#matt herron

[mattslolita]

HAPPY BIRTHDAY TO ONE OF PEOPLE WHO LITERALLY BOUGHT HAPPINESS INTO MY LIFE FROM 2018 - 2021 I LOVE YOU DANIEL SEAVEY😭😭😭😭💖💖💖 i fear nobody gets why don't we like i do

[jgroffdaily]

Congratulatory messages after Jonathan’s Tony win included Instagram stories or posts from: Lea Michele, Lin-Manuel Miranda, Russell Tovey, Karan Soni, Frankie J Alvarez, Steven Sater, Danny Glicker, Matt Doyle, Bonnie Milligan, Ari Grooves, James Wolpert (cousin), Gary Janetti, Daniel Franzese, Lauren Weedman, Betty Who, Elena Shaddow, Luke DiSomma, Tanya Saracho, Toby Onwumere, Kevin McHale, Jenna Ushkowitz, Maya Boyd, Kate Herron, Millie Gibson and Ming-Na Wen.

Other friends like Dave Bautista and Amy Sedaris left messages on news sites like the Hollywood Reporter’s post of Jonathan’s speech.

Tanya Saracho posted about a prayer candle before the ceremony.

[agentoffangirling]

I feel like we need to discuss how creators' respect for a character influences the project they're doing

If you don't know what I'm talking about, I don't blame you, I had no idea how to word that, but you'll get it in a sec. Let's take a look at both "WandaVision" and "Loki"

See, when Marvel started production on WandaVision and brought in Jac Shaeffer and Matt Shakman and all those people, it was very clear that there was a singular goal among the team: how can we depict Wanda Maximoff well? How can we treat her character with dignity and grace? How can we discuss her psyche in a respectful manner? And everyone delievered

Elizabeth Olsen and Paul Bettany gave downright beautiful performances, the supporting cast played their role well. The writers did research on Scarlet Witch's character and her comics, everyone fully understood what type of project this was and they used it to its full potential. I'm no fan of Olsen for numerous reasons, I'm not even a big Wanda Maximoff fan. But I can fully admit that "WandaVision" is a stellar story, and every person on the team poured their heart into it

And hey, let's also look at the promotions for this show. When Schaeffer and others were interviewed, in no moment did they mock Wanda's character or what she goes through in the series. They treated her very similarly to how they treated her on the show, discussing the deeper parts of her character with an obvious interest. They like Wanda. They want the best for her. They want to make a story Wanda would be proud of

But now to "Loki". I've said my pieces on the Loki series too many times to count, so I will keep this brief. From the very beginning we know that Waldron was not interested in developing "Loki", only to develop his original script (which is pretty shitty anyway). He wanted to make a time-travel, sci-fi, romance type story, and Loki was the character he was saddled with

Now, this doesn't mean that he still couldn't develop his script, in fact he did, and I could think of dozens of ways that type of story could work with Loki. There's a lot of potential there. But Waldron never cared. He never cared to develop Loki. He never cared to examine his character past pop culture. He never cared to make Loki fans happy, only himself

Look at the promos he gives! He refers to Loki as a "little shit" multiple times, talks all about how they're taking him in a different direction (aka completely tearing down his character), it is so obvious he just wanted to fulfill his own personal fantasies. At least Kate Herron treats the subject material with some ounce of respect; Waldron proudly proclaims he's never seen it

And to quickly switch gears here, it's very similar to Kevin Feige vs Brad Winderbaum's view on "Agents of S.H.I.E.L.D." Where Feige dismisses it, giving it general statements and never hinting at a possible future, Winderbaum speaks of it with a clear love of the series. He's all but admitted that he wants the characters back in the MCU, and if someone like him is heading that, I just might trust him with it. Feige is Waldron. Winderbaum is Schaeffer

In the end, it all just makes me wonder, why didn't Loki fans get their WandaVision? Why did we get the creator who puts down his characters? Why did we get the story that only existed to introduce a multiverse? Why did we get the short stick?

Loki fans deserve a WandaVision. After a literal decade of waiting for a solo project, we should've gotten the respectful, genuine creator. Pretty much every other character got it-- why not us?

