#make your own meaning

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[biggest-gaudiest-patronuses]

getting older can be so amazing? you get more familiar with yourself. learn tips & tricks for troubleshooting your own brain. trial & error helps you build routines that minimize discomfort, maximize reward. your preferences/interests don't get set in stone, but you do find out which ones are going to stay with you in the long-term, and which ones are fun but transient joys to appreciate in the moment.

you learn that the world is so much more complex than you were taught, and that that's okay, and that there's an endless supply of things you can learn or watch or experience or think about if you want to. if you're lucky, you loosen up, stop putting so much pressure on yourself. if you're lucky, you learn to recognize that negative inner voice, and whack it with a baseball bat until it hushes up. if you're lucky, you learn to treat yourself gently, not because you are fragile but because you are worthy of gentleness. (i hope you are lucky.)

and some things will change. some things will get better. some things will get good. and maybe you start to recover from the dehumanizing stress of childhood/education. maybe you learn the power of your own autonomy. maybe you learn how to walk away from bad situations (which is a superpower even if you don't realize it yet). and you get to choose your own clothes. and your own food. and which relationships to pursue! and what you do with your free time. and with your life (but don't worry you get to choose that gradually). and that's crazy! and sometimes scary. and extraordinarily, indescribably precious.

[theygender]

The more I learn about judaism the more I wonder where tf christianity got all its bad shit. Why is divorce a sin in christianity when judaism has recognized the right to divorce for nearly a millennia and has codified religious laws for it. Why does christianity consider sex to be dirty (to the point where puritans considered it a sin to enjoy having sex with your own spouse) when in judaism it's considered holy and it's a literal mitzvah to have sex with your spouse on the sabbath. Why does christianity consider it a sign that you're faithless if you question your religion when in judaism that's considered an essential part to developing your faith. I'm probably stating the obvious here but I still can't get over the fact that there's no historical basis to any of this shit before christianity started, it's like christians just said "hey guys what if we took the torah and built a new religion around it but this time it was actively hostile to human life"

[canisalbus]

✦ 2023 summary of art ✦

[light-blue-glazed-terracotta]

MCYT BLOGS: PLEASE READ

hi :) TL:DR please stop posting mcyt content in the #minecraft and the #mineblr tags.

long explanation under the cut

#minecraft and #mineblr are for minecraft content. this is anything from modded, to builds, to OCs, to art. it's about the game at its core.

if you post about minecraft content creation, please do not post in these tags. please. you have your own selection of tags to post in — mcyt i believe is an umbrella category for all minecraft content creation, and sub tags, like creator names and actual SMPs exist also.

they are, at the end of the day, two different fandoms with different sub-fandoms, and mcyt is bigger and louder and (sorry) more annoying. if you're a twitter/reddit refugee and genuinely didn't know this, fair! please just cut the tags out. if you just don't care about it and want more reach you're a dick, and if it's something you've forgotten about then please start doing it again <3

i realise it's maybe hypocritical of me to put this in your tags btw but it's you guys i'm talking to. so.

this is what drove me and many other people out of mineblr and y'know. it's got to the point where minecraft is no longer an umbrella tag, but a completely different fandom, and i'd appreciate if people would treat it as such!

and then there's the even deeper rabbit hole of the fact that some mcyt content is. eh. uncomfortable. and there's people who post shipping content in mcyt and you guys get annoyed! because it's completely different content! and it's the same thing here — we don't care about mcyt because it's not relevant.

keep them separate, please. and if you're posting to minecraft because it's a big tag with more exposure then your brain has been fried by twitter and you sound insufferable

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[vanhelsingapologist]

Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.

They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.

They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.

Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.

On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.

