The problem with Victor Frankenstein isn't that he's not as smart as he thinks he is. The problem with Victor Frankenstein is that he's exactly as smart as he thinks he is in one very specific area, and he just expects that to automatically translate to every other area of his life and is taken completely by surprise every single time it doesn't.
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Midnight Pals: Spicy Stories
JK Rowling: hello children
Poe: oh
Poe: oh joanne
Poe: you're back
Rowling: i have concernss
Poe: uh we're mostly about just telling stories here
Poe: you have your own campfire for your terf stuff don't you?
Rowling: yess but they've really been getting on my nervess lately
Rowling: you know how it iss with terf deatheaterss
Poe: not really
Rowling: alwayss agreeing with everything i ssay
Rowling: all "oh yes dark lord" this and "oh spare me dark lord" that
Rowling: ssometimess you jusst get tired of hearing "masterful gambit dark lord"
Rowling: i tell you, you don't know how hard it is to run a cult
L Ron Hubbard: oh yeah woof big mood
Hubbard: people think its all fun, but its actually a lot of work
Rowling: I know right????
Poe: regardless, joanne, i'm going to have to put my foot down
Poe: this campfire is just for stories
Rowling: uhhh actually i do have a new ssstory
Rowling: i wass insspired to write after having an argument on the internet
Barker: oh damn no shit?
Barker: that's wild
Rowling: it's a new harry potter ssstory
King: oh man! it's about time, i've been hoping for a new potter story for ages!
Rowling: itss about hermione going back in time to help grindelwald, who actually had sssome good points if you think about it
Rowling: i call it
Rowling: the time turner diariesss
Barker: wow this is not really funny anymore
Baker: its like INTENSELY not funny
Lovecraft: catchy title tho!
Rowling: i'm retconning grindelwald into a misundersstood idealisst
Rowling: who was only forced to make hard choicess because of the unreassonablenesss of decadent weimar society
Rowling: oh also you know that thing where people kept criticizing me cuz technically grindelwald's "evil" plan was to prevent the holocaust?
Rowling: well good news
Rowling: i've rectified that little mistake
Rowling: like, why would the naziss target transs & queer people, traditionally the most powerful and widely accepted memberss of ssociety?
Rowling: would not the naziss, famouss for their love of diverssity, actually approve of them?
Rowling: i'm jusst asskin questions
King: actually joanne there's a lot of well-documented evidence
Barker: give it up steve
King: no no i can fix this
King: i'm sure if i just lay out the facts in a logical, well-reasoned manner-
Barker: oh god that's so cute
Barker: don't you just love him?
Poe: that's our steve
King: so you see the nazi book burning of the institute for sexualwissenschaft-
Rowling: nope
Rowling: didn't happen
King:
King: well it kinda did, see, as i was saying-
Rowling: thiss iss missogyny
Rowling: i don't undersstand you lot at all
Rowling: i come into your campfire, i make a sstatement that i really want to be true & you all refuse to accept it
Rowling: thiss issn't the way it works over with my terf deatheaters at all
Rowling: they love accepting things i ssay!
Rowling: it'ss actually really missogynisstic that you all refusse to accept what i'm ssaying asss truth
Rowling: even though you all know how badly i want it to be true
King: but joanne, it isn't true-
Rowling: ssave it for court ssteve!
Mary Shelley: sup fuckers
Shelley: i got here late wot's going on?
Barker: joanne is doing holocaust denial
Rowling: EXCUSE ME it'ss only holocausst denial if you quesstion the murder of jews
Rowling: tho now that i think about it i do have some questionss
Rowling: like, would they not have ussed their goblin magic to essscape?
Lovecraft: ya know, she makes a good point
Sonia Greene: i'm right here howard
Lovecraft:
Greene: see, this is why i don't talk much
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mmmm you know how in the franking stein novel victor dies so thee monster just kills himself. except. thee monster literally had all of vicky’s notes and shit. theoretically, he knew what the ‘’’cure’’’ to death was. wouldn’t it have been so so so sexy conceptually if after victor finally experienced the sweet escape of death, hoping it’ll bring him back to his loved ones, only for thee monster to bring him right back?
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I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:
-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.
-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)
-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.
-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.
-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.
-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”
-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)
-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.
I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.
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Now, don't get me wrong, "I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe; if I cannot satisfy the one, I will indulge the other" is a raw line, but I wonder if the folks who quote it misattributed to Mary Shelley would feel any differently about it if they knew it's really from a film adaptation of Frankenstein in which the role of the Creature is played – and the above-cited line delivered – by fucking Robert De Niro.
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