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#mexico city 1968
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"Libertador Miguel Hidalgo" Olympic Village in Mexico City, Mexico
Mexican vintage postcard, mailed in 1968 to Paris
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cuentamemascdmx · 1 year
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Juegos Olímpicos de México 1968
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Today you can go to a mini spring vacation to a particular zone of Mexico City: la Plaza de las Tres Culturas.
This guided tour by CyArk, takes you through the architectural styles and the long and rather violent history: from the Spanish conquest, to the 1968 students movement, to the earthquakes and the restoration of the cultural significance of this place.
So, click the link and stand in the Plaza de las Tres Culturas, surrounded pre-columbian, colonial, and modern architecture. The tour guides speak in Spanish but everything has English and Spanish subtitles, and there's not only historians and guides, but testimonies from survivors of the Tlatelolco Massacre.
There are also several online resources to learn more, at the end of the tour.
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1968 [Chapter 5: Artemis, Goddess Of The Hunt]
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Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 6.6k
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“So you smoked grass in college,” Aegon says, pondering you with glazed eyes as he slurps his cherry-flavored Mr. Misty. You’re in Biloxi, Mississippi where Aemond is making speeches and meeting with locals to commemorate the first summer of the beaches being desegregated after a decade of peaceful protests and violent white supremacist backlash. Route 90 runs right along the sand dunes. If you walked out of this Dairy Queen, you could look south and see the Gulf of Mexico, placid dark ripples gleaming with moonshine. “And swore, and had a boyfriend, and presumably, what, did shots? Skipped class on occasion?”
“Yeah,” you admit, smiling sheepishly, remembering. You stretch out your fingers. “I chewed gum, I talked during mass. And I loved black nail polish. The nuns would beat my knuckles with rulers, I always had bruises. I wore these flowing skirts down to my ankles and knee-high boots. My hair was a mess, long and blowing around everywhere. My friends and I would do each other’s makeup, silver glitter and purple shadow, pencil on a ridiculous amount of eyeliner and then smudge it out. If you saw a photo you wouldn’t recognize me.”
Aegon takes a drag on his Lucky Strike cigarette, weightless smoke and the tired yellowish haze of florescent lights. Buffalo Springfield’s For What It’s Worth is playing from the Zenith radio on the counter by the cash register. “I’d recognize you.”
“I used to skip this one class all the time. The professor was a demon. I could do the math, but not the way he wanted me to. Right solution, wrong steps, I don’t know. I learned it differently in high school, and I couldn’t figure out the formula he wanted me to use. So he’d mark everything a zero even if my answer was correct. I couldn’t stand that bastard. Then the nuns kept catching me sunbathing on the quad when I was supposed to be in Matrices and Vector Spaces. I racked up so many demerits they were going to revoke my weekend pass, and then I wouldn’t be able to go into the city with my friends. So I stole the demerit book and burned it up on the stove in my dorm. Almost set the whole building on fire.”
Aegon is laughing. “You did not. Not you, not perfect ever-obedient Miss America!”
“I did. I really did.” You sip your own Mr. Misty, lemon-lime. Across the restaurant, Criston and Fosco are eating banana splits—dripping chocolate syrup and melted ice cream all over their table—and passionately debating who is going to end up in the World Series; Criston favors the Cardinals and the Orioles, Fosco says the Red Sox and the Cubs. The rest of the Targaryen family is back at the hotel watching news coverage of the Republican National Convention, something you can only stomach so much of, Otto’s cynical commentary, Aemond’s remaining eye fixed fiercely on the screen as he nips at an Old Fashioned. “I was wild back then.”
“And you gave it all up to be Aemond’s first lady.”
You think back to where it started: palm trees, salt water, alligators in drainage ditches. “My father grew up in a shack outside of Tallahassee. No electricity, no running water, he dropped out of school in eighth grade to help take care of his siblings when his mom died. They moved south to live with their aunt in Tampa, and my father wound up in Tarpon Springs working as a sea sponge diver.”
Aegon’s eyebrows rise, like he thinks you’re teasing him. “Sea sponges…?”
“I’m serious! It paid better than picking oranges or sweeping up in a factory. It’s dangerous. You have to wear this heavy rubber suit and walk around on the ocean floor, sometimes 50 feet or more below the surface.”
“What do people do with sea sponges?”
“Oh right, you would be unfamiliar. You’re supposed to clean yourself with them, like a loofah. Soap? Water? Ringing any bells?”
He chuckles and rolls his eyes. “You’re a very mean person. Aren’t you supposed to be setting an example for the merciful wives and daughters of this great nation?”
“Painters and potters buy sponges too. And some women use them as contraceptives. You can soak them in lemon juice and then shove them up there and it kills sperm.”
“I suddenly have great appreciation for the sea sponge industry. God bless the sea sponges.”
“So my father spent a few years diving, and he fell in love with a girl who worked at one of the shops he sold sponges to. That was my mother. They got married when he had absolutely nothing, and by their fifth anniversary he had his own fleet of boats, a gift shop, and a processing and shipping facility, all of which they owned jointly. They just opened the Spongeorama Sponge Factory this past April, a cute little tourist trap. But my point is that they were partners from the start. My father listens to my mother, and she works alongside him, and it was never like what I’ve seen from my friends’ parents: dad at the office 80 hours a week, mom at home strung out on Valium, just these…deeply separate, cold planets locked in orbit but never touching each other. I knew I didn’t want that. I wanted a husband who was building something I could be a part of. I wanted a man who respected me.”
Aegon watches you as he lights a fresh cigarette, not saying what you imagine he wants to: And how is that working out? He puffs on his Lucky Strike a few times and then offers it to you. You aren’t supposed to smoke, not even tobacco—it’s not ladylike, it’s masculine, it’s subversive—but you take it and hold it between your index and middle fingers, inhaling an ashy bitterness that blood learns to crave. The bracelets on your wrist jangle, thin silver chains that match the diamonds in your ears. Your dress is mint green, your hair in your signature Brigitte Bardot-inspired updo. Aegon is wearing a black t-shirt with The Who stamped across the front. When you pass the cigarette back to him, Aegon asks: “What music did you listen to? The Stones, The Animals?”
“Yeah. And Hendrix, The Kinks, Aretha Franklin…”
“Phil Ochs?”
“I love him. He’s got a song about Mississippi, you know.”
“Oh, I’m aware. It’s one of my favorites.”
“And I’m currently getting a little obsessed with Loretta Lynn. She’s so angry!”
“She’s sanctimonious, that’s what she is. Always bitching about men.”
“Six kids and an alcoholic husband will do that to someone.”
Aegon winces, and then you realize what you’ve said. Loretta Lynn sounds a lot like Mimi. He finishes his Mr. Misty and then fidgets restlessly with his white cardboard cup, spinning it around by the straw. You feel bad, though you shouldn’t. You wouldn’t have a month ago.
“Aegon,” you say gently, and he reluctantly looks up at you, sunburned cheeks, blonde hair shagging over his eyes. “Why do you ignore your children? They’re interesting, they’re fun. Violeta invited me to help her make cakes with her Easy-Bake Oven last week. And Cosmo…he’s so clever. But it’s like he doesn’t know who you are. He might actually think Fosco’s his dad.”
Aegon takes one last drag off his cigarette and discards the end of it in his Mr. Misty cup. Now he’s fiddling with it again, avoiding your gaze. “I don’t have much to offer them.”
“I think you do.”
“No you don’t.”
“I do,” you insist. “You can be kind of nice sometimes.”
He frowns, staring out the window. You know he can’t see anything but darkness and streetlights. “I should have been the one to go to Vietnam. If somebody had to get shot at so Aemond could be president, I was the right choice. No one would miss me. No one would mourn me. Daeron didn’t deserve that. But I was too old, so Otto and my father got him to enlist. Now he’s in the jungle and my mother has nightmares about Western Union telegrams. If I was the son over there, I think she’d sleep easier.”
I’m glad you’re still here, you think. Instead you say: “Your children need you.”
“No they don’t. Between me and Mimi, they’re better off as orphans. Helaena and Fosco can be their parents. Maybe they’ll have a fighting chance.”
The glass door opens, and a man walks into the Dairy Queen with his two sons scampering behind him, all with sandy flip flops and carrying fishing rods. The dad is at least six feet tall and brawny, and wearing a Wallace For President baseball cap. You and Aegon both notice it, then share an amused, disparaging glance. You mouth: Imbecile bigot. The man continues to the cash register and orders two chocolate shakes and a root beer float. At their own table, Criston is mopping up melted ice cream with napkins and telling Fosco to stop being such a pig.
“Me?!” Fosco says. “You are the pig, that spot there is your ice cream, do not blame your failings on poor Fosco. I have already let you drag me to this terrible state and never once complained about the fried food or the mosquitos. And that thing out there is not a real beach. The water is still and brown, brown!”
“For once in your life, pretend you have a work ethic and help me clean up the table.”
