#meta finding tag

[swinging-stars-from-satellites]

the THING about Jonah and Amy though is that he's LITERALLY IN LOVE WITH HER FROM DAY ONE. THE ENTIRE TIME. and he's obviously self-aware about it from very early on as well (the lady doth protest too much methinks). he's constantly being like no, she's married, I don't like her like that even though he DOES and he KNOWS IT (and everyone else around them knows it too) but he Knows that it can't happen. there is a lot of extremely poorly disguised yearning that both fades (settles) and grows as their friendship develops. like, he's always looking at her Like That (you know what I mean) and it's SO full of love and longing but always incredibly respectful. he Knows he's in love with her but denies it even after she and Adam split up bc he doesn't want to put that on her. his capital-R Romantic Yearning is his own problem, not hers. he loves her so much and he keeps it to himself, but the most valuable thing is: he DOES show it. he loves her just by being a friend. no strings attached. he expects absolutely nothing in return and yet. and YET.

[thebeautifulfantastic]

describing each mcu disney+ tv series in one word:

wandavision: introspective

the falcon and the winter soldier: reconstruction

loki: redemptive

what if: hypothetical

hawkeye: nostalgic

moon knight: revolutionary

ms marvel: joyful

she-hulk: forced

[vorestarr]

ascended astarion and vampire spouses

so I've been reading the dnd 2e manual "Van Richten's Guide to Vampires" for fic/game inspiration, and there's this really interesting chapter on vampire brides and grooms. after reading it, it's very clear to me that Astarion didn't turn Tav into a typical spawn, but into a vampire spouse, which are two very different rituals with very different outcomes.

the typical vampire spawn creation process is exactly what Astarion describes happening to him: a painful death, a painful rebirth into undeath, fighting his way out of his own coffin, and Cazador's complete control over him. this is described pretty clearly in the guide to vampires:

According to most related tales, a vampire can create another simply by killing a mortal either with its life-energy draining power (draining all the character's experience leveIs) or by exhausting the mortal of his or her blood supply. If the victim's body is not properly destroyed, it arises as a vampire, under the control of the creature who killed it, on the second night following the burial. [...] Most vampires remember the instant of their death and the nature of their killer, and understand immediately their new nature. Certainly their new hunger gives them a good idea of what they have become. They must immediately free themselves from their grave. either by breaking it open from within or by assuming gaseous form and diffusing out.

so that's definitely what happened to Astarion, but that's not what happens to Tav. after ascended Astarion turns Tav into a vampire, they can ask him what happened, and he describes the following:

Astarion: You are so beautiful... And you will be beautiful forever. Thank you for trusting me. Player: What exactly happened? Astarion: You were drained dry, and at the height of your delirium, I granted you one drop of my own blood. Things will be a touch different for you than they were for me when I was a spawn. I'm imbibed with unfathomable new talents. I am fairly certain I can extend Mephistopheles' blessings unto you. Player: Does that mean I need not fear the sun? Astarion: You need not fear anything. You will be stronger, swifter, sharper, but you won't be different. You were already perfect before. It's hard to improve.

for reference, this is how the guide to vampires describes the ritual for vampire spouses:

To actually create the bride, the vampire bestows what is known as the "Dark Kiss". lt samples the blood of its mortal paramour—once, twice, thrice—draining her almost to the point of death. This process causes the subject no pain; in fact, it has been described as the most euphoric, ecstatic experience, in comparison to which all ether pleasures fade into insignificance. Just as the subject is about to slip into the terminal coma from which there is no awakening, the vampire opens a gash in its own flesh—often in its throat—and holds the subject's mouth to the wound, As the burning draught that is the vampire’s blood gushes into the subject's mouth, the primitive feeding instinct is triggered, and she sucks hungrily at the wound, enraptured. With the first taste of the blood, the subject is possessed of great and frenzied strength (Str 18, if the character’s Str isn't already higher), and will use it to prevent the vampire from separating her from the fountain of wonder that is its bleeding wound. lt is at this point that the creator-vampire's strength is most sorely tested. He is weakened by his own blood loss, and also by his own rapture as the "victim" of a dark kiss. Overcoming the sudden loss of strength and the inclinations of lust, the vampire must pull her away from its own throat, hopefully without harming her, before she has overfed. Should the subject be allowed to feed for too long (more than 2 rounds), she is driven totally and incurably insane, and will die in agony within 24 hours. Once the subject has stopped feeding, she falls into a coma that lasts minutes or hours (2dl2 turns), at the end of which time she dies. Several (1 d3) hours later, she arises as a Fledgling vampire—and her creator's bride.

this to me sounds like what Astarion describes. he drains Tav almost dry, and at the very last moment, gives them a single drop of his blood. (also interesting reading this guide, the single drop avoids the problem of the vampire spouse being driven ravenous with hunger for the vampire creator's blood and attacking them. did Astarion know this and give them one drop on purpose to avoid that and Tav potentially being driven mad by it? or was he being selfish and this is just a nice but unanticipated outcome?)

i kept reading and there's a lot more interesting information about vampire spouses, but the most interesting thing I found related to the game was this:

Although there are some folk tales that describe the bride of a vampire as its slave, in much the same way that offspring are slaves, a bride is free-willed from the moment of her creation. The creator vampire does have great influence over the bride. however although this control is totally nonmagical. When a vampire is created in the traditional manner—that is, when a victim's life energy is completely drained away—the new fledgling instinctively understands much about the vampiric way of unlife, and about its own strengths, weaknesses* and needs. Not so the bride.

so basically, the vampire spouse is not tied to the vampire creator in the same way as a spawn (i.e., not able to be fully controlled) but is still extremely reliant on the vampire creator to teach them how to live as a vampire. the guide goes on to describe that some vampire creators may lie to their vampire spouse about the control or powers they have, in order to exert more control over them.

interestingly, if you ask Astarion if he can compel you the way Cazador compelled him, he doesn't give a straight answer, he just says this:

Player: Cazador could compel you - can you compel me? Astarion: Why would I need to? You're going to be wonderfully obedient.

to me, all of this says that Astarion was telling the truth when he told Tav that they would be different from him as a spawn, and also in emphasizing that they are not a spawn but a consort. he didn't create a spawn, he created a vampire spouse. he married Tav, and because of this Tav also retains their free will.

of course, Astarion doesn't say this. if he knows, he withholds this information in much the way that this guide describes, as a way for the creator to maintain more control over their spouse. but still, extremely interesting implications for the ascended Astarion romance, imo.

other interesting facts about vampire spouses from the guide to vampires:

the married couple has telepathic communication that can span miles -- so Tav and Astarion can potentially have a telepathic bond even after the tadpoles are gone. (another note, this communication has to be consensual both ways for it to work, so you can't just dig around someone's mind if they don't want it.)

the vampire creator is extremely jealous and possessive. (yeah lol)

their life forces are linked, so one suffering a great deal is felt by the other.

the bond can be broken, but the ritual to do so has to be initiated by the creator. to break it, they both spill their blood on the ground and allow it to mix. this dissolves all aspects of the bond (i.e., telepathy and linked life forces), but the spouse stays a vampire.

[salemoleander]

I don't know how it felt when Third Life started, but I like to imagine Secret Life feels a little like those first few sessions.

Not that we can ever get back to that naiveté! BUT. Idk if it's the silliness of the tasks or the generous game-ified rewards or Gem & Mumbo & Lizzie but it all just feels so new.

This is the first Life Series where they could actually defeat the Ender Dragon. Beat the game. Leaving aside any meta or lore or whatever- consider how special is it that they can win the original battle, the core goal of Minecraft, together.

This world is gentle - I know it lacks regen, but is it so terrible to be cautious? To have time and reason to go slow?

Food is abundant. Plentiful passive mobs, and a way via spawn eggs to get more. There are berries and pumpkins, and cherry and dark oak and mangrove trees, not generated but kindly placed. A mesa and a jungle and a savannah and a plains and a jungle - so many biomes to choose from.

The tasks so far are silly, kind - puns, pranks, nicknames. Building homes near each other. Poetry. Trust falls. What does it say that the worst task is simply to dig a hole?

They can gift hearts for free! And 30 hearts a person! A creeper blew up right behind Scar, and this time he lived. They are all so strong here.

With a way of getting more health, and the barrier to death so high... I'm sure the CCs have their plans, but per the world we know right now: no one has to die. There's an impossible, wonderful sense that this time could be different.

[ineffectualbookseller]

The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field

It's in all the little niggling comments from your boss about personal things that hold no bearing on your work

and the assumption that what you're doing must be simple if it was assigned to you

your work is trivialized

and you get these the placating smiles when you're told plans and proposals are rejected and passed over

or when your complaints are dismissed

and you get more of the same from upper management

it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day

It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity

The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again

(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)

Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off

[irisbaggins]

Spoilers ahead for the finale!

An aspect of the final battle that got lost after Viola's amazing attack, was the fact that Tula nearly killed her son. And that, I think, is something I would really like to delve my teeth into, to properly look at what happened.

The thing that struck me the most during Tula's attack on her son, was that Jaysohn did manage to snap her out of it. In the context of the story, Jaysohn grappled his mom to get her to stop, and even after getting viciously bit by her, he still managed to get her back to herself. He managed to get to his mom fast enough, and used himself to protect the others from the mindless being Tula had become. And, even when faced with near death, this little kid manages to get back up and attack the creature that did this to his mother. Not once did he blame her, having understood enough about the situation to realise his mom was not in control. He knows, he understood, that this was Phoebe, not Tula. And so, the moment he is able to free his mom, still wounded and near death's door, he goes after Phoebe so that his mom won't be taken again.

Tula, however, was aware of everything she did to Jaysohn. She was painfully aware of how badly she hurt her son, how she nearly killed him. And, as Brennan describes;

She is broken, in a way she has never been before. She nearly killed her baby, used as a puppet because she's alive when she should have been dead. The Blue that keeps her alive is what nearly caused her to kill her son. Tula nearly lost everything, yet, once more, it was hope and love that brought her back once more. Her son brought her back.

However, she was silent for the rest of the battle until Phoebe finally fell, and Jaysohn nearly died. She was quiet, too horrified with what she nearly did. Perhaps, had more time been afforded to that moment with Tula and Jaysohn before he decided to retaliate against Phoebe, there would have been...something...that went on. A focus on the fact that it was Tula who went for another member of their family, whilst Ava went for the ground and the reactor. What would that do to her, I cannot help but wonder. What did that do to her, in the immediate aftermath, when she could slow down and process what happened. She must live with the knowledge she nearly killed her own child, and that, had he been just a little weaker or just a little slower, she would've succeeded. She might have been able to bring him back, like she did with Sybil...but she would have to live with the knowledge that she took her son's life. And that thought is horrifying.