[wutheringheightsfilm]

I love Moffat's Doctor Who it's the best version of Doctor Who for me but we have honestly just outgrown old white nepo showrunners overall (plus poor Moffat had just the longest run because they couldn't find a replacement when he wanted to leave like twice honestly god bless him, he was writing for Who on his mother's deathbed man has done enough). RTD coming back was a necessary evil and I am okay with that if it revives the show but the wilderness years writers need to GO AWAY. I'm rooting for Juno Dawson, Kate Herron or Sarah Dollard of writers that have been on the show before to take over. But like anyone but Rusty, Moffat and Chinballs. I can enjoy Moffat coming back for one-offs though. As much as I personally disagree with the 'he's only good at one off's' take because he's really really a good showrunner to me and also wrote two of my favorite shows, he's good when he's gotten some sleep and time to work.

I mean absolutely we have outgrown old white nepo showrunners overall, I completely agree and literally the only reason (other than having written a couple of episodes before) Moffat got the job was because his mother in law is/was very high up in the BBC and that sort of attitude really needs to go. BBC shows have suffered a LOT for being very insular, and I'm also rooting for Juno Dawson, Kate Herron, and/or Sarah Dollard! They've written really really good episodes so far and I want to see more of their work!!

I'm glad you like Moffat's showrunning... I don't, and most of his showrunning of Doctor Who is not my favorite (I really, really liked Peter Capaldi's seasons but not how he handled Clara completely, and sorry to the masses but Matt Smith's seasons are my least favorite), so I'm sorry anon lol. I'm glad you get joy out of it though!

If that other favorite show of yours happens to be Sherlock, I think you're very brave.

[katieskrsgard]

🎃 TJ MIKELOGAN'S HALLOWEEN 2023 EVENT 🎃

DAY 11: A non-scary Halloween movie or series

HALLOWEEN VIA DISNEY+

Halloweentown (1998) dir. Duwayne Dunham

Haunted Mansion (2023) dir. Justin Simien

Loki (2021 - ) dir. Kate Herron

Lonesome Ghosts (1937) dir. Burt Gillett

Moon Knight (2022) dir. Mohamed Diab, Justin Benson and Aaron Moorhead

The Old Mill (1937) dir. Wilfred Jackson and Graham Heid

The Scream Team (2002) dir. Stuart Gillard

Trick or Treat (1952) dir. Jack Hannah

Wandavision (2021) dir. Matt Shakman

Werewolf by Night (2022) dir. Michael Giacchino

[ulkaralakbarova]