“You are being very anti-immigrant right now, do you know that?”
Aegon begins singing, ostensibly to himself. “Here’s to the state of Mississippi, for underneath her borders, the devil draws no lines.”
“Aegon, no,” you whisper, petrified. You know this song. You know where he’s going.
He’s beaming as he continues: “If you drag her muddy rivers, nameless bodies you will find.”
Now the man in the Wallace hat is looking at Aegon. His sons are happily gulping down their chocolate shakes. Criston and Fosco, still bickering, haven’t noticed yet.
“Oh, the fat trees of the forest have hid a thousand crimes.”
“Aegon, don’t,” you plead quietly. “He’ll murder you.”
“The calendar is lyin’ when it reads the present time.”
“Hey,” calls the man in the Wallace For President hat. “You got a problem, boy?”
Aegon drums his palms on the tabletop as he sings, loudly now: “Oh, here’s to the land you’ve torn out the heart of, Mississippi find yourself another country to be part of!”
In seconds, the man has crossed the room, grabbed Aegon by the collar of his t-shirt, yanked him out of his chair and struck him across the face: closed fist, lethal intent, the sick wet sound of bones on flesh. Aegon’s nose gushes, his lip splits open, but he isn’t flinching away, he isn’t afraid. He’s yowling like a rabid animal and clawing, kicking, swinging at the giant who’s ensnared him. You are screaming as you leap to your feet, your chair falling over and clattering on the floor behind you. The man’s sons are hooting joyously. “Git him, Paw!” one of them shouts.
“Criston?!” you shriek, but he and Fosco are already here, tugging at the man’s massive arms and beating on his back, trying to untangle him from Aegon.
“Stop!” Criston roars. “You don’t want to hurt him! He’s a Targaryen!”
“A Targaryen, huh?” the man says as he steps away, wiping the blood from his knuckles on his tattered white t-shirt, stained with fish guts. “All the better. I wish that bullet they put in Aemond woulda been just another inch to the left. Directly through the aorta.”
Aegon lunges at the man again, hissing, fists swinging. Fosco yanks him back.
“Are you gonna call someone or not?!” Criston snaps at the girl behind the cash register, but she only gives him a steely glare in return. This is Wallace country. There’s a reason why it took four years after the Civil Rights Act of 1964 to finally desegregate the beaches.
“We should go,” you tell Criston softly.
“Yes, we will leave now,” Fosco says, hauling Aegon towards the front door. Then, to the cashier: “Thank you for the ice cream, but it was not very good. If you are ever in Italy, try the gelato. You will learn so much.”
“I can’t wait ‘til November,” the man gloats, ominous, threatening. His sons are standing tall and proud beside him. “When Aemond loses, you can all cart your asses back to Europe. We don’t want you here. America ain’t for people like you.”
“It literally is,” you say, unable to stop yourself. “It’s on the Statue of Liberty.”
“Yeah, where do you think your ancestors came from?!” Aegon yells at the man. “Are you a Seminole, pal? I didn’t think so—!” Fosco and Criston lug him through the doorway before more punches can be thrown.
Outside—under stars and streetlights and a full moon—Aegon burst out laughing. This is when he feels alive; this is when the blood in his veins turns to wave and riptides. You didn’t think to grab napkins from the table, so you wipe the blood off his face with your bare hand, assessing the damage. He’ll be fine; swollen and sore, but fine.
“You’re insane, you know that?” you say. “You could have been killed.”
Aegon pats your cheek twice and grins, blood on his teeth. “The world would keep spinning, little Io.” Then he starts walking back towards the White House Hotel.
~~~~~~~~~~
When the four of you arrive at your suite, Aemond, Otto, Ludwika, and Alicent are still gathered around the television. The nannies have taken the children to bed. Helaena is reading The Bell Jar in an armchair in the corner of the room. Mimi is passed out on the couch, several empty glasses on the coffee table. ABC is showing a clip they recorded earlier today of Ludwika travelling with Aemond’s retinue after he made an impassioned speech condemning the lack of recognition of the evils of slavery at Beauvoir, the historic home of former Confederate president Jefferson Davis. The reporter is asking Ludwika what she thinks makes Aemond a better presidential candidate than Eugene McCarthy, as McCarthy shares many of the same policy positions and has an additional 15 years of political experience.
“This McCarthy is not a real man,” Ludwika responds, her face stony and mistrustful. “He reminds me of the communists back in my country. Did you know he met with Che Guevara in New York City a few years ago? Why would he do such a thing?”
Now, Otto turns to her in this hotel room. “I love you.”
Ludwika takes a sip of her martini. “I want another Gucci bag.”
“Yes, yes. Tomorrow, my dear.”
“What happened to you?” Aemond asks his brother, half-exasperated and half-concerned. Criston has fetched a washcloth from the bathroom for Aegon to hold against his bleeding lip and nose. Aemond is still wearing his blue suit from a long day of campaigning, but he’s taken out his eye and put on his eyepatch. His gaze flicks from Aegon’s face to the blood still coating your left hand. On the couch, Mimi’s bare foot twitches but she doesn’t wake up.
“There was a Wallace supporter at the Dairy Queen,” you say. “Aegon felt inspired to defend you.”
Aemond chuckles. “Did you win?” he asks Aegon.
“I would have if the guy wasn’t two of me.”
On the television screen, Richard Nixon is accepting his party’s nomination for president at the Republican National Convention in Miami, Florida.
“He’s a buffoon,” Otto sneers. “So awkward and undignified. Look at him sweating! Look at those ridiculous jowls! And he comes from nothing. His family is trash.”
“Americans love a rags to riches story,” you say. And then, somewhat randomly: “He loves his wife. He proposed to Pat on their very first date, and she said no. So he drove her to dates with other men for years until she finally reconsidered. He said it was love at first sight. He’s never had a mistress. And jowls or no jowls, his family adores him.”
Aegon turns to you, still clutching the washcloth against his face. “Really?”
You nod. “That’s the sort of thing the women talk about.”
There’s a knock at the door. You all look at each other, confounded; no one has ordered room service, no one is expecting any visitors, and the nannies have keys in the event of an emergency. Fosco is closest to the door, so he opens it. A man in uniform is standing there with a golden Western Union telegram in his hands. Alicent screams and collapses. Criston bolts to her.
“It’s okay,” you say. “He’s not dead. Whatever happened, Daeron’s not dead.”
Otto crinkles his brow at you. “How do you know?”
“Because if he was killed, there would be a priest here too.” They always send a priest when the boy is dead. Aegon glances at you, eyes wet and fearful.
“Ma’am,” the soldier—a major you see now, spotting the golden oak leaves—says to Alicent as he removes his cap. “I regret to inform you that your son Daeron was missing in action for several weeks, and we’ve just received confirmation that he’s being held as a prisoner of war in Hỏa Lò Prison.”
“He’s in the Hanoi Hilton?!” Otto exclaims. “Oh, fuck those people and their swamp, how did Kennedy ever think we had something to gain from getting tangled up in that mess?”
“But he’s alive?” Aemond says. “He’s unharmed?”
“Yes sir,” the captain replies. “It is our understanding that he is in good condition. The North Vietnamese are aware that he is a very valuable prisoner, like Admiral McCain’s son John. He’ll be used in negotiations. He is of far more use to them alive than dead.”
“So we can get Daeron back,” Aegon says. “I mean, we have to be able to, right? Aemond’s running for president, he’ll probably win in November, we have millions of dollars, we can spring one man out of some third-world jail, right?”
The captain continues: “Tomorrow when your family returns to New Jersey, the Joint Chiefs of Staff will be there to discuss next steps with you. I’m afraid I’m only authorized to give you the news as it was relayed to me.” He entrusts the telegram to Otto, who rapidly opens it and stares down at the mechanical typewriter words.
“I have to pray,” Alicent says suddenly. “Helaena, will you pray with me? There’s a Greek church down the road. Holy Trinity, I think it’s called.”
Obediently, Helaena joins her mother and follows her to the doorway. Criston leaves with them. Otto gives his new wife a harsh, meaningful stare. Ludwika, an ardent yet covert atheist, sighs irritably. “Wait. I want to pray too,” she says, and vanishes with them into the hall.
As the captain departs, Mimi sits up on the couch, blinking, groggy. “What? What happened?”
“Go with Alicent,” Otto tells her. “She’s headed downstairs.”
“What? Why…?”
“Just go!” he barks.
Mimi staggers to her feet and hobbles out of the hotel room, her sundress—patterned with forget-me-nots—billowing around her. The only people left are Otto, Aemond, Fosco, Aegon, and you. The fact that you are the sole woman permitted to remain here feels intentional.
After a moment, Otto speaks. “You know, John McCain has famously refused to be released from the Hanoi Hilton until all the men imprisoned before him have been freed. He doesn’t want special treatment. And that’s a very noble thing to do, don’t you think? It has endeared him and the McCains to the public.”
