#might change some parts

[maudiemoods]

I will become my own blorbo

About time I made a jester sona

[umblrspectrum]

got carried away practicing in preparation to make something else

[beaulesbian]

I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.

first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.

and then his funny scene - his legs are like jelly that he tries to get under control,

he stumbles, falls, rolls into a mix of all his limbs and eyes,

and then only the cloud behind him cushions his fall

- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.

It's just fascinating!

[nebulaeyedfish]

Duck Newton fans unite RB if you’re a true Duckhead!!!! 💥💥💥

Tags: @swanofstorie @raise-me-up-take-me-up @imflyingfish

See pinned for commissions :)

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[2700k-moogie]

Milk ref sheet done yaHOOOOOOOOOOO lookit my big beautiful baby they filled with joy and happiness

[verdantglow]

I believe it’s true,

‘Cause nothing matters when I’m all wrapped up in you.

(Made a Boat Boys playlist the other day. It’s not quite done & ready to post yet, but I’ve decided I want to go through it & do paintings for a few lyrics from each song on it. Here’s the first one. ^^ )

[auncyen]

act 5 au

today's writing progress which. may very well require changes lol

-

"I still have some questions," Odile says, and you bite back a sigh because of course she does. "You've been looping in time. What was this afternoon about? Why not just tell us then? What was the point of showing me the familytale today? You could have shown me when the loop was over."

"Because it makes you happy, and then you learn a useful skill." You hate the answer as soon as it leaves your mouth. You don't want to lie, but maybe that's too honest. Just tell them you're manipulative, why don't you?

Well, you are. That's why you showed her the familytale.

"Oh, huh." Isabeau sounds pensive. "Yeah, I've heard emotional clarity is good for figuring out new techniques. …You were trying to teach Bonnie something, too, weren't you? Though, putting yourself in danger really isn't a good way to do it, Sif. That was, uh, about the worst thing you could have done with them."

You roll your eye. "It always worked before. I wasn't in any real danger." The worst case scenario was that you'd need to loop, and it'd be really pathetic if such a weak Sadness caused that.

"Thaaaat's not how it sounded." Isabeau leans against the sink, folding his arms. "…You were trying to do that with all of us, weren't you? We were supposed to go stargazing? And, uh…" He looks over at Mirabelle, who huffs, seeming to have calmed down from her tears enough to manage indignation.

"I don't know how I would get any kind of 'emotional clarity' from that--"

"I said it wrong! I meant--"

"No, no! I want to figure it out myself," Mirabelle insists, puffing her cheeks out at you, so--fine. She doesn't need to know that skill anyway, her regular shield will do just fine--

You still haven't reminded her about the CARROT method. Stars. "Okay, but you do need to learn how to make a shield. So, remember the CARROT method, and figure it out."

Everyone looks baffled by various degrees, but that's fine. Mirabelle always looks confused when you hint it to her at the start of a loop anyway. "You know about the CARROT method?" Isabeau asks.

"No, I just know that she knows the CARROT method, and it helps her figure out how to make shields."

"What happens if I don't figure it out?" Mirabelle asks.

"King kills us."

…Oh, that was definitely a too-honest answer. Mirabelle's eyes go round as saucers as one hand flies to her mouth, and even Odile looks alarmed next to her. "…Sif," Isabeau says slowly. "The way you said that…have we actually died?"

You look aside. "He finishes me off first and then I loop back, so, I don't think so?" Not as long as there's only one timeline getting reset, which you have to believe. You can't stomach the situations you've left the others in if they stayed after you were gone. "But it doesn't look good."

"You've died." Isabeau doesn't seem to take any relief from the clarification.

"And then I loop back, and I'm fine!" You sweep your hand in front of yourself, from the brim of your hat to just below your hips, and smile at him. "See?"

His eyebrows stay hovering far above where they normally would rest. You keep smiling at him, fighting not to bare your teeth.

"Sif--"

"Stars, Isa, am I bleeding?" you snap. Why can't he just believe you? "Do you see some gaping wound I've missed? Looping resets everything! I'm not hurt! I'm fine!" You turn to Odile. "Why would I tell everyone I'm looping through time when people are going to get hung up on stupid things like this?"