Yet, it makes her gentleness with Lukas later all the more significant. Even with the blood of her son on her hands, she still chooses to hope for a better tomorrow. She still chooses to give Lukas - and herself - another chance, another tomorrow. Bad things could have happened, but they didn't, and they all made it out. The "what ifs" will remain in the shadows, in the nightmares, but in the daylight, she will keep her head high. It doesn't lessen the impact of her deeds or her burdens, but it can make them bearable. And, with the addition of her son's refusal to blame her, it makes it just the little easier. She deserves a new tomorrow, too.

[lucrezianoin]

Sometimes I do feel bad for those Astarion fans who went into the game accepting Astarion at full face value and wanting that. The way the game switches him is my favorite part, but I am sure there is a large amount of fans who was disappointed, and then tried to get that feeling againt in ascended Astarion.

I would love to know if there is any overlapping and how big between fans of "seductive Astarion from act 1" and "ascended Astarion is my dream vampire boyfriend who will definitely make me a vampire believe me".

Mainly because how Astarion is presented in act 1 is:

Dangerous (he remarks on that multiple times, one time after you notice he was distracted during sex)

Very seductive and flirty

Clearly sex-based and forward with his advances

Slightly dominant (on this note, I mainly mean the way he directs the first romance scene, he tells the player "this is WHAT YOU WANT" which sounds like he is dictating it, and if the player doesn't play buff he will pick them up too and be the one mainly carrying out the encounter)

How much of his romance and character in act 1 is based on vampirism.

Regarding the vampirism... this almost starts to fade into being only Cazador-related once you find out he is a vampire. But at the start you will have him being distracted by your blood/hunger (stars scene), the boar scene, him feeding on you, talking about blood, being drunk on blood -

But the thing is... the whole "let's discuss vampires" slowly fades away. You never really get the "danger" of the vampire after these scenes, and mainly his dialogues are about his past torture, Cazador, his need to protect himself. His flirting also clearly goes down in level once he has you and becomes something much more honest.

And you take all these classic vampire tropes and kick them in the mud, and say no, actually, let's flip that.

He is not the dangerous creature he presented himself as, he is scared. You can see this playing Durge, but also from his dialogue, the franctic way he tries to look for solution. A romance dialogue with Karlach will also remark on how he is not that dangerous

He is flirty, but silly (you can call him silly even, if you do not immediately give in his seductions)

Sex-based? It comes from trauma, it was his defense mechanism, he might want sex but he does not know how, he wants the intimacy of it, clearly, but he is still recovering

Vampire? Blood? He never takes your blood, there are no more scenes shown by the game that shows the sensuality of the first bite, the only other bite scene is a metaphore for sexual assault where you can get him to drink Araj's blood. What it means to be a vampire, for him, is not pleasant. He dislikes vampires and the consequences that come from vampirism.

And at the end, people who really wanted what Astarion was promised to offer in act 1 can finally get it back by choosing to ascend him. He becomes what he used as a mask in act 1... on steroid. He becomes the stylized version of the "hot dangerous vampire" he was sold to be in act 1.

[poorly-drawn-mdzs]

First and Last appearances of Poorly-Drawn-MDZS Season 1!

[merlyn-bane]

it's almost one am so this might not be very coherent and someone else has probably said it better but--

i know we like to talk about anakin giving his lightsaber to padmé in that one clone wars episode making an unintended parallel to cody always seeming to end up with obi-wan's, but actually i think it's an accidentally genius foil.

anakin giving padmé his lightsaber in that context i think was far more representative of his willingness to forsake his duties for her than it was his trust in her. think about it. anakin was supposed to have been on a meditative retreat--given the fact that he is a prominent front-line general, one can only assume that if they felt it was worth it to pull him out of the field for that, that it was probably the jedi’s way of saying hey, man, you need to get your fucking head back on straight. it wasn't just a fun little spa trip. and instead he tried to get padmé to abandon her own responsibilities to go on a super romantic secret vacation with him. and like. a fair amount of bad shit happened as a direct result of him not having his lightsaber following that conversion.

cody, in almost direct opposition to that, to my knowledge is only ever seen giving obi-wan's 'saber back to him. he is supporting obi-wan in his duties, and in fact, directly facilitating his ability to carry them out.

idk. just something to think about.

[amarriageoftrueminds]

Random Bucky-related Fact I Uncovered:

The house on the left corner there is 169 Clinton Street (circa 1935), Brooklyn, where H. P. Lovecraft stayed 1924-1926. The area’s multiculturalism horrified him so much he had to write The Horror at Red Hook (1927) about it.

Why's this interesting?

Because if you look at this prop dog tag for Bucky in the MCU...

...You'll see that that next-of-kin address ^ for Bucky 

Is two houses down, behind HP Lovecraft's place, on the street you're looking down at the far-left of that image up there. ^

So the area HP Lovecraft found horrifyingly multicultural in the late 1920s, that's where Steve and Bucky were growing up! 😊

[fumifooms]

On beastkin tattoos and drawn/written magic

Tried figuring stuff out because I was making a tattooed beastkin oc. Take it or leave it, just a bunch of observations and theorizing. There is a focus on how the tattoos look but I also try to figure out the underlying principles of how they work.