Aemond and Otto are looking at each other, communicating in a silent language not of letters or accents but colors: red ambition, green hunger, grey impassionate morality. Fosco is observing them uneasily. Aemond says at last: “Daeron wants to help this family.”
“You’re not going to try to get him out.” Aegon realizes.
Aemond turns to him, businesslike, vague distant sympathy. “It’s only until November.”
“No, you know people!” Aegon explodes. “You pick up the phone, you call in every favor, you get him out of there now! You have no idea if he has another three months, you don’t know what kind of shape he’s in! They could be dislocating his arms or chopping off his fingers right now, they could be starving him, they could be beating him, you can’t just leave him there!”
“It’s not your decision. It could have been, had you accepted your role as the eldest son. But you didn’t. So it’s my job to handle these things. You don’t get to hate me for making choices you were too cowardly too take responsibility for.”
“But Daeron could die,” Aegon says, his voice going brittle.
“Any of us could die. We’re in a very dangerous line of work. Greatness killed Lincoln, Garfield, McKinley, Huey Long, Medgar Evers, John F. Kennedy, Malcolm X, Vernon Dahmer, Martin Luther King Jr., does that mean we should all give up the fight? Of course not. The work isn’t finished. We have to keep going.”
“Will you stop pretending this is about America?! This is about you wanting to be president, and everything you’ve ever done has been in pursuit of that trophy, and you keep shoving new people into the line of fire and it’s not right!”
“Aegon,” Otto says calmly. “It’s unlikely we’d be able to get him out before the election anyway. Negotiations take time. But if Aemond wins in November, he’ll be in a very advantageous position. The North Vietnamese aren’t stupid. They wouldn’t kill the brother of a U.S. president. They don’t want their vile little corner of the world flattened by nukes.”
“Still, it feels so wrong to leave a brother in peril,” Fosco says. “It is unnatural. Of course Aegon will be upset. We could at least see what a deal to get Daeron released would entail, maybe his arrival home would be a good headline—”
“And who the fuck asked you?” Otto demands, and Fosco goes quiet.
“Okay, then tell Mom,” Aegon says to Aemond. “Tell her you’re going to pretend Daeron made some self-sacrificial vow not to come home until all the other POWs can too. Tell her you’re going to let him get tortured for a few months before you take this seriously.”
Aemond replies cooly: “Why would you want to upset her? She can’t change it. You’ll only make her suffering worse.”
“What do you think?” Otto asks you, and you know that he isn’t seeking counsel. He’s summoning you like a dog to perform a trick, like an actor to recite a line. He’s waiting for you to say that it’s a smart strategy, because it is. He’s waiting for you to bend to Aemond’s will as your station requires you to, as moons are bound to their planets.
“I think it’s wrong,” you murmur; and Aemond is thunderstruck by your treason.
Without another word, you walk into the bathroom, turn on the sink, and gaze down at Aegon’s blood on your palm. For some reason, it’s very difficult to bring yourself to wash it away.
~~~~~~~~~~
It’s mid-August now, the world painted in goldenrod yellow and sky blue. The Democratic National Convention is in two weeks. You and Aemond are posing on the beach at Asteria, surrounded by an adoring gaggle of journalists who are snapping photographs and jotting down quotes on their notepads. You’re sitting demurely on a sand dune, you’re building sandcastles with the children you borrowed from Aegon and Helaena, you’re flying kites, you’re gazing confidently into the sunlit horizon where a glorious new age is surely dawning.
“Mr. Targaryen, what is it that makes your partnership so successful?” a journalist asks as flashbulbs pulse like lightning. “What do you think is the most crucial characteristic to have in a wife?”
Aemond doesn’t need to consider this before he answers. He always has his compliment picked out. “Loyalty,” your husband says. “Not just to me or to the Targaryen family, but to our shared cause. This year has been indescribably difficult for me and my wife. I announced my candidacy, we embarked on a strenuous national campaign that we’re currently only halfway through, I barely survived a brutal assassination attempt in May, in July we lost our first child to hyaline membrane disease after he was born six weeks prematurely, and at the beginning of this month we learned that my youngest brother Daeron was taken by the North Vietnamese as a prisoner of war. To find the strength not just to get out of bed in the morning, not just to be there for me and this family in our personal lives, but to tirelessly traverse the country with me inspiring Americans to believe in a better future…it’s absolutely remarkable. I’m in awe of her. And when she is the first lady of the United States, she will continue to amaze us all with her unwavering faith and dedication.”
There are whistles and cheers and strobing flashbulbs. You smile—elegant, soft, practiced—as Aemond rests a hand firmly on your waist. You lean into him, feeling out-of-place, bewildered that you’ve ever slept with him, full of dull panic that soon you’ll have to again.
“How about you, Mrs. Targaryen?” another reporter asks. “Same question, essentially. What is the trait that you most admire in your husband?”
And in the cascading clicks of photographs being captured, your mind goes entirely blank. You can think of so many other people—Aegon, Ari, Alicent, Daeron, Fosco, Cosmo—but not Aemond. It’s like you’ve blocked him out somehow, like he’s a sketch you erased. But you can’t hesitate. You can’t let the uncertainty read on your face. You begin speaking without knowing where you’re going, something that is rare for you. “Aemond is the most tenacious person I’ve ever met. When he has a goal in mind, nothing can stop him.” You pause, and there are a few awkward chuckles from the journalists. You swiftly recover. “He never stops learning. He always knows the right thing to do or say. And what he wants more than anything is to serve the American people. Aemond won’t disappoint you. He’s not capable of it. He will do whatever it takes to make this country more prosperous, more peaceful, and more free.”
There are applause and gracious thank yous, but Aemond gives you a look—just for a second, just long enough that you can catch it—that warns you to get it together. Fifteen minutes later, he and the flock of reporters are headed to one of the guest houses to conduct a long-form interview. This will be the bulk of the article; you will appear in one or two photos, you will supply a few quotes. The rest of the story is Aemond. You are an accessory, like a belt or a bracelet. He’s the person who picks you out of a drawer each morning and wears you until you go out of fashion.
Released from your obligations, you return to the main house and disappear into your upstairs bathroom. You are there for fifteen minutes and emerge rattled, routed. You pace aimlessly around your bedroom for a while, then try again; still no luck. You go back outside and stare blankly at the ocean, wondering what you’re going to do. Down on the beach, Fosco is teaching the kids how to yo-yo. Ludwika is sunbathing in a bikini.
“What’s wrong with you?”
You whirl to see Aegon, popping a Valium into his mouth and washing it down with a splash of straight rum from a coffee mug. “Huh? Nothing. I’m great.”
“No, something’s wrong. You look lost. You look like me.”
You gaze out over the ocean again, chewing your lower lip.
Aegon snickers, fascinated, sensing a scandal. “What did you do?”
Your eyes drift to him. “You can’t make fun of me.”
“Okay. I won’t.”
There is a long, heavy lull before you answer. When you speak, it’s all in a rush, like you can’t unburden yourself of the words fast enough. “I put a tampon in and I can’t get it out.”
Aegon immediately breaks his promise and cackles. “You did what?!” Then he tries to be serious. “Wait. Sorry. Uh, really?”
You’re on the verge of tears. “I’ve been bleeding since I had the baby, and I hate using tampons, I almost never do, but Aemond wanted me to wear this dress for the photoshoot and it’s super gauzy and from certain angles I felt like I could see the pad bulge when I checked in the mirror, so I put a tampon in for the first time in probably a year. I’m not even supposed to be using them for another few weeks because my uterus isn’t healed all the way or whatever. And now I can’t get it out and it’s been in there for like six hours and I’m scared I’m going to get an infection and die in the most pointless, humiliating way imaginable.”
“Okay, calm down, calm down,” Aegon says. “There’s no string?”
“No, I’ve checked multiple times. It must be a defective one and they forgot to put a string in it at the factory and I didn’t notice, or the string somehow got tucked under it, I don’t know, but I can’t get it out, it’s like…the angle isn’t right. I can just barely feel it with my fingertips, but I can’t grab it. I’m going to have to go to the hospital to get it taken out, but I’m scared word will spread and journalists will show up to get photos when I leave and then everyone will be asking me why I was at the emergency room to begin with and I’m going to have to make up something and…and…” You can’t talk anymore. There are other reasons why you don’t want to go to the hospital. You haven’t stepped foot in one since Ari died; the thought makes you feel like you are looking down to see blood on your thighs all over again, like you’ll never have enough air in your lungs.
“Did you bleed through it? Because that should help it slide out easier.”
“I don’t know,” you moan miserably. “I mean, I guess I did, because there was blood when I checked a few minutes ago. I had to stuff my underwear with toilet paper.”
“Why didn’t you just tell Aemond you couldn’t wear this dress?”
You give him an impatient glance. “I’m tired of having the same conversation.” When do you think you’ll be done bleeding? When do you think it’ll be time to start trying again?
