESTOWN

[shuutingstar]

what if someone made a sitcom with Camp Half Blood and the whole premise is literally just showing the backgrounds characters while the main characters go save the world or smth.

Like.

[camera pans on Drew’s face]

Drew: [looking at her nails indifferently] yeah someone let all the pagasai out of their stables and it’s a chore to fix.

[explosions in the background]

Drew: [unfazed] I’m not saying that I’m helping, by the way. I’ve broken a nail and I’m still in pain.

[Percy is seen battling a cyclops while Annabeth slashes at its feet with her dagger before running off frame]

Drew: I know you must be wondering why I don’t just go to the infirmary, but they’ve been full ever since the stampede — and Connor promised he’d steal me some cute bandaids with pictures on them so I decided to wait it out.

[screams and more explosions and property damage]

Drew: [rolls her eyes] but now Connor’s busy doing something else so I have to wait even longer. maybe I should just go to the infirmary… [walks away from camera]

[camera zooms in on the carnage near the stables where the seven can be seen herding the frightened winged horses back to their stables, while a beat-up cyclops lay unconscious with only its feet in frame]

EDIT : made smth kinda similar here if anyone wants to check it out :P

[bebx]

By Robin Isely

[sabreurs]

okay i think i've got it. instead of running from his role, aang feels like he's failing at his role. no decision he makes is the right decision. the decision to take a break on appa meant that he wasn't there to help the air nomads. the decision to research on kyoshi island brought the fire nation there. the decision to be close to his friends got them stuck in the spirit world. he looks at the ruins of the northern water tribe and says "i did this." everything he does feels like a failure bc of the first failure. so aang has to let go of his past failures so he can start succeeding in the future. his journey isn't learning how to stand his ground, it's how to let go.

[cubbihue]

So.... why'd Peri get assigned Dev as his first godchild?

Jorgen’s usually not the one in charge of assigning godchildren. There’s an entire department that weighs and classifies potentail Godkids to the right Fairy. Although it’s on strike at the moment.

So Jorgen has to do it by hand, until the union negotiations are resolved. Turns out trying to use paperclips is very hard. Itty bitty paperclips. Big muscular biceps. Not a good combo.

Bitties Series: [Start] > [Previous] > [Next]

Peri's Assignment: [Previous] > [Next]

[beescake]

are you secretly the CEO of solkat

solkat r the ceos of me. actually

[siren-brainrot-boogaloo]

Thinkin' bout the storytelling in Hayden's fashion choices

I think a lot about theming in outfit designs and what it tells me about a character and the biggest theme I'm getting in Hayden's design and seasonal outfit choices is "Reliable"

His winter and spring outfits feature the same shirt type in two different colors, just the winter one is under a thick jacket.

He is the only character whose pants are the same for all seasons I think?

He always wears that metal coin necklace, and those two bracelets. My personal headcanon is that the necklace and the lighter, knotted bracelet are gifts that he never ever takes off (the bracelets are hidden in his winter art), and the darker one is a hair tie.

And to me that just reinforces that he's a pragmatic minimalist who likes the simple, reliable things in life, and I love him for that.

Images are taken from the Fields of Mistria wiki

[nature-hiking]

Sunset over the mountain refuge - Adlerweg, Tirol, Austria, October 2022

photo by: nature-hiking

[skellydun]

made it to my tiny cabin and realized I forgot every single book I bought to read so we love that for me

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[beyondtheadobe]

[swan2swan]

Hey, CampFam, so...a thought just occurred:

Kenji isn't calling his mom this week.

There's gonna be a news story about how Daniel Kon died in a dinosaur attack, and his son was unavailable for comment. Also that Yaz's campus suffered a dinosaur breach and three people were killed or wounded, also there was a van that got rammed off a bridge. A van whose plates will be matched to a Ben Pincus, whose friend was living on the campus, and who was spotted with Sammy Gutierrez a day or so prior at a roadside show disruption. No bodies will have been recovered, but neither will at least one of the bodies from the campus.

Obviously DPW will provide forensics on the Becklespinaxes' waste (assuming the PH level is low enough), and probably find that only two humans were devoured (maybe even positively identify whom), but the fact remains that for at least a week....

All of the Nublar Six's families are going to think their children are dead. Again.

[chickenoptyrx]

....I just wanted to draw gators :T at this point these 2 are more 'a representation of my last 2 brain cells' then they are actual characters 😅