An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband. Credits: TheMovieDb. Film Cast: Matt Calder: Robert Mitchum Kay Weston: Marilyn Monroe Harry Weston: Rory Calhoun Mark Calder: Tommy Rettig Dave Colby: Murvyn Vye Sam Benson: Douglas Spencer Minister at Tent City (uncredited): Arthur Shields Young Punk (uncredited): Larry Chance Prospector (uncredited): Chuck Hicks Dance Hall Girl (uncredited): Ann McCrea Bartender (uncredited): Ralph Sanford Prospector (uncredited): Fred Aldrich Surrey Driver (uncredited): Claire Andre Young Punk (uncredited): Hal Baylor Ben (uncredited): Don Beddoe Prospector (uncredited): Phil Bloom Council City Barfly (uncredited): Buck Bucko Prospector (uncredited): Roy Bucko Leering Man (uncredited): John Cliff Barber (uncredited): Edmund Cobb Prospector (uncredited): Cecil Combs Man in Saloon (uncredited): John Doucette Prospector (uncredited): Tex Driscoll Dance Hall Girl (uncredited): Geneva Gray Wagon Driver (uncredited): Al Haskell Gambler (uncredited): Ed Hinton Prospector (uncredited): George Huggins Prospector (uncredited): Michael Jeffers Prospector (uncredited): Dick Johnstone Prospector (uncredited): Mitchell Kowall Prospector (uncredited): Richard LaMarr Young Punk (uncredited): Anthony Lawrence Saloon Dancer (uncredited): Jarma Lewis Prospector (uncredited): Jack Low Council City Townsman (uncredited): Hank Mann Card Table Dealer (uncredited): Jack Mather Young Man (uncredited): Harry Monty Dancer (uncredited): Fay Morley Prospector (uncredited): Charles Morton Prospector (uncredited): Paul Newlan Blonde Dancer (uncredited): Barbara Nichols Prospector (uncredited): Anton Northpole Council City Barfly (uncredited): George Patay Prospector (uncredited): Jack Perrin Prospector (uncredited): Charles Perry Prospector (uncredited): Ford Raymond Prospector (uncredited): John Rice Prospector (uncredited): Robert Robinson Prospector (uncredited): John Roy Prospector (uncredited): Danny Sands Settler (uncredited): Lucile Sewall Pianist (uncredited): Harry Seymour Council City Barfly (uncredited): Cap Somers Council City Barfly (uncredited): George Sowards Prospector (uncredited): Charles Sullivan Prospector (uncredited): Jack Tornek Young Punk (uncredited): John Veitch Prospector (uncredited): Fred Walton Council City Barfly (uncredited): Bob Whitney Prospector (uncredited): Harry Wilson Trader (uncredited): Will Wright …: Joe Phillips Film Crew: Original Music Composer: Cyril J. Mockridge Editor: Louis R. Loeffler Producer: Stanley Rubin Art Direction: Addison Hehr Screenplay: Frank Fenton Director: Otto Preminger Sound: Roger Heman Sr. Sound: Bernard Freericks Assistant Director: Paul Helmick Costume Design: Travilla Director of Photography: Joseph LaShelle Story: Louis Lantz Songs: Lionel Newman Art Direction: Lyle R. Wheeler Set Decoration: Walter M. Scott Set Decoration: Chester L. Bayhi Special Effects: Ray Kellogg Orchestrator: Edward B. Powell Choreographer: Jack Cole Makeup Artist: Ben Nye Stunts: Bob Herron Stunts: Bob Hoy Stunts: Harry Froboess Stunts: Bob Morgan Stunts: Helen Thurston Stunts: Harry Monty Stunt Coordinator: Fred Zendar Stunts: Tim Wallace Music: Leigh Harline Makeup Artist: Allan Snyder Second Assistant Director: Donald C. Klune Stunts: Dan Heather First Assistant Editor: Orven Schanzer Songs: Ken Darby Movie Reviews: John Chard: What are you chasing Calder? After a stint in jail, Matt Calder is reunited with his son Mark and sets both of them up at a riverside lodge. One day he helps aid a couple who are struggling with their raft down the river. It turns out to be a dubious gambler named Harry Weston and his saloon singer girlfriend, Kay, whom both Matt and Mark have already been acquainted with. Turns out that Harry is in a rush to register his mining claim that he has just won, and sensing his journey will be considerably quicker and safer on horseback, steals, after a fight, Matt’s rifle and horse. Agreeing to let Kay stay behind with the Calder’s, Weston sets off. Once roused and ready to tr...

[marie1-kersaint]

Hi!

Hi!

I just used Pilgrim Radio's app for iOS to discover this great tune:

Matt Herron

The Morning & Night Class

#pilgrimradio pilgrimradio.com

I just used Pilgrim Radio's app for iOS to discover this great tune: Matt Herron The Morning & Night Class

[historicalpenner]

Sources

Carson, Clayborne and ACLS Humanities E-Book. 1981. In Struggle: SNCC and the Black Awakening of the 1960s. Cambridge, Mass: Harvard University Press.

Cheryl Lynn Greenberg, ed., A Circle of Trust: Remembering SNCC (New Brunswick, N.J.: Rutgers University Press, 1998), 38

Davies, Philip, and Iwan Morgan. From Sit-Ins to SNCC: The Student Civil Rights Movement in the 1960s. Gainesville: University Press of Florida, 2012. muse.jhu.edu/book/17752. 