Aegon sighs. “Do you want me to get it out for you?”
“Please stop. I’m really panicking here.”
“I’m not joking.”
You stare at him. “You can’t be serious.”
“I have fished many objects out of many orifices, you cannot shock me. I am unshockable.”
“I’d rather walk down to the sand right now and strangle myself with Fosco’s yo-yo.”
“Okay. So who are you gonna ask to drive you to the hospital?”
You hesitate.
“I’d offer to do it,” Aegon says, grinning, holding up his mug. “But I’m in no condition to drive.”
“But you are in the proper condition to extract a rogue tampon, huh?”
“Two minutes tops. That’s a guarantee. My personal best is fifteen seconds. And that was for a lost condom, much trickier to locate than a tampon.”
Perhaps paradoxically, the more you consider his offer, the more tempting it seems. No complicated trip and cover story? Over in just a few minutes? “If you ever tell anyone about this, I will never forgive you. I will hate you forever.”
Aegon taunts: “I thought you already hated me.”
You aren’t sure what you feel for him, but it’s certainly not hate. Not anymore. “Where would we do it?”
“In my office. And by that I mean my basement.”
“Your filthy, disease-ridden basement? On your shag carpet full of crabs?”
“You’re in luck,” he jokes. “My crab exterminator service just came by yesterday.”
You exhale in a low, despairing groan.
“Hey, would you rather do it on the dining room table? I’m game. Your choice.”
You watch the seagulls swooping in the afternoon air, the banners of sailboats on the glittering water. “Okay. The basement.”
You walk with Aegon to the house and—after ensuring that no one is around to notice—sneak with him down the creaking basement steps, the door locked behind you. Aegon is darting around; he sets a small trashcan by the carpet and tosses you two towels, then goes to wash his hands in his tiny bathroom, not nearly enough room for someone to stretch out across the linoleum floor.
You’re surveying the scene nervously. “I don’t want to get blood all over your stuff.”
“You’re the cleanest thing that’s ever been on that carpet. Lie down.”
You place one towel on the green shag carpet, then whisk off your panties, discard the bloody knot of toilet paper in the trashcan, and pull the skirt of your dress up around your waist so it’s out of the way. Then you sit down and drape the second towel over your thighs so you’re hidden from him, like you’re about to be examined by a doctor. Your heart is thumping, but you don’t exactly feel like you want to stop. It’s more exhilarating than fear, you think; it is forbidden, it is shameful, it is a microscopic betrayal of Aemond that he’ll never know about.
Aegon moseys out of the bathroom, flicking drops of water from his hands. He wears one of his usual counterculture uniforms: a frayed green army jacket with the sleeves rolled up to his elbows, khaki shorts, tan moccasins. He kicks them off before he kneels on the shag carpet. He checks the clock on the wall. “2:07. I promised two minutes max. Let’s see how I do. Ready?”
You rest the back of your head on your linked hands, raise your knees, take a deep and unsteady breath. “Ready.”
But he can see that you’re shaking. “Hey,” Aegon says kindly, pressing his hand down on the towel so you’re covered. “Do you want me to go to the hospital with you? I’ll try to distract people. I’ll pretend I’m having a seizure or something.”
“No, I’m okay,” you insist. “I just want it out. I want this over with.”
“Got it.” And then he begins. He stares at the wall to his left, not looking at you, navigating by feel. You feel the pressure of two fingers, a stretching that is not entirely unpleasant. He’s warm and careful, strangely unobtrusive. Still, you suck in a breath and shift on the carpet. “Shh, shh, shh,” Aegon whispers, skimming his other hand up and down the inside of your thigh, and shiver like you’ve never felt before rolls backwards up the length of your spine. “Relax. You alright?”
“Fine. Totally fine.”
“Oh yeah, it’s definitely in there,” Aegon says. His brow is creased with comprehension. “No string…you’re right, it must either be tangled up somehow or it never had one to begin with. Maybe you accidentally inserted it upside down.”
“Now you insult my intelligence. As if I’m not embarrassed enough.”
“I should have put on a record to set the mood. What gets you going, Marvin Gaye? Elvis?”
“The seductive voice of Richard Milhous Nixon. Maybe you can get him on the phone.”
Aegon laughs hysterically. His fingertips push the tampon against your cervix and you yelp. “Sorry, sorry, my mistake,” Aegon says. There are beads of sweat on his forehead, on his temples; now his eyes are squeezed shut. “I’m gonna try to wiggle it out…”
As he works, there are sensations you can’t quite explain: a very slow-building indistinct desire, a loosening, a readying, a drop in your belly when you think about the fact that he’s the one touching you. Then he happens to press in just the right spot and there is a sudden pang of real pleasure—craving, aching, a deep red flare of previously unfathomable temptation—and you instinctively reach for him. You hand meets his forearm, and for the first time since he started Aegon looks at your face, alarmed, afraid that he’s hurt you again. But once your eyes meet you’re both trapped there, and you can’t pretend you’re not, his fingers still inside you, his pulse racing, a rivulet of sweat snaking down the side of his face, his eyes an opaque murky blue like water you’re desperate to claw your way into. You know what you want to tell him, but the words are impossible. Don’t stop. Come closer.
Aegon clears his throat, forces himself to look away, and at last dislodges the tampon. It appears dark and bloody in his grasp. “No string,” he confirms, holding it up and turning it so you can see. “Factory reject.”
“Just like you.”
He glances at the clock. “2:09. I delivered precisely what was promised.” He chucks the tampon into the trashcan and then grins as he helps pull you upright with his clean hand. “So do you like to cuddle afterwards, or…?”
You’re giggling, covering your flushed face. “Shut up.”
“Personally, I enjoy being ridden into the ground and then called a good boy.”
“Go away.” You nod to where he disposed of the tampon and say before stopping to think: “You’re not going to keep that under your ashtray too?”
Aegon freezes and blinks at you. He smiles slowly, cautiously. “No, I think that would be a little unorthodox, even for me.” He pitches you a clean washcloth from the bathroom closet. “That should get you upstairs.”
“Thanks.” You shove it between your legs and rise to your feet, smoothing the skirt of your dress. “I owe you something. I’m not sure what, but I’ll figure it out.”
“Hey,” Aegon says, and waits for you to turn to him. “Maybe I’m not that bad.”
“Maybe,” you agree thoughtfully.
Just before you hurry upstairs, you steal a glimpse of Aegon in the bathroom, the door kicked only half-closed. He has turned on the water, but he’s not using it yet. Aegon is staring down at the blood on his hand, half-dried scarlet impermanent ink.
~~~~~~~~~~
Hi, it’s me again. I’m in solitary confinement. There’s a guy in the cell next to mine; we talk to each other with a modified version of Morse code. Tap tap tap on the wall, he taps back, etcetera etcetera, you get the idea. You’re not going to believe this, but he says his name is John McCain. Well, actually, he told me his name is Jobm McCbin, but I think that’s because I translated the taps wrong. I might be in the Hanoi Hilton, but at least they have me in the VIP section! Hahaha.
Every few hours the guards show up to do a very impressive magic trick: they wave their batons like wands, I turn black and blue. Sometimes one of my teeth even disappears. Isn’t that something? Houdini would love it. There’s a rat that I’m making friends with. I give her nibbles of my stale bread, she gives me someone to talk to. She’s good company. I’ve named her Tessarion.
Allow me to make something absolutely fucking clear.
I would very much like to be rescued.
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yourdailyqueer · 5 months
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R. C. Gorman (deceased)
Gender: Male
Sexuality: Gay
DOB: 26 July 1931
RIP: 3 November 2005
Ethnicity: Native American (Navajo)
Occupation: Artist, sculptor
Note 1: Opened the Navajo Gallery in Taos in 1968. It was the first Native American-owned art gallery. In 1973, he was the only living artist whose work was shown in the "Masterworks from the Museum of the American Indian" exhibition held at Metropolitan Museum in New York City. Two of his pieces were selected for the cover of the exhibit's catalog.
Note 2: Upon his death, New Mexico's governor Bill Richardson ordered flags flown at half-staff in his honor.
Note 3: Referred to as "the Picasso of American Indian artists" by The New York Times.
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nobrashfestivity · 5 months
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Alexander Calder, El Sol Rojo, 1968 Mexico City
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cartermagazine · 1 year
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Today In History
On October 16, 1968, African American Olympic sprinters Tommie Smith and John Carlos, who engaged in a silent protest on the medal stand to bring light to the racial discrimination and violence against African Americans in the U.S., were met with hostility by white supporters and the media, and were eventually suspended for their protest.
The 1968 Olympics followed a summer of racial unrest and protest following the assassination of Dr. Martin Luther King Jr. in April.