Table of contents:

observations & important details

Stuff that beastkin tattoos look like

Theories

Non-beastkin tattoos

I called the components lines and dents in the pic above, but it’d be more accurate to call them characters I think, or even symbols. At the time I wasn’t sure if it was a specific "alphabet" used for these tattoos and if they represented anything more than lines to the people using it so I called them like dents in a line or teeth in a toothwheels or inner layers in locks, but since I made the connection to magic circles I think they do. It’s the same structure as with magic circles, lines connecting characters and favoring circle structures. All magic iirc comes from calling upon spirits, so it’s interesting to wonder what written magic does exactly, if it communicates with the spirits or simply compels them.

Observations & important details

The picture at the start summarizes my observations and the recurring patterns, but I’ll also do a rundown and add more. The fundamental structure of the tattoos seem to be lines forming big simple patterns, and then small characters that sprout from a side of those lines. Although, not all lines have characters/dents, and some characters have two lines one on both sides like on Lycion’s forearms. On Lycion’s legs, there are also lines with two rows of characters on either sides, so yeah the line & dents are the fundamental structure but it’s flexible on how it’s put into practice.

Oh yeah, also notable that when doing less intricate doodles like on her blog or Daydream Hours, she often omits details so we can’t be sure on the smaller drawings wether there are dents/characters on some lines or not, we have to assume if they’re implied or if there aren’t any. For example on Lycion’s reference all the lines on his forearms have dents, but if you look at the other beastkins it’s honestly debatable wether there are dents on the lines around their forearms and lower legs, also see Otta’s tattoos on her reference…

One of the more important and puzzling details is that beastkin tattoos look very different depending on the soul type, from werebear to wererat etc etc. BUT we also see with Lycion and that random werewolf, that there is room for difference even within the tattoos for the same soul type… Of course, if we don’t assume that those differences aren’t because the type of canine soul are different, since Lycion does mention he doesn’t know which canine type his was so there’s room for variety there apparently. But I doubt that’d change much within the same genus and whatnot, but still, then we have the question… Weretigers’ tattoos look like tiger stripes, and werebears have lines that seem to emphasize a bear’s chest fur? Those two types have a lot of wavy lines that make them look rather different from werewolf and wererat tattoos. Different soul types certainly seem to require different tattoos, but to what degree is the choice of how and where the lines are placed artistic, and to what degree is it efficient if not necessary? What’s the logic of where they need to be, going from one soul type to the next? The weretiger and werebear one seem to have fitting patterns for their animal, but werewolf and wererat have much more artifical patterns.

One of the recurring patterns with similar placements are all the lines forming circles around wrists, forearms, lower legs and ankles… Positions do seem to be important especially with the recurring placings. Maybe the lines are in the places that are expected to change the most: legs and ankles & wrists with new inhuman different joints, strong muscled shoulders for tigers, strong core for bears, etc. A tiger’s eye, with all the tattoos around them…? More lines = an easier stronger more efficient transformation? With the differences in tattoos for same soul types I don’t know how much precision in the pattern themselves are important tbh, though I imagine the characters/dents are the crux of the magic and precision there is the most important. Feet and hands tend to be untouched though, Lycion is the exception to this with tattoos on his hands and fingers. Circles seem overall important imo, lines are almost always curved, or go straight around a limb to reach its other end and form circles that way, werewolf torso tattoos, etc etc.

In Lycion’s ref the tattoo ink is a brownish red, but we don’t see if that’s the norm- is what I would have said before the new Daydream Hour came out with some tattooed elves portraits where they’re a vivid red. Fleki’s tattoos are covered in her main colored reference(and in the mangas all tattoos are black ofc including Lycion’s, while on her blog and Daydream Hours the color is inconsistent and often black too), Otta’s are black though they also seem at least partly non-magical? The snake/rope pattern doesn’t look consistent with magical tattoos in general imo. Pictures of these tattoos are compiled at the end of the post btw.

It’s also important to remember, because of the pic below, we can never truly be sure of what’s necessary for the tattoo to work and what’s just artificial flourish, though with Lycion I feel like it’s implied that there’s nothing in his tattoos trying to hide in the meaning. It’s also interesting to note that magical tattoos can have random patterns added without it interfering with the tattoo’s purpose. Is it the placement that make them harmless, or that they mean nothing in tattoo magic so it’s like an extra useless line of code that doesn’t get processed? Or is it that once your tattoo is done the meaning of it is sealed, and even if you were to fully cover it up in a solid black square of ink it wouldn’t do a thing? No clue, but it’s all very curious.

Other stuff they look like

A buddy pointed out that one of the recurring patterns looks a lot like DNA strands. Maybe the "dents" signify the different base pairs?? Probably verifiably untrue since that’d mean there would only be a few different type of dents, and also if they’re doing DNA sequencing that would be crazy, but doesn’t that just make you wonder… 👀 Tattoos are like a conduit for magic (mana? Which is also a sort of life force) so I do rlly like the idea that beastkin tattoos specialize in and target the DNA in the some way.