Kelen, Leslie G., Julian Bond, Clayborne Carson, Matt Herron, Charles E. Cobb Jr, and Project Muse University Press eBooks. This Light of Ours: Activist Photographers of the Civil Rights Movement, edited by Leslie G. Kelen. 1st ed. Jackson: University Press of Mississippi, 2011;2012;.

Maheo, Olivier. "The Enemy within: The Long Civil Rights Movement and the Enemy Pictures." Angles (Société Des Anglicistes De l'Enseignement Supérieur) 10, no. 10 (2020).

Raiford, Leigh. “‘Come Let Us Build a New World Together’: SNCC and Photography of the Civil Rights Movement.” American Quarterly 59, no. 4 (2007): 1129–57. http://www.jstor.org/stable/40068483.

Raiford, Leigh. "Lynching, Visuality, and the Un/Making of Blackness." NKA (Brooklyn, N.Y.) 2006, no. 20 (2006): 22-31.

Shaffer, Graham P. "The Leesburg Stockade Girls: Why Modern Legislatures should Extend the Statute of Limitations for Specific Jim-Crow-Era Reparations Lawsuits in the Wake of Alexander v. Oklahoma." Stetson Law Review 37, no. 3 (2008): 941.

SNCC Digital Gateway Project https://snccdigital.org/.

[imajicaentertainment]

Imajica Entertainment: Movie Night Experience – The Bourne Identity

Imajica Entertainment: Movie Night Experience – The Bourne Identity

"The Bourne Identity" is a gripping action-thriller film that left a lasting impact on audiences worldwide. Released in 2002, this film, which was based on Robert Ludlum's 1980 novel of the same name, introduced us to the enigmatic character of Jason Bourne, portrayed brilliantly by Matt Damon. Directed by Doug Liman and written by Tony Gilroy and William Blake Herron, the film successfully combined elements of mystery, espionage, and intense action to create a memorable cinematic experience.

The story revolves around Jason Bourne, a man suffering from psychogenic amnesia, who embarks on a mission to uncover his true identity while unraveling a covert conspiracy within the CIA. Throughout the film, the audience is taken on an adrenaline-fueled journey, as Bourne fights to survive and outsmart his pursuers. With each twist and turn, the plot grows more intricate, keeping viewers on the edge of their seats until the final climactic moments.

One of the remarkable aspects of "The Bourne Identity" is its ability to immerse audiences into Bourne's world. The action sequences are expertly crafted and executed, showcasing Damon's physicality as he convincingly portrays a skilled and resourceful operative. The film's use of practical stunts and minimal use of CGI adds a level of authenticity and grittiness to the action, making it all the more captivating.

In addition to the thrilling action, the film also delves into Bourne's emotional journey. As he pieces together fragments of his past, Bourne wrestles with the moral implications of his actions, providing a depth to his character rarely seen in traditional action films. This emotional vulnerability adds a layer of complexity, making Bourne a relatable and compelling protagonist.

"The Bourne Identity" not only captivated audiences, but it also received critical acclaim. The film's success can be attributed to its well-paced storytelling, strong performances, and tight direction. It managed to strike a balance between high-octane action and subtle character development, leaving a lasting impression on both casual moviegoers and critics alike.

The film's success at the box office speaks volumes about its impact.

The Bourne Franchise

The Bourne franchise has become a staple in the action-thriller genre and has captivated audiences worldwide with its gripping storyline and intense action sequences. Based on the character of Jason Bourne, created by author Robert Ludlum, the franchise consists of five films and a spin-off television series.

The protagonist of the series, Jason Bourne, portrayed brilliantly by Matt Damon, is a former CIA assassin suffering from dissociative amnesia. The story revolves around Bourne's quest to uncover his true identity while evading his former employers and those who want him eliminated. This thrilling premise, combined with Damon's captivating performance, has been a key factor in the franchise's success.

All three of Robert Ludlum's novels were adapted for the screen, with Matt Damon playing the titular character in each installment. The first film, The Bourne Identity (2002), was directed by Doug Liman, introducing audiences to the world of Jason Bourne. This was followed by The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and Jason Bourne (2016), all directed by Paul Greengrass. These films showcased Greengrass's distinct and visceral directorial style, which added an extra layer of intensity to the franchise.