Mr. Smith and Mr. Carlos placed first and third in the 200-meter dash at the Olympic Games in Mexico City. As the U.S. national anthem played during the medal ceremony, the two men bowed their heads and raised black gloved fists in a protest against racial discrimination in the U.S. Both men wore black socks with no shoes, and Mr. Smith also wore a black scarf around his neck. Mr. Smith raised his right fist to represent Black power, while Mr. Carlos raised his left fist to represent Black unity. Also, in support was the silver medalist Peter Norman from Australia who wore a badge that read: “Olympic Project for Human Rights” – an organization set up a year previously who oppose racism in sport.
The following day, the U.S. Olympic Committee threatened other athletes with stern disciplinary action if they engaged in demonstrations. Acting USOC Director Everett Barnes issued a formal statement to the Olympic International Committee, condemning Mr. Smith and Mr. Carlos, and claiming that the sprinters “made our country look like the devil.”
The USOC suspended Mr. Smith and Mr. Carlos from the U.S. Olympic team following a midnight meeting. In the early hours of the morning on October 18, the Committee ordered both men to vacate the Olympic village in Mexico within 48 hours.
Despite their medal-winning performances, the two athletes faced intense criticism in the media and received death threats upon returning home.
CARTER™️ Magazine
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agelessphotography · 4 months
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Sprinters Tommie Smith and John Carlos, cut from the US Olympic team in Mexico City after a demonstration on the victory stand, arrive in Los Angeles, Ed Widdis, 1968
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scavengedluxury · 2 years
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Olympic Village, Mexico City, 1968. From the Budapest municipal photography company archive. 
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warwickroyals · 6 months
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Sunderland's Royal Jewel Vault (18/∞) ♛
↬ Countess Wynn's Meander Tiara
The majority of the tiaras in the Sunderlandian collection were inherited through members of King Louis V's family, mainly previous queens Matilda Mary, Anne, and Katherine. This meander tiara however represents the current Wariwcks' French heritage, as it belonged to Queen Irene's mother, Marguerite Wynn. Countess Wynn was born in 1914 as Marguerite Delphine Lucie Chevrier. She was the eldest of four children born to industrialist  Phillipe Édouard Chervrier (1880 - 1950) and his El Salvadoran wife, Consuelo Romana Gomez (1892 - 1979). Margurite's family claims ancestry from both French and Spanish nobility, although the bulk of their impressive fortune was derived from Phillipe's ceramics factory in the south of France. Much of Margurite's early life was disrupted by the First World War, during which the Chevriers settled in Mexico City with Consuelo's sister. Following the war, Marguerite flourished in high Parisian society, becoming well-versed in the arts and fluent in several languages, including English and Spanish. Expected to marry into the French aristocracy, Marguerite made waves by instead marrying John Wynn (1911 - 1973), a career soldier from Sunderland whose great family had fallen on hard times following the deaths of John's three older brothers in the war. When the couple met in 1931, John was on a mindless trek across Europe, in search of a wealthy bride. Despite their differing backgrounds, Marguerite was smitten by John's optimism and good humour. The pair married a year later, with John even converting to Catholicism to appease Marguerite's parents. Their wedding was held at the Chapel of the Palace of Versailles, one of the last grand society affairs of interwar Paris. The tiara, which featured a Greek key design punctuated by a central emerald-cut yellow diamond, was among Marguarite's wedding gifts. The jewel is ambiguous in origin but is agreed to be an early twentieth-century creation, likely from Cartier. It became a useful tool in Margurite's arsenal as she erupted in Sunderland as one of the country's wealthiest society ladies. Pearlie, as she became known, was noted to be arrogant, intelligent, and ravishing. Pearlie is more "royal" than the rest of us combined. She drenches herself in jewels as if she were the ghost of the last Tsarina. — Queen Katherine, 1970
The Countess owned the tiara until 1968, when she gave it to her youngest daughter, Lady Irene, also as a wedding present. Irene's marriage to the future King Louis V was Pearlie's greatest life achievement and she became increasingly boastful. Maman Wynn, as she was called by the press and public, was known to meddle in royal affairs, especially the personal lives of her daughter and son-in-law. By the early 1980s, she was on bad terms with both. Irene was never seen wearing her mother's tiara, but she kept it in her own personal possession for almost thirty years. In 1997, Irene continued the tradition by gifting the tiara to her only daughter, Princess Jacqueline, ahead of her wedding to Lawrence Belmont. The wedding was coincidently the last public appearance of the old Countess Wynn. She died peacefully at Chester Palace the same winter. Since then, Jacqueline has worn the tiara regularly at state functions and in official portraits. It's among the princess's most cherished pieces.
The Countess Wynn wears the tiara in a portrait, circa October 1943, eight years before the birth of her youngest daughter, Queen Irene
HRH Princess Jacqueline wears the tiara while attending a gala dinner & dance in July 2026
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whenweallvote · 1 year
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On this day in 1968: American runners Tommie Smith and John Carlos won the gold and bronze medals for the 200-meter race at the Olympics in Mexico City. 🏃🏾‍♂️🏅 Upon taking their places on the podium and receiving their medals, Smith and Carlos both bowed their heads and raised their fists. This moment is regarded as one of the most famous demonstrations of political activism in the history of both the Olympics and American sports overall. ✊🏾✊🏾
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demondmayhew016 · 3 months
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#The National Museum Of African American History And Culture: "The Black Power Salute"
#In The 1968 Olympics In Mexico City, Tommie Smith and John Carlos raised black-gloved fists
when the United States national anthem was played during the medal ceremony.
#Black Conscious 💚🖤❤️✊✨
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1968 [Chapter 6: Athena, Goddess Of Wisdom]
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Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 5.2k
Let me know if you’d like to be tagged! 🥰
💜 All of my writing can be found HERE! 💜
Here at the midway point in our journey—like Dante stumbling upon the gates of the Inferno—would it be the right moment to review what’s at stake? Let’s begin.
It’s the end of August. The delegates of the Democratic National Convention in Chicago officially vote to name Aemond the party’s presidential candidate. His ascension is aided by 10,000 antiwar demonstrators who flood into the city and threaten to set it ablaze if Hubert Humphrey is chosen instead. At the end—in his death rattle—Humphrey begs to be Aemond’s running mate, one last humiliation he cannot resist. Humphrey is denied. Eugene McCarthy, dignity intact, boards a commercial flight to his home state of Minnesota without looking back.
Aemond selects U.S. Ambassador to France, Sargent Shriver, to be his vice president. Shriver is a Kennedy by marriage—his wife, JFK’s younger sister Eunice, just founded the Special Olympics—and has previously headed the Office of Economic Opportunity, the Peace Corps, and the Chicago Board of Education. He also served as the architect of the president’s “War on Poverty” before distancing himself from the imploding Johnson administration. Shriver is not a concession to fence-sitting moderates or Southern Dixiecrats, but an embodiment of Aemond’s commitment to unapologetic progressivism. Richard Nixon spends the weekend campaigning in his native California, a gold vein of votes like the mines settlers rushed to in 1848. George Wallace announces that he will run as an Independent. Racists everywhere rejoice.
Phase III of the Tet Offensive is underway in Vietnam; 700 American soldiers have been killed this month alone. Riots break out in military prisons where the U.S. Army is keeping their deserters. The North Vietnamese refuse to allow Pope Paul VI to visit Hanoi on a peace mission. President Johnson calls both Aemond and Nixon to personally inform them of this latest evidence of the communists’ unwillingness to negotiate in good faith. Daeron and John McCain remain in Hỏa Lò Prison. The draft swallows men like the titan Cronus devoured his own children.
In Eastern Europe, the Russians are crushing pro-democracy protests in the largest military operation since World War II as half a million troops roll into Czechoslovakia. In Caswell County, North Carolina, the last remaining segregated school district in the nation is ordered by a federal judge to integrate after years of stalling. On the Fangataufa Atoll in the South Pacific, France becomes the fifth nation to successfully explode a hydrogen bomb. In Mexico City, 300,000 students gather to protest the authoritarian regime of President Diaz Ordaz. In Guatemala, American ambassador John Gordon Mein is murdered by a Marxist guerilla organization called the Rebel Armed Forces. In Columbus, Ohio, nine guards are held hostage during a prison riot; after 30 hours, they’re rescued by a SWAT team.
The latest issue of Life magazine brings worldwide attention to catastrophic industrial pollution in the Great Lakes. The first successful multiorgan transplant is carried out at Houston Methodist Hospital. The Beatles release Hey Jude, the best-selling single of 1968 in the U.S., U.K., Australia, and Canada. NASA’s Apollo lunar landing program plans to launch a crewed shuttle next year, just in time to fulfill John F. Kennedy’s 1962 promise to put a man on the moon “before the end of the decade.” If this is successful, the United States will win the Space Race and prove the superiority of capitalism. If it fails, the martyred astronauts will join all the other ghosts of this apocalyptic age, an epoch born under bad stars.