We never see the tattoos from up super close, but especially with Lycion’s the "dents"/characters remind me of norse runes a bit. Mostly because of the structure of straight lines and the simplicity of each character as far as I can tell. Runes being used in magic isn’t a new concept so I wouldn’t be surprised if Kui intentionally incorporated them into art/writing-based magic. Culturally it doesn’t fit well in with the elves as much, but a few of them do have old norse names. (And magic tattoos seem to be a very elven thing)

And another buddy also pointed out that with the characters being connected with a line it was reminiscent of the devanagari script. The elves have a good amount of indian coding, with names and some characters having bindis etc etc, so if intentional it’d be quite an interesting detail.

(Source for second one. I couldn’t find handwritten examples where there’s a clear line between characters much)

Oh- and if we continue the train of thought of indian coding, are reminiscent of henna! The brownish red color is especially on point.

Lastly and very much least, drawing lines that separate and denote body parts always remind me of the guidelines for butchers that people often point to and even draw on the animal when cutting. Since this is the cooking manga I wanted to put this in.

Oh yeah! I should mention that some of the tattoos, especially with the wererats and the lines going down the torsos, also remind me of dissection/vivisection scars/lines.

Theories

Magical tattoos are like a conduit for magic, is what is said. In case of beastkin tattoos, that makes me think it’s not that the tattoos are what keeps the extra soul bound to the body but that they’re what allows the human to freely shift between human and beastkin form, unlike Izutsumi who can’t because she doesn’t have tattoos. So thus the souls are merged with or without the tattoos, but the tattoos help control and reign back the extra soul and its influence both on the body and on the mind. Sort of like a seal. The soul is bound by and not bound in the tattoos. Filtering the animal soul out and not in. Close but not exactly the same theory is that the tattoos are what keep the souls separate, and if there weren’t tattoos the souls would just mix. So then the tattoos are less about control and more about separation itself.

But it depends a lot on the angle you look at it with. Like while some think the soul is within the tattoo, I think the soul is within the body but the tattoos help ‘circuit’ and control it. My friend is convinced that it’s the first and theorizes a lot around that, but I plan to mostly talk about my own take here bc I don’t find the arguments compelling personally. (Do prove me wrong if you can /gen)

We know from Lycion explaining the different beastkins that what animal you can merge with is dependent on size and stature, the build of the body, but the line where a body becomes incompatible with an animal is rather blurry. Nimble bodies become werewolves and beefier ones become werebears, and the only prospect for halflings are rats. We do also know that Izutsumi and assumedly a panther bonded just fine. Obviously, a rat and a halfling still aren’t anywhere the same size, so again the line or hard limit is blurry. My take is that this is because the bodies have to shift between human and beastkin, the transformation has to not strain the body too much. If you try to transform a square into a circle, the muscles and skeleton might really struggle to adapt if not even just mess up. Lycion talks about the physical (and mental strains) in the pics below. Beastkins that don’t have tattoos and are permanently fused like Izutsumi might have more of a wriggle room since they don’t have to transform to and back regularly? But yeah if the animal and human bodies aren’t compatible enough maybe the body would collapse, or just be incredibly painful, who knows. It’s a bit terrifying to imagine what the failed soul bindings and shiftings must have been like when developing all this know how of the magic and what does and doesn’t work. Besides height, general size and body type, the amount of fat of a person might matter, like maybe for werebears. Healing and resurrection magic does take fat away from the body so maybe transformations would be a necessary cost on top of the mana? Or just be needed to form muscles, fur, etc? But yes from the examples we saw I feel like maybe werebears need fat, weretigers need musculature, wererats need to be on the nimble side, and then werewolves have loose requirements? More like ideals than requirements, I really doubt a fat wererat is impossible for example.

My main theory is that the tattoos are more about the transformation than binding the soul to the body, right. For example places that have a lot of tattoos and lines circling around limbs are ankles and lower legs, which with animal leg structures would get changed a lot during the transformation, bones and all. So the artistic parts are more about the tattoo artist’s will and about what parts of the animals are important or require more change while shifting, rather than it being a depiction of the soul’s essence or something like that. As support I think the pictures below referring to the physical strain of being a beastkin are relevant.

With this sort of tattoo magic, it’s a gut reaction to think that maybe there’s a special magical ink used. I doubt it, I feel like if the type of ink was a big component of how the magic works Kui would have mentioned it. There are some tattoos that are black like Otta’s iirc, but all the others are generally red so that could be support to that theory. The patterns evidently do matter a lot, so I don’t think it’s implausible that the patterns on their own are enough to fulfill their purpose. There’s also how "[the tattoos] are like a conduit", so I don’t think the tattoos cost or give mana but rather they, well, conduit the mana that’s in the body to be as efficient as possible or to fulfill certain specific tasks, like transforming, / lifting the wall between you and the animal soul bound to you.

Sigh how the hell does tattoo magic even work. "The tattoos are like a circuit" SURE but the symbols have to still mean something right… But then how does adding random patterns to camouflage the tattoos come into play without affecting the meaning, and if there’s an artistic or varying aspect to it and tattoos differ from one individual to the other for the same purpose then maybe it just isn’t a strict magic at all? I do find it fun that we don’t really know the underlying principles of the magic so it’s hard to even know how it activates and whatnot. Going back to tattoos being able to have extra patterns tattooed on top of it without it affecting the performance of the tattoo... But yes I do lean towards the explanation that as long as the extra patterns don’t mean anything they don’t interfere. But like if you just drew a line over the character/symbols/dents would it register that and stop working, or no? The limits are all so blurry… Here’s to hoping the world guide book 2 has info on it!! Readying myself to either get full face slapped or to have "I told you so" bragging rights.