Odile looks so disappointed with you. "Do you really think you're fine, Siffrin?"

[lunarharp]

Very important conferences.

[antzinha]

Woah splatoon headcanon thingy.. I am not good at wording my ideas and whatnot really well so some parts might be weird to read but overall I think I got the point across well

[ponytailzuko]

writing down my overall thoughts on the live action

first of all, i walked into my step dad watching it of his own free will - and then me and my entire family sat down to watch it. both my step dad and mom had never seen the cartoon in their life, so this was a first time viewing for them. they enjoyed it. my mom even asked where season 2 was. so i think the live action served its main purpose - get new people who haven't watched or wouldn't have watched the cartoon into the franchise. they did it! yippee.

anyways, my own thoughts have an inherent bias due to having seen and loved the cartoon. i believe my parents when they say that from their perspective, it holds up on its own. obviously, i don't think it was ever going to be better than the cartoon, but wanted to write my opinions what i liked, changes i enjoyed and changes i didn't, etc.

putting it under a read more because this sucker is long:

i don't know anything about film making - set design, props, fashion, cgi, etc. nothing particularly stood out to me in a way that ruined the show, and i only really pay attention to it when it serves the story. so i'm just not going to comment on it for the most part. most of this is about writing choices i liked or disliked. anyways here we go.

the good:

aang was a highlight for me. i know some people have problems with moving his backstory to the very beginning of the story, but i liked it. it immediately made me get in aang's shoes and feel his connection with his people, his home, and gyatso - and made it very easy to connect with his grief when he woke up from the iceberg. live action really emphasizes the last airbender part of the title throughout, and how aang feels isolated in his duty as the avatar, as the last airbender preserving his culture, and by being from another world - lost in time.

i liked how he sought out his past lives so often. really makes him feel like a child who doesn't know what he's doing and had the rug pulled out from under him by losing gyatso too soon. he's looking for adult guidance, and kyoshi, roku, and kuruk are all there telling aang THEIR version of how to be the avatar. feels like good set up for later when aang gets to define HIS version of the avatar, and how he wants to bring peace to the world. we already see it with their versions of the avatar feeding into aang's feelings of guilt and self-isolation - that he needs to do things on his own. it gets concluded with katara and sokka declaring him family, and they won't leave no matter what.

in that nature: adding more emphasis on katara's grief as well, since it was APPARENTLY not enough for people watching the cartoon and called her whiny for mentioning it. in general, it feels weird that katara's flashback to her backstory happened in season 3 of the cartoon when there was a whole episode dedicated to aang and zuko's backstory all the way in season 1, another one for zuko's backstory in season 2, and then bato of the water tribe elaborated on sokka being left by hakoda. glad to get katara backstory earlier. love you katara <3

and from that: sokka and katara's conflict being about if she should waterbend. feels very natural and something they would fight over. it is a vital aspect to their culture, but also if word gets out there is a waterbender in the village, there could be another raid.

aang stealing zuko's notebook is another highlight. it is both such a petty kid thing to steal and be upset about someone reading your diary, but also it actually serves a purpose in giving aang a guide for his avatar journey. the show sacrificed paralleling aang and zuko's backstories like the storm, but they still intertwine aang and zuko's story through this notebook and the connection aang makes with zuko through it. very sweet.

in that note: the set design adding little things such as those little statues in zuko's room. feels like it really was lived in by someone obsessed with finding the avatar for 3 years. i really liked details like that they put throughout the show

suki extrapolation with her mother and her conflict of being duty-bound to her village but wanting to see the world, and how this relates to sokka. made me genuinely invested in their relationship in a way i wasn't from the cartoon. i also loved the actress' portrayal of suki, she's so awkward and i love it. need to see more of her.

iroh in season 1 of the cartoon feels less like his own fleshed out character and more of a comedic relief expansion of zuko's b plot. he's made to make zuko's slice of the show more fit for a fun kids show by giving him someone to talk to and be funny with. he's a fun tea-loving uncle, but it's hard to parse what he really feels until later. live action iroh keeps that fun tea-loving aspect, but he has his own baggage and its GREAT. i think i genuinely enjoyed live action iroh more than the cartoon. he has so much more growing to do. could talk about this version of iroh (and his relationship with zuko) forever. i need season 2 just for him.