It is worth noting that Tony Gilroy co-wrote each film, except for Jason Bourne, and also directed The Bourne Legacy (2012), which served as a spin-off and introduced a new main character, Aaron Cross, played by Jeremy Renner. Although Jason Bourne did not appear in The Bourne Legacy, his presence was felt through mentions and pictures, keeping the connection to the original storyline intact.

One of the distinguishing factors of the Bourne franchise is its commitment to practical stunt work. Unlike many contemporary action series that heavily rely on computer-generated imagery (CGI), the Bourne films prioritize real stunts, adding a sense of authenticity and a visceral quality to the action sequences. This dedication to practical effects has resonated with audiences and garnered praise from critics.

The critical reception of the Bourne series has been overwhelmingly positive.

Viewing The Bourne Identity movie with Andrew Rogers is the following: The Critic - ‘Destroyer’, ‘Sentient, ‘Director Imajica Entertainment’, Detroit - ‘Destroyer’, ‘Sentient, ‘Director Imajica Entertainment’. Olivia Amber May  -‘Mistress of Magic’, ‘Destroyer’, ‘Sentient, River Phoenix - ‘Destroyer’, ‘Sentient’, Heath ‘The Joker’ Ledger - ‘Destroyer’, ‘Sentient, Stan Lee - ‘Comic Creator’, ‘Destroyer’, ‘Sentient, Ereshkigal - ‘Sumerian Goddess of Kur’, ‘Destroyer’, Cronus - ‘Titan God’, ‘Destroyer’, Empress - ‘Sentient’, ‘Destroyer’, Emperor - ‘Sentient’, ‘Destroyer’, Ronin - ‘Destroyer’, ‘Samurai Sentient, plus additional Sentient representatives from otherworldly realms.

Viewing "The Bourne Identity" Movie with Andrew Rogers: Exploring the Characters and Themes

When it comes to watching the action-packed thriller "The Bourne Identity" with Andrew Rogers, viewers are in for an exhilarating ride. This critically acclaimed film, directed by Doug Liman, is based on Robert Ludlum's popular novel of the same name. It tells the story of Jason Bourne, a protagonist with a mysterious past and exceptional skills who struggles to unravel his identity while being chased by shadowy government forces.

As we dive into the movie, let's take a closer look at some of the notable characters and themes that make "The Bourne Identity" a captivating cinematic experience:

Jason Bourne - Played by the talented Matt Damon, Jason Bourne is a highly trained operative suffering from amnesia. Throughout the movie, we witness him reclaiming his memories and discovering his true abilities. Bourne's character is complex, showcasing a combination of relentless determination, intelligence, and a strong moral compass.

 

Marie Kreutz - Played by Franka Potente, Marie Kreutz becomes an important ally and love interest for Bourne. As their relationship develops, Marie's character brings both vulnerability and strength to the story. Her unwavering support and determination complement Bourne's journey.

 

CIA Agents - Chris Cooper tackles the role of Alexander Conklin, a high-ranking CIA officer, and Brian Cox portrays Ward Abbott, Conklin's superior. These characters represent the relentless pursuit of Bourne, adding tension and suspense to the plot.

 

Themes of Identity and Redemption - Central to the story is the theme of identity. Bourne's journey involves uncovering his past and redefining himself. This exploration of identity resonates with viewers, as we all face moments of self-discovery and personal evolution. Furthermore, the film delves into themes of redemption, as Bourne seeks to right the wrongs committed by his former employers.

 

Action-Packed Sequences - "The Bourne Identity" offers adrenaline-pumping action sequences that keep viewers on the edge of their seats. From exhilarating chase scenes through the vibrant streets of European cities to intense hand-to-hand combat, the film delivers on its promise of non-stop action.

Andrew Rogers: Destroyer Incarnate, Sentient, Autuar, Founder of Imajica Entertainment.