Theoretically, it should be possible to bind two human souls together, or a monster soul. Izutsumi and Lycion’s souls are called feline and canid monsters iirc, but that’s like calling a panther a monster, I wonder if an actual monster from a dungeon’s soul would be more unstable to bind and to shift into… Monsters can leave dungeons, but I wonder about The Demon’s influence on them, like how he’s able to manipulate at will Kensuke, maybe it’s as long as a monster is in a dungeon? That could potentially be sooo bad for the monster beastkin. Wild speculation though, and I imagine being a human-human beastkin would be super extra mega taboo, I wonder if it’s ever even been tried according to elven records. This is the section that was important for my dunmeshi oc lol, evidently I think tattoo magic is very interesting so I want to explore the limits of it with ocs, a tattoo artist trying more and more ambitious projects and soul like a lovecraftian protagonist learning about what should be left unknown, and a dude who really wants to be More Than Human and divine almost with identity issues that decides to take on like 6 different souls. If you’re interested here’s the dude, still a huge wip tho.

I think it’s important to remember that tattoos are used for different magic and effects too, not limited to beastkins.

Edit 10/2/‘24 oh hey a leak, neat

Other non-beastkin tattoos

I know that I didn’t point out every detail and difference ever, like in that magical tattoos extra with the halfbody person those assumedly aren’t beastkin tattoos even if I included it in the main pic, and how the bust in that same picture has a line of characters around the neck without any line connecting them much like in the pictures below.

Which speaking of this is a good place to talk about different cultures having different systems or characters for magic? The torso of that guy in the upper right corner for example has very different patterns than what I’d have expected with the beastkin tattoo examples. And of course, Izutsumi’s tattoo…

Izutsumi’s tattoos support that the characters/symbols are the most meaningful and important part. Also goes against the assumption that the elven written magic system is because the symbols communicate with the spirits better, since well, they seem to understand japanese just fine. Maizuru’s written magic is said to be akin to gnomic magic, and she reminds me of irl onmyodo a lot. Like many other types of magic, different regions, people and cultures find different ways to practice their version of it.

And here with Otta, what I said earlier about her tattoo being ink and her tattoos not really seeming magical imo, maybe except the ones around her forearms.

[swinging-stars-from-satellites]

so here's the thing. Cass's favorite brother is probably Tim. he's her little guy, her sweet cheese, her good time boy. they're both very similar to Bruce in a lot of ways, but more than that, they find it easy to be around each other. Tim is more quiet than the others, which Cass appreciates, but he's also fascinating to watch because there's constantly a thousand things going on beneath the surface of him. Cass and Tim are masters of parallel play, but only and primarily with each other. Tim is quiet when Cass wants to be quiet or talks when she needs to talk, and if she doesn't have the words for something he never so much as bats an eye (even Dick bluescreens sometimes trying to figure her words out), he just helps her find the right ones. Tim can read her almost as well as she can read him, just slower and not trained into him, it's just how he is. he looks at her and tries to figure out how she works, the way he does with everyone, a way most people don't. it makes her feel seen the same way she sees, and that's valuable to her.

another thing is that Tim is also, in all honesty, Jason's favorite brother. like it's almost counterintuitive considering how they first really met, but hey — brothers forged in blood, right? there's some wild poetry to it and they Get each other on a level the others don't really bc they're the middle children, 2nd and 3rd and always afraid of being rejected. but they've got each other. Tim is Jay's favorite because he's so incredibly forgiving (to be welcomed back to the family by the kid he nearly killed? the kid he hated? INSANE.) and because he doesn't judge. (Jay is Tim's favorite bc he's chill when Dick or B can be smothering sometimes. Jason isn't the one who lost a brother and a son, he's the one who was lost, so he's not quite so afraid of losing. yes, he's protective, but not overwhelmingly so.) they have an instinctive kind of brotherhood where they balance each other out, tempering each other's worse tendencies and bolstering the better ones without having to talk about it.

the third thing: Cass really does not like Jason. she has the no-kill rule in her heart even before she had words to explain it, and it's different than with Bruce because she's lived it. she's lived the reason why they have that rule. and Jason has too, but come out on the other side, what Cass considers the wrong side of a worldview completely different than her own. Jason kills, he breaks the law written in her soul and in their adoptive father's, and no one stops him. she can't comprehend it, and she will never accept it. she rarely uses his name, rarely interacts with him at all if she can help it because much as she wants to start a fight, it would hurt Bruce if she did and she doesn't want that. she just calls him Hood, most of the time. if they absolutely have to work together, she does what needs done and leaves.

so. Cass hates Jason. and Jason hates being hated. as far as the principle goes, he can get why Cass doesn't like him, but she's loath to even be around him and that bothers him. she's just this side of being actively hostile, meanwhile Jason is honestly trying his best not to tick her off but it's really hard when he gets glared at by possibly the most intimidating Bat every time he's at home. the same way there's a difference between Bruce and Batman (they put away masks at home, or at least they try to), there's a difference between Jason and the Red Hood. but Cass, determined, rock-solid Cass, refuses to accept that. it's not a good situation, especially when Tim gets in the middle of it, because both Cass and Jason love Tim but hate each other and Tim is just tired and wants his siblings to get along and see, this is why he prefers one on one time to family gatherings.