The night sky glows with the ancient debris of the Aurigid meteor shower. From down here on Earth, Jupiter is a radiant white gleam, visible with the naked eye and admired since humans were making cave paintings and Stonehenge. But Io is a mystery. With a telescope, she becomes a dust mote entrapped by Jupiter’s gravity; to the casual observer, she doesn’t exist at all.
~~~~~~~~~~
What was it like, that very first time? It’s strange to remember. You’re both different people now.
It’s May, 1966. You and Aemond are engaged, due to be married in three short weeks, and if you get pregnant then it’s no harm, no foul. In reality, it will end up taking you over a year to conceive, but no one knows that yet; you are living in the liminal space between what you imagine your life will be and the cold blade of the truth. Aemond has brought you to Asteria for the weekend, an increasingly common occurrence. The Targaryens—minus one, that holdout prodigal son, always glowering from behind swigs of rum and clouds of smoke—have already begun to treat you like a member of the family. The flock of Alopekis yap excitedly and lick your shins. Eudoxia learns your favorite snacks so she can have them ready when you arrive.
One night Aemond takes your hand and leads you to Helaena’s garden, darkness turned to twilight in the artificial luminance of the main house. You can hear distant voices, chatter and laughter, and the Beatles’ Rubber Soul spinning on the record player in the living room like a black hole, gravity that not even light can escape when it is wrenched over the event horizon.
You’re giggling as Aemond pulls you along, faster and faster, weaving through pathways lined with roses and sunflowers and butterfly bushes. Your high heels sink into soft, fertile earth; the air in your lungs is cool and infinite. “Where are we going?”
And Aemond grins back at you as he replies: “To Olympus.”
In the circle of hedges guarded by thirteen gods of stone, Aemond unzips your modest pink sundress and slips your heels off your feet, kneeling like he’s proposing to you again. When you are bare and secretless, he draws you down onto the grass and opens you, claims you, fills you to the brim as the crystalline water of the fountain patters and Zeus hurls his lightning bolts, an eternal storm, unending war. It’s intense in a way it never was with your first boyfriend, a sweet polite boy who talked about feminist theory and followed his enlightened conscience all the way to Vietnam. This isn’t just a pleasant way to pass a Friday night, something to look forward to between differential equations textbooks and calculus proofs. With Aemond it’s a ritual; it’s something so overpowering it almost scares you.
“Aphrodite,” Aemond murmurs against your throat, and when you try to get on top he stops you, pins you to the ground, thrusts hard and deep, and you try not to moan too loudly as you surrender, his weight on you like a prophesy. This is how he wants you. This is where you belong.
Has someone ever stitched you to their side, pushing the needle through your skin again and again as the fabric latticework takes shape, until their blood spills into your veins and your antibodies can no longer tell the difference? He makes you think you’ve forgotten who you were before. He makes you want to believe in things the world taught you were myths.
But that was over two years ago. Now Aemond is not your spellbinding almost-stranger of a fiancé—shrouded in just the right amount of mystery—but your husband, the father of your dead child, the presidential candidate. You miss when he was a mirage. You miss what it felt like to get high on the idea of him, each taste a hit, each touch a rush of toxins to the bloodstream.
Seven weeks after your emergency c-section, you are healing. Your belly no longer aches, your bleeding stops, you can rejoin the living in this last gasp of summer. Ludwika takes you shopping and you pick out new swimsuits; you’ve gone up a size since the baby, and it shows no signs of vanishing. In the fitting room, Ludwika chain-smokes Camel cigarettes and claps when you show her each outfit, ordering you to spin around, telling you that there’s nothing like Oleg Cassini back in Poland. You plan to buy three swimsuits. Ludwika insists you get five. She pays with Otto’s American Express.
That afternoon at home in your blue bedroom, you get changed to join the rest of the family down by the pool, your first swim since Ari was born. You choose Ludwika’s favorite: a dreamy turquoise two-piece with flowing transparent fabric that drapes your midsection. You can still see the dark vertical line of where the doctors stitched you closed. Now you and Aemond match; he got his scar on the floor of the Breakers Hotel in Palm Beach, you earned yours at Mount Sinai Hospital in Manhattan. There are gold chains on your wrist and looped around your neck. Warm sunlight and ocean wind pours in through the open windows.
Aemond appears in the doorway and you turn to show him, proud of how you’ve pulled yourself together, how this past year hasn’t put you in an asylum. His right eye catches on your scar and stays there for a long time. Then at last he says: “You don’t have something else to wear?”
~~~~~~~~~~
It’s Labor Day, and Asteria has been descended upon by guests invited to celebrate Aemond’s nomination. The dining room table is overflowing with champagne, Agiorgitiko wine, platters of mini spanakopitas, lamb gyros, pita bread with hummus and tzatziki, feta cheese and cured meats, grilled octopus, baklava, and kourabiethes. Eudoxia is rushing around sweeping up crumbs and shooing tipsy visitors away from antique vases shipped here from Greece. Aemond’s celebrity endorsers include Sammy Davis Jr., Sonny and Cher, Andy Williams, Bobby Darin, Warren Beatty, Shirley MacLaine, Claudine Longet, and a number of politicians; but the most notable attendee is President Lyndon Baines Johnson, shadowed by Secret Service agents. He won’t be making any surprise appearances on the campaign trail for Aemond—in the present political climate, he would be more of a liability than an asset—but he has travelled to Long Beach Island tonight to offer his well-wishes. From the record player thrums Jimi Hendrix’s All Along The Watchtower.
When you finish getting ready and arrive downstairs, you spot Aegon: slouching in a velvet chair over a century old, hair shagging in his eyes, sipping something out of a chipped mug he clasps with both hands, flirting with a bubbly early-twenties campaign staffer. Aegon smiles and waves when he sees you. You wave back. And you think: When did he become the person I look for when I walk into a room?
Now Aemond is beside you in a blue suit—beaming, confident, his glass eye in place, a hand resting on your waist—and Aegon isn’t smiling anymore. He takes a gulp of what is almost certainly straight rum from his mug and returns his attention to the campaign staffer, his lady of the hour. You picture him undressing her on his shag carpet and feel disorienting, violent envy like a bullet.
Viserys is already fast asleep upstairs, but the rest of the family is out en masse to charm the invitees and pose for photographs. Alicent, Helaena, and Mimi—trying very hard to act sober, blinking too often—are chit-chatting with the other political wives. Otto is complaining about something to Criston; Criston is pretending to listen as he stares at Alicent. Ludwika is smoking her Camels and talking to several young journalists who are ogling her, enraptured. Fosco and Sargent Shriver are entertaining a group of guests with a boisterous, lighthearted debate on the merits of Italian versus French cuisine, though they agree that both are superior to Greek. The nannies have brought the eight children to be paraded around before bedtime. All Cosmo wants to do is clutch your hand and “help” you navigate around the living room, warning you not to step on the small, weaving Alopekis. When Mimi attempts to steal her youngest son away, he ignores her, and as she begins to make a scene you rebuke her with a harsh glare. Mimi retreats meekly. She has never argued with you, not once in over two years. You speak for Aemond, and Aemond is a god.
As the children are herded off to their beds by the nannies, Bobby Kennedy—presently serving as a New York senator despite residing primarily on his family’s compound in Massachusetts—approaches to congratulate Aemond. His wife Ethel is a tiny, nasally, scrappy but not terribly bright woman, five months pregnant with her eleventh child, and you have to get away from her like a hand pulled from a hot stove.
“You know, I was considering running,” Bobby says to Aemond, chuckling, good-natured. “But when I saw you get in the race, I thought better of it! Maybe I’ll give it a go in ’76, huh?”
“Hey, kid, what a tough year you’ve had,” Ethel tells you, patting your forearm. You can’t tear your eyes from her small belly. She has ten living children already. I couldn’t keep one. What kind of sense does that make? “We’re real sorry for your trouble, aren’t we, Bobby?”
Now he is nodding somberly. “We are. We sure are. We’ve been praying for you both.”
Aemond is thanking them, sounding touched but entirely collected. You manage some hurried response and then excuse yourself. Your hands are shaking as you cross the room, not really seeing it. You walk right into Lady Bird Johnson. She takes pity on you; she seems to perceive how rattled you are. “Oh Lyndon, look, it’s just who we were hoping to speak to! The next first lady of the United States. And how beautiful you are, just radiant. How do you keep your hair so perfect? That glamorous updo. You never have a single strand out of place.” Lady Bird lays a palm tenderly on your bare shoulder. She has an unusual, angular face, but a wise sort of compassion that only comes from suffering. Her husband is an unrepentant serial cheater. “I’ll make you a list of everything you need to know about the White House. All the quirks of the property, and the hidden gems too!”