[hedgehog-moss]

The story of my 3-year-long quest to identify a very rare bird

So I've been trying almost since I moved here to figure out what bird made this strange call that I sometimes heard near my house:

I tried to google "european bird that sounds like a laughing hyena?" and also to imitate the noise over the phone for a friend who once took an online bird course, but she had no idea. (Well, she said "that's a hyena." I said, "but I hear it all the time! Near my house!! Wait I'll do it better." She said, please stop making a hyena noise :(( and I stopped because the cats thought I was losing my mind)

Eventually I managed to record the actual bird call on my phone, and used a Shazam app for birds—but once again, no luck. The first app I tried just assumed it was being trolled and was like "it's you, isn't it? That's not a bird that's your stupid human laugh, you're making fun of me. I'm not an idiot"

The second birdsong app was more insecure and apologised a lot for failing to identify my bird. I thought it must be a rare bird! (The only uncommon bird I know of in this region is the vulture but it sounds less like a hyena and more like if elephants were birds.) Every time I heard the call (usually during the day) I opened the window trying to a) get a better recording so my app would finally have an epiphany, and b) see something flying off a tree.

At one point I was cutting brooms in the pasture and heard the call very loudly, as if the bird was just a few metres away, and it wasn't coming from the sky. I googled every possible version of "flightless (?) bird that nests in thorny bushes?" and found nothing, and started wondering if it was actually a mammal. But I couldn't think of any plausible local mammal that would make this sound—definitely not a fox or badger, who say WAOOHHH, and nothing like the polite whistle of marmots. We've got pine martens in the woods and I found a video called "mating pine marten scream bark" and thought oh!! that must be it! ... but then I listened to it and it sounded like yiiiaaaaaeeeeee, like if you stepped on a baby banshee's toe, nothing at all like the heheeheuruurhh of a hyena who just heard a good joke.

Anyway, this morning I was in the pasture and I once again heard the hyena laugh! I was standing by the moose butler tying up the hay net, away from any trees or shrubs and the call came from just behind me. I turned around thinking there was absolutely no way for the mystery bird to hide, it had landed on the ground behind me and this time I was going to see it!

And

it was HER:

Absolutely no doubt. I saw Pampy's throat vibrating along with the last echoes of the hyena laugh. All these years I've been saying that llamas are very quiet animals who just make cute little "hum-hum" sounds (I rarely hear adult llamas humming to one another, it's mostly for mother llamas to communicate with their baby and with me) and I had no idea that the shrieking hyena-bird I occasionally heard outside my house was Pampelune! I googled "llama alarm cry" and immediately found youtube videos featuring llamas making this exact sound. There was a stray dog nearby this morning that Pandolf eventually chased away, so maybe Pampy was the first to hear him and sounded the alarm. Maybe she uses this cry to tell Pan to go do his guard dog job, because he left the pasture and ran into the woods when she made the sound (while I was turning round like "aha! you can't run, hyena-bird!")

I wanted to share this discovery! I've had llamas for nearly 4 years and I'm only now finding out that they can laugh like hyenas when the situation calls for it. I feel bad for the poor birdsong app that I've repeatedly gaslighted feeding it a llama call and insisting that it identify this bird for me while it hung its head in shame like "I swear I don't have your bird in my database. I'm so sorry. I'm a bad app."

Llamas are fascinating creatures. Please experience their majestic alarm call again, and be alarmed:

[bugbuoyx]

One manifestation of anti-transmasculinity I see again and again, primarily in discussions about the existence/denial of anti-transmasculinity is the treatment of transmascs in the same way cis men treat feminists as hysterical women and rad/feminists treat men as ignorant beasts. Of course these really just echo each other in that the other is deemed lesser but it's really in the wording.

You do not, can not ever understand misogyny, you are just ignorant sluts vieing for attention, what happened to you wasn't that bad, you're exaggerating, it was just a joke, it doesn't matter, you deserved it, you're being dramatic, who cares, who cares, who cares. Just shut up already.

[gorillawithautism]

apparently another kid died at trails carolina

i'm not. gonna look into that claim for my own sanity but i swear to fuck if you don't know anything about the troubled teen industry, now is the time to learn

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[biggest-gaudiest-patronuses]

growing up with a perpetually anxious primary caregiver is such a mindfuck. that shit will rewire your nervous system

[whatsitzface]

Fuck every percy jackson "fan" who is still complaining about percy & annabeths HAIR COLOURS being different then in the books. I hope Nico is blonde so that all of you cry and scream like fucking toddlers

[ruporas]

hello there, angel

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]

[poorly-drawn-mdzs]

At rest, your lungs wish to deflate, and your ribcage expands outwards.