because at some point something happens and Tim gets hurt, maybe captured or outnumbered (as capable as he is, even a great strategist and skilled fighter can be overwhelmed at times) while out on patrol, and Oracle, sitting in front of her computer array, sighs and rubs her temples and opens up a communications channel to the only two Bats available to assist — Red Hood and Black Bat. she tells them what's up, gives them Red Robin's location, and then dips back out of the channel because she is not going to spend the rest of the night listening to palpable silence from Cass and increasingly frustrated questioning from Jason. she's not paid enough for that.

so Cass and Jason HAVE to work together. HAVE to team up to save their mutual favorite sibling (who, for what it's worth, has no clue he's ANYONE'S favorite). and neither of them is pleased with this turn of events, on multiple counts — 1, Tim is hurt. 2, Cass hates/at least strongly dislikes Jason. 3, Jason has tried everything to make peace with her and is honestly feeling a little bit desperate about it at this point because he has tried EVERYTHING, so now he's just right back at aggression. it's a situation that really can't have a good outcome for everyone, because Cass and Jason's mutual dislike for each other is at odds with their mutual love for Tim and both of them arrive at the same conclusion: all they can do is work for the best outcome for their little brother.

Tim, who has only been lightly stabbed and could have probably gotten by with just one person for backup instead of two, let alone THESE two, is both exasperated by the turn of events, and just plain glad that someone came for him. he's bleeding and hurting and watching from the alley floor as Cass stares (glares) at Jason, who's trying to figure out how to get a shot in that will give Tim a way out without, yknow, shooting his brother in the process.

and then Cass just swoops down and between her insane skills and the intimidation factor of a bat with a full-face mask the entire situation is diffused before Jason has a chance to shoot anybody, which is a better outcome than Tim expected. Jason grapples down as Cass is finishing up with the last few bad guys and she turns around and starts glaring through the mask again. the problem is, she loves Tim. he's her favorite brother, the one most like her and most like their father. but Jason loves Tim too, and Cass can see it as soon as she looks, really looks to see it. and it's so, so obvious when she sees Jason's bloodstained, scarred hands carefully bandaging Tim's (slight) stab wound and the fact that Jay pulled off his helmet as soon as it was safe to and is talking and grinning and keeping a steady eye on Tim because everyone knows that Tim plays down his injuries often and you have to watch him, because he's smart enough to hide things unless you really know him. and Jason knows him. and Cass can see that. and as much as she doesn't like Jason, as much as she's possessive of Tim, she softens for just a minute.

not that she'd ever tell anyone, and Tim was too distracted and half-foggy from blood loss to see it in her at the moment. Cass still doesn't like Jay. Jay is still utterly frustrated by the fact that she won't give him a chance. Tim is still annoyed by all of this and complains to Babs about it (bc Steph just laughs and says all three of them need to suck it up and move on, which is TRUE, but unhelpful) any chance he gets.

it isn't until an Arkham breakout, not the worst they've seen but obviously not good news, when Jason gets badly hurt and Tim (who was with him at the time) gets Really Scary, like full-on not moving a muscle, staring down the man who did it with such intensity that it feels like he could kill with only his masked eyes, sharp and suddenly absolutely terrifying to anyone who doesn't know him, that something really clicks for Cass. because she slips in as Tim coldly, calculatingly shatters the guy's kneecaps just as thoroughly as Jason's bullets would have done and then his rigid intensity falls away and he's a kid terrified that his brother is hurt.

Cass sees the way Jason is with Tim and she can't quite reconcile that caring with all his killing but she knows, because she can SEE it, that Jay cares about Tim much the same way she does. and then she sees how Tim acts when Jason is hurt, the scary sharp side of her little brother that only comes out when he's very, very afraid and very, very determined, and she sees the way he loves his older brother and... she can't deny that either.

and maybe Cass will never LIKE Jason, maybe there will always be some tension between them, but. she doesn't call him only "Hood" all the time, anymore, and Jason is capable of recognizing that tiny detail as her version of a peace offering. Tim is just glad they're not yelling at each other (or Cass's silent staring version of yelling) all the time. maybe it's a whole mess, but hey, they're working on it. as long as there's love, somewhere, there's something. (there's family)

[thebeautifulfantastic]

perhaps the funniest thing about “Kill Switch” is that Scully knows she’s out of her depth when it comes to computers and artificial intelligence so her solution is to just point her gun at everything that looks suspicious

[vorestarr]

just always thinking about Astarion's ever-present hunger and how it's the first thing he comments on after ascension. ("I... I can't feel it. That ache in my stomach, that hunger - It's gone.")

thinking about how such a key aspect of Cazador's control and torture was keeping the spawn hungry. the seven in his house forbidden from eating thinking creatures, Astarion fed a diet of rats only, the 7000 below not fed at all.