iroh and aang's prison arc together.

making zuko's crew have issues with him earlier and making them 41st division was nice. i really liked that change.

secret tunnel with familial love between katara and sokka was so cute. enjoyed it.

the ???:

azula and ozai's addition is a 50/50 to me. i think the sick power plays ozai is doing between his two children are genuinely interesting. the change in how ozai doles out praise and the dynamics between azula and zuko is also interesting and i enjoyed it. but i also find their screen time unnecessary. could be used to further the dynamic between the main protagonists, or they could be saved for season 2 or 3. did like how azula used zhao to thwart zuko and it fucked zuko up immensely in the head. very nice. also not sure how i feel about azula being good at archery, feels like getting good at a nonbending discipline isn't something that meshes well with her character for me, but that's a nitpick.

combining plotlines such as jet and the mechanist in omashu + the change with bumi was... fine? it served its purpose. liked some aspects and didn't like others.

the spirit world stuff was really cool and i enjoyed how koh preys on people lost in the fog. very interesting concepts that got us to be able to experience katara and sokka's backstory first hand. felt immersive to me. but also wtf, wan shi tong? katara and sokka being gone from the plot for so long? come backkkkkk! COME BACK! DO WE HAVE TIME FOR YOU TO BE IN SPIRIT JAIL WHEN I HAVEN"T SEEN YOU GUYS INTERACT ENOUGH? i did like yue being in the spirit world and interacting with sokka. that was cute as hell.

northern water tribe and yuekka had parts i liked and parts i didn't. they kept the sexism and arranged marriage but also yue opted out? feels detrimental to yue and sokka's relationship and how they connect to each other out of their sense of duty. did really like hahn being nice, it would have been really interesting to see how yue felt stifled with an arranged marriage even if hahn was perfect. also liked yue being able to waterbend and the little scene with yue and sokka making dessert, so cute. yue freezing sokka to the ground before sacrificing herself.... didn't like that. wish they let sokka let her go, understanding it was her choice.

katara in the nwt as well. katara fighting master pakku and losing, but everyone watching thought she was SO COOL. loved the guy asking how she did the ice disks and she has to teach him. but confused on the fact that pakku doesn't take her as a student, and we don't see her being taught but people still refer to her as a master. i'm going to assume she learned waterbending by learning from her fanclub and also teaching them her moves.

why did they almost kill momo?

the bad:

everyone and their mother has said the exposition is bad so i won't hammer it home too much. this isn't actually much of a problem for me because it was actually necessary to get the point home to my mom who was watching it for the first time. i was also told that screen test audiences asked for the exposition to be added in the first episode after production, so i don't have much to say there.

aang's decision to leave home not being running away but due to the fact that he was stepping out to get a breather. this felt like a weird change to me, since the rest of the show hammers in about aang running away from his problems and his duties in a way the cartoon doesn't. would have felt WAY more heartwrenching to see the temples under attack while aang runs away from being the avatar and it would have hit harder when gyatso tells aang to let go of that guilt and pain... that it wasn't his fault. it was harder to feel the root of aang's guilt when i know that he didn't even plan to leave for very long. alas!

continuing from that point about aang's attribute of 'running away': lack of episodic plotlines. everyone and their mother has also hammered home about the lack of them from cartoon. i don't actually hate the change, but i do think it does some disservice to aang's character that they didn't adjust for. i'm being told that aang runs away, but i haven't been shown aang doing so. i've been seeing aang do his duty as the avatar and research it every episode. give me a reason to believe why this is a character flaw that aang needs to face.

similarly, i think this does a detriment to katara's role in book 1. since aang is more focused on what he needs to do as the avatar, katara becomes more his partner in finding out more about what it means to be the avatar instead of pushing him to be more motivated into doing so. (ex: 'we need to continue on our journey and not stay on kyoshi island' or 'we need to help haru in this village')

aang, katara, and sokka get separate plotlines so much that they don't feel like a solid dynamic. again, detriment of the lack of the smaller episodic plots. does make more sense that katara says aang is family at the end of season 1 instead of the beginning for this reason, though.

