Guerrilla Girls (Grup d'artistes)
Do Women Have to Be Naked to Get into the Met. Museum?, 1989
Graphic material, 27.3 x 71.1 cm
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Gold scent bottle. France, 1749 – 1750
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edwardian undergarment, 1900s, met museum
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I saw this painting of a goldfish at the MET and
His expression, his pose, his essence,
him.
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house of ricci “wedding ensemble” (2oo8), designed by olivier theyskens, on display at the met .
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At a recent preview of The Met’s “Lives of the Gods: Divinity in Maya Art,” visitors marveled quietly at large relief stoneworks and painted ceramic vessels excavated from lost cities abandoned during the Classic Maya collapse. The galleries were softly lit if not totally dark — opening the floor for the centuries-old works to speak for themselves.
With both the natural decay and intentional destruction of almost all Maya texts, ancient Maya spirituality is deciphered and analyzed primarily through these precious objects.
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"Cardinal" Cape, American, last 3rd of 18th century, wool
"The hooded cape is a variant of the capuchin, or monk’s habit. It is gathered in a circular shape at the back to stand high without crushing the mobcap or coiffure underneath."
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Milton H. Greene, Marilyn Monroe, 1955
VS
Block statue of Minhotep, 1850-1640 BC
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The armor and helmet of the samurai Honda Tadakatsu also referred to as "The Warrior who surpassed Death itself" because he never once suffered a significant wound, despite being the veteran of over 57 battles by the end of his life. Momoyama period, late 16th century.
Met Museum
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Met Museum by Liza Charlesworth
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Propaganda, Vivienne Westwood AW05
'Westwood said that this dress was her most important work to date. Comprising a beautifully constructed and boned bodice as its base, the gown has been draped, fitted, and spiraled around the body in one unbroken length.'
In the collection of The Costume Institute at The Met.
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