and how Astarion's first time feeding on a thinking creature is because he's testing whether the tadpole that lets him walk in the sun also freed him from Cazador's control. how he finds himself thinking about the blood of whoever he's talking to in casual conversations. how he keeps fully draining the animals he hunts, and even drains a bear in one night. how he kills the player character when he feeds from them for the first time if they don't stop him. how if the player sleeps with him and agrees to let him drink from them during sex, it's a huge approval boost. all the little comments about his hunger throughout the game -- if you dig up the tiefling grave in the grove he remarks that it's not fresh but he'll keep it in mind if he needs a snack later, in the mausoleum he quips "bodies bodies everywhere but not a drop to drink" about the skeletons, if you read his mind before ascension he's thinking about the smell of blood all around, the examples go on and on.

it seems like such a critical part of his internal state to me. he lives his entire undead life in a state of constant hunger, and when he's finally free to eat his fill, he's also hyper-aware of how the people around him may turn on him or try to kill him for how he eats -- he emphasizes that he feeds on animals when he confesses his vampirism to the player, even when he's caught almost feeding from them in the middle of the night.

i just think that must be such a powerful motivation. this need that is constantly at the surface, that he is constantly aware of and consciously not acting on, and that was also used against him, to control him, for centuries.

and i think it's so fascinating from a character perspective that he doesn't feed from humanoids not because of any moral issue, but because he was forbidden and physically could not do it. (Dalyria tried to drink from the girl you find in Cazador's mansion and she was physically sick, retching and choking.) he doesn't drink from humanoids when traveling with the companions if the player specifically forbids it, because he recognizes he needs the party and he's willing to put up with this to stay with the group.

but he's always thinking about it.

and then all of that, plus the fact that when he confronts Cazador, he views his options as killing Cazador without performing the ritual or killing Cazador by performing the ritual. he seemingly never even thinks of the idea that he could drink Cazador's blood, and that feels pretty significant too.

[thewickling]

I realized that the updated Tag Search function makes it way easier to attempt to parallel search relationships including a specific character.

This method works better for characters who are not glitter and shipped with every person and creature and object under the sun.

This tutorial is written for people not familiar with tag ids. If you know how tag ids work, you should read the last two paragraph of this tutorial first.

You can find the Tag Search by looking at the menu at the top of the AO3 page that’s off to the left side.

Click Search and click Tag (the third option from the top).

Type in your character. If the character only ever appears in one fandom, you also include that. If the character you want to search as a very common name, you will probably have to include a fandom to avoid pulling in unrelated tags. Do not include more than one fandom otherwise the result will only pull up any tags that exist in all the fandoms you listed.

Select Relationship for type

Select Canonical

Hit Search Tags

The results should pull up every relationship that includes that character for that specific fandom or if you did not restrict by fandom, every relationship that has character with an identical name to the character you’re searching for.

For the character I picked, “Arm”, there are 29 results.

Open the Work Search page in a new tab or window. You can find a link in the same menu as Tag Search.

Or you can also open it through button labeled Work Search beside the Tag Search heading.

On the Work Search page, find the Any Field box. 

This next part will be time-consuming but you will need to format all the relationships you want to parallel search like this: "X/Y" OR "X & A"  OR   "B & Z".

The tags need to match how they were shown on the Tag Search page. Each relationship needs to be placed between straight quotes. Curly quotes will break this search. Between each relationship tag, there needs to be an OR in all caps, but not one at the start or end.

After you’ve formatted things like this you can paste it into the Any Field box. (You could have just composed your search in there but if you’re parallel searching many relationship tags, doing it in notepad or something may make it easier to see what you’ve already included.)

There are filter options on this page. If you want to sort by completed or such, this is the point you need to do it at this point. This kind of search does not allow you to filter after you have clicked search. Unlike filtering on a specific tag, there is no filtering sidebar. A few other caveats:

If you want to exclude tags, you will have to input them into the Any Field box alongside the relationship tags. Those excluded tags will need to be formatted like such: - "tag 1"  - "tag 2"

Basically they just need a minus sign in front of them. You do not need to include OR between them.

If you include more than one tag in the Character, Relationship, or Additional Tag boxes, the search will only bring up results that match all of your search parameters. So if you inputted “Fluff” and “High School” into the Additional Tag field, it would only bring up works that have both the “Fluff” and “High School” tag as well as any of the relationship tags in the Any Field.

I just want search for every work that includes Arm so I have no other filtering added. It looks like something below.

Once you’ve finished setting up your search, click the search button.

In the case of my search, I only set it up to pull up any of the 29 relationship tags I found  that included Arm. When I saved this screenshot, there were 412 results.

A few important things to note. While AO3 doesn’t really restrict how many text characters you put into the Any Field box, most browsers have a limit. So if you want to parallel search a lot of relationship or any tags in fact, you may run into your browser breaking your search.

If you’re searching a high number of tags, it’s better to use tag ids instead because they’re shorter and so you’ll be able to include way more information with less text characters. The tutorial works similarly except the list will be formatted like such: filter_ids:123 OR filter_id:456

You will not need to put quotes around a tag id. To find a tag id, you can open a specific tag and look at its RSS Feed, or by using the following script: https://greasyfork.org/en/scripts/29917-ao3-display-tag-id  

[apatheticlexicographer]

season 1: mike gets his love interest

season 2: lucas gets his love interest

season 3: dustin gets his love interest

season 4: will gets his love interest

season 5: mike gets his love interest...?

the pattern is so obvious, i'm not sure why i didn't consciously notice it before now