katara feels like one of the weakest aspects of the show to me. katara doesn't get the narration. katara isn't the first thing when aang gets out of the ice. and katara's rage just feels lost. i think a simple script or direction change in ep 1-2 to make katara's actress play her with more of that rage during her arguments with sokka would've worked wonders. katara has this feeling of anger at injustice that motivates her throughout the cartoon and i don't feel it here. also miss some of her sass - katara should've hit aang in the head with an acorn.

sokka's weird engineer arc? he's a warrior. why are you saying it's okay to not be a warrior when he is - what is up with setting up sokka as a disappointment to hakoda? HELLO? DOES ANYONE HEAR ME? i'm confused where they're going with this, please tell me that sokka has misinterpreted and created that memory due to insecurity. this is where my bias is totally coming in. this worked fine for my parents who hadn't ever seen it. BUT WHERE ARE THEY HEADING WITH THIS?

kinda wish information about zuko's situation was dropped more subtly throughout instead of zuko being like "my father banished me and i need the avatar to get back" like episode 1. like ok give me a moment to just be like "ugh this zuko kid is a fucking BITCH" before i have to feel for him, damn.

also zuko going straight to barbecuing feels weird to his character when they're also trying to tell us that zuko's capable of kindness and also has a strict honor code? zuko is against using bounty hunters in a way he's not in the cartoon. he talks down on the terrorism in omashu since its not 'honorable', but he also was about to burn katara who was down on the ground. of course, realistically if you're throwing fire around, you are going to burn people. but there was a suspension of disbelief in the animated version that isn't in the live action. zuko does things such as immediately resorting to fire instead of hand to hand in his fight with sokka. in the live action, i'd expect zuko to use MORE hand to hand in comparison to fire, not less. plus the fact they took out moments such as zuko not burning zhao in the agni kai or holding his hand out to save him during the north. weird dissonance at points with his character for me.

[sesamenom]

was looking through some of my old art and found my original feanorion designs (minus parts of curufin and ambarussa)

[canon-gabriel-quotes]

Gabriel but underneath that armour he's bird demon howl from howls moving castle

Had to look it up cause I don’t watch anime

Approved, but without the human face

[questionablealibi]

I FINALLY FOUND SOME FREE TIME TODAY AND THAT MEANS MORE ONEIL RAHHHH

Finishing and posting o'neil's (and elias') reference sheet <<<< piecing their design doodle by doodle /silly

Im unfortunately not the type of person who can juggle academics and social media at the same time :'D but that wont stop me from trying to post! >:)

Version without text underneath the cut!

And of course, additional thoughts about the design in the tags ;)

"Dalaga" means young lady in tagalog! ^^

[lastoneout]

I'm genuinely convinced the thought process goes:

> people who abuse children are horrible, irredeemable monsters who deserve to have their human rights stripped away and burn in hell for all eternity, no good person would ever hurt a child

> *tons of scientific evidence comes out showing that hitting your kids is basically abuse and does immense harm with absolutely no good to balance it out and in the worst cases it leaves lasting psychological damage those kids carry for life*

> but wait...my parents spanked me as punishment, but they aren't horrible evil people who deserve to die! I love my parents and they loved me, they're good people and good people would never hurt a child, and I surely don't have issues as a result of being hit, so that must mean hitting your kids isn't abusive

> the cycle continues, nothing changes, kids keep getting hit

and like I get it, I get it, but I just want to grab these people and be like "welcome to the complex reality most actual abuse survivors have to contend with every single day of our lives, it sucks, but since I've been through it I can give you the answer I had to work out over years of therapy for free; you are still allowed to love--and even FORGIVE--people who hurt you"

[ohitslen]

The fact that studio Orange is so in love with the manga and pays attention to the details from it, makes me want to trust that they will stick to at least some of the body horror there’s in the manga,, li k e cannn you imagine this—

Can you. I Can.

And I Want It. I yearn for it.