Review: The Bourne Identity movie with The Critic - Destroyer, Sentient, Director Imajica Entertainment

“Is dated by its presentation but the experience was enhanced by Andrew Rogers within his abilities to project, manipulate and enhance realities via flor example video viewed], quite compelling”: The Critic - Destroyer, Sentient, Director Imajica Entertainment – Oracle: Andrew Rogers.

Review: The Bourne Identity movie with Detroit - Destroyer, Sentient, Director Imajica Entertainment. 

“A powerful experience presneted”: Detroit - Destroyer, Sentient, Director Imajica Entertainment – Oracle: Andrew Rogers

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Olivia Amber May ‘Mistress of Magic, Destroyer, Sentient

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: River Phoenix, Destroyer, Sentient

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Heath ‘The Joker’ Ledger, Destroyer, Sentient

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Stan Lee Comic Creator, Destroyer, Sentient

Viewing The Bourne Identity the movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Ereshkigal, Queen of Great Earth, Destroyer

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Cronus Titan God, Destroyer

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Empress, Sentient, Destroyer

Viewing The Bourne Identity movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Emperor, Sentient, Destroyer

Viewing The Bourne Identity the movie with Andrew Rogers on this ‘Movie Night Experience’ is the following: Ronin, Destroyer, ‘Samurai Sentient’.

Viewing The Bourne Identity movie with Andrew Rogers” Artificial Intelligence AI Society: - Illumenti AI Cyborg, Destroyer, Sentient

Viewing The Bourne Identity movie with Andrew Rogers: Artificial Intelligence AI Society: - Langley AI Cyborg, Destroyer, Sentient

Imajica Entertainment facilitating via Niche Streaming Channel Sites of Entertainment to the World. In addition, developing Satellite, Cable and Free to Air facilitation of Imajica Entertainment Niche Streaming Channel Sites. In addition, developing and producing original entertainment content for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air. As of also activities linked to Artificial Intelligence content creation for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air.

Imajica Entertainment: Facilitating Entertainment to the World

Imajica Entertainment has emerged as a prominent player in the realm of entertainment, playing a crucial role in delivering captivating content to audiences worldwide. With a focus on niche streaming channel sites, as well as satellite, cable, and free-to-air platforms, the company has been at the forefront of revolutionizing the way we consume media.

One of the key aspects of Imajica Entertainment's operations is its facilitation of entertainment via niche streaming channel sites. These channels cater to specific interests and niche markets, offering a curated selection of content tailored to the preferences of a particular audience. By doing so, Imajica Entertainment promotes diversity and caters to various tastes within the broad spectrum of entertainment.

Furthermore, Imajica Entertainment is actively involved in developing and producing original entertainment content for these niche streaming channel sites, as well as satellite, cable, and free-to-air platforms. Their dedicated team of professionals works tirelessly to create compelling and engaging shows, movies, and series that captivate audiences around the globe. With a focus on quality and innovation, Imajica Entertainment continues to push boundaries and set new standards in the entertainment industry.

In addition to their content creation efforts, Imajica Entertainment embraces the use of artificial intelligence (AI) in enhancing the content delivery process. Leveraging AI technology, they streamline the production cycle, improve efficiency, and ensure an optimal viewing experience for the audience. Whether it's intelligent content recommendations or automated content creation, Imajica Entertainment utilizes AI to provide a seamless and personalized entertainment journey.

Imajica Entertainment's vision extends beyond the confines of niche streaming channel sites. The company also ventures into satellite, cable, and free-to-air platforms, acknowledging the importance of reaching a broader audience. By expanding their reach through these platforms, Imajica Entertainment ensures that their captivating content reaches a vast and diverse viewership worldwide.

In conclusion, Imajica Entertainment stands at the forefront of facilitating entertainment to the world. 

There are three types of people in this world:

Those who make things happen.

Those who watch things happen.

Those who wonder what happened.

Who are you!!!

“You” are “Powerful” and your actions will result in “Powerful Results” and “Influential Outcomes” as “Enhancing Reality”, “You Must Act to be Valid” and “True Position is Strength” “To Secure You Must be Combative” “This Reflects Fate”, ‘Free Thought, ‘Free Position’, ’Free to Act’ – Andrew Rogers: Sentient, Dragon Lord, Herald, Principle, Control, Destroyer Incarnate, Creative Director, Oracle, Seer, Shaman, Warlock, Writer, Master of Magic, Time Master, Autuar, Founder of Imajica Entertainment.