“You’re so kind. We’ll see what happens in November…”
“Good evening, ma’am,” President Johnson says, smiling warmly. He’s an ugly man, but there’s something hypnotic that lives inside him and shines through his eyes like the blaze of a lighthouse. He pulls you in through the dark, through the storm; he promises you answers to questions you haven’t thought of yet. LBJ is 6’4 and known for bullying his political adversaries with the so-called “Johnson Treatment”; he leans in and makes rapid-fire demands until they forget he’s not allowed to hit them. “I have to tell you frankly, I don’t envy anyone who inherits that den of rattlesnakes in Washington D.C.”
“Lyndon, don’t frighten her,” Lady Bird scolds fondly.
“Everyone thinks they know what to do about Vietnam,” LBJ plods onwards. “But it’s a damned if you do, damned if you don’t clusterfuck. If you keep fighting, they call you a murderer. But if you pull the troops out and South Vietnam falls to the communists, every single man lost was for nothing, and you think the families will stand for that? Their kid in a body bag, or his legs blown off, or his brain scrambled? There’s no easy answer. It’s a goddamn bitch of a quagmire.”
Lady Bird offers you a sympathetic smirk. Sorry about all this unpleasantness, she means. When he gets himself worked up, I can’t stop him. But you find yourself feeling sorry for President Johnson. It will be difficult for him to learn how to fade into disgraced obscurity after once being so omnipotent, so beloved. Reinvention hurts like hell: fevers raging, bones mending, healing flesh that itches so ferociously you want to claw it off.
LBJ gives Lady Bird a look, quick but meaningful. She acquiesces. This has happened a thousand times before. “It was so nice talking to you, dear,” she tells you, then crosses the living room to pay her respects to Alicent.
The president steps closer, looming, towering. The Johnson Treatment?? you think, but no; he isn’t trying to intimidate you. He’s just curious.
“Do you know what Aemond’s plan is for ‘Nam?” LBJ asks, eyes urgent, voice low. “I’m sure he has one. He’s sworn to end the draft as soon as he gets into office, but how is he going to make sure the South Vietnamese can fend off the North themselves? We’re trying to train the bastards, but if we left they’d fold in months. It would be the first war the U.S. ever lost. Does he understand that?”
“He doesn’t really discuss it with me.” That’s true; you know his policies, but only because they are a constant subject of conversation within the family, something you all breathe like oxygen.
“We can’t let Nixon win,” LBJ continues. “It’s mass suicide to leave the country in his hands. The man can’t hold his liquor anymore, getting robbed by Kennedy in ’60 broke something in him. He gets sloshed and shoves his aids around, makes up conspiracies in his head. He’s a paranoid little prick. He’ll surveille the American people. He’ll launch a nuke at Moscow.”
You honestly don’t know what he expects you to say. “I’ll pass the message along to Aemond.”
“People love you, Mrs. Targaryen.” LBJ watching you closely. “Believe it or not, they used to love me too. But I still remember how to play the game. You’re the only reason Aemond is leading the polls in Florida. You can get him other states too. Jack needed Jackie. Aemond needs you. And you’ve had tragedies, and that’s a damn shame. But don’t you miss an opportunity. You take every disappointment, every fucked up cruelty of life and find a way to make it work for you. You pin it to your chest like a goddamn medal. Every single scar makes you look more mortal to those people going to the ballot box in November. You want them to be able to see themselves in you. It helps the mansions and the millions go down smoother.”
“President Johnson!” Aegon says as he saunters over, huge mocking grin. He thumps a closed fist against the Texan’s broad chest; the Secret Service agents standing ten feet away observe this sternly. “How thoughtful of you to be here, taking time out of your busy schedule, squeezing us in between war crimes.”
“The mayor of Trenton,” LBJ jabs.
“The butcher of Saigon.”
Now the president is no longer amused. “You’ve never accomplished anything in your whole damn life, son. Your obituary will be the size of a postage stamp. I’m looking forward to reading it someday soon.” He leaves, rejoining Lady Bird at the opposite end of the room.
You frown at Aegon, disapproving. You’re dressed in a sparkling, royal blue gown that Aemond chose. “That was unnecessary.”
Aegon is wearing an ill-fitting green shirt—half the buttons undone—khaki pants, and tan moccasins. “I just did you a favor.”
“What happened to your new girlfriend? Shouldn’t she be getting railed in your basement right now? Did she have a prior commitment? Did she have a spelling test to study for? Those can be tricky, such complex words. Juvenile. Inappropriate. Infidelity.”
“You know what he brags about?” Aegon says, meaning LBJ. “That he’s fucked more women by accident than John F. Kennedy ever did on purpose.”
“That sounds…logistically challenging.”
“He’s a lech. He’s a freak. He tells everyone on Capitol Hill how big his cock is. He takes it out and swings it around during meetings.”
“And that’s all far less than admirable, but he’s not going to do something like that around me.”
“How do you know?”
“Because he’s not an idiot,” you say impatiently. “He was perfectly civil. And I was getting interesting advice.”
Aegon rolls his eyes, exasperated. “Yeah, okay, I’m sorry I crashed your cute little pep talk with Lyndon Johnson, the most hated man on the planet.”
“I guess you can’t stop Aemond from touching me, so you have to terrorize LBJ instead.”
“Shut the fuck up,” Aegon hisses, and his venom stuns you. And now you’re both trapped: you loosed the arrow, he proved you hit the mark. He’s flushing a deep, mortified red. Your guts are twisting with remorse.
“Aegon, wait, I didn’t mean—”
He whirls and storms off, shoving his way through the crowd. People glare at him as they clutch their glasses and plates, sighing in that What else do you expect from the worthless son? sort of way. You’re still gaping blankly at the place where Aegon stood when Aemond finds you, snakes a hand around the back of your neck, and whispers through the painstakingly-arranged wisps of hair that fall around your ear: “Follow me.”
It’s not a question. It’s a command. You trail him through the living room, into the foyer, and through the front door, not knowing what he wants. Outside the moon is a sliver; the light from the main house makes the stars hard to see. “Aemond, you’ll never believe the conversation I just had with LBJ. He really unloaded, I think the stress is driving him insane. I have to tell you what he said about—”
“Later.” And this is jarring; Aemond doesn’t put anything before strategy. He grabs your hand as he turns into Helaena’s garden, and only then do you understand what he wants. Instinctively, your legs lock up and your feet stop moving. Aemond tugs you onward. He wants it to be like the very first time. He intends to start over with you, the dawning of a new age in the dead of night.
Hidden in the circle of hedges, he takes your face roughly in his hands and kisses you, drinks you down like a vampire, consumes you like wildfire. But your skull echoes with panic. I don’t want him touching me. I don’t want another child with him. “Aemond…”
He doesn’t hear you, or acts like he doesn’t, or mistakes it for a murmur of desire, or chooses to believe it is. He has you down on the grass under the vengeful gaze of Zeus, the fountain splashing, the sounds of the house a low foreign drone. He yanks off your panties, but he doesn’t want you naked like he always did before. He pushes the hem of your shimmering cobalt gown up to your hips and unbuckles his trousers. And you realize as he’s touching you, as he’s easing himself into you: He doesn’t want to have to look at my scar.
You can’t ignore him, you can’t pretend it’s not happening. He’s too big for that. It’s a biting fullness that demands to be felt. So you kiss him back, and knot your fingers in his short hair like you used to, and try to remember the things you always said to him before. And when Aemond is too absorbed to notice, you look away from him, from the statue of Zeus, and peer up into the stone face of Athena instead: the goddess who never married and who knows the answer to every question.
“I love you,” Aemond says when it’s over, marveling at the slopes of your face in the dim ethereal light. “Everything will be right again soon. Everything will be perfect.”
You conjure up a smile and nod like you believe him.
“What did LBJ say?”
“Can I tell you later tonight? After the party, maybe? I just need a few minutes.”
“Of course.” And now Aemond pretends to be patient. He buckles his belt and returns to the main house, his blood coursing with the possibilities only you can make real, his skin damp with your sweat.
For a while—ten minutes, twenty minutes—you lie there on the cool grass wondering what it was like for all those mortals and nymphs, being pinned down by Zeus and then having Hera try to kill them afterwards, raising ill-fated reviled bastards they couldn’t help but love. What is heaven if the realm of the immortals is so cruel? Why does the god of justice seem so immune to it?
When at last you rise and walk back towards the house, you find Mimi at the edge of the garden. She’s on her knees and retching into a rose bush; she’s cut her face on the thorns, but she hasn’t noticed yet. She’s groaning; she seems lost.
You reach for her, gripping her bony shoulders. “Mimi, here, let’s get you upstairs…”
“No,” she blubbers, tears streaming down her scratched cheeks. “Just go away. Leave me.”
“Mimi—”
“No!” she roars, a mournful hemorrhage as she slaps your hands until you release her.
“You don’t have to be this way,” you tell her, distraught. “You can give up drinking. We’ll help you, me and Fosco and Ludwika. You can start over. You can be healthy and present again, you can live a real life.”
Mimi stares up at you, her grey eyes glassy and bloodshot but with a vicious, piercing honesty. “My husband hates me. My kids don’t know I exist. What the hell do I have to be sober for?”