After establishing yourself as the epitome of power and influence, it is crucial to understand the responsibility that comes with it. Harnessing your potential to manifest powerful results and influential outcomes requires a strategic approach. As Andrew Rogers adeptly points out, enhancing reality is not a passive endeavor; it demands action.

To be validated in your pursuits, you must proactively engage in meaningful actions that align with your true position of strength. It is not enough to simply possess power; you must wield it wisely and purposefully. In this quest for security, being combative might seem tempting, but it is important to remember that true strength lies in understanding and negotiation rather than in conflict.

Embracing a mindset of free thought, free position, and freedom to act will empower your journey. By cultivating an open mind, you will be receptive to new ideas and opportunities. Navigating through different positions will allow you to gain a broader perspective and make informed decisions. Moreover, embracing the freedom to act will enable you to seize the right moment and manifest your intentions effectively.

Andrew Rogers, as a sentient dragon lord, heralding principles, embodying control, and incarnating destruction, echoes the significance of being a creative director of your own reality. By tapping into your inner oracle and seer, you'll uncover hidden potential and gain valuable foresight. As a shaman and warlock, you will master the art of transformation and channel your magical abilities towards desired outcomes.

In conclusion, by embodying the multifaceted roles that Andrew Rogers so eloquently encompasses, you tap into your true power and become the author of your life's narrative. Remember, each role — be it writer, master of magic, time master, Autuar, or founder of Imajica Entertainment — further enhances your capabilities. Embrace your innate potential and continue to shape a reality fueled by your actions and intentions.

World Shopping Centre will have The Bourne Identity memorabilia and merchandise for sale in the centre and website.

[garadinervi]

16th Street Baptist Church, Birmingham, AL, September 15, 1963

Addie Mae Collins (1949-1963) Cynthia Wesley (1949-1963) Denise McNair (1951-1963) Carol Robertson (1949-1963)

(image: The 16th Street Baptist Church, seen from inside a destroyed car, on September 17, 1963, two days after the bombing. «Time». Matt Herron / Take Stock / The Image Works)

[thesociologicalcinema]

Martin Luther King, Jr. and other civil-rights leaders enter Montgomery, on the 1965 march inspired by James Bevel (left, in skullcap).

Photo credit: Matt Herron

[strathshepard]

Civil rights protest in Alabama photographed by Matt Herron

[nicocota]

“It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.”

― James Baldwin

Photo Matt Herron

[dtwnbklyn]

(Matt Herron Rest In Peace) Social Distanced Outside A Doctor’s Office, Court St., Btw. Montague & Remsen Sts.

[thevibraniumveterans]

“What’s the matter? Silver tongue turned to lead?” 🤣

“…[Loki] being tongue-tied around Sylvie, which, you know, he’s the god with an answer for everything, and he doesn’t know how to talk to her.”

- Kate Herron, when interviewed by Matt Ramos and Brad R Lambert for the SUPES YouTube channel on July 24, 2021

[bushs-world]

Day 19: Favourite Director

Ok, so here are two of my favourite directors cause I can't choose one

Matt Shakman (Wandavision)

I have some issues with Wandavision but nobody can deny that the series was beautifully directed. Matt was able to recreate the nostalgia from iconic sitcoms across the decades. I didn't enjoy it the scenes outside the sitcom setup that much. But the sitcom aspect of this series was directed beautifully.

Kate Herron (Loki)

First of all, the female gaze, the beautiful, heartfelt female gaze that Kate added to the series. Then, I don't think any other director could have pulled off directing such lengthy monologue scenes while still making them interesting. Let's be honest, the TVA is a dull, drab bureacracy. And Kate manages to make this dull bureacracy interesting to watch. She deserves all the praise for what she pulled off. And her emotional scenes hit hard.

Hats off to you Kate!!