You weren’t expecting this. You don’t know what to say. “We can help make the world better.”
“The world would be better without me in it.”
Then Mimi curls up on the grass under the rose bush, and stays there until you return with Fosco to drag her upstairs to her empty bed.
~~~~~~~~~~
The next afternoon, you’re lying on a lounge chair by the pool. Tomorrow the family will leave Asteria and embark upon a vigorous campaign schedule that will continue, with very few breaks, until Election Day on Tuesday, November 5th. The children are splashing and shrieking in the pool with Fosco, but you aren’t looking at them. You’re staring across the sun-drenched emerald lawn at the Atlantic Ocean. You’re envisioning all the bones and splinters of sunken ships that must litter the silt of the abyss; you’re thinking that it’s a graveyard with no headstones, no memory. Your swimsuit is a red one-piece. Your eyes are shielded by large black Ray Bans aviator sunglasses. Your gaze flicks up to the cloudless blue sky, where all the stars and planets are invisible.
Jupiter has nearly a hundred moons; the largest four were discovered by Galileo in 1610. Europa is a smooth white cosmic marble with a crust of ice, beautiful, immaculate. Ganymede, the largest moon in our solar system and the only satellite with its own magnetic field, is rumored to have a vast underground saltwater ocean that may contain life. Callisto is dark and indomitable, riddled with impact craters; because of her dynamic atmosphere and location beyond Jupiter’s radiation belts, she is considered the best location for possible future crewed missions to the Jovian system. But Io is a wasteland. She has no water and no oxygen. Her only children are 400 active volcanoes, sulfur plumes and lava flows, mountains of silicate rock higher than Mount Everest, cataclysmic earthquakes as her crust slips around on a mantle of magma. Her daily radiation levels are 36 times the lethal limit for humans. If Hades had a home in our corner of the galaxy, it would be Io. She glows ruby and gold with barren apocalyptic fury. You can feel yourself turning poisonous like she is. You can feel your skin splitting open as the lava spills out.
Aegon trots out of the house—red swim trunks, cheap red plastic sunglasses, no shirt, a beach towel slung around his neck, flip flops—and kicks your chair. “Get up. We’re going sailing.”
“I don’t want to talk to anybody.”
“Great, because I’m not asking you to talk. I’m telling you to get in my boat.”
You don’t reply. You don’t think you can without your voice cracking. Aegon crouches down beside your chair and pushes your sunglasses up into your Brigitte Bardot-inspired hair so he can see your face. Your eyes are pink, wet, desperately sad. Deep troubled grooves appear in his forehead as he studies you. Gently, wordlessly, he pats your cheek twice and lowers your sunglasses back over your eyes. Then he stands up again and offers you his hand.
“Let’s go,” Aegon says, softly this time. You take his hand and follow him down to the boathouse.
Five vessels are currently kept there. Aegon’s sailboat is a 25-foot Wianno Senior sloop, just roomy enough for a few passengers. He’s had it since long before you married into the Targaryen family. It is white with hand-painted gold accents; the name Sunfyre adorns the stern. He unmoors the boat, pushes it out into the open water, and raises the sails.
You glide eastbound over the glittering crests of waves, slowly at first, then faster as the sails catch the wind. Aegon has one hand on the rudder, the other grasping the ropes. And the farther you get from shore, the smaller Asteria seems, and the Targaryen family, and the presidential election, and the United States itself. Now all that exists is this boat: you, Aegon, the squawking gulls, the school of mackerel, the ocean. The sun beats down; the breeze rips strands of your hair free. The battery-powered record player is blasting White Room by Cream. When you are far enough from land that no journalists would be able to get a photo, Aegon takes two joints and his Zippo out of the pocket of his swim trunks. He puts both joints between his lips, lights them, and passes you one. Then he stretches out beside you on the deck, gazing up at the September sky.
You ask as your muscles unravel and your thoughts turn light and easy to share: “Why did you bring me out here?”
“So you can drown yourself,” Aegon says, and you both laugh. “Nah. I used to go sailing all the time when I was a teenager. It always made me feel better. It was the only place where I could really be alone.”
You consider the math. “Wow. You haven’t been a teenager since before I was in kindergarten.”
“It’s weird to think about. You don’t seem that young.”
“Thanks, I guess. You don’t seem that old.”
“Maybe we’re meeting in the middle.” He inhales deeply and then exhales in a rush of smoke. “What do you think, should I get an earring?”
“Yeah.”
“Why?”
“It might shock Otto so bad it kills him.”
“I’ll get two.” And then Aegon says: “It’s not cool for you to mock me.”
You are dismayed; you didn’t mean to hurt him. “I wasn’t.”
“Yes, you were. You were mocking me. You mocked me about the receipt under my ashtray, and then you mocked me again last night. I’m up for a lot of things, but I can’t handle that. Okay?”
“Okay.” You turn your head so you can see him: shaggy blonde hair, stubble, perpetual sunburn, the softness of his belly and his chest, flesh you long to vanish into like rain through parched earth. “Aegon?”
He looks over at you. “Io?”
“I don’t want Aemond to touch me either.”
He’s surprised; not by what you feel, but because you’ve said it aloud, a treason like Prometheus giving mankind the gift of fire. “What are we gonna do about it?”
If you were the goddess of wisdom, maybe you’d know.
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austinkleon · 3 months
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Adolph Dehn, The Great God Pan (1940)
Over at the Philadelphia Museum of Art site you can see the multiple layers of this screen print by Adolph Dehn of some nuns painting the god Pan. Pretty great.
This lithograph is also great:
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I'd never heard of Dehn's work before — he was a friend of the great Wanda Gág, whose book Millions of Cats I read to my kids “millions and billions and trillions” of times.
He did a lot of nun pieces:
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Here's a biography of Dehn from The Smithsonian:
Dehn's satirical prints of European and New York scenes were the product of an unconventional Minnesota upbringing and an iconoclastic eye. The son of a feminist, socialist mother and an atheist, anarchist father, he was not destined for a quiet life. He studied at the Minneapolis Art Institute and the Art Students League in New York, after which he was imprisoned as a conscientious objector during World War I. On his release Dehn took odd jobs and made his way to Europe, where his work as a magazine illustrator supported him and his Russian immigrant wife in their travels. While in Europe Dehn was a critical observer of the social scene, especially in Vienna and Berlin, and a light-hearted painter of park scenes and landscapes. In 1930, after his return from Europe, his work, on both European and New York subjects, was shown at the Weyhe Gallery in New York City. The critical response was good, but sales were only moderate. In the mid-1930s, Dehn began to paint watercolor landscapes, which proved immensely popular. As a result, new commercial opportunities opened, including travels through the United States, Mexico, and Venezuela. His fame led to offers to teach and then to work for the Navy during World War II. Throughout the forties, fifties, and sixties, Dehn and his wife traveled around the world, doing commercial work and lithography. His work became less satirical and more fanciful, and he experimented with new graphic techniques. He died of a heart attack in 1968 while planning new trips, beginning a book, and organizing a retrospective.
See more of his (non-nun) work here.
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SUMMARY: On the rainy night of October 2, 1968, eight characters waiting on a remote bus station for a bus heading to Mexico City start experiencing a strange phenomenon.
This movie is very 60s inspired down to the poster of the film, it looks really interesting.
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workingclasshistory · 2 years
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On this day, 16 October 1968, Black sprinters Tommie Smith and John Carlos raised their gloved fists in a Black power salute during the playing of the US national anthem as they were awarded gold and bronze medals at the Olympics. Smith would later clarify: “I wore a black glove to represent social power or Black power; I wore socks, not shoes, to represent poverty; I wore a black scarf around my neck to symbolise the lynching, the hangings that Black folks went through while building this country.” Following the protest, they were largely ostracised by the US sporting establishment. While Time magazine now considers their picture of the event as the most iconic photograph of all time, back then they wrote: "'Faster, Higher, Stronger' is the motto of the Olympic Games. 'Angrier, nastier, uglier' better describes the scene in Mexico City last week." Back home, both Smith and Carlos were subject to abuse and they and their families received death threats. The Australian athlete Peter Norman, the other man on the podium, also showed solidarity with the protest wearing an 'Olympic Project for Human Rights' badge in protest of his government's 'White Australia' policy. He too would also be reprimanded by his nation's Olympic authorities and was not picked for the following Olympic games — although it is disputed whether this was as a consequence of his stand in Mexico. After Norman’s sudden death in 2006, Smith and Carlos helped carry his coffin and delivered eulogies at his funeral. Pic: Angelo Cozzi/Wikimedia Commons For this and hundreds of other stories for everyday of the year check out our book: https://shop.workingclasshistory.com/products/working-class-history-everyday-acts-resistance-rebellion-book https://www.facebook.com/workingclasshistory/photos/a.1819457841572691/2111037789081360/?type=3
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